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Boston Bands: Our 72 


studios 


Cape Cod: A guide to dining and drinking on the Cape 

















WILD ABOUT 


PAPA} 
IN ARTS 


Michael Matza’s 
report from 
a scholarly 
conference 
and exhibit on 
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Evelyn becomes a star 


Lights, camera, Murphy 


by Renée Loth 


hen the lights dimmed, and Evelyn 
Murphy’s slide show brought 3000 
weary delegates at the Democratic 
Party convention to rapt attention, campaign 
manager Joe Baerlein glanced toward the rear 
of the hall and smiled. While the delegates 
were endorsing Michael Dukakis for governor, 
a Murphy worker had quietly moved two 
American flags so that they covered the exit 
lights, heightening the impact of Murphy’s 
film. “I looked up,” recalls Baerlein, “and I 
thought, ‘Jesus, we’re cookin’. Even that 
worked.’ ”’ 
Like the rest of the Murphy campaign, the 
_ lights worked — from the near-total darkness 
to the precisely timed spotlight that revealed 
the candidate standing, resplendent, when the 
film ended — because her workers are 
compulsive in their attention to detail. A full 
two days before the proceedings began, 


Murphy workers started negotiating with the - 


Springfield Civic Center electricians, janitors, 


sound men, and security guards who would be 
working the convention hall. “We bought them 
drinks, we gave them T-shirts, we talked with 
them,” said Baerlein. “By Friday night we 
owned the place.” So much so that fortune 
cookies bearing the message EVELYN MURPHY IS 
IN YOUR FUTURE just missed making their way 
into the delegates’ official Democratic State 
Committee box lunches. 

By now, many have heard about the 
awesome work of the Murphy organization: 
the home-town newspapers provided for 
delegates at Saturday breakfast, the lightning 
response to the slightest softening of support 
on the convention floor, and the “spon- 
taneous” demonstration for Murphy that 
erupted over the theme song from Chariots of 
Fire — the perfect Rocky music for liberals. 
Murphy, who had never run for public office 
and had never worked in a campaign, saw 
winning the convention endorsement as an 

Continued on page 7 





75 cents 

June 1, 1982 
Boston's largest weekly 
Five sections 

180 pages 


Cousin against cousin 


Death 
in the 
family 


by Charles P. Pierce 


he back door of the 

] duplex at 79 Kinsman 
Street in Lowell has taken 
quite a beating in the past six 
years. Ted Connolly has become 
quite familiar with the sound of 
glass shattering on his kitchen 
floor. In the early-morning 
hours of March 19, he heard it 





} again. He ran upstairs. 


Connolly had been watching 
television with a friend. His 
wife, Susan, was working a late 
shift at a nearby hospital. Kris- 
tin, Susan’s 12-year-old daugh- 
ter by her first marriage, was 
asleep. 

Connolly’s friend froze in the 
living room. He watched as a 
hand reached in and turned the 
doorknob from the inside. The 
intruder stepped into the 
kitchen. Ted Connolly came 
back downstairs with a rifle. 

The police would arrive at 1:30 
a.m. So would an ambulance. 
Later that night, Ted Connolly 
would be booked on a charge of 
murder. The next day, he would 
be arraigned on the same 
charge. Five days later, the 
Commonwealth’s revised law 
on the use of deadly force in 
the home — a statute which 
makes it less likely that some- 
one in Ted Connolly’s position 
would be charged with a crime 
— went into effect. 

But the old law still held on 
March 19, and a man lay dead 
on the red tiles of Ted Connol- 
ly’s kitchen floor. The man was 
James W. (Jimmy) Connolly Jr. 
— first cousin to Ted Connolly, 
first husband to Susan Connol- 
ly, and natural father to Kristin 
Connolly. He had been killed 
instantly, shot once,through the 
heart. 

Last Thursday, a Middlesex 
County grand jury indicted Ted 

Continued on page 16 








THE BOSTON PHOENIX, JUNE 1, 1982 





UNDER THE 
INFLUENCE? 


If you're feeling.sorry for the Massa- 
chusetts business community because of 
its inability to influence affairs of state, 
take heart. Floating through the legis- 
lature is a bill that would allow corpor- 
ations to finance political-action commit- 
tees (PACs), to pay for such incidental 
expense as salaries for campaign work- 
ers and rent. 

Corporations have been prohibited 
from contributing to candidates for local 
offices, and to committees to elect such 
candidates, since 1907. And look what 
that’s gotten us. Noting the problem, the 
Joint Election Laws Committee recently 
backed the PAC bill, after represen- 
tatives from Associated Industries of 
Massachusetts (AIM) pointed out that 
most other states allow corporate politi- 
cal contributions, and that federal law 
allows businsses to donate money to 
PACs that give to candidates running for 
federal office. 

Not that it made any difference, but 
one of his aides reports that Secretary of 
State Michael Connolly is dead set 
against bringing the PAC-men to Massa- 
chusetts. 

For now, the bill rests safely in the 
House Ways and Means Committee. But 
since one of its co-sponsors is House 
Majority Whip Vincent. Piro (D-Somer- 
ville), it likely will re-emerge, no doubt 
just before dawn as the session is about 
to end — when everyone's looking the 
other way. 


DO NOT 
BEEPGO... . 


Electronic banking is coming to Mon- 
opoly, and it’s about time. New England 
Business reports that Parker Brothers of 
Beverly, Massachusetts, this Summer will 
begin offering an electronic gadget that, 


like electronic bahking equipment in the 


real world, is intended to speed business 
along. 

This accessory, which sits on the game 
board, will obviate the need for players 
to take turns being banker. With Play- 
master, a button spins the dice and 
unowned property is put up for auction 
— just as in Boston. Playmaster can lend 
money, at very reasonable 10 percent 
interest (no floats); those loans become 
due in seven to nine turns around the 
board. 

One less-than-realistic feature: Play- 
master (which is expected to retail for 
between $55 and $60, according to New 
England Business) salutes. each 
bankruptcy by playing taps. In the real 
world, of course, you just file for Chapter 
11 and reorganize. 


WHOSE 
PARTY? 


When Bill Owens of Mattapan, the 
Massachusetts Senate’s only black mem- 
ber, changed his party registration from 





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Owens: Lincoln, indeed 

Democratic to Republican, he reminded 
people that he was joining the party of 
Lincoln. Now cames former state Rep- 
resentative Royal Bolling Sr., father of 


‘state Rep Roval Ir. and City Cotncilor 


Bruce Bolling. Son Bruce would like to 
unseat Owens this fall. From the inbound 
side of the Dudley Station platform, or 
from a good seat on the’ Orange Line, one 
can spot.a Bolling campaign poster. The 
hand-painted broadside declares: “Only 
two men in this race. Roval Bolling — 
Ronald Reagan 


THE FIRST 
VICTIM | 


Listeners to National Public Radio’s 
broadcasts of on-the-scene accounts of 
the Argentinian conflict as viewed by 
British journalists are warned that these 
reports “are subject to British military 
censorship.” Unfortunately, the TV 
networks have not been attaching such 
qualifications to the stories they've been 
receiving from reporters on board ships 
in the British task force. 

They should. As the London-based 
Economist reports in its May 28 issue, 
those stories are subject to three levels of 
compulsory government review even 
before they are transmitted. For example, 





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London Times reporter John Witherow, 
on board the HMS Invincible, has his 
dispatches censored by “the defense 
military press officer, the captain's 
secretary, and, finally, by the--captain 
himself’ — before they leave the ship. 

From there, these thrice-censored re- 
ports are transmitted to the HMS War- 
rior, where they are reviewed by the 
commander-in-chief of the fleet (who 
has requested deletions of information 
already widely reported elsewhere). 

Beyond all that, the British press has 
since, 1912 followed the practice of 
phoning a military official for advice on 
whether details of military actions con- 
tained in news stories are in violation of 
the military-issues guidelines and should 
be deleted. The official in question, Rear 
Admiral William Ash, has been receiving 
about three such calls a day since the 
Falklands were invaded, the Economist 
reports. ‘So far nobody has ignored his 
advice.” 


SPORT 


“Attract and hold more wild ducks!” 
screams the headline in the catalogue. 
That headline introduces a price list for 
grass seeds and plant roots that will, you 
know, entice game birds to choose your 
lake (or pond) for the summer, so that 
you can knock them off before they leave 
for the sunny South next fall. Wildlife 
Nurseries of Oshkosh, Wisconsin, is 
serious about offering sportsmen the 
opportunity to make the game come to 
them. 

Chufa (ground almond), the catalogue 
notes, “does well in fairly sandy soil” and 
is “good food for ducks, doves, quail, and 
turkeys,” whereas false bittersweet, 
which has “attractive red berries,” will 
prove: irresistible to ‘‘wild ducks, 
pheasants, woodcock, and snipe.” Cer- 
tain plants, like crown vetch, bird’s-foot, 
trefoil, and cicer milk vetch, will even 
attract deer to your back door. 

Neither does Wildlife Nurseries over- 
look the fisherman. A new offering in 
this year’s catalogue is live bait frogs 
($32.50 for 100). “Choice natural food 
will increase the size of your game fish,” 
the mail-order house explains. And it 
advises, ‘Use as bait when fishing or just 
release in your ponds for added natural 
food, as these small, green spotted 
leopard frogs are sought after by all 
carnivorous type fish.” And it notes that 
the one-year-old frogs are “ideal for 


‘ 


feeding bass, catfish, muskie, and other 
game fish.” F 

But what, you might ask, are the frogs 
to eat? Wildlife Nurseries has the answer: 
crayfish ($15 for 25), which are “excellent 
bass bait, as well as good food for frogs.” 

All this planting and baiting takes 
time. So, for the impatient ... buy the 
game itself. “When you've completed 
your feeding and nesting areas on your 
marsh, swamp, pond, etc.,” the catalogue 
advises, “then you can legally increase 
your flock by releasing hatchery 
raised pure mallard ducks that will grow 
up on your land, become ‘imprinted’ or 
conditioned for return after migration.” 
The ducks cost only $3.60 each (dis- 
counted to $3.30 each for orders of more 
than 100), and ‘‘when they arrive, you 
simply let them go on your marsh or 
pond and they will fend for themselves.” 

We considered ending this little item 
with something clever, such as “What's 
wrong with feeding the wing that you 
will bite,” but thought better of it. 


‘TURNABOUT 


Skip Bayless is one of ‘the most 
celebrated free agents in sports. His 
contract isn’t much by Dave Winfield’s 
standards: Bayless is earning a reputed 
$600,000, spread out over five years. But 
then Bayless isn’t a ballplayer. He’s a 
mere sportswriter, a former columnist for 
the Dallas Times Herald who has been 
lured away by an offer of big bucks from 
the rival Dallas Morning News. And if 
you think Dave Winfield’s contract set 
sports folks to talking, that chatter is 
nothing compared with. what a mention 
of Bayless’s good fortune will do. Most 
shocked are athletes themselves, who are 
baffled at being interviewed by someone 
making more than they do. Typical is the 
case of the NBA Dallas Mavericks star 
rookie Jay Vincent (allegedly getting a 
mere: $85K per annum): When ° first 
introduced to Bayless, Vincent could only 
say, ‘Man, no sportswriter’s supposed to 
make that much money.” 


LECTURE 
NOTES 


Zionist House, at’ 17 Commonwealth 
Avenue, Boston, tells us that Benno 
Varon, former Israeli ambassador to 
Paraguay, Jamaica, and the Dominican 
Republic, and writer and lecturer, will 
speak at 2 p.m. next Sunday. The topic: 
“Why Doesn't Menachem Begin Speak 
Like Abba Eban and: Look Like Paul 
Newman — Or, The Problem of Israel's 
Image.” 


THE OCCASION 
OF SIN 


The Legion of Decency’s “Condemned” 
rating for movies always puzzled 
celluliod-hungry Catholic kids. What 
happened to people who acted in them? 
Were Sven, Inga, and the Shepherd Lad 
(not to mention the sheep and the 
choirboy) doomed to an eternity of 
Parcheesi with the Man Downstairs? 
And more important, were the coming 
attractions for Condemned movies mere- 
ly venial sins? 

Well, such concerns are behind the 
youth of today. American Film reports 


that the United States Catholic Con-. 


ference has effectively eliminated the 
“C= rating, merging it with the “B’ 


classification (“morally objectionable in 


part for all’) and creating a new “O” 
category (“morally offensive’). 

Which is all perfectly logical. But it also 
makes one not a little nostalgic. No one 
who grew up Catholic during “the 
Legion’s heyday ever paid much atten- 
tion to all that “G,” “PG,” “R,” and “X” 
folderol. After all, if you risked seeing a 
movie panned by God, who gave a damn 
about Jack Valenti? 





Those just in this week were Richard 
Gaines, Michael Gee, Renée Loth, Alan 
Lupo, Dave O'Brian, Charles P. Pierce, 
Michael Rezendes, and Alan Schofield. 


- 


ean 
nuts 











by Alan Lupo 


The story of a city kid 


en Canning slumps down on the 
K and the floor begins 
rumbling. His sizable feet, en- 


cased in sneakers, beat a staccato on the . 


floorboards, his knees bounce up and 
down. The young — I've noticed from 
watching my own — do not sit still. They 
are a study in continuing motion, an 
energy source the nation has not fully 
tapped. 

This nation instead distrusts its young 
men and women. We the people peer out 
from behind our blinds and blinders and 
watch the young in charge of the streets. 
They bounce, they jive, they shuck, they 
dance, they spar, they hustle, they shove 
in anger and love, and we too often 
withdraw, some of us terrified, many of 
us confused — especially if we have 
forgotten to talk with them and choose, 
instead, only to read about them. And 
what is it that we read? That they rob. 
That they fight. That they kill, harass, 
drink, do drugs, rape, and rage about like 
Vandals and Visigoths ready to sack the 
split-levels and tear down the three- 
deckers. 

Actually most of them, like most of us, 
get up in the morning, grab something to 
eat, go to school or to work, come home. 
We don’t read about that group. The 
mundane is not news, | suppose. But if 
we never mention the norm, then the 
only message we send out is that of the 
screw-up and the thug. And rarely do we 
write about the kid who grows beyond 
the norm, who puts out a little more and 
reminds us, if we care to think on it, that 
for every wild one there's a calm one, for 
every terrorist a peacemaker. 

Ken Canning, 18, is a voluntary 
prisoner for more than an hour, having 
agreed to sit in one place and be 
interviewed. He had thought about this 
for more than three weeks. He had not 
been sure about this interviewing busi- 
ness. When he concluded that it wouldn't 
hurt too much, that he wouldn't be 
pictured as some kind of hero — an 
image he scoffs at — he agreed. 

He is the oldest of five kids. Their dad, 
a retired cop, lives in Southie; they live 
with their mother, Ginny O'Neill, in the 
heart of Jamaica Plain, in a two-story 
house that serves not only as a home but 
also as a social center and dining hall for 
tenants, friends, business associates, 
pols, community activists, and a variety 
of other wayfarers. They are city kids, 
three boys and two girls, wise to the 
subtleties of the street, veterans of the 
Orange Line,-all of them in the public 
schools. 

City kids have a sixth sense that 
suburbanites do not, an inner early- 
warning system that signals to them that 
a certain corner would best be avoided 
tonight, that a particular group of youths 
is strung out and is seeking to do its bad- 
ass deed for the day. But one warm 
Friday night in April, even Ken and his 
friends were somewhat surprised. 

Canning was working behind the 
counter at the Brigham’s in Jamaica Plain. 
With him were Tony Drew, 16, and 
Andris Soble, 17, the night manager. 
Hanging around were a couple of friends, 
Steve Favorito, 30, and Cess Frazier, 14. 
They had locked up for the night and 
were cleaning up. It was about 11 p.m., 
and Favorito was heading out the back 
door to his car, which was in the parking 
lot. Suddenly, Ken says, Favorito fell to 
the floor and yelled to Cess Frazier, “Go 
tell them I’ve been shot.” The guys were 
always horsing around, and they figured 
this little gig was the latest routine. Tony 


was about to drop an ice cube down 


Steve’s back, but Steve warned, “Get 
away from me.” 

A guy was standing there, and he 
wasn't one of the boys, though he looked 
like someone who had been in earlier. He 
was in his 20s, Ken figures, and to them, 
he looked like “a college kid.” Dirty 
blond hair parted down the middle, 
glasses, maybe five-foot-six, skinny and 
carrying a knapsack. Nothing strange 
there. What put people off was the gas 
mask on his kisser and the knife he was 
wielding. He also had an unusual order 
— to wit, the money in the cash register, 
to go. . 


Peggy McMahon 


“I come out and see him there,” Ken 
says. “He’s got on a gas mask and 
glasses. And he’s got this long kitchen 
knife. At first | thought it was a joke, ha, 
ha, and then I see no one else is laughing. 
Andris comes upstairs laughing and then 
sees this guy and says, ‘Oh, shit!’ Steve 
wasn’t shot. He was faking a heart attack, 
hoping that everyone yelling would scare 
the guy off. Steve got up, turned around 
and told Tony to get the money. Tony 
hands the guy the tray from the register 
with about $80, and the guy leaves. Then 
we look at each other and say, ‘What are 
we gonna do, let him take the money?’ 
Andris grabbed the fire extinguisher. | 
grabbed my Mace, and Steve grabbed a 
coffee pot. We ran out the back, while 
Tony called the cops, and we see this guy 
walking slowly down the parking lot, 
like he’s taking a Sunday stroll, like it 
was nothing. We started chasing him — 
‘Hey, you fucker, give us the money!’ ” 

Thus began the Great Jamaica Plain 
Night Road and Back Yard Race. Ken's 
untied shoes fell off. He ran in his socks 
(a week later he still had blood blisters on 
his feet). Through the parking lot, across 
the street and into another parking lot 
ran the gas-mask man with the knife and 
knapsack, and hot behind him were Ken 
and his Mace, Andris and his fire 
extinguisher, and Steve and his coffee 
pot. A nice normal night out on the town. 
A little something to do to top off the 
day. 

“Andris would go ‘boof’ with the fire 
extinguisher, and everyone starts chok- 
ing on whatever it is that’s in fire 
extinguishers. We go right past the police 
station, which is closed up. If it was open, 
we'd have had enough help.” Down 
another street went the road show, and 
into the back yards of Jamaica Plain. The 
thief was running fast and scared; this 


Ken Canning: heroism? leadership? or just street smarts? 





chase scene had not been part of the 
scenario he had in mind. Ken could hear 
the knapsack banging against the fences 
in the back yards. “I almost got him with 
my Mace, but I didn’t wanna get too close 
to that knife. He kept turning around, 
yelling to us to get away — ‘I'll use the 
knife!’ We all yelled back, ‘Go try it!” The 
guy wasn’t running for the money but for 
his life. And Andris would keep boofin’ 
him with the fire extinguisher. The guy 
fell to the ground and dropped the 
knapsack with all the money and took 
off.” 

With the help of two police cruisers, 
Ken and his pals kept looking for the 
marathon man. They haven't seen him 
since, but they have a make on him. If the 
guy is smart, he'll retire from his current 
occupation and seek counseling. 

Well all right. Ken Canning and his 
friends did a good job, but why? These 
days a lot of us, and not just the 
apathetic, are wondering, why bother? 
It's a hassle. You could get hurt. You 
could end up in court until you're old 
enough to collect Social Security. Why 
bother? 

“It's against Brigham’s policy to be a 
hero,” Ken says. “They say that if 
someone robs you, give him the money, 
don’t be a hero. But he chumped us, man. 
He pulled a knife. Who did he think he 
was? We didn’t care about the money. 
We wanted him.” 

What if the guy had been packing a 
gun, instead of a knife? Would they have 
chased him? Ken grins. He is a handsome 
kid, like his two brothers and two sisters, 
very Irish in the face. The grin, because it 
comes naturally, is engaging. “Hell, no. 
We're crazy, but we're not stupid.” What 
they are is street-smart. That sixth sense 
again. When to push and when to hold 
back. Should other people get involved? 





Should the average person jump into the 
middle of a fist fight, as Ken has, or stop 
a mugging or a robbery? “Some people, 
they can’t, They‘re too weak or frail. But 
other people can — if they care. You hear 
about people being mugged, and how 
everyone else just stands around. You 
have to be there. It depends on the 
situation. Basically, I'm a non-violent 
person. | don’t go off with intent to beat 
people up, but just to defend myself.” 

He laughs at the idea that he was a 
hero. He is not any hero, he says. He is a 
herdsman. Say what? Yeah, he’s a 
herdsman. This is an 18-year-old kid 
who grew up in Hyde Park and now lives 
in JP and just got out of JP High. What 
herdsman? 

It turns out the Canning kids have 
been going for years to a summer camp 
in Duxbury, a camp for city kids. A few 
summers ago, the camp director asked 
Ken to take care of a small herd of 
animals. ‘So | fed ‘em and cleaned up 
after ‘em — goats, pigs, chickens, lambs, 
and a calf. Before | started taking care of 
animals, | never saw a goat or a pig, not 
in real life.” 

Canning came to the following con- 
clusion: “Animals are cool.” The animals 
seemed to conclude that Canning was 
cool. He was, at the least, their meal 
ticket. But that can work both ways. “A 
couple of years ago, | brought home 
three roosters and four hens and kept 
them in a shed in the back yard. After a 
while, we had fresh eggs every morning. 
One got killed by a dog and one got sick 
and died. We ate two for Christmas.” The 
interviewer is shocked; he feels as if he 
just watched Bambi’s mother get wasted 
in Technicolor. Violence among people | 
am used to, but killing chickens, your 
own pets? Kenny is laughing. He is 
suddenly the older, wiser man, the 
instructive adult, and | am reduced to the 
simpy kid. Yes, he chopped off their 
heads. But your own chickens, | kept 
repeating. “Yeah, but we needed the 
food, right? | mean, you don’t ask where 
it comes from when you buy it in the 
supermarket. It wasn’t like | got my 
jollies from chopping their heads off.” 

This kid is all right. He has perspective, 
some sense of priorities, an inclination to 
responsibility rather than guilt. Survival 
without viciousness. The laughing is 
neither sarcastic nor cruel. Of course, he 
prefers the animals alive, and, in fact, 
would like to work to keep them that 
way. So he has decided to become a 
veterinarian. To do that, he must go to 
college for four years, and to do that, he 
won a four-year scholarship to Boston 
University. He does not rush to volunteer 
his accomplishments. He talks about all 
this only when questioned, and then 
matter-of-factly. There are other kids like 
that. | have met them. No, they are not 
heroes. They are cool, like the animals. | 
believe they're called leaders, though 
they would blush at that description also. 

When the Ken Cannings of the world 
walk down the street they keep one eye 
out for trouble, but with the other eye 
they're looking for the kindness in 
people. They seek out the latter — but 
they're ready for the former. From their 
families and from their own inner 
natures, they develop a pragmatic yet 
compassionate view of the world, a view 
too many adults don’t share. ‘““My mother 
always told us not to be prejudiced,” Ken 
says. “But when we were little kids, we 
were influenced by the other kids — you 
know, ‘niggers suck.’ But as we got older, 
we realized the blacks are not different 
from us, why should we hate them? | 
don’t get paranoid on the Orange Line 
until | sense some bad guys come on. | 
guess the really bad prejudice is in the 
suburbs. When we go to Duxbury, it’s 
like that, and even as close as Milton. In 
JP High, it’s mostly black, then Hispanic 
and then white. In Milton or Duxbury, in 
the whole school, maybe there’s a dozen 
black kids, tops. | always wondered how 
the white kids would feel here. I was the 
only white kid in my Spanish class. One 
day, it just dawned on me — hey, I’m the 
only white kid in the class. No, no 
problem. They were my friends.” 

Canning doesn’t discriminate. If the 
robber had been black, Ken would have 
gone after him just as quickly. No liberal 
guilt here. “Color doesn’t faze me 
anymore,” he says. “The only thing I’m 
prejudiced against is ignorance. That's 
what gets me ticked off. Ignorance.” 0 








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4 


THE BOSTON PHOENIX, JUNE 1, 1982 





Letters 





We welcome responses from readers. 
Letters should be typed (double-spaced) 
if at all possible, and every letter must 
include the writer’s name and address, as 
well as a telephone number (we'd 
appreciate one where we can reach vou 
during business hours). The last is solely 
for purposes of verification; as you can 
see on this page, only the writer’s name 
and town are printed, and these may. be 
withheld if there is good reason. All 
letters are subject to editing for consider- 
ations of space, fairness, literacy, and 
libel. 


TOUCHED 


To Stephen Schiff: 

Every once in a while | come across a 
review (regardless of the “object” being 
reviewed) that cuts so deeply and 
personally into the very center of the 
matter, into the form and _ spirit of the 
book or painting or film, that | know | 
have touched on something very univer- 
sal about human nature. Your review of 
Alan Parker's Shoot the Moon (Arts, 
February 16) was such an experience. 

What intrigues me is your fine sense of 
technique, never for its own sake, and 
your overwhelming insight into the 
agony George and Faith must face once 
they can no longer buy into the ties that 
bind. Your comments about the authen- 
ticity of the children’s reactions and the 
ways in which they deal with the 
explosion which shatters their world — 
especially Sherry’s — stand among some 
of the best reactions to the value of the 
child as performer. And your discussion 
of the use of symbol both in Shoot the 
Moon in particular and in film in general 
is a welcomed sign of what we need to 
expect from filmmakers. 

More than all of the above, though, | 
appreciate your ability fo make me 
see. More deeply. More thoughtfully. 
And more personally. Yours is an intrigu- 
ing review because it raises inter- 
pretation to the level of art. 

Many thanks. 





Anthony L. Manna 
Brunswick, Maine 


1 am deeply insulted by Stephen 
Schiff's review of Paul Schrader’s 
brilliant Cat People (Arts, April 27), 
about which Schiff said, ‘““No one could 
mistake it for a good movie.” Speak for 
yourself, sir, as | believe it to be a great 
movie. Your turned-up-nose article was 
pompous enough, but the above quote is 
insufferable. Let the public choose what 
films to consider good; I, for one, didn’t 
vote you as my voice. Your attitude may 
keep people away from a movie they'd 
enjoy, but some may feel too foolish to 
attend now because Stephen Schiff, our 
collective voice of good taste, said Cat 
People is a bad film. | prefer to taste 
strawberry ice cream myself; | don’t need 
anyone to tell me to avoid it because “‘no 
one could mistake it for a good food.” My 
taste buds aren’t in tune with yours. 

Jeffrey Thomas 
Westborough 


MIND AND 
MATTER 


Whenever there is a gray area of 
understanding or a netherworld of fear in 
the sciences, it seems our culture never 
finds itself lacking an abundance of 
quack theories ready to fill the void. The 
current psychological free-for-all over 
cancer is an excellent example of this. 

The mind, one of our most enduring 
myths and beloved scapegoats, is now 
being blamed for cancer (Lifestyle, May 
11). Why not? We've blamed just about 
everything else on the face of the earth 
for cancer; the mind is the only thing we 
have left! It’s really quite fitting that we 
saved it for last, for like all good 
supernatural myths, the mind is our 
ultimate causal agent, our handy expla- 
nation for everything we do. Myth- 
building is an attractive way to deal with 
uncertainty. The appeal of metaphors is 
that they offer quick, easy, and reassur- 
ing answers. Even if those answers are 
false. It’s E. Fuller Torrey’s 
“Rumpelstiltskin Principle” in action. If 


we could just name our fears — if we 
could find some label, some cause for 
them, why then they’d obligingly disap- 
pear! Even now, the psychological the- 
ories about some of the other illnesses 
mentioned in Diamant’s article are in 
serious trouble. Currently, science has 
uncovered the possibility that such prob- 
lems as heart disease, hypertension, and 
stomach ulcers are actually genetic and 
hormonal in origin, not psychological, as 
was previously believed. 

In contrast to the pro-psychological 
theories she champions, Diamant men- 
tions Susan Sontag’s book, /llness as 
Methaphor. She says Sontag’s concern 
that psychosomatic theories will result in 
victims’ being blamed for their illness is 
unfounded in light of the holistic ap- 
proach which focuses on “interaction,” 
and not blame. She demonstrates that 
what is happening today in the field of 
cancer is no more than a case of history 
repeating, itself. As recently as the turn of 
the century it was believed that TB 
afflicted those who had “reckless 
passions.” It was portrayed as death 
itself, an obscenity, an inexplicable thief 
of life, the body betraying itself! Sounds 
familiar, doesn’t it? Obviously, we 
haven't learned our lesson. 

Current psychological theories of 
cancer are just as irresponsible as the 
ones about TB. They provide only the 
illusion of hope. We aren't going to cure 
cancer with hackneyed “Me Decade” 
phrases, clever metaphors, or specious 
holistic theories. In fact, such a course 
could actually delay our finding a cure 
for cancer! Cancer, like TB before it, will 
only be cured by. diligent, scientific 
research. 

What it boils down to, after all the 
arguments are in, is this: psychological 
theories of cancer presuppose a knowl- 
edge of both human behavior and cancer 
that simply doesn’t exist yet! As 
hypotheses, they are no better. They are 
formulated in such a way that they can 
be neither proved or disproven. They are, 
by definition, metaphoric and therefore 
should not be regarded as_ scientific 
theories. 

Psychological factors do not exist in 
the creation of cancer. They exist in the 
creation of cancer myths. What is really 
being manifested in the emergence of all 
these psychological theories of cancer is 
an attempt to achieve some degree of 
control and reassurance over a disease 
that seems so out of control and fright- 
ening. E think it’s sad that it doesn’t seem 
to matter to us how illusory that control 
and reassurance really is. 

Louis Dolci 
Denver, Colorado 


| was distressed by how Anita Dia- 
mant’s article “Matter of mind” un- 
critically follows the currently fashion- 
able “growth through adversity” mys- 
tique about cancer. Isn’t it about time we 
heard from someone who doesn’t buy 
this line? Any cancer patient who takes 
the commonsense view that his illness is 
horrible, period, rather than “an op- 
portunity” must be feeling as pressured 
and out-of-place in the present social 
climate as women who hated being 
housewives did in the 1950s. 
Felicia Ackerman 
Providence, RI 


HARDCORE 


After reading Milo Miles’s article on 
the Bad Brains’ (Arts, May 18) all-ages 
show at McNasty’s, | was disgusted. 
Being there myself, | had the time of my 
life. Sure the slam-dancers are a. little 
nuts, but they just add to the excitement 
of hardcore. 

Miles stated 


OOPS 


In our review of Joseph’s restaurant 
(Lifestyle, April 27), we reported that 
the establishment was sold to Charlie 
Sarkis about a year ago. In fact, 
Joseph’s was sold to Sarkis and Jack 
Sullivan. 


that hardcore is 

















OUR OWN HORN 


Anita Diamant has been named 
“best columnist’ in. the 1982 New 
England Woman’s Press Association 
competition, in recognition of her 
weekly column in Lifestyle. In ad- 
dition, two of Diamant’s articles (on 
nymphets and on doctors’ abuse of 
female patients) were voted the as- 
sociation’s Award of Excellence in 
their categories. 

The association reports that it re- 
ceived more than 200 entries in this 
year’s competition. 











“notorious for its pinched, paranoid 
racial and sexual attitudes.” This state- 
ment is nothing short of ignorance. 
Hardcore is probably the most liberal 
music scene around. You will find more 
blacks in punk bands then you will 
probably see at any given heavy-metal 
concert that fills Boston Garden. As for 
hardcore’s sexist attitude, Miles might be 
pleased to know that one of the bands 
mentioned, Black Flag, has just broken in 
a female drummer, Emile Johnson. (I'll 
also point out that she is black and she is 
replacing a Central American.) 

Miles also came down very hard on the 
slam-dancers. H.R. said it himself in the 
May issue of NY Rocker. “it’s an art, a 
real dance.... Nobody out ‘there is 
hurting -anyone else — they're having 
fun.” Maybe Miles wouldn't slam, think- 
ing that he’d get hurt, but if he did he 
probably would not. On the other hand, | 
don’t think he would have the stamina to 
last one song. Sure a few kids get hurt, 
but that is usually from some - moron 
(usually over 20) who likes to go to all- 
ages shows to get their licks in-on the 
youth, 

| would also like to know where Miles 
got his information that the Brains were 
“divorcing” hardcore. | sincerely doubt 
it, especially since they are going to be 
producing a new punk compilation 
album that they will have to promote. 

| am 16, and very much into the 
hardcore scene. We don’t need anuses 
like Milo Miles (is that his real name?) 
screwing, things up. Thanks for letting 
me speak. 

| got so wrapped up in complaining 
about Miles that | almost forgot to thank 
Doug Simmons for his article on This Is 
Boston, Not LA (Arts, May 18). Hardcore 
is here to stay. 

Greg Hogan 
Concord 


To Milo Miles: 

| read your review on the Bad Brains’ 
gig (Arts, May 11) and I can’t understand 
why you are so down on the hardcore 
scene. | can see that you probably don’t 
like the music itself, because you are 
probably older than 19, but I don’t know 
why you don't like the idea of it. 
Hardcore is a youth movement directed 
to wake kids up on the subject of politics. 
Most kids today couldn't tell you one 
thing that is going on in politics or in any 
other world matter. What are you going 
to do when you get old and these kids are 
running vour country? 

What is wrong with a youth movement 
that is anti-drug? Also, wouldn’t you 
rather have kids taking out their ag- 
gression at a gig rather than fighting each 
other in the street all the time? You 
seemed to stress in your article that 
hardcore is white racial music. The 
slogan is “Youth Unite” not “Youth 
Divide.” It seems to me that you and a 


_ awful lot of people have misinterpreted 


the message. So why don’t you start 
writing some positive things about the 
hardcore scene because if the press 
doesn’t support it fewer and fewer 
people will know about hardcore and 
things are going to look pretty bleak in 
the future if people don’t start waking up 
today. 

A Quincy skinhead 


Milo Miles replies: 


1 am entirely in favor of the theory of 


hardcore; it’s the current unadventurous 
practice of it that disappoints me. And 
ves, that’s my real name. 


Carson 





Cenix 














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THE BOSTON PHOENIX, JUNE 1, 1982 











Photos by Jeff Thiebauth 






At the conv 





vention: how representative a group of Democrats? 


Perilous 





journey 








by Michael Rezendes 
rom Faneuil Hall, where he 
announced for governor 


F last January, to the Spring- 


field Civic Center, where he 
accepted the Democratic Pary’s 
formal endorsement on May 23, 
Michael S. Dukakis has run a 
near-perfect race. And _ has 
watched as Governor Edward J. 
King, pulls ever closer to him, as 
almost every credible public- 
opinion poll reports. 

As much as the convention was 
a coronation, rewarding the 
proven master at _ political 
mechanics, it also was a com- 
mencement, marking the end of 
the coffee-klatsch campaign and 
sending the graduates out into a 
harsh and unpredictable world. 
For former governor Dukakis, the 
next section of the\road back is 
perilous. For one thing, campaign 
organization becomes less impor- 
tant, now that the caucuses and 
the convention are history. Or- 
ganization, together with the 
ability ‘to manipulate the party 
apparatus is Dukakis’s forte. 
But as the campaign shifts to the 
world of public opinion, and 
enters an arena dominated by 
electronic media, its direction will 
become impossible for Dukakis 
to control. 


That's one reason King and his 
advisers have been so eager to 
belittle the significance of the 
Springfield convention. At a 
press conference held during the 
balloting for the  party’s 
gubernatorial endorsement, King 
seemed buoyant, even un- 
concerned, about his being effec- 
tively shut out of the proceed- 
ings. “If you wanted to conduct a 
poll on any of the issues,” he said, 
“you'll find out that my views 
represent the majority of the 
people.” Why weren't there 
enough of these people at the 
convention to give King more 
than 32 percent of the delegates? 
David Bartley, a brazen pol who 
once was Speaker of the House 
and now is King’s secretary of 
administration and finance, ex- 
plained: “This convention is a 
representation of left-wing party 
activists who had the time on a 
Saturday afternoon to come out 
to a caucus and vote.” Which is 
another way of saying that the 
average lunchpail Democrat, ‘if 
that’s what the average Democrat 
is, can’t afford to drop 200 clams 
on booze and _ ideological 
shenanigans out in Springfield. 

Much more telling was 
Bartley’s explanation of the gov- 


ernor’s growing enthusiasm for 
the campaign. ‘We don’t want 
this endorsement,” Bartley said. 
“This convention is for taxing 
and. for spending and against 
capital punishment. It does not 
want to talk about the issues of 
concern to the Democratic Par- 
ty.” The point being that, at a 
time when the state is in the 
midst of a conservative backlash, 
King is fortunate enough to oc- 
cupy a place on the extreme right, 
while Dukakis will be . forever 
perceived as a liberal. The polls 
King cited, the polls which show 
that voters want someone to cut 
taxes and crime, even at consider- 
able cost to government's ability 
to deliver services, and to civil 
liberties, indicate that there may 
be very little reason for Dukakis 


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King: are “the issues” his issues? 


to be leading King by 20 to 30 
percentage points. 

King strategists hope that it is 
only a matter of time — time to 
spend what may grow to be the 
biggest war chest in the history of 
Massachusetts politics — before 
the public remembers where 
King stands on the issues it says 
are most important. “Back in 
January, the governor had lost his 
thumbprint on the electorate,” 
said Ed Reilly, one of the central 
figures among King’s cabal of 
new advisers. According to Reil- 
lv, the King organization can 
bridge the gap between what the 
polls say about crime and taxes, 
and what they say about a 
King/Dukakis rematch, merely 
by getting enough exposure for 
the incumbent. Indeed, the King 
campaign is predicated on the 
belief that Democratic voters 
have forgotten where the gov- 
ernor stands, and that they only 
need a refresher course on his 
views about the death penalty 
and supply-side economics 
before coming around. Roy 
Lyons, press secretary for the 
King re-election campaign, says, 
“We still have to believe that the 
issues are going to win out. And 
the issues are our issues.” 

When you're talking about the 
death penalty, mandatory prison 
sentences, and tax cuts, that 
statement is true, and has un- 
doubtedly caused the Dukakis 
camp considerable anxiety. It also 
helps explain why Dukakis was a 
prisoner of his own success dur- 
ing the first half of the campaign; 
why he left it to his pursurers, 
King and Lieutenant Governor 
Tom O'Neill (a recent dropout), 
to talk about the issues. Blessed 
with a commanding lead in the 
polls, Dukakis’s task was to keep 
a lock on the wide support he 
enjoyed — a tall order given the 
chasm that divides the right and 


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left wings of the Democratic 
Party. By taking the popular 
stands on ctime and _ taxes, 
Dukakis could have cemented 
ties with the blue-collar De- 
mocrats who deserted him in 
1978 to make King’s shocking 
primary upset possible. But in 
doing ‘so, he would have risked 
the support of liberals, many of 
whom also mutinied four years 
ago, and supported the candidacy 
of former Cambridge Mayor 
Barbara Ackermann. And con- 
versely, calling for progres- 
tax reform, as O'Neill 
did, would have meant discard- 
ing any support he might have 
had from disgruntled, working- 
class taxpayers who voted for Ed 
King in 1978, and for Proposition 
2% in 1980. 

Thus did political exigencies 
force Dukakis to take the high — 
read silent — road. The message 
to liberals at a November endors- 
ing convention was, “I’m with 
vou,” or Trust me.” Fear of four 
more years of budget cuts under 
Ed King and guilt about the 1978 
campaign kept anyone from ask- 
ing Dukakis for specifics. Like- 
wise, the message to more con- 
servative constituencies was 
“Taxes and the crime rate are 
both too high.” But again, fear of 
losing liberal support compelled 
Dukakis to find the wherewithal 
to avoid specifics. 

But as the campaign moves 
inexorably towards September 
14, the focus of public opinion 
and the media will sharpen, and 
Dukakis’$ artful maneuvering 
will look less like a waltz to 
victory, and more like a desperate 
limbo to duck the questions of 
the day. Which is, of course, 
exactly how the King strategists 
see it. “Michael Dukakis does.not 
agree with the Democratic voters 
of this state,” Reilly said. “UI- 
timately, people will not go and 


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vote against what they believe.” 

But while the first part of that 
statement may be true, the sec- 
ond part is no more than conjec- 
ture. After all, as voters are 
reminded of King’s position _on 
taxes, they will — rest assurred — 
also be reminded of the promise 
King made in the last campaign 
to reduce property taxes by $1.3 
billion. They will be reminded of 
the gaggle of “hidden taxes” he 
raised in the form of increased 
state fees for items ranging from 
registration certificates for 
elevator operators to auto inspec- 
tion stickers. And they will be 
reminded ad nauseam of Locke, 
Haggerty, DiSilva, and Clifford, 
as King carps on about crime. 

The governor's campaign man- 
agers would like to send this 
year’s gubernatorial contest back 
in time to 1978, when Ed King 
didn’t have to run on a record of 
public embarrassment and 
broken promises. The polls show 
that the governor shares many 
beliefs with a majority of De- 
mocrats likely to vote in the 
primary, but translating the 
Statistics into victory will 
necessitate inducing a state of 
selective amnesia in an electorate 
that is as volatile as it is unpredic- 
table. 

The matter is made more dif- 
ficult because Dukakis has no 
intention of dodging his twin 
nemeses of the 1978 campaign. 
At a press conference held after 
“he’d accepted the party’s en- 
dorsement for governor, Dukakis 
was asked how he'll parry the 
governor's thrusts on crime and 
taxes. “I don’t understand the 





notion that those issues are to the 
advantage of the governor,” the 
nominee said. ‘He says he’s cut 
crime. He hasn't.” And taxes? 
“Mine are up 600 bucks,” 
Dukakis said. The extent to 
which Dukakis offers specific 
crime- and tax-cutting proposals 
— so far he’s said that his plan for 
guaranteed local aid to cities and 
towns should result in lower 
property taxes and increased 
funding for more police to fight 
rising crime — remains to be 
seen. But one thing is sure: when, 
at the close of the last_ televised 
debate on taxes and crime, Mike 
Dukakis looks earnestly into the 
cameras and.asks, “Are you safer 
now than you were three years 
ago?”, the answer will be no. 

For King, the rest of the cam- 
paign trail is so fraught with 
pitfalls that it makes any of the 
pocked roads in the state’s Prop- 
osition 2¥2-stricken urban centers 
look like easy street. While 
Dukakis is free to retreat with his 
strategists to decide what's to go 
into the next press release, King 
still has to deal with the legis- 
lature — a problem he'll have’ 
until the Fourth of July weekend, 
when the Great and General 
Court is likely to take a break 
until after the elections. 

And there is plenty of trouble 
brewing for the governor beneath 
the golden dome. For the last two 
weeks, King has contemplated 
the first of his dilemmas: Tregor, 
the Boston bonding bill at the 
center of a year-long political 
stalemate. King’s decision to send 
the provision back to the legis- 

Continued on page 12 


{CKINELLO 


Organization 1s © | 
Dukakis’s forte. But as 
the campaign shifts to 
the world of public 
Opinion, in an arena 
dominated by electronic 
media, its direction will 
become impossible for 
Dukakis to control. 





Lights, camera, 


Continued from page 1 
administrative problem and 
attacked it like the busi- 
ness woman she is. The Mur- 
phy campaign is a lot like the 
candidate herself: hard-nosed, 
methodical, motivated both by a 
will to achieve and by 
enlightened self-interest. “I start 
things from. scratch,” said 
Murphy in an 
started a business from scratch. 
The one thing | know | do well is 
pull people together who are very 
good.and work very hard. It’s no 
different in a campaign.” 

Evelyn Frances Murphy is 
single, 42, one of two daughters 
of a career military man. She was 
born in Panama (which, inciden- 
tally, means.she will never be the 
first woman president of the 
United States). She spent her 
early years with her mother and 
grandmother in Winthrop, while 
her father fought in World War II. 
As an Army brat, she moved 
several times during her child- 
hood and, as the slide-show 
narration put it, “learned very 
early ir. life how to get along with 
people.” Today she hails from 
Brookline, like Micahel Dukakis, 
whom Murphy served for four 
years as secretary of environmen- 
tal affairs, 

Murphy has a gentle voice but 
a firm handshake. She wears soft 
dresses, but she has a_ hard, 
green-eyed stare. She has mas- 
tered strong gestures to demon- 
strate conviction and control. State 
Senator George Bachrach of 
Watertown, who is supporting 


challenger John Kerry for lieuten- 


ant governor, was nonetheless 
impressed by candidate Murphy. 
“| think of her as the Paul 
Tsongas in the race, hard-work- 
ing and honest, and she has done 
what many of us find impossible 
to do in Massachusetts politics, 
which is that she has-built up a 
positive without incurring a 
negative. No one dislikes her.” 
Indeed, on-sthe fourth ballot, 
when most convention delegates 
had made good on their commit- 
ments to one or another of the 
eight candidates for lieutenant 


governor, Murphy picked up 
enoygh support to beat the 
favorite, state Senator Sam 


Rotondi of Winchester, albeit by 
only 12 votes. “We were every- 
one’s number-one’ second 
choice,” said Baerlein. And. the 
convention's best-kept secret. 
Murphy said she decided to 
enter politics when Dukakis was 
defeated in 1978. ‘I found state 
government such an_ ex- 
traordinary opportunity that | 
wanted back in,” she said, “and | 
could not see any way back in 
except to run.” With the possible 
exception of Lois Pines, who lost 
her bid to be the first woman 
secretary of state that year by a 
scant margin, Murphy was the 


| ese NE SE Ee MPT Sp CTS END DIE PIT LSE ELAR SS LLL Sy ARREARS 82 SB BIE TS BNE LM SE EEA UE BER TDS ELSE 


Murphy: suddenly in the spotlight 


interview. “I- 


earliest unofficial entry in the ‘82 
race. 

To win the distinction of being 
the first women elected statewide 
(or, to take a milestone she’s 
already reached, the first woman 
ever endorsed by a Democratic 
Party convention), Murphy had 
an even longer road ahead than 
did Pines, whom thousands of 
Massachusetts voters already had 
supported. Murphy was not near- 
ly as attractive or articulate as 
Pines, she had no political base, 
and she was perceived as a 
bookish bureaucrat by the politi- 
cal pros. “The problem with 
everyone in the Dukakis ad- 
ministration,” said a former state 
administrator who worked with 
Murphy, “was that they couldn't 
say good morning to you in Jess 
than four minutes. You'd ask 
Evelyn about the drought and 
she would tell you the history of 
how water first was formed.” 
Murphy's friends also recognized 
this shortcoming, and as early as 
July, 1979, arranged to have her 
host a weekly half-hour cable-TV 
program called Evelyn Murphy's 
City Journal, which, said 
Baerlein, “got her used to looking 
at the red light and answering in 
30-second cuts.” It also worked 
wonders for her self-confidence. 
“The transformation was_ in- 
credible,” Baerlein said. 

Next, Murphy turned her at- 
tention to fund-raising. By not 
hiring any staff at all at first, and 
by attending some 50 or 60 house 
parties, Murphy had enough 
money — some $27,000 — at the 
end of 1980 to buy a campaign 
plan from the Washington-based 


consulting _ firm Capitol As- 
sociates, run by former De- 
mocratic National Committee 


political director John Rendon. 
Rendon gave Murphy a day-by- 
day strategy for fund-raising, the 
convention, and the rest of the 
primary. Murphy has stuck to it 
like glue. “She had a visibility 
problem, but she very quickly 
assembled a group of people who 
are very skilled politically,” said 
former MDC Comissioner John 
Snedeker, who supported Pines 
at the convention. “It’s easy to 
solve the visibility challenge by 
attacking 3000 people at a con- 
vention and then getting the 
publicity and spin-offs from the 
activists. Now the question is, can 
she raise the dough?” Because of 
the number of qualified can- 
didates in an otherwise unexcit- 
ing race, this year’s lieutenant 
governor's fight is expected to be 
the most expensive in the state's 
history. 

Murphy is fond of saying, “I 
don’t apologize for my sex and | 
don’t expect to get elected be- 
cause of it,” but her attraction as a 
female candidate is undeniable. 
Murphy herself says the “con- 
stant refrain’’ she heard from 





convention delegates was, “| 
want to support a woman. It’s 
time ‘for a woman. | just don’t 
know which one or for which 
office.” Women hold many of the 


important posts in Murphy’s 
campaign hierarchy, including 


“issues manager, deputy field di- 


rector, press secretary, and sched- 
uler. 

But Murphy is. a 
businesswoman first. When, in 
1974, she Was invited to apply for 
one of the four  secretariats 
Dukakis had pledged would go to 
women, Murphy thought econ- 
omic affairs would suit her, since 
she held a PhD in economics and 
owned her own consulting com- 
pany. But, she recalls, she was 
told she could choose only be- 
tween consumer and en- 
vironmental affairs; economic af- 
fairs was being reserved for a 
man. Murphy walked out, but 
not before Dukakis asked - her 
advice on offshore drilling. 
Murphy and Dukakis discussed 
the risks that an _ oil spill 
presented to the state’s fishing 
industry. “He had made the 
connection between the economy 
and the environment,” Murphy 
said, and she was impressed with 
that. Within six days she took the 
appointment. 

As her convention bio amply 
explains, a concern for both the 
bottom line and the environment 


marked Murphy’s tenure at en- 


vironmental affairs. She 
spearheaded efforts to convert 
the Brayton Point power plant in 
Somerset from oil to coal (a plan 
the. King administration finally 
implemented); she directed the 
Coastal Zone Management pro- 
gram in Massachusetts; and she 
blocked the Connecticut River 
diversion project, which would 
have jeopardized both water sup- 
plies in western Massachusetts 
and the river's wildlife. She 
pushed for strict protections on 
offshore oil drilling because “the 
fishing and tourist industry bring 
in $10 for every $1 in potential 
from the first leases on Georges 
Bank.” 

Unlike many of the con- 
sumerist firebrands from the 
Dukakis administration, Murphy 
did not earn the contempt of the 
business community. In fact, the 
Murphy campaign has many 
friends in corporate board rooms. 
Murphy herself sits on the board 
of Automattix, a high-technology 
firm in Burlington. Campaign 
manager Baerlein last worked for 
the New England Council, an 
industry-backed organization 
that produced former King 
Energy Secretary Joe Fitzpatrick, 
and which King himself directed 
after he was ousted from 
Massport, in 1974. And before 
she announced her formal intent 
to run, Murphy headed the Coali- 

Continued on page 12 





Z 


7861 ‘t SNN ‘XINSOHd NOLSOS 3HL 








THE BOSTON PHOENIX, JUNE 1, 1982 





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The case of the election-year extradition 


by Dave O'Brian 


he Herald American's 
headline question de- 
manded an answer, dam- 


mit. “What price justice?” the 
thing screamed (as only a Herald 
headline can scream). And yes, it 
was a reasonable question, in its 
way. Or, to put it another way, 
did the office of Middlesex Coun- 
ty District Attorney John Droney 
really decide not to'spend what- 
ever amount of money it would 
cost the taxpayers to bring a man 
charged in Cambridge with 
homosexual rape and robbery 
back here from California to face 
trial? Can this really be true? Can 
this aging but staunchly law-and- 
order DA (who “would indict his 
own mom,” as county courthouse 
hangers-on like to say) have 
made such a decision? 

Well, his office now says no, 
but the answer seems, in fact, to 
be yes. Considerable evidence 
points in that direction, at least. 
The Herald's no-nonsense head- 
line question is tougher to 
answer, however. They always 
are, just maybe because they exist 
in the world of feisty tabloidism, 
where issues, like the headlines, 
are steadfastly black and white 
(as in right or wrong). In the real 
world, unfortunately, we keep 
finding shades of gray, and 
stories like this become murkier. 
“It's not unusual for a state not to 
want to extradite a man in a case 
like this,” said one of the West 
Coast police officials involved. 
“You have to be selective. If we 
went after everyone with 
outstanding warrants the police 
would spend all their time on 
airplanes, flying back and forth.” 
In this context, then, there is 
evidence that the decision 
Dronev’s office made was even 
reasonable. But we = stress. the 
“was.” This is an election year, 
after all, and there is further 
evidence that. in the wake of the 
Herald's outraged attack (and 
fearing more media embarrass- 
ments to come), Droney, sick and 
71 and facing tough competition 
from three challengers, reversed 
his decision, motivated more by 
political considerations than by 
the pursuit of justice. And, as 
they sav, the jury is still out on 
the wisdom of that one. By the 
way, precious little of this has 
managed to find its way into the 
pages of our town’s supposed 
paper of record. As far as readers 
of the esteemed Boston Globe 
know, Droney was pursuing 
truth and justice all along, and it 
was the Herald th&t messed up, 
perhaps even intentionally. The 
Globe, in short, seems to have 
performed here in its own self- 
interest — which in this case 
happens to have coincided with 
District Attorney Droney’s. 

Our story: Eric Horvitz, a 19- 
vear-old from Hull, had been 
charged by the Cambridge police 
with kidnapping, raping, and 
robbing a man who claimed he 
had suffered these indignities at 
the hands of a hitchhiker he'd 
picked up on Massachusetts Av- 
enue in the wee hours of a 
morning, last December. Horvitz 
is also wanted for grand larceny 
in Holbrook, and the police in his 
own home town of Hull would 
very much like to question him 
(though so far no charges have 
been brought) in connection with 
a gas station holdup there. But no 


tf 


one seemed to know where the 


kid was. Then in February he was 
nabbed by the West Hollywood 
(California) sheriff's office while 
driving a Trans Am that had been 
stolen in nearby Huntington 
Beach. Despite those outstanding 
warrants back east, however, he 
might well have been let go. 
Although he was unemployed, 
West Coast authorities told the 
Herald Horvitz had been making 








Droney: what's the story? 


a living as a street prostitute in 
Hollywood, 

“| asked him why he didn’t 
have a job,” remembers the 
Huntington Beach detective who 
questioned Horvitz immediately 
after he was arrested. “He told 
me he was afraid to get a job 
because he was wanted for steal- 
ing a car in Boston.” This surpris- 
ing, admission turns out not to 
have been precisely true (it’s 
Cambridge where he‘s wanted, 
for allegedly 
ultimately wrecking — the vic- 
tim’s car following the alleged 
homosexual rape and robbery), 
but as a result Horvitz’s name 
was run through the National 
Criminal Information Center 
(NCIC) computer to determine 
whether he was wanted any- 
where for anything more serious. 
As we know now, he was. 
Despite that, however, the com- 
puter check turned up fMothing. 
“At that point all we had on him 
was one car-theft charge,” said 
the detective. “If someone else 
out here hadn't become aware of 
the fact that he was wanted in 
Cambridge, he could have been 


released in his own. re- 
cognizance.” 
That someone else was 


Sergeant Finn Peterson, back in 
West Hollywood. “I was_ in- 
vestigating a burglary,” he re- 
members, “in which the victim is 
a gay individual who said he'd 
had an overnight guest by the 
name of Eric a couple of days 
earlier.” And, as it happens, 
witnesses reported seeing a mys- 
terious stranger in the vicinity the 
day of the burglary, a stranger 


Ne 


stealing — and. 





who just happened to resemble 
this Eric. Ah, but who was this 
Eric? The answer seems to have 
come to super-sleuth Peterson in 
the burglary victim’s next tele- 
phone bill, which listed a mys- 
terious phone call to a number in 


Hull, Massachusetts. Pursuing 
that lead, Peterson got in touch 
with the Hull cops, who put him 
in touch with the Cambridge 
cops, who said that Eric Horvitz 
was indeed a fugitive from justice 
back east and shipped off photos 
and such to Sergeant Peterson. 
Horvitz remains a mere suspect 
in that burglary, but now he is 
also charged with stealing a 
motoreycle in West Hollywood, 
and he’s currently residing in the 
Metropolitan State Hospital in 


Norwalk for “evaluation’’ after 
reportedly indulging in some 
unspecified strange behavior 


while jailed in Huntington Beach. 
So who needs those crime com- 


puters, right? The case is closed, 


right? 
Not so fast. This is the city. 
(West Hollywood, California.) 


This is not, however, Dragnet. (It 
is real life.) The story gets murky 
again. “I called the Cambridge 
police to find out if they wanted 
to extradite him,” said West 
Hollywood detective Lawrence 
Schwartz, “and I got transferred 
about five times. Finally | was 
back with the man | first spoke to, 
a sergeant. He said he’d have to 
get back to me.” After apparently 
checking with someone in 
Droney’s office, Schwartz insists, 
the Cambridge sergeant got back 
to him. “He said, ‘No, the DA is 
not going to rendite him, so don’t 


i 
4 
‘ 


“s*y"g'> 


hold him for our sake.’ ’’ There's 
further evidence that this was, 
indeed, Droney’s intention: the 
outstanding - warrants against 
Horvitz were never put into the 
NCIC computer, and the initial 
response made by Droney’s first 
assistant, Howard Whitehead, to 
Herald crack crime reporter 
James O. Welch was, “It was a 
case we decided not to rendite 
because of tryability versus cost.” 
Despite the Herald's predict- 
able outrage, there are those who 
were quick to suggest this might 
not have been all that much of a 
bad idea. The word, at least, that 
was spread around the Middlesex 
County Courthouse pressroom 
by those proverbially unnamed 
sources in Droney’s office on the 
Thursday morning that the Her- 
ald story hit the streets was, as 
one such reporter reports, that 
“this was one of the weaker cases 
they had. Even though the charge 
was rape, it was actually a matter 
of a mere $60 robbery [followed, 
by the way, by the theft of the 
victim's car, which ultimately 
was wrecked] after some. con- 
sensual gay sex. The district 
attorney's office believes that 
your typical, conservative 
middle-class Middlesex County 
jury would hear about the 
homosexual acts and that’s all 
that would occupy their minds. 
They would never be able to get 
past that and convict the guy for 
stealing a car or holding someone 
up.”” Another reporter adds that a 
reliable Cambridge police source 
told him the attitude of the DA’s 
office toward the. fugitive in 
question was, “Fuck him: Who 
needs him? If he’s in trouble 3000 
miles away, leave him there. Why 
bring a troublemaker like that 
back here and try him on a weak 
case?” “IT can understand that 
attitudes” responded one of the 
West Coast detectives. “He must 
seem like a Hollywood type. 
From an East Coast perspective, | 
mean.” 
Perhaps so. And 
Whitehead’s  “trvability 
cost” 
sensible one. Trouble is, the 
Herald story, combined as it was 
with a sidebar interview with the 
alleged victim (“He left me penni- 
less, naked, and humiliated. 
Need I say more?”) and an attack 
on Droney from one of his 
challengers (who asserted the DA 
is too sick for the job), seem to 
have forced an instant about- 
face. All morning, Whitehead 
fended off calls from other media 
outlets. That afternoon, he held 
one of those hastily called press 
conferences. “Although many of 
the facts set forth in the article are 
true,” he said, “they require 
clarification.” Said ‘‘clarification” 
was that the DA had intended all 
along to bring Horvitz back for 
trial, just as soon as the California 
authorities were through with 
him. To go out there any sooner, 
however, would be a waste of the 
taxpayer's money. “At ro time,’ 
Whitehead added, ‘did our office 
make a determination that it 
would decline to rendite Mr. 
Horvitz at all.’’ Indeed, he said, 
State Police Lieutenant Thomas 
Spartichino, who is assigned to 
Droney’s. office, had been in 
touch with Detective Schwartz in 
West Hollywood, and things 
were well in hand. As it happens, 
however, Spartichino had not 
called Schwartz until that day — 
further evidence, if such be 
needed, that the change in plans 
was inspired by the news story. 
None of this showed up in the 
next morning’s Globe story, how- 
ever, which was_ headlined, 
“DA's office denies report on 
fugitive.” Instead, the story oi 
courthouse reporter. 
Continued on pi 


perhaps 
versus 


analysis was a_ perfectly ° 


rave MS 





















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ett; AMT TIS LOT sey, 


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ine 


The Surgeon General Has Determ 
That Cigarette Smoking ls Dangerous to Your Health. 


Warning 





81 


16 mg ‘‘tar’” 10 mg nicotineav. per cigarette, FTC Report Dec 


























“| Letter from Geor 


THE BOSTON PHOENIX, JUNE 1, 1982 














gia 


In Kennesaw, they’re serious about their guns 


by Katherine Graves 


ENNESAW, GA. — Winding up the 

side of Kennesaw Mountain, you 

encounter cars with bumper stick- 
ers like ‘Hell, no, | ain't forgettin’ ” and; 
“Will the last American to leave Miami 
please take the flag?” and pickup trucks 
with gun racks and Mylar Stars and Bars 
in the back window. Once up top you can 
get out, lean on out over the fence, and 
holler down the side of the mountain. Or 
you can sit in the cab, pop the top on a 
can of beer, and fiddle with the car radio 
until, if you’re lucky, you pull in Hank 
Williams Jr.: 

You can't starve us out 

And you can't make us run.... 

I've got a shotgun and a rifle 

and a four-wheel drive 

And a country boy can survive 

In these parts, Kennesaw Mountain is 
an important shrine, the place where the 
Confederate Army had one last tempor- 
ary triumph before Sherman resumed his 
relentless march to the sea. The people of 
Kennesaw, a tiny town nestled at the 
base of the mountain, are the spiritual if 
not actual descendants of those troops. 
The South has always been victorious 
here, and by God it always will be. Now 
the citizenry is closing ranks and prepar- 
ing to do battle against an enemy at least 
as hated as Sherman — the American 
Civil Liberties Union. 

Things were pretty quiet around here 
until March, when talk at a city-council 
meeting came round to the town of 
Morton Grove, Illinois, which had recent- 
ly outlawed the private possession of 
guns. In no time flat, the five-member 
non-partisan Kennesaw City Council 
adopted an ordinance requiring heads of 
households to own and maintain fire- 
arms. Violators face a $200 fine or 60 days 
in jail. The ACLU thinks that’s un- 
constitutional. 

We passed it for several reasons,” 
explains Mayor Darvin R. Purdy, a baby 
faced Atlanta-trained lawyer. “We want- 
ed to show there was another side to the 
gun issue [and] we feel our law is going 
to be a deterrent.’ 

The new ordinance, an amendment to 
civil-defense and disaster 
was originally supposed to go 
March 25. But the council 
date back twice, first to May 
| and then to June 1, so the city would 
have time to build a citizen firing range. 
In part through the sale of $2 Honorary 
Citizen of Kennesaw certificates, $450 
was build the range, and 
training classes are now under way. 

‘We think it’s highly necessary to 
teach our citizens how to use weapons,” 
Purdy says. But the mayor, a member of 
the National Rifle Association, declines 
to advise citizens on the kind of gun to 


the town’s 
relief code 
nto effect 
moved that 


raised to 





Photos by Katherine Graves 


own. “It's a personal matter,” he says. “I 
don’t discuss what kind of gun I own.” 

Kennesaw, population “between 5000 
and 7000,” is located 25 miles north and a 
world away from Atlanta, in = con- 
servative Cobb County. Over the years, 
Cobb has been home to a number of 
oddities: Congressman Larry McDonald, 
a John Birch Society member; white 
supremacist and convicted church bomb- 
er J.B. Stoner; -and the anti-terrorist 
training camp of a former CIA operative 
Mitch WerBell. A gun ordinance pales in 
significance alongside citizens who 
routinely use dynamite or submachine 
guns in their “work.” 

The center of town is only about a 
block long: a row of tired buildings 
showing a_ cafe, a pawnshop, a 
chiropractor’s office. There’s one thing 
that distinguishes it from Main Street in 
dozens of other small Southern towns — 
Wild Man’s Civil War Surplus Store. 
Wild Man’s is a dark, narrow shop 
crammed with 3000-plus war books, 
racks of guns, a human skull bearing the 
legend “A good Yankee,” a mannequin 
decked out in full Klan regalia, and — 
courtesy of Wild Man himself — plenty 
of opinions. Wild Man is 51-year-old 
Dent Mever, a_psychic-certified rein- 
carnation of Stonewall Jackson. He 


wanders the streets of Kennesaw, his 





2 


shirt tied up to expose a tanned midriff, 
rings dripping from his fingers, and a Son 
of Sam special slung low on his hip. 

“Certain cities don’t have the intellec- 
tual capacities to have an ordinance of 
this sort,” Meyer muses after explaining 
he always checks reporters’ credentials to 
make sure they're not really from the 
ACLU. Liberal organizations like that, he 
points out, are against “everything that 
doesn’t go along with the edicts of 
eventual takeover.” The takeover is be- 
ing planned by those forces who are for 
one-world government — “the Trilateral 
Commission,” Meyer explains. ‘That's 
the reason they're trying to force the 
metric system down our throats.” 

The only defense against such an 
eventuality is an armed citizenry, Meyer 
claims. “‘Where would you be if some- 
thing really came down?” points out 
Meyer's assistant, Nonnie Pryor, a for- 
mer member of a Rockland County (New 
York) high-school rifle team. “I hear over 


in Poland they’re throwing rocks at the 


tanks.” 

“It will eventually come tq individuals 
assisting the police against the forces of 
takeover,” Meyer says, giving his holster 
a stroke. 

Across the street at the police station, 
the blonde receptionist is watching Mr. 
Ed. To her left, a police scanner blinks 


through its four channels soundlessly. 
Perched atop an ancient vending ma- 
chine — stocked with Tom's toasted 
peanuts and marshmallow pies — is a 
refurbished watch-display case stocked 
with bags and bottles of drugs and 
assorted paraphernalia. Affixed to it is a 
hand stenciled sign: THE KILLER 

Presiding over this empire is police 
chief Robert Ruble, 20 years a Marine 
tank commander and now, in addition to 
his official duties, :a part-time hypnotist 
and operator of a video parlor. His force 
comprises 13 sworn officers — including 
an anti-riot squad — and seven squad 
cars. Ruble has been ehipped off for a 
month of FBI training, and acting in his 
stead is Major Ken Carter. 

“As far as I'm concerned, | think the 
mayor and council have done the right 
thing,’’ says Carter, who is dressed for 
work in a sport shirt, plaid pants, and 
coordinated pistol. ‘“Before the ordinance 
was passed we averaged four or five 
[burglaries] a week. Since the ordinance 
passed, we’ve only had one.” Carter may 
be overstating his case a bit (Mayor 
Purdy’s official records credit Kennesaw 
with only 55 burglaries last year), but 
there is no question that crime, including 
three murders in 1981, has become a 
problem for Kennesaw police. 

“In the past couple of years crime has 
been drastically on the increase,” Carter 
says. “It seems like every time people get 
drunk or on dope they get crazy.” 

Drink and dope figured prominently in 
Kennesaw’s first gun-related death after 
the ordinance was. passed. On May 4, 
Hilton Bernard Stephens came to Ken- 
nesaw and killed himself. 

Kennesaw residents don’t think Step- 
hens’s death should be counted. ‘He was 

















Mavor Purdy: a unique deterrent 











L AW 


DON 








June 11, 1982 7:30pm 


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$9.50 






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not a resident of this city,’ Carter 
protests. ‘His girlfriend lives here.” 

According to Carter, Hilton Stephens 
“done seven hits of speed and been 
drinkin’ all day. We talked to him for 
over an hour.” But in the end Stephens 
said he was “going to meet Jesus,” raised 
his girlfriend’s gun, and blew himself 
away. 

At a federal-court hearing scheduled 
for June 1, in Atlanta, the ACLU will 
seek to have the Kennesaw gun or- 
dinance declared — unconstitutional 
because while it exempts the physically 
handicapped, convicted felons, and 
religiously. constrained heads of house- 
holds, it does not exempt those who 
object to gun$ on moral grounds. Al- 
so not exempted are heads of house- 
holds with mental or emotional prob- 
lems, but Mayor Purdy doesn’t think that 
will be a problem. ‘You won't find that 
kind of person as a head of household in 
Kennesaw,” he says. 

As soon as the news of the new 
ordinance hit the wires, on March 16, the 





“Wild Man” Meyer: intellectual capacities 





press descended upon Kennesaw. Purdy 
now denies early reports that the or- 
dinance was adopted as a publicity stunt 
to gain media attention and increase 
tourism. “The press has been extremely 
unkind to our position,” he says. “Of 
course, we expected that.” 

By and large, the town fathers don’t 
care what the press says, although 
somebody is bound to get a little upset 
when an errant reporter calls Mayor 
Purdy’s comfortable office “sparse,” or 
refers to Dent Meyer as the reincarnation 
of Andrew Jackson. What seems to count 
is national mail, which is running nine to 
one in favor of the ordinance. Purdy says 
he expects several towns to adopt similar 
ordinances soon — expects, in short, a 
sort of national movement. Other towns 
can identify with Kennesaw, Purdy says, 
and look to Kennesaw for leadership. 

“We've had some homicides, we've 
had some rapes, just like everybody 
else,”” he says. The difference is that in 
Kennesaw they plan on doing something 
about it. 0 





Quote 


Continued from page 8 

Langner prominently featured the claim 
that “the Boston Herald American had 
not quoted him [Whitehead] fully, leav- 
ing out two crucial words.’ What 
two. words? Langner’s story went 
on to say that when asked by the Her- 
ald whether the DA’s office planned to 
extradite Horvitz, Whitehead claimed 
to have replied, “No, not now.” But 
the paper, Whitehead apparently 
asserted, had omitted the words “not 
now.” There are, however, several prob- 
lems with this explanation, especially as 
the Globe related it. First, no such quote 
appeared in the Herald story at all. Second, 
Herald reporter Welch claims he spoke to 
Whitehead no fewer than three times on 
the afternoon in question. In the first 
conversation, he said, Whitehead outlined 
the office's general policy on extraditions 
but claimed he was unaware of this case at 
all. In the next conversation, Welch related 
that Whitehead said he’d checked and, 
yes, someone in that office had indeed told 
California officials Horvitz would not be 
extradited, but he wasn’t sure why and 
therefore requested the paper hold the 
story so he could find out. Welch claims it 
was only after he said the story couldn't be 
held and he needed a comment that 
Whitehead phoned back a third time with 
the “tryability versus cost’ quote. 

But the Globe made no attempt to get a 
response from the Herald to Whitehead’s 
suggestion that his remarks had been 
altered so as to change their meaning. And 
why not? “It’s a competitive situation,” 
Langner said, “and we're not going to have 
a media spat hashed out in print. That's too 
damn inside baseball as far as I'm 
concerned.” And anyway, Langner made it 


perfectly clear that he has little use for his 
paper's struggling crosstown rival. “The 
chances are good that the Herald was on to 
something,” he conceded, “but that news- 
paper has printed rumor as fact too many 
times. It’s like somebody who has been 
caught in a lie so many times that when he 
finally tells the truth, nobody believes it.” 
Neither, however, did anyone at the Globe 
check with any of the West Coast police 
officials who had been named in the 
Herald. 

Langner said he was too busy with other 
stories to do it but had been assured that 
such calls would be made by someone 
back at the office. They weren't. “On the 
night that the story was turned in to the 
desk, the reporter said he was busy,” 
explained Globe asssistant managing edi- 
tor for local news Bill Miller. “The desk 
said they would check those questions, but 
in the rush of business that check was 
never made. It was a lapse on our part.” 
That lapse, of course, allowed Droney’s 
office to pass off a very questionable 
explanation of an extremely questionable 
decision virtually unchallenged, at least as 
far as most New England newspaper 
readers are concerned. “I have no com- 
plaints with the Globe's coverage of it,” 
said the Herald's Welch. “They can do 
whatever they want. I just .wish more 
people read the Herald so they could get 
the full story:” 

The Herald's version certainly was a 
good deal fuller, even if, well, so stridently 
black and white (as in right and wrong). I 
can’t help thinking, though, that if Droney 
had spent, say, $3000 to fly a fugitive 3000 
miles, and that fugitive ended up getting 
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THE BOSTON PHOENIX, JUNE 1, 1982 














































Murphy. 


Continued from page 7 

tion for Safe Waste Management, 
a hazardous-waste clean-up pro- 
ject initiated and funded by the 
Associated Industries of Massa- 
chusetts. Joe Carter, chairman of 
the board of the Wyman-Gordan 
company, and current president 
of AIM, is a friend and financial 
contributor to the Murphy cam- 
paign. 

Murphy is quick to point out 
that her business connections 
would be an asset to a Dukakis 
ticket, should the former gov- 
ernor win the September pri- 
mary. ‘Dukakis doesn’t want 
business people going over to the 
Republicans,” she said. On the 
other hand, support from liberals, 
suburbanites, and women would 
more than compensate for what a 
King-Murphy ticket would lack 
in ethnic balance. 

Murphy has stong opinions 
about the lessons to be learned 
from the current lieutenant gov- 
ernor, Tom O'Neill, who may 
never have recovered from his 
anguished indecision over 
whether to support Edward King 
in 1978. She is determined she 
could serve easily with either 
King or Dukakis, arid she says 
“running independently” for 
lieutenant governor is “the way 
to build some integrity into that 
office.” It is impossible to predict 
whether Murphy would have 
any better luck working with 
King (especially in a second term) 
than O'Neill did. Whether to run 
with him, should they both win 
their primary contests, is a de- 
cision she must carefully con- 
sider, as it will have a profound 
effect. on her future political 
ambitions. Murphy ‘is coy about 
those ambitions: “If there’s an 
opportunity to stay in the public 
sector for the next several years, | 
would very much like to do that.” 
But Margaret Merry, former 
president of Wheelock College 
and a member of the Governor's 
Commission on the Status of 
Women, which was dismissed en 
masse by King in 1979, is more 
direct. “It is my hope to sée her as 
the first woman governor of this 
state,” she said. 


Jeff Thiebauth 


In its endorsement of Murphy 
for lieutenant governor, the 
feminist bi-weekly newspaper 
Equal Times wrote, “Her cam- 
paign is direct, free from the 
usual political game-playing and 
folderol deals which ‘fill the 
political arena here.” Well, not 
exactly. Murphy is quite candid 
about her desire to-prove she can 
“play the political game,” and her 
performance at the convention 
was a testament to that. “She 
tried to deny Lois access on the 
second ballot,” said Pines cam- 
paign consultant Michael Gold- 
man. “She played a_hard-ball 
game, and it fell a little short. Of 


course,” he was quick to add, 
“there’s nothing wrong with 
that.” 


In fact, the convention was a 
study in political horsetrading. 
After the first round of voting, 
with Rotondi-about 100 votes in 
the lead and most candidates 
secure in a position on the 
September ballot, John Kerry's 


delegates were instructed to 
throw their support to Pines to 
assure two women would be in 
the running, thus splitting “the 
women’s vote,” and presumably 
benefiting Kerry. After state Rep- 
resentative Louis  Nickinello, 
widely considered Governor 
King’s first choice for a running 
mate, removed his name from 
consideration for the _conven- 
tion’s endorsement, some 
Nickinello delegates were told to 
vote for Murphy to stop what 
looked like an impending Roton- 
di victory. In King’s home town 
of Winthrop, one delegate re- 
ported, “the delegation was or- 
dered to keep Rotondi off the 
ballot.” In East Boston, King 
delegates were lobbied to vote for 
Murphy in order to improve 
Nickinello’s chances.» Senator 
Bachrach thinks that, despite his 
relatively poor showing at the 
convention, John Kerry was the 
hidden winner, because the Sep- 
tember ballot now contains two 


women, two Italians, and Kerry. 

Bachrach is the first to 
acknowledge that the entire con- 
vention exercise consisted of 
“very inside moves,” and that a 
quick poll of the voters would 
probably reveal that few De- 
mocrats could name all five 
candidates, much less which one 
got the nod. Just to put things in 
perspective, a campaign worker 
for another office reported hear- 
ing this assessment of the con- 
vention: “That Murphy will get a 
lot out of this endorsement. Yep. 
Ethel Murphy — she'll get a lot of 
name recognition.” 0 


Governor 


Continued from page 7 

lature with amendments will on- 
ly prolong the paralysis on the 
issue (since the amendments 
probably make the bill un- 
constitiutional), leaving King 





open to charges that an ad- 
ministration under his “‘leader- 
ship” is incapable of solving 
important public problems. 

The legislation King rejected 
would have allowed Boston to 
pay for court-ordered tax abate- 
ments by selling municipal 
bonds. It also would have set up, 
among other things, a 15-percent 
parking tax to help pay for the 
bonds. King had opposed the 
measure publicly, and in the 
process had picked up what he 
thought would be two victories 
for the price of one. He hoped to 
make running Boston more dif- 
ficult for his arch-foe Mayor 
Kevin White, capitalizing on the 
mayor's abysmal image at the 
same time. More important, he 
was able to come out against yet 
another tax. 

But two weeks ago, Senate 
President Billy Bulger and House 
Speaker Thomas McGee cor- 
ralled enough votes to pass 
Tregor, forcing King to act. His 




























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options were all mixed blessings, 


at best. A veto would have 
reinforced his image as a 
dogmatic tax-cutter all right, but 
with the citizens of Boston deeply 
frightened over crime and the 
coming summer, and with pub- 
lic-service unions which helped 
King in 1978 eager to see their 
members back on the job, there 
was much to lose by preventing 
the rehiting of nearly 500 police 
and firefighters, a central 
provision of the Tregor bill. On 
the other hand, for King to sign 
Tregor would have been to ap- 
prove a new tax, a move damag- 
ing in itself. But such an act 
would also have allowed 
Dukakis to note with under- 
standing that under certain cir- 
cumstance — such as the Tregor 
public-safety crisis in Boston or 
the state's fiscal crisis in 1975 that 
led to the imposition of an 
income surtax — raising new 
revenues is an appropriate, if un- 
pleasant, business. 

Which brings us to the next 
problem King faces: the fate of 
his proposa] to do away with 
what he calls the Dukakis surtax. 
Of course, King may finally get 
his way before the legislature 
goes home to campaign for its 
own re-election, but right now 
legislative leaders are saying that 
repealing the surtax isn’t prac- 
ticable — or likely. In that case, 
King may try to aim his 
gubernatorial campaign against 
the legislature, but that might not 
wash. What good is a political 
leader who shares your views on 
taxes if he can’t get them enacted 
into law? 

*” * o* 

n the end, most people who 

vote for Ed King will do so 

not because they agree with 
his rhetoric on crime and taxes, 
but because they believe he is 
more like them than the other 
guy is. And the same can be said 
for those who vote for Michael 
Dukakis. 

The crowd at the King party at 
the Springfield Marriot Hotel on 
the weekend of the convention 
was decidedly more ethnic than 
the gathering down the hall at the 
Dukakis affair. Oh sure, Dukakis 
has his share of Italians, Irish, 
and Portuguese working on his 
campaign — Dukakis himself is 
the son of Greek immigrants. 
And Dukakis’s organization can 
probably rattle off a_ list 
volunteers with as many Euro- 
pean names as King’s can. Bug the 
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assimilated. They don’t slap your 
back, or laugh, as much. Elvira 
“Pixie” Palladino, the former 
Boston School Committee mem- 
ber from East Boston, who at- 
tended the convention as a King 
delegate, described King’s appeal 
this way: “Home, family, church. 
The simple things at the’basis of 
life — that’s what he projects and 
what he represents. You don’t see 
the professionals here. You see 
the good people.” As if the two 
classes were mutually exclusive. 
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THE BOSTON PHOENIX, JUNE 1, 1982 






Death in the family 


Continued from page 1 

Connolly for murder. Under 
Massachusetts law, a jury could 
find him guilty of murder in the 
first degree. 


* > * 
hen Jimmy Connolly 
W eevee into the 


kitchen of 79 Kinsman 
Street that night, he committed 
what was by one official tally his 
54th criminal offense in Massa- 
chusetts. Many of the more 
serious Ones involved some sort 
of violence against women. Many 
of those were connected with 
some sort of violence against 
Susan and, later, Ted. Over the 
past 12 years, his two wives and 
at least two other women had 
accused him of rape, assault, and 
criminal restraint. His last  girl- 
friend obtained a restraining or- 
der against him just one day 
before he died. He had done two 
years in MCI-Walpole after being 
convicted of a variety of offenses, 
including kidnapping and un- 
natural aets. 

Jimmy Connolly’s - troubles 
with the law started when he was 
an adolescent, right about the 
time his father, James Sr., died. 
“Big. Jim” was one of six children 
born to Coleman Connolly, who 
had immigrated from Ireland in 
1914, and his’ wife, Mary 


Margaret. Big Jim’s mother died 
when she was very young. Big 
Jim's sister Margaret, the eldest 
child, took over the role of 
surrogate mother for the family. 
She was 14. “She ran the kids,” 
reports one family member, “and 
she ran that house.” It was a role 
that Margaret Connolly would 
never be able to abandon. 

Coleman’s family took up resi- 
dence in a large house on Gorhan 
Street, in the “Swede Village” 
section of south Lowell. After 
finishing high school, one of 
Coleman's sons, Frank, joined 
the Navy around the time World 
War II started. Big Jim was only 
16, but insisted on following his 
brother. Big Jim did four years at 
sea, mostly in destroyers. 

At war's end, Frank Connolly 
came out of the service, but Big 
Jim liked it. He gave every 
indication of making it a career. 
He wasea handsome, fun-loving 
roustabout, the lovable bane of 
his sister's existence. Shortly after 
the war, Big Jim married Marion 
St. Onge; on June 1, 1949, James 
W. Connolly Jr. .was_ born. 
Margaret Connolly was the 
baby’s godmother. 

Jimmy was quite young when 
Big Jim’s marriage foundered. His 
mother used to leave him at his 
Aunt Margaret’s house. Big Jim 


had been thinking about coming 
out of the service, but decided 
after all this to. stay in. Jimmy 
stayed for a while with an elderly 
woman named Mrs. Gallegher in 
Dracut. But eventually, he came 
to live at the house on Gorham 
Street. The family would say the 
same thing about Jimmy that 
they had once said about Big Jim: 
that Margaret was like a mother 
to him. 


A ly got married and moved 


down to Wakefield. On April 21, 
1953, he and his wife had a son 
whom they named Edward, but 
whom everyone else called Ted. 
Every so often, they would go up 
to Lowell to visit the relatives. 
The children would play 
together. Gradually, the visits fell 
off, but everyone grew fond of 
Ted, a small, quiet kid. His aunt 
Margaret liked him. After all, she 
was his godmother, too. 
*” * * 


vy 1967, the house on 
B Gorham Street was getting 

crowded. Jimmy was living 
there, of course. When her mar- 
riage broke up, Margaret's sister, 
Winifred, moved in with her 
daughter, Mary Margaret. Grand- 
father Coleman was _ battling 


* * *” 


fter his discharge from 


the Navy, Frank Connol- . 





cancer. He- had had a laryngec- 
tomy and had: trouble com- 
municating with his grandson. 
That seemed to bother Jimmy a 
great deal. And Big Jim was in a 
bad way. 

After leaving the Navy, in 
1964, Big Jim had caught on as a 
laborer in the highway depart- 
ment. In.1967, he hurt his back 
severely. He put in for a full 
disability pension. On the night” 
before his hearing date, he felt 
sick and dizzy. He went to the 
hearing anyway. Upon returning 
home the following afternoon, 
Big Jim took a dizzy spell at the 
top of the stairs. He toppled 
backwards, No one quite under- 
stood why. They hoped nothing 
was seriously wrong. 

Big Jim spent his days on the 
couch at the Gorham Street 
house, incapacitated by a back 
brace. More and more, it fell to 
Margaret to raise Jimmy. “She 
did everything humanly possible 
for that boy,” recalls one family 
member. At the. time, Margaret 
was working full-time as a tele- 
phone operator. “Some people 
figured | might be spoiling him,” 
Margaret says today. ‘But | just 
figured that he didn’t have any- 
body else. His mother was gone, 
and his father wasn’t long for this 
world.” 


One May night in 1967, 
Margaret and Big Jim were watch- 
ing television. Since being laid 
up, Big Jim had become some- 
thing of an authority on the 
various programs and their stars. 


“Hey,” he said to his sister, 
“you've got to watch this.” 
Margaret turned around. Big 


Jim’s mouth was moving, but he 
couldn't seem to speak. He 
slumped back on the couch, dead 
of a cerebral hemorrhage at the 
age of 38. 

Jimmy’s reaction was spooky. 
“He always kept everything in- 
side of him,” Margaret re- 
members. ‘He wasn’t one to 
show his emotions. He kept them 
bottled up.” Jimmy cried only 
once. That was at the funeral, 
when they gave him his father’s 


flag. 
W his Aunt Peg, who 
adored him, Jimmy 
began to get into scrapes with the 
law. It was minor stuff, mostly. 
He was cited for several motor- 
vehicle violations, including one 
arrest for a noisy muffler. He was 
also apprehended on two oc- 
casions for illegal possession of 
alcohol. His Aunt Peg paid a 
number of $10 and $15 fines. 
Jimmy started spending time on 


* * 7 


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probation, “You looked at the kid 
as a royal pain in the ass,” said a 
Lowell courthouse source. “He'd 
keep getting picked up on minor 
things, petty things that did 
nothing but keep us busy.” This 
same source recalls a first-im- 
pression which is considerably 
ironic in the light of what was to 
come. “Hey, this kid was a 
wimp,” he says. “He was five- 
eight, about 135. And he’d sit 
there and give you lip service. | 
mean, he’d look right through 
you. You couldn’t get to know 
him because he wouldn't let you. 
There was an air of impenetrabili- 
ty about him.” 

Which was an impression that 
Jimmy gave to other people 
besides court officers. “He was 
with our group,” one of Jimmy’s 
high-school friends recalls, “but 
he was distant. He’d go off by 
himself with no explanation. | 
mean, that was the late ‘60s, and 
everybody was spacy in their 
own way. But he was just a little 
more vague, | guess.” Jimmy had 
also developed a_ formidable 
temper. “He didn't like to be 
touched,” Margaret Connolly 
says. “If he liked you, he’d give 
you the world and all around it. 
But just don’t touch him. Don’t 
push him around.” 

Jimmy’s cousin, Mary 
Margaret, had a friend from 
across town named Susan Cham- 
pagne. Susan’s family owned a 
house at 79 Kinsman Street, were 
avid campers, and sent Susan to 
Presentation of Mary Academy in 
New Hampshire. She had led a 
sheltered life of familial love and 
rigid curfews. Shortly before Big 
Jim’s death, Jimmy and Susan 
began to date steadily. The night 
that Big Jim died, Jimmy was at 
the Champagnes’ house. 

“He was my first relationship,” 
Susan says today. “I was in high 








Susan Connolly says of her 
first husband, ‘He developed 


a very serious drinking 


problem. He’d go out and pick 
fights, then he’d come home 
and I’d be his punching bag. 
Tused to pray that 
he wouldn’t come home.’ 











mood struck him, he could be as 
charming as Big Jim at his best. So 
he and Susan were married, on 
November 7, 1969. Susan’s fami- 
ly gave them half of the Kinsman 
Street duplex to live in. Jimmy’s 
familv was thrilled, especially the 
aunts. This looked like the girl 
who could straighten him out 
and make him the kind of person 
they knew he could be. How 
lucky he was. 

Susan was two months preg- 
nant on her wedding day. Kristin 


was born in March. 
Sal * * 
B Gorham Street is a large, 
airy saloon owned by a 


Lowell police sergeant named 


illy’s Brookside on 


soars ~ oe 
Billy Shea. It smells sweetly of 
old varnish and older wood. In 
the afternoon, women at the bar 
sing along with the jukebox, and 
everybody talks about going 
back to work soon. 

Jimmy Connolly hung out at 
the Brookside, when he wasn’t 
hanging out at the Savoy up the 
street. His drinking was with him 
always; his record shows alcohol- 
related offenses going back to his 
teenage days. Margaret, when 
discussing Jimmy’s downfall, in- 
variably comes back to “the 
booze.” And by all indications, he 
was a nasty, brutish drunk. The 
regulars at the Brookside knew 
him well; some even liked him. 
But they all watched out for the 


EE ne 
darkling warning signs of 
another change in his mood. “He 
was a_ real Jekyll-and-Hyde 
character,” remembers one 
Brookside regular. ‘‘He was the 
kind of guy who'd be sitting next 
to you having a beer and then, all 
of a sudden — boom! He'd sucker 
you right off your chair. Yet he 
was a ladies’ man in every 
respect. The girls loved him.” 

By Susan Connolly’s account 
of her first marriage, Dr. Jekyll 
rarely checked in on Kinsman 
Street. “He developed a very 
serious drinking ‘problem,’ she 
says. “He'd go out and pick 
fights, then he’d come home and 
I'd be his punching bag. | used to 
pray that he wouldn't come 


home.” When she threatened to 
leave him, Susan says, Jimmy 
would duck her head in a tub of 
water. “You don't know how 
hard it is to leave somebody,” she 
says today, “if that person is 
theatening to kill you if you do.” 

Jimmy’s criminal record con-; 
tinued to lengthen. Time and 
again, Margaret would bail him 
out. “She never said a word, she 
just did it,” a family friend 
marvels. “She really believed in 
that kid.” Between August and 
December of 1970, Jimmy went to 
court three times on assault 
complaints. On December 12 of 
that year, he received a three- 
month suspended sentence. 

One night shortly after Kristin 
was born, Jimmy was out on a 
toot somewhere. Susan packed 
his bags, left them on the front 
steps, and barricaded the door. 
She also sought a restraining 
order to keep him away. The 
marriage had in fact ended less 
than a year after it had begun. 
The divorce would not become 
final until 1972. In many ways, 
the separation’ was as hard on 
Susan as the marriage. 

Just as he had after their break- 
up over the counter in Sears, 
Jimmy began to follow her 
around. He began turning up 
near the Mammoth Mart, where 
she was now working; one night, 
she had to call the police for an 
escort home. As Kristin got older 


and began attending school, 
Susan would be sure her teachers 
had pictures of the people 


authorized to bring her home. 
Sometimes these measures work- 
ed. Sometimes they didn't. 

“One day,” Susan recalls, ‘I 
was alone and the back door was 
open. He came in, kicked Kristin 

Continued on page 18 


























2861 ‘| SNN *XINZOHd NOLSOS 3SHL 








VIRAGE SCHOOL 
OF 
CORPORAL MIME 


s 


school. | was naive, | guess, 
gullible. | believed anything he 
told me. 

One thing Jimmy rarely men- 
tioned was his increased ac- 
quaintance with the Lowell 
Police Department. He was slow- 
ly and steadily drifting out of the 
minor leagues. On March 7, 1967, 
he was given a_ suspended 
sentence on a charge of assault 
and battery. Peg was paying 
heavier fines; some family mem- 
bers were beginning to wonder if 
Peg shouldn't just cut Jimmy 


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immature to realize what it 
would probably develop into.” 
After graduation, Susan went 
to work at the Sears, Roebuck 
outlet in Lowell Plaza. After four 
years at boarding school, she felt 
as though she'd escaped into the 
real world. Jimmy’s jealousy be- 
came annoying. They had a 
screaming fight over the counter 
at Sears, and broke up. After that, 
if she went out for a pizza with 
friends, Jimmy would be sure to 
show up. He'd follow her home, 
asking for a chance to talk. 
Gradually, Jimmy’s  per- 
severence seemed to pay off. 
After all, he was a good-looking 
Irish kid. “If he hadn't shaved or 
anything, you wouldn’t want him 
near you,” says someone who 
knew him well. “But he was 
meticulous when he got dressed 
up. He was sharp, like he walked 
out of a magazine ad.” When the 


loose. But they didn’t talk much # 
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By the time she was a senior in Day classes begin June 14, 
high school, Susan had gotten to July 6, and August 2 BOOK 
know Jimmy quite well. Some 
things about him puzzled her. “If SALE = 
we passed a guy on the street and Cambridge Center 
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D THE WORLD | 
AROUN ' Continued from page 17 
IN THIRTY DAYS : over, assaulted me, destroyed the 
apartment; and left.” Susan 
JUNE 28 swore out an assault-and-battery 
complaint against Jimmy: They 
went to court. “He was confident 
that he could get her to drop the 
VAY) \ | \/\V| { | K charges,” says a lawyer who once 
represented Jimmy Connolly. 
_ Susan says he threatened her to 
a?’ 4 get her to do that. In any case, the 
Re | BERKLEE terms of the restraining order ’ 
eh PERFORMANCE were reiterated. Jimmy Connolly 
was told to stay the hell away 
CENTER from Kinsman Street. Which, 
according to some of the people 
he drank with, was becoming 
impossible for him. “It was amaz- 
ing,”* one of them said. “He'd 
come into the bar, have a couple, 
and almost immediately start 
talking about going down to 
Kinsman Street and busting up 


THE BOSTON PHOENIX, JUNE 1, 1982 


The Projessionals 


o. oae KRAUT TSOL | ~~ place. oa" tor * ow in 
JUNE 4 > “ — hell anyone ever lived there. It 
oo ROCK . was like being haunted.” 





By the spring of 1971, the legal 
system had finally run out of 
patience with Jimmy Connolly. 
On April 28, he was sentenced to 
a one-month term in the Billerica 
House of Correction for assault. 
By the date of his sentencing, he 
had been charged with 23 sepa- 
rate offenses. He had been put on 
probation seven times. He would 
serve 15 days. 

On Gorham Street, the attitude 
toward Susan Champagne Con- 
nolly changed dramatically. 
Margaret Connolly says today 
that Susan ‘wouldn't be the girl I 
picked for Jimmy, that’s for sure.” 
But other people close to the 
situation say that Margaret's 
steadfast belief in Jimmy blinded 

If you value lethargy and hedonism, her to his role in the dissolution 
join the NON-JOGGERS CLUB! For your club of his marriage. “When they got 


T-shirt membership card and by-laws send: married, Susan was wonderful, 
‘ ‘ : and her parents were wonder- 

















OF REGGAE with 


AN EVENING — size (small, medium, large, extra large) ful,” says one such source. “But 
Steel Pp ulse dvance — name and mailing address ae ig apace * was bom 

5.50 adva ae Maybe Susan could have done 

JUNE 16 check or money order for $10 + $2 scinit Gar ak tag ramet iin 


door 
are — postage payable to Non Joggers Club good any more. If you disagreed, 


be Wa 
(02 YAR op pubes, cng ; 
THR J it was like,- ‘Hey, how come 
to: Non Joggers Club you're taking Susan's side?’ ” 


ox) meets [Uhays Sind International Headquarters ee 
'USive, N 1E P.O. Box 163 T ed Connolly, Frank’s son, 


4nd 


5 We Bo oT: 
6 vs ee ae ate Weston, Mass. 02139 
oor 


grew up in Wakefield and 
saw his Lowell relatives 


: . only on big holidays like 
Now go take a nap after exerting this much energy. pena He graduated ftom 


: Wakefield High in 1971, went to 
Salem State, and graduated from 

Boston Rock there with a BA in Business 

2nd Anniversary Party Administration in 1975. It was a 
recession time, though, and that 


THE ° 
Bors LIFE DANCER OOE Brie the ROGMETIX What An En terprise! kind of degree didn’t go very far. 

















3.00 advance On a hunch, he called his Aunt 
450 door Winifred. Her husband, Bernie 

Cohen, got Ted an interview with 
the Metropolitan Mutual Life 


- 
a. may) the music play Leonard Nimoy Insurance Company, and Ted 


landed a job as a sales representa- 


The Boston Pops tive. He moved out of a place he 
g og ati, was sharing in Danvers and 
: TUNE 2! —: John Lanchbery moved into his Aunt Margaret's 
PASSAGE 40 advance é “a house, the house on Gorham 
weet sing]¢) 5.00 door werb 102.5fm Street in Lowell. 
x Each new sales representative 
at Metropolitan was given a card 
file of standing policies he was 





* Sat., June 5 supposed to monitor. One of Ted 
* § PM Connolly's accounts was a $500 
policy bought years ago by Hen- 
* Symphony Hall ry Champagne and his daughter, 
ALL AGES 8.50 DOORS at 5:00pm Susan. He called the Champagne ae 


house and, Ted says, “Lo and 
behold, she had been married to 
my cousin.” In 1976, Ted and 





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“ Night At Pops. Under the baton of John Lanchbery, Susan’ began seeing each other. 
former conductor of the Royal Ballet and composer of Susan had been reluctant to 
the score for The Turning Point, The Boston Pops wilt . date anyone during the years 

4 i . ‘ after her divorce. By the time 
play Walton’s Henry V Suite, with Leonard Nimoy per- Jimmy got out of Billerica, his 
forming excerpts from Shakespeare’s Henry V. personality had darkened even 


more. He had moved to Nashua, 


: i K New Hampshire, a few minutes 
Tickets range from $5 - $20. north of Lowell. On May 12, 1971, 
Call 893-7080, 9 AM - 5 PM, M- F. he went to court on a charge of 


threatening Susan. He was ar- 


rested twice for drunkenness in 
September of that year; on No- 
PINAY Al f P f { ‘ vember 26, 1971, charges of 
MAIN, . A, assault and battery and malicious } 
damage to personal property 
name were dismissed. Susan says that % 
25 NECCO Cy BOSTON werb 102.5 fm Jimmy often told her, “If I can’t % 
have you, nobody can.” Ted was d 


G5 - GOS different, though. “He's a very 
nl Continued on page 20. y 

















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20 











Death 


Continued from page 18 
calm and gentle person,” says a 
member of the Connolly family. 
“And he’s done wonders with 
that little girl.” Ted soon moved 
into the Kinsman Street house. 
Susan gave his picture to Kristin's 
teachers. “One reason we moved 
in together is that | feared for 
anyone | was dating,” Susan 
says. “Il wanted him to be aware 
of just what was going on.” 

It didn’t take long. One night 
shortly after Ted had moved in, 


Jimmy Connolly was in the 
Brookside" looking more agitated 
than usual. He told at least ene 
person that someone had moved 
in with Susan, and that he was 
going to go stomp the guy. He 
wandered off into the night, 
down the rocky hill that leads 
from Gorham Street to Kinsman 
Street. He got to the house, broke 
through the back door in a fury, 
and looked into the living room. 
There was a small red-haired 
man who looked vaguely fam- 
iliar. 

“Jesus, Jimmy,” the man said. 
“Don't you know me? I’m your 
cousin, Ted.” 





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Jimmy Connolly ran back up 
the hill. He drove up to his aunt's 
summer home in New Hamp- 
shire. “He just sat there on the 
steps; holding onto the railing,” 
Margaret recalls. ““And he cried 
and cried. He kept saying, “But 
he’s my cousin, my own 
cousin.’ 

After moving to Nashua, Jim 
my had begun seeing a woman 
named Marie Belanger. He was 
also in the most serious legal 
trouble of his life. He would 
shortly be convicted of four 
charges — kidnapping, armed 
robbery, A&B, and committing 
an unnatural act — arising out of 
the abduction of a young woman 
from the Lowell Plaza parking 
lot. It would also come out in the 
course of the trial_that he had 
fallen behind on his support 
payments to Susan and Kristin. 
Jimmy had figured that, since Ted 
was living ‘ere, Ted should 
support them. The court dis- 
agreed. (“I was hurt when | heard 
that,” Margaret Connolly says 


today. “He should have come to 
me. | would have paid it for 
him.) On this night, his aunt 
watched him at the front of the 
summer house 

“My cousin,” he kept saying. 
“My own cousin.” And he rocked 
back and forth on the railing. 

*” * * 


obody figured that 
Chauncey Normadin 
would turn out to be a 


cop, at least nobody in Lowell 
who knew him growing up, 
when he and Jimmy Connolly 
used to smart-mouth their way 
into detention together. By 1976, 
though, Normadin was cruising 
south Lowell on a police motor- 
cycle. One night, he heard a call 
summoning officers to 79 
Kinsman Street. It wasn’t in his 
regular patrol area, but it wasn’t 
far away. Besides, Normadin had 
a cop’s hunch that he knew what 
was going on. 

Someone had thrown a rock — 
a boulder, really — through the 
back door of the duplex. Nor- 


madin took down the details 
from a rattled Ted Connolly. 
Then he drove up to the Savoy. 
He found Jimmy Connolly in the 
bar, roaring drunk. Normadin 
always knew where to find him, 
and he put his old detention 
partner into custody for the night. 
The violence of the act startled 
Normadin. “Il think back on it,” 
he says today, “and | think that 
night was the beginning of the 
end,’ 
* * *~ 


nolly was watching the 

Olympie boxing finals on 
television. There was a loud crash 
in the kitchen. Ted walked in and 
saw Jimmy standing in the 
doorway with a rock in his hand. 
He was mumbling about a new 
job he had. Jimmy’s drinking had 
cost him several previous jobs, 
and that had eaten at him. Ted 
tried to talk his cousin down a bit, 
controlling the fear in his own 
voice. Jimmy put down the rock. 
He picked up a knife. “You 


I n August of 1976, Ted Cén- 








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says. “They had ail those detec- ar 








One night at the Brookside, Jimmy 
Connolly told at least one person that 
someone had moved in with Susan, and that 
he was going to go stomp the guy. He got to 
the house, broke through the back door, 
and looked into the living room. There was 
a small red-haired man who Jooked vaguely 
familiar. ‘Jesus, Jimmy,’ the man said. 
‘Don’t you know me? I’m your cousin, Ted.’ 








tors. If anyone had ever told me 
that I'd ever go to Walpole, I‘d’ve 
said they were crazy.” She 
brought Jimmy whatever he 
needed. Her solicitude was caus- 
ing some family friction. At least 
two family members say that 
Jimmy had taken to threatening 
other members of the family for 
money when he needed it, a 
charge Margaret denies. One 
member of the family flatly 
refused to drive Margaret to 
Walpole. A lawyer who'd known 
the family for years refused to 
take any more of Jimmy’s cases 
because he didn't want money he 
knew was coming from Margaret. 
She remained firm, however. 
“Jimmy was paranoid down 
there,” she explains. “He was in 
there with really bad guys, and | 


2861 ‘L SNAP ‘XINSOHd NOLSOS 3HL 


knew he wasn't a’ bad kid. 
Imagine having him in there like 
that.” 


On Kinsman Street, Ted and 
Susan were planning to’ be mar- 
ried. They were scared to death 
that Jimmy might show up at the 











know,” he said, his diction sud- 
denly sharp and clear, “| should 
kill both of you.” 

Ted was terrified. Jimmy 
moved around the kitchen, talk- 
ing all the while about his new 
job. “You know,” he said again, 
waving the knife in small circles 
in the air, “I really should kill 
both of you.” Then he left, taking 


the knife with him. ‘‘He said he’d 
be back,” Ted recalls. ““He said he 
had nothing to lose.” 

Ted and Susan called the 
police, and then took Kristin and 
drove around the block a couple 
of times, just to get out of the 
house in case Jimmy did come 
back. The police were waiting 
when Ted and Susan came 


around the second time. Jimmy 
had indeed come back. The knife 
lay on the front porch. Ted and 
Susan wanted to press charges. 
They were assured, however, 
that they had nothing to worry 
about, that after his conviction on 
the Lowell Plaza abduction 
charges Jimmy would soon be 
going away for a long time 


= 





wedding. They tried to get word 
of when he might be released, 
but the Department of Correction 
had statutory grounds for not 











anyway. 

On August 23, 1976, Jimmy 
Connolly married Marie 
Belanger. On November 11, 1976, telling them, and the family 
he went to Walpole. Three to 10. grapevine had ceased humming. 

+ * * In October of 1978, after 


t was a harrowing time for having served than two 
| Margaret Connolly; the visits years, Jimmy Connolly was re- 
to Walpole frightened her. “It leased from Walpole. 
she 


Continued on page 22 


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Death 


Continued from page 21 
On November 11, 1978, two 
years to the day after Jimmy 
Connolly went to prison, Ted 
Connolly married Susan Cham- 
pagne Connolly. 
* * >” 


aren Muschiette’s family 
K owns a small card shop in 
the Lowell Plaza. In Sep- 
tember of 1979, she and a friend 
were looking for a place to live. 
Jimmy Connolly had just separ- 
ated from his second wife, Marie. 
Karen and her friend moved in 
with him at 78 2 Hollis Avenue 
in Nashua. It began platonically, 
but soon the third party moved 
out, and Muschiette and Jimmy 
became lovers. She had been 
brought up in a strict Catholic 
family, a family not unlike Susan 
Champagne’s. Her parents 
weren't sold on the idea of her 
living with any man, let alone an 
ex-con. She held her ground, and 
became the last person to try and 
help Jimmy Connolly. 
Karen tried to get him to 
control his drinking, at one point 
even suggesting hypnosis. She 
took little of his nonsense, and 
there were fights, but she thought 
she was making progress. Jimmy 
was working hard at keeping up 
the house, and at keeping his job 
at Teradyne in Nashua. He wrote 
her poetry in longhand, tiny, 
slanted lines of printing. 

1 don’t get disillusioned,” he 
wrote, “I'm always back the next 
day./l am a player, and | love the 
stage.” 

* * * 


‘ed Connolly changed jobs 

i in September of 1980. He 

took a_ position with 
Sullivan and Cogliano, a 
Waltham agency supplying tem- 
porary technical personnel for 
high-tech companies. He was one 
of the firm's youngest employees. 
He started to rack up per- 
formance bonuses almost im- 
mediately. From time to time, he 
recalls now, he'd kid his fellow 
employees about their hunting 
trips. “Going to go out and nail 
that poor, defenseless deer?’’, 
he‘d needle. The closest he’d ever 
come to a gun was the old bolt- 
action .22 his father had given 
him. He and his brother used to 
shoot tin cans with it. It had 
traveled with him from 
Wakefield to Danvers to Gorham 
Street and finally to Kinsman 
Street. He guessed it was down in 
the cellar somewhere. 

Shortly thereafter, Jimmy Con- 
nolly got into trouble again, and 
this time into the spotlight as 
well. Marie Belanger, Jimmy’s 
estranged second wife, charged 
that on September 18, Jimmy had 
broken into her house and raped 
her. He was indicted on Novem- 
ber 21, the first man charged 
under a new New Hampshire 
“spousal rape” law. The trial hit 
all the papers. Anti-rape commit- 
tees and feminist organizations 
lined up behind Marie. Jimmy 
was all over TV. 

“That was a misunderstanding 
between two people that just 
went too far,” says Karen 
Muschiette, who attended every 
day of the trial. David Pinson- 
neault, Jimmy’s lawyer, refused 
comment on any part of this 
story, but several observers of the 
trial say that Belanger’s testi- 
mony was vague and disjointed. 
Jimmy was acquitted on June 10, 
1981. 

Karen and Margaret both agree 
that this episode further served to 
convince Jimmy that he was 
doomed. “Every time he'd get 
up,” Margaret says, ‘somebody 
would push him back down.” But 
other people who knew him 
thought it was all just self-pity, a 
self-pity which alcohol turned 
treacherous. 

* * * 


ne spring night in 1981, 
O Ted and Susan returned 
from a day trip to New 


Hampshire. A panel of glass in 
the back door was broken again. 


The telephone wires were ripped 
away from the house. The follow- 
ing month’s phone bill showed a 
call to New Hampshire on the 
date in question. The call was to 
Jimmy Connolly’s residence. 

* * * 


- ® 


n July 9, 1981, Karen 
O Muschiette stood in the 
pouring rain outside her 


father’s card shop. Jimmy had her 
car, and he was late. She called 
his aunt’s house, but they hadn't 
seen him. She called his cousin, 
Mary Margaret, but he wasn't 
there, either. She had about given 
up when her blue Fiat roared up 
to the curb. Jimmy was blind, 
staggering drunk. He wanted to 
drive. Karen wouldn't let him. 
“Either | drive or you walk 
home,” she told him. He 
mumbled something and drove 
off into the rain. 

Ted was upstairs when he 
heard the back door cave in. He 
ran down toward the living room 
and saw Susan and Kristin back- 
ing out of the kitchen. Ted saw 
Jimmy advancing through the 
kitchen. There was no indecision 
in him this time. Jimmy was 
dripping wet and brandishing the 
handle of a corn broom that Ted 
and Susan kept on the back 
porch. Jimmy seemed to be hiss- 
ing. Ted told his wife to take 
Kristin upstairs and call ‘the 
police. Jimmy was telling Ted 
that he was going to get stomped 
good. Ted moved into the kitchen 
cautiously, trying to reason with 
his cousin. 

The wall phone’s receiver had 
been knocked off its hook by 
Jimmy’s initial charge, which had 
also sent Kristin flying into the 
kitchen table. As the receiver 
dangled, both men could hear 
Susan trying to dial the police on 
the upstairs extension. Jimmy 
dropped the broom handle and 
grabbed the phone. “Don’t call 
the Man,” he screamed. “Don't 
you dare call the Man.” Susan 
was so frightened that she forgot 
the police emergency number. 
She dialed the operator instead. 

Ted moved to get the phone 
away from Jimmy and caught a 


. blow to the side of his head. The 


two men grappled. Ted got in a 
couple of shots, but Jimmy was 
stronger and whacked him again. 
The phone rang. It was the 
operator, asking if they still want- 
ed the cruiser. Ted screamed that 
he did. Jimmy made one more 
run at him, and then dashed out 
into the yard_and up the hill. 

Chauncey Normadin and his 
partner, Paul Donaghue, arrived 
within minutes. The apartment 
was a shambles. Ted Connolly 
was shaking. “I can’t live like 
this,” he told Normadin. “What 
can | do to protect my home?’ 
Normadin told him that there 
were limits to what the police 
could do. Normadin searched the 
neighborhood, and then went 
looking for Jimmy. He tried the 
Brookside. No luck. He tried the 
Savoy. Not there, either. This was 
odd. It was as if Jimmy knew_he 
had gone too far this time. It was 
the first time Normadin hadn't 
been able to find him. 

The next morning, Ted and 
Susan Connolly swore out seven 
felony complaints against Jimmy 
Connolly. 

The next morning, Jimmy 
called Karen in Nashua. He asked 
her what had happened the night 


before. 
” * +” 


hroughout the fall and 

i winter, Jimmy’s legal prob- 
lems multiplied. A woman 
named Barbara Plummer charged 
that he had taken her prisoner by 
putting a piece of glass to her 
throat. Jimmy was indicted for 
criminal restraint. And it seemed 
to the Lowell Police that their 
Nashua counterparts were reluc- 
tant to move on the complaints 
filed by Ted and Susan. “Our 
criminal division tried,” a Lowell 
police source said, “but it just 
died up there.”” Karen Muschiette 
confirms this in a backhanded 
way. “We never heard anything 
about it,” she says. “And the 





er" 


Ps 





























Nashua cops certainly knew 
where Jimmy was.” 

Jimmy's trial on the Plummer 
charges ended in a mistrial on 
March 10, 1982, when two jurors 
held out for acquittal. A new trial 
date was set for June 9, 1982. By 
this time, Jimmy Connolly owed 
some $3000 to various lawyers. 

*_ * ™ 


ed Connolly’s brother and 
I his wife took the other half 
of the duplex one week- 
end. They had heard about the 
things that had been going on, 
but nothing prepared Ted's sis- 
ter-in-law for what she saw out 
the back window late one after- 
noon, Jimmy was sitting on 
Kristin's swing set. He never 
looked up. He just swung slowly 
back and forth, staring at a spot 
beyond his shoes. 
* * ~ 


aren thought that Jimmy 
K had taken the Plummer 

trial hard, but that he 
seemed to be bouncing back. He 
was working a new job as a 
security guard at the Oak Hill 
apartments, near where they 
lived. He told her that there was 
talk of moving him into land- 
scaping. Karen thought she felt a 
household developing around 
her. Jimmy was writing more 
poetry. “What's important re- 
mains,” he wrote to her. “Having 
traveled only brings me 
home/knowing more/I love you, 
Karen Jo.” It all lasted a week. On 
St. Patrick’s Day, Jimmy and 
Karen had their last fight. 

It began over something trivial, 
but it ended with Jimmy explod- 
ing,, kicking the TV set and 
breaking some of Karen's good 
china. He demanded her car 
keys. When she refused to hand 
them over, he stormed out of the 
house, looking for a way to get to 
Lowell. 

Karen's patience and strength 
were at an end. She called her 
brother-in-law in Hudson, New 
Hampshire. He told her to come 
over. She hesitated at first, fear- 
ing that Jimmy might find out 
and come over there to do 
damage. Her father told her in no 
uncertain terms what would hap- 
pen to Jimmy if he tried anything 
like that. She told her father she 
was leaving him. On March 18, 
Karen Muschiette applied for a 
restraining order against Jimmy 
Connolly. 

She was still worried about 
him, though. In the confusion, 
she had grabbed his_ keys. 
Without them, he couldn't go to 
work. She stayed home from 
work all day. She found out later 
that Jimmy had been calling the 
card shop looking for her. 

That night, Jimmy Connolly 
got deeply drunk at _ the 
Brookside. He was in a foul 
mood, and on his worst behavior. 
He was looking for a ride back to 
Nashua so he could make work 
the next morning. He asked a 
friend.. “Christ, Jimmy,” his 
friend told him, “I'm too drunk to 
drive.” Jimmy stormed around 
the Brookside. He started one 
fight; then he started another, 
this one ‘‘with someone who 
would have absolutely killed him 
— really, he would have dumped 
Jimmy in the brook,” according to 
one eyewitness. They finally 
threw him out. 

By 1:15 a.m., he was headed for 
Kinsman Street, back on that 
infallible compass that seemed to 
direct him there whenever he 
was drunk and life seemed to 
suck. Inside, Ted was watching 
television with John Whalen, a 
friend from Wakefield. They 
heard a dog bark, and then the 
shattering of the glass. Ted went 
upstairs and got the rifle. He 
didn’t have a clip, just one odd 
bullet. He jammed that into the 
chamber. He ran back to the 
threshold that separated the 
kitchen.and the living room. 

Ted Connolly stood in the 
living-room. doorway with his 
father’s squirrel gun. He had no 
intention of leaving Kristin, 
asleep upstairs, alone in the 
house with her raging father. He 
yelled at Whalen to call the 

Continued on page 24 








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THE BOSTON PHOENIX, JUNE 1, 1982 





Death 


Continued from page 23 
police. Whalen couldn't move. 
The cousins squared off about 
five feet from each other. “Don’t 
come any closer,” Ted told Jim- 
my. “Stay there, or I'll shoot.” 
Jimmy Connolly smirked at him, 
passing over a line he probably 
never saw until it was too late. 
“Go ahead,” he said. 
And he moved 
cousin. 


toward his 


* * *~ 

f John Whalen’s testimony at 
I Ted Connolly’s  probable- 

cause hearing is correct, then 
Ted made an_ incalculable 
blunder. in his panic after the 
shooting. Ted took a knife from 
the counter and dropped it next 
to the body. Whalen saw what 
was coming immediately. “Hey, 
man,” he told his friend, ‘pick up 
the knife.” 

‘| don’t want to go to jail,”” Ted 
kept re peating. “| don’t want to 
go to jail.” They went upstairs to 
call the police and an ambulance. 
Ted sat on the bed. “I don’t want 
to go to jail,” he kept saying ina 
low voice. The police arrived, and 
Ted's front crumbled immediate- 
ly. He admitted dropping the 
knife. 

While being booked, Ted re- 
peatedly asked for Chauncey 
Normadin, the one cop who 
knew the story of Jimmy’s career 


as a_ poltergeist on Kinsman 
Street. Nofmadin wasn't around. 
Ted Connolly went into a cell. 

The next morning, attorney 
Robert White met with Ted for 
the purpose of representing him 
at his arraignment and at what- 
ever bail proceedings might be 
forthcoming. Ted was having 
trouble breathing. ‘He's the one 
who came after me,” Ted said 
over and over again. ‘Now I’m in 
jail, and | can’t even breathe.” 
He’s in shock, White thought. 
Ted was arraigned for murder 
that morning, and later released 
on $1000 cash bail. 

Ted's biggest concern was that 
he keep his job. He says that 
Sullivan and Cogliano officials 
repeatedly assured Susan while 
he was in jail over the weekend 
that they were solidly behind 
him, and that they hinted that the 
company might pick up some of 
his legal costs. After being re- 
leased, he called the company 
and asked, jokingly, if he still 
worked there. He was told that 
S&C operations manager Dick 
LaDuke wanted to talk with him. 
On the Wednesday after the 
shooting, Ted Connolly says that 
LaDuke and other company ot- 
ficials told him that he was being 
laid off, officially for “lack of 
work.” He asked for the real 
reason. He says LaDuke told him 
that it was ‘because there would 
be a stigma, not just between you 
and your clients, but between the 
general public and your fellow 


employees.” (LaDuke declined to 
comment on the case to” the 
Phoenix.) So much for standing 
firmly behind me, thought Con- 
nolly. He went home to face a 
murder rap with no income save 
Susan’s salary and $150 a week in 
unemployment. 

Ironically, Ted Connolly, 
whose criminal record was re- 
ferred to as “‘lily-white” -by Low- 
ell police sources in the Lowell 
Sun's account of his arrest, now 
faces a more serious charge than 
Jimmy ever did. He was indicted 


for murder; under Massachusetts . 


law, a defendant so indicted is in 
effect tried for murder in the first 
degree, and the jury ultimately 
determines the charge on which 
the defendant is convicted or 
acquitted. Clearly, much will de- 
pend on how much premedita- 
tion the jury finds in Ted Connol- 
ly’s actions. The gun was, ap- 
parently, moved upstairs from 
the cellar sometime before the 
night of March 19, and one source 
sympathetic to Ted Connolly's 
case says flatly that “the gun was 
up there for Jimmy Connolly. 
Believe that.” 

That the Middlesex County 
District Attorney's office pressed 
for a murder indictment comes as 
no surprise to criminal attorneys 
familar with that office’s opera- 
tion. “They're always doing 
that,” says one such lawyer. 
“They always indict for murder 
in the case of any homicide. Then 
they try to coerce a plea. A lot of 


people who would ordinarily 
fight. won't if they Know they're 
facing a murder rap.” Middlesex 
Assistant DA Thomas Drechsler, 
who brought Ted Connolly's case 
before the grand jury and will 
likely prosecute it, refused to 
comment on the case. 

Steven Rappaport, Connolly's 
lawyer, is also circumspect about 
the details of the case, but does 
indicate that he doesn’t expect to 
go to trial until at least Septem- 
ber. Whenever the trial opens, it 
would be a shock if any jury 
brought back a murder verdict 
against Ted Connolly. Even 
under the old law regarding the 
use of deadly force in protection 
of the home, juries were wont to 
look sympathetically upon the 
homeowner who shot an in- 
truder. The relaxation of some of 
that law’s provisions was greeted 
by loud applause from the gen- 
eral public. And it is, after all, that 
general public from which Ted 
Connolly's jurors will be drawn. 

More than one Lowell cop is 
going to be following the case, 
and quietly pulling for the defen- 
dant. “Of course,” said one such 
observer of Ted Connolly, “he’s a 
victim. It’s a terrible injustice if he 
ever does a day for that.” Still 
another, when asked what Jimmy, 
Connolly’s death may _ have 
provided, replied, “Relief.” 

What is left,.then, is the family, 
Coleman's children and grand 
children drawn up along the 
most painful of lines. They put 


Jimmy Connolly into the ground 
next to Coleman and Big, Jim. 
Frank, the big brother Big Jim 
followed to sea, couldn't make it. 
He was the father of the defen- 
dant. And through it all, there are 
the voices. ... 

“It must have been destined,” 
Margaret Connolly says, as she 
prepares for another shift at the 
phone company. “Of 50 milhign 
girls, Teddy has to fall for Jim- 
my’s wife. But | wonder, and I'll 
always wonder, why Jimmy 
didn’t call me that night.” 

“It’s a relief in the sense that 
he’s not coming back,” says Ted 
Connolly, hanging out in the 
living room of the duplex with 
the newly repaired back door. 
“But | lost my job, and I’m 
charged with murder. It’s still a 


trauma. | never believed | had 
that in me.” 
“It’s still having re- 


percussions,”” agrees Susan from 
the other end of the couch. “It’s 
like it’s still being taken out on us, 
one way or the other.” 

“Some of the things that came 
out. about him,” says Karen 
Muschiette, who still works af 
her father’s card store and who 
still goes home at night to feed 
Jimmy’s cats, “none of it made 
any sense if you knew the guy.” 

“And so you stay and call it 
home,” Jimmy Connolly once 
wrote to Karen, “Not to know 
where you have roamed/With ‘In 
Loving Memory’ on your tomb.” 

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26 


THE BOSTON PHOENIX, JUNE 1, 1982 





Sporting eye 





After the end: Let us now 
praise famous tall men 


by Michael Gee 


here were five hours to go in the 

basketball season. Watched only 

by a pair of ballboys, a few CBS 
technicians, and a dozen or so off-duty 
soda vendors, Andrew Toney took jump 
shot after jump shot, searching for the 
touch he’d misplaced. for an_ entire 
disastrous week. Upstairs in the press 
room a somber Doug Collins said, “This 
is the most important game in the 21-year 
history of the Philadelphia 76er 
franchise.” He said it quietly. On the 
morning of Sunday, May 23, people 
lowered their voices when they spoke of 
the Sixers, unless they were headline 
writers. 

M.L. Carr waved his hands delightedly 
above his head as he was introduced to 
the Boston Garden crowd, a-crowd so 
loud’ the public-address system was 
inaudible. There were people wearing 
sheets, a guy in a chicken suit, and 
countless green T-shirts and painter's 
caps. The 15,320 in attendance were 
intent on showing how happy they were 
to be present at this, yet another great 
day in their team’s history. There were 
two and a half hours left in the basket- 
ball season. 

Fists in the air, Billy Cunningham 
jumped from the bench to embrace Julius 
Erving as he left the court. Now, for the 
first time in two weeks, maybe for the 
first time in years, the coach and his star 
could indulge in public joy, in un- 
qualified triumph. And in some other 
things too, for Cunningham turned from 
his celebration to refuse — pointedly and 
profanely — ta shake hands with a pair 


of Philadelphia writers. The basketball 
season was over — for the world-cham- 
pion Boston Celtics. 

But the story of this playoff series is 
only incidentally the tale of the fall of the 
defending champs, even here in their 
home town. The focus must be on the 
76ers and their fall from and restoration 
to grace, a 48-hour transformation of 
astonishing dimensions. Dismissed as 
hapless losers, scorned by their fans as 
gutless chokers, abandoned, in fact, by 
everyone but themselves, this sm2!l 
group of tall men found it within 
themselves to come out and kick the 
Celtics’ collective ass. More important, 
perhaps, they kicked their doubters’ as 
well. 

To recap already too-well-known 
facts, the 76ers had for the second 
consecutive year tossed away a three- 
games-to-one advantage in their series 
with the Celtics, to face a seventh game 
in Boston Garden. Even more distressing, 
they had done so in the most ig- 
nominious fashion possible, losing the 
sixth game at the Spectrum by the 
wretched score of 88-75, putting on 
perhaps the worst performance ever seen 
in the NBA play-off game. 

it's hard to exaggerate just how bad 
Philadelphia was in the second half of 
that game. Scoring 27 points in the 
second half was a low for the 24-second- 
clock era. The seven-for-34 shooting that 
produced those points would be con- 
sidered pathetic by a Biddy Basketball 
team. Andrew Toney went one for 11, for 
a grand total of three points in the game. 


Peter Travers 








Irving: shining bright 
Saddest of all, Julius Erving was a lost 
soul for the entire fourth quarter, a tired, 
ineffective, old ballplayer. 

So the Sixers left their home court to a 
chorus of abuse from the Philadelphia 
fans, a skill at which those worthies have 
no equal. And the immense media 
chorus told Mr. and Mrs. America and all 
the ships at sea that, yes indeed, the 
Sixers had choked again, ensuring 
another Celtic victory. Nowhere were 
those sentiments given more display in 
the public prints and on the airwaves 
than in Philadelphia and Boston, the 
cities where the 76ers had to spend their 
weekend. 

For their part, the Celtics returned to 


Boston with every reason to feel satisfied 
with themselves. Thanks to the inep- 
titude of their rivals, little notice was paid 
to their own tight, tentative play in game 
six. Seasoned hands with the cliché, the 
Boston players said no, we don’t think 
we have it wrapped up; yes, the 76ers 
will be tough to beat on Sunday; etc, etc. 
It's impossible to say how deeply the 
Celtics believed those pious sentiments. 
It’s safe to say that few others paid them 
much heed. 
* * ” 

o for the fifth consecutive year, the 

76ers were in danger of falling 

victim to the slogan that, | think, is 
largely responsible for-the bitter cynicism 





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of their fans. That slogan, of course, is 
“We owe you one,” the promotional 
motto devised after the Sixers lost the ‘77 
NBA finals to the Portland Trailblazers. It 
been the worst ad 
campaign in sports history. 

For one thing, the slogan’s boastful 
ness implies that a championship is a 
fairly simple accomplishment, which it 
never is. So when the 76ers failed; year 
after year, to win a championship, it’s 
understandable that their clientele be 
came a tad restless. But worse, the slogan 
implied that instead of losing to a better 
team, the 76ers had blown that Portland 
series, and by extension, any other 
playoff series they might lose. In effect, 
the franchise was calling its own players 
chokers. The fans were quick to follow, 
as the owed number of victories became 
two, then three, four, and most bitterly of 
all, last year’s five. Attendance drooped, 
for people are loath to pay money for a 
broken promise. That the players had 
nothing to do with the promise, or that 
an NBA championship might be harder 
to win than previously supposed, were 
net points much appreciated by the 
Delaware Valley public. 

This time, in 1982, it would be worse, 
because after the disaster of game six no 
one would ever believe the 76ers hadn't 
choked. When Collins made his com- 
ment on Sunday morning, he was 
seriously considering the possibility that 
the 76er franchise might cease to exist 
with another loss to the Celtics — that it 
might become the property of Jack- 
sonville, or Tulsa, or some other tax- 
break-laden Sun Belt community. At the 
very least, many players would be traded 
to the four corners of the league, as 
management tried yet another fresh start. 
Already tainted, the relationship be- 
tween the Sixers and their audience 
would be poisoned for all time. 

But the doomsayers (and let me assure 
you | was among the foremost of their 
number) had ignored some of the basic 
truths of sports. We had forgotten that 
successful professional athletes are men 
of ferocious, hard-earned pride, and just 
as dearly won emotional resilience. One 
disparages that pride at one’s peril, and 
the 76ers were not merely disparaged, 





- happen, 


they were brutally mocked, even the 
Doctor. Sometimes, in order to get better 
things must first get much worse, and 
what could be worse for Philadelphia 
than Saturday? Or, as another veteran of 
many a comeback victory is fond of 
saying, ‘‘l’s had all I can stands, and | 
can't stands no more!” 

The danger for the 76ers was that the 
seventh game would begin with a Celtic 
burst, a quick run of points for an 
emotionally crushing lead. It didn’t 
primarily because Andrew 
Toney scored 14 points in the first 
quarter, his shooting rhythm regained as 
completely as it had been lost two nights 
before. Although the score was only 
30-28 after the first quarter, the Boston 
bench, which had begun the game with 
its customary cheery enthusiasm, was a 
grim, silent group of men. 

The longer the game went on without 
a Celtic run, the better the Sixers’ chance 
to win became. They led by only three, 
52-49, at halftime, a far smaller margin 
than those Boston had overcome.in last 
year’s comebacks, but ever so subtly the 
underlying flow of the game had started 
to go Philadelphia's way, and*this flow 
was never reversed. Julius Erving and 
Andrew Toney saw to that. 

In the middle of the third quarter, the 
Celtics made their final effort of the 
season, cutting a 10-point Sixer lead to a 
mere two, at 64-62. Toney answered with 
a jumper. Danny Ainge, forced to play 
point guard for foul-burdened Gerald 
Henderson, threw the ball away twice. 
Philadelphia scored after each turnover 
ta lead by eight. All told, the Celtics had 
22 turnovers for the game. In the end, the 
loss of Tiny Archibald was indeed a loss 
too great to overcome. 

Still, the lead wag only 78-71 with 1:21 
left in the quarter when the Doctor took 
control. He stole a pass that led to a 
Toney foul shot. He hit an 18-foot 
baseline jumper with 25 seconds to go, 
blocked a Cedric Maxwell shot with 13 
seconds' left, and hit another 18-footer 
with a second to go. The score was now 
83-71, and the desperation observers had 
attributed to the 76ers became exclusive 
property of the Celtics. 

Toney already had 23 points, and Bill 





Fitch, nearly out of guards, put Larry Bird 
on him. Toney got five points in four 
minutes, and Bird was reassigned. For 
whatever reason, Bird went scoreless for 
the fourth quarter, unable to summon up 
one last impossible deed. Robert Parish, 
too, was ineffective, and without their 
two lead gunners Boston was unable to 
mount a rally. At the worst possible time, 
they fell prey to the simple inability to 
make baskets. 

In the meantime, the 76ers 
obeying Cunningham’s pregame instruc 
tion to ‘kick their ass.” Toney and Erving 
were scoring pretty much at will, erasing 
any memory of game six. With 5:08 left in 
the game, Fitch called his last timeout, 
down 102-85, and it dawned on even the 
most diehard Philly knocker that the 
76ers were going to win the game, and 
the series, and erase not merely game six 
but six years of torment. This observer, 
one of said diehards, was at a loss for 
words or thought. The idea of a 76er win 
had been beyond my imagination. 

There were less than two minutes to 
play when the chant began, the famous 
“Beat LA” chant that has become, in a 
short week, a legend of Bostonian civic 
virtue. It was an extraordinary tribute 
from a defeated home crowd, a gesture 
that does deserve to be applauded and 
remembered for a long time to come. But 
1 think it came more from the nature of 
the victory the fans witnessed than from 
their own innate charity toward all. 

| think the Boston crowd, which had 
come prepared to taunt the 76ers merci- 
lessly, wound up being happy at what 
they had accomplished. Not happy that 
Philadelphia had beaten the Celtics, but 
happy that the Sixers had beaten the 
doubts, and the taunts, and the abuse — 
abuse out of all proportion to the 
discussion of winning or losing a game of 
basketball. 

Most of us, after all, take a lot of abuse 
and criticism we consider unfair, unwar- 
ranted, and cruel. Few of us get a chance 
to respond by shoving the criticism up 
the world’s ass the way the Sixers did. To 
see this game was to be gomehow 
cheered up, even for a Celtic fan. 
Proportion was returned to this over- 
emotionalized rivalry. The Celtics them- 


were 








selves, quiet and gracious in defeat, full 
of tributes to the “better team,’’ seemed 
as aware of what the 76ers had done as 
anyone. 

The victors responded according to 
their nature. A still furious Billy Cun- 
ningham. paid a brief tribute to the 
Boston crowd (and, by extension, told off 
the Philly fans); then he complimented 
his players and, declining further com 
ment, stormed off to the team bus. In the 
saddest scene of the day, he ran into Fitch 
in the corridér. As they shook hands 
Fitch, not known as a cheerful loser, felt 
compelled to tell Cunningham, “C’mon 
Billy, smile. You won.” 

Andrew Toney spoke. of confidence, 


and aggressiveness — all the code words 


great shooters use to describe their 
special gift. This is Toney’s second 
professional season. He’s going to rack 
up a few points before he leaves the 
game — say, 20,000 or so. 

The man Fitch said won the game for 
the 76ers, their “peerless leader” as 
Caldwell Jones calls him in all serious- 
ness, was characteristically composed. 
He had burned brighter than any man on 
the court, as he so often has, but Julius 
Erving would not credit emotion for 
what he'd done. “I can’t allow myself to 
go up, or down, the totem pole of 
emotion that exists in my profession. | 
can't boast over a victory.” 

Speaking of totems, the inimitable 
Darryl Dawkins entered some kind of 
record book, be it Larry O’Brien’s or Dr. 
Kinsey's, with his response to the cheers 
of the Boston crowd. ‘“‘When I heard 
that,” quoth Darryl, “my dick got stiff.” 

Winners get to say fun things like that 
if they choose; just ask Larry Bird. And 
this particular Sunday the 76ers were 
winners as much as any team has ever 
been. We are taught as kids that sports 
teach us something bigger about charac- 
ter and life, and we learn as adults that 
that’s usually nonsense. This time it 
wasn’t. Anyone who saw this game, and 
certainly anyone who ever rooted for the 
76ers, ought to be a damned sight more 
reluctant to give up on anything and 
anyone from now on. 

The Philadelphia 76ers don’t owe 
anybody anything anymore. O 





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Sweet 
hopefulness, 
swan boats, 
and other 
mysteries 

of the Public 
Garden sa 


ARDEN- FRESH 


by Norman Boucher 


few weeks back, while discuss- 
Ax with a friend the great re- 
ligious traditions of Western Civ- 
ilization, I heard the tentative song of a 
white-throated sparrow. We were sitting 
on the moist soil that borders the duck 
pond in the Public Garden. Although I 
have no idea where the sorry topic of our 
conversation came from, the sparrow’s 
song was definitely issuing from a small 
willow at my feet. I identified the bird 
automatically and glanced at it when it 
moved out onto the grass, but by that 
time our discussion had turned from 
liberation theology to the far more en- 
gaging subject of my friend’s psycho- 
therapy, and, in the interest of obtaining 
free personal insight, I was giving her my 
rapt attention. The full significance of the 
bird sighting didn’t strike me until later. 

You must realize two things about the 
white-throated sparrow. The first is that 
it isas incongruous a sight in the Public 
Garden as a trapper setting beaver traps 
in the duck pond there. Also known as 
the Canada bird or the Canada sparrow, 
it’s only a distant cousin of the familiar 
and unkempt house sparrow, and it 
breeds not in the crevices of condo- 
miniums but in the coniferous forests of 
the far north. The southern limit of its 
breeding range is more or less along the 
mountain tops of New England. 

As it happens, I have spent a fair 
number of evenings on some of those 
same New England mountains, and I 
have observed firsthand the second 
remarkable characteristic of the white- 
throated sparrow. As the sun goes down, 
the bird hops onto the uppermost branch 
of a spruce or fir tree and sings a song, 
any description of which does, as one 

Continued on page 4 








* mgt pai 





ee eae 


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0 oh 


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BRAT Tew. 














THE BOSTON PHOENIX, SECTION TWO, JUNE 1, 1982 


Urban eye... 





construction with architecture, 





IS THIS A 
PUT-ON? 


Tom Wolfe would have labeled it 
an Event, or perhaps, an 
MEVENT$$$$!. “This reminds me 
of a place | don’t think you've 
ever been,” whispered one 
middle-aged woman to her 
friend. ‘It’s in New York, and it’s 
called SoHo.” 

It did look as if a little bit of 
SoHo had invaded America’s 
Athens. The May 14 opening 
reception of MIT’s “Intimate 
Architecture” exhibit, which 
showcases the work of eight 
internationally renowned 
clothing designers, was a bizarre 
affair made so as much by the 
people in attendance as by the 
show itself. The throngs that 
made their way through the 
Hayden Gallery that evening 
included new wave and old 
money, high taste and high tech. 
A chichi dinner (at 35 bucks a 
plate) with dancing anda 
presentation of the fall, 1982, 
collections followed the 





hoto by Calvin Campbell 


MIT 


sculpture, and industrial design, 
is the way the exhibit is hung. 
The mannequins that, uh, host 
the clothes are supremely 
understated, small-breasted if 
breasted at all, and thus, 
pleasingly, androgynous. 
Whether anyone might actually 
wear these creations is not the 
point; they wear you. The exhibit 
attests to the human body as an 
inhabitant of art and suggests 
that silk and leather are a means 
to the same end as are oils or clay. 

Still, there were some folks at 
the opening who just couldn't 
seem to buy (or grasp?) this 
revolutionary theme. “You 
woulda looked great in it,” said 
one joker to his date as he 
fondled the breasts of Krizia’s 
plastic halters. Pity the poor soul 
who got seated next to himat the 
dinner. 

Whether high fashion ever 
really makes it into the World of 
high art remains to be seen; as 
eclectic as the contemporary art 
world has become, its 








Architecture? Art? Clothes by Issey Miyake 


fundamentally snobbish facade 
has suffered hardly a crack in 


reception. Clearly, word had 
gotten around beforehand that 
basic black tie would be 
considered boring. When I saw a 
woman dressed in formal 


evening attire but with a shock of 


lilacs hanging from her spray- 
painted red hair, | knew I had 
arrived — or, at least, was where 
I had set out to go. 

The MIT opening was an 
official Big Deal. This reporter 
wasn't the only one roving the 
crowded gallery; a representative 
of the New York Times was 
hobnobbing with the Boston art 
world, and Mademoiselle 
photographers were getting as 
much attention as the exhibit. 
Artforum had devoted the cover 
of its special February issue to a 
stunning rattan-and-bamboo 
bodice by Tokyo-based Issey 
Miyake, who was consequently 


surrounded by the media for 
most of the evening. Reads 
Artforum’s editorial: “If 
Modernism’s vision of the future 
has been identified with hostility 
to the past, then fashion’s 
continual, reckless ingestion of 
the phantom of history could be 
what makes it a Modern idea — 
in fact an idea that relates to the 
most recent developments in 
art... .”” Now did you get that? 
Do you realize what this could 
mean? That America’s most 
highbrow art magazine would 
dare to breathe the words fashion 
and artin the same sentence... 
suggests that culottes could be 
right up there with canvases, 
bamboo bodices right up there 
next to Bauhaus architecture. 
The party conversation was 
even more extreme: “This kind of 
reminds me of Escher — say, 


you're in the insurance business, 
aren't you?” The visual 
atmosphere that resulted from 
the mingling of high society and 
avant-garde was a patchwork of 
classic understatement and high 
camp. There were women in 
simple-yet-elegant $500 basic 
black; women in ‘67’s blue-jean 
jackets with chartreuse hose and 
petticoats. Anything went — so 
long as it was adequately 
outrageous or quietly unspoken. 
The one thing you wouldn’t have 
seen at this exhibit was an Izod. 
The exhibit includes 
everything from a silk-and-satin 
black-and-midnight blue 
evening jump suit (Giorgio 
Armani) to a near-fourth 
dimensional pleated metallic 
Sayoko dress (Ronaldus 
Shamask). Claude Montana’s 
flying hats raised an appropriate 


number of eyebrows, and 
Stephen Manniello’s Quiver 
Collection inspired the artist's 


manifesto that follows (in part). 


Beat an empty barrel with 

the handle of a broom. 

44,22, 

boom, boom, boom. 

No buttons. 

No zippers. 

Take a perfect shape. 

And make it soft. 

Hand finish. 

Replenish. 

Drink plenty of liquids. 

Take two aspirins every 

two hours. 

And get lots of 

two, two, two. 

Reduce, reduce, reduce. 

With charmeuse. 

One engaging aspect of 
“Intimate Architecture,” which 
attempts to align clothing 


years. What the opening of 
“Intimate Architecture” did 
inspire was no small degree of 
gasping and wild theorizing, 
snooty art interpretation and 
zany confessions. A sample of the 
last, from a young and earnest 
man who had trapped one of the 
artists in a corner: “You should 
have seen us after six hours of 
make-up — we looked like we'd 
survived a nuclear bomb. | took 
an old polyester suit and set fire 
to it — and it was great, the way it 
burned.” 

“Intimate Architecture: 
Contemporary Clothing Design” 
will run through June 27. The 
Hayden Gallery at MIT is open 
seven days a week from 10 a.m. 
to 4 p.m., and on Wednesday 
evenings from 6 to 9. There is no 
admission charge. Call 253-4680 
for more information. 











GILT 
COMPLEX 


“Iceland Women’s Strike Cripples 
Nation,” reads the headline of a Globe 
lying discarded in the street next toa 
forgotten glove and a piece of the 
previous day’s pizza. Littering the 
crosswalk are beer cans and coffee cups, 
accompanied by the refuse from the 
bustling produce vendors at Haymarket 
— squashed tomatoes, corn husks, 
cabbage leaves. And as the crowds march 
on, through the crosswalk and down to 
the pedestrian tunnel that leads to the 
North End, they’re largely unaware of 
the modern-day cobblestones they 
clamber over. Then some kid in a crowd 
yells, “Hey look! Somebody’s taken 
garbage and made it art!” Always takes a 
kid to call a spade a spade. 

You may belong to a visually astute 
minority if you’ve noticed the bronzed 
garbage down at Haymarket. Hundreds 
of people walk the crosswalk daily and 
don’t look down. But this subtle little 
oasis of visual delight has been around 
for six years, since Boston 200 and the 
Massachusetts Bicentennial Commission 
funded the sculpture in ‘76. Cambridge 
artist Mags Harries won the competition 
for the commission, and she chose this 
site for her sculpture, which recently won 
an award for design excellence in the 
public arts from the NEA and the federal 
Department of Transportation. 

“Asaroton,” as the sculpture is called, 
is based upon an ancient Greco-Roman 
artistic tradition from the second century 
BC. The term literally means “unswept,” 
and it describes a technique emploved by 
the Romans to liven up their banquet 
sites — sculpting grapes, chicken legs 





Flint Born 


and the like on the stone floor, as if 
they’d just been tossed over Cicero's 
shoulder. Harries first saw such a mosaic 
in a building owned by the Vatican, and 
she thought it fitting that her own 
sculpture appear on the edge of the 
largely Italian neighborhood of the 
North End. She spent nine months 
working on the piece(s?), collecting real 
garbage from the market and making 
plaster casts of it. “I had a whole 
alphabet of shapes and images,” she 
says. The plaster casts got put into clay 
and then became sandcasted bronze 
images 

Unlike many public works of art, 
Harries’s sculpture is vandal-proof. “Tt 


shduld be worn down,” says the artist. “It 
becomes more beautiful and more 
abstract. | want people to see it in 
transition — with real garbage on it, 
when it’s sticky, when it's wet. .. . People 
look down at the art and don’t get so 
involved in the urban trappings around 
them.” 

A few years ago some quasi-academics 


/ came up with a new school of social 


science called “garbology,”’ a 
methodologically messy trend that 
purports to take a look at contemporary 
American culture by first taking a look at 
its refuse. Now any sanitation worker 
could have told you that the best way to 
find out what's going on at the Joneses is 


by going through their trash — you'll 
find empty gin bottles, paycheck stubs, 
evidence of Mr. and Ms. Jones's best-kept 
secrets from each other, and God knows 
what else. But trust the scholars to make 
an “ology” out of a homely field for daily 
gossip and speculation, Will it be the 
garbologists of the future who presume 
to study the bronze sculpture in the 
Haymarket? They will no doubt decide 


» that Bostonians ate a lotta fish, drank a 


lotta beer, and read (and threw away) a 
lotta newspapers. 

“Asaroton “ lies directly on the 
crosswalk at the edge of the Haymarket, 
between the vendors and the foot tunnel 
to the North End 











Katherine Mahoney 


Lifestyle 


index. 






































S 
“ 
~ 


“ite 








SN 
\. 
\\" 


Life sentences. 6 
Food 8 
Restaurant 9 
Religion 10 
Trends 11 
Puzzle 14 
Classifieds. 15 
S grapes, put them in a plastic bag 
2 (add a paper towel to absorb 
moisture). Don’t wash them until 
- you're ready to eat them. 


My, 








VEGETABLE MATTERS 


A report on June’s produce 


by Billy Pope 

Here it comes. We've been 
looking forward to the arrival of 
summer fruit for months, and 
now it’s on its way. June is a 
month for making choices, for 
sorting through peaches, 
nectarines, apricots, cherries, 
plums, blueberries, grapes, 
mangoes, and melons. It’s a time 
when just about every variety of 
fruit finds its way to market, 
though not everything is at the 
same stage of ripeness. 

But just because we're being 
flooded with new produce 
doesn’t mean that all of it tastes 
that great or that some items 
aren't in trouble — the April 
freeze along the East Coast and 
the continuing wet weather in 
California has set back and even 
eliminated some harvests. 
Besides, every variety has a 
different internal clock. So you'll 
still have to stay on your toes to 
avoid that first-bite- 
disappointment syndrome. In an 
effort to help you out, this 
month’s report focuses on fruit, 
excluding all but a cursory 
mention of vegetables. 

Peaches, as much as any other 
fruit, are at their peak in the 
summer. Unfortunately, they, 
like apricots and cherries, bloom 
early in the spring, when things 
are just starting to warm up, and 
they're especially susceptible to 
late freezes. This year, the 
distressing news is that the peach 
harvest, especially the southern 
East Coast crop, has been 
devastated. The late snowstorm 
that sneaked up and jumped us 
back in April also sent its icy 
tentacles down the southern 
Atlantic coast, freezing the 
delicate peach blossoms 
throughout the Georgia and 
Carolina regions. We are getting 
our first batches of small cling 

aches — small expensive cling 
peaches. But these are coming 
from northern Florida, and from 


parts of Georgia untouched by 
the storm. The large Georgia and 
Carolina growers, who usually 
send up large supplies in late 
June and July, won’t have much 
this year. Even the Jersey 
growers, who harvest in August, 
suffered some damage. And the 
California growers, our other 
major peach suppliers, are 
reporting a lighter crop this year. 
In short, look for a quick end to 
the peach season — enjoy them 
now while you can (and as best 
you can given their high cost). 
Peaches are either freestone, in 
which the seed is easy to remove, 
or cling, in which it is more 
obstinate. Retailers like 
freestones for their customers; 
processors like clings because of 


- the firm texture and uniform 


appearance. Peach fuzz, which 
can drive you nuts on a hot 
summer day after hours of 


‘picking, is mechanically removed 


by brushes so as not to distract 
the consumer from biting right in. 
Different varieties of peaches 
look different — some are huge, 
some small, some are red, some 
creamy yellow. None of this 
really matters in selecting a good 
peach. People seem to think that 
a red color indicates ri . No, 
it just means that the peach faced 
the sun (or that some researcher 
figured out how to make a 
peach’s skin turn red). Check for 
ripeness by looking on the back 
side. This should be yellowish; if 
it’s green tinted, the peach isn’t 
ready. The fruit should feel firm 
but yield slightly when squeezed. 
The best test, though, is smell: a 
fragrant peach is a flavorful 
peach. Like most fruit, peaches 
taste best when they've ripened 
on the tree. Unfortunately, most 
commercial peaches are picked 
prematurely, so that they will 
both ship well (they bruise easily) 
and last (they perish quickly). So 
you wind up choosing between 


less-than-great-tasting shipped’ 
fruit that is available for a few 
months and great-tasting local 
fruit that is around only fora 
couple of weeks (assuming 
there even is a tree close by). 

If the peaches are hard, set 
them out for a day or two; if 
they’re soft, store them in the 
refrigerator. If the peaches are 
close to going bad, slice them up, 
squeeze lemon or lime juice over 
them (citric acid acts as an 
antioxidant); you can also 
sprinkle a little brown sugar over 
them (sugar, the age-old 
preserver, forms a syrup coating 

. that helps keep out the air). 
Peaches taste best slightly chilled 
— but better room temperature 
than cold. 

Nectarines and peaches didn’t 
used to look so much alike; but 
through cross-pollination and the 
work of horticulturists, the 
nectarine now resembles a 
smooth-skinned peach. Of 
course, there are differences: the 
flesh of the nectarine is firmer 
and less juicy (which makes it 
easier to store and carry ona 
picnic); the fruit has its own __ 
flavor, and it has more calories. 

The large number of nectarine 
varieties growing out in 
California mean a good supply 
from June through the end of 
September. However, the first 
arrivals, called Arm Kings, are not 
very tasty. You'll be able to spot 
them by their dull, tacky 
appearance. Growers are trying 
to phase these non-tasters out, 
but until they do, try something 
éfSe during the first half of June. 
Nectarines, like peaches, tend to 
be harvested prematurely, so 
look for that yellowish color on 
the back side. Select and store 
them as you would peaches. 

pricots, on the other hand, 
have a very short season; 
moreover, they're delicate and 
thus difficult to ship. As a result, 


Ko Maton 


most apricots head for the 
processors (which get a 
whopping 95 percent of the crop); 
we New Englanders don’t see all 
that many “eggs of the sun.” 
Again, try not to select fruit that 
has a green tinge to it. You can 
ripen hard apricots at home by 
placing them out of the sun ina 
bag perforated so the air can still 
circulate. Don’t wash them until 
you're ready to eat them (this is a 
good general rule for fruit — even 
in the refrigerator, moisture aids 
the growth of bacteria, producing 
quick spoilage). 

The California cherry season 
has begun, but don’t jump right 
in. The Burlatt, which arrives 
first, simply doesn’t have the 
sweet flavor of the Bing, which 
starts up around the second week 
in June. And as good as the 
California Bing is, the cherries 
that arrive in late June and early 
July from the Pacific Northwest 


- will be even better. 


Select cherries that are dark 
and firm. A soft texture means a 
watery, flat taste; a red color 
means they'll be tart. Make sure 
the stems are still attached — 
otherwise your fruit will spoil 
quickly. 

Plums also come mostly from 
California. They start in June but 
don’t really get going until July, 
so you can expect the first 
varieties to be tart. Select plump, 
firm plums, not the soft, watery 
ones. Right now most of the 
plums you see will be quite hard, 
so you'll want to let them soften 
for a couple of days (many 
varieties will also get darker). 

California growers have also 
started to send out their early 
grapes. The first of the seedless 
varieties is the fairly tasteless 
Perlett; toward the end of the 
month we get the Thompson, 
which though the most popular 
table grape in the country is still 
bland. The red Cardinals may 
have seeds, but at least they have 
flavor. 

Grapes should be firmly 
attached to their stems, which in 
turn should be green and supple, 
not dried out and brittle; green 
grapes should have a tinge of 
yellow. If you refrigerate your 


The first blueberries are 
coming to market from North 
Carolina. Over the last few years, 
excess rain has hit this vulnerable 
crop, leading to erratic early 
supplies and, consequently, 
expensive berries. But this year, 
we should have blueberries 
through September, with the 
heavy New Jersey harvest 
beginning by the end of the 
month. Select berries of uniform 
color and size; toss out overripe, 
moldy ones before they spoil 
others. You can refrigerate 
blueberries in a moisture-proof 
container; don’t wash them until 
you're ready to eat them. 

Strawberries are still coming in 
strong from California, with 
some sporadic delays due to 
rainy weather. Look for local 
supplies toward the end of the 
month. Better still, get ready to 
pick your own. 

June is the prime month for 
mangoes, since the Florida 
harvest is in full swing. Because 
all mangoes are a beautiful red 
and gold, watching for color 
won't help much. Choose a firm, 
plump mango with an unbroken 
skin. Mangoes have a large seed, 
so if you buy a big one, you'll get 
more flesh. No matter how 
luscious it looks, let a few days go 
by until it’s really soft and 
aromatic; then, cut through the 
skin from top to bottom and peel 
it back (remember that some 
people are allergic to the oil in 
mango skin). 

Now that the Texas harvests of 
cantaloupes and honeydews 
have begun, melon supplies are 
increasing and prices are 
dropping. And since Florida is 
sending up a good supply of 
reasonably sweet watermelons, 
we're moving toward peak melon 
season. 

The best citrus deal right now 
is the lime, which not only helps 
preserve other fruit but also 
brings out its flavor. No fruit 
salad is complete without a 
squeeze of lime. 

The orange situation is less 
promising. California’s navel 
season is ending some six weeks 
early, and the Valencia juice 
orange just isn’t very sweet. The 
grapefruit season is also closing 
down, but at least the fruit will 
remain sweet to the end. Oranges 
and grapefruits got us through 
the winter, and for that we're 
appreciative. But now it’s time to 
move on. 

The only apples worth looking 
at are the tart Granny Smiths 
now arriving from New Zealand. 
The tasty Hass avocado has taken 
over the market; but since it 
won't have the strong season it 
had last year, look for prices to be 
up some. 

* Just a quick mention of some 
developments in the vegetable 
market. All the early stuff — 
peas, loose spinach, Romaine and 
Boston lettuces — is now 
available locally. Everything else 
is strung out along the Atlantic 


‘seaboard, with zucchini in New 


Jersey, tomatoes in Florida, and 
peppers and cucumbers in 
Georgia and the Carolinas. Most 
everything is in fine shape: 
supplies look solid, prices are 
dropping. The major exception is 
the California artichoke crop, 
which looks miserable. 

Again, sorry to slight the 
vegetables, but June is such a big 
month for the early fruit feast 
that this grabbed all the attention. 
Besides, being an ol’ fruit peddler 
who loves the summer season, I 
just got carried away. 








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THE BOSTON PHOENIX, SECTION TWO, JUNE 1, 1982 


Christopher Brown 








Continued from page 1 

nature writer has put it, “fail 
utterly to express the spirit of the 
utterance.” 

In his field guide, Roger Tory 
Peterson carefully describes the 
song as ‘several clear pensive 
whistles, easily imitated; one or 
two clear notes, followed by 
three quavering notes on a dif- 
ferent, pitch”; whereas a less 
cautious George Gladden decrees 
in Birds-of America that ‘“‘essen- 
tially the song is a lament — a 
lament. which is wistful and 
ineffably plaintive, but in:which 
there is no despair, only sweet 
hopefulness.” Delivered during 


that still, secure moment: of day »: 


when diurnal predators are going 
off to their, burrows and hollow 
trees and nocturnal ones are just 
beginning to stir, when for a little 
while a bird is exposed and 
singing at the tip of a low spruce, 
it’s a song that suggests at once 
loss and hope, endings and 
beginnings, escape and shelter — 
all those things one climbs moun- 
tains in search of. 

So a little later I realized that I 
had heard a white-throated spar- 
row in the Public Garden, but by 
that time the bird was gone, 
flying northward with the spring 
to the mountains I had not so long 
ago abandoned for the city. It was 
then that the sparrow’s tentative 
song began to work its magic and 
the old springtime thrill of watch- 
ing nature returned. I decided 
that the white-throated sparrow | 
had seen was a kind of omen, 
that, if this spring I couldn't get to 
the mountains, maybe this sight- 

‘ing meant that the mountains 
were coming to me. Better yet, 
maybe | could find a new “natu- 
ral world” this year, maybe | 
could penetrate the mysteries of 
the very place that a creature as 
evocative as a_white-throated 
sparrow had chosen to visit. | 
would be Darwin, with the Public 
Garden as my Galapagos. | 
would spend time there with 
notebook in hand, observing the 
splendid creatures gathered. I 
would assess their intelligence. | 
would observe their behaviors, 
their morphologies, their songs. 
With luck, I just might find a new 
sanctuary where “there is no 
despair, only sweet hopeful- 
ness.” 
* * * 
What I found at first was 


confusion. In the spring, the’ 


Public Garden is a carnival, a 
bazaar, a forum, a hangout, a 
beach, a photo subject, a tourist 
attraction, a place to cop dope, a 
picnic spot, a refuge. It is an 
island in the stream of city life. It 
is the great meeting place of 
resident and tourist, derelict and 
student, young and old, secretary 


and attorney, Moslem and Jew, 
black and white, pigeon and 
sparrow, animal and man. | 
realized at once that its mysteries 
would not easily be revealed, so I 
contented myself with sitting 
against a willow on the eastern 
side of the duck pond to get my 
bearings. 

| watched duck feeders. I have 
become convinced that duck 
feeders, more than any other 
group of regular Public Garden 
visitors, retain some dim memory 
of more verdant and idyllic times. 
Thoroughly “urban, but feeling 


the restrictions of job or marriage. 


or apartment pressing in on 
them, duck feeders come to the 
pond like parched desert nomads 


to anlush oasis. Duck feeders, | 


have no doubt, still believe in 
love at first sight. | would like to 


know, their dreams. They seem to 


know little about ducks, how- 
ever, and I doubt that many could 


even identify. the ones.:they are’. 
feeding as mallards, the same . 


species they have probably in- 
gested as Peking duck in a 
Chinese restaurant or two. 

Now the idea of feeding a duck 
is, as far as I’ve been able to 
determine, an exclusively urban 
or suburban concept. In the vast 
wilderness beyond Route 128, 
mallards take great pride in 
fending for themselves. Theyre 
very good at it. According to 
Edward Howe Forbush’s classic 
Game Birds, Wild-Fowl and 
Shore Birds, mallards eat small 
frogs, tadpoles, toads, lizards, 
newts, small fish, fish fry, snails, 
mussels, leeches, earthworms, 
mice, crayfish, dragonfly 
nymphs, fly larvae, grasshoppers, 
beetles, acorns, wild rice, 
smartweed, pondweed, sedges, 
burr reed, hornwort, water 
shield, widgeon grass, wild 
celery, algae, arrowhead roots, 
grapes, dogwood fruit, bayber- 
ries, millweed, horned 
pondweed, and mermaid weed. 


Conspicuously absent from this _ 


list are salted popcorn, tuna-fish 
sandwiches, and peanuts — the 
favorite offerings of duck feeders 
at the Public Garden. 

Most duck feeders are adults. 
Children seem to be afraid of 
ducks and their snapping bills. 
But one weekday afternoon | 
watched a fledgling duck feeder 
step right up to the edge of the 
water and demand the attention 
of the mallards in’ the pond. 
Gloria was about eight, and she 
was followed by her slightly 
older and more cautious brother, 
who was alarmed by his sister's 
behavior. 

“What: d’vou want, a duck 
attack?” he cried to her. 

“Hi, duckie!’ Gloria called, 
bending over the water. A couple 


-bread' made me thirik: that’ she’ 





GARDEN-FRESH 


‘of curious males swam in her 


direction. 

“It's impossible to get ‘em,” her 
brother said. 

Then Gloria’s attending adult 
showed up, already reminding 
her of the rules she was coming 
to the duck pond to get free of. 
“Gloria! Don’t drink that water!” 

“| know.” 

“Hey!” the brother exclaimed. 
“| found a scorpion!” 

“Hi duckie.” 

“Gloria! Please get away from 
the wall before you fall in!” 

At the end of my first day at the 
Public Garden, I watched a 
young woman set down her 
raincoat, step to the water's edge, 
unwrap what must have been her 
uneaten lunch, and slowly break 
the sandwich into little pieces 
that she dropped to the ducks at 
her feet. She:never took ‘her ‘eyes ' 
off the ducks, and something in 
the way she absently tossed the 


had come to the pond to resolve 
some bitter disappointment. | 
decided she was depressed about 
the end of a love affair, and that 
was the reason she hadn’t eaten 
her lunch. But after a few minutes 
she was smiling, feeding the 
ducks as well as pigeons that had 
now gotten wind of the situation 
and were getting their share of 
scraps. Then a young man in 
glasses and a business suit step- 
ped to the pond beside her and 
began tossing bits of bread or 
popcorn to the mallards. Every 
now and then he would glance 
furtively at the woman. | waited 
for him to speak to her. Whether 
because of him or because she 
had run out of duck food I’m not 
sure, but soon the woman picked 
up her coat and walked away. 
The man in the business suit 
stayed behind. He stepped closer 
to the pond and, his tie hanging 
over the water, he bent over, 
offering something small and 
white to the ducks. A female 
mallard swam forward and took 
whatever it was from his hand. 
People intimidated by ducks 
settle for pigeons. Others are 
overwhelmed by both. There is a 
no man’s land for bird feeders at 
the Public Garden, a zone just 
back from the edge of the duck 
pond, where aquatic and ter- 
restrial habitats overlap. One 
weekday I watched an unsuspect- 
ing» young couple settle. there 
with a bag of peanuts. They” 
wanted to feed the ducks: They 
threw a few peanuts into the 
water. The mallards scooped 


them up. Then a few ducks , 
hopped onto the shore toward = 
the man and the woman. By that 9 


time, word had gotten around to 


the pigeons, and they were mov- 
ing in from the rear. At first the é 


“and- sexual’ ‘assau 


young couple thought it quite 
funny to be surrounded by beg- 
ging birds, and when the pigeons 
got a little closer, they waved 
their feet at them. But the pigeons 
did not back off. They kept 
coming. Soon the couple was 
overrun by dozens of pigeons 
and honking mallards. Although 
they kept smiling, it was clear 
that the man and the woman 
were getting alarmed. The man 
got up and ran in a circle around 
his companion, chasing the 
pigeons back. He sat down. 
When | looked in that direction a 
few minutes later, the couple was 
gone. It appeared as if the 
pigeons had devoured them, 
peanuts and all. 

Every city child who has scat- 
tered food at pigeons remembers 
just such a moment with the 
clarity of nightmare. The game of 
feeding suddenly turns into the 
fear of suffocation, of getting 
eaten, of getting mugged by a 
flock of determined pigeons. 
More commonly, though, at the 
Public Garden kids and pigeons 
are on friendly terms. One day | 
watched a nursery-school class 
on a picnic there. The 30 or so 
children were supervised by five 
adults, the leader of which was a 
pot-bellied man dressed in black 
shoes, black pants, and a black T- 
shirt with the single word “BILL” 
written on it in white. Two girls 
stood with bags of popcorn, 
dropping the stuff for the 40 or 50 
pigeons that had gathered at their 
feet. One of the girls seemed torn 
between awe and fear as she 
scattered the popcorn. Behind 
them a brainy-looking boy in 
horn-rimmed glasses was yelling 
“Arrrrgh!” and running at pigeon 
after pigeon — a favorite game of 
Public Garden children. Another 
boy was flinging his popcorn at 
them as though in training for an 
adolescence of throwing rocks at 
windows. When he tired of this, 
he stuffed a handful of popcorn, 
in his mouth, chewed it a couple 
of times, and spit it out at the 
pigeons, who didn’t seem to 
mind a bit. 

| wonder about the influence of 
pigeons and ducks. on im- 
pressionable childrén. During my 
time at the Public Garden, | 
witnessed musgings, robberies, 

ts; all com- 
mitted by birds. Without provo- 
cation, a male pigeon would 
suddenly fluff up his neck feath- 
ers, fan out his tail, and start 
bobbing in the direction of the 
bird closest to him, regardless, it 
seemed, of its sex. Then, mutter- 
ing what he must have thought a 
seductive “Rrrrrr-brrroo000000” 
he would try to mount his 
neighbor. The behavior of the 








mallards was even more appall- 
ing. Four or five of them would 
begin splashing about, dipping in 
the water, sometimes actually 
submerging themselves com- 
pletely. The males would start 
quacking. Then a female would 
dive, a male would follow, and 
they would surface together, with 
the male on her back. This 
spectacle would attract four or 
five other males, who, instead of 
coming to the female’s rescue, 
would quack their encourage- 
ment and try to join in. People on 
the park benches laughed. Mean- 
while, the female would be strug- 
gling to free herself from the male 
now holding her by her neck. 
Only her head was above water, 
and even that got submerged 
again and again. | was sure she 
would drown. There was a good 
deal of wing slapping and honk- 
ing and quacking, then all was 
quiet again, a couple of the males 
floating in the sunshine, their 
heads tucked under their wings 
— overcome, presumably, by 
post-coital drowsiness. 
* * * ‘ 

I'm sitting on a park bench. 
There is a stuffed toy animal on 
the pavement. It was once white 
with pink ears, but now it is dirty 
and gray. It looks like a toy 
rabbit. A man walking by in a 
business suit stops, picks it up, 
and sets it on the end of the 
bench. A little later a woman 
comes by, pushing a stroller. A 
boy, about 10 years old, leads the 
way in a red windbreaker. He 
reaches for the stuffed animal. 

“Someone forgot their toy.” he 
says. 

“Leave it there. They might be 
back for it.” 

The boy picks it up, but quickly 
tosses it back down on the bench. 
“It’s a rat,” he says, and walks 
away. 

* * *~ 

Much. has been written over 
the years about the decay of the 
cities, but the sense of neighbor- 
hood remains intact at the Public 
Garden. The elderly enjoy the 
shady, busy benches | along 
Beacon Street. The tourists hover 


around the Charlés Street en- 


trance and the Arlington Street 
side of the bridge. The winos are 
likely to plop themselves down 
anywhere, but when given a 
choice they prefer the secluded 
corners along the Charles Street 
side. The pond is where the duck 
feeders assemble. The lunchtime 
crowd seems to favor pavement 
and will seldom stray far from the 
benches lining the various walk- 
ways. 

Most striking, perhaps, is the 
neighborhood on the rise to the 
west of the duck pond, within 






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Could it be that people ride the 
swan boats to feel what it’s like to 
be followed by a duck? But a 
handful of popcorn can give you 
that thrill on shore. 


easy reach of the bridge. It is an 
open area, and its residents share 
a reverence for sunshine. The 
crowd is young and mixed. There 
are bathing suits and beach 
blankets, tape players and radios. 
Roller skaters glide by on the 
pavement, and frisbees cut the air 
like skeet at a duck-hunting club. 
“KEEP OFF THE GRASS” signs are 
ignored. People drink from 
thermos jugs the color of the 
tulips lining the path. The at- 
mosphere is festive, like a beach 
in July, and here people are too 
busy sunbathing and talking to 
be bothered feeding birds. 

I spent an afternoon lying there 
with them, listening to their 
music, eavesdropping on their 
conversations. It was a sunny 
afternoon, and here and there a 
silver balloon in. the shape of a 
heart soared toward the trees. 

Like the people around me, | 
gazed down at the swan boats. 

“How can he pedal with so 
man le?” 


shape fast.” 

“You know, that’s the only 
thing missing from this place. 
There’s no one swimming,” 

Two women and three men 
dressed like Scott . Fitzgerald 
characters drifted down to the 
water's edge and began a_picnic. 
Tourists walking by stopped to 
take their pictures. A dog jumped 
into the pond, chasing ducks. 
Someone asked to borrow the 
sports section of the newspaper 
from the people to my right. A 
wino walked by, trying to get his 
cigarette lit. “Hey ...,” he was 
muttering. “Hey ... a second 
time ....” A sound truck drove 
by on Arlington Street: “Help 
stop the arms race! On 
Mother’s Day ... 

.. Are you coming?” 

It was easy to get lulled into 
sweet hopefulness. Rick Nelson 
was singing on the radio behind 
me: 

It’s all right now 

I’ve learned my lesson well 

Because you can't please 
everyone 

But you got to please yourself 


ct lay back on the grass and 
closed my eyes. | was dimly 


conscious of quacking overhead. 
| opened my eyes, the ducks were 
at it again: a male chasing a 
female in the air above the duck 
pond. Round and round they 
went. I closed my eyes. 

Like a fire softly burning 


“Realty. That job’ll get you into 


at 12 o'clock: 


Supper on the stove 

The light in your eyes makes 
me warm... 

The words were saccharine, 
empty-headed, sentimental — 
entirely appropriate for a Satur- 
day afternoon spent lying idle on 
green grass, warmed by spring 
sunshine. I'd been reading E.B. 
White’s Trumpet of the Swan 
before lying down on the grass, 
and | had paused at the passage 
describing Louis the Swan’s 
father: “He enjoyed speaking in 
fancy phrases and graceful 
language, and he liked to think of 
himself as gliding swanlike. He 
decided he’d better do more 
gliding and less talking.” That 
was the trick, I thought, of fitting 
into this neighborhood of the 
Public Garden. More gliding, less 
talking. - . 

Ain't it good to he back home 
again ; 

Sometimes this old farm seems 
like a long-lost friend 


_ Yes, ain't ce fo be back 
home again . . = 
* Behind me a man turned. to the < 


woman beside him. “Do you 


think Beaton’ $ gonna be a mem-; 


ory? 
»* * 8 


| am walking along a footpath. 
On the park bench to my left a 
wino sits splayed out, tilting his 
head far back to suck the last 
drops froma bottle in a brown 
paper bag. “Ahhhhhhh!” He 
tosses the bottle into the air. It 
lands a few feet in front of me on 
the pavement and shatters. All 
around, people look up. A spell 
has been broken. I pause and 
look at the wino. 

“What are you?” he grow!s at 
me. “A cop?” 

* * * oa 

At the heart of the): ‘public 
garden lies its most impenetrable 
mystery — the swan boats. | 
watched them for hours, for days, 
as they circled the duck pond 
again and again. All day long 
they drifted by, two at a time, one 
after another. From the front each 
one looked like two canoes 
weighed down with a cage full of 
people sitting on. benches and 
being chased by a swan. There 
were brass poles and a little 
American flag in the bow. People 
stalked the boats with cameras 
from the shore. A favorite activity 


was to put Mom or Dad ors 
Brother or Sister on a swan boat Y 
and take a picture as the subject 8 


a 


people on the boats always look- £ fis 


came around the little island. The 


as 











ed as if they were waiting for 
something to happen, but 
nothing ever did, at least not that 
I] could see. The boats just went 
around the little pond in a 
journey that took five minutes. 
That was it. Still, the boats were 
always in demand. Once I even 
saw a man in a tan business suit 
sitting there alone on the back 
bench, his legs crossed, his arms 
folded, in one hand a manila 
envelope — as though the swan 
boat had sidetracked him on his 
way to some important corporate 
meeting. | couldn’t understand it. 
What was the attraction? 

I tried to approach the problem 
logically. Perhaps you could see 
something from the swan boats 
that you couldn't see from any- 
were else in the Public Garden. 
Most tourist attractions, after all, 
offer a spectacular sight, an exotic 
scene.. The Grand Canyon. 
Benson's Wild Animal Farm. 


' Polar Caves. | circled the pond, 


looking for’a hidden corner vis- 


‘tble only from the swan boats. 


There: was none. They did pass 


_very close to. the little island on 


the north end of the pond. But the 
island was only a good jump 
away from the eastern shore, and 
you could see everything on it 


- from there. The swan boats did 


pass under the bridge, but I found 


that the path around the pond did» 


too, and there was nothing there 


but some unimaginative graffiti. | 
thought of other boats I had been 
on and enjoyed. | thought of 
standing in the bow of the ferry 
to Provincetown, the wind whip- 
ping through my hair, the joy of 
riding over waves. But the pond 
was as calm as a puddle, and the 
young men pedaling in the stern 
seemed to be doing their best not 
to go fast, to prolong the tour of 
the pond. But why? 

Only firsthand observation 
would do. | dug out my 75 cents 
and climbed aboard a swan boat. 
I settled down on the starboard 
side of one of the middle 
benches. Slowly the boat filled 
with people. We all looked as if 
we were waiting for something to 
happen. We shoved off. The 
people behind me were deep into 
a conversation about movies — 
or “film.” ’ 

“A friend of mine works at the 
Tribune,” said the man, “and has 
a desk right in front of Siskel.” 
The woman countered with an 
anecdote about “Pauline,” and | 
soon figured the couple were 

“film” students and “Pauline” 
was Pauline Kael. 

We drifted southward, fol- 
lowed by a duck or two. Could it 
be that people ride the swan 
boats to feel what it’s like to be 
followed by a duck? But a hand- 
ful of popcorn can give you that 
thrill on shore. A pigeon flew 
aboard and scrounged around at 
my feet, brushing my pants. | 
hoped it didn’t have lice. 

“Il know I have all these primal 
fears and things,” the man whose 
friend has a desk in front of 
Siskel was saying. Why were 
they on the swan boat? What did 
they care about it? It was clear 
that their conversation would 
leave me no opening in which to 
ask. 

We were rounding the south- 
ern end of the pond, turning 
northward. People were throw- 
ing popcorn from the boat. It 
occurred to me that this body of 
water has had more popcorn 
tossed into it than any other in 
New England, We passed under 
the bridge. | looked up. Nothing 
there. No nests. Nothing. We 
approached the island. 

. ‘cause whenever | smoke 
dope...” 

There were pigeons on the 
island, a few ducks sunning 
themselves, and a turtle I hadn't 
seen from the shore. People 
tossed popcorn onto. the island. 
One of the pigeons. was standing 
at the bow of the boat. It seemed 
an appropriate figurehead. 

“What's another metaphor for 
that Hallmark card kind of pretti- 
ness?” They were still going at it. 
“I've got it in my paper, but | 
don’t like it. Trouble is I don't 
watch TV so all my references are 
about 15 years old.” 

“Oh, you've got to watch TV. ! 
watch Carson every night.” 

The island behind us, we head- 
ed back under the bridge. The 
dock was just ahead. 


“You kngw those greeting 
cards where everything is sort of 
hazy gold and there’s a naked 
couple except you can't really tell 
they're naked? What's another 
metaphor for that?” 

They were still talking when 
we docked and | stepped off. 
There was a line of people 
waiting for the next boat. They all 
looked as if they were about to do 
something they would remember 
for a long time. | didn’t have the 
heart to tell them not te bother. 

- * * 

On a bench near the bridge, six 
people are video-taping a scene. 
Two men, one white and one 
black, sit beside each other on a 
park bench. One woman holds a 
silver umbrella so that it reflects 
sunlight on their faces. In the 
scene they're shooting, the white 
man is telling the black man 
about a woman who has picked 
him up, brought him home, and 
given him too much to drink. 

The black man commiserates, 
saying it must have been 
humiliating for him to have been 
seduced that way. 

“That's the trouble,’ the white 
man says. “It was wonderful. But 
all she did in the morning was 
put me in a cab and send me 
home.” 

> * ~ so 

After their picnic, Mr. Bill and 
his nursery-school kids turned up 
on the swan boats. It took two 
boats to fit them all. | looked up 
from where | was sitting on the 
eastern shore and saw them 
disappearing behind the island. 
The kids were all singing “Old 
MacDonald Had a Farm,” and the 
sound of their voices carried all 
around the pond. Mr. Bill was 
alone on the back bench, his arms 
resting on the top slat, a big man 
dressed in black being pushed 
around a pond by a white swan. 
From where I sat he looked as 
happy as his young pupils. When 
he waved to the children in the 
other boat, they laughed and 
waved back. Then, when his boat 
came around the other side of the 
island, | saw that he was not 
alone on that bench. | could see 
three kids under each burly arm. 
Now he was the swan, his wings 
around his cygnets. 

A little later | saw Mr. Bill 
leading his pupils toward Charles 
Street, where buses stood wait- 
ing. He towered above the chil- 
dren. They barely reached his 
knees. He was saying something 
to them that I couldn’t hear, but 1 
could see that they were laugh- 
ing. On either side of him a child 
was holding his hand. Slowly, at 
the speed of a swan boat on 
which nothing happens,: the 
glided out of the Public Garden 
and toward a cluster of silver 
balloons, sweet hopefulness toss- 
ing in the wind. 

When I could no longer see 
them, I closed my notebook and 
lay back in the sun. In the pond at 
my feet, the ducks were starting 
to squawk. 0 





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Life sentences 


Students of war 


Nuclear action and reaction in the classroom 


by Anita Diamant 


AAT 2 spec is the urgent work of 


a species that has responsi- 
bility for its survival.” 

This quote, from historian and social 
theorist Hannah Arendt, is hand lettered 
on a piece of green construction paper 
and tacked to Roberta Snow’s bulletin 
board. It hangs above a child’s crayon 
drawing of a tree half of which is in full 
bloom and half of which is charred and 
withered from a nuclear blast. Together, 
the drawing and the epigraph make a 
perfect emblem for Snow's position as 
‘coordinator of a high-school curriculum 
project entitled ‘Decision Making in a 
Nuclear Age: Confronting Nuclear 
Weapons.” 

The nuclear program is the newest 
undertaking of the Facing History and 
Ourselves Foundation, a five-year-old 
organization that provides teacher train- 
ing and curriculum materials intended to 
give students ‘access to information 
about events in history usually denied to 
them by their textbooks and teachers.” 
The foundation has chosen events that 
have been avoided in most classrooms 
because they are considered too emo- 
tional, too painful, too difficult to teach. 
The first project, a curriculum about 
genocide in the 20th century, covers the 
Holocaust and the slaughter of the 
Armenian people. Since 1978, the geno- 
cide curriculum has been tested and 
revised, and it is now used in classrooms 
around the US and Canada. It has also 
provided a solid precedent for taking on 
in the classroom the problematic current 
events of the nuclear issue. 

The nuclear-weapons curriculum, now 
in its second year of testing in the 
Brookline, Cambridge, and Needham 
public schools, has attracted attention 
from anti-nuclear activists and from the 
media, as well as from educators. Hardly 
a week goes by that an observer or two 
doesn’t sit in on the ninth-grade “Law 
and Society” class at Brookline High 
School, where Snow is co-teaching a 
nuclear course segment with Elizabeth 
Lewis. The two women also wrote and 
compiled what is now a 350-page draft of 
a curriculum, which they say is already 
dated even though the copyright reads 
February, 1982. 

“When we put it [the draft] together, 
we were so careful,”” says Lewis. “We 
don’t even mention the word ‘nuclear’ in 
the whole first section.” Snow adds, 
“Now kids come in with expectations 
about what a course on nuclear weapons 
is going to be about. So much has 
happened in the last year, they’re much 
more aware. They probably know most 
of the effects of a bomb when they start 
the class.” Snow and Lewis say the 
revised curriculum will get into the issue 


much faster — “and we need to have 
kids’ voices in there,”” says Snow. 
*” *” * 


During the week when I was one of a 
half-dozen classroom observers at 
‘Brookline High, the students were study- 
ing the 1945 US decision to drop atomic 
bombs on Japan. The curriculum book 
includes summaries of positions taken by 
various advisers to President Truman, 
including Secretary of War Harry 
Stimson, scientists Enrico Fermi and 
Robert Oppenheimer, military analysts, 
historians, political advisers, and the 
public, as its opinion was reflected by the 
press. 

The class was divided into three 
groups: one to explain support for the use 
of the bomb, one to explain those who 
had requested more time to consider the 
decision, and one to explain opposition 
to dropping the bomb. Each group was 
asked to list the advisers and advice that 
took a particular position. The “use it” 
group, about eight students, quickly 
accomplished its task, though not 
without some enmity developing be- 
tween two kids I'll call Marie and Jed. 

Snow approached the group and 
began asking questions. ‘Do you think 
that the public knew what kind of 
destruction an atom bomb would cause?” 
“No,” said one of the girls. “If the vice- 
president didn’t even know, the public 
didn’t.” She had learned that until 


Paul Fortin 


Roosevelt died, Truman had no idea of 
the nature of the secret weapon that US 
scientists were developing. 

Then Snow asked, “Would it have 
made any difference if the public had 
known about the aftereffects of a bomb?” 
Jed said no. “There’s no difference. 
Killing is killing.” You don’t think about 
the enemy as people during wartime, he 
explained, and a bomb is a bomb. Marie 
insisted that if the public had known 
about the long-term effects of an atomic 
bomb, the American people would have 
opposed its use. Another boy pointed out 
that the public was afraid the war would 
drag on forever and that the bomb would 
have been seen as a way to save 
American (and probably Japanese) lives. 

“What about the scientists who in- 
vented the bomb?” Snow asked. “What 
should scientists have to do with how 
their inventions are put to use?” One of 
Marie's friends said, “They should have 
more power over them.” But Jed claimed, 
‘As soon as the defense department gets 
a hold of it, it’s all over.” Everyone, 
including Marie, seemed to agree that 
that’s the way of the world. Snow 
pressed on. “Some scientists wanted to 
drop leaflets on Hiroshima, warning 
them. Was that a good idea?” No one 
seemed to think so. “Would it have been 
different if Roosevelt had lived?”, Snow 
asked. One of the girls said she thought 
so; she asked, “Wasn’t Roosevelt a 
liberal?” 

Snow’s reply was another question: 
“Do leaders use moral thinking in 


Roberta Snow: “We try to complicate their thinking.” 


decision making?” Marie answered, “I 
hope so.” Jed said that political decisions 
are political decisions, and war is war. 
That got Marie upset: “They're saying, 
it's okay to use the bomb to save 
Americans. But people are all the same to 
me. We're all people. I don’t really like 
America. I’m not a communist or any- 
thing, but we have lots of problems here. 
1 wouldn't go to war to fight for my 
country. ...1 was brought up a Quaker,” 
she explained. 

Jed looked disgusted. “If everyone was 
like you, we'd be nowhere.” 

* “No,” Marie insisted, “if everyone was 
like me, there wouldn't be any war.” 

Two boys sitting next to Jed, a blond 
and an Asian kid both wearing Army 
fatigue caps, took his side. “If other 
people want our country, there’s a reason 
to defend it,” said the blond. 

Snow asked, ‘What if they take over 
another country? What about 
Afghanistan? Should we go to war with 
the Soviet Union because they invaded 
Afghanistan?” 

“We can’t only think of ourselves,” 
replied Jed, making an adroit foreign- 
policy turnaround (that no one called 
him on). “We have to think of other 
people.’ 

Snow asked, “Do nuclear weapons 
change the way we solve problems — or 
should they?” No one ventured any 
response to that one. 

* ” * 

Later, in the teachers’ lounge and then 

in her office, Snow talks about how the 








‘T wouldn’t go to war to fight 
for my country ....’ 
Tf everyone was like you, 
we'd be nowhere.’ 
‘No, if everyone was like me, 
there wouldn't be any war.’ 








curriculum is working, not only in the 
local pilot programs but also in the 60 
other schools around the country where 
the materials are being used less for- 
mally. In the past six months, Snow and 
Lewis have traveled around the country 
to some of those schools; Snow reports 
that classroom concern about nuclear 
weapons is not limited to the effete East. 
“I just got back from North Dakota,” she 
says, “and the superintendents were 
fabulous. They're ready to teach about it. 

“It always boils down to the ultimate 
question: is using the bomb a moral or a 
political decision?” And she says that, to 
her surprise, she’s found “tremendous 
loyalty to the US” among high-school 
students. ‘Under the seventh or eighth 
grade, kids have an emotional, gut 
reaction [to nuclear weapons]: ‘We 
shouldn’t have them.’ After about the 
eighth grade, they think more about 
complexity and they are more American- 
identified. They’re not so sure anymore 
that we shouldn’t have them or use them. 
There's a great agreement everywhere 
that they’d like them all to disappear 
from the face of the earth. The younger 
kids think Reagan is stupid and crazy. 
But older ones say, ‘What can he do?’ 
They mouth lines like ‘Peace through 
strength’ and kind of agree with him.” 
Yes, even in Brookline. 

Snow also says that the debate be- 
tween Marie and Jed is typical, that hard- 
line opposition to the use of nuclear 
weapons tends to be more common 
among girls, and that Jed’s hard-line pro- 
nuke position is common among boys. 
“It’s our culture,” she concludes. 

* oe * 

Two days after the discussion about 
the decision to drop the bomb, the class 
watched a slide-tape show called “Chil- 
dren of Hiroshima,” which consisted of 
drawings made by children who 
survived the blast and a narrative made 
up of their diaries. It was not a gory 
presentation. It was eerie, evocative, 
pitiful. After the lights had been switched 
back on, Snow asked for reactions from 
each student. “Sad” was the word used 
over and over again. ‘It’s too bad we had 
to use it,” said Jed. 

* * * 

The materials the students are given to 
read include quotes from Einstein, Kafka, 
and Camus. There is a story by science- 
fiction writer Ray Bradbury, newspaper 
articles about economics, international 
diplomacy, and the nuclear-freeze move- 
ment. There are political cartoons, class 
exercises about the nature of propa- 
ganda, historical summaries of the post- 
World War II nuclear dilemma and of 
the Cuban missile crisis. There are 
definitions of terms that fill today’s 
newspapers: nuclear nonproliferation, 
zero option, mutual assured destruction. 
There is a simply written explanation of 
the physics of nuclear explosions and a 
description of their effects. The book is 
an amalgam of science, history, civics, 
and ethics. 

The goals that she and Lewis have for 
the the curriculum, according to Snow, 
are “to educate students about the arms 
race and the issues of responsibility and 
to give them different perspectives on it. 
The key is to help them become socially 
responsible for the world they live in.” 
As she points out, ‘Our seniors will vote 
next year. And they're the ones who 
would be drafted.” The course explicitly 
encourages students to think about 


conflict resolution not only in inter- - 


national relations, but also in their own 
lives. “And we also want to help support 
kids who are afraid [regarding nuclear 
weapons], to help them get a handle on 
what they can do. 

“The curriculum is not just about 
disarmament. It doesn’t present answers. 
It poses questions: what kind of world 
structure do we need to create in order to 
solve problems? 

“It’s not easy,” Snow continues. “I 
want to have answers. I want to tell them 
what to do and how to do it but I can’t. It 
[the curriculum] is not simplistic. We try 
to complicate their thinking and also 
help them to be comfortable with the 
discomfort of not having answers. That 
quote” — she points to Hannah Arendt’s 
words — “is what the nuclear question is 
all about. Thinking is urgent and hard 
work. And it’s hard to teach people to 
think. 

“Sometimes I sink into depression 
over it. I think we’re not going to make it. 
But the kids keep me going. The 
questions they ask. They come with 
enormous energy about how the world 
could -be. When I talk to high-school 
kids, helping them think through an 
issue, | remember why I do this.” O 












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Food 


A Kendall Square survivor 








ee Re, ee 


On the crew at the F&T (left to right): Susan Hackett, Paige 


by Sheryl Julian 


t 6 a.m. outside in Kendall Square, 
Ax can practically hear a pin 

drop. Inside the F&T Diner, the 
place is hopping. Marcie Abramson, the 
manager and chef, has let some early 
birds in half an hour before opening 
time, and the grill cook, Paige Emerson 
Sieber, is flipping pancakes, making 
eggs, turning hash browns, toasting 
muffins on the grill, and otherwise 
making large breakfasts to tide over 
hearty appetites until mid-morning. 

“Blues up!” shouts Sieber, and she sets 
a stack of three huge blueberry pancakes 
on the counter behind her. A split second 
later Susan Hackett has placed them in 
front of the customer. 

Between handling take-out orders for 
coffee and waiting on tables, Abramson 
makes the daily specials, working on a 
minuscule piece of chopping board and 
setting a large pot at her feet because 
there is nowhere else to put it. Abramson 
says hello to everyone by name. She 
knows the customers, how they take 
their coffee, what they like to eat. “At the 
beginning I worked hard to learn the 
names,” she admits, ‘associating faces 
with orders and trying to attach names to 
them. Now I just seem to know every- 
one. It’s like knowing how to make rice 
pudding without measuring,” she adds. 
She’s referring to her “sinfully good 
homemade rice pudding,” served every 
day at lunch. 

Some people's routines have become 
so familiar that Abramson and Sieber put 
the order on when the truck drives up. 
But, Abramson notes, most people prefer 
not to be second-guessed. “I give them a 
chance to change their mind.” 


Time and the F&T Diner roll on 





] 


se 











Ti 4 es 





The early-morning regulars at the 
diner are a varied lot. Janetis Vassiliades, 
known to his friends as “Vass,” owns a 
small building company in Cambridge, 
and he and his three associates hold 
meetings at breakfast every Friday in one 
of the booths along the windows. “Com- 
ing here is affirming that you've made it 
through the week,” says Vass, adding 
that he always orders blueberry pan- 
cakes with two eggs on top. 

You can tell from the way they tell it 
that Marvin Fox and Maynard Tishman, 


Sieber, Robin Burnham, and Marcie Abramson. 





whose fathers are the “F” and “T” in the 
diner’s name have recounted the story 
about the beginnings of the place many 
times. Isaac Fox and Robert Tishman 
were friends who married sisters and in 
1924 opened a small delicatessen with a 
few tables on Main Street near MIT. 
Fourteen years later, they bought the 
building across the street and opened the 
F&T Delicatessen and Restaurant, a large 
place whose name you see in giant white 
letters on the side of the building as you 
head down Main Street from Central 


Square. Next door to the restaurant was a 
Hayes Bickford diner, in one of the 
original railroad dining cars that had 
been sent from Worcester to railway 
stations to provide passengers with a 
place to get a bite in the middle of the 
night. (The railroad wheels are still 
underneath the car.) 

When Hayes Bickford closed the diner, 
Isaac Fox and Robert Tishman bought it, 
not particularly to expand their business, 
say their sons, but to use the parking area 
behind the diner as a delivery area for the 
restaurant. Also, Tishman points out, 
buying the diner meant that a new, 
competing business would not open next 
door. At that point, the dining car had 
one counter only — too little space to be 
very profitable. 

In the mid-’50s, when Kendall Square 
had factories and the workers patronized 
the diner, and when the sons of both 
owners were about to join their fathers in 
business, Fox and Tishman expanded the 
diner by removing the front, adding a 
row of seven spacious booths, and 
putting in large windows all across the 
street side. Except for dishes made on the 
grill by a short-order cook (who was 
extremely fast and entertaining), all the 
food served was brought over from the 
restaurant. 

Suddenly, in 1964, Kendall Square 
changed. The federal government an- 
nounced the area would become the site 
of a NAS. space center. Thirty acres of 
land, from Main Street to Binney Street 
(including Broadway), were ac- 
quired and cleared for this purpose. More 
than 70 businesses — including almost 
all the restaurants in the area — were 
bought out or moved. The government 
put up one building on six of the 30 acres. 
Then the local project was scrapped and 
the NASA space center was awarded to 
Houston, where it stands now. This left 
Kendall Square with a large open space 
and one finished, uninhabited building. 

Both the restaurant and the diner 
stayed open because, say Fox and 
Tishman, they were fortunate to be on 
the side of the street that had not been 
designated for government use. Never- 
theless, the middle ‘70s were lean years, 
and the younger Fox and Tishman, both 
of whose fathers were about to retire, did 

Continued on page 13 














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Simple pleasures 


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by Robert Nadeau 
here are several roads to ex- 
: cellence. Michael's Waterfront, an 
offspring of the Framingham 
roadhouse Finally Michael's, has taken 
the way of the modest and simplified 
menu. There are few sauces — four 
dishes feature béarnaise — and a few 
composed’ dishes. We are offered fine 
ingredients simply broiled or grilled, and 

a superb wine list. 

If there are no experiments or now- 
elties, there are also few disappoint- 
ments. Michael's: Waterfront is a sure 
thing — especially for fresh seafood — in 
an uncertain world. 

The philosophy would suggest begin- 
ning with raw clams or oysters, but that 


would mean missing the best appetizer, 
Seafood Molly ($5.50), a mixed ceviche of 
clams, oysters, scallops, crab, lobster, and 
a bit of fish fillet. All the raw seafood, 
which is cooked only by lemon-juice 
marination, has just the right freshness, 
but the sea scallops really stand out for 
flavor. The ceviche is prettily served over 
green noodles, with olives and sweet- 
pepper strips. 

Waterfront fish chowder ($1.95), based 
on both fish and clams, is a meaty but not 
stocky chowder. Black pepper adds some 
richness to the flavor. There are potatoes. 

This is not a place for Caesar salad 
($1.95), since the house salad has almost 
the variety of a salad bar — iceberg and 











Lucy Dillon 


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Bibb lettuce, cherry tomato, olive, alfalfa 
sprouts, egg, red cabbage — and a good 
thinned-mayonnaise-type dressing. The 
Caesar, which is mostly romaine, has 
some garlic but no anchovy in the 
dressing, just two anchovy fillets laid out 
on top. 





2aIMon Pearnase M $ aru 
to the Dearnaise, is a-tine prece Of eariv 
season salmon, rich as butter itself. The 
sauce is milder than usual, which is to the 
good, but it’s herbed with dried tarragon. 
Grilled swordfish ($11.50, béarnaise op- 
tional for another dollar) is a smaller but 
even fresher fillet 

The side order of vegetable is yellow 
squash, cut into strips, buttered, and 
salted; sometimes it’s oversalted, but 
mostly it’s pretty good for spring squash. 
The starch of choice is French ffies, really 
crisp and appetizing French fries. But the 
baked potato is as bad as the fries are 
good: though served without foil, it has 
the waxy weight of the foiled baked 
potato so often criticized in this column. 
Rice pilaf is not half bad, with a slightly 
meaty flavor and a few chopped peppers 
for Spanish-rice fans. 

Steak O’Brien ($9.95) is sirloin cut like 
a small filet mignon — more precisely, 
it’s tournedos-shaped. Cooked to order, 
it makes a luxurious-looking restaurant 
steak, with more taste than the typical 
filet. 

The wine list, with 17 California 
Cabernet Sauvignons and 12 Chardon- 
nays, is as elaborate as the menu is 
simple. This makes a lot of sense, since 
one wants simple, well-made food with 
fine wine. Some groups might even pick 

Continued on page 13 





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THE BOSTON PHOENIX, SECTION TWO, JUNE 1, 1982 


Blessed are the seeds 


Checking out a rite of spring, 
in Harvard Square, of course 


by Lisa Deeley Smith 


“B ring your seeds to be blessed 


before you plant,” the poster 

read. Much of my garden had 
been started already, but the garlic chives 
and lemon balm seedlings were doirtg 
poorly, so | took the leftover seeds along. 
The seed-blessing ceremony by Chief 
Siow Turtle and the Mashpee Drummers 
was to be one of the highlights of the 
“festival for planting seeds of peace and 
light,” and | wanted my seeds there with 
me. 

If you simply want to decide what to 
believe about this world and the next, all 
you need is a large selection of religious 
paperbacks. But worship in groups is 
different from individual theological 
analysis. You can judge whether worship 
is fraudulent or not, just as you can 
examine different theologies, but first 
you should attend the event you're 
judging. So I gathered up my seeds and 
set off. 

The festival, held in Cambridge on 
May 15, was sponsored by the Sunray 
Meditation Society/Boston. Promotion 
brochures handy to the poster said that 
“Sunray Meditation Society is an in- 
ternational spiritual society [based in 


Huntington, Vermont] dedicated to 
world peace. The purpose is threefold: to 
hold the thought of harmony for all 
creation; to help individuals cultivate 
wakefulness and deep respect for the 
sacredness of their own being; and to 
carry this energy of peace and respect for 
all life out into the world . . . founded on 
sacred principles from ancient Native 
American traditions as taught by Dhyani 
Fisher Ywahoo, a teacher and healer of 
the Cherokee-Catawba Nations. ... Let 
all come again to the Tree of Peace, to the 


wise consciousness of Planetary 
Caretakers.” 

Wakefulness ... for planetary 
caretakers — that’s the trendiest of 


faithspeak. But if this meditation society 
was founded on native American tra- 
ditions, why did | also see Tai Chi hyped 
on the festival poster? What were the 
Mashpee Drummers doing at a 
Cherokee-Catawba-based event? What 
was this latest example of group worship, 
this incarnation of alternative religious 
fests, going to be like? A North End festa, 
where religious observances are ob- 
literated by the concession stands from 
New Jersey? Another spring happening 


Flint Born 


Slow Turtle and frien 


with face painters and jugglers? A 
celebrity spectacle like the pope's visit, or 
(as some people, themselves bewildered, 
reported after the pope left) a sightseeing 
jaunt that turned into a religious ex- 
perience? 

From the sidewalk outside Old Cam- 
bridge Baptist Church, it certainly looked 
like a. typical Saturday afternoon in 
Harvard Square — racks of clothes and 
cases of jewelry were on display, with 





d: the audience became the Blensers. 






Sunray’s face-painting stand right be- 
hind. But inside the church a large 
gymnasium-like room was dense with 
the scent of incense and lilacs. Three 
women and a man were giving a Tai Chi 
demonstration to taped music, moving in 
deliberate, unathletic slow motion. Soon 
the four leaders were joined by several 
others for a group-participation free- 
movement exercise based on shouted 

Continued on page 12 








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Trends 


Turn on, tune in 


An audiophile’s guide 
to personal stereos 


by Paul D. Lehrman 


early ‘60s pales in comparison. So — or case (some are sturdier than others) 

does the CB revolution, which _ that can be clipped or slipped onto a belt 
went dirty side up after a few short years or waistband, and also with a shoulder 
of business-school-grad good buddies strap. For those who insist on holding 
talkin’ like they was illiterate crackers. | conversations while wearing the things, 
“talk” button that 
quitous (though anyone who's ever lowers the sound, volume. Some even 
ridden the Dudley bus will tell you that —_ have a built-in microphone hooked into 


T he portable-radio craze of the engaged. Each unit comes with a fixture 


Even boom boxes are much less ubi- most units have a 


their annoyance power is dispropor- the circuitry, so that (think about it a 
tionate to their actual numbers). 

I'm talking, of course, about “personal _-Villechaize accosts you for directions to 
stereos” — the Sony Walkman and its Quincy Market. Generally, the units are 


descendants. The original Walkman powered by four AA batteries, and 
_(now known as the Walkman I) was a__, accessory house-current power packs are 


tape-player-only unit that could be available for most. 
strapped to a belt or carried in a coat 


Shaped like cassettes. 


which of these many competing products available, | would 


can do the best job of entertaining you Audio-Technica ATH-0.5 ($80 list, but 
while you take your daily constitutional, heavily discounted). To substitute head- 
and of distracting you from honking phones, you will probably need an 
horns, screaming fire trucks, and other adapter, but that shouldn’t cost more 
urban annoyances, | went to three local _ than threé:or four dollars. 
A serious problem of a different sort — 
TV in Brighton Center, and the Tech HiFi especially if. you go for sealed head- 
phones — is safety. Even with a talk 
Before | start to discuss differences, a | button and hear-through phones, 
few notes on what the units have in easy to miss the warning sounds of 
common might be in order. All the units _ potential hazards, like a bicycle bell, a 
| looked at play cassettes, though some __ policeman’s whistle, or a .30-30 being 
do much more. Except as noted, all have fired» from a fourth-floor window. 
a “cue and review” function that lets you Chicago last year an alderman went so 
find any particular spot on a tape quickly far as to propose a ban on personal 
by winding it forward or backward at stereos in the streets: too many pedes- 
high speed, witn the playback head still __trians, he felt, were walking in front of 


emporia: Lechmere in Cambridge, Ace 


shop near MIT. 


minute) you'll be all set when Herve 


The weak link in these systems is the 
pocket. Within months of its introduc-. headphones. Some are better 
tion, dozens of manufacturers followed others, but none produces the kind of 
Sony's lead and began to produce units sound the units are capable of. Un- 
that could record tapes with built-in or fortunately, you can’t buy the players 
external microphones, or play FM or AM without the headphones; i 
radio stations, either through internal listening you might want to invest in a 
electronics or through cute little tuners —_ second pair (which eventually you might 
have to do anyway — the headphones 

Is there an end in sight? No. The _ look likely to wear out long before the 
Walkman I (widely available for about _ players will). There are plenty of sealed 
$95 or less) is slowly losing its headstart | headphones, such as those in the Koss 
as the smaller and lighter Walkman II PRO-4 series, that will give you truly 
gains in popularity. Other lines are great sound, and more bass than you 
springing up and disappearing like New- _— ever thought you’d want, but they are 
bury Street boutiques. To determine heavy. Among the lighter headphones 











Jim Carson 


buses and too many cyclists were being 
wiped out by speeding bulgemobiles 
(sounds like Boston). Reportedly, the bill 
died when the Electronics Industry As- 
sociation, which holds its super-hype 
Consumer Electronics Show in Chicago 
_ every June, threatened to take its busi- 
ness elsewhere. Here in Boston, a 
spokesman for the city council says that 
no one has even discussed a ban, but he 
‘admits that it’s not a bad idea. 

Well, get it while you can. If you can’t 

beat ‘em, join ‘em. But be careful. 
* * * 

Sony has two models currently avail- 
able. The Walkman II ($140 to $150), a 
smaller and more expensive version of its 
predecessor, is human-engineered ex- 
traordinarily well. Rather than being on 
the side of the machine, the transport 
controls are on its face, and they have 
been simplified for the user on the go. 
They also have a good, solid feel to them. 
The player does not have a cue-review 
function, but this is hardly missed. There 
is no talk switch, which informed users 
tell me is an unnecessary frill anyway, 
and no tone switch — also no great loss. 
Because the transport is so light, the 
flutter (the speed variation that makes a 
piano sound as if it were being played 
underwater) is a little high. And it gets 
worse when you bounce the unit around 
— which is what you're going to do, after 
all, when you jog. But the problem never 
gets really obnoxious. The unit runs on 
two AA batteries, and an optional battery 
pack that takes two longer-lasting D cells 
is available. The packaging, hard plastic 
and aluminum, is the sturdiest and most 
intelligently designed of any I saw. 











The top of the Sony line is the TCS-310 
(about $170). This is somewhat heavier 
and less convenient than the Walkman II, 
but it features stereo-recording capability 
with a built-in stereo mike, and it has an 
internal monitor speaker. Moreover, the 
added weight makes for less flutter. | 
should also mention that the Sony 
headphones are the best-sounding of any 
| heard. 

Aiwa is another company that has 
gone after the personal-stereo market in 
a big way (despite the various American- 
sounding brand names, none of these 
units is made in the US). It has three 
models out. The HS-P1 (about $150) is a 
player only, whereas the CS-J1 ($220 to 
$240) has FM and recording capability. In 
the middle is the HS-F1 (about $200), 
which has:no radio but does include all 
sorts of nifty gadgets — a tape counter, 
line inputs for recording off your home 
stereo, a good-quality built-in stereo 
microphone, a pause button, and a 
balance control. The vinyl leatherette 
pouch it comes in is reasonably sturdy, 
and the sound quality is good. Although 
the HS-F1 doesn’t like serious jostling, it 
maintains speed accuracy quite well 
when it is jiggled gently, as a casual 
stroller might do. 

Toshiba has two models, the KT-S1 
($120 to $140, with FM), and the KT-R2 
(about $190, with FM and recording 
capability); both use a tuner pack that 
slips into the machine like a cassette. FM 
sensitivity is not very good, but there is a 
mono switch on the tuner that cleans up 
weak signals pretty effectively. The 
controls on both units are fairly well laid 

Continued on page 12 





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12 









THE BOSTON PHOENIX, SECTION TWO, JUNE 1, 1982 














































Walkmen 


Continued from page 11 

out, but the recording model has a 
lot of little buttons for tape-type 
selection, noise reduction, and 
the like that are not only hard to 
reach but look fragile. The KT-R2 
also has a very inconvenient, and 
not very useful, tone switch — 
depending on the setting, the 
sound is either too bright or too 
dead. Immunity to rough han- 
dling is only fair. 

The KT-S1 has no tone control, 
but it has better tone quality. The 
talk switch is in the middle of the 
play button — a good idea. Speed 
consistency under adverse condi- 
tions is better than on the more 
expensive model. 

The Sharp WF-50G (about 


-$170) looks very much like the 


Toshiba KT-S1, and it also uses a 
tuner-cassette, but the two tuner- 
cassettes are not interchangeable. 
FM reception is a bit better on the 
Sharp, and the tone switch is 
marginally helpful, but motion- 
resistance is poor, and the sound 
of the headphones is rather tinny. 

Two players using FM tuner- 
cassettes that are interchangeable 
are the KLH Solo and the Infinity 
Intimate. In fact, these units, 
available only through Tech Hi Fi 
and priced at $189 and $249 
respectively, are identical in all 
respects but one: the more ex- 
pensive unit features Dolby noise 
reduction. Surprisingly, the FM 
reception is a bit better on the 
cheaper model, but otherwise the 
sound quality is virtually the 
same. The sound is also very loud 
— these are the only units with 
enough audio output power to 
make ‘the headphones distort 
seriously. You may prefer the 
Infinity if you play a lot of super- 
high-quality Dolbyized cassettes, 
but if you're not that finicky 
about sound, it is a big price 
difference. For those who, God 
knows why, want to listen to AM, 
a tuner unit compatible with both 
models is available from Infinity 
for about $25. 

Although these units are very 
expensive, especially considering 
that they don’t record, they are 
the only ones we found that 
could tolerate really heavy 
knocking around without the 
tape speed’s being affected. A 
little bigger and heavier than 


most, they are still slim enough 
not to interfere with ordinary 
physical activity (at least the 
outdoor kind) and so _ are 
probably the best choice for the 
serious jogger with a jones for 
taped music. 

The most impressive unit | 
came across, regardless of price, 
is the Panasonic RX-1950 (about 
$150), which includes internal 
AM, FM, and recording elec- 
tronics. The headphones sup- 
plied give very good sound, and 
the FM _ tuner’s sensitivity is 
excellent, even without the ex- 
ternal antenna that comes with 
the unit. The AM sounds pretty 
lame, but that’s of concern only 
to those hooked on_ Jerry 


. Williams (if you're one of them, | 


recommend that you stop read- 
ing and run out and buy a $10 
Radio Shack portable radio). The 
leatherette case seems quite 
rugged and is very cleverly de- 
signed. A cassette-play-only unit, 
the RQJ-11 (about $60), sounds 
pretty good too. 

A unit that looks great but isn’t 
is the Quasar GX-3682 ($250 to 
$300). It has AM and FM and it 
records, but its controls are ex- 
tremely inconvenient and the 
sound is only fair. 

There are a lot more. General 
Electric has something called the 
“Stereo Great Escape” (about 
$120); this has FM, but the one 
unit | found on display had a 
defective playback amplifier. The 
Rhapsody RV-70 (about $70) will 
chew your tape up if you put the 
batteries in wrong, which is easy 
to do. Its dual slide volume 
controls are badly calibrated, it 
emits an ugly buzz when you 
rewind the tape, and the FM 
tuner is very poor. The large case 
and light weight indicate that 
someone is trying to put one over 
on gullible customers. The 
Telstar TPS-12F (about $90), 
another cheapie with FM, is a 
little better in the radio depart- 
ment, but it tends to eat tapes in 
the review mode,and the overall 
sound is very thin. There are also 
models from Sears and Sanyo 
(essentially the same), Craig, 
Technidyne, and a few others 
that I didn’t get to. As is true with 
most electronic equipment these 
days, you get about what you pay 
for. 

* * * 

If you plan to buy a personal 

stereo, you may find shopping for 


it a little frustrating. A lot of 
stores run out of the things very 
fast, and manufacturers have 
been slow to replenish retailers’ 
stocks. New models will no 
doubt be introduced at the June 
Consumer Electronics Show, but 
it will be several months before 
most of the goodies find their 
way into your local merchant's 
establishment. In addition, few 
stores carry more than a couple of 
lines. 

Bringing along some of your 
own cassettes is an excellent idea 
— the demonstrator tapes most 
stores have are super-bright and 
super-bottomy, and they gener- 
ally use metal tape stock, which 
few consumers ever buy. You 
will also want to pick the units up 
and kick them around to see how 
they'll behave while you're doing 
your morning five miles — but 
because of a high theft rate, most 
stores have the players bolted to 


a counter top in a way that makes’ 


access to the tape transports 
impossible. Stores also tie down 
the headphones and hide all but 
a few inches of the cord, which 
makes it difficult to determine 
whether the phones will stay on 
your head or fly off at the slight- 
est provocation and get crushed 
by a passing 18-wheeler. 0 


Blessed 


Continued from page 10 
word associations with astro- 
logical signs. “Libra ... scales 

. balance ... yin and yang!” 
one of the women called out. 
“Scorpio from deep in- 
side your depths comes 
deadly scorpions’ stings! Pluto... 
Scorpio. ...” Some participants 
started giggling, especially when 
the solitary male demonstrator 
began to slide around, flaccidly 
drawing an imaginary bow, to 
“Sagittarius ... archer....” The 
seed blessing was due to start in 
an hour; in the meantime, the 
photographer and | decided to 
crash a healing. 

We entered a room next to the 
“Healing” sign upstairs. “Are you 
scheduled for a healing?” a man 
asked. “Oh. Go on down and 
stick your nose in.” And we crept 
down a dark, narrow corridor, 
peeking into little rooms, until we 
smelled incense and heard chant- 
ing in the last room. I made the 


iphotographer go first. 


Three persons were lying on 
the floor, and four others were 
chanting and shaking rattles. The 
healers chanted together, 
chanted separately, lit incense, 
took up rattles now and again. 
Then they got to the hands-on 
work: making benediction-like 
gestures over the patients, press- 
ing hands to the head, pressing 
fingers to the sternum and mak- 
ing drawing-out and releasing 
gestures, running their hands 
from the thighs to the feet, 
chanting all the while. No gig- 
gling here. Then silence, and a 
benediction, and a _ prognosis: 
“You will stay well for two weeks 
to a month.” 

We tiptoed downstairs. There 
people were inspecting the vari- 
ous display tables, which offered 
wares more spiritual than those 
on the tables outdoors. Sunray T- 
shirts ($7) and meditation tapes 
($10) were for sale; “I just sold 
four T-shirts and I'm selling three 
tapes,” the teenage girl behind 
the counter said. At another table 
bangles from yak horn were 
going for $4, from sacred-cow 
horn for $12. | was assured that 
the sacred cows had died a 
natural death. 

It was time for the seed bless- 
ing. Starting things off was Amtal 
Hannan, a co-focalizer (a low- 
authority title favored by 
nonhierarchical religions) of 
Sunray’s Boston chapter and one 
of the healers. She announced 
that seeds should go into a large 
wicker basket. This was lined 
with kidney beans; the soon-to- 
be-blessed seeds that filled it 
included morning glory, 
sunflower, petunia, and Burpee 
carrot and lettuce. The audience 
of 200 or so formed a circle, the 
basket went in the middle, and 
Ywahoo and Slow Turtle came 
out. 

Slow Turtle — who later ex- 
plained that he was the spiritual 
leader of the Wampanoag nation, 
not a chief, and that he was 
embarrassed by the poster — is 
also the director of the Massachu- 
setts Commission on Indian Af- 
fairs. In public address, he tended 
to ramble. He talked about the 
planting season, mentioning that 
whereas “some of your ancestors 
have come across the waters” all 
listening were “part of Turtle 
Island here.” Then he digressed 
into the turtle creation story, 


according to which the sun and 
moon and stars created the world 
as a terrarium on a turtle’s back. 
He went on to note that the white 
man has broken the chain of 
sharing with the earth by burying 
people -in caskets and concrete 
vaults, and he expressed Indian 
doubts about “whether you're 
human beings because you're all 
afraid to touch each other and 
you're all afraid to look into each 
other's eyes.” The yak- and 
sacred-cow-horn bangle sales- 
man bounded into the circle with 
some Indian corn to be blessed, 
and Slow Turtle pointed out that 
Indian corn “represents the color 
of man — all on the same cob.” 
Then he asked, “Mind if I take a 
few more minutes?’ and 
launched into.a parable about the 
rabbit that attacked Jimmy Carter 
at the time the hostages were 
taken in Iran and the turkey that 
appeared on the White House 
lawn when the Marines at- 
tempted to rescue the hostages, 
“two examples of animal life 
trying to give a message to man 
he couldn’t understand.” 

The audience was sliding from 
rapt into polite. Slow Turtle’s 
meanderings were not, | thought, 
what they had expected — rather, 
it was one more visit from an 
Indian to a high-school assembly. 
Was this blessing the seeds? 

Ywahoo got things moving 
again. “Come again to the sacred 
circle. At this time I feel for us to 
dance.” The Mashpee Drummers 
had gotten another gig since the 
poster had been printed (“a big 
powwow for the Six Nations”), so 
a local white drummer filled in. 
People formed several circles and 
picked up ¥wahoo’s chant: four 
verses of ‘“way-oh-hay-ay-yeah” 
punctuated with an arm-waving 
chorus of “yah.” The circle went 
clockwise for a while, until Slow 
Turtle reminded Ywahoo to circle 
in the other direction, for balance. 
The dancing got more elaborate, 
with little Balinesesque gestures, 
and went on for about 20 
minutes. Then Slow Turtle an- 
nounced that everyone should 
embrace everyone. He embraced 
the person on his left and con- 
tinued embracing around the 
circle; the others did the same. 
The embraced then became the 
embracers. One woman _ burst 
into tears. The chant was taken 
up again. As the circles started to 
unravel into spirals, people 




















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began to glide around and em- 
brace others seemingly at ran- 
dom. ‘Our seeds have been truly 
blessed!” one woman said as she 
flung herself into someone's 
arms. 

Worship in groups is a funny 
thing. At its arid worst it drives 
people away from religious in- 
stitutions entirely, or into the- 
ology — talk about God instead 
experience of God. The word- 
association Tai Chi was silly, and 
Slow Turtle’s talk boring; those 
kinds of worship experiences can 
alienate the religious seeker not 
only from Sunray but from re- 
ligious experience in general. But 
at its involving best group 
worship makes analytical theo- 
logical talk not unimportant but 
secondary. It didn’t matter, at the 
time, that Ywahoo didn’t explain 
what the chant meant, or how the 
seeds received the blessing. What 
was important was that the 
people, led by a woman with a 
microphone in one hand and a 
feather in the other, changed 
from an audience into the 


-blessers themselves. Not that 


everyone who participated in the 
blessing was totally immersed in 
the role. But when someone 
silently glides up to you for a 20- 
second embrace and a 10-second 
gaze, you don’t flinch, you em- 
brace and gaze back. Some stu- 
dents of religion would reduce 
the power of high-intensity 
group worship to mob psy- 
chology, but for the worshippers 
the difference between sitting 
through a church service and 
experiencing the kind of in- 
volvement of the seed-blessing is 
the difference, as Harvey Cox put 
it, between reading the label and 
eating the contents. 

The Sunray people don’t ig- 
nore theological questions. As 
Hannan explained it, syncretism 
— the mixture of East and West 
— was a strength of Ywahoo’s 
thought: “A lot of ideas I had 
separate she had put in a beauti- 
ful order, like a crystal. There are 
prophecies of native Americans 
and Tibetans getting together — 
the ends of the East and the ends 
of the West.” Ywahoo, in an 
interview the next day, said the 
founding of Sunray in 1976 was 
based on a decision of Cherokee- 
Catawba tribal elders to go public 


with their knowledge. Ywahoo 
began putting together native 
American and Eastern thought 
when she traveled with her 
parents to various religious con- 
ferences and met her first Bud- 
dhist. It seems that rather than 
stay pure — but mute — Sunray 
began to hit the road with an 
amalgamation of beliefs to attract 
a larger audience. Those who 
think it was the wrong thing to do 
would probably think that the 
Gnostics, who reserved the pure 
knowledge of Christian religion 
for a chosen few, should have 
won out over the Catholics, who 
were willing to compromise to 
reach a wider audience. 

My husband planted my 
blessed seeds the day before this 
was written. Not even blessed 
seeds germinate overnight. But 
the little containers of lemon 
balm that he had already sown — 
and which before then had 
produced two leafless, short- 
lived seedlings — sprouted a 
sturdy little seedling with seed 
leaves and true leaves. And the 
spindly, withered garlic-chive 
sprout has sent out another 
shoot. O 


Michael’s 


Continued from page 9 

the wine first and then food to 
go with it rather than vice versa. 
French and Italian selections are 
very good, though whoever 
picks the wine has not worked 
through the German whites yet. 
It is not a cheap list, though 
there are some specials for 
around $10. 

Our wine, consumed with 
mostly fish, was the 1980 Ven- 
tana Sauvignon Blanc ($15). 
Made like a Chardonnay, with 
lots of body and oaky flavors, this 
is a terrific food wine, pleading 
for oysters but also quite pleased 
to accompany salmon and 
swordfish. 

Desserts are generally not en- 
ticing, but you need only one, 
and that is the Swiss ice-cream 
pie ($2.25), a matter of mocha ice 
cream, walnuts, graham. crust, 
cream topping, and almonds. 
Open the envelope, and the 
winning flavor is walnut, set like 
a gem in mocha. Chocolate cake 


($1.95) is interesting: it’s served 
hot, with a hot chocolate sauce 
for frosting. The sauce outdoes 
the cake, though. 

Coffee is slightly burnt but 
acceptable. 

Decor is revised waterfront 
moderne — revised by reducing 
the number of humans and 
plants in the Rusty Scupper, 
which used to occupy this space. 
We are still looking at bare brick 
and sandblasted beams in the 
ancient cellar, but Michael's has 
added secondhand books in the 
manner. of the Colorado Public 
Library. 

These, too, were bought by the 
yard, but there are a few interest- 
ing titles. And books do absorb 
some high-frequency noise. De- 
spite some background music, 
this is a quiet restaurant except in 
the talk band. 

When it comes time to re- 
decorate, the owners might con- 
sider a less sticky leatherette for 
the chairs. 

Service at Michael's Waterfront 
was good but uneven. Appetizers 
came quite quickly, but there was 
a noticeable wait for main dishes. 
Our busperson seemed to want to 
hustle plates off the table before 
we were done and well before the 
next course was in danger of 
arriving. The manager came over 
to talk to us, as he did to most 
tables. This is a good practice. 
However, my detailed observa- 
tions were of course saved for 
this column. 0 


Diner 


Continued from page 8 
think seriously about closing the 
diner. 

Meanwhile, Marvin Fox be- 
came active in the Neighborhood 
Advisory Group, a citizens’ or- 
ganization that worked with the 
Cambridge Redevelopment 
Authority to decide on the best 
use of the land. Two and a half 
years ago, Boston Properties won 
the public competition to develop 
the remaining 24 acres. “It took 
the city 10 years to reach a 
political consensus,” says David 
Barrett, project manager and vice 
president of Boston Properties. 
Cambridge Center, as the de- 





velopment (which is planned to 
be a group of 16 buildings) is 
called, will include one and a half 
million square feet of office 
space, a 300-room hotel, 
restaurants, retail shops, and re- 
search and development build- 
ings. The first building, Five Cam- 
bridge Center, is already up, and 
a 300-seat Legal Seafoods restau- 
rant will open next week on the 
ground floor. 
* * * 

With all the new people com- 
ing through Kendall Square, the 
F&T Diner is flourishing again. 
Marcie Abramson says, though, 
that she has no idea how many 
people she serves in one day. 
Some of the construction workers 
come in for breakfast, a coffee 
break, and lunch. And at lunch, 
she says, the diner is a madhouse. 
“A lot of people like the choreo- 
graphy. They can go back to their 
own chaos and appreciate that 
they don’t have to work in ours. It 
has a calming effect. 

“At 20 of 12,” Abramson con- 
tinues, “people start pouring in.” 
A lot of them ask her what to eat. 
““Hey Marce,’” she says they 
yell out, “and | tell them what to 
order, how to eat. Sometimes | 
feel like mother hen.” 

Abramson, who took over the 
diner about a year ago and hired 
her own staff to help her run it, 
trained as a chef at Schoolcraft 
College outside Detroit. She has 
worked at a country club and at a 
regional French and Italian res- 
taurant in Ann Arbor. 

At the diner, she makes 
quiches, puddings, custards, 
stews, and soups — a different 
soup each day: cream of broccoli, 
cream of zucchini, cream- of 
tomato, minestrone, corn or clam 
chowder. She makes her own 
stocks for them. Daily specials 
always have familiar names. 
“There are two factions who eat 
here,” Abramson observes, “the 
construction workers and every- 
body else. The workers are less 
adventuresome but they also eat 
the heavier food. White-collar 
people eat salads and tuna in a 
pocket. There’s a line I cannot 
cross: the workers like things 
with familiar names. | make meat 
loaf, lasagne, chicken a la king, 
knackwurst with paprika and 
potatoes. The clientele keep me 





pretty honest. They tell me what 
they think. 

“This food is not as creative as 
the food I was cooking in Ann 


_ Arbor,” Abramson reflects, “but | 


see people eating it. I'm not 
behind closed doors. It’s a good 
feeling to make something and 
have people love it.” 


Marcie Abramson’s “sin- 
fully good homemade rice 
pudding” 
Serves eight 

At the F & T Diner, a generous 
portion of this rice pudding, 
which is featured daily, costs just 
85 cents. Abramson originally 
began making this recipe because 
the pudding didn’t need to be 
cooked in an oven (which the 
diner lacked). Although there is 
an oven now, the pudding has 
become too popular for anyone 
to consider changing the recipe. 

4 cups light cream; 

1% cups long-grain white rice; 

2 cups milk; 

*/s cup sugar; 

1 teaspoon salt; 

1 teaspoon vanilla extract; 

1 teaspoon ground cinnamon; 

Y% teaspoon nutmeg; 

2 cup raisins. 

In a large, heavy-based pan 
heat the cream to the scalding 
point. Sprinkle in the rice and stir 
the mixture constantly until the 
cream returns to the boil. Lower 
the heat and continue cooking 
the mixture for 15 minutes, stir- 
ring it often. The rice will absorb 
a lot of the cream and the mixture 
will thicken. 

Add 112 cups of the milk to the 
rice, along with the sugar, salt, 
vanilla, cinnamon, nutmeg and 
raisins. Stir this mixture 
thoroughly, then continue cook- 
ing it over low heat for another:15 
minutes, or until the rice is very 
tender. Stir it often to prevent the 
rice from sticking to the bottom 
of the pan, and add the remaining 
half-cup of milk, a bit at a time, as 
the mixture gets thicker. The 
pudding will appear quite soupy 
during cooking but the rice will 
continue to absorb liquid while it 
cools down. 

Let the pudding cool to room 
temperature, then chill it. Serve it 
in glass cups or small bowls, with 
additional cinnamon sprinkled 
on top if you like. O 










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14 


THE BOSTON PHOENIX, SECTION TWO, JUNE 1, 1982 











RSSSTEL CLES ELLA CLE OM 


= Dor Me Baht: Vhave 


#292 Write away! 


Each of the lines on the left side of this note pad corresponds to 
a line on the right. 

One side is written in Speedwriting *®, one of the fastest sys- 
tems of written communication: 

See how quickly you can match them up. 





Rules 


1. Prizes for solving the Puzzle will be Phoenix Puzzie Winner T- 
shirts. 

2. All entries must be received at the Phoenix office (addressed 
to Puzzle, Boston Phoenix, 100 Massachusetts Avenue, Boston 
02115) by noon on the Monday following the issue date. Phoenix 
employees and their immediate families are ineligible. 

3. In the event of disputes or ties, the judges’ decisions will be 
final and arbitrary. We only have 10 T-shirts to give away each 
week, so when there are more than 10 winners we'll have a lottery. 

4. All entries must be accompanied by the Puzzle page. When 
possible, the answers should be entered on the Puzzle page. 


Name 
Address 
City/Zip 
T-shirt size 

















Solution #290 


Only a handful of people (27) correctly identified the 50-, 48-, and 
49-star flags, respectively, of puzzle #290. Not a very patriotic 
response. Then again, 11 responses were absolutely traitorous. 

The (dare we say it?) key to the problem rested in your knowl- 
edge of the different patterns of stars within the cantons: 6x5 and 
5x4, 8x6, and 7x7. 

T-shirts to the following stars: 

1) Brian Matteson, Acton 

2) Andrew Gillis, Milton 

3) Rosemary Roth, Watertown 

4) Andrew D. Padawer (and friends), Cambridge 
5) Bob Nakashian, East Boston 

6) Joseph Cole, Revere 

7) Michael Tabaczynski, Dorchester 

8) Mary Lahaj, Somerville 

9) T. Max, JP 
10) Joseph Cohen, Holliston 

Oh, and you too, Dr. N. Thanks, Lindy, | needed that. 

















Roger Jones 





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Let the good times roll. 





Tea cack CAD  ecmmnntan cots Gotag ond Wandiae onmy. Cinmsine mover op our of Guan temeaaalal 1 


makes them better. 





FEAR 








CR eee SE 


2 UNION SQ., SOMERVILLE 
491-7007 628-6400 


¥¥ 








www ewee 




































































































































































HELP WANTED 15 
Auditions 
Bus. Opportunity 


Job Opportunity 
Job Wanted 
Resumés 
Volunteers 
AUTOMOTIVE 16 
Domestic 
Foreign 
Vans & Trucks 
Cycles 
Tires 
Auto Services 
REAL ESTATE 16 
Apartments 
Apts. Wanted 
Comrcl. Space 
Condominiums 
Houses for Rent 
Houses for Sale 
Housemates 
Inv. Props. 
Land 
Parking Spaces 
Roommates 
Rooms to Rent 
Seasonal Rentals 
Studios 
Sublets 
MISCELLANY 20 
Barter Basket 
Bulletins 
Legal Notices 
Lost & Found 
Occult 
Pets 
Skiing 
Travel 
Wanted 
INSTRUCTION - 20 
Acting 
Arts & Crafts 
Dance 
Health 
Language 
Martial Arts 
Meditation 
Photography 
Sports 
Miscellaneous 
SERVICES 20 
Academic Services 
Answering Svcs. 
Artists’ Services 
Business Svcs. 
Children 
Counseling 
Dating - 
Delivery 
Health 
Home Services 
Carpenters 
Construction 
Painters 
Miscellaneous 
Legal Services 
Movers 
Party 
Piano Tuning 
Repair 
Miscellaneous 
FOR SALE 21 
Ant. & Flea Mkts. 
Appliances 
Bicycles 
Clothing 
Fuels & Firewood 
Furniture 
Odds & Ends 
Photography 
Yard Sales 


Audio Visual 

Gigs 

Instruction 

instruments 

Musical Services 

Records and Tapes 
PEOPLE 23 


Messages 
Person to Person 
Personals 
Personal 
Services 
Escorts 
Escort Opps. 
Massage 
Massage Opps. 
COUPON 27 


references to Box 7506. 





Book Sales Agents wanted part 
or full time. No experience 
needed. Full details send $1.00 to 
E M Kaes Co. 283 Edge Hill Rd 
Milton MA 02 186 


CAREER SALES 

In micro computer ind, start 
partime-eves & wkends. Hi po- 
tent to advance-co. Soon to go 
nationwide. sales exper & ex- 
posure to computers prefered. 
Send resume to: Sales mgr Gen- 
eral Videotex Corp 377 Putnam 
Ave. Cambridge MA 02139. 


CHIPWICH is now in Boston-now 
hiring street vendors to market 
America’s hottest new food item. 
Great earnings aye in 
on the ground floor. 227-2 


Cleaning Person, part 


HELP WANTED 








The terms Male & 
Female are used for 
the convenience of the 
reader. Sex dis- 
crimination is illegal 
unless a bona fide 
occupational quailifi- 
cation is stated. 


AUDITIONS 




















time- 








Actors Workshop ad under wkends, resp reply in person only 
instruction Acting Mon 3-5pm at CHRISTOPHER's 
1920 Mass Ave. Porter Sq 
AUDITIONS 
“ DICTAPHONE TYPIST 
A FUNNY THING To work on novel during Rn 
HAPPENED ON THE WAY air conditioned office interesting 


TO THE FORUM” 
July-Aug prod at TURTLE LANE 
PLAYHOUSE . Newton. Open cail 
June 1 & 2 7:00pm. Bring 
prepared Song. photo, resume 
244-0169 


Beth Sol & Co sks Male Dancers 
Modern Dance. Audition: Tues 
June 1 3-5PM Joy Of Movement 
Center 536 Mass Ave Cambridge 
864-54 18 evenings 


AUDITIONS 
Boston's own hit musical ‘‘Dan- 
cin’ in the Street” is casting for 
understudies and future replace- 
ments. Needed black male and 
female singers with strong 
rhythm and blues, jazz, pop, 
gospel background who move 
very well with lots of charisma 
Auditions Tuesday June 8 from 
10-4 at the Next Move Theatre, 
One Boylston Place, Boston 
Bring picture and resume and be 
prepared to sing two songs-one 
ballad and one up-tempo.And be 


material will be paid per page 
therefore speed is to your advan- 
tage Write with resume or details 
of experience to Box 7574 


Driver/Leaders needed for camp- 

ing trip for 18-38 across the USA, 
must be experienced as tour 

leaders, used to camping and 

have travelled extensively in the 

US. Don't apply if you've not led 

gruups before. Box 7473 














Editor entry level pos w/ntni 
monthly mag. Must be strong in 
basics of grammar. Degree or ex- 
perience pref. Non smokers only 
Box 7580 


French tutor for 13yr old two 
afternoons a week July August 
experience in France or in teach- 
ing a must Chestnut Hill location 
write with resume Box 7573 


HARVARD SQ Retail opportunity 
women's shoes clothing and jew- 
elry good working conditions for 
versatile energetic cheerful per- 














prepared to dance. No calls son. Full time permanent pos- 

please ition. Call 661-7680 before 12 
noon weekdays 

Dancer's audition. Freelance 


Productions, June 4th. For more 
info call 339-7666. For a hot new 
musical, DanCity 


INNOVATION 
Unique high tech co. seeks an 
innovative/creative ad- 
ministrative assistant. Interact 
w/all areas of this dynamic co 
Help make important decisions, 
assist the president and run of- 
fice. Small but growing firm with 
Product for scientific and medical 
Trent Arterberry 489-3652 research, solar energy, and 

quality control. Exp. in business 
Nucleo Ecclettico N.E. premiere w/bookkeeping and typing skills 
Waiting for the Parade” Dir. by if you posess enthusiasm, 
Nora Hussey. Need 5 wmen energy, and commitment to 
25-45. Aud 6/7 6/8, ideals call Julie, 491-5051 


6:30-9:30p.m. 37 Clark St 
JOB INFORMATION: Cruise Ship 
OPERA WORKSHOP Jobs. Also Houston. Dallas, 
Newton Opera Wkshop July 5-22 Overseas jobs. 312-741-9780 
Mon thru Thurs eves. 527-3320 Dept 394B Phone Call Refun- 
Myers 742-6713 Merrill dable 


Priscilla Beach theatre, Ply, MA, JOBS PROMOTING ECOLOGY & 
The oldest summer stock theatre Consumer issues, Bottle Bill & 
in the US, is auditioning for it's Safe Energy. MASSPIRG., a state 
1982 actor’s-in-training program wide Public interest Group is hir- 
An intensive professional acting ing staff for public outreach & 
curriculum & production sched- fundraising. $135-$200/wk, M-F, 
ule. Approved for veteran train- 2pm-10pm. Will train. Contact 
ing and college credit. For ap- Sandy P. at 423-1796 


plication and nterview, call 
224-4888 LIKE TO TALK? 

When did you last have fun and 
make $ at the same time? If you 
have the gift of gab it's there for 
the taking! Let us show you how 
at our telephone mkting office in 


CAREER 
OPPORTUNITY Chestnut Hill. P/T Call 566-7490 
ACTIVIST PART TIME 


Looking for a job that means Like to tak and make $ ? Work 
more than just a paycheck? 4:30 to 9:00 p.m., M-F promoting 
Citizens Lobby seeks staff to heip our N.H.- based resort in con- 
poorer people build political genial telemarketing office in 
power. ACORN: 266-6504, 9-1 Chestnut Hill. Hourly salary and 


bonus. Call 566-7490 
ACTIVISTS WANTED 
Gain valuable political ex- Lipsynching group of 5 females 
perience working on the Mass _—‘!0oking for male lead. Guy must 
Nuclear Referendum Campaign be 6° & attractive & yearn for the 
Full time paid positions, inter- spotlight & applause. For more 
nships, and volunteer positions information call 298-0887 


Sinicuee  " “MITENGINEERING 
STUDENT OR PROF 


Camping Equipment Mfg. nds re- 
search done for new heating sys- 
tems for campers & yans Call 
491-1039. 





Female singers, singing 
waitresses for North Shore Music 
Theatre. Call Theda Taylor, 
922-8220 


Mime class with Video Feedback 






































Bilingual secretary, native Eng- 
lish speaker with good knowl- 
edge of German.Send resume & 





MUSIC TEACHERS 
. Brass. Guitar for 
gh Studio. 





Exp a “Must be depend + fike 
kids. 877-4290 or PO Box 2185 


NY SUMMER CAMP 
Counselor, EMT, WSi to work 
ag 4 city youth 40mi North 

NYC Bear Mt State Park. Sal 
8- 1200. Call 265-8433. 


PART TIME MOON- 

LIGHTERS WELCOME 
Supplement your permanent in- 
come by $80-$200 per week on 
salary or commission from our 
comfortable office on Comm Ave. 
A national telemarketing firm is 
now interviewing for circulation 
and sales positions for major 
publications. if you're mature. 
articulate and need a good addi- 
tional income, call after 1:30 pm 
254-0429 


Person to direct theatre work- 
shop for children ages 8 and over 
during mornings in July. $300 per 
mo. Resumes immed. to Julie 
Collins. Somerville Community 
Schools, 99 Dover St, Somerville 
02144 


CIRCUS PROMOTER 
wntd: Resp enthus stu or yng 
adult. opp for trav & exp (NE 
area) Poten sai-$500 | (wkly) Call 
for information-625-0 166 


RECEIVING VALIUM OR 
DIAZEPAM? We need peopie 
who are being medically treated 
with Valium or Diazepam to 
participate in studies of 
metabolism.We will study the ef- 
fects of these medications on 
metabolic processes in your 
body. Reimbursement provided 
for participation. For information 
call Dianne Morse, Division of 
clinical Pharmocology, Tufts NE 
Medical Center. 956-6997 Mon 
Wed, Fri. between 8:30 & 1:30 


FREE ROOM & 
BOARD 
IN BELMONT 


in exchange for some house work 
& child care. Please send written 
inquiries to box 3742 


ROSIE'S BAKERY 
Person with experience frosting 
cakes needed for full time em- 
ployment. Call Judy. 491-9488 


SOFTWARE 
Senior software development en- 
gineer. An extremely creative 
talented individual is sought to 
direct the definition of a major 
software package for com- 
puterized data acquisition and 
control with microcomputers. De- 
fine and implement an unusual 
software product. Experience is 
less important than talent and a 
sense of software design. Play a 
major role in a new high tech 
company. Pascal, Forth, Fortran, 
Basic. machine lang. A unique 
opportunity. Call Julie, 491-5051 


SO, YOU CALL YOURSELF 
AN ENVIRONMENTALIST? 
Work this summer w/ GR 
PEACE for progressive cadens 
to ecological problems. Earn 
$125-175 wkly. Call Ken or Kathy 
at 542-7052 aft 1:00pm 
































OVERWEIGHT? We need over- 
weight people to participate in 
studies of metabolism. This is not 
a weight control program. Sub- 
jects will be reimbursed for their 
Participation. For information cali 
Dianne Morse at Tufts New Eng- 
land Medical Center, Div of 
Clinical Pharmacology. M.W.F 
8:30 - 1:30 956-6997. 





Stitcher/wdb position at Tufts 
Arena Theatre. Beg 6/9 for 10 wk 
summer stock season. $ 

free rm. Selling exp necess. pref 





theatrical exp. Call Betty, 

381-3576 after Mon. 
THEATER DIRECTOR 

To work on original play New 


York or Boston production ex- 
pert advice wanted on staging by 
experienced playwright consul- 
tation fee paid Box 7572 


SREAL ESTATES 
Position open for Brighton's 
most successful firm $700: in 
wkly comm. Car & lic nec 
787-2232, 232-3033 





TELE WORK 
Part-Time E work for a 
non-profit group. Starting pay 
$4.25. Must be articulate and 
For more into call 





WANTED young energetic F for 
for 


slightly ae EE. ‘male. Live 
in or out & salary. Cali 536-6155 
anytime and keep trying 


We are a growing retail photo 
finisher seeking a prsn w/a 
knowledge of photography to 
work full time as an asst lab 
tech/counter sales. Knowledge 
of 35mm necessary & you must 
enjoy dealing with people. Cail 
James, 338-9019 








ADMIN. ASST. 
Arch & devp. firm sks someone 
w/ the ability to run a smaii office 
inc secretarial & bookkeeping. 
We desire someone seif- 
motivated. who can deal effec- 
tively with the public. A challeng- 
ing posit in an iting en- 





requirements to: Parencorp, 370 
Washington St. Brookline 02 146 


ADMIN SECRETARY - 


immediate opening in En- 








WE WILL TRAIN YOU 
Join MHHI Volunteer Night Coun- 
selor Team. Exc on-the-job train- 
ing & supervision. Gain exper in 
halfway/corrections/counseling 
fields. $25 per 8 hr shift stipend 
Some work-study & internship 
slots avail. Cali 437-1864 today 


AD SALES 
Preview magazine seeks full & 
part time commission sales 
people for Northern Mass & 
Southern NH. Territories include 
established accounts. Bruce 
Houghton Preview Magazine 535 
Broadway Lawrence, Mass 
01841. 617-682-7085 


FREE ROOM & 


BOARD 
IN BELMONT 


in exchange for some house work 
& child care. Please send written 
inquires to Box 3742 











COOP BOOKKEEPER 
P/T (hours negotiable) book- 
keeper for smali food coop 
Responsible for all bookkeeping 
and reporting plus some admin 
work. $6.00/hr plus benefits let- 
ters PO 497 Arlington MA 02174 


Expr'd baker wanted for smi ex- 
pnding French bakery to work 
12-8am shift. Opt to grow w/bus 
Resume reqd 423-1375 


Female model wanted by good 
amateur photographer. Will ex- 
change for portfolio or darkroom 
use. Call Rich at 427-1221 


Mgmt trainee. Health & nutrition 
area. Major Co. Pt time to start 
Flex hrs & eve. C. Tuthill 
648-2041 eves 














Person capable of flower design- 
ing & plant care. Past flower shop 
exp req Back Bay Gardens 
267-6188 


vironmental Research & Publish- 
ing Co. in Harvard Square 
70wpm typing required; op- 
portunity to learn word process- 
ing. Friendly atmosphere. Salary 
negotiable. Send resume to: WIS, 
P.O. BOX 535 HARVARD SQ 
STAT.. CAMBRIDGE . MA 02238. 





MS MBBS 
JOB WANTED 


Dom heip-Resp’ stdnt sks jobs 
hskpng or comb w/childcre or 
compshp to aged. | chge 
$6-7.25/hr. Exp & ref Kathy 
648-3434 


Mature, married professional 
couple will HOUSESIT . care for 
grounds. and pets. Available 
June through September. Refer- 
ences. Call, 647-1799 after 6:00 


Pers’! Secretary & man Friday 
part time $50/wk 625-0197 


PT sec/typ/it bkpng-acad, prof 
work exp incl con- 
sult/med/math/comp/sci/gen 
bus-IBM. 497-5604 


Responsible prof couple seeks 
house-sitting opp. Exc refs. Call 
776-0731 AM & PM 














Need a resume ‘'t know 
where to start? | can heip! Low 
rates/pm appt's. 227-5166. 


Resumes & cover letters operty 
prepared. Accutype. 267-8063 


ee mcr Soo 
VOLUNTEERS 


ARTS MANAGEMENT 
Volunteers or work-study interns 
wanted for summer &/or fall in 
concert mgmt firm pos leading to 








classical music desirable. Cali 
262-2724 


Boston Shakespeare Co. is tak- 
ing applications for summer in- 
ternships in Theatre Technology 
Opportunities avail in carpentry. 
rigging. & special projects for the 
stage. Classes will be taught in 
Theatre Design & Tech. Cail 
Marcus Dilliard at 267-5630 


SUBJECTS WANTED 
ges 18-30 for studies of mood 
peo of drugs (sedatives. 
stimulants). Earn $100.for three 
4-hour sessions. Drugs given and 
poss effects disclosed in ad- 

vance. Call 855-2904, 2-5pm 


UNITED WAY'S VOLUNTARY 
ACTION CENTER-If you are in 
need of finding something new 
and exciting to do, but you don't 
know where to turn. call the VAC 
at 482-8370 ext. 214 and explore 
the many volunteer opportunities 
our office has to offer. Our inter- 
viewers can help you find mean- 
ingful. fun, and interesting ac- 
tivities. INDIVIDUAL OP- 
PORTUNITIES UNLIMITED-Heip 
to assist court referred young 
adults who are under the super- 
vision of the 3rd District Court to 
obtain gainful employment by 
providing career counseling and 
job related support services 

Positions as job developers and 
court liaisons are available. If 
interested please cail Edward De 
Paima at 492-5989. ADAPTIVE 
ENVIRONMENTS CENTER- 
There are a varietry of openings 
available at this agency which 























ECONOMIC JUSTICE 
FOR WORKING WOMEN 
9 TO 5. Boston's working 
women's organization 
concerned with wage, 
promotional & discrimina- 
tion issues is ‘now hiring 
Outreach/Fundraisers. 
Call between 9 & 12: 
h 536-6003 





REACH 390,000 
PROSPECTS 
EACH WEEK 

WITH A 


Pheenix 
Help Wanted 
AD 
Call 267-1234 


TO PLACE 
YOUR AD 

















is volunteers 


Do something different this 
summer. Do something that 
makes a difference. Develop 
and practice counseling skills 
Training and weekly super- 
vision provided. Next training 
begins June 5th. Come to an 
Orientation any Wednesday at 
6:30 or 


Call Project Place 
32 Rutiand St. 
Boston 262-3740 


























FOR 


Classified 
Display Rates 


ACTORS! SINGERS! 
If | didn’t return your call, 
please call me again. My 
riape machine was out of 
order. Thank you. 

Eleanor Lenke 

















YOUTH GROUP 
ADVISORS 


For Junior & Senior pro- 
grams, part-time, some 
evenings & weekends. 
Reform Jewish back- 
ground preferred. a 
Shalom, Hightand Ave. at 
ve. 
Webster St., Needham, 
MA 02194. Attn: Youth 
Commission Chairman. 











Retyped or typeset by COPY COP at 
815 Boylston St. (opposite Pruden- 
tial) 267-9267, 13 ess St. (near 
State St.)367-2738, 85 Franklin St 
(near Filenes) 451-0233 260 Wash- 






































depends on ex- 





PART TIME 
SECRETARY 


Law reform org. needs 
intelligent, meticulous 
part time sec. skilled in 
dictaphone, typing, fil- 
ing & admin. work with 
sense of humor. Infor- 
mal but busy office; 
good benefits; salary 


perience. Starting im- 
mediately. Call 
482-0890. Equal Op- 
portunity Employer. 











Expand your horizons 


COMMERCIAL ARTIST 





If you’re bored with the urban scene and 
would like to relocate to the country, come 
join our growing full service Vermont ad 
agency, est. in 1977. We're looking for an 
experienced, talented, personable 
commercial artist to work with challenging 
local and national accounts. Come on up 
and see us soon. Cail collect (802) 
775-7134. Ask for Leslie Bates. 





























A Person-Centered Weekend Workshop 
June 18, 19 & 20, 1982 
Location: Andover Newton 
Close to T, parking available 
Not a program of Andover Newton Theological Schoo! p 
Our way of responding to these times of 
change in our own lives and in the lives of others 
can fulfilling or frustrating. Often, these 
transitions draw heavily upon our resources. This 
workshop provides a framework for dialogue, for 
learning trom our experience individually and 
collectively. Together we may learn what we need 
in ms aoe to make these times of transition times of 
renewal. 








Coach SECURITY 
267-1304 | Call 536-5390 GUARDS 
| M/F 
ESLISTIS TISASSTISSSAESSRSFSES SSS 
FORUM MONEY? Boston/Cambridge 
July/August production at Panos tu for attractive Immediate 
Turtle Lane Playhouse, people dance and own a ings 
Newton. Open cail June:1 ome © sae eee Se oe ane open 
& 2 — 7 PM. Bring be on the way to the Bank. No Cail Mr. Kap 
prepared song, photo, nudity invcved, deal part tne Jb 3-5p.m 
and resume. Ba gen ty te p.m. 
Call 244-0169 ‘Sesssssesssresesteerssssessssesssy 661-1730 
FA 


CITIZEN 
ACTION 
IN THE 
*80’s 


Mass Fair Share, one of 
the largest citizen action 
groups in the country, has 
full-time on its 
fundraising/outreach 
Staff. Hours are 2:00 to 
10:00 p.m. $175 to $225 











- Self-select fee in the range of $75.00 - $150.00 week. Will train. lics 
50 Hampstead Rd. Jamaica Plain |A 02130 "% ALL 266-7505 257 Vaseer St. 
For more info call Carol at: 522-4037 Cambridge MA 02139 





RECEPTIONIST 
We are a fast growing 
high tech company, 
conveniently located in 
Cambridge. You will 
welcome visitors, 
handle incoming calls, 
and perform various 
clerical duties. This is 
the right place for a 
polished professional 
with both typing skilis 
(55 wpm) and an 
interest in advance- 
ment. We offer an in- 
formal working. en- 
vironment, and com- 
petitive benefits. Hours 
8-5. Please call Ms. 
Barkei: 864-4660 














SIX O’CLOCK NEWS... 
Skip it!!! 

It's depressing. Read the evening paper on the subway 
instead. — on your way to a fantastic part time job 
selling our beautiful Time-Life book series by telephone 
to East Coast customers. Schedules begin at 5 p.m. to 9 
p.m. Mon.-Fri. Turn spare time into big money earning 
$4-$12 per hour. We guarantee a base hourly wage plus 
commissions plus bonuses. Air Conditioned office near 
State House on Beacon Hill. ideal way not to interrupt 
your life. Call for screening interview at 


720-0328 











TIME 














MERCHANDISE ADMINISTRATOR 
pen Andre wen mort aren apenn foe 
inventory in- 


initiative. include 

vent records, purchasing, receiving, or inside 
sales. appearance and attitude as as excellent 
administrative skills a must. Retain experience a plus. Send 
resume and salary marked Attn: 











SL 


















































































Z961 ‘b ANN ‘OML NOILO3S ‘*XINZOHd NOLSOS 3HL 


















16 


THE BOSTON PHOENIX, SECTION TWO, JUNE 1, 1982 








helps individual s adapt their own 
home. work. or play environ- 
ments into appropriate settings 
suited to their personal needs 
Positions as receptionists. ac- 
countants. marketing assistants 
and librarians are some of the 
many opportunities. Please con- 
tact Carol May at 266-2666 
PERKINS SCHOOL FOR THE 
BLIND-Interpreters and trans- 
lators are needed Sunday, June 
20 - Wednesday. June 23 for an 
international symposium hosted 
by this school which is expected 
to draw over 200 persons from 
countries all over the globe. Take 
advantage of this rare op- 
portunity to practice your 
lanquage skills in an authentic 
environment. Please contact 
Joan Delaney at 924-3434 ext 
203. ACTION FOR BOSTON 
COMMUNITY DEVELOPMENT 
INC.-The ABCD Special Needs 
Career Exploration Program is 
now recruiting volunteers to 
serve as aides on field trips. This 
program helps expose physically 
handicapped students. aged 
14-22. to the various career op- 
portunities available to them. If 
you are interested in pursuing 
this rewarding and fulfilling ex- 
perience please contact Sandra 
Copman at 357-6000 ext. 370. 
Call the Voluntary Action Center 
at 482-8370 ext. 214 and explore 
the opportunities. 


WE NEED YOU 

Place Runaway house is looking 
for volunteers who like adoles- 
cents. Place House provides 
crisis intervention counseling. 
and emergency shelter to run- 
naway youths aged 13-17. We will 
provide training, supervision & 
experience in a supportive en- 
viornment. Please call after 6 pm 
536-4181 





AUTOMOTIVE 
DOMESTIC 


LE SL AI 
1977 FORD Muustang I!-sun roof, 
exc cond, wholesale. $2100 
762-9428 


1976 FORD Pinto-4spd, exc cond 
sacrafice $1125. 762-9428 


1974 MUSTANG Ili, must sell, 
auto. pwr steer/brakes, V6, a/c, 
runs well, bargain at $950 
361-5022 


1975 131S wagon 4 new radial 
tires well maintained am-fm 1500 
or BO 491-7363 


1976 AMC Hornet wagon- $1200 
Original owner. Cambridge. 
864-8912 


1976 PLY Volare premiere grn w 
tan vinyl.top AC PS am/fm str 
cass yo gd cond $2200. Tom 
269-7 


1981 AMC Spirit DL-4-cy! 4-spd 
pwr steer am/fm ster cass Chap- 
man Lock. Many xtras $5000 or 
BO. 289.7 156. Eves. 


69 DODGE Dart-Siant 6 eng. 
Runs great. Solid body need door 
wrk trans sliping and small work. 
$300 or BO. Brookline 731-6606. 


76 PINTO 14.000 on factory re- 
built motor. Highest mpg, stereo, 
new battery and exhaust. no rust, 
$2000. 696-8367 





























72 MUSTANG CONVERTIBLE. 
Yellow with white top & interior, 
needs bodywork. $1000 firm. Call 
623-6305 


79 MUSTANG TRX Hatchback 4 
sp 4 cy! 40.000mi sunroof rust 
proofmg $4500 or BRO Call 
922-6347 


1974 MUSTANG II Hatchback 
am/tm stereo cassette 4 speed 
needs some work $1200 or best 
offer 731-4305 


WANTED: 1968 Olds Cutlass or 
442 convertible, running or for 
parts. Will consider hard top. Box 
4760 


75 OLDS CUTLASS St wg ex run- 
ning cond undercoated radials 
350 roofrack AM/FM Mark bef 6 
785-03 16 


73 PLYMOUTH Satelite standard 
shift 25 MPG excellent cond 
am/tm cassett $900 or BO 
491-8536 


1978 PLYMOUTH Horizon 4-spd 
4-dr FM ster 2-tone blu gd cond 
$3295 491-6751 


























TO PLACE YOUR 
Phoenix 
Classified 
BY MAIL, 


PLEASE SEE THE 
AD FORM ON 
THE LAST PAGE 











1981 PONTIAC T 1000-8 mos old 
sunrf. 8 trk, auto, ww Call 
895-6507 day. 245-6387 eves 


69 RAMBLER 
Just tuned. New wheels. Stan- 
dard 6 cyl. Some rust. $600 or BO 
calt eves 536-5390 x 55 days 
492-6293. Chris 


Surplus jeeps. cars and trucks 
available. Many sell for under 
$200. Call 312-742-1143, ext 
5852. For information on how to 
purchase 


FOREIGN 


1977 SAAB .99GL-Automatic, 
4dr, exc cond, wholesale. $2750. 
762-9428 


1975 HONDA CIVIC-Hatchback 
4-spd radial tires recent tune-up 
$1000 or best offer. 289-6454. 


1976 TOYOTA COROLLA De- 
luxe, automatic, 4 door, 1 owner- 
excellent cond. $2300. 236-1107 


1977, HONDA ACCORD-Gd 
cond, 5-spd, frnt whi drive, 64K 
many acc. $3200 or BO 
568-1744 


1978 HONDA CiviC CVCC-Red, 
5-spd: exc cond. low miles. 
htchbck. Need truck, $3400 firm 
for a quick sale. John, 337-2205 


1978 RENAULT LE CAR-35.000 
miles. sunroof, fm radio. $2500. 
536-5687 

1978 TRIUMPH SPITFIRE-Ex- 
cellent condition stored in winter 
28K mi. Call (617) 534-6277 after 
5 pm. 

1980 DATSUN 310 GX coupe 5- 
spd am/fm cass low miles receive 
co. car. $4700 or BO 562-9495. 



































77 CHEVY Monza-Rebuilt en-- 
gine. low mileage. good con- 
dition. $1950 or BO. 875-0184. 


79 PONTIAC Sunbird 4 cyl, 4 spd 
24K mi $2900/B80. Very gd cond. 
Chapman lock. Tony 890-6969. 


1977 AMC Pacer 6-cy! auto a/c 
35.000 miles. Exc cond. $2750 
Call 969-2754 


Camaro rear end possy drv $325 
or BO. 4 barrel carburator $25. 
871-2423 aftr 6. Ask for Barry 


1972 CHEV Wagon 350, pull 
camp trailer or boat. Good for 
painter or carpenter, electric rear 
window, trailer hitch. $600 or BO. 
924-8397 Watertown. 

















69 VW 2nd engine fh excellent 
cond. Some body rust good 
mechanically. No htr. Blaupunkt 
radio. $795 or best offer Jo 
738-1472 p.m. 


69 VW Fastback. Many new parts 
body rusty engine strong many 
miles left. $900. 491-6972 eves. 


70 VOLVO 164E-4-dr auto mny 
new parts exc cond. $2250 or 
B.O. Bob 720-0727 , 524-0094. 


71 DATSUN 510 new battery new 
clutch burns oil needs brake job 
BO Ted 492-9294 8-9pm M-F. 


71 VW Bug. Good body. Engine 
needs work. $200 or best offer. 
353-0773 eves. 

















1975 DATSUN 2802. A/C. 
AM/FM. stand. blue. Ex cond 
$4200 or best. Eves 444-2898 


1975 DATSUN 6210 4-spd shift 
80.000 mi. runs well some rst 
$1350 Call 623-7015 eve 








78 DATSUN F10 37000 mi, exc 
cond. AM-FM. a/c; frt whi dr 
htchbk. $3200 or bo. 492-8204 


DATSUN 710 Wagon, 1976. Mint 
condition. all new. Air condition- 
ing. stick shift. call 431-1373 


1975 DATSUN 710 WAGON 4 cy! 
4-spd 110,000mi rebit eng & citch 
body in grt shap $1250 eves 
566-7991 radials 


1977 DATSUN B210 well mntnd 
33 mpg $950 or BO. Call 
354-3993 eves 


1977 DATSUN 2802-Exc cond, 
must seli $4800. Billerica 
667-5328 after 6pm 


DATSUN B210 1974-Hatchback, 
1 owner. runs well, am/fm, 
$1200. Call Fred 254-2203. 

















VW, AUDI BMW 


Owners: 
In order to provide the 
best possible service. we 
handle these cars 
exclusively Come in and 
see us 


JOE’S FOREIGN 
CAR SERVICE 


880 Comm. Ave., Brookline, 
(rear) behind Ski Market 
277-6043 
‘72 BMW Green Sunroof 
Excellent Body. New clutch. new 

brakes. all around $ 

Corona 6 cyl. 
Automatic Trans. Rebuilt motor & 
trans. $2500 














75 TOYOTA COROLLA 4 dr auto- 
matic AM/FM vy gd body runs vy 
well all new rads, many other new 
pts $1550 Call wkends, 10-11 PM 
wkdys 926-5014 





1978 FIAT 128 RALLY 2 dr 4 spd 
44,000 mi good cond $2450 eves 
864-3249 


79 FIAT BRAVA Exc eng & body 
5spd sunrf am/fm tape 40K mi 
$3900 or BO 498-5450 


74 FIAT 128 wgn exc cond 4 spd 
rdis. bat/wrnty nw brks am/fm 
cas $1289 247-2690 7-9pm 


76 FIAT 131 Auto new batt exc 
cond snow tires Best Offer 
566-1771 after 3PM 


FIAT 128 wan. 1976. 30k mi, 2 
new tires, rf rk, radio. Gd cond 
$2300. Call 926-2696 


FIAT-1976 131S Sspd 54k mi. 1 
owner must sell $1800 or BO 
267-7692 evenings 


1976 FIAT 124 61k mi 4sp vy gd 
cond new timing belt. radials 
$2200 or BO 522-1910 tv mess. 


1971 VW Karmann Ghia new 
brakes, clutch, exhaust, ex- 
tremely reliable $1200 or BO 
566-4963 


1975 HONDA Civic 4 speed 
77.000 miles some rust, but runs 
well $1600 646-6469 


1973 HONDA CIVIC-1 Owner 
Just tuned up. Good cond. Bkin 
area $800 277-7055 


75 HONDA CIVIC CVCC-48k mi. 
Many new parts. Must sell-$ 1800 
or BO call 232-0647 


1975 HONDA CIVIC HATCH- 
BACK-Runs well inspctd 75k mi 
some rust $ 1000 Danis 492-2422. 


HONDA ACCORD- 1980 Beige 4- 
dr. 33.000 mi, clean & in exc 
cond. Many xtras. Must be seen 
to be ete Ve ge 

0-617-272-2690, 
e- 603-880-4211 ask for Geno. 


1973 JAGUAR XJ6 Red w/ tan 
interior 40,000 orig miles $7000 
Call 729-2896 


KARMAN GHIA-No rust, no 
dents. rebuilt engine has low 
miles. Runs great, looks beautiful 
$2200 625-1631 bef 8 & aft 6 


1976 LANCIA COUPE 27500M 
Biue w/tan int Runs good mich 
tires AC am/fm 2000 or BO morn 
232-2206 


75 LANCIA BETA -Sedan fwd, 
AM/FM 5sp runs exc used every- 
day nds sm wrk $950 firm 
524-2510. 


1976 MERCEDES 450SL Green 
w/ tan interior 2 tops excellent 
cond. loaded $22,000 Call 
729-2896 


MERCEDES 1967 230 gd rnng 
cond body rusty $1300 or BO 
628-5000 EXT 2525 969-1914 
























































TOYOTA 1980 Corolla Sport 
Coup 5spd, Am/Fm ster, Chap- 
man, 25k miles. Exc cond $5400 
or BO. 884-1507. 


TOYOTA CORONA ‘‘Deluxe™ 
1971 Vinyl roof am/fm cass well 
maintained & serviced many 
miles lett $900 phone 442-0172 


1979 TRIUMPH TR7 Coup-a/c 
AM/FM stereo luggage rack 
overdrive new snows & rims incl 
41000mi Syr transferable war- 
ranty. $6000. Cali Bob aft 5:30 
391-5995 


1974 TRIUMPH Spitfire conv 
41.000 mi. exc. cond. $2000 or 
BO. 361-7697 


1960 VOLKSWAGEN Bus w/ 
1972 rebuilt engine, new radials, 
fair body. $450. Call 332-1346. 

















71 HONDA CB 450 Black. 14k mi. 
cherry cond. $795 787-9864 


72 HONDA CB350 reliable trans- 
portation $400 one must sell 
Greg 262-2767 keep trying 


74 HONDA 550 red. elec ign. Exc 
cond! Padded sissybar lug rck 2 
hetmts $12G0 Saugus 233-6808. 


Harley Sportster 72. Good cond, 
many new parts. $2200 or best 
offer. 878-5833 


HONDA CB450 73 vy gd con- 
dition new batt just tuned incl 
Lock 2 heim. $599 648-2729 
1771-4070 


1976 HONDA 550-4 Supersport 
8.000 mi good condition $1150 
Call evenings 864-3249 


73 HONDA 360 19k mi. New tires 
battery. tune-up reliable bike fair- 
ing $450. 254-8948 nites. 


HONDA 360T ‘77 in good shape. 
Day. 1-583-6787 Eve, 696-7264. 
Must sacrif move to Cal. 


HONDA CB175 1971-9000 actual 
miles. very gd cond, blue. $300. 
Chris, 232-4609. 


1979 KAWASAKI! KZ650 red LTD 





























best, Rim 787-1459 or 253-3791. 


Moped-Vespa Grande ‘80, low 
mile gd cond. inc! $170 in locks $ 
acc. $600 or b.o. 523-2763. 


MOTOGUZZI V7 
Sport. 13.800-mi. original owner, 
bik w/ alloy rims, shaft dr, 750cc, 
clip-on handle bars, fast and ext 
dependable. exc sports touring 
bike. $1800 or BO. 478-3225 
eves & wknds 


sor NORTON . ee pal 
U y rebuilt, iT 

dition. many spare parts. $ 1200. 

Call 325-2514 

















Old VOLVOS don't die they go on 
& on 72 wagon gd reliable car 
rebuilt trans Some rust new front 
tires $1300 or BO. 


1978 Suzuki GS550E-Shoei fair- 
ing, Kerker exhaust. new Conti 
tires, many extras. $1400 or bo. 
63 1-3832 after 6 





1975 VOLVO 164E-4dr 6cyl auto 
exc cond a/c tires like new It blue 
Asking $3500 or bo. 628-7446 


1979 GS850 SUZUKI sft. dr. eltrn 
ign. super smooth. excl, fast, 
$2495 or BO call eves 647-0727 





1968 VOLVO 144S 173,000 1 
owner miles. New cltch & xhst 
system 1 yr old rads. Price negot 
Call eves Dedham 326-7 164. 


74 VOLVO-St. Wgn.- A/C roof 
rack metallic silver body very gd 
Mech vy gd $2600 628-3666. 


72 VW Bug rebuilt eng, runs good 
some rust, am/fm new muffler 
$750 or BO 522-5470 eves 


1975 VW RABBIT 69K mi very gd 
body & motor am/fm cassette 
radial tires $1500 427-77 


71 VW KARMANN GHIA-78k 
am/fm new bttry tune up Mch vg 
bdy OK $950 OBO 332-6783 eves 


73 VW Sq Back Std shift rebuilt 
eng. Gd cond orig owner am/fm 
radio $ 1600 or BO 244-2076 after 
7 




















68 VW BUG exc running cond 
body solid ex fenders $600 
254-1567 


TRIUMPH CHOPPER 
Cust Frame 12° Girder 2-1 Exh 
Looks and Runs Super $1950 
Day 603-884-8328 Nght 617 
692-8761 


1972 YAMAHA RT2-360cc 1 cyl 
on/off road bike. $425 or bo. Call 
Ted 332-3124 or 782-5311. 


76 YAMAHA RD 400 (2 strokes) 
low mileage, luggage rack w/ 
back rest. roll bar, 7294057 eves. 


YAMAHA-185 perfect condition 
like new (240 mi) Electric start. 
$850 or best offer 522-9290 


AUTOMOTIVE 
SERVICES 


New & used VW parts 884-6049. 




















VW Bug 1972-Rebuilt engine 
am/tm new heater boxes $1000 
524-1597. Anytime. 


VW SQBK 73 eng gd con Michlins 
rns well bod nds wk Ig rf rack 
$700.Dan at 643-8642 7-12 eves. 





Pe ea eee 
VANS & TRUCKS 


i iasttindatenieenneneinhdeadihidimeeaamnmemmammininaenieneetll 
1974 GMC Van 8 walk-in exc 


running cond. $750. 1970 GMC 
van 10° Walk-in. Exc running 
cond. $650 783-1166. 


72 VW Bus exc cond. No rust or 
dents. Part custom am/fm. Must 
sell. $1500 or BO. Call 825-2876. 








THE 


Guaranteed 
Classified 


IT RUNS 
‘TIL IT WORKS 











78 CHEVY MONZA hitchbk 4-spd 
am/fm 43,000 miles $2500 
262-6021 after 4 


1981 CHEVY CITATION-4dr blue 
w/ blue cloth int PS/PB. A/C 
loaded $5995 Call 454-6464. 


1963 CORVAIR MONZA SPYDER 
North Carolina Car immac 
Absolutely No Rust 4spd 150hp 
Turbo charge Metallic Blue Ask- 
ing $2550 Call 492-4892 Lv 
Message for caliback 


1969 CORVETTE Conv exc cond, 
new top. tires. mags. exhaust & 
more. Must sell $6295 or BO Cail 
662-5771 days 396-4608 eves 


81 CUTLASS CALAIS Mint con- 
dition. T-top. 2 tone, loaded. 
Sport wheels 20,000 mi $9200 
Call Ken day 484-1000 eves 
923-9002 


73. DODGE DART Custom air 
cond 84,000 mi newer eng 2 
snows some rust $1050 firm. Call 
wkends, 10-11 PM wkdys 
926-5014 


1978 FIREBIRD-baby biue V8 A1 
cond AM/FM stereo tinted 
wndws radis fact mag wheels p/s, 
p/bs. rr defgr 767-4697 aft an. 























74 FIAT 124 sport coupe beige vy 
gd condition in/out am/fm 5 
speed 30 mpg many new parts. 
$1100 call Jack Day 369-0680 ext 
156 or eve 492-0724. 


74 SAAB-Mint condition, rebit 
25K miles ago. Many extras. Ask- 
ing $3000 or BO. 547-5775. 


76 FIAT 128-Good parts car. Lw 
running condition. $300 or best 
offer. 776-2318. 


78 DATSUN B210 hatchback. 5- 

















~ 1973 MG MIDGET-Conv runs gd 


& many new parts 74k miles 
$1200 or BO Call anytime 
773-7388 





77 MG MIDGET green. conv lugg 
rck AM-FM 8-trk str exc cond 
$3000 or BO 532-0831 eves 


69 MGB rebuilt 71 engine, exc 
cond & mpg. Many new parts. 
New hood $2100, 723-8986 








spd. Asking 2200. Cali Don, 
926-4442. 


78 DATSUN S10 hatch-exc cond, 
rads. am/fm cass, 43,000k 
$4000. 523-7255. 


1974 ALFA ROMEO SPYDER 
Convert Exc Cond outside & 
mech. New tires/snows am/fm 
ster low miles alarm $3850 
227-6048 358-4660 


1978 ALFA-Sport Sedan 5spd 
met silver super stereo snrf well 
maintned 49000 mi $6500 orig 
owner must sell 7344896. 

1974 ALFA GTV-55K am/fm 
cassette exc cond $4900 FIRM 
401-232-0660 or 401-231-5743 

















74 FORD MAVERICK 6 cy! 86,000 
mi 4 dr new tires AM/FM dep 1 
owner $900 646-4924 Iv 
message. 


FORD PINTO-80 18000 mil 
radio/htr mint condition pwr str 
auto. $3500 or best offer 
666-1467 


74 FORD MAVERICK-AM/FM 
radio, 79.000 miles, exc. cond., 
no rust. $1375 or BO 787-0457. 


1977 HORNET-6 cyl 4 dr ps/pb 
no rust runs excellent first $2395. 
and its sold 828-1327 


75 VEGA KAMMBACK 4 spd, 
new; alt, disc brakes, tires. 
AM/FM 8 track stereo. 23 MPG 
$700. 524-2225. 


MERC COMET-63 deluxe model 
50K orig. miles sharp car runs 
well 1199 648-2729 1771-4070 




















1979 THUNDERBIRD-AM/FM 
stereo. vinyl roof, A/C. power 
windows. 351 cubic in, gray & 
blue. low miles California car 
$4000 firm Cali aft 6. 776-9349. 





Auto ac p window. door, trunk 
rear def recent paint & tune 
cruise control exc cond. Cail 
George bf 2PM 787-1703 


ALFA ROMEOS-74 Berlina w/ al- 
loys $950. 69 Berlina $450. Both 
run good. 277-2275 Mark 


AUD! FOX 1977 excellent con- 
dition a/c am/fm standard trans- 
mition $3600 or best offer 
479-8087 


1979 BMW 2002 new clutch frnt 
end tires many new parts exc 
mech cond $3800 489-3576 


BMW-1971 2002 Gepend. trans. 
gd mech, some rust, Best Offer 
Must sell eves 744-4089 


BMW 1972 Bavaria-Luxury car, 
20 mpg. 130 mph, — gas, no 
rust. $4900. 696-8367. 


BMW Bavaria parts. 4 doors, 
2800 motor. front end, calipers, 
grill pieces. 696-8367. 


1973 CAPRI V6. 4 spd. 150K 
ood mec cond, little rust. BO 
25-6686 Iv message. 


1977 1/2 DATSUN 280Z 2:2. 
Purchased new 1980. 4 spd, air, 
AN-FM stereo cassette, pwr an- 
tenna. sunroof, new tires, lo mile- 
age. red body in perfect con- 
dition. no rust $6800 or BO call 
881-3191. 























MG MIDGET ‘76 convertible 52k 
ex cond in and out new clutch 
trans and starter radials am/fm 
stereo lug rack $2800 Brian 
438-1353 aft 6 


OPEL MANTA-1974 58,500 mi 
auto am/tm $1000 or BO 
265-8142 


PORSCHE 924 Turbo 1980 Petro 
Blue/Black 20,000 mi mint cond 
too many xtras to list Fast and 
Beautiful Must Sell Buying Condo 
Call 647-0746 


RENAULT 1975 R12, frnt whi 
drive, 4-cyl, 4-spd, Recent clutch 
tires brakes am/fm gd mileage 
$1595 738-9255, w-755-0333 











74 CHEV BLAZER 4WD., auto 
tran, fm tape, tint glass 80,000mi 
w/40,000 new engine, gd cond 
$2500. Call eves 232-0294. 


77 TOYOTA Pickup cap am/fm 
tapedeck 65K $3500 or BO Call 
Jim 783-1180 x179 or 783-9145 
eve 


APACHE solid state hardtop, sips 
8. lots of storage, stove, ref, 
heater. elec & water hook-up, 
spare tire. Like new. Asking 
$2350 or BO. Call 449-1587 after 
6:00pm 


74 CHEVY Pickup truck w/shell 
good work truck-very reliable 
must sell $425 or BO 436-2320 


67 CHEVY-aluminum step van. 4 
speed 6cyl runs good must sell 
bo leave number 391-6331. 


DATSUN pickup 1974-4 spd 25 


mpg reliable great engine. Body 
rough. $850 BO 373-3999 


DATSUN Pickup 1976, 4 speed, 
cap tire chains. 62, 300mi 
25mpg. $1600. Call 321-6120. 


WHEELCHAIR VAN 
77 DODGE-62K a/c no rust, full 
modits (S6K +) for indep dr by 
whchr quad. para or able’ 
$6,900. Ex. cond. 277-7033 aft 6. 


Customized FORD Van-1978 
351, 2 barrel 2-time show winner 
this year overhead console, 
stereo, TV. hutch, sink, refridge, 
couch/bed. mags. too much to 
list $7000 or BO 773-4594 


























REAL ESTATE 
APARTMENTS 


103 Charlies St. wanted: room- 





No funky/ritnshp 183.33 mo. Call 
367-8412 


FEN-1 bdrm $320 RE 232-0050. 
BRI Ig 3 bd $495. RE 232-0050 
FEN-1 bdrm $295 RE 232-0050. 


ALL-Stu $275. BAY RE 
232-1140. : 














BOSTON-So End. bright clean 
just ren. 2bdrm $435 w/ ht. Days 
482-3316. eve 542-4898 





DORCH Nr Red Line ocean vw 
and f15 rms hdwd fi full kitch mod 
bath $325 exc cond 436-1082 





Sunny Ken Sq studo avail im- 
medw/Fall opt. Sep kit. alcove 
laundry in bsmnt $3 10 236-1690 


BOSTON nr PRU Ig 1 bdrm 24 ft 
living rm. Situated on park $415 
includes nt & hw Avail immed 
266-8822 


BOSTON-South End ig attr. | 
bdrm sanded pine firs high cigs 
$365/mo 523-7826 avail May 1 


BOSTON-3Bdrm $375., Kids & 
pets ok. Pine firs. frpl. Hurry! 
HOMEFOLKS. 497-4302. 


BOSTON-Brigham Cir. 4 bdrm 
apt. Lg living room & ‘kit 
$600/mo + utils. Call 735-9308. 














DORCHESTER. On Meeting 
House Hill, 2 bdrms, 3rd Floor, 
Victorian features. porches. 
views, near Ronan Park. $325: 
utils Call 265-1178 eves 


FENS Sun stu $250 RE 232-0050 


FEN-Stud $260. !bdrm $350. 
2bdrm $425. RE 232-1140 


FENWAY- 1 bedroom apt. Sunny 
with bay window, hard wood 
floors. $335/mo inc. heat. Call 
Eves 247-3109 


FENWAY/NU area. 1 & 2 bdrm 
apts from $400. NO FEE . BCH 
Associates, 108 Gainsborough 
St. 536-8004. Open Mon-Fri 9-5 

















BOSTON EAST:5rm $395 4rm 
$365 a/c. w/w rug, clean safe 
some fur laundry res landiord no 
lease no utilities 569-2329 


BOSTON-Harv Med area. New 
1800SF dup. full mod kit, 1 1/2 
baths. W&D, cath ceils. skylites. 
wd stve. gd views. Own occ hse 
$800. 442-0985 


BOSTON-Melville Pk, 2BR in 
Vict. Frpl. pch. stained glass, yrd, 
2 biks to T. Pets ok. $400/mo 
436-7064. Leave message 


BOSTON-NU Brigham Circle. 
hosp. area, spac 4Bdrm, all mod, 
in exc cond. Xtra Ig kit. ceramic 
tile bath w/showr. Gd sec, on T 
Stus accepted $425. Call owner 
232-4129 














BRIGHTON 
NO FEE! Nr BkI 2 Bdrm, sunlit liv 
rm. pch $485 Renov 3Bd in beau 
neigh. pch $550 RE 787-2232 


BRi-Nice stu $280 RE 232-0050 
BRI-2Bd $465 RE 232-0050 


BRI-2BR $450 BAY REALTY 
232-1140 


BRI- 1Bd on T $350 RE 232-0050 


BRIGHAM CIRCLE area-7 rooms 
heated apt. 2 floors, 2 baths back 
yard. 427-2017, 445-5406 


BRIGHTON-Comm Ave, on T 
Large 2 bedroom in small brick 
building. Large tile bath, new 
refridgerator and stove, very 
good condition, excellent man- 
agement. Lease, security, no 
pets. $575 includes heat and hot 
water. 527-6430 


BRIGHTON-Sunny 1 bedroom 
apt. Available June 8. $325 per 
month, heated. 254-3847. eves. 


BRIGHTON-4 bdrm in 2-Fam hse 
Living rm. dining rm, 2 mod 
baths. w/d. d/d. skylights. Avail 
Sept 1. $920: 254-0585 


BRIGHTON-$250 & up! Studios & 
1bdrms, nr T. Heat pd! HOME- 
FOLKS 497-4301. 


BRIGHTON-2 bdrm mod apt w/H 
& HW. AC. D&D. W/W, pkg. On T. 
Avail July. Call 787-3630. 


BRIGHTON-3Bdrm $450 hid. 
Kids & pets ok. 2 baths, nr T 
Hurry, HOMEFOLKS, 497-4302. 


Female wanted to share sunny 
three bdrm apt in brighton $140 
mo. ' utl. 782- 0377 


BRIGHTON-Lg mod 2BR w/eat- 
in-kit.. in bsmt. $450 NO FEE, 
787-1188 


BRI-Sept 3Bd $725 RE 232-0050. 
BRI-Sm 3Bd $375 RE 232-0050. 


BRLN BRi Line bdrm 2 bth sny 2d 
flr Ben T nr Civd Crele irg win- 
dows cists hrdwd firs eat in kitchn 
no fee inc ht 738-1472 pm. 


BROOK-4br apt in 3fam hse Avail 
now beautiful, nr T 750 incl. ht & 
hw 277-4628 Paula/Roy 


BROOK-Stu $233 9/1 RE 
232-0050 


BROOKLINE off 1500 block 
Beacon St. Luxury huge 3 bed 
3rd flr apt w/ heat $800 agent 
436-1082. 






























































ALLSTON- Lg.1 bdrm on Comm 
Ave. Avail June 1. $355/mo incl 
ht and hw. 482-3653. 


ALLSTON-1 brm in house $145 a 
mo. avail immed Pref student 
close to trans 787-5876 Niki 


All students Comm Ave Apt Nr 
BU w/ 2 Irg rms live in super + 
mat 6/1 $430) elec 729-6520. 








BRLN BRi Line 2 1/2 bdrm 2 bth 
sny 2d fir Bon T nr Clvd Crele irg 
windows cists hrdwd firs eat in 
kitchn no fee $595 inc ht 





738-1472 pm 
BROOKLINE 
2 family Ig room hi 4Bd dup 


uge 
root dk frpl ig kit W/D quiet st. Nr 
T & stores $275 htd 566-2000. 





ALLSTON-Lg bright 1Bdrm on 
quiet side st, prof pntd. $350 NO 
FEE. 787-1188. 


ROOMS & APTS 


$70-$90 A WEEK 
W/W carpet kitchenette 
262-1771. 
ARLINGTON-2Bdrm only $400. 
Hdwd firs, pch, age, kids ok. 
HOMEFOLKS 497-4302. 


BACK BAY-Comm Ave large 2Br 
bsmt apt no fee avi 6/1 550/mo 
htd Call 247-0725, 536-3169 














BACK BAY 
1 yr sublet 7/82-7/83 Ig 1br furn 
apt frpi gb dis 2 bays entire fi 
quiet elegant lite. $625 inc ht & 
gas. 536-9497. 


BACK BAY-2F nd for 2 bdrm = 
$460 w/h & hw June 1-Sept op 
Nr Fenway & T Sun/cl. 267-; 3602, 








RENAULT LE CAR-1978 4spd 
very gd body & mechanical con- 
dition asking $2400 244-5274. 


RENAULT LE CAR-1980 Deluxe 
white sunroof AM/FM deck 24k 
mi rustprid. Hate to sell 
$3800 776-7577 lv msg. 


74 SAAB 99. Excellent diti 








Used Tent Trailer-Sleeps 4, seat- 
ing area. propane stove, new 
canvas top, 700Ib tow, $500 Call 
eves 524-1039 


CYCLES 
a BMW R907 6. Near perfect 





low miles, 25-30 mpg. new 
radials, exhaust and tune up. 
Many extras $2700 or best offer. 
335-9236. 


1977 SAAB EMS-a/c sun roof 
stereo 66,000 mi mint cond. 
$4950 or bo. 1-470-1277. 


1972 SUBERU-great gas m 
dependable trans-2dr-4spd- 
FNT-whi-dr-$1795 Firm 
332-0174 


76 sem pean DL 4 spd 4 dr 
79000mi spring insp orig owner 
$1375 or BO. 647-1055 aft 5PM 
wkdys 


1978 SUBARU Front-4WD sta 
won 4spd Runs great, looks 
good. new brakes $2500 or BO 
266-1911 eves 


78 TOYOTA CELICA Liftback-Sil- 
ver A/C am/tm stereo 5 spd exc 
cond $5000 or BO 965-0190 




















DATSUN 1978 B210. 56,000 mi. 
Auto.. radials, reliable. $3000 or 
best offer. 265-8142. 





75 TOYOTA Corolla-am/tm 4spd 
new brakes clutch muffler just 
tuned up $575 or bo 395-3638. 


Best offer ovr 
$2500 Paul 964-5289 evengs. 


1976 KAWASAKI KZ-400, red 
with windscreen, crash bars and 
2 helmets. Exc. cond. Asking 
£675. rg Dave 524-4318 or 
364-1951. 





BACK BAY-Park Dr area sunny 
1BR, mod/ciean $325 htd 2BR 
$495 studio $250, 266-3690. 


BACK BAY-Park Dr. Sunny 2 
bdrm w/ park view. $395/Mo 
Stus OK Avail Sept. 1. BACK BAY 
REALTY 262-1650 


Sunny Beacon Hill studio frp! 325 


inc all utl. Great nghbr inid 
367-2290 bef 9am aft 6.. 


BEACON ST 











K& 
lease. BOS COM RE 267-6191. 





1977 HONDA 400four Super- 
sport. Exc. cond. 4100 mi. 
782-1740 Tim. 


1978 KAWASAK! KZ1000 perf 
cond 25K mi crsh brs. dual sdle 
St. elec ignit, lug rck many xtras 
$1900 comp. Vetter outfit w cycle 
snd perf cond $450 772-3579 
eves 275-5400 x5488 day John. 
oo KAWASAKI 440 LTD, exc 
‘ond, mi, crash bars, tour 
pene. $1175. 267-9160. 
1980 YAMAHA XS850 Special 
luggage rack backrest exc cond 


Cambridge $2400 or BO dai 
354- 3420" ad 


1981 VESPA 125. Blue, very 
good condition. Call 864-8967. 














“BEST BLDG” 
Cieanest & safest loc Pk Dr stu 
$250 sunny 1BR $325 2&3 BR 
too! BCR RE 267-6191 262-4588. 


BOS-Mass Ave. Lg 1 rm stu 
w/kit. All utils. $210/mo. 
266-8822. Avail now. 


BOSTON-Parker Hill Ivly mod 1 
or 2bdrm pkg yd grdn cin quiet 
house WW crpt 350 unht 
4272699 


ne tpg nr NU/Brig Hosp 3 bed 
$510. 4 bed $680 367. 1400 or 
442-3104 


BOSTON-Parker Hill, Ig 3bdrm 
apt in 3 fam. Din rm, porch. $475 
htd. Owner 566-1813. 














BROOKLINE-Brighton line in 
Brighton. NO FEE!!! Apts all 
sizes. LAND RE 1846 Comfh Ave. 
277-1660. Open 7 days. 


BROOKLN-BOST 
Nr Hosptis-Well maintained prof 
py ideal for hosp staffers stu- 
io $375. 1 bd $525. 2 bd $700 
BCR RE 267-6191. 





FIXER UPPER 
BRIGHTON-Lge 2bdrm, frp! = 
eat-in-k. Grt city view only 
BOS COM RE 566-2000. 


JAMAICA PLAIN-1&2 bdrm apts 
mod k&b clean, sunny near T 
$250-$450 hid. call. George 
782-4305 


JAMAICA PLAIN-7 rm 3-4 bdrm 
modern bath, fp, hdwd fi, nr T 
$475 + 244-5759. 











“JAMAICA PLAIN-Large sunny 


modern 1 & 2 bedroom apts. 
A/C. W/W. nr pond, parking incl 
LAND RE 1846 Comm Ave 
Brighton. 277-1660 open 7 days. 


JAMAICA PLAIN-Near Forest 
Hills Station 2 bdrm gas ht all hd 
floors $375 call Alan at 522-9671 


JP-Spac 6rm apt-oak firs, nat 
wdwrk. yrd, prchs. Nr Arbt, T- 
immed occ, quiet St.-$450. 
522-7908 


LOWER COMM 


Studio loft frpl. Great detail. 
$475. Must see. 267-6191. 


MARLBORO ST 


1bd no lease $450 267-6191 


MARLBORO ST 
Stu clean & secure $250. 1 bd 6/1 
$385 secure. BCR 267-6191 


MATCHING 
ROOM-MATES! 


Looking for a roommate? Regis- 
ter now at MATCHING ROOM- 
MATES INC. 251 Harvard St, 
Coolidge Corner. Call today!! 
734-6469 or 734-6484. 


MIT & BERKLEE 
Immac stu & 1 bds from $275 
negotiable lease. Excellent vaiue 
BCR 267-6191 262-4588. 


New Ctr Spac 4 rm tbdrm in 
house nr shops & T inc ht hw gas 
$550 aft 6 btwn 12-1pm 
965-5838. 


NEW-IMPROVED! 
Lge selection of stu & 1bds bidg 
wgrt detail. Quiet resid st. Excep- 
tional value stu $285 1bd $335 
htd RE 566-2000. 


NEWTON-$275 incl free utils. 
W/D facil, carpt, nr T. Ready now! 
HOMEFOLKS 497-4302. 


“NO LEASE” 
PARK DR-Sunny stu $275 1 bd 
pnid, gleaming firs, $345. Bes' 
buy. RE 262-4588, 262-7244. 


OFF BEACON 
Huge 2 Bd condo bidg 1000+ sq 
ft 2 walk in closets huge kitchen 
hdwd firs bay wind $650 htd BOS 
COM RE 566-2000. 


PARK DRIV 
2bd bsmt $400 BCR 267-6191 


PARK DRIVE 
Stu $275. ibd $330. 2bd $400 
Clean RE 267-6191 262-4588. 


PORTER SQUARE June-Aug 
sublet or full year lease. 2 bdrm, 
sunny, spacious. Call mornings 
628-9441 


2 Bedroom Apt for rent ROX- 
BURY MASS (Near Madison Pk 
High & Close to T station) Cail 
442-7717 ater 4:30 PM 


Section 8 welcomed in Camb, 
Dor, Chelsea, Everett, Jam Plain, 
Som & Malden. Call today 
HOMEFOLKS 497-4300. 


S END-immed Occup-1 bdrm 
mod kit & bath wd firs clean quiet 
secure bldg Best South End 
locale Call evenings 267-6790 


S. END-basement studio apt nr 
BCH. $250 incid ht. 275-8384 
eves. 


SO END-8 rm apt (1670 sq ft) 3rd 
fir of owner occpd bidg. firepl. 
Washington St. nr City Hosp. 
Now avail. $395 incl heat. 
247-2570 

































































CAMB/SOM-line, 1 mi from Harv 
Sq. 2br sunny D/D, W/W, A/C, 
pkg. avail June $550 666-2299. 


CAMB/SOM-line sunny ige 2B 
apt w/ DR & bck prch hdwd fis ww 
walk to Hvd Sq $550 + util no 
pets 497-1024 





SO END-\g 1 bdrm on quiet tree 
lined st nr Pru, new kit & bath, 
bright & sunny exp brick, $400 
owner occ lv msg 267-7654 

SOM-4rms new walis & ceilings 


fnshd hrdwd firs mod tile bath 
$325 unhtd Call 776-3055. 








CAMBRIDGE-3Bdrm $400. Pan- 
eling. hdwd firs, nr T. Call now. 
HOMEFOLKS 497-4303. 


SOM-4bdrm 2 1/2 bath 10 min 
walk to Harv $765/ heat + utils 
4bdrm $700 plus 628-3666. 





CAMBRIDGE-All sizes & pr 
available, nr T. low rent! Calir neat 
HOMEFOLKS 497-4300. 


SOMERVILLE-Sunny Studio 
$200 inc! all utils 4 rms $300 nr T 
owner 776-5080 avi 6/1 





CAMB/SOMVL-Room in 2BR 
modrn apt avail for June at bargn 
rate. Whi apt avail 7/1 Indry & 
prkg in bidg. Call 864-7487. 


CAMB/INMAN SQ Huge 1 bdrm 
3d flr wd . backporch, fr 
pking. $400 sbit avabi June 7, 1 
yr tease Sept 1 628-0499. 





CHEAPIES! 
BRIGHTOW-ig 1Bd. Side st. Only 
$335. Huge 2Bd frp! $450. 3Bd 
conv loc only $550 others BOS 
COM RE 566-2000. 


CHELSEA beaut 1, 2 or 3 bdr apt 
eat-in kit. nw paint, & sanded 
hdwd firs, stained glass windows, 
$450/mo, city skyline view, 
busline. 5 min to Haymarket. 
Adults, no fee. 889-2866 


CHELSEA 10 min to Boston 4 


sunny rooms $250 unheated se- 
curity deposit 665-3034. 


DON’T WAIT!! 
Best select! Sunny & cin 
Now & 9/1. BCR 267- 8191 
2000. 














DORCHESTER ASHMONT- 
Studios 1 & 2 bdrms Elec ht & 
prkng incl start $300 698-7755 


DORCHESTER-Savin Hill nr U 
Mass and T. Nice apt. 4 Ig rms & 
porch $225 479-4228 


DORCH-Codman Hill 2 bed 
duplex apt w/heat owner will re- 
hab to suit tenant $350 436-1082 








SOMERVILLE-AIl sizes & prices 
available, nr T, star’ at $250! 
Call now! HOMEFOLKS 
497-4300 


SOM-Nr Tufts. Sunny & spac 
3BR, ig EK. 2pr. Nr bus, mkt & 
idry. Avail 6/1. $550/mo. 
628-4066. 








SOMVILLE-9 rms, 6BRs only 
$500. Hdwd firs yd nr T. Stus 
welcome HOMEFOLKS 


497-4301. 











' TO PLACE YOUR 


Pheenix 
Classified 
BY MAIL, ~ 


PLEASE SEE THE 
AD FORM ON 
THE LAST PAGE’ 














1<O ZTOoOIND 


1oo7 


10300 


ToOs)iaocodsinwod¢cawe <ciew 














APARTMENTS 
All sizes and prices for now & 6/1/82 
Great selections of nice clean apts. 
Lease or no lease. Students are no 
hassle. Cali the friendly protes- 
sionals 


Boston Common Realty 
425 Maribor St., Boston 
267-6191, 353-1935 
1216 Com ommonwealth A ve 
righton 
566-2000 734-4016 











SO END WORC SQ 
Lg rm w/ eat-in kit. Owner-occ 
bidg newly decorated sanded fi 
share bath $230/mo inc util sec 
dep tel 536-9546 


SUNNY 2 BDRM 
CHRISTN SCI-$475 BCR 
267-6191. 





HOUSES 
FOR RENT 


(ee er eR RE ra mt 
BROOKLINE ViILLAGE-Exquisite 


3 bdrm twnhse w/ garden & pkng 
walking distance to everything 
$750 : util. Call 787-0069 owner 


Cabin in VT. isolated $150 a mon 
No elec. running water. Call 
802-234-9698 


GROUPS-STUDENTS 
DORCHESTER-Walk to T (An- 
drew-Columbia) 7Bdrs (41g&3sm) 
Sundeck New gas heat DW W&D. 
Avail July 1 /M Call eves 
265-0593 
JAM PLAIN-Lg clean 4bdrm apt 


in 2-fam walk to T & pond $560 + 
utils 524-0216 














Sunny apts nr tennis, boat-moor- 
ing . T, Airport. Quiet. Studio, 
garden $350. 1 bdrm w harbor 
view. $400. E. Boston 426-0658. 


PLM-MANOMET-Beau SBR 38 
fmhse near ocean ig yard grt for 
fam Av Jly 16-Aug 12 Call 





SYMPHONY!!! 
Nr Christian Sci Ctr. ig & sunny 2 
bd. fresh pnt, $395 ntd. Must see, 
Supt, RE 262-4588, 262-7244. 


UNIQUE!!! 
BRIGHTON-Unusual 3Bd. Renov 
church Skylight huge space lofts 
mod K&B. ‘Must see” “$1100 ex- 

2000. 





Cclusive BCR 566- 


GREAT VALUE!! 
Stu $235 18R $325 2BR $395 
elev supt RE 262-4588 262-7244. 


WALTHAM-1 and 2 bdrm mod 
apts in smali quiet sec brck 
bidng. Conv to 128 & Pike D/D 
W/W A/C Prkg Laund Baic Lease 
Security No Pets $375-$560 Call 
527-6430 No Fee 


WALTHAM-2Bdrm $300. 5 
carp. pch. nr T HOMEFOLKS 
497-4301. 


WALTHAM-4Bdrm only $500. 
Duplex. Yrd for kids. Call now! 
HOMEFOLKS, 497-4303. 

















BOYLSTON 
APARTMENT 
FINDERS 


We will relocate you in 
Boston, or North, South, 
West suburbs. Studios, 1, 
2, 3, bdrm apts or houses. 
Service fee $50. 24 hr 


service 
Cali 247-2741 or stop in at 
254 Newbury St Boston 
MA 02116 











ee ANNIE 
APTS. WANTED 


100 ard infor lea: to ren- 
tal studio 1 bdrm CAM/SOM 
$350 inc utils tops 864-3955. 


$150 reward for studio, 1 
bedroom apt in Brookline/ 
Cambridge for July 1. Up to $350 
inc! ht, parking. Call Steve 
277-3354 


BLACK GENTLEMAN 
Black Gentleman very very 
sensitive & indep wants aroom or 
5 bdrm apt. Please write Box 577 
Cambridge MA 02138. 


BRKLNE-2 resp college profs 
w/kids seek 3 or 4 bdrm apt or 
house for 7/1 or later 277-9613 


Lady Poet/Meditator wants Irg, 
quiet apt or sm house 491-7747 
w/ prkg (?) in Cambridge about 
$300 

















2 prof F sk 2 bd apt in CAMB bet 
C Sq - Mt Aub Hospt near T pkg 
nec. resp W ex refs Melinda 
262-1223 9-5 M-F 


Feminist with child seek 2 bdrm 
living space Wayland area w other 
feminist with/without child- 
maybe look for space w other 
mothers- July or August 1. call 
655-6170 


F grad student Ikg for an opening 
in an apt nr BC hope to move in 
9/1 but will pay summer rent if 
necessary Call Lisa 592-1262 


ROOM WANTED 
Quiet place for research & writing 
nr JP $50-$100/Mo 522-6071 


M28&2 gold ret sk hs/apt to 
share nr JP pref est coop veg hs, 
but will look to share a place, into 
a long term loc. to $250 inc heat. 
Write 104 Charies St Box 442 
Boston 02114 or Call 595-2343 & 
Leave Message 

















Neat Resp woman wants long 
term apt HARV SQ. Will shr. Call 
Morns and Eves 876-2187 


Nice quiet married couple orig 
from Ohio seeks landlord who be- 
lieves in reasonable rent tor 
BOS/CAM area apt. Both are coll 
grads. nonsmkrs. respon ten- 
ants. Need apt by June 15. Call 
Bill or Jodie at 546-6905 


PROF 29 ex-NYC sks apt/hse shr 
no smk/pets. Intell, indep. di- 
verse (music, etc) Bryan 
522-6160 


Space wanted in So End 8/1 or 
9/1 by F prof 1 bdrm est apt or 
lor2 bdrm apt up to $300 Cail 
Sharon 782-9425 











COMMERCIAL 
SPACE 


Office space available for use by 
independent couselors on a part 
time rental basis call 354-6259 


CONDOMINIUMS 


ARLINGTON-Condo. 2bdrm, eat 
in kit., D&D, W&D, A/C, covered 
pkg, steps to Center & T. 
$63,500. Owner 646-7936 


BROOKLINE-Condo apt for sale 
4Bdrm, kit, OR, LR, 1 1/2 baths, 
easy access to T. Drew 232-2174 


CAMB-Sunny studio condo, near 
Harvard, A-1 shape. $29,900 
Owner 876-0884 after 5 


CAMBRIDGE-Linnagan St. 
Sunny 3 bdrm condo, fp ir, bay 
wndw dr. idry, $120,000, Owner 
492-1672 


QUINCY MKT 
No End: Mod studio 5 min waik to 
Quincy Mkt, gr view gov't cntr, 
wdws 3 sides, full size kichen 
alcove w/dwshr, W.W., A.C., for 
sale by owner - Pat, high $20's, 
call 9-5 895-4552 




















Rent-a-house: Wide selection, ali 
areas & sizes. nr T, low rents. 
HOMEFOLKS 497-4300. 


HOUSES 
FOR SALE 
DORCHESTER Melville Pk 3 fam 


5-5-5 hdwd firs nr U Mass & T gd 
owner by owner 436-5044 


HINGHAM-A unique style of 2- 
family located opposite priv 
beach 8 and 7. Ammenities inci. 
Screened prches, ocean views 
wide pine firs. Owners side has 
gormet kit w/microwave & 
grnhse window. Excellent rental 
income. $177,600.00 By owner 
749-7452 





Mass. State, 


Chamber of 


Greater Boston, 
and Brookline 


Commerces. 


$20 FEE 


Register Now! 
Avoid the Rush! 





ALLSTON-2F 2M semi-coop 
house seeks cheerful energetic 
resp person no cigs/pets avail 
7/1 Call S/Th 5-9PM 782-7642 


6br house in ALLSTON. near 
everything. backyard, trees share 
food & chores. $138 ‘util call 
254-2826 aft 6pm 


ALLSTON-25 yr old M sks normal 
human 4 ig 2BR in hse LR DA, kit 
& bath better than most. Avail 
now $250 htd. 783-3682 








BRIGHTON-BC area. 7/1. Prof 
28> wntd to shr ig elegant hse on 
hill. d/w. w/d. f/p. gardens. Non- 
smoker. No pets please. $195 - 
util. 782-0726 





UNITED — 
ROOMMATES 
We put people together. if you 





BRIGHTON-Skg 1 F 25+ to shr 8 
bdrm semi-coop hse. We're a 
friendly. supportive. diverse grp 
We have dogs. smkrs. Safe nghd 
$125 7863-3156 


BRIGHTON- 1 roommate to share 
3bdrm apt 7/1 to 9/1. Conv to 3 
buslines 150 mo + util. 787-2696. 








A. 
Allston 2M-2cts sk 3rd prsn shr 
hs $125 mth + 1/3 utils avail im- 
med -aftr 6 254-2049 





ARL- MYSTIC LAKEFRONT Shr 
4' Bd 2bath2{rpi deck w/prof 25 
no smk semi-veg Swim. sail, run 
T 6/15 250-300: Jim 8610670 
2837478 





ARL Mildly co op house of 1F/3M 
seeks 2F 20: nonsmk & wrkg for 
June 1. Nr T rent 129/ most utils 
call aft 6-10 646-8629. 


ARLINGT aggo fs een a 
with one hsmt sk a M/F hsmt for 
single family home nr MBTA. 
$250/mo inci all util. Loosely 
coop living. No smokers or pets 
Call 646-3918 


ARL HTS-Resp hsmts sublet 
w/poss fall opng, dates neg. nr T, 
$200/mo Day495-2859 Eve 
646-5254 


ARLINGTON ere F35 


seeks 3 for lovely 5Br house. gar. 
near T. pond no smoke 643-: 3538 















BRKLN/CAMB GM 28 sks 3-4 
GM/F's to form supportive hshid 
Non-smkng semi-veg. gay 
politics Box 7074 


BRKLNE-Prof F to shr ig comf 
hse W/3M 2F overikng Rt 9. 
Resrvr. & jogging trail. Very indep 
but congenial grp living sit. Lg 
LR. frpl's. wood paneled den, DR, 
brkfst nook, reading rm. garage | 
pkg. 6BR's. 4 baths. A nice piace 
to live. no pets. $325 utils. 
566-7400. 


BRKLN-Sum sbiet to shr 4BR hs 
w/3 rmts nr T shps. Desire resp 
23 $185/m 731-3486. 


BRKL VILL-Can you live wthout 
TV? 2 rms avail. Cheerful cynical 
group. some musicians, 2F 2M 
18-57 + dog. Shr meals, chores. 
House gets quiet about 11 pm. 
No yo % Laan & $150 + 
utils. 566-2158 


oy teak ae 2 roommates for 7 

hse. avail June 1. Food 
bought intly, some meal partici 
requ d no smkng no pets, sorry, 2 
cats now. Rent & util $185 
731-5281 




















looking for a place, we can 
heip! We respect your con- 
fidentiality. Call today! 
232-1287 
1140 Comm. Ave., Aliston 
$18 tee 














CAMB/SOM-prof sngi Fa sks 
sngi prnt or SF. Shr 4br ho. Food 
A’. Safe & quiet neighbhd. Cat 
ok. No cig. $275 for 2brms. Rick 
628-5347 


CAMB-Resp M/F rmt wntd to shr 
smi cozy 3BR hse w/M&F. Smkng 
ok $125/mo: util 547-5224 


CAMBRIDGE 4F & 4M sk M or F 
to shr furn Vict = 4 biks fr Hvd 


$225 + 38 utits Fred 
94. 1741 


CAMB-SOM LINE-F/M 27: avail 
6/1. Quiet. resp person for frdly 
supprtive indep envir-ig clean 
sunny 3 story 3 bdrm, oak fir, liv & 
din rm w/frpl mod K, st & yd 
W&D nr Red T on Grn bus $230: 
util no pets/smk Scott 
666-3944/628-6380 


CAMBRIDGE-Established. leftist. 
feminist hshid. semi-vegetarian. 
2F, 2M 27-36 & 1 child sks 2F 30 
or over. No smkrs, pets, no more 
kids at this time. Cali 868-4476 


CAMBRIDGEPORT Coop needs 
1 Man with a commitment to 
roup living. Vegie no tobacco 
116+. 354-7885 




















LOOKING FOR A ROOMMATE? TRY THE ORIGINAL 


' MATCHING ROOM-MATES, INC, 


The original and 
most experienced 
roommate service, 
serving the public 
for 17 years. A 
member of the 


CALL 


34-6469 
34-6484 








PLAN AHEAD! 


MATCHING ROOM-MATES, INC. 


251 HARVARD ST., BROOKLINE 02146 


(COOLIDGE CORNER) 
Mon.-Fri.: 9:00-8:00, Sat.: 9:00-5:00, Sun.: 11:00-5:00 


JP-Nice hsehid. wrking « grad 
stdnts. tking for 4th member for 
summer. Fail Option. Quiet St. Nr 
Pond & T. 524-0688. $150/mo + 
utils 


JP Coop-3F 1M sk prof M fin 
indep energetic politically incor- 
rect. We are of diverse interests. 
ages. sex prefs. Nr pond & T- 
grdn., frpics. w/d. No tob/critters 
$150 - utils, dep. 522-5739. Avail 
6/1 


J.P.-Housemate to share ig 
house in safe quiet area near 
pond. arboretum and T. Lg room 
$171/mo & utils. Avail June 1. 
other rm avail July 1. Cali even- 
ings 524-7127 


J.P.-M/F for 3BR apt nor T 
$130/mo: utils. No pets. no 
smkrs. 522-6812 


JP-Neat. responsib! F for sunny 
Ig 48dr. Stable hsehid nr T. 
Woodstove. $206/mo. 524-3480 


JP-Room in pleasant feminist 
househoid near T. $125/mo' 
$26/mo ht & utils. Semi-veg. 
524-3558. 


LEX-Prof 35+ to shr ig contemp 
w/3 adults 3 children 2 cats 1 
pool $200: sec dep. 862-5729 


LEX-Self emp prof sks nonsmkr 
shr ecological lung in sm hse frpi 
3 cats grge $190! 861-0649. 


LEXINGTON-1M/F prof to share 
spacious home on 1/2 acre w/ 
3M. Convenient to rte 2 & 128 
$151 + utils no pets Day 
1-493-6422 Eve 861-0439 
































NEWTON COR-Friendly home 
sks resp M 25+ smoker ok to shr 
semi-coop Chores & food w/2M 
3F & cat. 14 rms. 2 frpls. yrd. pkg 
no more pets. $150/mo: util 
Avail July 1. 965-2431 


NEWTON CTR 2nd F 23-30 for 4 
person coop hse on green line 
$112/month. 964-8268 


NEWTON HIGHLANOS-resp 
friendly person or cpl 25: to 
share semi-veg hse w/ cpl & 
daughter no smkrs or pets. Shr 
rent & utils. Call Matt or Barbara 
969-0954 


NEWTON-MF wanted for smail 
cozy room large friendly coop 
house large woods garden BFC 
veg. Nonsmoker no dogs $110: 
util, 969-1132. 


NEWTON UPR FLS-2Ms sk M or 
F to shr 7rm, 2nd stry apt in 2 fam 
hse. Avai immed. ampie parking. 
ig yd. quiet nghbhd. frndly atmos. 
$180/mth + util. Call after 9pm: 
ask for Jim, 244-6373. 


DERRY NH AREA 
2 WM, 29-33 yrs. sk 3rd M to 
share comfortable home 
$225/mo: food. phone & 1/2 se- 
curity. References. Must work 
first shift. Call before 2:00pm. 
603-434-8045 


NO CAMB-1F sks 1 non-smkng 
quiet indep F to shr sunny beaut- 
iful nse prch grdn wshr oak firs 
safe nr T no pet $230: 491-3660 


Pets OK 1 more F to complete 
co-ed hse Lov country setting 1 
min to Boston ar bus $135: 
587-8423 Bx 685 Randolph. Ma 


PORTER SQ-3F sk F 27! to com- 
plete hshid sunny 2 fir newly re- 
nov hdwd firs 2 baths ig kit 2 baic 
W/D gas ht nr T shr food & chores 
$185) & sec dep 628-2663 


PORTER SQ/Camb. sunny rm in 
Ig friendly Vict hse. 2 kit, 2 baths, 
yrd & grdn. $225/mo inci utils. 
628-5468 or 628-5497 


QUINCY waterfront home needs 
a G male 35: to share with. $280 
includes utilities call 472-5576 


Roommate wanted 1 bdrm mn 






































sunny, apt. 
Near public transit. shops. Avail 
6/1 $195/mo: util-899-3126. 


SHARON-M/F wntd to shr my 
9rm 3 bth hse w/prch, 2nd 
kit/drkrm on 1/2 acre. Wk to T- 
rail stat. 5-10 mins to 95, 128. 
Non smkr pis. Rent neg. util 
784-5643 eves 


Single parent with 10 year old 
child seeks living accommoda- 
tions in Brookline with similar 
family, or with others seeking to 
share their living quarters. Please 
call shirley, 522-4229 


DAVIS SQUARE 
SMAVLE M/F of diverse interest 
for independent but warm hshid 
$250/mo John 536-9494 


W. SOM-2M 2F sk M or F to share 
veggy food. chores, lovely coop 
hse 25: . non-smkr friendly dog. 
2 weird cats nr Pwdrhse c 
$125: avail. 6/15 623-6978 


PORTER SQ-2F 22: no smk no 
pet 3 bdrm hdwd fis pch 1 mi 
from Hvd Sq 200:uti 6/12 
776-2491 


SMRVLE-M/F share spacious 
hse w/3 professionals. Lots of 
sun indy pkng yds more. 
536-9494 























ARBORETUM 
BOSTON (J.P.) On the Arborway 
3 br colonial, front porch, rear 
drive, new bath, big kit. Safe 
beautiful loc. Security system & 
insulated Overlooks Arboretum’s 
260 wooded acres. All day sunny 
exposure. Conv to MBTA stores 
& pond. 12 min drive to Cam- 
bridge. $62.5K or BO. Box 612A 
118 Mass Ave Bos. 02115 


Grand Vict. in JP needs some 
work and update. 16 rms in 2 
apts. 2 1/2 baths, Ig priv yard 
Selling for health reasons. Near T 
and Jam. Way. Some financing 
with owner. Asking $140,000. 
Call 522-8941 

MAINE 12 rm house, barn. 5 acr 


Nice cond. Wood & central heat 
Priced to sell. Owner 491-5318 








ARLINGTON STRICT 
VEGETARIAN (no eggs, no dairy, 
mostly raw) M or F to shr space 
with 1 of 2 others. No smkrs, no 
pets. Must be employed or full 
time enrolied student. Call 
451-3958 


ARLINGTON-Semi-veg house of 
2M. 2F needs 1, 25: Share 
meals, cooking. chores. $125+ 

No smokers, pets. or kids please 
Avail 5/15 646-2462 


ARL-2M 1F seek 1 or 2F to shr 
meals, chores, talk. Spacious & 
comfortable. $200: util ask for 
Jim day 277-8853 ev 924-6853 


ARLINGTON 2M vegetarians (no 
flesh foods at all) to shr lovely, 
spac, 2fam home in Ari Hts, 
w/prch, pond, hills & open space. 
No smokers. 643-4236 eves. 














PROVINCETOWN 
investment of home, brand new 3 
BR cape. full basement, frpi LR, 
w/w, priv yard. prkng, walk to 
downtown and beach, high rent 
area. Low winter price $77,500. A 
must to see. By owner 767-1242 





ARTISTS/ 
CRAFTSMEN 


Living and working space 
Chelsea Waterfront area. Re- 
modeled older 7 rm home w/ 
garden & attached work- 
shop/studio and one car gar- 


age. . 
Low $40’s Maddeford R.E. 
889-0752 








Apts. aiso available 





tesco oe 
HOUSEMATES 


ARL-2M 1F sk 1F 26: for estd 
hse. Friendly, respn. No smokers 
or pets. 646-6612 

2 Lib feminists and 2 kids sk f for 
irge coop house. $165 + util avail 
6/1 327-4535. 


2M&1F 27-36 seek hot it 








ARL LEX LINE 2 classical music 
listeners wanted to shr spac 
house w/ prof M 30 friendly but 
indep Sep fd no smkrs or dogs 
$255) util ea 861-1394 


BEL/CAMB wntd sunny bdrm 
$150-$200 compit in house w/ yd 
F-30 2 cat by 7/15 Lisa 965-5168 
AM 








BELMONT-2M seek friendly re- 
laxed prof M/F 27 | for ig quiet 
house nr Cush Sq & T-3 bdrms, 
frpic. $275 | utils. 484-8432. 


M 30 PLUS SOUGHT 
Mature professional male sought. 
Beimont Center. Share country, 
convenience, conviviality, New 
England Colonial, meals, chores, 
garden with 2 F's 30's, 1M 40'sin 
stable Co-op. 15 min to Wildlife 
sanctuaries by foot, or to Harvard 
Sq. by bus. BR and shared study, 
Frpice. W and D. $194 + util. 
Negotiate pets/smoking. 
484-8541 e 


BELMONT-ig home-group or- 
iented omnivore meals, gar- 
dening. coop shopping, 15 min 
on T to H Sq seek 2M/F no 
cats/cigs 484-9295 











for friendly collective house in 
J.P. Non-smoker, veggie-ish, 
entle, non-sexist, sorry no pets. 
130+ now or June 1. 522-7572 


S. ACTON-1 or a couple: Self 
entertained. caring. non-smok- 
ing. mostly vegitarians to share 
large comfortable house with 
couple. Nice outdoors, near 
trains, enough pets. $180. $210 
plus utilities and wood. Cali even- 
ings 263-1451. 


S. ACTON-Resp. indiv share mod 
home 1 1/2 baths walk to RR 2 
frpic W&D $220: util No smoke 
or pets w/garage Avail 20 man 
263-4805 eves. 


ALLSTON-Fine 5 bdrm house 2 
livingrms garage nice area near 
trans avail 6/1 2542663 


ALLSTON-Group of 6 seeks F to 
add to a good home. Lots of sun 
No smokers/pets. 783-3972. 


ALLSTON-3M/F for large 4-br 
apt on quiet st nr T 140+ util Grad 
students 
pref, esp if interested in coop. No 
tobacco Call Mike 783-4731 (6- 
midnight) 

















BE! MONT-3W to shr spac apt in 
pisnt nghbd nr T no pets or 
smkrs. Jul 1 150+ 484-9125. _ 


BELMONT Prof F 25: to shr 2/3 
hse w 2Fs yrd prch wshr no smok 
no pets neat resp ind nr T $190 
htd 489-3090 Eve 7p-10p 





BROOKUWNE-6 prot & W, 28-54 
(& dog) sking non-smok person 
(26 |) to complete our home. We 
are omniverous (as is the dog) & 
in a large elegant house near T. 
We shr chores & some meais, are 
independant. caring, & sup- 
portive. $250 inct utils. 731-5260 





BROOKLINE- A DECENT PLACE 
TO LIVE . Friendly, quiet, clean 
house in Brookline. Vegetarian 
household. $265 includes park- 
ing and ALL utilities (gas, water, 
oil. electric, & phone. Own room, 
share livingroom, kitchen, yard, 
gardens. etc. Near T. One room 
available June 1 and one July 1, 
both with Sept opt. Dan or 
Marguerite 739-1306 


BROOKLINE-Stable non-ideo- 
logical co-op of 7. Warm well or- 
ganized people age 28-45 own 
big comf house. Shared meals. 
Near Riverside T. Looking for 
good natured resp energetic man 
with income to rent and buy in. 
$180-$225 util incl. Avail 7/1. Call 
eves 738-0529 or days. leave 
message 734-8910 


CAMB-3F 2M sk 1M 26+ 4 sunny 
spac coop hse shr Veg meais, no 
smkg or pets 547-6069. 


CENTRAL SQ-sum_ subiet-fall 
opt. 2M sought for 6Br co-ed no 
sm. coop hse w/ deck $227 inci 
elec ht avail 6/1 492-8825 


(JAZZ) MUSICIAN 
For N CAMB bdrm adj sound- 
proof prac rm clean resp veg/no 
smkr $250 inc all utils 876-5766 


CAMB/SOM-line 2bdrm_ in 
3bdrm house avail for summer. 
Musicians late night people pref 
$250: util 628-3666 10-5. 


CAMB-Now! Ist ad F 25:, 3 
bdrm. 2 fihse. frdly sunny good rt 
w/ 2F June 1!! Now 491-3697 


CAMB-Seek 2F for ig hse nr Hvd 
Sq $220; no smoke no pets Jun 
1 call 868-5830 


CAMB-F 26: for beaut 4 br Vict 
pch/yd ind frndly prsn to shr fd 
no pets 137: eves 547-3869 


CAMB/SOM-Line: Friendly coop 
hse seeks 6th member. Hrdwood 
firs. spacious commor aeas 
Easy access to T. No smoking 
Avail immediately 776-7843 
































BOSTON-Prof M or F 25+ wntd 
for ig comf twnhs on quiet st nr 


~ Copley Pru and T Must be good 


humored and solvent $150: 
267-5277 eves 


SO END-Stable M.F or cpl to shr 
x-lg GM owners. Dpix Exc sit for 
resp. nonsmkr w/ humor $195 
incl most 267-6782 


EAST BOSTON 2br in spac furn 4 
br hse. $160 & 185 inc utl. 2 bath, 
liv rms-nr stores & T. Sate quiet 
prkg. 569-9146 


CLEVELAND CIRCLE-conv 
twnhse on green line looks for 
M/F to share beautiul twnhse w/ 
garden 5 bdrms $225 + util. Call 
Bob at 787-0069 











CAMB-1F 23: for friendly semi- 
coop hse w/4 others. 10 mins 
Harv Sq $90: util. 547-5458 
June 1 


CAMB-2F sk 3rd person for ig 
sunny rm nr Hvd Cntri Sq. June- 
Aug. $163/mo. 491-2528. 


CAMB-HVD SQ-1F/1M coop hse 
of 6 age 25-32. Wknite meals 
frndshp $150: 6/1 & 7/1 
547-8242. 


CAMB-Hvd Sq friendly coop 
7bdrm hse sks 3 more M/F 24: 
for casual living; 1 cat, no more 
pet. garden $155: util. Share 
cooking & food. 492-6596 


pe Nr “y | Sq 1 rmmt needed 
4 prsn/bdrm house 

















BRIGHTON- 25: to shr 11 rm hs 
w/ good, friendly folks. Shr veg- 
gie meals. gdn, chores Safe 
nghd, pkg $125: Call after 6 
783-3156 


+A Sept Phone 497-0525 


CAMB-Nr Radcif 2M/1F sk 2 ige 
house w/dog. Avail 6/15 $130 
inct heat & util. 481-6972 





CAMBRIDGE-M25+ wanted: to 
share friendly 4b6r Victorian 
house w/2F & 1M. Share food, 
semi-veg. $129 incl ht. 354-2056 


CAMB/SOM-SngI M sks same or 
SF 4 BR ho safe pool day care 
$275 for 2BR irene 628-5347 


CHEST HILL-F 23: to share 
house. Lovely Iv rm, dk rm avail- 
able. $225: , 965-5261 


DEDHAM-Prof F 25: to shr 
lovely. remod, house w/same 
Rustic setting nr Rt 128. $263+ 
util. 329-9139 after 6:30 pm 


DORCH-Pleasant st. We're look- 
ing for 2F, 24+ to join our home & 
share friendsp, meals, gd times in 
large. clean newly rehab hse 
large sunny bdrms plus sanded 
floors. Ig liv rm, roof deck, lilacs, 
retin walls. Grt neigh near T. No 
cigs $160: 265-4252 














LEXINGTON-Prof. F sks F to shre 
3 bdrm cozy hse w/frpl, yard, 
Indry. Nr. 128 & 2A. $325 
862-7411 eves. 459-5000 x3010 
days 


LEXINGTON-Shr beaut. house in 
woods w 2 profs. early 20's. 
Strong interest in music. Must be 
able to walk and chew gum. $265 
| 862-0403 eves 





SOM-2M & 1F sk person (pref F) 
for indep, cozy, veg, coop hse; ig 
sunny Ir, ig br. porch garden, gar- 
age. nr Harvard Tufts T. $162 + 
util. Frank 451-3389; Scott 
253-1969 (d), 625-5133 (n) 


SOM-3F 1M sk 1M for sunny 
5Bdrm 2 bth apt on Camb/Som 
line. Semi-coop grads & profs 
$158) gas utils 625-3505 








LEXINGTON-Happy M/F 30-50 
to shr sunny cntry home nr ctr & 
128. $275: 862-2151 eves 7-10 


LEXINGTON-Prof rmmt to shr 
hse w/2M 1F thru Aug. Own rm 
close to 128 w/w d&d w/d pkg 
$181.25: utils. Avail immed. Call 
Rob 729-8517. 5-10pm 


Live in Wayland-Quaint frmhse 
on acre. F, 25+ needed to share 
No smkg or pets. Avail immed 
$350 inclusive. 655-1941 











DORCH-2M 1F sk 2 for light supp 
coop hse on nice st Veg pref 
61-74+ for June 1 perm or sum- 
mer nr red in 265-0755 


Coop starting in DORCHESTER 
Multiracial mhood veg/creative 
support $125 mo & utils 
288-7338 


DORCHESTER-M or F 24+ wntd 
to complete 4 prsn hshid. Ash- 
mont area nr T. Grad or stdt. 
Avail June 1. 825-5355 after 6. 


FENWAY-Lrg 2 bdrm $200 w/ht 
gd security new kit & bath & wdfir 
('m F nd 1 sub til Aug fall op Fran 
782-7123 avail June 1 


FORT HILL 
3F 4M sk 2 to share sifowned 20 
rm house in Roxbury shrd vegie 
meals smokefree air wkly house 
mtg enough pets comm garden 
trees across frm park quiet frndly 
nghbrhd call 9-9 442-5349 


HOME SOUGHT 
Renaissance man 35 seeks a 
home/new age family. Veg 
nonsmoker with small higher be- 
ing (dog) good designer & 
craftsman w/tools (house & 
crafts)dancer, seeker, sailer, part 
time parent w/much energy & 
caring for the right home 
interested in working space. Also 
owning or buying. Scott 
566-2174 


JP F22: coop hse w/ 2M 2F nr pd 
& T indep quiet no smk no pets 
avail June 1 $146 util call 
522-3575 6-10 PM 


JP-We're ikg for people to com- 
plete our beaut 7 prsn house We 
have strong interests in medita- 
tion pers growth & prof devel 
which we'd like to shr w/ our new 
rmmts Hse is huge Vict w/ frpis & 
other goodies nr pond Arb & T No 
cigs cats about $200/mo inci all 
call Wanda/Larry 524-3412 


JP hsmte wanted: 3 bdrm hse 
near pond:near public trans; util. 
incl. $225 call 522-2588, morns 


























W. MEDFORD-Directed working 
M, 25: for good rm in spacious 
hse W&D-frpic pkg. Sep food no 
chores. $225: 483-8159 any- 
time 


MILTON-F to share modern 15 
room mansion. Luxury living, 
spectacular private bedroom 
with bath. Fireplaces, 65° swim- 
ming pool, sauna, soon to have 
steam bath and hot tub. Indoor 
and outdoor bars and grills, rec 
raom, pool and card rooms, 
Japanese garden, much more. 15 
minutes to downtown. $410. 
566-7400 


NEWTN CNTR-F to shre beaut 
contemp. cedar & glass house. 3 
frpl. 4 bthrms, priv bdrm, 3 bik 
walk to T. 2 sunny decks, formal 
OR, reading area, ig high beam 
ceiling LR. Forest surrounds 
house w/ jogging trail. Semi-in- 
dep living arrangement 
$335/mo. 566-7400 


NEWTN HGHLNDS-We sk 1M 
and 1F to complete frndly coop 
hsehid of 6. Spac, sunny hse, nr T 
& Rt 128. Non-smkrs, no pets, car 
pref. reas priced. 965-5835 


NEWTON-M&F 30's seeks M/F 
2/3 Vict hse Share chores, food, 
garden. No cig/pet 965-6098 
899-8545 


NEWTON Line in W Roxbury-2M 
3F sk prof M 25-30 for gorg 11rm 
hse. Yd. prchs, tp, d&d. w&d, 
stor. pkg. immed. $210inci ht 
323-7479 


NEWTON-Non-smkg. 27: profs 
in ige hse on quiet st sk same 
Free pkg. tennis. Nr T, 128, pike 
Avi now. Lge rm $250. 964-2942 


KIDS WELCOME 
NEWTON CORNER-Friendly 
non-smoking semi-veg coop 
hshid seeks parent/child (6-13), 
singles. couple. Own rooms, 
large Vict. garden. porches, 
W/D/DW. Pisnt nbrhd. parking, 
bus. & pk. $200/rm/mo. Sec dep 
Call 527-3477 or 3476 


























JP-2F2M-sk 1F. Lg house prch 
frpic pkg nr T. pond. Indep hshid. 
150: ht, utils. 524-4542 


NEWTON CORNER-3M need 1 
rmmte 120 util Food Coop 
Avail 5/10 Call Eves 969-5875 





JP-Sk 3rd 4 great hse garden 
trees nr pond T Ig rm dogs OK 
$200 | 5220241 4420050 W 


NEWTON CENTER large room 
and semi-private bath avail May 
15 in huge Vict co-op. $200 
includes ht 969-1842 Pref F 


SOMERVILLE/Union Sq group 
owned renovated hse of 8 
atypical professionals 

age 28-40 enjoy food humour 
arts sciences looking for new 
members 776-9500 


SOMERVILLE-1F3M age 28-36 
sk mature respbie neat nonstu- 
dent F 28: for semicoop nonveg 
living Lrg cmfrtble sunny home 
garden quiet str on MBTA new 
furnace No pets/tbc $116+ 
628-3282 


PROSPECT HILL-SOMERVILLE- 
Man over 30 to share large re- 
novated duplex with 3 pro- 
fessionals, 2 women and 1 man. 
With yard, MBTA. $145//month 
' utilities. 623-3090 evenings 


SOMERVILLE-2F & 3 cats skng 2 
F for friendly spacious house 
near stores & T. $125.$150 & 
Utils Avail immed Cali 628-9267 


SOMERVILLE-1F,.1M sk 1F & 1M 
prof persons for ind hsehid 
Share chores. not meals. Beaut- 
iful Ig hse on pleasant st., nr pub 
trans, Indry. yd. no furry pets no 
tobac. 628-6488 after noon 


SO NATICK-1748 Hs 20 mins fr 
bst fp. own rm. kp, 300 PM 1/2 ut, 
ref req David 1-653-2163 Gays 
wel 


Prof M/F to share ige com- 
fortable WALTHAM hse near 
120/128 $350! 245-3010 days 


WATERTOWN-1 prof F for Sum- 
mer sublet w/ possible opening 
for next year Share w/ 3F 1M 

hse nr T $125 avail 6/5 926-5864 


WATERTOWN semi ind hse of 
3M, 1W seeking 1W.Lge sunny 
room, pkg close to T.Good land- 
lord & neighbors. We eat meat & 
smoke. $145 926-5763 


WATERTOWN-2F. 1M sk 1M 30+ 
for coop hse. Lge bdrm, attr hse 
nmr T. Share exotic meais! No 
smkrs $105 : utils. 924-8075 


WTRTWN-2F 1M sk 2 (23 : ) to fill 
Ig sunny coop ..se w/yd dw w/d 
shr meals no cigs/pets Nr T 
$160 926-7655 


WATERTOWN-Need a 4th to 
share top 2 floors of house 
Sunny, kitchen and livingroom, 
near Square and T. $175/month 
Available July through August 
923-8576 evenings 


WATERTOWN-Large beautiful 
home nr T w/yard. garden needs 
non-smoking housemates 25: 
no pets. Call Jean 924-9333 
days, leave message 


WATERTOWN-Sunny spacious 
2BR apt on quiet resid st w yard 
pkg. t. Conv to Camb Bos Pike. 
Seek friendly prof F 30-40 to 
snare w same & my Cat. 225: low 
utils 924-1648 Keep trying 









































Z961 ‘t NNT ‘OML NOILO3S ‘XINSOHd NOLSOS 3HL 














18 


THE BOSTON PHOENIX, SECTION TWO, JUNE 1, 1982 








WATRTWN-M 30: to shr comf 
hse w/3W 1M. Quiet tree-lined st. 
shr meals. $190 - 923-0116 


WELLESLEY-Congenial M or F 
smokeless house $115- util 
egalitarian politically conscious 
minds compatible regrdiess of 
age meditation Native American 
culture appropriate technology 
share chores & outdoor work 
Sorry no more pets, 235-4206 


WESTON-Congenial resp hsmt 
to shr spacious home Be reason- 
bly sane w/ sns of hmr, like 
animals conv loc. frp! wds Pref no 
cigs $250: Nan aft eve only 
235-37 16 


WESTON semi-veg coop house 
seeks indep pro 28: hsmt gardn, 
land. nr pike 128. MBTA. 20 min 
to city. $191 . 899-8230 


WESTON-Comt 3BR hse, w/spac 
esthetic outdrs. Lkng for 3rd prsn 
to join active. indep, 2M hsehid 
Usual stuff. W&D. etc. Pets & 
tobac N/A. $250+ ut, 894-6566 


WINCHESTER-sublet rm in 
group house. Prkng indry utils 
incl. $280/mo. 729-2094 


WINCHESTER-Cp! & F M-F 25+ 
for indp hse. $175» util nr T pkng 
smking & pet ok 729-5892 af 6. 


WINCHESTER-M/F 25: respon, 
indep. to shr beaut 3BR w/prof M 
mid 30s. golden retriever, grand 
piano. frpl. grdn etc. Close to 
train & 93.$218 + utils, dep req'd. 
Call Peter.days-491-2211., 
eves-729-49 16 


W MEDFORD Roomy Victorian 
House needs F/M 30: to share 
w/ 5 prof persons Beautiful yard 
garden v conveniently located. 
We share house ownership and 
meals $140 mo incl util No smoke 
483-1796 or 483-5116 aft 6 


W. NEWTON-F 31 sks F to shr 
beaut 5 rm apt; yrd. grdn, prkng, 
d&d. App $300 inci util. Avail im- 
med. Nancy wrk 872-8747. 


WOBURN 2 M/F needed for Ig 
hse. Frpl. pkg. Ig kit. w&d, $125). 
June 1. Rich, Jim, 935-3185 


W SOMERVILLE-coop house sks 
M/F to shr 4bdrm hse. Nr buses 
to 3 subway lines. Interests: 
classical music, biking, gar- 
dening. semi-veg. W/D, non- 
smker $165/mo : utils 628-7769 


INVESTMENT 
PROPERTIES 


MONEY MAKER 
30° x 60° metal bldg. 5 rm home 
2: wooded acres, comm zoned 
on state hwy, Middleboro 
$85,000. Call now! 644-2675 


KING SPACES 


Parking space in enclosed gar- 
age near Harvard Square avail- 
able June. July, August 
$50/month call 547-2865 


Wanted to rent: One Back Bay 
parking space in Gloucester St 
area. 262-9254 (eves. & wkend) 


Wntd: BkBay nr Exeter to lease 
or buy 1 space, No piggy-back, 
pref garage Phone 262-7396 






































uv 
. 








SSL REALS AO 
ROOMMATES 


i onnteeneeeneennienanenememeneemedennaneneeee 
1M 2F sk 4th rmt to fill Ig frndly 
5BR apt off Mass Ave. Fixed at- 
mos cin $160/mo for 2rm suite. 
646-5587 


2 F's sk 3rd for spac 3bdrm apt nr 
Cool Corn. $225 inc ht. Call 
232-5124. Keep trying 


JP-Prof F 25-35 for 3 bdrm apt in 
Ige hse w/ frpics pkg laun & other 
extras nr pond Arboretum & T 
$225/mo incl ht 522-2131 


3 mature M/F wanted for Sept for 
gorgeous Irg Victorian hse in 
BRKLN on grn line. Great 
nghbrhd. $265 incids_ utils-ht- 
prkg. Call Joe 739-6662 














4th for 4 bdrm apt in Alliston near 

Harv Sq 150 includes all utils and 

phone. Own room 25 or older & 
lean 787-0390 


ALLSTON-F rmmt for 2 bdr apt 

T. stores. $237/mo. inc ht & 
twtr avl 6/1 Kathy 787-3452 or 
735-9661 


ALLSTON-2F. 1M sk rmmt 6/1 
$150/mo: sec. 787-4084 nr T & 
buses. Call 12- 10pm 


ALLSTON-1M/F for 2bdrm apt 
Frpic, nr T. off-str pkng. $275/mo 
incl ht/hw. Brad 254-3300 days 
lv mess, 787-5830 eves 


ALLSTON-1M seeks resp. F Ig 
2bed near T & bus walk to BU & 
shopping $235 no smoke 
782-8586 


ALLSTON-GWM sks same for 
newly renov 2 bdrm apt on T 
$225. not a sex ad call Billy 
254-3938 


ALLSTON-rmmt nd to shr 3BR 
apt June 1 or 15. $170/mo ht/hw 
incl 254-1826. Nr T & bus. 























ARL-2 non-smkg Fs 25- sk same 
for 7 rms in hse w/ yrd prkng 
$173. avail 7/1 648-5638 eves 


ARLINGTON/CAMB-2 prot F sk 
3rd M or F for 3 bdrm house 
$200 648-2499. Jean or Kate 


ARLINGTON HTS-1 or 2 F 25: to 
shr Ig beaut 3 bdrm apt in hse 
Sunny & clean trp! D/D W/D yard 
nr T & shops $220- 646-3967 


ARL-Male rmt wanted 7/1 9rm 
apt 25 yrs near T $150 - util call 
eves 641-0680 ask for T. 














E. ARL-Looking for 1 F room- 
mate to share 2 bdrm apt. $230 
utilities. Non-smkr. pkg Box 


7273 





ASHMONT-1 student/prof to 
share spac 3BR duplex with 2 
profs fully mod. close to T. nice 
neighborhood. pkg. 160° utils 
Eves 265-0578 





BACKBAY 
Share beaut 4 ige rms M/F 25-35 
prof or grad. Indep & secure 
$225 - util. 262-1159 


BACK BAY frndly rmt sought for 
mod 2brm apt for summer. Ryrvw 
sundeck laundry rm dd $265 Al 
267-4574 


BACK BAY-M or F to share 
2room kit & bath on Newbury St 
$200/mo &U Call Charly 
262-6903 


BACK BAY-NU male roomate 
want to share 1 rm stu w kitch & 
bath $120mo:* util Call 262-9381 
aft 5p 

BACK BAY-F sks same to shr 3 
bdrm apt 200 mo ht incl. Call for 
info, 536-77 16 

















BACK BAY-indpt male to share 
large 5Bdrm apt. Great location. 
$209 incl. Available in June 
247-3996 


BACK BAY-M 20-30 shr 3 bdrm 
very large apt-prefer GM into 
sports-call Paul 9-9 536-2213 


BACK BAY-Prof rmmt wntd for Ig 
2BR. $325: 1/2 utils 
W-743-8191, H-267-9078 .7/1 


INSTANT 
ROOMMATES 
BY HOMEMATES 


When you're looking for the per- 
fect roommate/s, choose the 
roommate agency that will offer 
you the most. Covering all areas 
and people from all walks of life 
We care! Call us. 497-4308. $20 
FEE 


BEACON HILL-Rmmte for clean 
renov 2Bdrm nr T. $250 inc heat 
Call Stephen. 367-4838 


BEACON HILL-Seek person 23 
(pref F) to share small apt w F 26 
& cat. Rent 190 227-9330 


BELMONT-3 prof seek 1M. 25 to 
35 to share attr 4bdrm apt 
Cushing Sq area avail July 1 
$175/mo util Call eves 
484-2991 


BELMONT-rmmt 25-35 to shr 
sunny 2bdrm w F. Porch, a/c, on 
T. $525:+. non-smok. Cail 
489-2533 


BELMONT-Summer sublet F25 + 
wntd., attic room avail. Shr w/ 2F, 
1M Irg comfy apt w/ prch, frpic, 
garden nr Harv Sq and T 
$200/mo inc utils 489-3934 





























ALLSTON-1 BR in 2BR apt avail 
6/1 clean secure bidg $225/mo 
inc ht/hw Dave or Ken 735-9699 


ALLSTON-G-BiM wanted 3rm 
apt Jun1-Aug31. Pos cont. good 
transp. Quiet area. Jim 783-5250. 








TRANQUILLITY 
BELMONT-2M sk 1M or F for 
spac hse in safe grn qt area, 10 
min bus to Hvd Sq, $200 : util. No 
smkrs. Summer or ingr . Bill 
969-0100 x4 150 days. 





ALLSTON-looking for 1F room- 
mate to share 2bdrm apt clean 
secure modrn bidg Idry prking air 
cond off Comm Ave. $225/mo. 
Call 782-0295. 


ALLSTON-2M sk 3M/F for 7rm. 
semi-coop. veg. apt: no cigs. 
pets. 6/1 $100! . 277-2275 





BELMONT-CAM-WTRTWN Line- 
F sking 2F/M/cpls to shr huge 
sunny 36d. Pref mus, arts, theat 
types. $175: . 7/1. 484-1150. 


BKLINE-$100/mo, no TV 
studious student wanted. pref F 
foreign welcome B & C trains, 
277-3015 








ALLSTON-2F rmmtes needed 
immed. 5bdrm mod sundecks 
d/d w/w frpl nr T. $165:. 
787-9890 eves. 


ALLSTON-Rms avail now in 
spacious sunny apt $210/ht/tiw 
incl call 727-3655/782-4278. 


ALLSTON/BOSTON-2F sk 1F to 
share clean. spacious apt near T 
and BU. $200 inclusive. Avail 
6/15. 783-9207 


ALLSTON-M/F nd 4 spcs 4 bdrm 
apt $210/mo inc uti open 6/1 
Call 542-0100w. 782-4278h 


ALLSTON-sk 3rd F rmmt 24: for 
3bdrm. Nr T. no pets. $165/mo 
incl ht. 254-8075 before 10PM. 

















BOSTON-Park Dr M 25: 2 bdrm 
nr T $167.50/mo : utils. Call Dave 
262-4126 


BOSTON-M quiet nonsmok shr w 
M pleas 2br apt Mons thru 
Fridays gd loc $130/mo ail 
266-6322 


BACK BAY-Seeking 2 
responsible indpt 25: in Ig 5 br 
apt $190 or $245 inci ht. 
266-3718 


Sublet avail 6/1 sny-spac bdrm in 
3 bdrm apt with 1M & 1F. New- 
bury & Gloc. $250 247-4767 


BOSTON-Park Dr sk 1rmmt for 2 
bdrm apt $193 «gas elec avail 
immediately 

June 1 247-2854 

















ALLSTON-Wanted F r< 
to share 3bed apt near bus & T 
Call Carol or Laurie! 787-5549. 


ALLSTON-Wntd prof F 28: for 
2bdrm apt. Be cheery & easy- 
going. Non-smok. Conv loc 
$160 783-2379 AM or aft 6 








FENWAY-2F sk 3rd $140/mo « 
utils & sec 247-3939 days ask for 
Mary 


BACK BAY-Roommate needed 
to move in late June or July 1 
Mar!borough St. sunroof, weight 
room $230 no utilities 536-1086 








BOSTON-F wntd to shr Beac Hill 
apt w/2 other girls. Private bdrm, 
$200/mo. Avail for June July & 
Aug. Call 353-0082 after 6pm 





BRIGHTON-3 sk M/F for 4bdrm 
2nd fir duplex. Lg kit w porch & 
view. Nr Oak Sq. BC. T. Quiet 
$155 - util. 782-4261 





BACK BAY-Summer Sublease w/ 
OPTIONAL YR LEASE. Carpeted 
bdrm w/ priv bath in ig beaut 
mod 3 bdrm apt. mod kit wd firs 
high ceil frpic teak furn exc trans 
nmr everything $275 6/1 Cail 
266-97 19 


BOSTON nr NU/Brig Hosp share 
spac apt w/ 3 students nr T 
$ 150/mo 367-1400 or 442-3104 








OSTON 
Two people for SOUTH END 
duplex exposed brick. $140 & 
$180 inci ut! June Worcester Sq 
437-0660 


BACK BAY-Pru area large bdrm 





in 3bdrm apt prefer GWM into. 


sports weight lifting. Space avail- 
able age 21-30 cali Paul 9-9 
536-2213 $260/mo includes util 


BEACON HILL 1 rmt to share 
towmhouse triplex mod kit & 
bath, furn June 1. $375 367-2166 


BOSTON-Beaut Ig sny mod 2 
bdrm 2nd fl apt exp brk bay 
wndw nr T & bus $262 inci ht wir 
gas avail immed Call 262-1826 


BOSTON/BACK BAY-Apartment 
to share summer sublet with fall 
option large bedroom eat-in 
kitchen Bay window with view 
$300/month includes utilities nr T 
& NU days 569-7252 ext 209 
evenings & weekends 232-0599 


SHARE 4 SUMMER 
BEACON HILL-Resp M/F wanted 
2 share ig 2 bdrm w/ prot GM 
smoker ok-no pet. $250 incl util 
523-5390 day/evening 

















BRIGHT-Lkng for 1 or 2 F 24 
Avail 7/1 Share clean. tunny 
3bdrm in hse. No pets. $205: 
782-2159 


BRIGHTON-Lkng for M to shr 
3BR apt on Comm Ave. $150/mo 
232-4134 morns best. avail 6-1 


BRIGHTON-Neat prof F sks same 
24-29 to shr 2 bdrm apt. eat in kit 
nr T. $280 inc heat. No pets. Avail 
7/1. 277-1477 


BRI-Sublet. 6/1 w/option $238 
M 36 sks very quiet neat nonsmk 
M or F. Huge safe sunny 2BR apt 
Michael 783-2542-H. 223-2053- 
Ww 














BRK/CLV CIR-Wkng M wntd for 
suny beaut apt nr T & shops 
Hdwd firs mod K Ig rms. $222/mo 
inc ht/hw & free pkng. Avail now!! 
277-3185 or 566-1038 Iv name & 
no 


BRKL-2W sk prof w 25: Ig apt in 
hs w/w d/d 1 1/2 baths nr T. $205 
incl ht 7/1, Eve 566-2062 


BRKLINE LINE-F shr 3bdrm w 
1M & 1F. Lg rm hrdwd firs. slop- 
ing ceil. louvred windows. walk-in 
clos. eat-in kit, $210 inc ht 
738-1472 


BRKLN-1F grad or work for nice 
3bdm apt. $220 w/ht. Avail now 
or 6/1. 232-6782 eves 


BRKLN-2F sk 2F. late 20s: June 
1& July 1. Lrg 4 bdrms. Quiet, res 
area. Conv loc. No pets or smkrs. 
$163.75 incl. ht. Sept tease 
566-4366 eves 














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251 Harvard St ‘ 


Brookline (Coolidge Corner) 02146 
ee 





BROOKLINE-2 prof F 24-29 non- 
smkng neat to shr mod spacious 
3bdrm apt. dshwshr baicony a/c 
Nr T & BU. $240 inci ht/hw. Call 
6-10PM 232-3867 





BROOKLINE-1F & 2M sk 1F 
25-35 to shr ig home. Lots of 
space. w/d. 4 frpl's Ig pch, free 
pkg. nr T & stores. $250/mo inc 
all utils. Call Steven or Linda 
232-5064 or 739-0525 





BROOKLINE-2 bedrooms in 4 





CENTRAL SQ-1 rm avib 3 biks 
from red tine semi furnished 
$150 - util pref Male 876-2755 


CAMBRIDGE-F 27: to live with 
1F 2M (late 20's. early 30's) in 
semi-independent household be- 
tween Harvard & Central Sq 
Porch. friendly dog, coop at- 
mosphere. humor. $120/mo inci 
ht. No smoking. no other pets 
66 1-9632 after 6 


W. CAMBRIDGE- M/F for Ig 2br 
apt w/ 1M near T. Yard. pkg $260 
all util inc. 491-6826 eves 
895-4250 days 6/15 or 7/1 


CAMBRIDGEPORT-Off 
Magazine st. Lg 2 bdrm in Vic- 
torian hse w/ indep prof M 36 frpi 
laun porch yard prkng avail now 
$225 - utils Frank 492-2625 


CAMBRIDGE-M/F roommate 
25° for 14X21 room in bright 
renovated apt w/ loft mod. kit 
porch garden. Share w/ male 
photog 29. Prefer artist. grad stu- 
dent. professional. w/ ref. 245 + 
util 547-0003 10-10 


CAMB-M/F. 23-32. small. 2bdr 
apt nr Inman Sq. shr w/ 1M, sum 
or longer, $125: utils Call 
497-0675. 


CAMB/SOM-Rooms in apt nr tn- 
man Sq $175/mo: sec Avail 6/1 
call 492-0593 


CAMB-room in pisnt active apt 
w/ couple. Oxford St. All house 
prvi. $185 + depst. Don 354-5660 


























bdrm apt labl y. 
D&D. washer & dryer. nr Cool Cr, 
quiet, convenien to shapping & 
two T stops on Green line. One 
room $199.. other $212 inci ht & 
ht water. Option to cont lease in 
Fall. Please call 232-1326 


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Compatibility, companionship, friendship and 
economy are just a few of the advantages of 
sharing an apartment or home. Our modern 


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Covering all areas and people from all walks of 


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We care! Call 


1770 Mass. Ave. 
Cambridge, MA. 02140 


(between Harvard & Porter Squares) 


Mon.-Fri. 9 am-8 pm. Sat. & Sun. 9am-5pm $20 fee 





CAMB-Shr furn 4 bdrm duplex w/ 
pool. A/C. D/D. Nr Fresh Pd 
$212.50/mo 6/ 1-9/1. 864-7921. 


N CAMB-Rmt wntd to share mdr 
2 bdrm apt on buslines dishwr. 
laundry. prkng 492-0490 











BOSTON-share 2bdrm apt in 
safe nbrhd nr airport & T. Furn ig 
kit free laundry. $150: util, no 
lease. Pref student or wrkng/no 
smok or pets. Call Bill 567-0585 
or lv message w Tom 569-2329 





Female Roommate wanted sum- 
mer sublet fall option no pets 
$175 720-3993 eves 


BOSTON-F roommate non- 
smoker mid 20's. Rent $195 ht 
inc. Own room. Call 267-8961 
eves or leave message 367-26 16 


BOSTON'S best deal! Pro M 26 2 
bd beaut furn apt. Free pk, frpl. 
root dk. view! $262 mo w/ht Don 
eve 242-2748 Wk 729-1695 


BRI-Prof F rmmt wntd for 2 BR Ig 
mod kit sunny quiet pking 
$250/mo incl heat. 787-4273 
after 6 


BRIGHTON-F to share Ig 2 br apt 
furn nr MBTA avail Jn 1 $237 mo 
incl ht call 254-0702 immed 


BRIGHTON-2 yng prof M's sk 
prof M/F for Ig residential 3bdrm 
mod apt nr T D/W 2 baths prch & 
extras $218/mo 782-3052 


BRi-Lively F wanted for frndly co- 
ed hse. $142/mo. Nr strs, T 
Clvind Circ." 6/15 or 7/1 
782-5242 


BRIGHTON-3rd roommate 6/1 to 
7/1 3rd flr 3fam hs Nr bus to 
Kenmr Centr! Sq $167/mo 
254-8457 


BRI CTR-1F to shr w/ 2F's sunny 
3 bdrm apt. Pkng. nr T. shops 
Avail now 783-0953 eves. 





























‘3 F's seeks 4th for spacious 


Comm Ave. apt hdwd firs. porch, 
frpice, Indry. parking, on gr In, 
$225inc ht Avail immed 787-5431 





* BRI/BRO F 27 sks resp F, 6/1 or 


6/15. sublet w/ opt, renov apt 
sunny furn $300 inc all 254-3525 


BRI-2M, 1F seek 1F, 24: for ig 
4bdrm apt. 2 floors, front & back 
porch, yard. $156; util. Call 
Keasley 787-3525. 


BRI/BRO-nr T 1F + cat sks resp 








, mt to share 2 bdrm apt conv loc 


$213 elec 735-0580 aft 6pm. 


BRIGHTON-! am a responsible, 
non-smoking. veggie, musician 





. looking for a M or F roommate to 


share my Cleveland Circle 1BR 
apt for 6/1. You get yr own 


_furnished rm. Rent is $180/mo 


incl ht. 734-0010 morns or eves. 


BRIGHTON-! am a responsible, 
non-smoking, veggie, musician 
looking for a M or F roommate to 
share my Cleveland Circle 1BR 
apt for 6/1. You get yr own 
furnished rm. Rent is $180/mo 
incl ht. 734-0010 morns or eves. 


BRIGHTON-Avail immed 2 rmts 
(summer or perm) wntd to shr 
4BR apt safe quiet st, off st prkg, 
fr & bk porch. yard & grdn 
$132/mo: utils 254-7061 eves. 


BRIGHTON-3M. 1F sk 1F: Ige 
5bdrm house in gd nbrhood. w/d 
porches. mod kit. nr T, no smkrs. 
no more pets 782-8783 


BRIGHTON-F rmt wanted for 
Jun-Jul $187/mo opt for fall 
735-9787 














BRKLN Cool Corn-Seek prof M 
26 to share quiet neat ig 2 bdrm 
apt 235/mo. Avail 7/1. Call Mark- 
eves 731-3607 


BROOKLINE 
GWM sks strt appr male to shar 
2Bdrm apt. $250 : elec. This is no 
sex ad. Call Phil, 739-0504 





BRKLNE-Rmmt 23: Kosher & or 
veg. relig lib, 2BR. kit, LR. $212 
incl ht & ht wtr. Grad stu or wkng 
W. 6/1 w/ Sept opt. 566-6808 


BROOKLINE-M 25: for com- 
fortable spacious 3Bdrm hse nr 
Cool Crnr & T. $200: utils. Non- 
smkr 6/15. 566-7342 





BRKLN-Rmmt wanted spac apt-~ 


$250/mo 3 bdrm M/F Jun-Aug 
Stud pret. 739-9093 


BROOKLINE-Sk stu or rec grad 
to shr Ig 4Bdrm apt $130 inci ht & 
hw. Avail immed. Call 566-0275 





BRO nd 1FM to share 3 bdrm apt 
w 1M/1F. $175/mo all util incl. 2 
mo security required. 731-9636 
Brian 


BRO-Cool Cor F 4 friendly 2 bd 
apt huge sun nr T 6/15 4 summer 
w/ fall opt $200 4 all 232-7236 


BROOKLINE-M/F to share 3 bdr 
apt. nr Coolidge Crnr avail 6/1 
$205 incl ht 734-1830 aft 6 


BRKLN-M/F 30 sk quiet F 
now-9/1 or longer $170 friendly 
indep apt no smkg/pets 
734-7434 


BROOKLINE-F seeks non-smk F 
22-28 to shr 3 bdrm apt in Cool 
Crnr $168 ht. includ avail 7/30 no 
pet 731-2277 


COOL CRNR- 1M. 27, neat, work- 
ing. consid, 4 spac semicoop apt 
No smok $165: 738-7739 


BRKLN-Lge sunny apt nr T sk 3rd 
F prof 24: considerate, neat, in- 
dep no pet/cig/park. $171 w/ht 
Avail now 277-6845 


BROOK-Wrkg F 25: to shr 3BR 
2bth nr T $225 ht inc Call 
739-3315 aft 5 for 6/1. 


BKLN/COOL CRN-Prof F 26: 
non smkg wntd for mod 2bdrm 
apt kosher-A/C. pkg avail, indry 
260/mo incl heat 277-3853 


BRKLN-F 23: for summer sbit 
opt fall 1 bdrm in Ig 2 bdrm apt 
frpi-hrdwd fir Lori 734-8116 





























CAMB-Quiet light trees porch 
lovely view. Walk Harv. MIT. BU 
Residential area, near Charles 
Riv.. for indep. quiet person 
Woman pref. Best 6-7 pm/keep 
trying. 492-7316 





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ROOMMATES 
We put people together. If you 
have an apartment & need 
someone to share it, or are 
looking for a place, we can 
help! We respect your con- 
fidentiality. Call today! 
232-1287 
1140 Comm. Ave., Allston 
$18 fee 











CENTRAL SQ 
CEN SQ-2M 1F sks 1F for ind apt 
nr T $137.50 inc ht. No smoke 
876-3393 Avail May. 





HARV SOQ share apt mdrn sunny 
W/W A/C dishwr Indry put pking 
storage $250/m inc ut 492-3621 





CAMB-H Sq Wanted: Indep Prof 
F 32-40 to shr w/ prof M charm- 
ing 1840 twnhse Good sep of 
space Frpl pkg $225:Ut 
876-2948 Eves 





CAMB/IN. SQ-F for sm bdrm + 
own den in sunny spac apt, Ig 
kichn, lv rm, porch. | am ftrndly 
indep prof F 28. $300 inci 6/1. 





BROOKLINE-Female or male 
wanted for 1 room in 3 bdrm apt 
June 1-Aug 31 rent $177 
Furnished near ¥ 277-7484 


BROOK-Cool Crnr F for spac sun 
quiet apt Veg or kosher 6/1 $312 
2BR. $208 3 BR 731-1767 


Need non-smkr intrestd sharing 
Ig kosher apt Coolidge Crnr 
w/father&pt time family 327-1136 


BROOKLINE-3M sk 1M Ig apt nr 
Beacon T. shopping. 2bath, d/d, 
a/c. Must be quiet. indep, non- 
smoker. Pref working person 30: 
$165 + utils Call Steve 739-0720 


BROOKLINE-rent or sum sublet 
3F sk 1F spacious & beautiful 
4bdr 3 bath 25: $200 232-0275 


BROOKLINE-apt to shr 6 rms in 2 
fam hse. frpic. d/d. prkg. conv to 
T & shops. qt str nr parks, $325 
htd. Call Peter 277-2061 


BROOKLINE-Prof M seeks M/F 




















25: for 2br. W/W d/d a/c w/d/ 


fac! 262. incl ht/hw. Call 
566-1643 eves 879-2960 X3909 
days 


BROOKLINE-sunny rm in 4bdrm 
apt Jun-Aug $215/mo-neg. Furn 
or un, nr T, BC. BU, NU 735-9398 
Female nonsmkr. Beautiful rm Nr 
T & park. Furn/unturn w/ family 
Kit Priv. $200 + utils 277-7431 








day eves 6- 11pm 864-9054. 





CAMBRIDGE 
PORTER SQUARE 


M/F to share 3 bdrm apt $148 | 
util. Pkg. nr T. Spacious. 
491-5876. 


M/F for own rm in cozy 2BR apt in 
Camb hse. Stdnt into music & the 
arts pretd. Chris 492-8661. 


CAMB- Skng rmt ig beaut furn 
condo nr Radcliffe. Frpic, many 
wndws. $182 mo util. tel incl. Call 
Mike at 547-3389. Call btwn 7:45 
and 8:15 am or 7:30 to 8:30 pm 
only 


CAMBRIDGE-one room in- our 
four bedroom apt Available July 1 
$150 & 1/4 util 661-4631 ask for 
Chip 


CAMB-2 br apt to share lovely 
safe nbhd w/d $160 incg heat! No 
cats cigs’ want resp wkg F 
492-5553 


CAMBRIDGEPORT-1F 1M seek 
1F nonsmoking semiveg for 
3bdrm apt $128: util 876-1076 
CAMB-Harvard Sq-F to share 
sunny. cozy apt garden-rent con- 
trol $110 Call 547-1106 


CAMB Frm quiet apt with piano 
150 A pl util no smoke 868-3092 























CAMB-2F seek F25: for ind 
Feminist Coop. Lg apt on bus line 
av 7/1 $200: util, sec 497-0816 


CAMBRIDGEPORT-Share large 
furnished house-clean, quiet, pri- 
vate-pkg nr trans $175 inci all util 
Paul 6-8am b.t. 547-0798 


CAMB-F rmt for 5 bdrm apt 3M 
and 1F. Available June 15 $95 
incl ht 864-7942 


CAMB-3F/2M sk wrkng no smkr 
M 22: for 6BR hse occ 6/1. Shr 
cooking: . $115: ht. 876-6129 


CAMB Cntr! Sq-3rd rmmt wntd in 
homelike apt. No smk no pets 
Avail 6/1. Call 7pm 354-5554 


CAMB-F 28: wanted to share 
very lg apt w W 33, dtr 12.2rms & 
own bath. Near H Sq. Looking for 
friendly resp non-smkr. $250 + 
497-4242. Avail 6/1 


CAMB-F over 30 in arts, likes 
cats wtd to shr w/F in arts, Zen 
Buddism, quiet space nr Harv Sq 
$185 htd 492-0145 6- 10pm 




















ROOMMATE 
REFERRAL 
co. 
Serving the gay community. 
No fee to list apt. (not a dat- 
ing/escort svc.) 


731-2525 
12-9 














CAMB/SOM-Prof M seeks prof 
Mor F 25: toshare 2 flr apt hdwd 
firs. bk pch, yd. Non-smok pref 
$180. nr Sorter Sq. Call Larry 
776-7314 or 547-6363 X 106 


CHARLESTOWN-Prof BiWM 26 
wnts M or F for 2bdrm apt $215 
spac modrn. W/W. A/C Ivng rm. 
ig kit. sundeck, nr bus prkg safe 
nghbrhd no lease Cali Tom 
242-3929. Serious replies only 


CHARLESTOWN-F rmmt 5rms & 
2 bdrm. Dishwasher on B & T 
262.50: util. 242-5382 


Chelsea GWM 25 sks rmmte 
w/some turn to share Ig 2 bdrm 
apt or Bellingham Sq. $ 93 195 
inc util ex elec 884-3705 


CHEST HL-F rmmt for June 1 & 
Sept 1 to share 3 bdrm apt nr T. 
bus. shop $210'. non-smk, no 
pets. Days 739-3459, 566-0520. 


CHESTNUT HILL-Skng resp 
rmmt to shr 3 bdrm apt $150) 
utils Call Pawl 731-5946 


CLEVE CIR-Prof F sk same 25: 
shr spacious sunny 2BR apt nr T. 
stores on quiet tree lined 

st. Pkg. $262.50 hid 566-7266. 


COOLIDGE CORNER: Kosher 
Female 25:. needed to join 3 
prof women in spacious well-kept 
apt. $250 month, heat included. 
Free Parking. Call 566-1511 eves 
& wkends. Near T 


F roomate for Dorch apt (24+) 
spacious rooms Quiet st. $150: 
Share chores &some meals Cail 
Margie 436-6290 or leave 
message 647-2954 


DORCH gm or gf roomate wntd 
for 4bdrm Vict hse ictd one str 
from ocean quiet ngbh hse is 
newly renov Dishwshr Wash & 
Dryer. REnt $225 util incl. Pleas 
call Dave at 282-1814. 


DORCH-Prot F 36 seeks F to shr 
2bdrm apt. Jones Hill, porches, 
view $175mo: ht 825-2874 eves. 


DORCHSTR-GWM 29 sks G 
rmmate for safe cin apt near T 
$110/mo call 282-7635 eves. 


DORCHESTER- Woman seeks 
woman to share 3 bdrm apt in 
Dor nr Fields Cor sta. $100: |: 
util. Call Kathy at 472-3396 


DORCHESTER-pvt rm avail for 
male-kitch priv in apt nr T. Ask 
for Trip-$50/wk 825-5009 


DORCHESTER-Resp F wnitd to 
shr spacious 2 bdrm apt w F mu- 
sician & 2 cats. $70/mo: utils. Nr 
Ashmont T. Susan, 436-3112. 


DORCH-Neponset-GWM 26 st 
appg sks same 2 shr 5 1/2 rms. 
7/1 or 7/15. $175:. Nites 
288-1349 Tom. 


F roomate to shr a Irg 2cnd fir 3 
bdrm apt w/2 fems and 1 cat 
close to buses. Hvd Sq on quiet st 
wd firs and spac rms $168: utl 
call 923-2422 eve 


F U have a room to rent & enjoy 
fresh queeze juices, seed sprout- 
ing. veg & etc Please rit Box 577 
Camb MA 02138. 


HVD SQ-F rmmt whtd 28:. 
Warm indep w/same. (w/F Pop- 
gospel singer/dancer). 2BD 
$230 inc ht. 864-1701, 9-11am. 


Indep F 25: for summer. Sunny 
spacious apt in safe Dor. nhd nr 
T. 130: util/mo. 288-7281 


JAMAICA PLAIN-1 quiet, indep, 
friendly rmmt wanted for 2 br apt 
Wsh-dry nr. Org. and Grn lines. 
$212/mo ht + utils. Ben 
524-1720 


JAMAICA PLAIN-Roommate 
needed for 3 bedroom apt. 5 min 
from pnd. $125) util. 522-7596. 


INSTANT 
ROOMMATES 
BY HOMEMATES 


When you're lookirg for the per- 
fect roommate/s choose the 
roommate agency that will offer 
you the most. Covering all areas 
and people from all walks of life 
We care! Call us, 497-4308. $20 
FEE 










































































CAMB-MorF roommate wanted 
for spacious 2bdm furn apt betw 
Harvard & Central Sq. Fireplace, 
laundry. sunroof. $225/mo heat & 
hot water incl. No cigs or pets 
Call Gene after 6pm. 354-5871 


CAMB-F sks same for 2 bdrm apt 
ww. d&d. free parking near T. Cat 
and smoking ok.$240/mo., 
492-5751. Avail immed 


CAMB-Furn'd mod 2bdrm 
penthse AC. DD. 2 bath. baic, grt 
view. 872 Mass Ave. Nr Harv & 
Cent Sq's. Jun 1-mid Aug. $250. 
W/indep prof M 35. Lv Messg, 
661-6347 Dick. Non-smkr only. 


CAMB-Har. Sq. F grad stu or prof 
to share 2nd fir apt in BR: sny 
newly renov Vict hse. Hdwd firs, 
Priv 3rd fir bdrm. 200: avail 6/1. 
Call 492-0107 eves. 


CAMB PORT-1M & 1F sk 
nonsmkg late 20s M/F for 3bdrm 
apt. Clean & conv to trans. $190 
util inc & dep. Call Bob 491-3645. 


CAMB-Prof M seeks quiet resp 
rmmt for nice 2br apt N of Harv 
Sq. 25! .no smoke, no pets. Avail 
June. $231. 547-6944. 


SUMMER ROOMMATE 
CAMB-M Grad stu sks M/F rmt 
to shr furn 2BR apt 6/4-8/30 neg. 
lv rm, din rm, color tv, 5 min to 
Harv sq. $250 or best offer call 
Richard 492 3589 eves. 


CAMBRIDGE-2 rooms $160 per 
room Avail June 1 Calli Nights or 
weekends 497-5243 


CAMB-F sks F to shr 2 br apt. Nr 
H Sq. bus. pkg. No pets, cigs. 
$2 19/mo inci ht 491-0708 avi 6/1. 


CAMBRIDGE APT 
Share with 2. Bdrm kitch. 120 
plus util. Call Tom or Doug 
497-5531 


CAMBRIDGE-M/F mature quiet 
28+ to share comfortable clean 
ind apt w/2 others. $165 inci ht & 
util, T. Nonsmoker. 868-1176 

AM best 


CAMB/SOM- near Davis 
Sq/Tufts 2M 1F seek resp F 25: 
for frdly indep house- Irg clean no 
cigs/pets 623-5794 eves 






































JP-Rec renov Vic spac sunny 4 
bdrm semi-coop hsehid on T 
near pond seeks female non stu- 
dent $165 incl all Call 522-0322 


JP-3 non-smk wrkng F sk 1F for 
Vic hse great cond nr pond 
Easygoing but resp person pref 
$114/mo | util 524-2695 


JP 3F seek 4th 24: to share 4 
bdrm house near Arboretum 
Good Rent Call 524-1169 eves 


JP-Rmt wnt ige apt frndly quiet 
prefer non smkr 25+ M or F 175 
call 825-4961 522-5587 


JP-F rmmt 25: non-stu apt nr 
Forrest Hills. 2 Ig rms avail for 
$200 | utils 522-7413 eves 


JP-Frnshd rm avail immed shr 
large apt w/ 2M 5 min to T 
145/mo & gas 522-5592 after 4 
wkdys anytime wk-ends 




















JP-F or M rmte for 4 rm apt w/F 
30s prof semivegie creative 
112.50: call 524-3573 eves 


JP-F for spacious 4 bed apt w/ 
Portable backyd beach and pool 
$113/mo | util 524-7548 


Jamaica Plain-Roomate wanted 
Share 2 bdrm apt with 1 male. 
June-Aug $165/mo. 522-4266. 


M/F to share bright clean JP apt 
near T and Med Area. 6 rm 
150/mo plus util. 524-3401 


PROFESSIONAL 
- EXECUTIVE 


To share furnished condo. 9 acre 
wooded estate with 19th century 
mansions. Here in Boston for a 
while? Traveling executive tired 
of staying in a hotel? Visitin 

professor in need of a home? 
Male or female to share a two 
bedroom. two bath furnished 
condo in Jamaica Plain with 
female. Swimming pool. tennis 
courts, laundry facilities, terrace, 
fireplace parking. all new 
amenities. Like living in the coun- 
try. a complex of Victorian homes 
renovated into beautiful condos 
$395 per month includes all 
utilities. Located by 265 acre 
Arboretum. Please call 262-1745 
days. Ask for Barbara 



































sl” One 














JAMAICA PLAIN-Proft F 27 seeks 
same. non-smoker. 25-29 to 
Share 2br apt nr T & bus. $240 
td - ut Cat welcome. Avail im- 
med. 524-4183 


Beautiful Vict home needs F/M 
roommate! On gniine by pond in 
safe/quiet JP 23 - prof pref. Avail 
now (neg) 161/mo- utils must 
see! Many seductives!! Call 
522-0933 OK till midnight 





“UNITED — 
ROOMMATES 
We put people together. if you 
have an apartment & need 
someone to share it, or are 
looking for a place. we can 
heip! We respect your con- 
fidentiality. Call today! 
232-1287 
1140 Comm. Ave., Aliston 
$18 fee 











JP-2M seek roommate M/F for 3 
bdrm apt near T avail 9/1 160: 
utils 522-1081 aft 5 


J.P -Prof male and trndly dog sk 
rmmt for 2bed apt nr Pond, T 
hid. 175: util. Avail 6/1 call 
522-4445 or 451-6157 aftr 6pm 


KNMR SQ-2BR apt/condo hdwd 
fis dish & disp hi sec pkg ht & hw 
incl swim pool 266-7573 325/mo 


MALDEN-F 25° to shr apt nr T 
Sate area. nr. shpng. 93 & 128. All 
Util $275/mo Cl eves 324-1121 


MELROSE/SAUGUS-GWM or 
SWM wonitd for lux 2 bdrm 2 bth 
condo central AC w to w crpt 
W&D frpic skylite pool hottub 
poolside bar in brand new 
compix Avail on or about 7/1 
$325/mo elec Call Mike 
846-6053 aft 7 


MALDEN-2M want F/M. Would 

like relaxed per into holistic 

health and shared meais. We are 
friendly and semi-coop. 
— poss of sublet. Rent 
100 




















MALDEN-Gr Hgids. Shr 3BR apt 
w 2 prof 25-35 M/F $235: 1/3 
elec. Grt tux & view 321-4028. 


MARSHFIELD GWM 44 will share 
2 bdrm condo off Xway over 35 
No booze or drugs $250 mo 
837-9240 Bet 6-7PM or wknds 
No weirdos 


MATCHING 
ROOM-MATES 


Looking for a roommate? Regis- 
ter now at MATCHING ROOM- 
MATES INC. 251 Harvard St 
Coolidge Corner Cali today!! 
734-6469 or 734-6484. 


MEDFORD-F 21: to shr sunny & 
spac 6rm D/D. W/D, frnshd se- 
cure bidg. Nr T & Tufts ht inc 
$340 no smkg & no pets 
483-4497 


WEST MEDFORD 
1M sks 1M/F 24: to share roomy 
6: room duplex quiet street 
borders reservation pets ok $250 
ut Call Steve at 899-7245 


MEDFORD-wrkng M sk resp 
rmmt to shr 2bdrm apt $205: 
utils nc T & Tufts no smk & no pets 
396-6232 


MEDFORD-Felsway. apt to share 
w/ sngl prof F 25-30 1/2 of rent, 
util $220 395-6225 9-1 1pm. 


MISSION HILL-$200/month + 
util. Lg 8 rm apt. Must be straight 
white male. Call 442-6400 days. 


MISSION HILL-GWM seeks 
rmmte to share 2Bdrm apt. 
$130; util for June 1 566-5694. 


Prof prsn to shr 2BR dupix in 
NEEDHAM Nonsmkr 444-7128 
evenings & weekends 


NEW COR-Mod turn'd $225. *” 
curity. parking, on MBTA 
22-32. quiet. clean. Balc, A. 
disp. straight. Eves 964-6225. Kp 
trying 

NEWTON- M or F emt 25 + wntd 
to shr ig beaut home with 6 
others. indep hse . $136 :. No 
more smkrs. 527-2675 


NEWTONVILLE-M/F wntd to shr 
3bdrm apt w/ 1M, 1F 24: prof 
non-smkr no more pets irg sunny 
rm $134/mo + utils 965-1217 


W NEWTON-1F/1M sk M/F to shr 
3bdrm/frpl/pkng pref 25: prof 
no-smk $175/mo ‘util Avail 6/1 
Ina 964-1417 Marty 782-4640 


NEWTONVILLE-Rmmt needed 
25 no smk no pets to shr Ig hse 
w/ 2M 2F $175: gas & elec free 
prkng & ht 332-5805 : 


2 rmts look for 3rd to share 3 
bdrm apt in NEWTON. Cail eve 
965-4582 


















































NEWTON CTR-F rmmt wntd for3 - 


bdrm house 25‘ nr T $142! Call 
964-7366 


NEWTON CORNER 
2M grad studs seek rmtes for 4 
bdrm apt. Conv loc. Res neigh T 
w/w $138/mo + util. 244-7949. 


NEWTON-Rmmt wntd to shr ig 
3BR apt w/M 24. Pkg. frpl. wash 
machine. $265! utils. Cali Gary. 
969-7480. 


NWTNVLE-Prof F sks same 24) 
to shr 3 bdrm hse nice bckyrd 
prkng incl $180 | utils. 969-7339 


NEWTON/WALTH Line-F seeks 
same for ony 6rm 3rd fir of 
house $2 ‘utils 
899-0008/965-0327 


NSHORE-GWM 32 prof sks rmt 
25-35 no smk for 2bdr hse in 
cntry 150 mnth 468-3172 eves. 


NORTH CAMB-independ M/F 
25 to share 3bdrm w/piano 
w/1M & 1F. Good loc, summer 
sublet oe opt. $175 utils incl 
661-3756 


NORTH END-Prof fem rmmate 
28: to share 2 bdrm apt 
w/nharbor view, non-smkr pref, no 
pets. $250 . 723-6486 


NWTN CRNR-2 rmts needed 6/1. 
$166.25: util. 969-1893. Close to 
MBTA. 





























INSTANT 
ROOMMATES 


BY HOMEMATES 
When you're looking for the per- 
fect roommate/s, choose the 
roommate agency that will offer 
you the most. C ing all areas 
and from all walks of life. 
We care! Call us, 497-4308. 


Prof M 30 sks rmmt for lux water- 





front triplex apt. $350/mo incl’ 


everything. Call Frank 367-0414. 


Prof non smoker seeks same 4 
Kosher or veg apt in house. Back 
yd close to T $200: utl. 
232-3877 


QUIET APT 4 1/2 rms w/porch, 
view Boston nr Medical area, NU 
$300 w/o heat or utils. Help 
w/redec. Avail May 15. 734-9263. 


QUINCY-Pres Estates M mid 20's 
sks M/F for mod 2 bdrm apt. 
Partially furn ne T shopping. etc 
Should be seen $238: utils eves 
aft 7:30 479-3329 

















RANDOLPH-Near trans non-smk 
to share twnhse apt 16 1/2 baths 
$257.50 utils pis. cali Sarah at 
office ive msg 848-3484 


REVERE-Lkng fr M/F to sh 4rm 
apt. walk to T beach 150 unhtd.. 
split util call Steve 286-0027 


REVERE-rmmt 21: for 2 bdrm 
condo for July 1. Close T. pool. 
dw. wd. ac. heat ing!. $237.50 
289-6017 morn before 10 


Rmmt wanted-Summer sublet 
Fall opt nr NU/Berklee. Only 
$187/mo inci ht & hw 266-3490 


MATCHING 
ROOMMATES 


Looking for a roommate? Regis- 
ter now at MATCHING ROOM- 
MATES INC. 251 Harvard St. 

colidge Corner. Call today!! 
734-6469 or 734-6484. 


ROOMMATE WANTED 
Fmt roommate wntd. 2Bdrm apt 
pleasant area. Bos-Brkin line. 
Conv to 2T stops. Avail July 1 
Opt to lease in Sept. 250/mo. Cali 
536-4047 




















SOMER .LE-M rmt to share 3 
bdrm $ 7- util Avail 6/1 non- 
smoke v 6-0447 aft 6pm 


SOMERVILLE-Porter Sq) Need 
female. non-smkg $225/mo A/C 
W/D Cali Colette 666-2058 after 
7 





ALLSTON-Jun-Aug for 210 a 
month near Harv Av and Comm 
Av Renewable Sam 254-7106 
247-1365 


ARLINGTON-2 ems nice house 
near T. Shrt/ing term. Shr 
kit/bath 50/wk no smk 643-3538 











SOM-Nr Por Sq. M 27 sks M 25 
to shr ig 2BR apt w/pch bkyd clir 
Pret nt. resp. nosmkg wrkg likes 
music jazz Class reggae phto (bid 
dkrms) $250 inc ut. 7/1. Kevin 
242-0948 eve 547-9220 day 


SOM WINTER HILL 

Prot M/F 30: to shr pleas 2Bdrm 
comp! turn apt Jn-Aug. $210 mo 
pkg & bus. 625-2001 








SOUTH END GWM 40. igoking 
for mature stable non-smoker 
roommate for a 2br 1 1/2 bath 
apt. w/d dw & roof deck $275/mo 
incl all util except phone. Call 
426-2099 


Man seeking roommate for huge 
SO. END apt. Call 262-5782 Mon- 
Fri 8-5 leave message 








ST BOTOLPH ST-Stu sks F to shr 
4rm apt 5 min from NU T. Avail 
7/1$175> ut! 353-1813 af 6 


S SHORE nr rts 1. 128 30 min 
drive/train to Boston. 29 Yr old F 
artist owns 2 bed hse w/ wooded 
yrd pool tennis. looking for M/F 
25-33 easy going. who ap- 
preciates homey atmos... gd frnds 
& undstds sharing & privacy $325 
incl. own bdrm, den & util 
361-3200 days 


Te 





The MIT High School 
Studies Program gives you 
the opportunity to design 
and teach a course in a 
field of your choosing. 
Subjects can be academic 


or non-academic, serious 
or whimsical, strenuous or 
laid back. Our students are 
bright, inquisitive, and here 
because they want to be, 


just as you are. 


MIT High School Studies Pr 


weet MIT, Cambridge, MA 02139 25 








Roommate wanted for Cam- 
bridgeport apt $175/mo every- 
thing incid plenty of parking Bob 
876-6109 


ROSLINDALE-F to shr spacious 2 
storey apt. Porch. w/d, quiet-nr 
T. Arboretum, Newton, W Rox, 
Brkin $185 inc ht. Call 327-2287 


Seeking 4th roommate for 
friendly independent househoid 
in Somvi. Convenient to Porter 
Sq & Tufts. Rent 122: . 666-8836. 


SO END APPLETON 
GWM sks sme to share 2 bdrm 
dpix grdn apt 1 1/2baths yr shre 
300 mo + elec ‘ tel Call 
267-87 18 betwn 6 & 10 eve 


SOMERVILLE-Nr Porter Sq F to 
shr 4 BR hse w/ 3 other F 27: 
Conv toc nr bus shpng & faund. 
No smkrs no pets. Clean mature 
& resp. $125/mo + utils Avail 6/1 
Call 628-3242 f 


SOM/CAM pers22: for 3br apt 
$135-must be clean resp sublet 
avi no cigs/pets 625-0010 


SOM-M/F avail 6/1 quiet resp 
person to shr Irg apt in Davis Sq 
$225/mo ht inc Call Bill days 
577-3396 eves 628-7750 


SOM-2 Ig rms in’ Hilltop Hse 
Great Views Porches nr Porter 
Sq Camb 250 mo incis util 
776-2409 


SOMERVILLE-1M wntd 4 bdrm 2 
fis of hse nr Tufts & T $145/mo + 
utils move in 6/1 623-8145 eve 


W SOMERVILLE-Man wants 1 
person share 2 br apt nr Tufts 
share rent etc. full use apt 
628-2772 ref required Call any- 
time 





























SWAMPSCOTT-M/F wntd to shr 
ltirm hse w/great view of 
beaches & Bos skyline. Priv deck 
for nude sunbathing, W/D fac, Ig 
LR. OR & kit. Must B resp & open- 
minded. $275 incl uts. Call Sil at 
233-8348 9-6 or 593-7995 eves. 


WALTHAM non-smkg M_ sks 





same for ige friendly indep apt nr - 


shopping T & Pike 899-3717 


WALTHAM-rmt wanted-3 br. 2 
1/2 baths. AC. pool, tennis 
courts. prkg. Clean. Rob 
899-4259 6/1 


Wanted mature responsible F to 
share Irg. sunny apt near park 
and beach--2 minutes from An- 
drew Station. 269-8671 











BACK BAY-Newbury St cin furn 
mm very sunny. $70/wk BACK 
BAY REALTY 245 Newbury St 
262-1650 


BOSTON-Resp M (St/Pro F) to 
shr ig 2BR apt/quiet nbrhd nr T 
$190/mo HHW. Mark 569-3108 
(a.m best) M-F eves only 
726-3274 


BRIGHTON-1M 2 shr sunny 2 br 
apt in quiet res area near T park- 
ing $200 inc ht 731-6490 


BRKLN-Babcock St. nr T. Nice 
irg sunny rm. $275 incs all utils. 
Kit fac. 731-0795 or 492-0723. 


BRKLNE-Summer rental. Room 
im beautiful private home next to 
MBTA $200 F only 566-1898 


CAMBRIDGE-Unturn rm in my 
apt avail for part-time use (sec- 
ond residence. storage. studio) 
Ne Central Sq. $110/mo 
497-4295 


GM 30: share 2BR live in toft 
studio So. End: 2000SF art arch 
etc. $350 htd V2 utils. Box 
7555 























NATURAL AREA 
NON SMOKER ONLY 
BOSTON-Jam.PI Attr safe natri 
area by Arboretum & Pond. Nr T 
conv shopping. Semi-privt en- 


NH Mt Wash Vly/No. Conway 
Altr spot for 4-6 nr Kang. Hghy 
Saco Riv. Swim. fish. full equip 
Sum/$275/Spr $225 
588-0 100/583/ 1144 


ORLANDO-2 bdrm townhouse 
pool golf tennis 20 min to Disney 
by week or month Call 965-6235 


Southern Vermont.coed summer 
house shrs avail. Runners. tennis 
plyrs & outdr people. May 21- 
Sept 13 Call 868-5083 or 
738-1609 


VERMONT lake home. secluded. 
dock. diving. Tarzan swing. 
canoe. sunfish.sleeps 14 
696-8367 


VERMONT house-sleeps 15. Ex- 
cellent swimming. tubing. cliff 
jumping. fishing. 2 1/2 drive 
696-8367 


STUDIOS 


900 3q Ft studio/office Fort Point 
area. $300/mo. Avail now 
D-542-8904 or 451-0864 


ARTISTS STUDIO 
Artist's studio space to share 
non-live-in/daytime workspace 
Camb. all artist bidg. $70/mo 
Call 492-64 18. Peace. Barry 


Artist studio in hist bidg 485 sq ft 
wrk spc & mod K. ig bath 1BR. Av 
6/15 untit 9/15. 550/mo. Tel 
262-6797 























POTTERS 
Generous spaces now available 
in fully equipped Southend studio 
reduction/salt kilns 125/mo no 
buy in 524-0092/4114 


h at MIT 


Volunteers teach at MIT for 
1'2 to 72 hours a week from 
July 6 to August 12. Classes 
are held on Tuesday, 
Wednesday, and Thursday 
evenings from 7 p.m. to 10 
p.m. with each course 
meeting one, two, or three 
evenings each week. We’d 
like to talk with you about 
your ideas for a course. Please 
call or write us by June 7. 





trance Quiet. neat indep white 
collar employed. serious adv stu- 
dent or faculty man 28-48 sking 
clean mod furn private rm with 
personal phone. shrd kit, call 
522-1180 7-9 pm best. No pets. 
$50/wk incl heat. gas. hot water, 
TV. phone. $46/wk unfurn 


NANTASKET BEACH charming 
rm on Ocean all amenities S adult 
call afternoons 925-5670 


NEWTON CENTRE-2 rms _ shr 
home w/ mature working woman, 
pref non-smkng F grad student 
or prof $275 244-4663 anytime 


NEWTON-Large rooms private 
furnished quiet working/grad stu 
w/ ref $175-200 332-9394 














WAT-BELM line-Prof F34 seeks 
similar F to share sunny warm 
2BR apt near T w pkg yard cat. 
237.50: reas utils. 924-1648. 


WTRTN 1M/F non-stdnt, non- 
smk, no pets. On T-73 Bus. 
$160/mth | util + ht. 924-0987 
5-9pm Ed avail 5/1 or 6/1 


Rmmte needed very nice apt 
neatness imperative $215-220 
inc utits. Wkdys pm til 10 
926-8640. 


WRTWN-2F 1M sk 1M for ig apt 
nr T & Trnpk Nice Area Prkng No 
Pets $210 ht inc 924-0915 


WATERTOWM-M/F for 3bdrm 
$190/mo_ sunny large nr T. 
924-2238 


WILMINGTON TEWKS Line pvt 
home. 4rm mod apt Rt 93 to Bos 
20 min quiet res $350/mo inc util 
for prof/resp GWM 658-5736 
anytime. 


WINTHROP-Rmt wanted to reg 























F rmt nd for 2bdr apt pets Hvd sq. 
$250/mo exc apt y pos 
extras. Call 492- 3432 Stgb/ 1/82 


SOMERVILLE-skg prof M/F to 
share bright quiet clean 3bdrm 
apt ASAP no pets Ig kit sunny 
bdrm on T line $133/mo, no util 
625-5288 aft 6. 


SOM-3F seek 4th for 2-story in- 
dep feminist hshid nr T. $100 + 
tow util. 625-7499 


SOM-Summier M/F wntd own 
bed/bath frnshd $250/mo- util 
incl Call Marnie 776-4932 eves. 


W. SOMERVILLE-Man wants 1 
person share 2 br apt nr Tufts 
share rent etc. full use apt 
628-2772 ret required Call any- 
time 


SOM-Sng! mthr w/2 kids: 2&5 
sks same to shr apt $150/ 2 
bdrms! 495-8657 e776-8363 
Deb. 


SOMERVILLE-2 GWM seek M or 
F to share 3Br apt. 6/1-9/1 
$150/mo neg. All util incl. near T, 
next to Tufts 623-5530 


SOM M or F $133 mo ht/htwt inc, 
Private w/ 2 friendly rmates, avi 
June 1, very good deal 776-6475 


SOM-Prof F sks same 35+ for ig 
suny apt. Must like animals, non 
smoker $175: Nancy 628-6168. 


SOMERVILLE-Professional 
femate mid 20's to share large. 
sunny 3 bdrm apt nr T. Avail June 
15 $150 + utils. Call eves & week- 
ends 628-0153 





























3bdrm waterfront apt. 
level avi 7/1 $235/mo eae 7263, 


WINTHROP-F Ikng for M/F rmmt 
25: for beaut 2bdrm hse on the 
ocean w front patio, back porch & 
= Compl a excpt for 2nd 





m $30Cinct- all util. Neatness 
ney 846-0553 evés & wknds, 
242-3477 wkdys. 





W.LYNN-GWM 25-35 to shr apt. 
Be resp. cin. str act & app. No hvy 
drugs. Call 595-2537, 6-7pm. 
Reasonable rent. 


WOBURN-Rmmt to share 2 bdrm 

fun apt in house. 2 miles Rt 128 & 

93, $225 htd and hey | Call 
Steven 938-1140 


WOBURN-3 Ea aa clean rspnsbie 
rmmte for 
935-7216, 935- 35-3185 Anne or JO. 


WOBURN-Prof F 25+ non-smkr 
to shr mod apt nr trans. $200 inci 
util. Call 938-1745. 


INSTANT 
ROOMMATES 
BY HOMEMATES 


When you're looking for the per- 
fect roommate/s, choose the 
roommate agency that will offer 
you the most. Covering ali areas 
and people from all walks of life. 
We care! Call us, 497-4308. 


AREAS 
ROOMS TO RENT 


1 room 140/month w/kitchen and 
iv rm Newtonville June-Aug. Call 
969-4946. Open now 














— CAMBRIDGE-Room for June 
$123mo. 23: access 
to kitchen. In apt 7 401-0010 eve 


S END-Nr U Hosp & trans-clean 





ALLSTON summ or longer vry 


sunny 1 br hdwd fi incl nt 6/1 
482-3653 





ALLSTN-2rms. 1 furn. in 4BR apt 
6/ 1-9/1, Ne Grn in. wik Har Sq 
Gd area. pkg. $188 787-9388 


ALLSTON-GF sks GF to share 
2br apt Responsible. indep. avail 
June 1-Aug 31 $175. 254-7046 


ALLSTON- 1 Bdrm in large 2bdrm 
apt nr T. 25° yrs. avail July 1 
$240/mo Call 734-1956 eves 


ALLSTON-Subiet w/ opt. 4 
bdrms spac. ivgrm. diningrm 
mod kit basemnt. 15 min walk to 
Harvrd Sq. $750 Charlotte 
732-1042 day Rob 783-3539 aft 
7 














ALLSTON-Summer sublet 2 
bdrm apt conv to T $550/mo A/C 
6/1-9/1 (Option for next year 
also) 787-9046 or 739-0709 


ALLSTON-7/1-9/1 sunny 1 bdrm 
in hse for F stud/prof ok no smk. 
pets $140: w/6F 254-0638 


ALLSTON-$600 SBR in 1/2 hse 
btwn Har Sq & Brkine. Sublease 
beg 7/1 w/opt to mnt in Sept. Cali 
between 10am- 10pm. 787-4569 


ALLSTON-sum sub furn 2nd fir 2 
bdrm in house $400 inci util. Resp 
sec dep. Eves 783-5128 


ARLINGTON-Sum only ig studio 
furn air cond on lake swim sail 
$350/m 646-7 156 491-4441 


BACK BAY studio avail. 7-1-82/ 
10-1-82. New Sep. K&B A.C 
$325 267-5251 

















am 








BOSTON-Non live-in, Call 
426-1347 


LUXURY DARKROOM in South 
End for sale or rent-Negotiable 
(617) 262-0239 Christopher 


BOSTON-Warehouse space, Ft 
Point Channel. suitable for busi- 
ness or artist, 1800 sq ft, 
$500/mo htd. Key fee. 542-7245 


Artist Studio-BROOKLINE 1500 
or 750 sq tt great light no key fee 
no live in 566-7287 


CAMB-unfurn studio June-Aug 
31. $390/mo w/pkg. 491-8778 


CHARLESTOWN-Industrial 
Space. 700 Sq. ft. ideal for wood- 
working. artists. etc. $300/mo in- 
cludes all utilities. 232-9488 


FORT PT CHANNEL-Studio 1600 
sq ft $490 avail 6/1 call 426-4973 
or 542-2478 




















pee BAY-Lg bdrm in 3 bdrm 
ig lvng rm & eat-in kit 
$278/mo 267-3867 


BACK BAY-Lwr Marlboro St. irg 
bright clean studio sep mod B & 
Kit (D&D) avail 6/ 10-9/ 1 w/opt for 
fall. $400. mo. 266-9617 10 to 10 








UMMER SUBLET 
Large 3 bdrm. Apt. w/ fall option 
Near T Near BC. BU. Cali 
782-8373 anytime 


BRIGHTON- 3F/2M sk M/F to 
sbit snny spac rm in 9 rm hse w/ 4 
d grge nr T.. bus. Avi 6/1. $200 
option Qt ngbh 782-8157 


CLEVE. CiR-Prof F seeks same 
to share 2 br furn apt. for sum- 
mer Avail 5/1-9/1 62. $275 
ulé. Call 566-4614. 262-3960 
eves & wknds 


BRIGHTON-2 bdrm apt-Comm 
Ave on T big kichn w/w cpting 
pets $555 w/ Fall opt 735-9729 


BRIGHTON-Beaut sublet 3Bdrm 
$225. willing to talk Must see Nd 
1-3 rmmts. 739-0196 Mary 


BRI/NEW-ig 1 bdrm apt in house. 
private. view. garden. $325/mo 
imc all, Jul & Aug. 783-3896 


BRIGHTON- F for 2 bdrm mod 
kit. bath. A/c. Indry. pkng. nr T 
$250/mo. 973-1784 days. 


or Lg 3Bdrm apt. LR. OR. 
ow sunny. Avail now. $648 
700 0270 of 762-9169 


BRIGHTON CNTR-Firn rm in ig 
comf hse. $200/mo utils rent 
food incl. 782-9425 evenings 


BRIGTN CNTR-1BR in ig 6 rm 
apt. On bus line. nr groc. w/2 law 
stus. $158 util 783-4387 


BRKLN-F wanted to share 2bdrm 
furn. sunny. porch, yard, qt st. nr 
T. 6/1-9/1. $250/mo, 734-9297 


BROOK -Coolidge Corner area nr 
T prk avi 3 bdrm apt $475/mo 
gas & elec 6/ 1-9/1 739-6645 


BRKLN-Sublet Fall option 
$400/mo Ci Circle 2bdrms tvrm 
kit avail 6/1 or 6/15 call 
232-6393 


June 1-Sept 1 1bdrm in 3 bdrm 
modern bidg 24 hr security 
735-0595 leave message. 


BROOK-F to shr w/2 others ig 
sunny rm w/own bath in beaut 
spac hse on quiet st. Grdn pch 
Avail immed through 9/1 















































$135/mo. No pets or cigs 
232-5483 

BRKLN-7/1-8/31 6 1/2 furn rms. 
2 baths. porch. $650/mo 


232-1847 or message for 
Kathleen at 661-0248 


BROOKLINE-1 F furn rm 4 spac 
semicoop 7/1-9/1 Nr Col Crn, 
$165: 738-7739 evenings 


BROOKLINE-Nr Cool Crnr Sum- 
mer sublet w/ opt for Fall Avail 
6/1 or 7/1 735-9195 before 4pm 
aft 9pm 


CAMB/SOM-M or F 1 bdrm avail 
in animated 6 bdrm house. Mid 
June thru Aug (flexible). Nr Mass 
Ave and T $181. 628-7291 


CAMB-June 12-Sept 12° Five 
room furn apt with enci deck be- 
tween Harvard and inman 
Squares. $750/mo: util incl 
66 1- 1983, 492-0334 


CAMB-Sublet July & Ai 1Mi 
from Harv Sq Lg suny BR W/prch 
in hse grt loc & rmmts Opt to stay 
$190/mo neg Call 354-6913 


CAMB-fully frnshd 2BR 5 mins 
from Harv Sq baic D/W ro 
wv $600 neg Call 354-6883 aft 3 


CAMB-apt summer sublet furn, 1 
bdrm. living rm. study in 2 fam 
house with yard 10 min to 
Harvard and MIT $300/mo 
547-0721 


Summer sublet in friendly indp N 
CAMB. group house. Near T 
$92. Nonsmoker pref. Av June- 
Aug 24 (dates flexible) Bev 
876-0662 





























BACK BAY-Nice furn studio near 
T & stores. Lg kit/bath. Sept op- 
tion $300 ing. Ht/htW. 536-6579 
a.m.. 566-2608 12-3 


BACK BAY-Summ or longer 2 
bays hdwd fi vry sunny 1 BR $450 
incl ht June 1 236-1633 5pm on 


BEAC HILL-Charies St sking 1 
women for spac 2bdrm for 2 
months. $250 per mo 492-7623 


BELMONT-M/F. be part of a 
home for the summer, w/an opt 
to stay. Shr food & expns in a 
beaut 3BR. on quiet st nr T 
$160: is neg. 474-3529 














nwly pnid for quiet r 
wkng person or student w/ ref. 
$45-50 wk 262-5563 eves. 


S END-Large Furn room w/ sink 
stv & refrig utils shared bath 
Males only reas 471-5240. 








ROOMS TO RENT 
Some with priv baths & kitch 
privs. all areas incl Camb, All, 
Bos. Bright. and Dorch. $35-$40 
weekly. call now. $45 FEE HOME- 
FOLKS, 497-4302. 





Gallery at 354 Congress St. 
Sublets 300 sq. ft. studio space 
or a darkroom. Available June 1. 
$100 or $150. Cali 643-0319. 





BELMONT PALACE-2 huge BR's 
in beaut furn 4 BR house near T 
yard patio dr den 3B wd dd etc 
6/ 1-9/1 $200 each/mth 489-0579 





GM 30: share 2BR live in lift 
studio So. End. 2000SF art arch 
etc. $350 hid 1/2 utils. Box 
7555 


LEXINGTON-Magnificent space. 
Ig detached bidg htd. storm win- 
dows. 30°x20°. exc lighting. 
Wooded quiet res nghbhd, off st 








WELLSLEY-rm for quiet neat 
prof F im pleasant home on 
wooded lot. Cape hse in quiet 
ngbhd. Own bath, kitch & laund 
priv & more. Non-smkr. no pets. 
$265 inc util. 237-1697 


EASONAL 
ENTALS 


‘space to share 








Camb. -_s artist bidg. $70/mo. 
Call 492-64 18... Peace. Barry. 


BRIDGTON area; a Early 





pkg. perfect for artist or 
craftsprsn. Not suitable as domi- 
cile. 86 1-0363 aft 6pm. 


MATCHING 
ROOM-MATES 


Looking for a roommate? Regis- 
ter now at MATCHING ROOM- 
MATES 251 Harvard St Coolidge 
Corner. Call today! 734-6469 or 
734-6484 


Non live-in workspace in dwntn 

loft gd tight 400 sq ft ideal for 

paint Call 426-8286 

PHOTO STUDIO 
3000 sq ft. high 


to share. § 
eal kitchen. fully 














Amer. furn. 
of White Mts. Pond 4 season 
sports. Antique country. 3 br. 3 
bths. ideal rental for family or 
group for month, season or year. 
Stearns 207-647-3774 5/25 
Wysonge 207-647-2290/57 13 


EAST FALMOUTH 
Sk several straight responsible 
men over 30 to share house 
from May to Sept Call 
762-7475 or 782-4136. 








FABULOUS HOUSE 
Single Professionals, 30-50 


wanted to share 5BR summer 
house in Falmouth May 28-Sept 
Full share $750 partial shares 
available Call 646-3439 or 
354-6056 


6th Person pref M to share spac 6 
bdrm hse in Falmouth nr ocean 
Memorial-Labor day $750 call 
861-0890 or 732-1038 day 
876-4015 eve 


SUMMER MATES 
MANOMET 5BR 3 1/2B beau hse 
nr ocean toc 45 min fr Bos 
cpis/sgis ‘share 600 for sum 
423-2550 eves 








quipped 482- 





BELMONT-Summer sublet F25 

wntd. attic room avail. Shr w/ 2F. 
1M Irg comfy apt w/ prch, frpic, 
arden nr Harv Sq and T 
200/mo inc utils 489-3934 


CAMBRIDGE- Nr Fresh Pond 
spacious 4 bdrm apt avail for 
sublet June 1-Sept 1 10 min to 
Harvard Square on 3 bus lines 
No smoking no pets Cail 
492-8383 


CAMB-Female nded to share apt 
for Jul & Aug or just Aug. Lg apt. 
will have own bdrm already 
frnshd Call 423-6200 x227 9-5 


CAMB-1 Or 2 bdrms avail in co- 
operative apt tii Sept or Oct 
$250/mo. No pets. Nr Orson 
Welles. 2 skylights, porch, Eric 
492-7889 wk 723-9230 


CAMB-Jne-Aug F 25: prfrd ig 
sny br ind br Vict pch/yd no pets 
shr fa 137: call 547-3869 


Sublet avail 6/1 conv to Harv 
Sq/Porter Sq semifurn tbdrm 
$300 + util 497-4125 


CAMB-2F rmmts wntd for 2BR in 
3BR apt. 3 min to MIT. $150/mo 
inc utils” Dao or Rita 492-4601. 




















BELMONT-Must rent shr in beaut 
apt 6/20-9/1. 1 block to MBTA, 
price neg. Call 489-4284. 


BOSTON-F to share furn spac 
sunny 2 bdrm in S end twnhse. 
Hrdwd firs skyigts & conv to T. 
$250 avi 6/ 1-9/1 247-2658 


BACK BAY-Kenmore Square 
Studio apt overlooking Charlies 
River. Fireplace. separate 
kitchen. Summer Subiet. 
424-1832 $340/month. 











SUMMER SUBLET 
BOSTON-So. End-Unique mod 2 
rm apt w/loft avail 6/1 $440 inci 
util Call 262-3918 9:30-11:30am 
anyday. !deal for couple 


BACK BAY-subiet 5 min from Pru 
near T June 1-Sept 1 $260/mo 
1bdrm 536-0901 mornings. 








REHEARSAL SPACE 
Musicians-Loft Space Available 
in SouthEnd Call 542-1801 or 
442-7717 Call after 4:30PM 


SOM-Artists bidg studio to 
share. 500 sq ft avail $136 inc util 
324-9157 623-3 100. 


Studio avail to rent by 
hr/day-1200 ft symph area. Gd 
fir. sunny warm & exc for theatre, 
arp dancers. Reasonabie 
491-1563 


Studio spae five in poss. Lg 1st fir 
area w/ light nr Chelsea 
wirfrat & T. Shr w/a painter. Rent 
neg. 884-3047 


TAP DANCE STUDIO $5.00 hr 
267-7603 


SUBLETS 
E CAMBRIDGE. 1 Furnished 


bdrm in 2 bdrm apt $112: utils 
wshr/dry-A/C avail 6/1-9/1 Penn 
491-0420 or 498-9077 


ALL/BRI-6/15-9/1 Totally re- 
novated all new ig own rm K & 2B. 
din & Wvn rm nr T $220/mo 
734-1480 kp trvine 

















BOSTON-Pk. Or. chemg. 1bdrm. 
sublet 6/1-10/31 w/opt to rt. 
hdwd firs. Eat-in kit.. cin. well 
maint. bidg. walk to mkt T. bus 
$350/mo incl. ht&hw 437-0013 
after 5:00pm 


CAMBRIDGE-Terrific 1 Bdrm w/ 
fall option in 3 bdrm hse grad 
stus historic home w/ 2 frpics, 
bckyd. btwn Central & Harv Sq 
Avail 6/1 $260-Call 864-0251 


SUMMER ROOMMATE 
CAMB-M grad stu sks M/F rmt to 
shr turn 2BR apt 6/4-8/30 neg. Lv 
rm.din rm, color TV, dw. 5 min to 
Harv Sq. $250 or best offer Call 
Richard 492-3589 eves. 


CAMBRIDGE -Huge furn rm in vy 
pS ehapenn ce fh 
Sk literate non-smoki or F 
$254 Les or David 876. mm 


CAMBRIDGE-Nr Central Sq. 
Summer sublet-$210. Men only. 
661-5873 


AMBR 
5 AMBRI IOGE SUBL 


ave Ves $600/mo 1 or 2 
women pref. Cali 628-8 132. 
CAMB-studio apt 7/1-9/1 wood 
panelied 2 biks Hvd Sq. 
$250/mo. David 864-8524 keep 
trying. 




















BOSTON-6/1-9/1 room in 6BR 
hse. 1/2 block from T, $125 inci 
utils. Nr BU & NU. 731-1959. 


CAMB: Summer sublet 6/15-9/1 
nr Harv Sq. 1Bdrm $275/mo incl 
util 924-7084 or 864-6927. 





BRI-BRKLN 6 mo _ subdiet 
7/1-12/15 20r3 bdrms porch eat- 
in-kitchen sunroof off Comm Ave 
Nr T mew dec condo sunny 
spacious hdwd firs $620 util in- 
clud aft 6:00PM 437-7107 fac 
owner 


BRI-Lg semi furn 4 bdrm Ig ktch & 
ivngrm 2bths porch 5/15-9/1 
200/bdrm can sleep 7 782-0209 


BRIGHTON-1 bdrm in 3 bdrm 
turn. apt 2 baths mod kit on 
Beacon st grn tine $233.33/mo 
6/ 1-9/1 739-2408 or 492-2859 


BRIGHTON-2F want 3rd F 24: 
ne smk no pets for vry nice 3 
bdrm apt $200:utils Call 
492-5857 











F rmmt wntd beaut 2 bdrm apt 2 
floors of newly renov Vict twnhse 
10 min from Boston on T many 
extras avail 6/ 1-8/3 1 889-2712 


CHESTNUT HILL-2Bdrm. LR, 
kitch & bath. $425/mo +. W/W. 
bsmnt apt. 10 min drive to T, 
close to shops. 469-2897 


CLEVE CRCLE-Avail June-Aug 
frnshd 2bdrm w/ option for Fall 
$555. 964-6426 (203)236-3371 je 


Furnished 3 bdrm 1 1/2 bath apt 
for sublet June 15-Aug 31. Close 
to T. Rent $695/mo 783-5676 


JP-large airy apt to sub June to 
mid Sept $115: uit. Share w 1 
other. Greg 522-2598. 




















LE PO OE 
— + ee ———~ 


6L 


Z86t ‘bk ANNE ‘OML NOILO3S “XINZOHd NOLSOS 3HL 


— 








THE BOSTON PHOENIX, SECTION TWO, JUNE 1, 1982 

















it no 2 nsmts Rnt neg 
787-5291 pkg clean 

P-Jul & Aug sk 2 for triendly ver 
» home w/ 1M & 1W aard 

ywet st $137 50 524-6250 

AM PL-2bdrm. ig ktchn & Iving 

hdwd_ fir ARBRTM 

OND. & T. sum sbit w/Fall Opt 


w/ht Call 522-7374 or 


5$475/m«e 


2-8060 








JAMAICA PLAIN-1BR in 4BR 

house. quiet. safe. sunny. 2F, 1M 
ats many plants, indep. non 

smoker. June 5 thru Aug. poss 

Sept $165/¢mo Call 522-0322 

F for JP hshid. 7/1-9/30 Near 

pond & T. Warm people. No 


moke. sorry 122+ 524-6338 


JP-Lg rm in beaut home for July 
& Aug Emphasis on meditation & 
macrobiotic food $200/mo inci 
util) Pam 522-5646 








JP-2 trndly musical co-op F seek 
1 F/M for 3 bdrm apt nr T pond 
arbor Je-Jy no smkrs or pets 
522-6632 





Cat Litter King 
100 Ibs ot Litter 
$14.00 pius tax 
Home Delivery of 
Cat and Dog Food 


CL 





Buck's Rock 40th Anniversary 
Alumni Reunidn-Sunday June 
13th at Buck's Rock from 
10am-4pm Write to: Buck s Rock 
Reunion P O Box 1478 New York 
NY 10023 





PRIVATE 
MAILBOXES 
FOR RENT 
CY MAIL SERVICE 


Your Own Locked 
Mailbox, 400 Comm. Ave., 
Boston, MA 247-9141 
Confidential & Secure. 
Ask About Telephone 














JP-Rmmt wntd summer sublet nswering. 
mce loc Near Jamaica Pond ane 9 
$ 180/mo Call Mike 522-2332 = 
JP-Sum w/Sep op for veg non- GIGANTIC COPIES 


smk coop hSe nr pond T. 26: 
irndly warm $200/in 522-1272 


JP-Want sub per for apt. Near 
Pond friendly ind. Nonsmoker 
Cheap rent 524-2501 


MEDFORD summer sublet near 
Tufts 3 bedroom apartment with 
kitchen modern bathroom, living 
area. and porch Available June 
through August directly across 
from bus stop restaurants, bank 
Just’ off Boston Ave. One space 
available. Please call 395-8019 


NEED A 
ROOMMATE? 


Then register now at MATCHING 
ROOMMATES INC, 251 Harvard 
ST. Brookline (Coolidge Corner) 
Call today!'! 734-6484 or 
734-6469 


NEWTON CTR-7/1-8/31 Nd 1 
Kosher nonsmkng rmmt for airy 3 
bdrm home nr T, Crystal Lake & 
shpng $198:. Poss Fall opt. for 
the 3bdrms. Eves 969-1609. 


NEWTON-Sunny room July 
Aug/rm neg June park garden 
porch 332-5065 will consider 1 
math 


NO. SHRE-Beaut bdrm in space 
2bdrm apt. Bay wndw pch 7 mins 
to Bos. 200 w/uts. 884-5205. 


SOM-Ltg 4 bdrm huge kit. A/C, 
D/W. W/W. gar disp Nr T indry 
&gr prkg on St. $600 Cail 
666-2508 


SMRVLE-3br Porter Sq $600 neg 
furn 776-5404 now or 623-7384 
(days aftr 5/29) 


SOM-Avail immed. Fall option 9 
rm. garden. 5 min to T. $175mo, 
628-0497 


SOM/CAMB-3br in 4br apt 
6/1-8/31. Fall opt for entire apt- 
$200 ea ‘Prkg-quiet area 
666-1485 


CAMBRIDGE/SOMERVILLE-M 
or F. 1 bdrm available in 6 bdrm 
house 20 through August, 
option %6 rent in September. Off 
Mass. Ave near Porter Square 
$161. 628-7291. Andy. 


SOM-Nr Un Sq. 7/1-8/31. Lg 2 
bdrm a/c dshwshr w/d $300/mo 
sec & utl. Phone 776-8409. 


SOM SUBLET 
1 bdrm apt furn sunny public 
trans laundry in bidg $295 avail 
June 776-6382 


SO. STAT 900 sq ft. Now thru 9-1 
Stu/office/stor sp. E.. exp, frt 
elev $275 451-0864 542-8904, 


S. END- 1 bdrm d/d w/w laund in 
bidg. $350/: elec. 536-6954 


SOUTH END-Stu apt. great 4oc, 
bright. cin. 542-9556 


Studio sublet cin quiet avail May 
1-Aug 31 $250/mo Symphony Rd 
loc. Ht/Ht w pd 536-1144 keep 
trying 


Sublets: 3 bdrm Kenmore 
$225/mo/person utils-wd. 
elevator. nr T. Call 444-1699 



























































Summer sub-fall option. Joddrms 
for 3-4 people. 1 1/2 baths, 
sunny, living rm & dining fm-big! 
Newly refurbished. mod. clean 
On C green line near BC. $850 
1-699-2599 


WATERTOWN-Furnished Sum- 
mer Sublet-3 1/2 rms on T 
$350/mo incldg 

utils 924-1955 or 1-283-0260 








’ SUM SUBLET WNTD 
6/15-8/15 furn apt conv to BU by 
fastidious male educator, no 
pets. non-smoker Black grad 
work Camb. Bos, Brk. Brgtn, Al- 
ston. Write Box 141-38 Bellevue 
Ave Newport Ri 2840 





Sunny spacious beautful studio 
just off Back Bay. $300 mo. heat 
gas sublet. Real Deal, 266-6812 


Near Brandeis 6/1-9/1 lovely 
house yard 2 bdrms furn. dis- 
hwasher $450/mo 259-8921 


WALTHAM-Ig bd avi 6/1 in ig 3 
bed. 2 sty apt in house-hs pkg 











near T. $164/mo 444-1699 
6-9pm 
WALT-Lg 3 bdrm apt avail 


6/1-8/31 fall opt. $490/mo. Cali 
eves 647-1716. Also selling furn. 


WEST MED SUBLET 
2 bdrm 1 flin house backyd pub- 
trans Shopping close near Tufts 
$325 MO June-Sept. Day 
628-8132 night 395-1488. 





MISCELLANY 


BARTER BASKET 
RECORD CASH$ 


When you have records to sell, 
call for the most convenient way 
to get more for them. 641-0139 
any day or eve for top $$. 


BULLETINS - 








Enlarged or reduced to 2’x5' or 
any length on bond paper, 
vellum, mylar, acetate or bright 
colored poster paper while you 
wait. COPY COP 815 Boylston St 
(opp the Pru) 267-9267, 13 Con- 
gress St. (near State St.) 
367-2738. 85 Franklin St (near 
Filenes) 451-0233. Open eves 
and Saturdays 


OCCULT 
“Make desires happen! 776-7976 


PETS 


1 Male Cat 3 kittens, free for 
aring homes. Call 253-8321 








Abandoned puppy - male. knee 
hi. bouncy & cuddly. Partly 
hsebrken. Pils call! 889-1644 





Burmese kittens healthy. home 
raised. Purebreds. Intelligent and 
affectionate. also rare blues 
Ready now. 277-1969 





Dwarf macaw (approx 12 in. long 
aka Noble) 2-3 years old, tame & 
friendly w/ cage & acces. $500 
call Don 542-9853 Boston 


EXOTIC BIRDS 
with large 2ft x 3ft cages B O 
628-4338 


Free to suburban or country 
home. male dog. brown & fluffy 
mutt, 75ibs. Looks like a large 
Benji. is 5 yrs old. & has lots of 
personality. In Dorchester call 
288-0274 anytime 


Lg Gray Male Rabbit, quiet, 
funny;alsoO angora guinea pig 
with cages and accessories, all 
free to caring home. Steve, 
267-5364 


TRAVEL 


TT 
Any F btwn 18-35 who would like 
to move to Albuguerque NM nxt 
Feb lets meet so we can become 
rmmates. Call Cindy 648-2057 aft 
9:00pm pise 











| ARTERBERRY 
STUDIO 


MIME 
training with video 

feedback 

489-3652 





ACTORS WORKSHOP Est 
1956 The complete training 
school for Stage TV and film act- 
ing. Day, eve Summer Term form- 


ing. Free into, interview 
266-6840. 656 Beacon St. Ken- 
more Square 





NEXT MOVE THEATRE 
CLASSES 
Beginning acting. scene study 
special comedy wrkshop, class 
begins June 14. Class size lim- 
ited! Call Martin Anderson im- 
med at 738-0091 or 423-7588 


Summer Day & Evening Acting 
Classes, All Levels, Lyric Stage. 
54 Charles St Boston. Svene 
Study. Character Development, 
Vocal Technique etc. Limited En- 
roliment. 742-1790 For infor- 
mation 








Life drawing, clean studio, small . 
group, inspiring model. Thurs 
evening 6-9. $20 for 5 weeks 
Cali 497-4012 ro 776-2854 


RR EMSS 
ARTS & CRAFTS 


Help Save Clay from ignominy 
MUDVILLE Pottery Classes 
Begin June 21 Call 547-9600 or 
776-6892 


SPORTS 


TENNIS LESSONS at Emmanuel 
Col all levels-video rec. June 2 


Call tor into Andy 277-1374 








YMCA BASIC 
SCUBA 
DIVER 
COURSE 


SAFE 
ENJOYABLE 
SCUBA ADVENTURE 
THROUGH 
YMCA DIVER 
TRAINING 


NEXT COURSE 
BEGINS: 


BOSTON 
COLLEGE 


Begins June 8 for 3 wks. 
Lectures & pools Tues. & 
+ Thurs. 6:30 p.m.-11 p.m. 


All pool equipment 
supplied 

For information call: 
965-3150 


—MC4 








es 
| 659-0335 


| hrs. 11am-5pm M-F 


llam-4pm S$ 
THOUSANDS ON FILE 

Writing. Editing. Researct 
Tutoring. Resumes. Quality 
Unsurpassed - Lowest Prices 

Suite 600 

70 Hudson St. 
Hoboken, NJ 07030 


RESEARCH 
PAPERS ' 











intensive professional 1 week ad- 
vanced writing workshop. Eves. 
June 13 to 18, forming now 
Kathleen Spivack 926-1637 





The Thinking Typist 298-7 150 


Typing-Selectric ill. Any material 
Dictaphone too. 10 yrs. exp. as 
legal secy. Volume discounts 
Free pickup/del. Rush. 522-7044 








RENT-A SECRETARY 
ind services of IBM word 
processor in my home for as 
many hours as you need. 7 
days/week 522-3286 


YOU'RE OUR TYPE 
LET US BE YOUR 
TYPIST/WORD 
PROCESSOR 


Let us help you meet all 





your typing and word 
processing needs. 7 
days/week 

522-3286 














Fast Accurate Typing-49 1-5392 








MR. BIG'S 
GIGANTIC COPIES 
Enlarged or reduced to 2'x5’ or any 
length on bond . Vellum, or 
bright colored poster paper while 
you wait. COPY COP 815 Boyiston 
St (opposite Prudential) 267-9267, 
13. Congress St (nr State St) 
367-2736. 85 Franklin St (nr Filene’s) 
451-0233. 260 Washington St (nr 


School St) 367-3370. Open eves & 
Saturdays 








RESUMES 
PRINTED 


Retyped or typeset by COPY COP at 
815 Boylston St. (opposite Pruden- 
tial) 267-9267... 13 C ess St. (near 
State St.)\967-2—38, 85 Franklin St 
(near Filenes) 451-0233 260 Wash- 
ingion St. (nr. Schoo! St.) 367-3370 
Selection of resume papers and 
matching envelopes. Open evenings 
and Saturdays 




















(OPPOSITE 
PRUDENTIAL) 


815 BOYLSTON ST., 


26749267 





crs” core 
ou i 
Ww, 


COPYCOP COPYCOP’ COPYCOP GCOPYCOP 


“HEADQUARTERS” 





“PRECINCT 2” 
(NEAR STATE) 
13 CONGRESS ST., 


367-9267 






hike 


“PRECINCT 3” 
(NEAR FILENES) 
85 FRANKLIN ST., 
451-0233 








“PRECINCT 4” 
(NEAR SCHOOL ST.) 
260 WASHINGTON ST., 

367-3370 








TV & STEREO REPAIR 
Good Old Fashioned Service 





© Buy-Sell-Trade new & used) 
TVs & stereos 

@ All work guaranteed 

© Prompt, fair service 

& prices. 

® Honest work for over 

30 years. 

@ Free pickup & delivery. 


LESTER’S TV 523-2187 
15 Revere St., 








Beacon Hill 








INTIMACY/GROWTH 
Expanding, self-directed dis- 
cussion group looking for a few 
men and women to help explore 
human interactions incl. sexu- 
ality. Ability to articulate feel- 
ings/ideas essential. Meet re- 
gularly. No cost, non-theraputic, 
non-judgemental environment. In 
responding please tell us what 
you expect to get and contribute 
to this discussion group. Reply 

Group” PO Box 587 Somerville 
02143 





MR. ‘Ss 
GIGANTIC COPIES 
Enlarged or reduced to 2'x5’ or any 
length on bond paper. velium. or 
bright colored poster paper while 
you wait. COPY COP 815 Boylston 
St (opposite Prudential) 267-9267 
13 Congress St (mr State St) 
367-2738. 85 Franklin St (nr Filene's) 
451-0233. 260 Washington St (nr 
School St) 367-3370. Open eves & 

Saturdays 














FREE LAW BOOK 
CATALOGUE 


Hornbooks, casebooks, texts 
and study aids fron New Eng- 
land's law book store. Cail or 
write The Law Annex at Harvard 
Book Stores 12 Plympton St., 
Cambridge, MA 02138 or 
617-661-1150. we welcome mail 
orders 





NEED CASH?? 
Priv party wishes to buy one to 
three carat diamond. Must be 
reas price. Will pay csh 542-4341 
1-7pm daily 





COLOR COPIES 


(8x10) 


From artwork, books or 35 mm color 
slides. T-shirt transfers from same. 


Boyist Si 
posite Prudential) 267-9267. 13 Con- 
= St. (near State St.) 367-2738, 

5 Franklin St. (near Filenes) 
451-0233 260 Washington St. (nr 
School St.) 367-3370. Open Eves 
and Saturdays. 











mime hi 
LOST & FOUND 


Found 10spd Boylston- 
200BIk May 7 Mail descrip to 
Hart 16 Antrim no. 2 Camb 02139 





ACTRESS ACTORS 
Models have y photographs 
made by aspeci.:iist. Clean work, 
reasonable prices. Call for info: 
491-7761. 492-4777 


Books Books Books. Highest 
prices paid. Brattle Book Shop 5 








Generous reward-Film lost 5 rolls 
of wedding pics were taken from 
our Car truck near Kenmore Sq. 
along w/ cameras, golf clubs, & 
tools. You can keep the rest, the 
film is irreplaceable. NO QUES- 
TIONS ASKED reply to Box 7505 





BIKE AMERICA 
GBCAYH Bicycle trip to Worlds 
Fair June 10, San Francisco to 
Boston June 23 Brochure Write E 
Pitkin 11 Shepard Lane 
Shrewsbury MA 01545 
617-842-2343 


Bes to Seattle or Alaska for $150 
have tic on N.W. Dep 6/25 Arr 
Sea or on to Fbx more info call 
Laura 443-9224 5-7pm 


Destination SF-Female (26) 
interested in driving xcountry 
(slowly) with someone who enjoys 
traveling & good company. Will 
share all auto expenses in return 
for humor, conversation. Dep flex 
for end of summer Box 7464 











Gary Davis’ World Service 
to 


KAJ! ASO STUDIO 247-1719. Art 
classes-Monthly rates. Life Draw- 
ing. Painting. Etching, Ceramics. 
Japanese Calligraphy. 


PRINTMAKING 
Etching. monoprint, & collagraph 
classes begin June 14. Call ex- 
perimental etching studio, 29 
Stanhope. Boston, 262-4612 


DANCE 


EXPANSIONS 
Dance co classes mod- 
ern/jazz/blues/gospel with Jude 
June 1-Sept 2, Phillips Brooks 
Harvard Sq M&W 
5:45-7:15pm beg T 7:30-9:00 Th 
5:45-7:15pm int. 267-9640. , 











labl 


Authority Passport 
all persons who consider them- 
selves World Citizens. For ap- 
plications and info about the 
World Passport call (617) 
522-4099 





GO WEST 
Ten Day Imaginative Excursions 
off the beaten path. Hike, swim 
and raft. San Francisco and LA 
$199 Portiand ‘and Seattié $229 
Call GREEN TORTOISE 
265-8533 


Moving to LA. Planning 1-2wk 
camping trip to West Coast via 
Canada Sk M/F 30 to shr driv, 
exp. gd times Lv mid-late June 
Call Meredith 354-1589 kp trying 


RAINBOW 
GATHERING 


Alternative bus Ivs Bos 6/17, 
6/24. 8 day trips incl. Badlands, 
Tetons, Yelowstone, Hotsprings, 
camping, rafting with good com- 
pany $199. An after gathering 
onto west coast $249. Green 
Tortoise 256>8533 


Rider wanted to share driving & 
gas to Denver on 6/5 Penn 
491-0420 or 498-9077 











WANTED 


GOLD & DIAMONDS 
Private buyer wishes to purchase 
your gold & diamonds. Please call 
Mr Sing at 522-9640 7 days a 
week 








NEED CASH?? 
Priv party wishes to buy orre to 
three carat diamond. Must be 
reas price. Will pay csh 542-4341 
1-7pm daily. 


RUN AWAYS 
Rm & bd in couffiry home in ex- 
change for housework. Tuition 
asst poss Box 521 Concord 








Wanted-Rickie Lee Jones tape of 
Orpheum show (4-2) Call (603) 
669-5181. 5-8pm. Ask for Cathy. 


Wanted to buy Guitars Amps 
Drums anything musical any con- 
dition Call 592-9496 592-5786 





INSTRUCTION 


ACTING 





Tap Dance with Maureen Cos- 
grove. Private & Semi-Private in- 
struction. All Levels 236-4759 


LEON COLLINS 
DANCE STUDIO 
1636 A Beacon St., 
Brookline 
Intensive 
Summer Session 
In 
Jazz Tap Dance 
For Teachers 
Dancers, Performers 
at 3 levels 
July 28-Aug 6 
2 Classes per week 
(evenings) 
$60 session, $50 if regis- 

tered by June 15. 








For info cal 232-0105 








LANGUAGE 
Speak SPANISH in Six Weeks. 


For: conversation, travel, work. 
Private Lessons 864-1471 


MARTIAL ARTS 
Holistic Karate in JP. 524-7560 


Uechi Karate School in JP. Fit- 
ness, mindfuiness, self-defense 
Classes now forming 524-7540 


MEDITATION 


CAMBRIDGE ZEN CENTER-Daily 
meditation. Monthly intensive 
retreats. Dharma talk Thursday 
8pm Call 254-0363. 











OD RA RCRD  - 
MISCELLANEOUS 


CREDIT 


Establish Credit 








Get MC/VISA 
NO CREDIT-BAD 
CREDIT 


$19.95 


Ciiampion Services 
177-F Riverside Dr. 
Newport Bch., CA 
92663 








FOR 


Classified 
Display Rates 
Call 
536-5390 











SDI 
SERVICES 


ACADEMIC 
SERVICES 





RESUMES PRINTED 
Retyped or typeset by COPY 
COP at 815 Boyiston St. (opp the 
Pru) 267-9267, 13 Congress St 
(near State St.) 367-2738, 85 
Franklin St. (near Filenes) 
451-0233. Selection of resume 
papers and matching envelopes 
Open evenings and Saturdays 


BUSINESS 
SERVICES 


COLOR COPIES (8X10) 
From artwork. books or 35 mm 
color slides. T-shirt transfers 
from same. COPY COP 815 
Boyiston St (op the Pru) 
267-9267. 13 Congress St. (near 
State St.) 367-2738, 85 Franklin 
St. (near Filenes) 451-0233. Ope 

Eves and Saturdays : 














- 





For want of a BEEPER. 
A was lost. 

For want of a message. 
A call was lost. 

For want of a call. 

An appointment was lost 
For want of an appointment, 
A sale was lost 

For want of a sale. 

A client was lost 

For want of a client. 

A business was lost 


Are YOU getting the message” 














The Beeper People! 
FOR SALES OK SERVICE CALI 
(617) 890 BEEP 
LT J 
ACCUTYPE -For ail your typing & 
word processing needs. Reports, 
resumes, lists, etc. 267-8063. GIGANTIC COPIES 





TERM PAPERS 


Research, writing, 


custom done to your 
specifications. Pro- 
fessional quality & 





GURDJIEF OUSPENSKY 


CENTERS 
237-5467 


Raja-Yoga Meditation. The Natu- 
ral Way to Realization. 
Chandra Mission. No 
492-5094 





RAMEE 
PHOTOGRAPHY 


Commercial photo studio to 
share. Fully equipped excellent 
location. 266-4030 


per d service 
at reasonable rates. 
Resumes. too. 








232-1714, 


keep tryi 


FREE LAW 
BOOK CATALOGUE 


Hornbooks, casebooks. texts 
and study aids from New Eng- 
land's law book store. Call or 
write The Law Annex at Harvard 
Book Stores 142. Plympton St. 
Cambridge, MA 02138 or 
617-661-1150. We welcome mail 
orders.” ‘ 











Enlarged or reduced to 2'x5' or 
any length on bond paper, 
vellum, mylar, acetate or bright 
colored poster paper while you 
wait. COPY COP 815 Boylston St 
(opp the Pru) 267-9267, 13 Con- 
gress St (nr State St) 367-2738, 
85 Franklin St (nr Filene’s) 


451-0233. Open eves and 
Saturdays 
PROCESSING 


Supplying ali your needs 
including resume letters, 
dissertations, transcrip- 
tions, term papers, cor= 
respondence. & overflow 
work." 
Free pick up/delivery 
Cail Data-Scribe 


923-9808 











COLOR COPIES 
(8x10) 


From artwork, books or 35 mm color 
slides. T-shirt transfers from same. 
COPY COP 815 Boylston St (op- 
posite Prudential) 267-9267 13 Con- 

ess St. (near State St.) 367-2738. 
5 Franklin St. (near Filenes) 
451-0233 260 Washington St. (nr 
School St.) 367-3370. Open Eves 
and Saturdays 











LOOKING FOR... 
AUTOS? 





MUSIC? 











FIND IT IN THE 


BOSTON @ 


CLASSIFIEDS 





West St. Boston teo 542-0210 


ee a cn ar 


a ne 


















































CHILDREN 


FREE ROOM & 
BOARD IN BELMONT 


in exchange for some house work 
& child care. Please send written 
inquiries to box 3742 





S. SHORE-Free rm in xchange for 
minimal babysitting. 1 mile from 
town beaches & directly on 
MBTA line. ideal situation for 
singel parent w/1 child. Cali eves 
betwn 8-9. 749-5621 


| Ssmacion ance 
COUNSELING 


EATING PROBLEMS? 
FEEDING OURSELVES 
program on compulsive eating 
Food/body awareness 
behavioral chg, movement ther- 

apy. For info: 661-3727 


Bodywork Akin rolfing 742-1732 











Humanistic 
Psychotherapy 
since 1971 








492-0050 
Cambridge, Ma. 











GAY MARRIED MEN 
You are not alone. Therapy 
Group forming. Call Francis 
Giambrone 45 1-1398/ 661-4070 


GROWTH GROUPS 
Personal growth, interpersonal 
skills, $5 per session. Self con- 
fidence, self-direction counsel- 
ing. Indiv or group. Howard Miller 
M.A rer 661-2622 
329-579 








MARRIED AND 


You are not alone. All day 
workshop. 

For information call: 
Francis Giambrone 
451-1398 
661-4070 














HYPNOSIS: Smoking, Over- 


eating. Sexual problems. concen- . 


tration, confidence, motivation, 
sports, creativity, self hypnosis, 
etc. Call Robert Pilato 776-7976 


Office space available for use by 
independent counselors on a 
part time basis call 354-6259 








Personal Growth Group forming 
for men and women. Call Martha 
at Pequod, 354-6259 


COUNSELING 
SERVICE 


Psychotherapy, crisis 

assistance, consultation with 

individ and ples. initial 

Interview(s) of therapist free 
encouraged. 


and encour 
782-5753 




















Gay? Meet intelligent. interesting 
people Quick-confidental-legit- 
imate CONTACT Mon-Th 
1-8PM 212-794-0050 


HOW'S YOUR LOVE LIFE? 
Single? Phone Matchmakers. toll 
free 24 hours a 
day. 1-800-558-8133 Dept. 4851 


LUNCHDATES 
is here! See display ad in person 
to person 








HEALTH 


MASSAGE THERAPY 
Complete mind-body relaxation 
Arica Certified Vortex . Points, 
Chua-Ka. Skin Rolling. Removes 
habitual tensions. pain, fears 
toxins. Rejuvenates vitality. Ed 
Flanagan by appt. 536-6336 


ENERGIZE RELAX 
15yrs exp Lic Masseur 628-4338 














THE \ Selective Singles’ Meet quality Lisc masseur 742-1732 3-5 aft 9 
people thru Judy Yorio’s Com- 
LIFE ENRICHMENT patibles-the dating service that Lose TEN LBS in 3 days. Send 
; SASE & $5.00 cash to PO Box 
PROGRAM cares. Boston (617) 739-6688 164P. 310 F 
: North Shore (617) 531-2133 ra 10 Franklin St. Boston 
Helping you find ~ South Shore (617) 378-4389 2110 
a warmer personality, ¥ Worcester (617) 476-3371 
Athol/Greenfield (413) 772-6067, PS AIA eR 
stronger self confidence = Springtield (413) 737-7644. Easi = HOME SERVICES 


fewer tensions, inhibitions, 
deeper, lasting relationships 
To show its value for you, the first 
2-hr. private session is at no 
charge. For appointment: 

















Primal Therapist-individ- 
ual/Couples Weymouth Call for 
appointment 335-1167 


SEXUAL HEALTH CTR 
Specializes in the treatment of 
impotence & premature ejacula- 
tion problems. Call 266-3444 








Pequod 
Counseling 


Center 
Established 1970. 
Individual, 
Group, aan le, 
and Family 
Counseling. 
Openings for men & 
women in dynamic 
personal growth groups. 
1145 Massachusetts 
Avenue, Cambridge MA 

617-354-6259 
Sexual Health-There is no unin- 


voived person when sex is a prob- 
lem-for app. 426-3677 














Short-term crisis assistance as 
well as extended psychotherapy 
for individuals couples families & 
groups. Sellow at McLean Hospi- 
tal. N.L.P. certified. Sliding scale. 
Laurel Smith, MSW. WINGS 
Therapy Collective, Cambridge 
876-8438 





FOCUS 
COUNSELING & CONSULTA- 
TION FOR WOMEN & THEIR 











SURROGATE 
THERAPY 


Enhance your sexual functioning | 
with women via sex education 
and therapy by professionally 
trained female surrogates. For 
more info, call 266-3444. 


TROUBLED PEOPLE 
Psychotherapy for lonliness, de- 
pression, general despair. First 
interview at no charge. Ruth 
Chessman, 964-25 10. 








\ls, 


ST ae fo 








924-2242 


Want a greater self-awareness 
richer relationships, better com- 
munication? Join our personal 
Growth Group. exp leader 
Gestalt Therapy. individual coun- 
seling offered Dorothy 
491-6408 


WEIGHTLESS 
Lose 5 to 20 Ibs this month 
Guided meditation cassette 
Money back guarantee. $14.95 
New Life Box 284 Boston 02117 








Hampton (413) 527-5870, Pit- 
tsteid (413) 442-3347, Nashua 
(603) 673-4280. Providence (401) 


> 


F SINGLE? 
TIRED OF BARS? 


Turning Point is a person- 
alized, selective introduction 
service offering one-to-one 
referrals, parties, rap sessions 
and much more. Do yourself a 
favor today and call us. 


TURNING POINT 


232-3623 











BOSTON 431-1575 
\ FRAMINGHAM 620-0171 








CARPENTERS 


Cabinetry to kitchens to decks 
and additions. Quality work at a 
reasonable price. free estimates 
Dennis Riley 787-0642 








Carpentry additions & renova- 
tions free estimates Tom 
723-8199 





CONSCIENTIOUS CARPENTRY 
Additions. Porches. Remodeling 
General Wk 10yrs Exp Mario 
542-3292 





Interior-Xterior additions renova- 
tion gutter & porch wk-Refs and 
estimates. Weston 825-8958 





iK A 
PROFESSIONAL 
COUNSELING 
( & HYPNOSIS 
GROUPS 
relaxation, habit control, self- 
hypnosis, support, self-im- 
provement 
QUINCY CENTER 479-1828 
by appt only 











SOMA Counseling Center 
Individual and Group Psy- 
chotherapy: Gestalt; Medita- 
tion & Relaxation; Psy- 
chodymanics; Bioenergetics; 
Art; Music; Alexander; and 
Counselor Training Pr: 
Non-Profit/Insurance Billi 
Sliding Scale/Estab. 1971 


491-8694 
99 Bishop Allen Dr. Cambridge _ | 
WOMEN’S MENTAL 
HEALTH COLLECTIVE 


Experienced therapists com- 
mitted to integrating the princi- 
pies of feminism with the practice 
of therapy. Short & long term 
Individuals & group therapy. In- 
surance accepted. Fees nego- 
tiable. 354-6270 


ARE YOU 
ADOPTED? 


Have questions? 

Feel isolated? 
Share with other adult 
adoptees. Explore issues 
and feelings. 

8 week group begins 
in June 


277-9455 
Kathryn S. Sloan, M.A., L.C.S.W. 


DATING 


An alternative to the Friday night 
bar scene June 4 at The Main 
Course Call 244-6894 


QUITE SIMPLY 
Cempanion li offers you a 
contemporary alternative 
to traditional dating meth- 
ods in the comfort of your 
own home. Companion Il, 
P.O. Box 15-p, Danvers, 
MA 01923-015. 


774-1109 
































NOW YOU CAN MEET 
THAT 
BEECIAL ee nade SOON. 
Call today and could be 
dating someone Hp Aw nice 
next week! For our FREE 
BROCHURE Phone 267-4500 














coffee houses in A 
well, they're 
houses. July- 
for 1982. From 


HARMONIUM 


MOVERS 


<a 








Moving? 1/2 Men & Van-Low 
rates. This ad cost $12. so do 
your part and read it' 742-0824 


MOVING 
1 or 2 men and van. local and 
long distance fiat rates to NYC 
expd and prompt 787-2070 






































LICENSED & PIANO Moving? Two men with van Cail 

INSURED RIGGING 782-0611 Pete 
APT. | HOME | OFFICE Poor PeoplesM vers 
D.C. INTERSTATE "  @xpert moving & packing 
N.Y.C. Van Lines inc Heavy appliance deliveries 
Calif. Agent Same day serviceow rates 
i d 
aa runes paren 

Anywhere 
Fireproof Palletized oa 522-0826 
STORAGE MPOU 24184 
SMOOTH MOVE 


491-2211 


FREE ESTIMATES 


MDPU 24408 MC ICC 1745 
MC & VISA 











Joy's Van $15/hr 648-7241 


Stone Pony~ ‘Z 


°Expré$s 
° Reasonable & Reliable 
° Large and Small 
Equipped Licensed & Insured 


MDPU 24429 
Cail Randall: 354-2116 _/ 











TWO TOURS FOR 


will see and the photos 


Home or office. large or smail 
Lic. insured- call Arby 387-4799 
MDPU 25175 


Since 1970 
LIC. & INS./M.C. & VISA 
‘nexoensive recycled cartons 
1417 CALL 
661-0550 
ANYTIME 


You can 
trust us — 
thousa 







nds 
have. 5 


CANNABIS PEOPLE 


you 


ist cane. 10 days, July-August guided tours to Cannabis growing 

of Morrecco and farms. Truly the trip 

unbelieveable ble and unforgetable. Only 42 spaces open for 1982! Sold 
oat in '81. Book early. $ complete. 


of a lifetime. 
you will take will be 


bee TE 


‘Our 7 day tour will cover all 
150 


tours, 10 people per tour. 
complete. 


Hash and grass being sold openly and smoked legally in clubs and 
2 msterdam since 1970. You've heard the rumors, 


Clubs and coffee 
70 spaces open 


“Both of these tours are completely legal.” 


Look for our ad in 40llowing week in classified travel section 


Send SASE tor FREE brochure | 





‘~~ +56 Moosup Trail 
> 8 
(203) 268-8817 


Guides Int. (since 1980) 
Conn 06491 





with 
Individua' 


. Shidin, 
accept 








SINGLE? 
ACTIVE? 
TIRED 
OF THE 
BAR SCENE? 


Call 


Together" 
The nation’s largest 
personal dating 
service with 35 


offices. We must be 
doing something 


right. 

Boston 437-9393 
Braintree 848-5318 
Framingham 879-8641 
Chestnut Hill 232-4800 
Wakefield 245-4667 














SINGLE? Meet that special per- 
son! Call DATELINE now. 
-451-3245 





There is only 

one service 

that lets you 

see, hear, and 

choose whom 
you'd like to meet. 


The Couple 


That's why we've attract- 
ed such a great group of 
singie men and women. 
See for yourself—call 
for a free, no-pressure 
demonstration. Why 

a good social 


postpone 
ie any longer? pz. TV 


Evening Magazine 











Company. 








PAINTERS 


ahameniiinannemnl 
Great Painter 354-6088 


Hernstrom & Povirk: Painting 
Ext & int: Carp, Free Est Referen- 
ces 13 yrs Exp 522-9063 
442-5524 


Painting inside/out low rate for 
quote. Call Bob 427-2386 














HOME 
SERVICES 


Carpentry 
Painting 
Cleaning 

Construction 
Any Home Service 


Call 
United Referral 
Services 
566-5901 








HELP FOR BULIMIA 
We are a professional womens 

psychotherapy practice especially 
trained and concerned in dealing LA., W.. SF. ond now 8 4 
ee ins tees oo visi to Avert wt 279 Newbury Street. 
available for women with Bulimia 
fee scale and insurance 
. For more information 


ll 
“" THE COLLECTIVE 
277-2658 


corner of 


available 








* HOMES « ye grab se LARGE - 


SMALL « FINE Fi * ANTI- 
QUES - T O'ART 














use these t 
and most sophisticated European systems 


W.Y., S.F. and now Boston 


Gloucester. Be the ist in Boston to 
beds which are the safest 


$25 VALUE 
important we 


Opening May 1, most 
offer results after your 1st visit. 
Limited 








MOTION 

















APOLLO 
MOVERS 


Quick, dependable, 























MOVERS 


SRE SE 
2 men & van best rates 254-6145 


ALTERNATIVE 
MOVERS 
Specializing in small moves for 
economy minded people. No 
truck rates. No gas charge. No 
minimums. No initial running 
time. no gimmicks. Call 

581-6299. MDPU 25162. 








. PIANO AND 
FURNITURE 
MOVING 
Low rates — 24 hr. 
service, 7 days a 

week. Storage. 
DANIELLE 
MOVERS, INC. 


186 Brookline Ave. 
Boston 
267-4079 or 
566-5901 
MDPU 2022 




















5 YRS. EXPERI Lj 
































B&F 


MOVERS 
LOCAL - LONG DISTANCE- 
OVERSEAS 
No job too big or too smail 
Frequent trips to all New 
England, New York, New 
Jersey & D.C. Call anytime 
364-1927 or 361-8185 
ICC MC 1931 MDPU - 









1498 | 





PARTY 


Belly Grams by Magic 245-1370 








DM PRODUCTIONS 
Disc Jockeys for Ail 
Occasions 
Now featuring the ONLY 
Mobile Video Show 
Call Dan McCarthy 
924-0125 





Classifieds 
are having a 
PARTY 
Department 
Caterers - 
Dee-Jays - 
Supply Stores - 
Liquor Outiets - 
Hall Renters Magicians - 
Performing Groups - 
etc. 
Place your Party 
advertising at festive 
rates. 


CALL 267-1234 | 











: 
MISCELLANEOUS 


DRIVE-A-CAR 
to Florida, Calif, etc. Some gas 
allow. Good cars leaving daily 
Must be 21 & licenced Cali 
267-4836 


FREE RIDE TO LA leave 6/11 AM 
arrive 6/16 pm heip drive and 
unload 24” truck (stickshift) 566 
-4863 keep trying 








DRIVE-AWAY-ALL 


© Cars to ail states (Cal., Ariz., 


1018 Comm. Ave., 
Boston 








_nAmesow GA 


Robinson (518) 355-2871 


FOR SALE 


ANTIQUES & 
FLEA MARKETS 


Antique phonographs: Edison 
disc A200 $260. also $250; Pathe 
vii $140, 78's and more 
770-0528 


Crafts fair St Anne's Schoo! 18 
Claremont Ave. Arlington Hts. 

















he oie @ | 














































hard working. 
Mah M 15 h 6/12 (raindate 13) 10-4. Spaces 
524-4177. . ce Licensed and insured. $10.00, call 648-6207 
Man & Truck 315 547-9365 call 1VORY Chinese Chess Set 
giana 492-8678 Seated 5 1/2 in King & Queen 
— - intricately carved work of art 
DAN’S VAN eran one ne ee ren Priceless as ivory a an en- 
re vers~ wi . dangered species 700 Cail 
Mo VERS | cheap money-David 825-6271 482-8214 
pny PTS MOVERS PAPERBACKS 
 Ineured - Low Rates Student discount expediant and Best offer takes my large (200 + ) 
661-1683 experienced. Call Pete 522-9106. collection of pre-1960 good ton- 
dition paperback books Buy one, 
buy all Jane 969-5911 
MAN & VAN 492-7540. MPDU NORTON 
25149 FLEA MARKET 
Man & van small moves ANTIQUE SALE INC. 
825-8958 : 
Over 100 Dealers 
Moving OUTDOORS-EVERY SUNDAY 
AND MONDAY HOLIDAYS 
We adhere to the gy oh ea 
Mansheld Exit off $5 
traditional ethic of Adults 50¢ Children Free 
hard work to earn (617) 339-8554 
a living. Moving Van-call Jim 763-3953 Information 
Cot yoy mommets wom PACHYDERM So ceuaneaeietamaan 
Dependable moving service. APPLIANCES 
Caretul. courteous movers. Lisc. aa nd 
& ins. Call Mike or Carol Make own flour, juice. ground 
646-9645. meat. wr oy s .My Vita- 
Mix goes to 623-7753. 
GENTLE GIANT ee Eg 
Osborne and Anv inh low rate exo. 864-1516 $50. 1 year old electric d 
Duggan inc. Alternative Movers, 581-6299. 3spd $200. 648-2212 eves 
insured Budget Movers 1 or 2 men w/van. Selling 9 in Panasonic color tv 3 
Call 734-5272 or 628-6587. yrs old in very gd cond. Aski 
- $150 or best offer. 587-2156. 
Mongoose Movers. Low rates: Catch 22 1 or 2 men 846-2698. 
= aon and friendly wooD STOVE 





Mover & Van edd jobs-739-6311 

















Sunrise Movers Tom 628-6809 


MAN & VAN 


All Rates Negotiable. 
in Town. 
Call me anytime. 


825-6700 





Federal Airlight wood stove —_ 
plete w/ st . One year 
$150. Call (in Taunton) 04-0280 


WARING 
Blender. Never used. only $20.40 
Cali Jon at 536-5390 X456 


Whiripool electric dryer-$135. 
Working condition. 5-speed. Call 
783-5943 

















CHARLES RIVER MOVERS 
pn Ne trucks any job. large or 
smali at any time to anywhere. 
492-7540. 





TRUCK & 2 MEN. 492-7540. 
MDPU 25149. 


Truck. Man & Rib! Pncti 522-0263 





Cooperative Movers: Van Boston 
& NE Same day Low rates 
876-1171 


Brand new Perron Super Gom- 


pact wood-burning stove. Smail, 
durable, and money saving. This 
is a great buy. the stove is still in 
the factory carton. List Price 
$400.00 will sell for $195.00 Call 
John at 536-5390 ext 456 be- 
tween 1-4pm. 





ee 


7964 ‘b ANN ‘OML NOILOAS *XINZOHd NOLSO8 3HL 














22 


THE BOSTON PHOENIX, SECTION TWO, JUNE 1, 1982 


BICYCLES 


FUJI 
19 1/2" 12 speeds all alloy parts 
recently overhauled rack toeclip 
grab-ons $225 call 864-7793 pis 
leave message 


BMX-Redline 700 1982 biue exc 
cond $310 BMX-Team 
Mongoose 1981 Red gd cond 
$265 10 speed 1978 Motobecane 
Nornade very gd cond $145. Cali 
Greg Hill 617-646-7520 


Brand New Raleigh Record Pro 
Racing Bike. Ridden less than 4 
mos. Reynolds 531 0.B. Tubing 
throughout. Team Raleigh decor 
Mavic rims. Suntour, dura-ace, 
SR. and avocet race comp equip 
EXC beginning or amateur racing 
bike. Will settle for $595 or BO 
Must be seen to apprc Call Dan at 
875-6361 


Cinelli. Pre-1965. Rebit, refin'd 
Exc cond. 22 1/2” frame. Moving, 
must sell. BO 749-3973. 


Custom Classic 23'' Alex Singer 
touring bicycle, campy and TA 
equipped. Best offer. Call 
247-1481 after 10 pm 




















Free Spirit Sears 10Sp touring 
bike. 1 yr old, exc cond $75 Call 
381-3488 days, 396-3054 eves 


FUJI 19 “ sks 1 yr old toe clips 
$320 or BO claa 547-1438 or 
491-1465 keep trying 


FUJ! Gran Tourer 24" frame 10- 
spd. Toeclips rack super con- 
dition 782-7861. Andrew 


Kryptonite bike lock for sale 
Only $18/. Cali Jon at 536-5390 
ext. 456 














CITADEL 
Bike lock. Never used. Only $18 
Cail Jon at 536-5390 ext 456 


Raleigh women's 3-speed. Nearly 
new. great for city streets! 2 rear 
bskts & kryptonite Ick. 864-7487 
Best offer 


Women's 10spd 19inch FUJI 
spec rd racer recently overhauled 
$225 (603)749-4058 








pena ease 
CLOTHING 


Harvard Crimson Phd gown w/ 
hood like new best offer call 
Susan 262-2277/547-6369 





FUELS & 
FIREWOOD 


il eaiiestinntenthsiemmiememniamnetianemmieenstedamemenntenaaetaemaetaae 
Omni 85 Kerosun heater. 13000 
BTU. Efficient & safe. Paid $250, 
will sac $125. 475-2509 aft 5 


HEAT WITHOUT OIL 
Brand new Patriot Super Com- 
pact wodd-burning stove. Small, 
durable, afid money saving. This 
is a great'Buy, the stove is still in 
the factory carton. List Price 
$400.00 will sell for $195.00 Call 
John at 536-5390 ext 456 be- 
tween 1-4PM 





FURNITURE 


2 sleep sofas, lightweight, lovely, 
oatmeal, Smo old. $250ea. no de- 
livery. 895-6492 wkdys 


Kitchen table $150, 3 dressers 
$25 each, couch-bed excellent 
buy $200. Call 536-3974 


7 pe living rm set, bedroom 
dressers, wall unit, household 
items for sale. 396-3890 eves 


97 inch selet contemporary sofa 
6 cushions, excellent cond. $40 
or best reasonable offer. Call 
364-5673 before 1pm 


Almost new dinner table with sil- 
ver legs, round glass and 4 chairs 
just for $199 and a bed Call 
497-0271 


REDWOOD 
OUTDOOR TABLE & 
CHAIRS 
Sturdy redwood table with 4 
matching chairs: Round table 
diameter apprx 36"’. For outdoor. 

Call after 6 pm 484-7484 


CHARLES WEBB Custom de- 
signed walnut stereo cabinet. 
This is a one of a kind piece $650 
ph 482-8214. 


























BARGAIN SQFA! 
Large sota-good condition. Tan- 
brown-biack. $100. Call eves 
497-4276 





Modern 3 pc living rm set-sofa 
loveseat chair-brown and cream 
exc cond $350 or sell sep. Glass 
coffee tblie $40. 666-8481 


Must sell. Hide-a-bed $50. Take it 
away. 648-2212 evenings 








Nice rust sleep sofa $200. Wood 
dining tb! & chrs $140. Ovrstid 
chr $50. Lamp $25. Sing! bed & 
frame $85. Avail 6/7 266-9617 10 
to 10 


Oak dresser$200, mahogany van- 
ity & mirror $200, Hrvst tbi $200, 
4 oak chrs $140, Queensize 
hdbrd $150, Bed frame $20, sm 
oak table $30, lamp & shade &20, 
brass Imp $15. canvass screen 
$20 coffee tb! $15. Asstd plants. 
Call 437-9690 


Pine students desk & matching 
captains chair-both stained an- 
tique maple. Excellent cond-both 
for $125. 661-4167 


Platform bed. Solid oak single 
bed w/drawer orig. $250 now 
$150. Futon $40. 661-1017 














Moving Sale: Furniture, t.v.. 
beds. car: 71 Toyota. 232-7307. 
5-8:30p.m 





Relocating. must sell brand new 
Hydro-Spa hot tub. Sunsheli in 
bone. New 2700 will sac $2000 or 
BO. 484-1004 


Roller skates for sale brown 
suede Chicago wheels men size-8 
new $90 Tel-236- 1819 aft 6pm 


Roller skates mens size 9, black 
Rydell uppers. Chicago trucks 
jumpbars, krptos, skates new 
this spring $110 782-7861 


SPA MEMBERSHIP 
Selling VIP membership to 
Women's World Health Spa 
($220) Good until 10/84 (2 & 
1/2yrs) with option to renew 
membership annually for $95 
Many extras included. Call 
536-5026 Keep Trying 


Stint chainsaw for sale: Sy. 
491-3670-W, 497-1376-H 


UNIQUE HOME SALE UNIQUE 
Some one of a kind pieces, rugs, 
tables, sculpture, electric bug 
killer, Polaroid instant movie 
camera. old books, wine collec- 
tion. Call 491-5394. 























FOAM RUBBER 


DISCOUNT CENTER 
Cushions, Mattresses, Bol- 
sters, Covers, ready to 
go or made to order. 
Shredded 
foam. Plat- 
form beds. 
Foam cut at no extra charge. 

165 Brighton Ave., Aliston 











254-4819 


782-1891 


CASH? 


We buy used paperbacks 
HARVARD BOOK 
STORES 

1256 Mass. Ave., Cambridge | 








A 


44 HARVARD AVE., 
ALLSTON, MA 





ROOM DIVIDER 
ENTERTAINMENT 
CENTER 


59” x 17’’ x 60” 





Reg. $109.99 


NOW $64.99 


Available in Oak or 
Wainut finish 











Sofa-bed $225, brown plush 
carpet 12X14 $125, gold chair 
$50 excellent condition-less than 
1 year old call 536-2122 


Stressless chair & footrest, made 
in Norway, leather, metal frame, 
reclines, packageable into very 
small volume, like new. Asking for 
$450 or bo. 628-7446 


UNIQUE HOME SALE UNIQUE 
Some one of a kind pieces, rugs, 
tables, sculpture, Polaroid ins- 
tant movie camera, old books, 
wine collection. Call 491-5394 


HEAT WITHOUT OIL 
Brand new Patriot Super Com- 
pact wood-burning stove. Small, 
durable, and money saving. This 
is a great buy, the stove is still in 
the factorye carton. List Price 
$400.00 will sell for $195.00. Call 
John at 536-5390 ext 456 be- 
tween 1-4PM 














Couch & loveseat $310, dk set 
$220, desk & chair $45, sterstnd 
$35, bureau $40, doub matt & 
box $90. Must sell, call 969-2754. 


For sale brown sleep sofa $300 
6'9"' orange’shag carpet $50 Call 
Marilyn Evans 661-6523 
w667-7 100. 








FORSA 
Living room furniture and as- 
sorted household items. 
648-1035 


Good furniture for sale chairs 
couches rugs etc for info call 
247-2640 aft 7pm and weekends 


HOSPITAL BED 
Hospital Bed-excellent condition 
multi-height. Also hospital over- 
bed table. Both for $375. Cali 
878-0314. corrected phone no. 











GUARANTEED 
CLASSIFIED 
it runs till it works 
Call 267-1234 















* couch with 
ige with floral 
new. $550 or 
727-1498 be- 
tween 9 and 5 appt 


Queen size be eg ——— 
w/padding $17 ing room chair 
$35 or BO he: 

Rocking Chair, Chair, Couch, for 
sale $100 or BO Good condition 
Cali 536-4 136 aft. best. 








=ieniennieniaeniall 
25' sloop Seidelmann 1980. Like 
new. Racer Cruiser, best offer. 
Moving. must sell 749-3973 
40° Classic Motor Cruiser. Live 
aboard. Ready to move on. Many 
extras. Must be seen. $10,000. 
603-964-5656. 
7 1/2 Ft Fisher Plow Rig $750.00 
1-384-8783 Call after 6:00PM 


BIRD CAGE 
Decorative wrought iron cage 
44°x 36° on pedestal base. 
Never used. Asking $375. 
734-5879 


BUYING 
DIAMONDS 
GOLD SILVER 
Heirloom & Antique 
Jewelry 
Pocket Watches 
Gold Coins 
Also, American, European, & 
Oriental Gold Items 
LEBOWITZ JEWELERS 
White City 
Shopping Ctr. 
Shrewsbury 
754-9821 
NATHAN’S 
471 Main St., Fitch 




























LAB MICROSC 
Mint cond Amer Optical 
mono, all-steel. dual mic 
$425 or BO Rich 697-8866 


Moving must sell Alum. Storage 
Shed 9'x6' BO. Room A/C exc 
cond used 3 summers $200 or 
BO. Remington Rand 5 drawer 
file gd cond $20 864-0951 





NEED | 


a) ee 
YARD SALES 
Typewriter, turntable, TV. sim- 


mons full size mattress.and book 
shelf. skis size 8. 742-8049 


MUSIC 
AUDIO VISUAL 


16 channel PA for rent 
Peavey/BGW/JBL/EV/Shure 
BC Productions 643-3742 


2 Dynakit vintage tube amps 55 
watts each. Beautiful warm 
sound must sell $150 Ken 
277-7684 


4 chi syst-Akai “Surround” syst 
inc quad amp. quad synth. re- 
ceiver. 4 spkrs. $200 firm 
783-5923 


ADS P 100 state of the art auto 
pwr amp like new $225 Kenwood 
KR5170 reve 25w per ch w/ elec- 
tronic rhythm composer ideal for 
Musician-$225 Joe 267-2798 
days. 783-4036 eves 

















Cizek model 2 spkrs 8 in woofer 1 
in tweeter list 400, pr. now 150 
Mitsubishi Da7 amp 75 WPC list 
350 now 200. Bill 458-6550 


Classic Marantz 10B Tuner like 
new Best Offer over $300 P O X 
104 118 Mass Ave Boston 02116 


DBX noise reduction unit 122 
Don 331-4178 


Dual Model 1258-52 turntable, 
never use. Only $144. Cail Jon at 
536-5390 ext 456 














PRO PA SPEAKERS Klipsch 
Lascal a indus loudspkr sys, spec 
casing. $500w or more. Exc cond 
Bo Cust bit slant monitors BO 
Call Mick 846-8214 or Bob 
242-0751 


World’s Best HiFi | 
NEW & USED 


Hafler Pyramid Rega Thorens 
mavector Grace Mcintosh 
UY SELL CONSIGN 











° Audio 
Dual model 1268-55 turntable — Ne thal 
never used. Only $186. Call Jon 95 Vassar St. 
at 536-5390 Cambridge, 02139 





For sale ADS 710 loudspeakers 
with stands 550 Call Jeane 
536-2907 


HIGH END EQuiP 
Snell type A imp list $2200 
$1550-Snell elec cross over list 
$400 $200-klipch tascala list 
$1500 $1100-Revox B77 Atr list 
$1649 $1070-DBX 224 list $350 
$225-Kenwood 600t tuner list 
$550 $300-AEA 620 amp 350 
watts a side list $1250 $600-On- 
kyo TX3000 list $380 $250-Tech 
$L1300 list $370 $150-Tosiba 
sc665 amp 65 watts a side list 
$350 $175-new km lab sp100 w 
headamp list $900 headamp list 








Selling PA: 2 Peavey T-300 Col- 
umns, cables $350. 5 Shure 
SM58 mikes, clips, cables, floor 
stands. goose necks, clamps, 
$550. SG system 812 6 chan 
mixer amp, $100. excel cond. 
Steve 643-4059 eves till 10. 





SERIOUS STEREO 
Yamaha T1 tuner, Al amp, PX2 
tangent tracking trntbl, MC 1X 
cartridge, JBL 150 spkrs, collec- 
tors ster $2600. infinity in- 
finitesmal spkrs $350. Ser in- 
quiries pis call Kim 877-1212 





ADS PB1500 Subwoofer 
Syst''The most advanced Bass 
Reproduction System 
made''$995 266-1574 


Biaupunkt CR2002 FM/cass- 
dolby 15watts, auto-reverse new 
$175 Celestion CS3 Speakers 
$250/pr Micro-Acoustics 2002e 
cartrdge w/ new stylus $70 Atau 
628-2233 





$900 $500-nagatrnics head amp 
list $200 $100-spectro acoustics 
eq list $300 $150-all equip in exc 
cond & inc! packing manuals-for 
further details call Steve 
933-6049 


Ibanez delay/multifianger $450. 
Sansui stereo cassette deck 
$250. Pioneer stereo head- 
phones $20. Call Alan 522-0968 





Teac GE/20 10 band equalizer 
never used, list $350 will sac 
$185. 475-2509 after 5 


TETRONICS PRO LIGHTING 
EQUIP 8X2 Dimmer Board, 2 
scene change & 100 ft snake & 
160 amp 8 channel power distrib 
controller w/ road cases. $1500 
Ask for Aldo 895-5677 days, 
894-7681 eves 





DAILY 10-8 


SAT. 10-5:39 


SAVE 50% 








” You're way ahead on value 


STUDENT | BOOKCASE| BENTWOOD 
DESK pa ROCKER 
in Walnut or Wainut ert in Walnut 
Oak finish 6 ao 9% finish 
adamenenns $59.99 Reg. $119.99 
Reg. $54.99 


NOW 
$26.99 


easy to 
, assemble 





and savings when you buy 


NOW $29.99 


NOW $59.99 


BOTH the mattress and 
matching foundation. You'll 
j get the full support you need 
fe 


and the comfort you like. 


. QUILTED Come in now. at these 












SERTA 


prices they'll sell out fast! 


Mattress and Box Spring 





¥ . Quilted design Queen size — 
’ for more comfort 2 pc. Set $219 
x Full size 
* Firm posture-type design 2 pe. Set $159” 


with pre-built borders for overall body support. 
* Floral print cover quilted- to- foam for better 
sleeping comfort. * Sturdy innerspring construction 


in mattress with matching foundatio 


















































Rugs. never used. 4x6 $14, 6x9 
$18. 9x12 $30, 12x15 $49 pads 
$9. Orientals $39. 523-9533 


Newton Potters wheel-2 speed 
exc cond $150 or BO incl handbit 
wood bench. 566-1399 





Simmons Beauty Rest full, $200 
or BO. dresser $60, desk $30, 
bkshelf $10. Must sell 566-4584 


SIMMONS queen size box spring 
1yo $60 or best offer 244-2106. 





Ohio Scientific C-20EM micro- 
computer. Soroc 120 CRT, Cen- 
tronics 103 165 CPS printer, 
modem. compiéte with many pro- 
grams. Must sell will take best 
ofter. Contact Mark at 846-7763 

























































GIGS 
A-1 PRO BASSIST 


seeking rock band-straight 
ahead, progressive or new wave 
No GB top 40 or punk. | have 14 
yrs exp, first rate equip, trans, PA 
bu voc. Prefer near working band 
with at least some orig. Jeff 
661-2694 


Attn rock & roll drummer wanted! 
ObI-bass pref for high pwr band 
Rush, VH,. Triumph, Shenker are 
covers. We have originals, PA, 
trans, space. exp. 242-4272 


AVANT-GARDE 
Modern Avant Garde band is 
auditioning synthesizer keyboard 
player. Age 24-30 pro attitude, 
equipment, staged appearance a 
must. Voice a plus. Influence- 
John Foxx,.Kraftwerk. Info con- 
tact Ron 267-3306 or Jeff 
566-4221 


BANDS WANTED 
Management firm seeks bands- 
rhythm sections-vocalists-enter- 
tainers-musicians for full and 
Part time work, local and abroad. 
Call 617-783-0388 


Bass drums need gtr vcis for H 
energy melodic pop. We like The 














Jam early Who. Touring 
247-1178. 
FEMALE 
GUITARIST 


Established band with 
management & gigs seeks 
female lead guitarist. Must 
look good, be able to 
travel, & handle all lead 
guitar work. 


Ron 617-682-7085 


Wanted: Lead vocalist for 
original classical art rock 
band. We have equipment 
& connections. Must be 
male tenor, 18-25, must 
hit high C, higher the bet- 
ter must be energetic. 
Call Kurt 625-4764 or 
William 492-0470 


BASS & GUITAR 
Players wnted by FT near work- 
ing top 40 dance band. Must 
have good attitude & ability stage 
presence.trans, vocals a must 
Also must have recording exper 
Call Arnold at 1-877-6307 or Toni 
at 1-337-4429 


BASSIST LOOKING 
For Part Time 140, Rock or 
comm. band. Pro exp. & equip 
Jeff 331-7173 




















Bass player exp & versatile seeks 
T40 & GB work. Prefer PT will 
also consider FT 232-6043. 


Bass Player wanted for near- 
working nu-rock/new wave band 
Must be reliable, no experience 
necessary. Franco 851-6917 


BUDGET ANSWERING 
SERVIC 
For only $13/month we'll give you 
24 hr service 825-6700 


Composer wnted to collaberate 
with lyricist. Rock Pop MOR 
serious about writing then pub- 
lishing. Call anytime, 884-2597 


Drummer & bass player Ikng for 
creative rock guitarist for mostly 








































































































O : lar: O olig- hile original band. Mark 662-8387 
Drummer needed for R&R need 
7 : F be steady & rock, Serious Inquiry 
Encyclopedia Brittanica 1982. JVC turntable Yamaha receiver — Revox A77 half-track high speed 
Brand new, 30 vols 879-2960 Demonstrator Avid speakers: : POI Like néw $550. John 395-7812 pre em eamehonrdien a 
x3971 afternoons products at Call 247-3020 anytime. SAE 2800 4-band paremetric UNITED 
Joan Rivers & David Brenner 2 Levinson ML-1 preamp w/d equalizer 4 yrs. Left on warranty 
tickets available at $18.50 each Commonwealth Ave. cards extra lemo connectors, $460. 492-1140 REFERRAL 
July 18 10pm at Chateau de Ville store mint, $1250. or. BO;» Leach - SERVICES FOR 
Call Paul 738-5874 or: 262-9480 LNF-JA amp, 100wpc: $400; pedi ia hg pote . MUSICIANS 
Full warranty on all Sleeping Beauty shibata cartidge Ss . . Musicians lookin for 
Kayak-Greenland model-33 Ibs y $35: Delco car radio $25; spkr protection circuits, LED clip us g 
w/floatation bags, skirt, paddle demos. classical LPs cheap. Will bargain indic. UNISYNC STEREO MIXER bands & bands looking for 
Sells $650-selling $450. Peter at Limited Quantities. 489-3959 8 input stereo house output, musicians. Call 267-4079 
454-6367 or 658-6371 ‘ mono, monitor out, 3-band eq, or 566-5901 
aaa’ a8 Galen tt nok Some one-of-a-kind. reverb, solo, rack mount. Great : 
rolerfurler 7 1/2 merc VHF radio JBL pers Boab <n a Drummer needed. Must travel, 
eee CLEARANCE | _ se:# winas Rata! psopie ony. Col nny V 
Black skates mens sz 9 Rydell USED STEREO ve or 207-774-6151 
uppers Chicago trucks Kryptos Reconed JBL woofers, And TVs. Two whole stores full of : 
Jump Bars. 782-7861 Andy. ELECTRONICS mids, tweeters in per- guaranteed used —. We Drummer wanted for 7 piece 
buy. sell. trade and fix compo- commercial-rock band in Water- 
, Scott 325R fect ee (No nents & TVs. USED SOUND 225 town area. Musthave additional 
ROYAL MANUAL List $199 Sale $99 guitar or P.A. pro Newbury St. Boston, MA means of income. Paul 924-3284 
TYPEWRITERS Sherwood 9200 audio items). Some 236-1827 or 31 Holland St. Davis or Tom 924-8662. 
FOR SALE List $239 Sale $169 Soleuina.- ‘Risen aoe — ———— Drummer wtd for full time work- 
eles n ° ideo-Corder ' or ing cover rock band supportin 
$50, in worki: order. Calli Yamaha R-500 ; : j w/ B&W camera-RFunit bat etc pie inals habit. (S.D ~~ 4 
PF voice, Altec Lansing originals habit. (S.Dan, Geils, 
Marcia at 536- or stop by List $330 Sale $250 : . good cond $500 call 864-6866. Police. Foreigner, etc.) W/Ex 
the Phoenix, 100 Mass. Ave., JVC RS-77 also. Many hard to find P.A.. soundman, rehearsal 
3rd floor, Mon.-Fri. 9 am-6pm. List $549 Sale $389] | items priced to move. STEREO & VIDEO. space. 762-7943 10AM-9PM 
Harmon Kardon HK460 Speaker parts Dept. For same day service, please calli only 
List $329 Sale $239 277-4600/4640/4610 ele tna Drums nded for forming non- 
aera ae Sanyo 2016 Sale ends 6-25-82. Virgelle semen one Gane 3 comm, metal bene Saas & stu- 
pinw ison adaptor. offer dio exp not nec. Talent & pos 
PHOTOGRAPHY List $189 Sale $89 = = Call aft noon 782-7543 Steve. attitude a must. N. Shore 
WE ey rg Pe ed tt 5 le 
Alpa S! 2000 35mm SLR w/50mm Yamaha C-6 Crate eS ae htapsting X-Rated Video VHS movies 2 one eer nro moe 
F 1.7 macro auto-Alpa lens. Both List $350 Sale $229 eg hour movies on one cassette Excellent R&R* band looking for 
automatic and aperture-priority s Loudspeakers for sale. Never 39.95 will buy or trade your mov- gigs & booking Agency has 
manual modes;Rollei 134 REB P Yamaha C-4 used. Only $125.40 each. Call ies 9447623 Boston 2952319 promo video rec & concert exp 
auto flash;Hoya 1B and polaroid List $570 Sale $379 Jon at 536-5390 ext. 456 M-F Wareham 353-1363 361-4006 
filters; lens hood; Imperial IM-650 Yamaha M4 Speak 
. M pl Typania Sp Exp bass player needed for ori 
Pro case with multi compart- List $650 Sale $429 9 y' xp play 9 
ments. $250 or BO 1-475-6581 1A Black $750 firm 232-5251 rock band. Vocals a plus have 
rehersal space. Call between 5-7 
Bell & Howell 1744Z super 8 TURNTABLES Must sell AGI 511A preamp $275 pm 872-0927 
magnetic sound record play AUDIONICS LK-! turntable with Demo 
Filmosonic movie projector Sherwood ST801 GRACE 707 arm $700 KEF 104ab Exp Drummer seeking sty loc old- 
/ | : ’ speakers $575 RG Pro-16 range ies RR work 387-1746. 
w/zoom lens, vu meter, tone con Sale $79 
winoep lent, See ee List $139 a expander $180 2 GAS GRAND- Used : 7. Ror 
still rev. 2 yrs old. Exc cond. Pd Yamaha YPB2 SON amps w/ bridge 160 w/ch xperienced Lead Guitar wn 
$400. A sacrifice at only $176! List $149 Sale $79 $525 NIKKO GAMMA | tuner Hifi for working country band Call 
$220 all mint cond or BO Jim . 473-6729 
Will incl orig box & inst. After 6, JVC LE5 782-2537 
846-0157 ‘ 7 Exp F voc is skng Hm R&R band 
Chinon 30AFXL direct sound see 28 pene aie: parila mee thE Ted Be ark yee ong =. oe 
spkr syst/spkr syst compon-4 ™ enatar & originals. Serious cal 
movie cemera, Never used. Only CASSETTES mont old video recorder | (maze Linear 100 cab- 5 JP 233-4889 
456 Sherwood S100CP ° 881-2791 oe 662 Loud am: Female keyboard player & bass 
List $199 Sale $129 Peavey PA syst incl 10 ch peakers player needed for fulltime, all 
EKTACHROME mixer/400 watt ster amp & EG & Ohm F Loud Speakers female act w/ producer. Vocal 
400. Pack of 20 rolls EL 135-36, Jvc KDD2 2 Peavey 3-way spkrs 115’ & hrns Reconditioned i $800 very helpful. Pros only please. 
$68. Perfectly stored it is in de- List $179 Sale $119 & noveline EL piano 254-1788 Call Judy 401-333-0700. Richard 
— perfect condition. JVC KDD4 Phase Linear inadel gop 100 KLH 3 w/analogue $299 Carr Productions 
pant List $329 Sale $219] watts per channel solid state | “°™PUtCr Fomete Vacalists-wanted for 
Good camera great buy Miranda Nakamichi 5812 amplifier. $200. 523-7692. Kenwood KT 815 Tun- multi-front bands 's 
EE auto/ 5 R 28) 4 4 — John Gentile 617-745-4390 
++ Sega ge Foor wt ) OX List $7150 Sale $600 PR Infinity RSB spkrs. 3-way/w ag e200 
adaptor & filters & many extras : aha K-350 adjust mid & high freq. 4 yr old/w SA2200 100 watt power pene Gtr hen fy — rock band 
250 tak 1 366-7419 i, : . 4 yrs. Lefton warranty, Good im- amp w/maijor label interest. looks 
= -— - —— 1°S239 Sale $179 | aging & accurate. $350 754-6856 Tanberg 2025 short $299 voeal.equip. presence. 923-2042. 
asselbla' mm blac star ’ wave Receiver used ‘ 
lens & shade. $935. NC-2 prism SPEAKERS PRO AUDIO CABLE AIWA 6700 Tapedeck Gner sep eee _ geen 
$415. Call Peter 454-6367 or Custom cables made from Alpha demo $429 tandards Mark 787 2005" i 
658-6371 B&OS75 Belden &Colub. Prods with ADC ae ; 
i or Switcraft connectors. The HABBIT needs bass with trans. 
Mamivie RB er camera aw List $680 meee $399 highest quale craftmanship Other phase linear cabinets as ceet tan teak. narmaen. dade 
mm lens, waste level finder, KEF : guaranteed will beat anyones Ron 767-1948, George 963-9568 
cE be & Polaroidback $925 List $450 Sale $299 prices Call Kevin 353-1708 eve 
“ HEAVY METAL 
Nikon FTN body $250 497-6508. Radio Shack SCT 100 tp. dck 3 Forming rock group, need two 
mtr complete solenoid cnt! $200. Female Guitarists. Bass, Lead 
Olympus lenses: 24mm, {2.8, Radio Shack STA 2200 quartz that can sing. Practice space 
jchawn. 2 Fea pengiten : , "Sa Foe anne has needed contact Rock 593-7757 
pce Bbw Sen i 150w/ea $300 Sony PSLX 2 turn- 182 Mass. Ave., pelle Bao a nee nether: Sane oa 
Rokina 80-200mm 14.5 Pentax K- tble w/audio tech cartrdge $100. Mass. Hi energy dance band sks immed 
mount, w/filters & lens shade. 6 All have boxes & receipts on base plyr w/strong vocals travel a 
mos old $100 Gadget bag $25 warranty. Purchased in Nov. Call 02139 864-HIFI : must exp pros only please. 
Call 523-0417, Mon-Fri 8-5:30 ' aft 6pm. 227-3671. 1-947-4400 or 37-8996. 


























; 


ES 








———————SE 








High energy band seeks hot bass 
player into Beatles both Elvis’ 
strong originals vocals pref not 
nec. studio exp helpful have work 
884-4124 


Innovative. orig. rock band seeks 
versatile. funky bass player and 
synthesist with unconventional 
style. Dedication and recording is 
our aim. Holland 284-7868 
Nancy 783-1872 


INVESTOR WANTED Opp for 
sound engr and or priv investor 
w/ $20.000 to invest in pro sound 
reinforcement co. Partner leav- 
ing. Terms neg. 603-487-3314 or 
603-742-2653 


Jazz, R&B. guitar, piano for or- 
iginal theatre prod. Call 
787-4902. Keep trying. 


Kbd wanted by established or- 
iginal rock band funk & rhythm 
necess. Call 787-5385 L. Mess 


Keyboardist needed for excel 
working road group. Top 40, 
rock. funk. oldies. Be personable, 
ted of arrogance! Cali Jimmy 
889-1110 


KEYBOARDS 
So Shore GB band working 
weekends for good money seeks 
versatile keyboardist with vocal 
ability. Serious inquiries only. Call 
Joe 331-3098 


LATE RISERS 
Hard hitting 4/4 drummer wanted 
2 complete punk/wave 3pc. inn 
Sq eve Tim 776-4606 


Lead guitarist form. of island sks 
electrifying pro bass/lead 
vocalist & drums to generate high 
voltage orig rck 234-5676 





























Lead singer wanted for GB band 
Top 40 and standards. Exp pref 
Call Amy 969-2715 








REHEARSAL 
SPACE 
Sound proof - 24 hrs. - 
security - loading dock - 


game room - low rates - 
186 Brookline Ave., 


267-4079 or 566-5901 














LEAD VOCALIST-Front man, 
18-24, needed to complete prog 
rock band. Gigs waiting (Mr. C's, 
$$). Call 4 aud aft 6 at 587-8957 


LEGION OF DECENCY -Orig. 
R&R/Nu music band together 3 
yrs sks pro drummer. Call Ron 
625-48 15 wkdys aft 5pm or Tracy 
749-9627 wknds anytime 


Logo's-Graphics-Fine illustra- 
tions--Your idea customized or 
created, reasonable rates. Bert 
Tinwin 424-7059. 











“Looking for experienced multi- 


keyboard pleyer who sings or 
doubles on horn and also drum- 
mer who sings to join well estab- 
lished band with much work. Calli 
Senarian Ent 894-1479 or 
893-7128 


LYNN LAPRAD is back and Ikng 
for a solid rock drummer for gigs 
& recording. Call 735-0874 


M lead voc needed for reforming 
rock band to do cover/original 
Must have trans, we have ex- 
cellemt practice space, 
guitar/bass/multi keys/drums, 
PA available call Pete 667-5372. 


Multi keyboard w/vocals wntd by 
wrkg GB band booked well in 
advance call eves 468-7221 


Multi-Keyboardist & lead singer 
needed for original R&R band. 
Must be serious we are Call 
765-564 1 or 764-8492 after 5 


Multi-talented rock bassist sks 
professional rock act to work full- 
time. 453-9377 John or ive msg 


Organist needed. Must be groove 
box and must sing back-up 
vocals. We are an oldies band 
that leans toward R & B and for- 
ays into the unknown. Call Jeff 
254-4322 or Adam 387-8274 




















| Heads-Up 





Boutique 
LAWRENCE MASS Oh. 168 163 
Satin - - Glitter 


First with New York & ' 
West Coast Fashions 






“We have 
all the 
clothes” 


a 4 hard rock or dressy | 


We have the styles to fit your 
a discounts | 
Personal checks accepted 

Master charge & Visa cards 
Hours: 10-8:30 P.M. Tues. & 


Fri. 
10-5:30 P.M. Mon., Wed., 
Thurs., Sat 











Trombonist arr anger seeks work 
also sing and strings have trans 
David 872-2283 


Trumpet player aval. Funk jazz 


R&B double on guit & BU vocals 
pros only Gary 267-8041 








Wanted for original pop rock 
band id vcl M tenor preferred 
bass w vel. Call 884-3422 aft 6 





WANTED 

Hot Rock n’ Roll guitarist & a Pro 
for rhythm & lead playing in new 
band who just released debut EP 
album. Road work & future re- 
cording. Must have tour & studio 
experience. Exc looks back up 
vocals & write hit songs. + good 
attitude. Call 739-1243 or 
623-0635 or (212) 768-5539 


Wanted Pianist who can sing for 
working top40 rock oldies trio 
call Phil 899-8498 eves 


Wanted Sound Engineer from S 
Shore Car a Must All Equip 
provided Will Train M or F 
749-4074 


Want to be on stage? Enter- 
tainers wanted for open mike 
night at Milford. NH club 
Possible future bookings. For 
info call Helen at the White Horse 
inn between 9am and 11am Mon- 
Fri 603-673-9831 


We ar exp F voc & multi keys tog 
looking for wrking or nr wrking 
top 40 dance band. Cail 
335-1920 


Wntd hvy met Id singer. Priest, 
Maden Sabbath etc. We want the 
right prsn to comp! this kick ass 
band. Mardy 489-3616 

















HMC PCO 


Guarantee workmanship, plus full rebui 
7 days a week — 10 to 10 


PAPCPOOCOOCOOPS 








CREATIVE 
INSTRUMENT 
DESIGN 
& REPAIR 


Call Joey Luise 
267-4079 


{Unisex Hair Specialists 











PRO DRUMMER 
Exp in all styles of mus. Bkgrnd 
vocs. Lkng for FT wrk in New Eng 
area. Wrkng band only Tom 
813-442-3206. 


Prog. rock bass player wntd for 
original cover band. Back-up 
vocals a must. Kevin 586-9098 


Pro Rock Drummer Needed A1 
Exp & Equip only 598-9008 
599-2384 


Pro wking Boston rock band sks 
drummer orig & cover rock. Exp 
pros only. 668-6324. 


RECORDING 
1/2 Track pro on-location record- 
ing fair rates. Call Alan 522-0968 

















ack (no tape) $125. Call 
DESTINY RECORDING STUDIO 
617-658-8391. 


RECORDING 

I'm a singer, hard player (13 yrs) 
songwriter ng yet for players to 
make blues, based 
demo of originals. Pong to form 
band. Guitar, Bass, Drums, 
Piano. pros only Call Buff 
263-5735. 





Orig NU-WV rck bnd sks drum- 
mer 18-22 yrs. Should have job. 
equip and trans. Hve reh. spc call 
frank or Joe 364-9052. Lve 
messge. 





f ATTENTION 
MUSICIANS 
IF YOU’D LIKE TO 


LOOK UNIQUE 
Please Call Sandy 


a Chiqué 
Boutique 


389-0398 


413 Ferry St. Everett 


— a Appointment 
% GR P RATES 
on joo bus line 








PIANOS 


Bought-Soid 
Rented-Moved 
Serviced-Rebuilt 
Tuned. 


Grands 
Uprights-Spinets. 
$99 & up. 
Lowest prices 
Highest quality 
Open 7 days 
a week, 

9-9. 


J.D. FURST 
& SON 


186 Brookline 
Ave. 
Boston 


267-4079 
and 
566-5901 











YNGGO) 


O'2) 





biamp 16 chni mxr w/anvil case 
$1000-acoustic bass amps 
no.116 $275. no.370 $350-powr 
amps tapco cp500 $425. 250 
$500 -roland chorus echo $450 - 
Arp Omni 2 $800 Call 354-4916 
or 567-1998 


Bi-Amp series 21 16-Channel 
Console $1800 1 pair custom Ev 
Monitors $600 566-5015 


Cabie-Neison up. piano. Cmpity 
reconditnd. tyr guar & ici mve 
incl. Snds & tks grt. $750. Lex 
522-2574 











Clarinet for sale Evett Buffet 
Crampton master model reg 
$480 used only 2 wks cond like 
new $300 Call Scott 424-7044 


FARFISA COMPACT 





DUO 
2 Manual portable organ exc 
cond $450 call Bill before 10pm 
566-0095 


Custom-Made Guitar Must be 
seen $900 Cali Rick 395-7446 


D'Aquisto-Hagstrom jz gtr, like 
new. Fngbd-mount P.U. ebony 
fngbd. brdg. nut meiiow. Model 
discont'd $375 738-7026 Craig 


DRUMMER EQUIP 
Rogers 6 piece drum set w/hd 
$500 Eames Custom Drums 8x 12 
13x13 18x14 Various drummers 
equip Gonbop Conga $150 An- 
tique Drums avail 965-2985 


EMC 350 guitar amp reverb 
Tremelo 2-15" JBLs sound great 
good condition $450 or BO 
275-7256 Greg aft 5:30 


EUCO Rebel Mon Spkr 2 yrs oid 
vbry gd cond $125 or best offer 
also Mutron vol-wa $50 or BO 

















PIANOS 


* 
Sales Service 
Pianos Bought & Sold — Consignment — Rentals — 
Moving — Financing 
Grands, Uprights, Spinets, Antiques, New, Reconditioned, Rebuilt, Hundredsof 
Vintage Pianos. “Compare our lowest 7. sg Steinways, Mason Hamlin, etc. 


Guild F-50 acoustic. Bionde, a 
gorgeous instrument. Tim 
247-3727 $550 


GLILD MK3 classical guitar Exc 
cond internal peizo pickup and 
endjack $250 call Tom 277-5289 


GUILD X175 Sunburst brand new 
unused! $850 BO phone Jon 
646-0469 (evenings) 


Guitars ibanez Artist AR300 
brand new. Ask $350. Guild F30 
$150. Call Danny 782-6507 now! 


Hallet Davis baby grand piano 
Owned by piano student. $1500 
Call 739-6269 or 599-1809 


Hammond M3 organ w/Leslie 
251 $900. David 935-6514 


IBANEZ Artist electric guitar 81 
black/chrome. mint. $320 
Kustom lead amp $150 
782-2833 


NEW IBANEZ BASS 
ibanez EQ Bass brand new with 
hard shell case. Excellent sound, 
full warranty. Will sell for $649.00 
Cali Jon at 536-5390 ext. 456 
Mon-Fri 10-5pm 























ao 





Omm O6Ciavinet Teac 33405 
Crown Amps Boze 800 Vibe Pick- 
ups Mxr Eq Upright Piano 
739-2348 


PA EQIPMENT 
Like new great deal! Cail (802) 
649-2965 


Peavey 2-15 spkr cab (new) $285 
Neptune Mixer w/case $255 
Sound City amp $195 acoustic 
amp. $235 acoustic spkr cab 
$175. All exc cond. Chip 
387-8560 


PEAVEY BASS AMP 
100W. 15 tilack Widow Sp. line 
out. parametric equal. $325/bo 
Richard/Carla, 497-2373 


Peavy PA syst: incids PA100 OS 
400 watt mixer/amp w/10 
channis. Also 2 intrnati 115 
cabnts-$ 1250 or BO. 628-0257 


PIANO Jacob Doli UR ex cond 
retin $600/bo AMP-Peavey artist 
120w $150 Call 782-7690 


PIANO” Kohler Campbell 
mahogany upright $500/best of- 
fer 721-1379 























IBANEZ Johnny Smith guitar 2 
years old exc condition $600 
Polytone minibrute tl exc con- 
dition $200 277-6783 


JBL hi freq horns-boxed & fused 
JBL midrange horns-boxed & 
fused. Biamp TC120 pwr amp 
Phase linear 700B pwr amp 
Biamp EQ210. 2 Cerwin Vega 
monitors. Call for specs & prices 
Alan 665-2979 


KAWAI Piano 5 yr old console 
model nice furniture big sound 
resonant bass $1300 522-8046 
eve 








ITS 


ding services at reasonable prices. 


J.D. FURST and son 


186 Brookline Ave., Boston, MA 


RRL RRR 
INSTRUCTION 


1 JOHN PAYNEs 
MUSIC CENTER 


Lessons in sax, flute, 
piano, guitar, voice, bass 
& drums. Ensembles at all 
levels. Patient teachers, 
beginners weicome. 
Call 277-3438 





















Drum instruc. Pro teaching, ail 
styles. References on 7. 
Berklee, N.E. Co 
servatory Tom Tordi 277- 2101 


ELECTRIC BASS 
Berklee grad. Pop, rock, country 
background. 10 yrs perf & studio 
exp. In Somerville, call David 
628-8150 or 1-352-6336. 


Flute a from NEC looking for 














| levels. Call Abby at 
782-8157. 





Solid Drummer to comp’ ex- 
perienced new wave band. 
580-1772 


Soundman stg mgr 5 yrs exp 
avail in July seeks working band 
(401) 273-0168 John. 


THE ROX seek lead/rhythm guit. 
Mature pro 25 & up w/ recent 
local club exp., eqpm., transp & 
vocals. We have gigs, PA, 4- 
track, sound man. lites, origs & 
A-1 promo. Who/Police styie No 
heavy metal. Scott 878-0239 


New ail-style T-40 FT band nds 
kybrd, gitrist & bass w/vocs. Pros 
only, wrk in nr future 332-3812. 


TRESPASS looking for multi- 
keys. Original Comp. inf. Genesis 
to Clash B. vocals & own trans. 
pref. but not essential Mark 














236-1197 Jon 739-6313 


TOM 


BOSS 
PIANO 


TEACHER 





Jazz, Pop, 
Classical 


277-1527 














Rock perc. wtd by established 
original rock band no drummers 
please call 787-5385 mes. 

SAX STILL SEEKS 
Success Ist wks ph no should 
read 536-1847 Tnr & alto plyr sks 
work. R&B Ltn funk N.W. (have 
effects) Will trvi. 


sk guit ' drums to complete 
wave band John 782- 5014 14 
6:30-8:30 pm or ive msge hve sp 








VAN and driver available gigs, 
moving etc. Eddie 566-4307 





have excellent rehearsal space. 
full sound system & soundman. 
Cali Peter 927-1615 
WANTED DRUMMER 
xperienced in ali styles. Be will 
ing to travel. Vocals a plus 
698-3989 . 








PRO DRUM STUDIO 


Drum set and percussion 
lessons. Free consultation 
lesson. Videocassette 
analysis offered. 


Call 965-2985 


CLASSICAL 


GUITAR LESSONS 
Call Skip 547-6884. 


BASSLESSONS _ 
Experienced professional with 
Berklee dégree will teach ail 
styles and levels 492-7685 


Pro drummer w background,from 
NEC now taking students.’ Call 
Jeff brake 923-1078. 


Singing lessons w/best teacher in 
town. Pop bdwy class 266-1231 
Thomas Oboe Lee, Award-win- 
ning composer/jazz-ftiutist, 
Harvard Phd. Call 628-6647 for 
lessons. 


























YOUCAN SING 
Find. your own 
breathing. 7 Boo ro8 —o 
739-0 176. 


MUSICAL 
INSTRUMENTS 


LES PAUL 

1955 Les Paul custom, Fender 12 
string acoustic w/ case. Mint 
$335. 1892 Ivers & Pond upright 








piano. Rebuilt fl! Dorch 
1-376-RB44 
LEARN GUITAR AT 


Steve Widman will teach 
you to play guitar in the 
relaxed atmosphere of 
your own home. For more 
information call Steve at 
266-9531 





267-4079 


566-5901 


€ 


~~ ~~ 


LAPAAAPPCe S 











1969 Rickenbacker solid body in 
exc cond $650 Kustom CB100 
amp $300 Call 522-8438 Tom 


1972 Black Les Paul Cuctom: 
Unique Guitar with thin neck and 
black beauty pickup. $500 firm 
Call 825-2191 anytime 


1978 Ibanez 2680 Bob Weir mod. 
bind ash bdy. mp! nck, ebny fgbd 
hvy frts, brass brdg super 80'sgid 
hdwr. $325 738-7026 Craig 


1980 GIBSON Explorer 2 mint, 
gold hardware, nat. finish. 
Serious only. Call Ted 369-6691 


2 Eastern Acoustics B-215 Bass 
bins. loaded, 50ft. cables $1000 
Bud 358-4075 


(2) PA bass bins loaded w/ 
EVM-15" spkrs, $600 or BO. 
Also, wooden road case for 
amps. Tapco boards, etc. Call 
625-4911 anytime-Louie 


78 Ovation Viper w/ hard case. 
$225; 79 Yamaha G- 180 classical 
w/ hard case $125; Ampex GT-10 
guitar amp, $150; 64 Freschner 
imported cello: w/ soft case, 
serious only, $1200 Steve 
267-5364 


81° Gibson 335 Pro antique sun- 
burst H/S case TP-6 tailpiece 
straplocks mint $600 324-0901. 


Acoustic 165 tube amp 65/10Cw. 
ev spkr gr eq beats boogie exc 
cond w road case $800 524-2412 


Ampeg 825 bass amp 2 15" 
spkrs exc cond $525. 734-0882 
days. 


Ampeg Dan Armstrong bass w 
gig bag: bridge & pickup by Rich- 
ard Stanley: $400 custom hard- 
wood fitted case. $150 Jim 
868-5408. 


A G-60, acoustic 270 and 
Fender (new) twin amps. Bass 
spkr cabinet w/ new speak 
stage monitors call 881-2791. 


Armstrong baby grand piano, 
about 50 yrs old. In fine con- 
dition. & 1200 or BO. 427-6992 or 
267-3275. Keep trying. 


ARP Odyssey 4sale, excell cond, 
must sell soon. Cali Steve 
491-8536 keep trying. 


Arp Omni polyphonic synth & 
string mach-comes —_ case, 


vol & sustain pedal venns 
works- coenee a iy $75 
522-7604 


Band break up! All equip must 
go! Complete PA, mixer, acous 
amps for gtr bass. V4's. Rogers 
db!i bass drums, ights, effects, 
hrdwr. more. Carl 322-6672. 


Baritone Sax, Buescher nds work 
$400 or trade for sound equip. or 
musical instrmnts 661-9497 


Bass Bins 2 28x50x20 inch cabs 
w/ 2 12 inch spkrs in ea Don 
331-4178. 





















































Beautiful Schecter Tele. Mint 
condition. $550 John 395-7812 





For sale: Silver Flute, no case 
$125; Kung alto recorder, cloth 
case $75 - 482-9577 





Korg Trident for sale 8-Voice 16- 
Memory programmable poly- 
synth/brass/strings w/triple 
layering split kybd flanger, 
calzone case. Still w. warranty 
Exc con $2695 or BO Call Jeff 
(203) 659-1693 





Getzen trpt Eterna Doc sener in- 
sen model, silver pitd, mint cnd 
many acc ask $475 call Matt 
848-6622 


Gibson ‘67 Epiphone Wilshire 
$200 ‘57 Fender Musicmaster 
$200. Consider Les Paul trade 
265-7930 


Gibson ES 335 Dot neck, cherry 
red mint cond $625 (neg) 1959 
Ampeg Gemini |i $200. Russell 
232-9689 


Gibson Hummingbird Mint H.S. 
case $450 Gibson LG-1 25yrs old 
exc soft case $250 30's Martin 
Uke $125 683-8589 


Gibson J45 Beautiful cherry sun- 
burst finish grt action and tone in 
perf condition Call Paul 665-7270 
$450 or BO. 


Gon Bop congas 10 3/4, 11 3/4, 
wainut fiberglass shell, fiber 
cases chrome std, exc. cond 
739-9781 $575.00. 


Gorgeous natural Koa Schecter 
telecaster w/ Humbucker & quar 
pounder. Has to be seen Must 
sac $500 Call Oz 547-5356 


Gretch 40's jazz F-hole guitar 
great sound accoustic | or elec. 


























ks I design. 
$350 or BO 628-4952 evenings. 


Guild hnderftd, arch tp Artist 
Award, D'Armd nck mid pu. Btfi 
sound & style w/ hrdshell case & 
viny! cover $1500/BO 394-1979 


Guild D-25 Acoustic exc cond 
$250 Call 381-3488 days. 
396-3054 eves 








Lab series. L-5, 100wtts, 2-125 
$399 Fender Bandmaster pre- 
CBS $350 Dan or Dave 254-4480. 


LAB SERIES L7 amp 100W 
4-10's built-in eq. compressor 
exc cond $425 call Marc 
254-8573 


Left handed Fender Strat tweed 
case mint $550. Lefty eagle banjo 
kit $100. Fender vibrolux w JBL's 
$300. 783-5265. 


LIKE NEW 1980 LOWEREY 
Festival electric organ features 
magic genie and rhythm options. 
Paid $2500 new, will sacrifice for 
$1700 for quick sale. Dedham 
area. Call 401-861-4800 collect 
ask for Georgette. Delivery from 
Dedham can be arranged. 


LUDWIG 
Clear vistalite 5 piece drum kit 
Heavy duty stands w/Zildjian 
cymbals. Mint cond 374-4639 


Merrill upright grt cond $400 or 
best offer call 492-4279. 


MESA BOOGIE head series 
300.160 r.m.f. reverb, eq brand 
new, must sell! $1100 767-2309 


Monitor syst comp w/2 Kustom 
1-120 eff cabs, 2 Peavy 
112T cabs, 2 hot spots & Peavy 
260W pwr hd $475 Bob 454-2271 
eves 


MOOG SOURCE -like program- 
mable mini moog. Stores 16 
patches. Inc 2-voice dig seq. (88 
notes p/v), 40 note arpeg, S&H 
noise cassette interface. 8mo old. 
$850 244-6803 





























GUILD 0-3 acoustic hrd case 
Grover Heads $125. 491-1094. 
CLASSICAL guitar rosewood 
$80 





RAYBURN 
music 
Brass woodwinds 

263 Huntington “=. he 
Next to Symphony Hall tat 


(617) 266-4727 











Moving must sett immediately 
Wurlitzer spinet piano. Exc cond. 
$1000 or BO 625-8770. 








for sale 
Perfect condition Great sound w/ 
case $700 or .. Steve 354-1019 


Music man 212 amp for sale. Best 
offer. excellent cond. Call Rich 
782-9417. 


MUSICMAN Amp 130 — 
4SRO 12 inch speakers 

$500 OBO Rick after 6. 522-8046 
great buy 


Musi amp 2 12” 65 hrdly 














KBD EQUIF, ALE! 
All items exc cond T1 
organ-incred psn bass synth 
$795. Prophet-One synth $525 
Yarnaha 100w ed spkr cab 
$450 Multivox Full-Rotor w 
stswitch $90 arp kbd stand $25. 
454-8882. 459-0948. 


Keyboard rentals prophet 5 B3 
Yamaha elec grand Mellotron 
RMI KCil ph 933-1821 843-5177 











FOR SALE 
One silver Conn Alto sax with 
case and mouthpieces $120. One 
Gretsch “Synchromatic’’ f-hole 
jazz guitar $300. One 100 foot 8 
channel microphone snake $150. 
Call Wayne 723-2500, ext. 292 
days. or 536-0153 eves. 


KEYBOARDS CHEAP 
ARP 16 voice piano 1700 Korg 
mono-poly $950. Opus poly 
$800. Serious calls. 391-4654 


Koler &-Campbell upright piano. 
New strings. pins, hammers, 
dampers. etc. Exceptional musi- 
cal instrument-$900. 522-7604 





usd $350 Yenane Fo 75 totk guit 
$50 Michael C. af 6:30 254-9553. 


Polymoog 203A w. pedal. Exc 
cond 2200/ or BO 566-1879 


Potytone Minibrute il! w JBL 
K140 + canvas cover $310 Fen- 
der cabinet w 2 JBL K120's $300 
Call Jim 868-5408 days 


PROFESSIONAL PA 
Soundcraft 20 chan board crown 
amps. snake sys spkrs racks ef- 
fects lights more Herb 
603-432-5951 Steve 639-1345 


Randall amp: Commander 210 
200 watts 2 ch reverb. Trem. Ft 
switch. Asking 300. 267-0159 


RICKENBACKER 
6-string electric guitar. Brand 
new. Asking $450. Dial 284-7531 
after 5pm 

















SCHREIBER BASSOON for sale 
Very Good Cond $1200 Cail 
247-1834 


SONOR DRUMS 
MUST SELL ! Mint Cond. SONOR 
7-pc. Set. Finest Drums made 
12-13-14-15- 16-22" Bass, 14X5 
3/4 Chrome Snare. CLASSIC Sil- 
ver-Mettalic Finish. All Heavy- 
Duty SONOR Stands inc. MUST 





BE SEEN Best Offer Takes 
Them. 266-5355 10am-6pm 
MON-SAT 





SPEAKER REPAIRS 
High fi, auto, P.A & musical in- 
strument speakers recond. Fast 
expert service at competitive 
prices. Axial Auxio 543-6995 


TEAC 3440-A Mint cond under 
50 hrs asking $950. Studio Mas- 
ter mixing board 12 into 3, para- 
metric EQ. many features ask 
975 Yamaha basehead 125 
Acoustic 470 head 350 watts EQ 
350 Cali John M 876-3393. 


TEAC 80-8 $3000 Moog source & 
ATS case $900. Ashly SC-8 4way 
xover $270. Ashly SC-50 limiter 
$200. Loft 440 Delay/Flanger 
$500. Yamaha 2050 amp $250 
Echopiex $250. Korg 55 Drum 
Machine $300. Road Cases & 
microphones. 923-2042 


Two Guitars for sale: Spanish 
Classical Marcelino Barbero, and 
Martin D-28. Both good con- 
dition. 262-8645 evenings 


Upright piano Kohler-Campbell 
c Pp y recond d All new 
strings $500 or BO 628-9779 


Upright Piano good pinblock- 
good soundboard good tone 
must sell immed. $350 436-2320 


VINTAGE STRATS | 
1964 Strat L Series Refi 
800. 1965 Strat L amy ‘Sen 
burst all orig both have whammy 
bar 900 Serious Inq 324-1851 


Wurlitzer console piano. Ex- 
cellent condition-$ 1050. Heil talk 
box $100. Peter 282-5453 


Wurlitzer elec piano model 200 
Recently tuned action adjusted 
$400 JBL 15" speaker in plywood 
cabinet $120 524-4735 


YAMAHA-G 100-210 amp 1 yr old 
like new 2 chan parametric equal 
$375 or BO Paul 665-7270 


1 crociieanaantaoa 
RECORDS & 
TAPES 


GET USED 
At Eureka! Records, Boston's 
Serencipitous Record Em- 
porium. A public service of Used 
Sound. 225 Newbury St 
236-1827 
Imagine LP autographed by John 
Lennon & Fly LP autographed by 
Yoko. call 625-1083 


alld ea: 
PEOPLE 


_ errant 
MESSAGES 
Tm Back in Town at 426 Give A 


Call Shauna 









































ORAINE-MS SMITH 
| really want to see if you're who | 
think U are. If U wont see me send 


‘a picture of yourself to T im- 


bornone 354 WS6 St NYC 10019 
or cali coll. 212-489-0788 
2:30-3:30 thanks Tom. 


Monique-Still want 2-But need 
direct mail contact. 6/15 not pos 
Send adrs, yrs Candi. 


SHEA 

im looking for blond about 21 yrs 
old who goes by the name SHEA 
who used to work as a masseuse 
in Allston in the fall of 1980- 
wknds She wa from Kenmore 
Square then. LARGE reward for 
info, we liked each other. She had 
friend-Laurie Box 7178 











MUSICMAN Amp bought new in 
80. 65w, 2 12° exc cond $350 
Leave number 361-7171 


S-K Process: Your request is 
granted. You can have it all. Let's 
have lunch. -St. Jude 





MUSICMAN BASS 
1976 STINGRAY in mint cond one 
of the 1st made bir maple. 
handrubbed nat finish. Active 
elec $350 Jay 445-2735 


Musser Pro Vibe with pickups ex- 
cellent sounding bars no re- 
sonators needed (603) 893-2523. 


No pa? Try the best for less! Call 
Joe Klein 739-2200. ext 671. 











Brand new $4300. 923-2042. 


Thanks to St. Jude. | have had my 
request granted. publication 
Promised. It works 


To the woman who on Friday 
5/21. 10:45am got off Redline at 
South Station: You said hi, | 
would like to reciprocate. Box 
7557 


We met at Jam Show, ctr balcony 
in the aisle. You have chestnut 
hair. wore a headband & offered 
smoke. We spoke dg after. | 
was touched by f presence. 
May we meet ps A ny Box 7513. 














€2 


Z96l ‘bt ANN ‘OML NOILO3AS *XINZOHd NOLSOS 3SHL 








~—_ 


24 


THE BOSTON PHOENIX, SECTION TWO, JUNE 1, 1982 














PERSON 
TO PERSON 


LT RR 
29 yr old WM outer type 63 nice 
features secure has summer off 
tke to meet D or SF 25+ shr ideas 
today with POB 1153 Brockton 
MA 02402 


Attr. bright. straight. slim 
athletic. prot 25yo WF's sk 2 WM 
25-35, similar qualities 4 dinner 
date. Sep RX ok. Box 7530 


32 SWF attr prof! gregarious in- 
dep lady w/var interests sks 
SWM 30s w/sim qual. Box 7509 


38 DWM 5'7™ 143 Ibs boyish face 
intlignt enjoys sports dnng in/out 
gd cnvrsin movies plays dncng 
music etc. sks F w/ simir intrst to 
share gd times & whatever hap- 
pens next Box 7397 





nm 











ALMOST 
Beautiful JF. 36, 56", slim, warm, 
funny. bright. successful, kind, 
more. Flaws: still craves 
cigarettes though it's been a 
year. sometimes works too hard, 
complains that social life isn't 
great. Great is: JM 36-46, 
masculine, attractive. almost 
brilliant. stable with a sense of 
the absurd. equaly spectacular 
Someone looking for a partner, 
not princess. Box 7560 





Are there any open honest sin- 
cere romantic well built F's left 
out? If so 30yo SWM looking for 
you. Race & Nat no pref 20 to 50 
yo Box 7458 


Are you 2 W or DWM, 40-50 
highly educ prot seeking right ex- 
clus rel? DWF early 40's PHD attr 
& sidr athletic and arts lover wid 
like to hear fr you Box 7488 








Are you lonely and need a friend? 
DWF 42 warm intelligent attr 
businesswoman Ikng for a sinc 
honest gentleman w/ gd sns of 


humor for a ong lasting rela- 
tionship Let's get together for the 
summer. Box 7417 





Attr slim SWM 32 masc stable 
intel sensitive aware humor 
nonsmk sincere enjoy ocean 
camping fiims NY quiet eves at 
home. Seek serious loyal slim 
nonsmk F for tasting relation 
special one Box 7524 


Altr WM 31 bright. sensitive into 
New Wave sks sim F for mut re- 
warding relat. Box 7585 


Att WM 29 wishes to meet WF for 
companionship and friendship to 
shr interests & hobbies Box 7292 


RU MJMD 38-43 
U R attr phys fit wellrounded. U 
play tennis, like kids & work & 
beach & laughs. U want 2 meet a 
feminine attr profi nice lady 
suited to your style. Box 7290. 


Bach Pascal Schweitzer & Blake 
in 1 tat SWM 39 nds an.£. 
Dickinspm, M.Curie or Mother 
Teresa Box 214 118Mass Ave 
Bos 02115 - 


; 
; 


BiWM 232 5°11 135 brn hr & eyes 
str act & app sks sim for trd & gd 
times in Leom area. PO Box 
254 Townsend MA 01469. 


Camb, SJW. 37. attractive, warm, 
caring. Like films, bicycling, psy- 
chology, ‘intense conversations. 
Would like to meet man. 28-40 
over 5'9" w/optimistic streak and 
sense of humor for fri 

hopefully more. Box 7581. 


Divorced/Separated mothers w/ 
sole custody of 
sought for research study. Will 
py $20/parent. $5/child Box 
4 


























Hello. SM 29, somewhat shy into 
writing, leftist politics. urban life 
sk possible relationship Box 7527 


HIKE-BIKE-CANOE 
Tall. friendly M31 sks alive, out- 
doorsy F to explore New Eng 
Share a summer of adventure & 
meteor showers. Box 7564 


HOLISTIC MALE 
U R SWM 30-45 prof educated 
meditator Njoy travel adventure 
and new age concepts. | am SWF 
with above & more. Box 7576 


| am pretty SWF 34 seeking gd 
looking SWM. Qualities | value 
sensitivity. fitness. humor, sin- 
cerity. kindness and above all an 
enjoyment of life. Box 7532 














ich wurde gern mal eine F kenn 
ehlernen. die sich fur Musik, 
kunst, filme. politik, u. Reisen in- 
teressiert. Bin SWM, sensitiv at- 
traktiv mit humor u. 28 J. Box 
7500 


I'd like to entertain you. Bus man 
40s wud like to meet a woman for 
lunch. gd conversation-write box 
9332 Prov Ri 02940 


impetuous WMF, 40. seeks M, 
30-50. for quiet interludes and 
adventure. Box 7504. 











boys aged 6-11. + 


intellectual widow. writer, slim, 
not unattractive. bookish, 

non-competitive. nurturing. sks 
60: male counterpart Box 7570 





JF's: “Nothing raises the quality 
of life like a good relationship” 
JM36, seeks JF for above. (Sum- 
mers coming!) Box 7551 











Sailing Boston harbor islands 
SWM 35 college prof seeks only 
very attractive. intelligent woman 
crew and friend. Box 7495 





Seem like forever to find right 
man? Share energy love support 
now while looking. Mature 
energetic secure intelligent open 
attractive with language of feel- 
ing seeks F 25-40 Box 7478 





Please Address 
Replies to: 

The Boston Phoenix 
Classifieds 
ee ee A A 
367 Newbury St. 
Boston, Ma. 02115 











SINCERE OPTIMIST 

Hi! 'm a SWM 22 6'1 BI. Ey. Br 
tir. Seeks SWF 18-25 | enjoy pho- 
tography. music, outdoors, sail- 
ing. & scuba. Seek F interested in 
caring. sharing. gowing relat. En- 
joy walks & talks, dinner & danc- 
ing. movies & music. I'm spon- 
taneous. imaginative, playful, 
humorous. sensitive per. 
active, ind e 
U thought j you'd never answer 1 
of these ads UR probably who 
I've been looking 4. Take a 
chance, what have U got 2 lose; A 
free dinner? Box 405 Bedford 








Single father 32 Engineer would 
like to meet F for pleasant times. 
No friends in this part of the U.S 
So I'll try an ad. PO Box 243 
Wayland MA 01778 


#19" 


22 Scaniveton 


Includes glaucoma 
test, cataract-check 
and slit lamp 
evaluation. 





547-6080 








LOOK... 

| don't like these arrogant ads, 
but... I'm a succ. WM, 25. who 
likes all sports (mostly b-ball, 
karate). good food, long drives, 
—- C&W. Kurosawa. 

jerz0g. . etc. Lkg for W 
~ Asian F (have dated both) 23+ 
who's bright. attr.. witty, 
vieeee: Someone 





Do you dare respond to this 
Petite sweet attr gal who can be 
friends & more? Skg SWM 49: . 
PO Box 477 Boston 02102 


Do you want aman to experiment 

with? 1? Write Box 7064. 

p= od 31 teacher, mother of 4yr 
Oe to meet 


single lather 
and fun with children. Box 104 
Islington, MA: 








caim, 
w/some spunk. A tall order, but 
worth looking for. How ‘bout it? 
Box 7503. 


LOTHARIO 








Single? Join the Sunday Brunch 
Club. Write PO Box 245 Chestnut 
Hill. MA 02 167 for bulletin. 


SJM 25 ed. sks slim-attr — who 
loves music. Let's talk & listen to 
rock blues and/or Jazz. it'll be 
fun! Box 7511. 


SJM 32 prof enjoys sports. 
theatre & movies. music of the 
50's & 60's & travel sks JF who's 
interests are the same Box 7515. 


SJM 36 bus exec caring 

















etd te ot ie 
art films 


runny i 
vind sks unattached 


diving  hiki ! 
woman 27-37 who is attr slimy 


races 10k + Box 7547 


in corpore sano"? a 


“Mens sanum 
intel, attr SF 25 sks brilliant M, 
any age. for friendship. Box 7496 
Mike-Get a P.O. box no. and try 
again, the line was buey the last 
time. Jeanne. 








FOR YOUR HEART ONLY 
As + EAR ann. 


ready for trndishp & ritnshp w/ 
warm ed F 20-40. If you like to shr 
life w/ a human being who is fun & 
sec & like outdoors 
(tennis, skling. ening, etc.), 


eoncert-going 
food. let's meet Box 7541. 





GWF 29 seeks intel cering F for 
frndshp etc Reply POB 264 So 
Sta Fail River MA 02724 


GWM 23 6'1 155 brn hr bi eyes 
cin shvn gonng sinc regular type 
guy sks GWM 18-25 to shre long 
talks gd times & nore. Box 7518. 


GWM 28 5'10 130!bs bid/biue 
nonhairy str act & app prof in 
Quincy sks 1 spec GWM 25-30 
for reltship. Box 842 104 Charles 
St Boston MA 02114 


GWM 36 5'4 125ibs prof sks car- 
ing warm GM who knows mean- 
ing of lov & is not afraid of commit 
to a perm rel. Lovng under- 
standirg a persons mind as well 
as body is whats beautiful & 
meaningful. Dislike bars & 
phonies. Be sincere. Write Box 
496 N. Attleboro MA 02761. 














Jm 326, attractive & interesting, 
seeks JF for “relationship with 
honor’. Not a bad offer 
nowadays. Be sincere. Box 7550. 





June is the month of Romance 
attr succ bach seeks pretty petite 
brite yng ‘acy for mutual pleasure 
pic apprec 80x 7520 


Libra Brown hair biue eyes tall 
neat good tooking home type 
seek someone under or over 40 
write Bx 276A Sandown N.H. 
03873 





Natural, on. filmmaking 
SWM 24 of keen mind & senses 
sks kind, generally curious, joy- 
ful, honest SW 22-30 with astute 
imagination. Box 7578. 


One does not receive letters 
the grave. Ton) and a seh eaten. 
insights, experiences related wel- 
come. Express yourself freely. 
Will reply to all that desire same. 
Box 7460. 








PASSIONATE MUSICIAN SF 31, 
recently returned from yrs in Lon- 
don; dark, warm, wordly, still in- 
genuous; seeks artisitc, adven- 
turous SOULMATE Box 7543. 


Playful. purposeful, brilliant F, 
healer & artist, sks M soul partner 
for love, committment, family. 
Must be 32-48, tall, handsome, 
non-smkg, athletic & engaged in 
humanistic life work. (No high 
tech) Box 126 Newton 02195 


Prof/Author. 53, SWM civilized 
creative, discerning, worldly 
Straight app seeks same for car- 
ing. sharing. tactile ongoing rela- 
tionship. Necessarily discreet. 
Box 1988 Boston, 02105. 











Cambridge 
1174 Mass. Ave. 
Dr. David Hauser 





Ee. Tired of » 


talking 
business over 
lunch? 





Have a 












Meet new people with 
similar interests in an 
informal, relaxed at- 
mosphere over lunch! 
provides 
a unique opportunity 
for single working men 
and women to meet in 
some of Boston's nicer 
restaurants. Individual 
dates and small group 
luncheons are ar- 
ranged. What happens 
after the 
is up to you! 

Call 











From your office 


or home. 








SINCERE FEMALES 
SWM 42 sks an unattached WF 
for dates. fun 3 a poss long term 
meaningtul reltnshp Box 7489 





Sincere gentie caring male 40's 
looking for warm sensitive triend- 
ship with attr sincere lady. PO 
Box 96 N. Andover, MA 01845 


Very attr Sep M & slim 37yrs likes 
painters. schooners, Meiville, 
Camden, seeks F friends for 
breakfast & dinner dates. jog- 
ging. tennis, sailing & general 
social re-entry Box 7272 


Very diff SWM 25 attr sks sim F 
w/int music prod/electronics to 
practice lost art of monogomy 
Box 146 Sharon Ma. 02067 








eee semanimmmniwey LT 
COOLIDGE Rr 
CORNER 
ANSWERING ‘%? 
nom fortes OR 
call for 
rates in town R 
Mailboxes + Typing 4 
RAE ALE AIA, 
Atte WCPL sks BIWF 4 2 or 
3somes phone photo if poss must 
be disct Box 358 Weymouth 
02188 
Attr Wm 26 sks females to enjoy 


the summer with discrete no ties 
Phone « pic Bx 7563. 


89H0O0R 








Wanted 3 attractive slim females 
18-30 years old for camping in 
the White Mountains. Must like 
motorcycles Weekend of June 
19. All expenses paid. Box 7492 


WM 28 Slim Attr shy with great 
sense of humor look for WF 
20-30 for meaningful rela- 
tionship. Love mts ocean theatre 
and music. Box 291 Salisbury, 
MA. Send pic if possible. 


WM Phd sks optimistic intell cud- 
dly dogiovin liberal SF24-31 to 
share Boston Box 7508 


WM tall 26 adventurous, into mu- 
sic sks indep F poseur for recrea- 
tion travel & possibly sharing liv- 
ing space Box 7359 


cre annem en 
PERSONALS 


WOMEN ONLY 
attr SWM 26 and 27 fancy 
passnte women for pleasure Per- 
fectly discreet no ties. Box 7462 














Eyeglasses reduced] 


Single vision agen eyeglasses. 


Most frames 


lenses complete. 


Over 200 frames to choose from. 





Special! 
Permalens 
extended wear 
contacts 





New England’s largest family of eye doctors. 


739-2707 





SWM. 33 Attr tall prof, sks SWF, 
Attr athletic 25-35 for ten- 


nis/racqball (low int or 
ne ny Or ‘pos’ rel. Bor ‘ 
7300. 





SWM, 36. intelli, sincere, mature, 
gd tkg. gentile. romantic. gd 
sense of humor, with wide range 
of interests sks intell attr affec- 
tionate woman to shr the mutual 
joys of a meaningful relationship 
Box 7544. 


pang ao ype 4 sailing, bik- 
ing. cooking & 
theatre. eas tne to mast 

for frndshp/ritnshp. Box 7055. 

















certs movies ro- 

SWM Distinguished > 
mance etc. Bon 7514. scholar, & author tady for 
SM 28 sks M and F friends lovrs dating etc. POBos 12 Wetesiey . 

Jer: SWM successtul handsome busi 

. need people who | can be mo ar . 

- , Nessman Chivistian 50's 6't seeks 

myself with. Box 7556. ; hg SWE cult id tall 5°84 - 
young, 20's-33- no dependents, 

ini oS PRING REVELS with MBA (finance) Wom ivy 

League (Stanford, pvr brs 


athletic-not rol mace, retlective-not 

depr silly, intel; 

pro-feminist. Atm 30 WF eats 

oces biscuits. daily. Box 
189. 


SUCCESSFUL 
PHY 





and nice, seeks $' 
very attractive and trim who's got 
her life and a profession 

and who desires to meet an ex- 
ceptional man (forgive the hubris) 
for some enjoya outcome or 
other. Detailed letter and photo 
appreciated. Box 7577. 


SWBIF re 
if you're a vry special attr lady 
20-35 looking to enrich life thru 
the total loving friendship of 
another woman throw caution to 
the wind to write this. new friend 
today Box 7561. 


SWF MD 30 slim attr energetic 
adventurous caring sks bright tall 
creative witty SM with similar 
qualitites Write Box 7433 


SWM 22 attr 5'10 150, enjoy out- 
door, R-ball, rock & clas mus 
non-smkr sks SWF 18-25 w or 
w/o sim int No drugs Box 7402 














Prot SWF 35 w compassion, 
character, warmth, charm, wit, 
chrisma & beauty seeks SWM W 
his own intergrity RSVP. box 
7588 


Redford i'm not. SWM 32 5'7" 
165lb average. gentile. loyal, fair, 
witty and articulate professional 
seeks 25-40 mature F w/ similar 
qualities Box 7526. 


RU disillusioned? GWM 25, 
lonely 5°10 150 very attr plans 
move 7/31. MA, Ri, ME, CT, NH, 
NY. sks GWM kind loving af- 
fect/lasting relt. Downard, PO Bx 
14 Boise. 1D 83707. 











Lonely 25 5°11" 150 Ibs student 
from Tanzania Africa fin secure. 
Very gentle athletic adaptible, in- 
tell. gd dresser & very humourous 
wid like to meet a lady 18-35 to 
be a spec friend. Its so lonely not 
to have someone special and far 
away from home Please reply w/ 
phone Box 7540 


RUNNING PARTNER 


WANTED 
Very health & fitness oriented 
DWF 40's bright witty warm affec 
attr into running hiking classical 
music theatre sks edu humorous 
non smoking WM 40's 50's with 
similar int Box 7434 


SWM (25-40), tall, sincere, highly 
educated seeks F 25-40 of wide 
experience, egregious intellect, 
and convicted compassion. Spiri- 
tual sensibilities wouldn't hurt, 
either. Exhaustive replies 
answered first. Box 7: 


SWM, 26, 6°. 160. Ambitious. 
anti-social. P.T. bodybidr & in- 
vestr. Sks SWF companion, self- 














Harvard, MIT etc.} iy arm 
lati 


tive letters will be answered. Box 
7494, 


Tait Handsome Bearded 30s 

= ue fishing sun & poking 
nds a bright ag 

companion partite 


There is someone out there who 
yearns to complete her life by 
forming a bond with a giving 
communicative and loving man. 
Someone who knows that only in 
relatedness can the true ex- 
pression of self be acheived. 
Someone 








separ. 
and stretch her limits to encom- 
pass the warmth caring and sup- 
port of another kindred spirit. 
SWM 33 a psychotherapist with 
wonderful qual. awaits you-dare 
to reach out to me. Box 7499. 


QwaoA 








« 


THE ORIGINAL « 


STRIP 
A 


Brookline é 
289 Harvard St. 
Dr. Bruce Rakusin 


with children. Only nay descrip- 


One year guarantee on frames & lenses. 


$ 59” Bausch & Lomb 
soft contact lenses. 
Fitting by eye doctor. 


No-obligation in-office 
trial. 15 day refund, 


carrying case & 
instructions. 


133 Middlesex Ave. 


Dr. Lawrence Norton 


623-3150 


Also In: Billerica © Brockton © Danvers © Framingham ¢ Hyannis ¢ North Dartmouth © Quincy ¢ Seekonk © Springfield ¢ Worcester 


Somerville 
The Mall at Assembly Square 


Att W Cpl wid like to meet swing- 
ing Bik Cpls or Bi-Femaies 
Phone no. a must. Give best time 
to call. Discr assd Box 7575 


Att WMC late 30s seek same for 
intimate times. P&P PO 713 
Brockton MA 02403 or bi male. 


BiFemale 32 coll ed petite & 
athletic seek same for friendship 
mn good times. PO Box 568 
Maiden 02148. 


BI FEMALE 
is seeking a truly BiF to enjoy ccc 
fling with W 35 yr old gal pre NH 
or Maine area. Box 21 No. Easton 
MA 02356 


BIG BLACK/PR MAN 
GWM 40's receives gr gives hd to 
superheavy fat plump husky 
black/PR men 21-65 No $ but 
good hot sx 4 Boss 3somes and 
groups welome 2/ Whites OK 
Send fone 

Pic OK Box 7422 


































AMOROUS 


APPOINTMENTS - vt 
‘Warm lovely 
to eng | tease ee’ 





Daytime only. Box 

~~ anise SM a simyg M 
plor wrestling int: — frndshp 

3 ene itr Box 7566. 





NEW PHONE 
FANTASY | 
- FOR - 
‘WOMEN. - 














Pe By : 
young male. ’. 
1-588-8697 
DICK 

Are you a -curious M 
stud? Sick bers & ? 
Want to mt another M w/out 
commit for who is sinc & 
disc who is tking for you? | am 5’6 
131 ave tks, mind & wi 
means of . Lets meet! Take 
a chance. in SE MA 


quick answr. Ltr & way to cont to 
POB 138 Morton 02766. Allow 1 
wk. Disc assd. 


Are you attr bright sensual lady 
not overweight 28-42 adult 
enough to accept that a yng 
warm emotional & 

tionship need not be ean 
Succ div prof 48 5°11" would like 
—_ you. Let's have fun Box 
7521. 


[pry TE MAIL ONES 
310° Franklin 
Boston's original mail 
drop, established 1972, 
can meet your needs. Call. 
423-3543 to rent a private 
mailbox immediately. 5 
minute walk from Faneuil 
Hall/Quincy Market. 




















ATTLEBORO AREA 
GWM 27 5'10" 150 seeks others 
for friends poss more sincere 
POB 155 Mendon 01756. 


Attr petite crazy 19 yrold WF sks 
extremely wealthy prominent 
person to take me to the top. 
Phoenix Box 7442. 

















BIWM SKS SWNG 
CPLS 


po mag ad 160, 
A iscreet seoxs Win 


New Bedford. MA 02745. 
po Rag may En for 
.Sorewceeenton ot Ok, Box 7596. 










Budget 
BET Jelalelal:) 
Answering 

Service 





The service that 
meets your needs 


i* 24 hour service - 7 days 

* Fast accurate personalized 
service 

« Use your number or our 
number 

+ Daytime service $11 monthly 

* 24 hr. service - only 
$13 monthly 


825-6700 


Now hiring part-time 
telephone operator. 

















GWM 29 5'7 140ibs seeks fun 
males for casual meetings in Bos- 
ton area. (prefer age 25-40) POB 
18590, Boston, MA 02118. 





TO PLACE YOUR 


BY MAIL, 
PLEASE SEE THE 
AD FORM ON 
THE LAST PAGE 











Handsome Male, 6'0'', 196ibs. 
endwed with 8” seeks single and 
married women for Gk & Fr. Re- 
ply with phone number to POBox 
no. 2164 Highlands Station Low- 
ell, Mass 01851 





Handsome man would like good F 


looking women to have sx also 
S/M Send name and adress. Box 
7369 





GAY & LESBIAN 
PHONE FANTASY 
SERVICE 


Hot & horny young men & 
women waiting to talk to you 











ngvy GALS 40-60 
SWM 27 att wi bit wants he 
Women 080 for sexual fun POB 
195 Somerville, MA 02144. 

Hi! Lady. WMM highly educated 
unsatisfied, looking for a lady in 
some circumstances for love and 
affection. Confidence guaran- 
teed and asked Box 7522 
Hndsm tall bik male 6'2 .210ibs, 
intel, hrny, sks sexy WF for sens 
times. Box 7497. 


FANTASY 
TELEPHONE 
SERVICE . 
Nasty Nurse Nancy will: 
nw oa fantasies via 


sr 3 650-7260 
- 213-855-0888 






























6ured or restless? If you're @ suc- 
cosshl mature gentlemen seak- 
ing diversion relaxation’ unhur- 





ried fun not this 
charming attr buxom & very sen- 
sual WF. Phone or SASE please. 
PO Box 9253 Boston,MA 02114 
WM 22 6° 180!b biue eyes would 
tike to meet F20-45 for sexy after- 
noon or delights Box 
7413 














GWM 30's sks together re br 
type for dscrt rel inexp wrt 
Box 234 Hooksett NH 03106 


GWM 32 5'9" 150ibs sks men 
20-40 for morning fun have piace 
. a fats gr pass strts ok Box 








GWM 5'10" 130ibs bind/biue 
nonhairy str act & app prof in 
Quincy sks 1 spec GWM in 20's 
for reitship. Box 842 104 Charles 
St. Boston, MA 02114. 


GWM Ikng fr ht stds who Ik gd ht 
hd frm an exprt tk grk spr rm 





ht wt jo try me Box 753) 


[MARK TWO | 


with New England’s 
friendliest cou- 
ples. Our socials are 
warm, friendly get 
togethers for couples, 
new and old alike, who 
want to meet. 














ial 
ish & in exc shape. Box 7501. Atir WOpl she’s 24 he's 26 sks bi Next ae 
SWM 28 5'7" Attractive. Ag- F or bi M for 1st time exper disc. dune 12t 
gressive hi-tech fast-tracker a must send phn or pto if poss 453-6414 
— to meet F equal Box Box 7479 P.O. Box 372 

. - ATHS - No. Billerica 01862 

SWM 29 5'8 love music, art, the 729 BOYLSTON GAY B. 
eens Deena Cancer STREET, APOLLO GWM's Master 5'8 145ibs and his 
Senet’ cet ayaa", | BOSTON, MA FITNESS, gost Se 
Staten | Sema toe INC. Pant anistien with 
jaughte ife. (617) 1 Broad Street whppng. piercing. ps, etc, no 
SWM 30 5'7" 145 attr caring sin- New Yorke Los Angeles: Pawtucket, RI. 02860 scat. phone & photo asswd-Box 
cere honest with sense of humor OPEN 24 HOURS 1338 Back Bay Annex Boston MA 
sks SWF partner Bx 7569. * Las Veges 10 02117 
































special att. PO x 
Wakefield MA 01880. 


HYANNIS CALLS 
GWM attr 40 offers free house in 
return for weekend compa- 
nionship, sks GWM 18-30 well 
defined Bid Phone/foto Box 
7523. 


| am an attr warm intel prof 
wishes to meet 








with whom you can shre intimate 
feelings with please write, we may 
have much in common. PO Box 
3346 Peabody MA 01960. 


I NEED IT BAD! 
im a separated 35 year old white 





woman any age who like me 
would like to have a warm easy 
relationship! If interested please 
write To: PO Box 470 Fram- 
ingham MA 01701. 


I sk to spend a tong warm after- 
noon picnic in the New Eng 
woods w/ a tall attr Dom F i'm av 
attr Sub WM 25 Steve Box 7545. 











san... a a a 


Perac @ sarin ean Ae 





, = 


(oormriwrwon 


,_ ma = = 








ogo bos 7 “eo m 


taza = 


Re 











BOX 
INQUIRIES 
For box mail inquir- 
ies, phone 267-4437 
between 11 a.m. - 2 
p.m. daily. Box mail 
may be picked up! 
between 9 a.m. - 6 
p-m. Mon.-Fri. 


























SURRENDER 
via telephone 
call the 
HIGH PRIESTESS 
213-650-7260 
213-855-0888 


MC/VISA/AMEX 























ital GM 30s gdikng frmr gymnst 
sks cin cut yng guys 4 gd time any 
race/inexp wel send phn foto Bx 


115, 291 
02115 


ITALIAN STUD 
Ladies. this very well hng stud is 
eager to service your needs dis- 
cretion assured. Reply with 
phone-photo if poss. Western 
MA & CT area. Box 521 Giaston- 
bury CT 06033 


Let me be your male maid! Attr 
SWM. 26. fun-loving, seeks to 
serve the personal & domestic 
wishes of an attr. & assertive lady 
30-45. Write box 55. Concord MA 


01742 
T.V. 
CROSS DRESSING. 


Consulting via telephone con 
ducted by very undersandina- 
knowledgeable femaies.. 


213-650-7260 


213-855-0888 
MC/VISA 
500 N. San Vicente Bivd., Suite5 
| West Hollywood, CA 90048 
LIGHTS! ACTION! 
Female co-star nded by tall athitc 
guy making strictly-for-fun erotic 
home video tape Box 7531. 


Huntington, Boston 























Live-in female for 40s male. Free 
home. cash, car. I'm very lonely. 
WS Box 404 Spfid 01108 


LOLITA 
18yr old very petite baby doll anx- 
ious to meet over 35 Daddy to 
help have fun. Successful gentie- 
men only send calling card to PO 
Box 259 Fitchhura 01420 








TED 
gypanoe® 
Boston Sex-x-x-x Guide 
Where to find all types of sex 


- straight - gay 
- swingers - Binky 
Send $5.00 to: 


Guide, PO Box 308 
Chestnut Hill, .Ma 02167 


Looking for together straight 
masc (Muscular?) male who en- 
joys video skin flicks. 'm new in 
area, prof succ very discrete 
GWM. Construction, truck driv- 
ers, college athletic types. poss 
Part-time building helper job 
avail. Excel for college student 
18: near N. E. Univ Write Box 
7552 w/tele no. Can call you only 
after 2:30 PM 


Lose TEN LBS in 3 days. Send 
SASE & $5.00 cash to PO Box 














164P, 310 Franklin St’ Boston ~ 


MA 02110. 


LOVE’S STING 
WM 30 intellig refined gentleman 
seeks encounter with yielding at- 
+ pee woman 18-45 Safe Box 
41s 








Wife unresponsive? Try this tall, 
slender. sensual. educated witty 
OWF for leisurely times. You are 
trim. nonsmoki Jeanne Bx 
2113 Lowell, MA 01851 





Masc GWM 33 5'9° 145 inteil 
good looks & body sks gdikg 
young guy for hot times & maybe 
more id descr, Box 965 Back 
Bay Annex. Boston 02117 


MASCULINE MEN 

Gay fem indian male 26 5'4" 130 
seeks wm for relationship. Sks 
country Levi type or Greeks, ital- 
ians. Portuguese, French Cana- 
dians. Iranians. Must have 
mustache or beard. Well hng 
masculine rugged Dominated. | 
love to receive Gr. send. No 
hurry. write 7414 








DIANA‘’S 
SEXY 
HOTLINE 





(213) 270-3111 


MC/VISA AMEX 24 HOURS 











(CRIMSON TRAVEL 






GRAMS 


Featuring male and i 
female strip tease 
artists to deliver 
your revealing 
message! 
+ In costume or 
incognito 
- Birthday, 
Bachelor or 
Bachelorette 
Parties, etc. 


RATED- R 
TELEGRAMS 
354-5000 
Cambridge, MA 


De mm a ee ee ee ee 
COME ALIVE WITH PLEASURE 
Depression in your bodymind can 
be reversed. An Attr caring col- 
lege educ SWF trained in healing 
arts & body awareness special- 
izing in difficulties associated w/ 
coupling offers private in- 
dividualized nurturing workshop 
for sincere & open gentiemen in 
mid-life who want to EX- 
PERIENCE MORE JOY IN IN- 
TIMATE RELATIONS . Send intro 
& SASE to PO Box 473 Weston, 
Ma 02193 


Control others with Thoughts, 
Free Catalogue. Discoveries, Box 
518 Boston MA 02258 


ZSURPRISE 





Sy 








GAY MALE CONNECTIONS 
Goldenrod” magazine has hot 
photo-ads. addresses. phones 
nationwide. All ages. races 
Latest giant issue with hundreds 


listings. $7.00. Goldenrod. 147 W 
42 St. NY NY 10036 





Gay? See Dating Section- CON- 
TACT 








SHERRIS 


FANTASY 
SEX-LINE 





STICKY 
SITUATIONS 
LTD. 


Let professionais 
handie unpleasant, ob- 
noxious, or embarrass- 
ing situations that oc- 
cassionally or con- 
stantly confront you 


« Paying traffic fines 
or alimony 

* Hand to hand deliveries 
— worldwide 

* Firing employees 

* Delivering bad news 


* Breaking off romances 
* Etc., etc. 


Call 
884-5456 

















"GWM 25 6'1 brn/ha2i gd ikg sks M 


18: for sx. friend. poss rela- 
tionship. Send photo?, letter to 
PO Box 851 Fram MA 01701 


GWM 26 5°10 st apg. intel. gd tk 
norm! sks same 22-29. Njoy fiim 
outdrs, sports. Am down to earth 
& considerate. Boston, So Shore 
Box 7565 





PLAY WITH ME 


Passionate redhead will 


entertain discriminating gentie- 
men in the relaxing privacy of her 
lovely city apt. Your pleasure is 
mine! Discretion assured 
bus card or SASE to Box 157 104 
Charles ST Boston 02114 











Petite well educated mistress wtd 
by WM 37 for t/wk concerts 


dnnr. Substantial mutual 
benefits POB 266 Stoneham. 
MA 62180 








.PHONE FANTASY 


Climax with pretty Niki 

or one of her sexy 
friends by phone 
Mastercard Visa 


1-415-346-3209 











SWM36 tall slender athletic prof 
artist and total romantic. would 
like to meet slim, well dressed 
women 25-50 for discreet. com- 





has the Best 
Travel Values 





Round Trip Jet From Boston! 


London| Rome 


BERMUDA 


999 


Includes: 6 alee 


transfers, 6 
accom., 
coupons, many admis- 
sions and more. 


zz °OS 





$14 airfare surcharge in effect. 


CAMBRIDGE — 39 Boylston St. — (617) 86 


Athens 


7 DAYS \ 
6 NIGHTS | 


tax & serv. 


15% 


Paradise Island « Bahamas 





includes: Round-trip trans. 


from Boston, 2 ats. accom. 


1 day rafting and more! 





Inquire about Eleuthera’s Mini Club with 


maeet Cambridge Phones (868-2600) attended 24 hours a oe 7 days a week | 


BOSTON — 2 Ctr. Plaza — 





4‘ MASTER/MISTRESS' 


Certificate of slavery 4 your 
favorite-For more info-$harp 
Stuff-POB 171 Camb MA 02141 





Meet other-gay men: in-nonbar , . 


envir. Make your own sundaes to 
swing ERA music “$3. June 7, 
8-10at Hill House: 74 Joy St. 





ROY DEE IS PROUD TO PRESENT 


V.LP. 
LIMO-SERVICE 
Theatrical or Private Use 
Two hour min. — 
includes chauffeur 
Door girl optional ’ 
For more information 
Call: 338-9114 


LOVING TOUCH 
Experience physical pleasure & 
it in loving ret 
through enhanced self-esteem & 
relaxation. An attractive, sensual. 
nurturing, understanding, college 
educ SWF specializing in BODY 
AWARENESS and difficulties as- 
sociated with coupling invites sin- 
cere & open gentiemen in mid 
lite for personal & discrete inter- 
tudes. Send intro & SASE to PO 

Box 473 Weston MA 02193. 


MAGNIFIQUE! 
Fantastically chic Catherine De- 
neuve-type 26 is anxious to meet 

















Mellow wasp M38 seeks tall 
pretty woman-child for fun in sun 
& dark Box 545 Essex MA 01929. 


Men-hrny attr blonde sks men 
bik or wht to enjoy at no expense 
to you. | will write and snd pic nd 
no or call if u prefer pis enct a few 
dirs to cvr exp of ad calli etc write 
to Box 7562. 


MISTRESS NAOMI 
is kg for sus men to submit to her 
commands B&D ws erotic dress 
all fantasy’s available Send ph or 
— Don't by shy attr25 Box 


MW Cpl 30's wish to mt otr cpl or 
sg! for summer fun. Photo, ph. 
Box 861 Sa co Maine 04072. 


MWM 31. physician, seeks thin, 
large-breasted SWF 22-34 for 
sexual encounter while my wife is 
on vaction. Send: photo, phone 
no. No pros. Box 7587. 


MY MOUTH 


My Ing legs. My, My. My! Sweet 
(Gr. »G 




















successful (a must!) g 
who desires the utmost in beauty. 
If discretion and a luxury address 
are important to you, send card 
or SASE PO Box 375 Boston, MA 
02101 





TO PLACE YOUR 


Phoenix 
Classified 


BY MAIL, 


PLEASE SEE THE 
AD FORM ON 
THE LAST PAGE 














WHAT | SEEK: 
GWM. 30's, bright, creative, 
easy-going. warm, masculine (not 
macho) good looking, good body. 
good sex, with an active iitestyle, 
caring attitude, and a conviction 
that relationships develop slowly 
and need not be monogamous. 
What | Offer: All of the above in a 
generally quiet nature. Object: 
Tranquil times sharing the joys of 
summer and each other, oc- 
casional licentious nights of howl- 
ing at the moon and sharing the 
joys of others, friendship & 
foolishness. Phone necessary. 
photo helps a lot: Box 7519 


WHCPL sks other cpis and Bi F 
for gd clean fn dis a must snd ph 
poss photo Box 7539 

Wht ns cpl sk chubby F 25-40 to 


pose 4 fantasy pics no face shots 
sex not necs pis wrt Bx 7568 








Pp ar- 
ters-nylons-hi-heels. Lng auburn 
hair 36-26-36 5'8°° 135ibs. 1st 
class WF very entertaining for 
successful gents. Send bus. 
card/Sase/ or phn to Kim Box 
7516 


My Sex-Filled Panties, 
39C-23-33 nude photo, $5.00. 
Box BB Hanover, MA 02339. 


NAKED GIRLS 
will come in your home to play 
and party when you run my 
proven ads! Send $5 to: Girls Box 
25012 Dalias Tx 75225 


NO STRINGS 
Love in the afternoon with a 
sweet sexy lady. N of Boston. 
Suite 150 82 Albion St Wakefield 
MA 01880 


Oriental ladies want to write you 
Not porno! Blossoms-Honokaa, 
Hawai 96727 

















sembly RIDES 
1 LOVE MUSTACHE 
RIDES 


100% cotton T-shirts; Men's 
(white on red) S.M, L, XL — 
Women's (red on white) 
S,M,L,. Price $7.00 each or 2 


for $12.00 pius $1.50 handling, 
check or money order payable 








i to: 0.B. Seen, P.O. Box 350, | 
| Boston, Mass 02117. Aliow 4-6; 


| weeks delivery | 





Featuring deliciously wens 
tif 
mpeg hb oy Fig 
213-465-5728 
24 hrs. 
VISA/MC/AMEX 


WM 3U sks females who are into 
infantilism, panty:wig; wt games, 
wt sex, no pain, ao Pros. Box 
7472 











CANDIB'S«+| 





FEMS./COUPLES.... 
Sexual fanta: explored & 
fulfilled in sincere cont mature & 
exciting atmosphere by passion- 
ate safe str cin macho wel! bit 
male exec4:4., Dont inhibit your- 
‘se. Pix & iphone to TG, Box 
C-401,. New Bedford, MA 02741 


Gdikg GWM 39 6° 225 discr sks 
grk act guys 18-29 pref So Sh. No 
recpr Desc etc to Box 7466 








Gdikg Hus-Wife sex surrogates 
from FLA new to Worchester 
area at your service Box 7525. 








BRENDA’S 


FANTASY 
LOVE-LINE 


Please Coll 
Me So! Cen 
Share My 
Sexy 





Gd ikng yng MWM 24 Bi sks foxy 
F or M for disc interludes No. of 
Bos. Pht & ph to Bx 7510 


GENTLEMEN 
LIGHT MY FIRE 


Uncomplicated pleasures in re- 
laxing privacy. Box 227 82 Albion 
St Wakefield MA 01880 


Oe ees -35 for 
gay rap group. or bridge group. 
Box 150. 104 Charles St. Boston. 














Pro Bik M Bodybuilder 23 would 


' ee ae ‘gps, pose «= “Are yumm ‘ 
down. dance nude Box 7387 thie sats Mgt ubbp ab 





Prof MWM 44 sks attr WF for 
frndshp anythg else will dpnd on 
mutual attr my marrige of 22 yrs 
is’ grtly failing and will prblybe 
seprtd by mid sum. Prsnt need is 
relation which will bolster self 
esteem my wife has destroyed 
Box 7589 


R. |. SWINGERS 
New group forming for parties, 
discretion assured. Near 
Providence. Cpls. Fs 20-45 
intrsts, fone, address to PO Box 
6684 Prov. Ri 02940 


SANITARY 
GROUP 


We're a small fussy group of 
suburban swingers who are very 
concerned about venereal dis- 
ease (i.e. herpes is incurable). 
You must guarantee to swing 
only within our own small safe 
circle. Equally concerned couples 
only may inquire. Photo helps 











With Yours 





MC/VISA 


(702) 
871-5780 


Couples- -Interesting } couple in 
town occasionally. Would you like 
to meet us in early June? Please 
send phone Box 7571. 


7 
\ae 
€ ‘ 











GM 5°10 33 163 weighlifter but 
thinning hair sks friend pref lifter, 
poss foreign or Latin. | am, & sk 
calm centered growing man 
25-36. Hv mny ints & gd mind. Bx 
150 104 Charles, Bos 02114. 


GOOD TIMES 
GWM 33 sks G Bi Str M for hot 
time. You are 20 to 35. Let me 
know what you like no fats fems. 
Box 7435 


GWM 21 145 nosmkr seek WM 
= 31 for walks, picnics, cudding. 
and sincere talks. No 











Cpl age 30, 32, seek 1st time 
pleasures w BiF or cpls. Write w 
phone to PO 1164 w. Concord. 


Cultured and charitable SWM 
professional 32, would tike to be 
friend and benefactor, of bright 
sensitive woman 18-30, student 
of or working in music, visual or 
performing arts. Send note with 
phone to Box 7410 





Grugs. Gay means happy! Lets 
enjoy Boston together. Box 7548. 


GWM 21. seeks others under 26 
for friendship/relationship. Like 
movies. swimming, all types of 
music, meeting new people & lots 
more. Warm fun loving & 
sensitive. Send letter with photo 
& phone if possible. PO Box 290. 
Nashua, NH 03061. 








EROTIC XDRESS 
Atr WF will dress sus men in sexy 
clothes or help you live out your 
fantacies heels hose garters & 
more ph no or SASE Box 7249 - 


EXTEND 
Your salad days with this piquant 
Pair of pretty ladies. We will sup- 
ply the dressing if you supply the 
lettuce. Mix ‘n’ match your own 
ingredients. Box 7467 ‘ 


FANTASY FEMALE 
beau gr-eyed 








gold & body of 
dess-39-25-37. | love gentie en- 
counters or wild erotic fun eg gar- 
ters/nyloné b&d s&m gd shwrs & 
Gr. | have tux disc apt & invite 
highly succ 1st class gentlemen 
who know how to afford the time 
to join me in an unforgettable 
experience! Don't be shy. 
calling card or full name & ad- 
dress PO Box 955 Bos 02123 U 
won't be sorry 


BI FEMALE 
Seeking another bif to meet wit! 
fun loving WCPL 36: 46 discre- 
tion respected. Box 3066 
Brockton. MA 02401 








GWM 22 5'10 160 Gdikg Into 
Rock Music Outdoor Exers If Can 
SdP&P Get Summer Morn. Box 
7493 


GWM 23 5'8”" 





128 nice person - 


nice tking but very lonely sks 

sensitive, caring type guy my age 

for tight — poss rel or 
28. 


lover. Box 7: 





NOW OFFERING 
© Private postal box 
@ 24 hr. telephone 
service 
@ instant copy machine 
© Mail forwarding 


104 CHARLES STREET 
BOSTON 367-2810 








Unrevealing OK. Box 94 Newton 
02159 


SBM SKS SBF FOR MATE 
Sex is not a scarce commodity or 

a limited resource to be hoarded 
and conserved. If you are not 
looking for sharing & caring ina 
mature relati ip that i d 
sex-save your stamp! Box 7533. 


Sensuous slim WF 23 w/ 
boyfriend sks BiF for gay exp or 
3some also sk M or yng cpl for 
3-4some phone photo gets Ist 
reply Box 7471 














SERIOUS MINDED | 
Friendship is here in Cambridge 
offered by easy going, average 
looking. clean GBM 30's, 53. 
128Ibs, seeking response from 
an average looking clean M, 
30's-40's, proportionate, 
moustache or w/beard. A M who 
is neither promiscuous, gregari- 
ous nor ostentatious but in- 
telligent. virile, laid-back w/good 
qualities and values. Will answer 
all sincerely by type of letter(s) 
received. Thank you. Box 7553. 





STRAWBERRIES 


gourmets delight 4 succ gents 
who desire the ultimate treat. I'm 
a 10 of love. Will travel. Box- 


-Ngider PO Box 951 Salem, NH 


03079 Make a memory. 


STRONG LADY 


Prince Charming believes biggr is 
bettr. stronger is healthier & sks 





to be swept off feet by phys . 


stronger Amazon Princess, cap- 
tivated spiritually & phys in 
rela'ship of non-cela'ship of yr 
choice. I'm 36. 165. probly attr, 
deft ly intel, not too strange, sng}. 
Value strength, looks, smartz, 
machisma equalily Box 7380 


sensual interludes. Or 
pleasure a specialty Box 7517 


SWM 45 yr seeks fem or couple 
for brief sexual encounters. Mass 
NH o- ME Box 7512 


SWM would like to meet young 
WF w big shapely backside. Ob- 
ject explore its true meaning. 
Much to offer materially. intellec- 
tually, physically Box 7561 


Tall beautiful dom women and 
her mate seek subm WBi or gay 
females for spanking and kinky 
times some sub cpis selected 
Send phone and photo if poss. 
Box 7358 

Tall gdikg well bit SWM sks tall 


vry heavy W for friend & lover | 
am warm and sinc. Box 7542 

















Weseitnccate 


THE JOY OF SEX 
Rediscover it with me-a big. 
beautiful. busty. lusty bionde-a 
woman. not a girl! | am discreet 
and very selective. You be clean, 
mature. financially secure busi- 
nessmen. Box 7468 


THE GAY 
HUB MAP 





If you’ re gay a) 
want to know where 


thete..— this} 
specially-created 
City Guide Map is 
for you. Contains an} 
overall’ map of the 
city plus another 
map and index of 
Boston's gay bars, 
restaurants, etc. To 
order, send $1.50 & 
.50 mailing and 
handling to Gay 
Guide, Box 1000, 
367 Newbury St., 
Boston, MA, 02115. 











TOGETHERNESS 
Tall handsome, well educated, 
male mid 40's wishes to meet a 
slender Female (age not impor- 
What's important- -humor. 
depth. h & 








Superb pleasure awaits the af- 
fluent non smoking —— 
who seeks a aft or 
interlude An affec petite 
vivacious shapely lady 40's wid 
like hearing from you Phone or 
SASE PO Box 138 Boston MA 
02101 





!ISUPPOSE! 

You are a female, 19-59, a stu- 
dent. teacher, business woman, a 
housewife, or a lady of leisure... 
and you find yourself unfulfilled 
sexually, lack that hidden excite- 
ment. or just looking for an un- 
usual interlude with a dis- 
tinguished. secure, and 
goodiooking WM of 23. consider 
this ad. with the utmost discre- 
tion Box 1325 Boston 02117 


SURROGATE 
THERAPY 


Enhance your sexual functioning 
with women via sex education 
and therapy by professionally 
trained female surrogates. For 
more information write Phoenix 
box 2097 


Swedish lady extra well built look- 
ing for prot man to share joytul 
hours. Box 6620. 


SWEET N CUDDLY 
Tall. volup. beauty of Dutch-Ger- 
man descent wid Ik to make yr 
aquaintance Box 300 82 Albion 
St field. MA. 01880. 














-SEXY-SEXY SWINGERS 
We have thousands! Pretty gals, 
cpls, gays. bi's. See their nude 
photo ads in Continental Spec- 
tator. 132 p of swingers 
world wide. Latest issue $6.95 to 
CS 147 W. 42 St. rm 603, NYC 
10036 


SHH REVEALING 

Hi sweets: My name is Cindy. tm 
SwWFemale 5'7", 109 1/2 mgt 
long natural blonde 4 i 
ocean blue eyeg. perfectly! 
proportioned, very pretty face. If, 
you want to taste my succulant 
jcy ? and you are solvent, 
sensitive gentieman, refined 
taste. opulent. articulate, write 
me D.L.D. 383, 310 Franklin 
Street. Boston. Mass 02110 K.C 
Blair. If you want a nude photo 
State in letter | will answer ali 
letters 








SK LADY 40-65 
Gd \k DWM 47 6 180 sk mature 
lady. 40-65 who enjoys receiving 
fr overweight ok, days ok. Am vy 
sincere No pros Box 7375 





SWF- 
1OPPTY 


Tired of meeting morons? Want 
to be treated special? Enjoy va- 
Cationing in Florida. etc.? Want to 
meet a great guy who has un- 
rivaled attributes? This SWM, 32. 
prof.. unique personality, outgo- 
ing. very popular with women but 
fussy. athletic and very muscular 
sks a SWF for a relationship. if 
you're 21-32, straight, sexy and 
very attr, | GUARANTEE you 
won't be sorry. Conf asrd. All 
replies answd. Write: P.O. Box 
8182 Boston, MA 02114 


SWM 25 skng SWF 18-26 for lots 
of sex and good times. | like to 
Party hearty w/ fast yng women 

8). Am brwn hrd male who likes 
rock music. dancing. and sex 
Would go to bed w/ Irish, Italian 
Greek, and Armenian girls. pius 
others. We could have a great 
summer together making love. A 
weekend on the Cape or in Rock- 
port is not bad. It is fun. Please 
write POB 81. Waban. MA 02168 














lity. Photo would be nice. 
Write box 222. Newton, MA 
02159 


To Piet: Confecti honey wanted: 
Lover to be: Wife Love Honor & 
Duty. Box 7558 


TRY AGAIN 

M W M prof succ discreet 41 
sport wifes OK seeks discret slim 
mature WF 25-35 for swing fine 
food trav conv outdoors. Non 
smoke have Cape condo no pros 
P&P to Box 514 Needham Ma 
02194 


TV/TS TAPASTRY 
Issue 35 now available. Tasteful 
magazine for crossdressers 
featuting articles, referrals, com- 
ing events and personal listings. 
Send $5.00 to Tiffany Club, box 
19 Wayland 01778 


Very Good Looking yng M will 
fufill fantasies for F's and Cou- 
ples PO 3726 Nashua NH 03061 


Vry Attr Cpl 40 & 29 sk attr cpl F 
Bi for sex & fun Box E143 S 
Easton, MA 02375 


Vy gd tkng GWM bodybuilder 22 
looking for similar for a good- 
time. Must hjave good body and 
looks. Box 7412 




















(212) 426-6600 


MC/VISA Only 24 wes 


= 
2, 
) 
2 
2 
* 
*. 
2 
oY 
E 


2861 ‘t ANN ‘OML NOILOAS ‘XINZOHd NOLSO8 3HL 














«=. 


26 


THE BOSTON PHOENIX, SECTION TWO, JUNE 1, 1982 





PORNO CAKES 


AND COOKIES 
For all occasions .... 
stags, birthdays, meet- 
ings, and just-for-fun 
parties. Male or fe- 
male. 

Call 366-5753 
Ask for Ron 











WMM wid like to meet wep! for 3 
some or sole fem for mut pleas 
Box 288 Nashua NH 03061 





WMM would like to meet Wcp! for 
3 somes or what ever. Box 7322 





WMM would like to meet lonely 
housewives for good times. Box 
7323 


WM willing to be slave for that 
special Female PO Box 30 
Holbrook. MA 02343 








WOMEN 
Rusty will relieve your tension 
lickedy split SASE 318 Harvard 
St CC 153 Suite 10 Brookline MA 
02146 


WORC-FRAM 
A real beauty of color. Long 
gorgeous legs. Exquisite sur- 
roundings. You must be a man of 
virtue and honor. Refined gentie- 
men. Box 7378 


WORLD'S FAIR 
Trip free have motor home-need 
chic wildest one wins. Lets talk 
dine dance get acquainted send 
pic phone no to Box 521 Haverhill 
Ma 01830 U wont be sorry 


WTD.BIWCPL.&GWM 
BiWM 34 gd ik sks biWCplis & 
GWM 4 1st exper. disc. assured 
U.B.20-35 snd. photo & phn. | wd 
luv 2 share self w/u Box 7582 


YOUNG COUPLES BEAT 
THE RECESSION 
Unemployed? Bills got you 
down? This very succ WM 30 has 
a financial plan for you. You must 
be 18-25 Your ans to ad is start of 
complete financial recovery 

Don't delay Box 7554 














FANTASY 
Phone 


( 
( 
( 
{ 
( 
( 
2 











GWM 40's seeks master w/s b/d 
gidn shwr most scenes. PO Box 
563 Boston MA 02146. . 





Serious researcher interested in 
intimate play of couples (special 
nicknames. private games, fan- 
tasies, teasing, jokes) Write for 
questionaire and/or interview or 
describe your play anonymously 
P.O. Box 191 Newton Highlands 
MA 02161 





Your place or mine. Female white 
5'2 to 5'7 110 to 125ibs. Box 
7502 





UNCENSORED SWINGER 
First Edition has thousands siz- 
zling action pictures with ads ad- 
dresses phones. 100% Genuine. 
Send $7.95 to Uncensored 147 W 
42 St. Rm 603-P NYC 10036 


ESCORTS 











ATTENTION 


When dialing 
massage and 
escort phone 
numbers, please 
be sure to dial 
the number cor- 
rectly. 


Thank you! 











484-1816 
Escort by pretty lady. Outcall. 





CONNIE&CO 
Escourts available 9AM to 1AM 7 
days a wk. Call 617-675-2479 
New Bedford and Prov Ri areas 





Venus Escort Service. Worcester 
areas. 1-842-9041. Openings for 





Sondra’s 
Professional 
ESCORT SERVICE 


First class ladies and 
gentiemen avaiable for dining, 
social events or just 
companionship. To arrange for 
an enjoyable evening 


Call 479-0149 
All Calls Verified 
11 A.M.-1 A.M. 














COSMOPOLITAN 
ESCORT 
on ca 
2 gion ery 


people. Also 
324-0817 Qa HRS: 


TIFFANY 
ESCORT 
Sensuous & Classy Lady 
from Portugal 
298-4263 
10am-12pm 
outealls verified 
female escorts always 

needed / 























ALL OCCASION 
Boston's oldest and best 
escort agency offering 
escort referrals to the dis- 
creet professional. 

12 p.m. - 1 a.m. 
All Calis Verified 





482-0714 











HEAVEN 
IN 
JAMAICA 
720-0048 


Meet Lovely 
JOY 


Escort 
Relax in my luxurious 
home. 

Great location. 

In & Out Call 


REGAL 
ESCORTS 


For the individual or cou- 
ple who desires the royal 
experience we offer the 
following: 
Reasonable Rates 
No Additional Charges 
immediate Appoint- 
“ments 
Attractive, Talented 
Escorts & Models 
Discretion & Satisfaction 
Assured 2 
289-7082 
Outcalls Only 
All Calls verified 











CA’CHE ESCORT 


Boston's finest 
escort referral 
service. The most 
exquisite young 
available. 







524-7355 




















oe 536-3677 


“FOXY LADY | 
ESCORT 
TRAVEL - 


ANYPLACE 
Any Time - Rita 
Massage - Therapy 
Passport 














MASSAGE 


ee NN EY SR 
All fantasies fulfilled by three 
lovely pre-ops. 536-2143 





ATTENTION 


When dialing 
massage and 
escort phone 
numbers, please 
be sure to dial 
the number cor- 
rectly. 


Thank you! 








HONEYDEW 
For a man who desires a heavy. 
voluptuous woman. Please cali 
262-1515. In calls and OUT- 
CALLS 


For a trip to Piato’s Retreat while 
in NYC call 201-568-7614 


FEMALE & PREOP 
Wt fantasys Stephany & Laura 
566-3848 In & out 


INTRODUCING... 
A new world of sensual 
pleasure. Relax and enjoy 
a dynamic massage by 
this tall, biond w/ bive 

















eyes, AMERICAN 
BEAUTY! 
Cali NOW 
523-3969 ’ 





Free Massage by GWM 
891-9886 


Free massage by Pre-Op 
891-9886 











Body builder will massage men 
only-outcalls-625-488 1 


I AM BACK! 
Black and 
Beautiful as ever 
Pre-Op 
Here to please you! 
Call anytime at 
267-8710 thanks 














NADIA 


| will fulfill your fantasy 
with a pleasing m 

in a quiet discreet location 
11-Midnight Sun.-Sat. 


Call 
254-1434 











LUKE — 


Masculine, weill-twilt, well- 





for private unhurried rub. 
"N Ready 
Versatile/Discreet 
incalls/Outcatis 


(617) 236-1285 


d Air-C. iti 














Massage outcall service, only by 
appt. all areas. 586-3674 





MAN TO MAN 
GWM 20 yr. 5°6". 130 Ibs, clean 
cut vers discret assured. Also will 
go to hotels 367-2377 


Massage by Pre-Op. 266-4355 














JEFF 423-2053 





JOHNNY-BOY 


536-4367 





Gay white male Dana. 536-0938 
GWM Ed 236-2256 vers anytime 
GWM massage, Bruce 628-6547 














Let a pretty girl massage away 
your troubles. Boston & Camb 
Outcalls only. 262-2299 


Male massage 720-1192 Walt. 


Males Massage Good Rub Mov- 
ies Student Rates Call Jeff 
877-6380 Versatile Bttm Guy 


Poe Total Body 
Massage 
Call 
LACEY 
254-0920 


Air conditioned 
10AM - 10 PM 




















NORTH SHORE 


ACTION 

Just North of Boston, in air-con- . 
ditioned comfort, is where you'll 
find 2 of the loviiest masseuses 
anywhere! Gayle and Susan want 
to entertain sincere, successful 
b kdays, either 
separately or together. for an 
afternoon's delight. Call 
289-8873 & treat yourself to a 
fong lunch hour. All calls will be 
verified. 


“ESCAPE” 


Come for a sensu- 
ous massage by 
one or two sexy 
women 


536-2302 

















RELAX AND ENJOY 
a sensuous massage by a 
young lady. Cal Nicole 11-11 at 
289-1811 discretion assured 














DATE 
it you're lo ,and.hawe nothiagy & 
exciting es for the evening 
we're the ones to call. Our ladies 
have class and style and escort 


’ the finest men in town. By ap- 


pointment only. 288-9527 


Sophisticated First Class Escorts 


S.,intelligent with»: 


ene brown hair, green eyes 5'7". 
Outcalils at FIRST CLASS HO- 
TELS ONLY. Cali after 5:30 pm 
337-7127 





JOY 
720-0048 


Classy 
’ Jamaican 
friendly, 
beautiful, 
IENCED) 
Escort 


in & out 





























escorts counting on quality, 
count on us. 
rel DI] 24 hr Service 
776-1103 CALL 
p= 0 atl 536-5324 
“Any Place To arrange 
——. aed for your 
Outcalls Only encounter 
SPECIAL NOTICE OUTCALLS ONLY: 
Concerning all escort ALL CALLS 
All phone numbers must 
Ge veritied by © pm Thurs Female Escorts Needed 
day evenings for your ad immediately 
to run. To do this, call 
267-1234 Limousine service 
Thank you. also available 








service with the 
most attractive; 


young 
women available 
when you’re 


- 











FOR 


Classified 
Display Rates 


Call 
536-5390 














Elegant and 
sophisticated 
lady. 


sensuous 
blonde. 
Total relaxation 
’ assured: 
so why be alone? 
8 a.m.-1 a.m. 
all calls verified 


Also accomodating 
Worcester, the Buroughs, 
Fall River, N. Andover & 

Cape areas 


Call 
527-5281 


Openings for female 
escorts always 
available throughout 
Massachusetts 





The New Entertainment Center of Boston 





TES 


Boston’s newest 
and finest 
escort referral 
service. Don’t 
be alone. 
Attractive male 
and female 
escorts 
available. To 
arrange for 
your escort 


Call 926-0446 


Open 7 days a week 
between 10 AM 
and 12 midnight 


All calls verified 











reo i ay 











' Toradora SeeatTa® “a 





BRIAN 20Y0 GWM 
hot blonde in/out call 782-6108 


DO YOU FEEL 


FREAKISH? 
DOUBLE YOUR PLEASURE 
DOUBLE YOUR FUN 
CALL JOY AND PAIN 
PROF. MASSAGE AND DOM 
TEAMS 


247-0152 
IN AND OUT CALLS 
10A.M.TO.... 











: HOT & TENDER 
Bring out the reat you with a sen- 


sual, relaxing re by Tony. 
Nick or both! 864-7973 . 


Chocolate Candy 








Delici 
254-7653. 





ANGIE 


The Supreme Art of a 
relaxing massage is like 
nothing you have ever 
experienced so far unless 
you Call: 


566-6471 
Dom rubdown by GWM 277-3706 


_ EDEN'S GARDEN 
Alluring amazon girl serves up 
massage and haute cuisine. To 
indulge in the rites and rituals call 
Eden, 739-1166 ‘ 

















GENTLEMEN 


Full body massage., 

Garters, stockings & 

movies. Choice of] 
ladies. 


-4+344-5630_ 











Enjoy a relaxing massage by a 
friendly lady Kathy 923-1524 10 
to 5 outcalis only. 


Exotic black dancer 254-7190 








VALERIE 
Complete 
Relaxation 


787-1934 





Gor is sexy Ist class WF 
W/VERY shapely figure to 
“give total body massage to 
the VERY discriminating 
and professional male. 
OUTCALLS ONLYI! 
all calls verified 
282-7135 (24 hrs.) 
GWM well bilt hairy 
man. Roger 236-4798. 


Handsome GWM 6° 165 vers exp 
& sincere. In or out, 266-5091. 


PRE-OPS 
SUMMER FEVER 
VERONIQUE, SARINA, 

GENA, KLAUDIA 

566-1325 

Garter belts, high heels, 
stockings. dom. Let's get 
physical. Massage. 


























HEATHER 
For the discreet gntimen outcall 
pleasure verif 787-1105 
italian Hot Rod GWM 739-0734 


SPECIAL NOTICE 
Concerning all escort 


and massage advertisers 
All phone numbers must 
be verified by 6 pm Thurs- 
day evenings for your ad 
to run. To do this, call 


267-1234 


Thank you. .- 




















|MANDALA 





HOUR LONG- 
TOTAL BODY 
MASSAGE 
Newton open 7 days, 9-10 | 
965-1066 








SUPER LEGS 


Massage by lovely pre-op: Lana 
con loc comp priv 367-3462 


Tasty Delight 227-3792. 


Todd Blonde 6'1"" 165 Ibs All fan- 
tasies, hot time 242-2621 


Tom-Masc gdikg discrete guy in- 
calis and out 536-5091. -f 


WE’LL WEAR 
YOU OUT 
massage by 
Pre-Ops TS 
Brandy & Karra 
266-6724 


if you're man enough 


























Massage svc for women 
625-3353. 





1-653-08 17 


NATI 
965-5535 Gwe Tub Sith Heres Eric - 


Relaxing massage for the mature 
9 roe by volupt WF 48. 
P.O. Box 2082 W. Peabody. . 








“THE FINAL 


TOUCH 
Salt & Pepper 
Combo for 


massage 
783-0652 


SATIN DOLL . 
Relax with a m erotique 
Bos/Camb. Outcalis only 
266-3795. 


Sensuous rub by BIWM 277-3706 

















DONNER 


Put a little sunshine in 
your day. Call 232-2019: 
massage 

from 10-5 











SHIATSU 
Special rates for students & 
athletes. Kevin 266-4885 


Sizzling hot preops. 227-5158 
SUNSHINE GIRLS 
We're back to put even more 
sunshine into your day. For 

massage call 267-5970. 
































lars 


Pio © 


—- 


ups" 


eS 





7 Seanad 























a 


= 





pa iocnay 














CHECK US OUT 
We're here to say; 
enjoy a massage in a 
supernatural way 
Reach above and beyond your 
souls desire. Give us a call, 
and we'll take you higher 
in and out calls 10 am to 


437-9537 











DISCOVER ECSTASY 
; WITH LYNN 











MISTRESS GINA 
Call me for relaxation. 
Pretty, young and sexy. 
Specializing in body 
worship. 

Bow to my command! Call 
Now! Spikes, garters, 
stockings. 


All calls verified 


567-4569 
Male and female escorts 
also. 





FORMER YOGA 
INSTRUCTOR 
Specializing in stimulating thera- 
peutic massage. Will relax 
every bone in your body with a 
slow hand and a gentle, but firm, 


touch 


Foxy lady 
in call — out call 
536-2531 








Sensuous 
Seductress 
TARA 
San Francisco style 
m with that ist 
class .- Heels — 
garters — stockings 


— leather. Your only 
ultimate enjoyment! 


Same day only appt 


367-0307 











HI 


We were sent from Venus, 
here to massage you 
through the universe, ex- 
ploring all of your earthly 
pleasures. 


Call 10 amto.... 
in and Out Calis 


782-5365 

















MASSAGE BY 
WOMEN 


RICHARDS 
ATHLETIC CLUB 


230 Turnpike St. 
Canton, MA 


« Seven Massage Rooms « 
Seven Lovely Masseuses « 
Whirlpool * Sauna « Ex- 
ercise Room « Large 
Screen Color T.V. « 


$10 Discount |! a.m.-! 
ee & 6 p.m.-8 p.m. 
ion. Thru Sun. 


Rte. 128 to Exit 645. Rte. 
138 Stoughton Go Two 
Miles and Richards will be 
on your left. 


828-4000 


Open 7 days a week 
Mon.-Sat. | | AM-1 1 PM 
Sun. | PM-1 1 PM 





SSSiSiSAASMSSSSSNSSSNI 


howsti 


HUNTERS 
if you like your ladies with 
a lot of class and style, we 
will show you an exciting 
way to relax. For an 
unhurried massage with 
our finest ladies, call: 
523-3292 
noon till midnite 
You will enjoy it. 
Out calls only 
All calls verified 








{ BOSTON = 





| BEACOM HILL 1-2-3 1 Beacon At Tremont 723-8110 





son, Age sm Seal | 


Starts Friday 6/4 











|CMAZLES 1 2: * 3 195 Cambridge St. Near Gov. Ctr. 227- 1330] 
Se 











bee 


po OF FIRE 


== SONAN — CHARIOTS a 


‘EE LAIVG 
@Q00D FRIDAY 











HMEZE 8°2+3 50 Datton St. Opp. Sheraton Bos. 536-2870 





| SnEat 9-2°3 500 
7) 
r 0 
The Greates hualbe nge 











There Wrong le Righ’| Starts Fridey 6/4 


“fonase muot STAR TREK Hi 
Se en 


GEMEMA ST 2 200 Stuart St. Near Park Sq. 482-1222 tte 








Ati 











A MASSAGE 
WITHOUT 


“ME” 


IS UNIMAGINABLE 
So let your imagination soar .. 
Enjoy the Best of Life. 
including the most 
FASCINATING woman in 
town!! 
523-6497 


MICHAEL 
Hot GWM, 23, masculine, 
well built, will rub you the 
right way. My apartment 
or your Boston hotel only. 

536-8730 
8 am - midnight 
air conditioned 














PG 


267-8181 





$A. , 
219 Tremont St. Near Boyist J 
«« SLUMBER PARTY 








MASSACRE 











LINDA 


with 2 


able 
Cali Linda’s 


Mon.-Sat. 9-10 





Linda is working week- 
days at Madala now along 
new masseuses. 
For the finest hour long 
total body massage avail- 








a: SUBURBS 








| Senmavanne te At Assembly Square 628-7000 i 





TTtvt manTON RACHEL WARD 
rc Dead Men Don rae Plaid 





arts Friday 6/4 i) 
muunwaner STAR TREK ff 
‘THE WRATH OF KRAR 





com CATTRAL 
a OUn CARRS 


a 








im THE SEW POLICEMANN AALS | » WKS 


Ti an = 








ee es 
anna Hanky Panky 
"a es a 
re Victor, Victoria 


























KURT 

RYAN 
Together or alone. Conv. 
Back Bay location. 2 Hot, 
Hunky, Irish jocks for best 
in massage. 
incall/outcall anywhere 


353-1013 


LOVELY LINDA 
Beautiful blonde with soft 
touch will massage at. your 
convenience between hrs. 
of. 10-10 Mon.-Sat. 
Located nr. cr. of Harvard 
n’ Comm. Ave. Brighton. 
Dirscretion is expected. 


SPRINGTIME 
AFFAIR 


massage 
Northshore 














THE ULTIMATE 
We will massage you into 
a trance of ecstasy fulfill- 
ing your fantasies and 
dreams to the ultimate. 

Call 10 a.m.to... 
In and Out Calis 


437-9537 




















Caen —— 








Appts. 1- 
eee 741-1180 
FROM MIAMI a 
“Sexy handsome gay 40DD 28 38 
white athlete” Massage by attractive 
Cail me for some real sexy young women 
Southern Hospitality in or Outcall 
437-7031 
Pe 1-745-3436 
location and very discreet 











’ ¥ 
Vv 

a 
~~ 





= ROCKY 
a ‘THE 145G 





ee he 
ATTENTION 


MASSAGE & 
ESCORT 
ADVERTISERS 
The deadline for ads 


(line & display) is 5:30 - 


WEDNESDAY eve- 
ning. 


__ There will be 


fees of $10.00 for any — 


line ad & $15.00 for 


any display ad re- 
ceived after the dead- 
line. 

Thank you. 











Relaxation 
Retreat 











Greater Boston's 
Piushest Facility 
$7 
EARLY DISCOUNT 
15 MASSEUSES 
Credit Cards Accepted 


Whirlpool Sauna 
and Massage. 


10 AM-1 AM 7 Days, 
212 Central Street 
Downtown, Lowell 

Call 459-0191 
Public Parking on 
Hurd Street 











TWO MALES 
Available for SENSUOUS SATIS- 
FYING MASSAGE . Outcalis only, 
discreet. Call 277-7394 today 
Two is better 





Michelle's Back' 284-1312, 





Yng female beauty 566-3848 


Young and beautiful pre-op 
massage Worc. 791-4461 


MASSAGE OPPBi 


(SN A 2 CE I 
Masseuses needed-training, and 
placement provided-Call 
536-0724 








=é f 





‘Buy the 2-week Guarantee. It runs til it works. 





*THE GUARANTEE: if your non-commercial ad in 


the Apartments, For Sale, Roommates, Cars. 


Cycles, 

mates, Musical Instruments, Pets, Rides, A/V, Studids, Seasonal 
Rentals, Travel or Wanted categories doesn't work after you've 
— it in advance for two consecutive weeks we will keep run- 
oy WED same ad FREE until it works. All you have to do is call us 
EDNESDAY during the week of the ad's second appearance 
WEDNESDAY) & tell us to rerun 
the same ad. You somcanl RY week — missing a week voids 
ations, changes & corrections must be 
made by TUESDAY of the week of the ad’s first appearance. (No 


te every successive week 
the Guarantee. Cancel 


change in Guarantee ads after this time.) 


House- 





PRICING YOUR AD: 


Lines 

Extra lines 

7 pt. light headines 
7 pt. bold headlines 
9 pt. bold headlines 
Capitalized words 
Box numbers 


TOTAL. 


Commercial Rate 
3 for $6.25 at $4.25 
$2.25 at $4.25 
$4.00 $5.50 
$6.25 $8.75 
$7.50 $9.50 

-50 50 

$5.00 $5.00 








payable in advance 


minimum cost $6.25 for regular classifieds 


The following information is strictly confidential. We cannot print your ad without it 


PLACE ADS 


DEADLINES: 
NUMBERS: 


TO CALL IN 


DIAL 
267-1234 


AT: 


ABSOLUTE DEADLINE — 5:30 THURS. 
DEADLINE FOR CHANGES AND CANCELLATIONS |8 4:30 TUES. No changes can be mede in 


PUBLICATION. 
BOX NUMBERS: Service charge is $5.00 for each week advertised. Advertisers may pick up mail 


BOX 


guerantee ede after the first two printings. 
ALL CLAIMS FOR ADVERTISING ERRORS MUST BE MADE WITHIN 7 DAYS FROM DATE OF 


Classifieds, 367 Newbury St., Boston, Mass. 02115. 
in PERSONALS and PERSON TO PERSON only: Only our boxes and P.O. boxes may be used if 
you desire a response: Phone numbers and addresses are not acceptable and will result in 
rejection of your ad. 
The Boston Phoenix reserves the right to edit or reject advertising which may result in legal action 
or which we consider to be in poor taste. We also reserve the right to determine category 


AN AD, 


CLASSIFIED OFFICE: 367 Newbury St., Corner of Newbury St..& Mass. Ave., Mon.-Fri. 8:30-6. 
IN BOSTON: NEXT DOOR: CHRISTY’S, 359 Newbury St., Boston, Mass., until 2 AM 


at our office 9-5 weekdays. Mail is heid for 4 weeks after the.last time the box number appears in 
the ad and will be forwarded if a large self-addressed stamped envelope accompanies the ad. 


Readers who wish to respond to a box should address their replies to Box ____ c/o Boston Phoenix 


placement and suitability. For your protection, all advertisers must enclose full name, address and 
telephone number. We will do our best to Keep this information confidential, however, we cannot 
print your ad without it. The Boston Phoenix has no control over classified advertisers. Hence, we 
cannot assure you that your inquiry will be answered or that the product or service is accurately 
presented. 
PLEASE NOTE! No ad will be accepted without an individual's telephone number 

To place a Job Opportunity ad, please call Richard Hope at 536-5390 x 554 or Al Belote x 453. 
































INSERTION DATE 





























































































































Name 
Address. CATEGORY , 
City Regular Rate Commercial Rate 
Phone HEADLINES he 
| ot eee 
Pe P - cx 
MAIL TO | cmnoebiae FETE TE TTT Ul a Lite 
THE BOSTON Ml op.noasrso| | | [| [] i ty [td $9.50 9 pt. bold 
seiaics taiee +234 867 89 10 11 12 13 14 15 Sikorteihettiaeds 
Ge CY Eid pak eS Se a per | 7 ] T T iG Lae 
| 1st 3 oe Sete oe om 
CLASSIFIED DEPT. =o | ae “Bees $4.25 
367 NEWBURY ST., BOSTON, MA 02115 pra bo ap moe | J 
week h | ak 1 Eh j at yi i Lig ‘ol ‘i 
CHARGE IT! 
Each : Mess lees Was ES BES Re a ea ake I Be Po i ele 
+ Sopa cmt 1 TTT TTT EE dT oes 
ey a a ae A A ak OC CTO Wa a A 
Ba k | } | i | | j j | i 4 
at won| | | | | rR eM? Ee es ed ck OB | | a oe || is i a ab: Cae Eman 
Signature . l rd. 3 LT Bl 71 Ta Ty | r-] T ue 
— EE + —+.. 4 | 4 4 4 4 4 i i - A 
Eaae OP THT Pee fT eel T ates Sa Sh | 
NOTE: When placing classified ads through the mail or drop-off points, DO NOT SEND | | | | | | hs a | | | | } $4.25 


CASH. Checks or money orders only. Cancelled checks or money orders or register 


receipts MUST accompany ALL refund requests. 








1 “3 =. “ S 6 a 8 THURBUNBCTUUDHHRBNANRH Be 


Z861 ‘tL ANN ‘OML NOILOAS *XINSZOHd NOLSOG 3HL 











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by Share the refreshment. 
‘<<. Light, fresh Salem Lights. 





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© 1982 A.J. REYNOLDS TOBACCO CO. 








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Warning: The Surgeon General Has Determined TAL. - +¥4 
That Cigarette Smoking Is Dangerous to Your Health. 




















a  e ‘ E ‘ + Pi ¢ 3 ts oe Be OF ? F : ‘2: 
9 mg. “tar”, 0.7 mg. nicotine av. per cigarette by FTC method. 























: 


BOSTON AFTER DARK 





ARTS. 


ENTERTAINMENT 





Fuentes to the rescue 


Fuentes in front of one of his favorite stars 


Mexico’s ambassador of the imagination 





by Scott Rosenberg 


literature can save us — daring, 
naiveté, and maybe an ounce of 
pretension. After all, the world looks 
pretty irredeemable in 1982, and anyway, 


I t takes daring to suggest today that 


_ Newspapers seem closer to the business 


of world saving than do books. But that 
doesn’t dim the perpetually gleaming 
eyes of Carlos Fuentes, ‘the Mexican 
novelist (The Death of Artemio Cruz, 
Terra Nostra) and playwright whose 
latest drama — his first in a decade and 
the first to be produced in the Western 
Hemisphere — will receive its premiére 
in Cambridge this week. In town recently 
to scout the territory, and to deliver the an- 
nual Theodore Spencer Memorial Lec- 
ture at Harvard, Fuentes ruminated on 
the human condition, and what writers can 
do about it, over toasted English muffins 
and tea. He spoke with characteristic 
fervor. “I think there have been moments 
of crisis in literature and history — this 
seems to be one of them, I would-say the 
Renaissance was another one — in which 
we are profoundly unsure of ourselves, 
of the destiny of our society. Everything's 


in turmoil, there seem to be gigantic 
opportunities and magnificent dis- 
coveries; and yet we feel that with the 
tools of progress we are constructing 
unhappiness and offering death. And 
this troubles us, terribly.” Perhaps it is 
the grace of a trained diplomat, another 
of his identities, that enabled Fuentes to 
sip, chew, and swallow without disturb- 


. ing the torrential flow of his words. 


“With the great truths of science and 
medicine we are offering the means of 
extinction for ourselves. This shakes up 
the integrity of people, and the integrity 
of characters in literature and on the 
stage. It's a wonderful moment, because 
we are able to distinguish other forms 
that are slowly shaping — these forms 
that | call ‘figures’ are knocking at our 
door, begging to come in, to be re- 
cognized. It is the task of the novelist, of 
the playwright, to keep that door, that 
window open, to convoke these figures 
constantly.” 

If you'd like to meet a couple of the 
shadowy figures trampling on Fuentes’s 
mental doormat, hie thee to the 


American Repertory Theater, which will 
begin previews of his play Orchids in the 
Moonlight on June 4 (press opening is set 
for June 9). On the surface there is 


nothing spectral, not to mention world- | 


redeeming, or archetypal, about the 
characters. The play centers on two aging 
Mexican. film actresses, Maria Felix 
(famous in her homeland for her numer- 
ous roles as a gun-toting guerrilla) and 


. Dolores del Rio (a dark beauty of pre- 


talkies Hollywood, and star of the 1934 
romance Flying Down to Rio, which first 
paired Fred Astaire and Ginger Rogers). 
Fuentes described how he became ob- 
sessed with these less-than-household 
names. “I go a lot today to places that are 
associated with my youth, and find that 
mostly either they do not exist anymore 
or they have changed enormously, or 
they're abandoned, which is worse — 
they're alone. | go a lot to old movie 
houses in Mexico that I used to go to in 


the ‘40s; and I’ve found that the only way ~ 


| could’ bring them back to life was to 
write this play, about being a star, a 
model — model for what? model of what 











model? — about having an_ identity, 
which is what most of my work is finally 
about.” 

Fuentes seems unconcerned, even 
pleased, that much of his American 
audience will not have heard of the two 
actresses or seen any of their films; he 
apparently thinks it will add to the fun. “I 
would be delighted to write a play about 
two famous Bulgarian movie stars,” he 
said, “named, hmmm, Maria Dmitriev 
Nakristova and Sofia Bulgakovsky, and 
put them on the stage, and see what they 
have to tell me about how they. like 
yogurt and therefore became 
archetypes....” His subject is the 
mythos, not the biographies, of stars — 
“the totems of the modern tribe,” he calls 
them. 

Ideally, he would like to see the play 
performed by Felix and del Rio them- 
selves. That pieceof casting would set up 
the kind of self-referential labyrinth 
which Fuentes clearly delights in. And 
the two actresses have apparently agreed 
to film Orchids for Mexican television; 
but stage appearances, Fuentes said, 
wauld be too draining for them. In their 
absence, however, virtually anyone else 
will suit him: younger actresses who look 
like them, actresses who don’t look like 
them, even actors in drag. “You could 


have two pink, short, blonde, blue-eyed, 


curly-haired actresses — | mean, even 
two girls who look like Miss Piggy. It 
doesn’t matter, because of the nature of 
the play. So much resides in imitating a 
model. | mean, with no success | can 
imitate Robert Redford. But | can imitate 

Continued on page 10 


2861 | ANAL ‘SSYHL NOILOZS ‘XINBOHd NOLSOG 3HL 











7 






THE BOSTON PHOENIX, SECTION THREE, JUNE 1, 1982 








"| We're just wild 
about Papa 


by Michael Matza 


let us also admit that during last 
weekend's three-day symposium 
of the Hemingway Society, there were 
times when my mind not only wandered, 
hell, it took the dog out for a walk. One 
or another of a dozen distinguished 
professors of American literature would 
be at the podium, waxing pedantic about 
‘“‘pseudo-autobiography,” the “triumph 
of affective failure,” the “exchange 
among rivals,” or ‘women and the loss of 
Eden” in the Big Guy's “mythology,” and 
my eyes would glaze over. At these 
moments, I'd experiment with different 
working titles for the story | would write 
about this gathering of the clan’ that 
meets regularly for postgraduate-level 
_show-and-tells about the life, literature, 
and letters of Ernest Miller Hemingway 
— arguably the most influential writer in 
the history of American fiction and, after 
Shakespeare, the second most frequently 
studied author on American college 
campuses. 

It seemed fitting, therefore, that chief 
among the 50 or so conference partici- 
pants were such acknowledged Heming- 
way experts as North Carolina State 
University’s Michael Reynolds, the Uni- 


rE: et us now praise famous men, but , 


‘ versity of North: Dakota’s Robert W. 


Lewis, McMaster Univefsity’s James D. 
Brasch, and Trinity College’s Paul Smith 
— tenure-track scholars who have mar- 
ried their reputations to Hem’s. Still, 
academic heavy hitters can be mostly 
heavy. Numbed by the rhythms of prose 
fit for a blue book (and precious little 
else), | found inspiration in more frivol- 
ous influences. | asked myself such 
questions as whether Papaism might be 
the successor to Dadaism. At one point, 
“Where's Papa?” seemed like the right 
title for my theme. Despite the hours of 
formal conversation about his writing, 
his manner of living, and his upbringing, 
essential parts of his psyche remained 
unplumbed. 

What made this title search so hard 
was the tradition that had to be upheld. 
Hemingway was so damned good at 
titles: The Sun Also Rises; To Have and 
Have Not; Across the River and into the 
Trees; Death in the Afternoon; A Move- 
able Feast; ‘’The Doctor and the Doctor's 
Wife”; “Hills like White Elephants’; “A 
Clean, Well-Lighted Place’; “One Read- 
er Writes”; “The Gambler, the Nun, and 
the Radio”; “The Short Happy Life of 
Francis Macomber“ — to name just a 
few. The trick was to come up with a title 
that Hem might like. Okay. Okay. 
Perhaps I'd think of my story as “The 
Importance of Being Ernest.” 

But I could do better still. What was it 
about these scholarly papers — which 
were delivered by their authors at a 
podium on the fieldstone patio of North- 
eastern University’s Henderson House, a 
sprawling, ivy-covered mansion in the 
lushest part of Weston — that also 
brought to mind Woody Allen's uni- 
verse? It was Stardust Memories, of 
course. In particular, the scene in which 
Woody’s films are being picked apart by 
self-styled critics on retreat. “How very 
self-indulgent. How very this. How very 
that,” members of that audience mut- 
tered. Sure. That would be it. I'd think of 
my story as “Bulldust Memories” — with 
a scene from Annie Hall thrown in for 
good measure. The ghost of Hem could 
take its cue from Marshall McLuhan. 
“You call yourselves experts, but you 
really know nothing of my work,” I 
fantasized a grizzled Papa saying. 

In truth, that reverie was inspired only 
by the most exasperating moments of the 
weekend. There were moments that 
inspired fascination too. Northeastern 
English professor and Hemingway Socie- 
ty conference director James Nagel had 
promised that the opening dinner — on 
Friday night at the John F. Kennedy 


Library in Dorchester — would be “sort 


of celebrative.” It was. The outdoor air 
smelled like the sea. The exhibit area 
smelled of sweet pipe tobacco. In com- 
bination, the atmospheres evoked the 
virile memory of the man some 140 
devotees — local authors Anne Bernays, 
Justin Kaplan, and Gregory McDonald 
among them — had come to toast at a 
dinner that would include Papa Dobles. 
After dinner, they would hear Heming- 


way teased and praised, in keynote 
addresses by Patrick Hemingway, 54, a 
retired safari outfitter and Papa’s middle 
son, and by Tom Stoppard, 45, Tony 
Award-winning, Czechoslavakian-born 
British playwright, who told the crowd 
that he was first “bitten” by the authen- 
ticity in Hemingway's writing 25 years 
ago. 

Before dinner, Hemingway’s admirers 
were admitted to the fourth-floor 
archives that house many of his letters, 
some of his original manuscripts, and 
other memorabilia. Although these 
rooms are ordinarily closed to the public, 
they were open for the occasion — and 
hung with a new exhibit of photographs 
of the Big Guy and his friends. From June 
1 through June 4, this exhibit will be open 
to the general public between the hours 
of nine and-four. A slide show will also 
be shown on each of those days, at two. 

Although JFK and Hemingway never 
met, they admired each other from a 
distance and they corresponded. Indeed, 
in the very first line of Kennedy's Profiles 
in Courage, the movie-star president 
flattered the period’s celebrity author by 
imitation, adopting as his own the phrase 
“grace under pressure,’” which was 
coined by Hemingway to define what he 
meant by guts. Each was a cult figure of 
his day (the embodiment of the 1950s 
man’s man) and each would be made to 
look a little silly (like a posturing, 
womanizing braggart) in a post-feminist 
world. In each, the shortest distance to 
the heart was through the ego. It seems 
fitting, then, that monuments to each 
should be built on the same foundation. 
One corner of the Hemingway exhibit’s 
main room is taken up by boxes contain- 
ing more than 40 shelf-feet of “incom- 
ing” correspondence. The walls, of 
course, are decorated with the heads and 
skins of wild game (would anything else 
do?). In one glass-enclosed display case 
are Hemingway's 1917 diploma (major in 
English; minor in Latin) from Oak Park 
(Illinois) High School and an auto- 
graphed newspaperman’s Style Book 
from the Kansas City Star (“To Ernest 
Hemingway. From Pete Wellington. 
With affection’). In another case are his 
military dog tags, his fingerprinted non- 
combatant identification card from one 
of the three wars he covered as a 
correspondent, a May, 1922, letter to his 
father signed “Your loving son, Ernie,” 
and a box of high-powered rifle shells. 

The photographs of Hemingway are 
marvelous. They show him as a small 
boy, trace his exploits as a hunter (he’s 
pictured grinning next to every con- 
ceivable trophy from land and sea), and 
hint at the strain it took to live daily life 
as if each mundane trip to the market 
were fraught with the drama of a 
matador’s trip into the-ring at the Plaza 
de los Toros. One series of photos shows 
how a deep, horseshoe-shaped scar on 
the left side of Hemingway's forehead 
healed. In context, you're ready to 
assume that the wound was inflicted by 
shrapnel at the front, or in some other 
daring exploit. In truth, the wound was 
inflicted in the bathroom, when Heming- 
way reached up to pull what he thought 
was the chain to the toilet but was the 
chain to the skylight instead. According 
to Jo August Hills, curator of the archives, 
the whole thing crashed down around 
him. 

A few of the scholars who had never 
met Patrick Hemingway indulged in a 
pre-dinner game of trying to pick him out 








of the crowd. Most guesses centered on a 


tall, large-boned, outdoorsy-looking guy » 


who turned out to be a conference 
participant. But there is no mistaking the 
real Patrick Hemingway. The hairline 
and moon-shaped face are spitting, im- 
ages of his father’s. Patrick’s after-dinner 
address was largely reminiscence. He 
seems aware that his father is something 
of a macho cartoon, but he is never- 
theless committed to keeping the mem- 
ory alive. He reminded the scholars that 
“all history is lies agreed upon” and 
mildly upbraided them for ‘taking things 
as being too autobiographical.” He de- 
scribed how the family subsisted for a 
time on flamingo meat (the cooked 
steaks were the same shocking pink as 
the feathers), and he_ recalled his 
boyhood experiences in Cuba during 
part of World War II as “the last real 
happy memories of my childhood.” He 
talked like a man reliving a child's 
dream. In exchange for doing anti- 
espionage work against German sub- 
marines that were believed to be lurking 
in the Caribbean and the South Atlantic, 
the American Embassy in Havana out- 
fitted Papa with an ordnance-stocked 
boat on which he and his sons could ply 
the high seas. To hear Patrick tell it, the 
boat was used for at least a few missions 
not related to the war effort. The boys 
and their father would drop hand 
grenades to blow up turtles and use 


. pump-action .22-caliber rifles to snipe at 


flying fish. The audience. was greatly 
amused. 

Tom Stoppard set off on a similar tack. 
“I had an extremely dreary number 
prepared especially for academics,” he 
told the crowd, “but I'm not going to 
make an important contribution to Hem- 
ingway scholarship.” He told the au- 
dience that Hemingway is the only 
author he has accepted an invitation to 


“Numbed by the rhythms of f prose 
fit for a blue book (and Precious 


little else), I found i 


iration in 


more frivolous influences. I asked 


myself such 
Papaism mi; 
Dadaism.” 


estions as whether 
t be the successor to 





talk about, and that he has been a “lover” 
of Papa's prose for 25 years. “A lot of 
people have come up to me to say, ‘I 
don’t understand. | don’t understand. 
You and Hemingway? | don't get it.’ My 
presence here is not surprising to me. So 
please relax,” he said, loosening his tie 
and doffing his suit coat. With great 
intelligence and a flair for public speak- 
ing, Stoppard ranged over a large portion 
of Hemingway's work. He said he 
learned from Hemingway that “prose 
can make different kinds of noise.” He 
praised Hemingway for being the first to 
recognize that the piling of adjective 
upon adjective does not lead to finer 
precision in writing. In fact, just the 
opposite is true. Adjective-laden prose 
can cause clarity to “recede like a 
mirage.” Yet Stoppard elaborated on the 
usual paean to Hemingway. Not only did 
Hem know what to omit, he knew how 
to add to the authenticity of a scene by 
the inclusion of a seemingly expendable 
or gratuitous snippet of dialogue. In 
describing what made Hemingway's 
literary abilities so formidable, Stoppard 
alluded to the reported remarks of a 


high-priced British soccer player who’ 


was asked by a sportswriter why he was 
paid so much. For 89¥2 minutes, said the 
soccer player, | play just like everyone 
else in the field. For 30 seconds, I can do 
something out there that no one else can. 
In essence, said Stoppard, what we 
remember about how good a writer 
Hemingway was is a little piece that 
gives validity to the stuff around it. 

The 12 papers delivered on Saturday 
and Sunday were considerably less 
compelling. The structure of formal 
academic discourse seems so alien to the 
energy in Hemingway’s prose and to the 
stylishness in his public life. References 
to excerpts from letters written to and by 
Hemingway provided moments of levity 
in what was otherwise ponderous 
analysis. “How marvelous it is to read 
other people’s mail without having to go 
to jail for it,” Northeastern English 
department chairman Kinley Roby told 
the group. “If textural analysis is Wash- 
ington Week in Review, biography is 
surely Dallas.” 

But no matter how delightful or well- 
documented, descriptions of ‘Heming- 
way’s life pale in comparison to even his 


-casual prose. In a letter to his editor 


regarding his progress on Death in the 
Afternoon Hemingway wrote, “Have cut 
a ton of crap a day out of the proofs and 
spread it around the alligator pear trees, 
which are beginning to grow enormous.” 

There’s a lesson in that for those who 
gather in his name, 0 











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Lean 














_ The pen and the picket line 


Paul Fortin 


by Gail Caldwell 


lenary sessions can be cruel things 
P in themselves. Coming as they 


must at the end of long days of 
workshops and weary theorizing, 
caucusing and kvetching, plenaries exist 
as a kind of catchall for every tangled 
web that still deserves unraveling and 
every resolution that remains yet un- 
resolved. Near the end of the plenary of 
the Boston Writers’ Union Congress, held 
May 22 at the Kennedy School as the first 
New England conference for the for- 
mation of a national writers’ union, a 
somewhat grumpy constituent rose and 
cut through what red tape was left on the 
floor below. Talkin’ pen-and-picket-line 
blues, he bellowed from the mezzanine: 
“What | want to know is, when the scabs 
start in, whose legs do | break? The 
mailman’s?” And came the answer, 
forthwith, from the labor lawyer at the 
mike: ‘The legs that have to be broken 
here are the legs of consciousness.” 

The notion of a national writers’ union 
would seem~to contradict the class- 
bound, blue-collar image of the 
American labor movement. Labor un- 
ions, so goes the myth, are for the hard- 
working, salt-of-the-earth types who 
have such-villainous enemies to face as 
John D. Rockefeller and Henry Frick, and 
who protest speed-ups on the line by 
hosting sit-downs on the job. Profession- 
als and white-collar workers create 
guilds, not unions, wherein they host 
symposiums, write joint letters to the 
press, and sponsor worthy causes. And 
thereby leave the dirty work of organiz- 
ing to the Sally Fields and the have-nots 
of the world. 

But the 600 or so people who attended 
the Boston. Writers’ Congress had 
another kind of dream — as well as 
plenty of nightmares and horror stories 
to share. Writers today face as bleak a 
market for their wares as they've known 
since Depression America. But since the 
American writers’ Congress was held in 
New York last October, they've been 
talking union — to the tune of nearly 800 
dues-paying members of the National 
Organizing Committee, with more than 
250 in the Boston area alone. And from 
the halls of the Kennedy Center came the 
call to merge art and economics — to 
bury the romantic image of the writer as 
suffering artist. 

Marge Piercy, speaking in the keynote 
address, threw an additional clod on this 
particular coffin. “We are engaged in real 
production. We make a product, and we 
negotiate with a corporation for the right 
to manufacture it. As individuals selling 
our editor, we have the same negotiating 
leverage as anybody on the assembly 
line at Flint Chevrolet had before the 
UAW was recognized — no clout at 


Paul Fortin 


Marge Piercy at the New England Writers Conference 


| epee ofr Ytonmtee 
co se Mian ctat Be teal 





Left to right: 


all... . |} think organizing a union will be 
a damn smart thing for us to do.” 

It won't be such a strange thing, either: 
the precedent for a writers’ union cur- 
rently exists not only in Europe but in 
Hollywood as well. Lila Garrett of the 
Writers Guild West, who shocked the 
New York Congress last fall by accusing 
writers of living in the 19th century, was 
back for round two at the Boston 
gathering. The hall, packed with writers 
from all areas of the print media, grew 
quiet when she, started quoting the 
figures that Guild members receive — to 
the tune of $9000 for a 60-page script. 
“The longer you belong to a union, the 
less you're willing to do without being 
paid for it,” said Garrett. “And you don't 
feel corrupt; you feel infinitely more 
artistic — when you insist that when you 
put pen to paper, money must pour all 
over you. 4 

Leonard Liebowitz, a labor lawyer 
whose organized clients include the 
International Conference of Symphony 
and Opera Musicians, dancers in the 
American Ballet Theater, and employees 
of the Museum of Modern Art, voiced an 
equally strong battle cry for a union. 
Unionizing in the art world may not 
always be an oil-and-water combination: 
when the ABT dancers staged a 10-week 
walkout in 1979, management took due 
note and doubled their salaries, “And | 
would suggest to you,” said Liebowitz, 











ia Garrett, and Leonard Liebowitz 


“that a hundred-percent increase in 
minimum scale was not bad for the first 
contract.”” Liebowitz took a swing as well 
at the fagade that houses the tragic-writer 
stereotype: “All of the power is on one 
side.... You all go home to your little 
individual garrets, as | read in the novels. 
And you sit by yourselves, and you're 


‘ easy to pick off that way. . .. Union is not 


the [only] word. The word you should 


‘really be talking about is power.” 


But union was the word, on and off 
throughout the day, volleyed though it 
was among workshops and _ political 


catfights and proposed statements of 


purpose. A sad legacy of the history of 
progressive coalitions in America, often 
of the labor movemient in particular, is 
that theory can be so removed from 
action that more faith gets placed in 
process than in numbers. Panel after 
panel at the Boston Congress grappled 


with the problems writers face, from 


freelancers to foreign correspondents. 
Scholarly-press representatives spoke 
about why they published what they 
published, and novelists talked of why 
and how they wrote what they wrote. 
Horror tales and hit lists were exchanged; 
it was not unusual to leave one workshop 
talking point-of-production only to enter 
another in the midst of a poetry reading. 
And usually, some cold-water pragmatist 
in the fifth row dashed a little reality 
toward the podium: “What does all this 





have to do with a union? What about the 
union?” 

Indeed. But enough active support 
from American labor was present at the 
Congress, either in the flesh or in spirit, 
to give credibility to the cause — despite 
the occasional wanderings of the panels. 
Charles Slackman, representing the 
Graphic Artists Guild, admonished the 
crowd at the plenary to quit waiting for 
someone else to save their artistic souls 
and skins: “There are no grownups — 
the best you can hope for is some good 
legal talent.” The AFL-CIO, Local 925, 
Service Employees International Union, 
and the Communication Workers of 
America all provided financial support 
for the Congress — an eclectic amount of 
union strength that helped smash the 
class distinctions, real or imagined, be- 
tween labor and the arts. A woman rose 
toward the end of the day and _ in- 
troduced herself as a union organizer 
from the UAW. “And we support you — 
and see you as part of the new wave of 
the American labor movement. There 
are a lot of people in this country watch- 
ing to see what you're going to do.” 

Much ot the ambivalence voiced at the 
Congress about the viability of a union 
for writers seemed to result as much from 
the ineffable nature of the trade as from 
the true grit required to organize its 
constituents. Do the old creative juices 
simply stop flowing if a strike is 
declared? Does a_ potentially Great 
American Novel lie gathering mixed 
metaphors in a bottom drawer while its 
author walks the picket line? Will, in fact, 
the organization of writers make for that 
worst of all possible creative evils, a kind 
of colonization of the mind? These are 
not very pretty, or even reasonable, 
questions — but they continue to be 
asked, by insiders and outsiders alike. 
Stephan Chorover, a professor of psy- 
chology at MIT, brought a trade-union 
mentality to the workshop on academic 
presses: ‘In the shop one knows that the 
weapon the union has when things fail is 
just to walk off the job, set up a picket 
line, and strike. And it’s in the nature of 
the working you do as writers, and the 
nature of the mode of production of the 
writer, [that] immediately the question 
arises, ‘What is your weapon? What's the 
comparable thing to the shop union's 
power to strike?.... What do you mean 
by a writers’ strike? Do writers stop 
writing? In the culture we live in, the 
answer might very well come back, ‘Who 
cares?’ ”’ : 

But the key phrase to Chorover's query 
is ‘power to strike,” because it is this 
leverage, this threat, that brings manage- 
ment to the roundtable. To equate the 
concept of a union with the impending 
walkout of thousands of writers is to miss 
the point, and to fall prey to a kind of 
literary red baiting. A writers’ union 
would not ensure that great literature 
would push the pulp off the best-seller 
lists; nor should the concept of a union 
imply that its members would become 
intellectual or artistic clones of the 
; r of labor. Marge Piercy sug 


Continued on page 12 


commussa 


2861 ‘| ANNE ‘S3YH1L NOILD3SS “XINSOHd NOLSOS SH1L 














THE BOSTON PHOENIX, SECTION THREE, JUNE 1, 1982 





. 


Mr. T and the Italian Stallion 
R ck é ; ch 


Stallone loses his innocence 


by Stephen Schiff 
ROCKY III. Written and directed by 


Sylvester Stallone. With Stallone, 
Talia Shire, Burgess Meredith, Carl 
Weathers, Mr. T, and Burt Young. At 
the Cheri and the Chestnut Hill, and in 
the suburbs. 
s Rocky IX begins, the Italian 
A Stallion has just been named 
ambassador to the UN ‘(having 
knocked out Jeanne Kirkpatrick, you'll 
recall, in a grueling bout at the end of 
Rocky Vill). There a new challenge 
awaits him: a consortium of Third World 
nations has acquired a neutron bomb 
(from Paulie, who gave it to them one 
day when he was feeling sort of left out), 
and they're threatening to drop it on the 
city of Philadelphia. “You've gone soft, 


America,” yell the consortium delegates, 
who are sneering black men with 
Mohawk haircuts and feathers hanging 
from their ears. “You've gotten civ- 
ilized.” “Yo, Adrian,” wails Rocky in 
despair, and even his dog, Butkus, looks 
forlorn, But Mickey, the Stallion’s trainer 
(and also his campaign manager during 
the thrilling race for the Senate in Rocky 
V), is ready for anything. “Ya got to fight 
‘em, Rock,” he rasps. “He's right,” 
Adrian chimes in. “Because | believe in 
you and you believe in you and if you 
don't believe in yourself, who's gonna 
believe in what you éan’t believe in?” 
The words ring in his ears like a clarion 
call, and Rocky throws himself into 
training with a new vigor. He'll take on 





the UN delegates from each of 12 Third 
World nations in the ring, one at a time, 
for three rounds each, and if he wins, the 
consortium will give the bomb back to 
Paulie (who's really sorry about the 
whole thing), and Leroy Neiman will 
paint a giant mural, commemorating 
Rocky's victory, in the cafeteria at the 
UN, and... 

But we're getting ahead of ourselves. 
The forces of time and commerce have 
just coughed up Rocky Ill, which the 
writer-director-star, Sylvester Stallone, 
once assured us would be the final Rocky 
film. Last week, however, when he 
turned up in Boston for a promotional 
tour, Stallone didn’t seem so sure. “I 
won't say no to anything,” he murmured 
and then acknowledged the debt he 
owes his famous creation. “I've been to 
the White House three times, and three 
different presidents; have called me 
Rocky,” he said: ‘I’m going to be linked 
to the image of Rocky for the rest of my 
life — I'm like his manager.” Stallone 
wasn't complaining. “Sylvester Stallone 
has to live up to the Rocky image. | 


rebelled against that for years, and that 
was the start of my problems. I would say 
things that | knew would be con- 
troversial, or I'd try to be very, very 
flippant, where Rocky would be very 
sincere.” In fact, looking back upon a 
career that includes only two successes 
(Rocky and Rocky I) and a string of 
failures (Paradise Alley, F.1.S.T., Night- 
hawks, Victory), Stallone remarked, “I 
don’t want to lie to you. | don’t want to 
play Hamlet. I don’t want to play the 
Hunchback of Notre Dame. | am not as 
versatile as | wish | was. If you're a B 
student, don’t shoot for A’s. I’m not 
Laurence Olivier, and I’m never going to 
be.” Coming from almost anyone else, 
this would not be a particularly striking 
statement. Coming from Stallone, the 
enfant terrible of talk shows and 
Tinseltown parties, it seems a_ pro- 
nouncement of almost heroic humility. 
Sylvester Stallone has made _ himself 
likable again. He’s become a sweetheart, 
a charmer; he has learned to beguile the 
press using the same manipulative in- 
stincts with which he learned to beguile 
the moviegoing public, when the story of 
his rise to fame seemed every bit as 
magical as Rocky’s. 

In fact, when the first Rocky was 
released, wasn’t the quality we 
celebrated in Stallone his innocent ability 
to manipulate us? Even though he was 
unschooled and up from nowhere, he 
could milk us like a studio-trained pro, 
and there was something wonderful in 
that. It was as though Stallone embodied 
the raw spirit of American movies, that 
sentimental, unrefined force which could 
draw Americans into a moviehouse and 
make them laugh and cry and feel with 
abandon. Rocky reminded us_ of 
a thousand pictures we'd all seen before, 
and at the same time it felt original and 
new; it had a_ special. tone. Such 
phenomena are hard to duplicate, of 
course, and though Rocky II very nearly 
repeated Rocky's success, it could not 
repeat Rocky's freshness. Innocence, 
once lost, is seldom regained. 

Crass, garish, and brutally rousing, 
Rocky Ill is an attempt to revive the 
Rocky formula without the illusion of 
innocence. From the moment Bill Conti's 
slinky, conga-propelled music shimmies 
in to replace his old Rocky theme (that 
familiar duet for marching band and 
garbage lids), this movie lets us know it’s 
as slick and wised-up as Stallone himself. 
Our hero is the heavyweight champion 
of the world now. He's successfully 
defended his title 10 times, he’s been on 

Continued on page 12 





The big — 
snooze 


by Owen Gleiberman 


DEAD MEN DON’T WEAR PLAID. 
Directed by Carl Reiner. Written by 
Reiner, Steve Martin, and George Gipe. 
With Steve Martin, Rachel Ward, Reni 
Santoni, and Carl Reiner. At the Cheri 
and the Circle, and in the suburbs. 


ead Men Don't Wear Plaid is the 
D sort of daffy genre spoof that Mel 

Brooks has been turning out for 
years. Except that the picture lacks 
Brooks’s gleeful, show-stopping crazi- 
ness. Brooks exploded the Western and 
horror genres by tossing in Borscht-Belt 
insult humor and_ delirious musical- 
production numbers. In Dead Men Don't 
Wear Plaid, director Carl Reiner and 
company go in almost the opposite 
direction. They’re so intent on capturing 
the world of ‘40s detective movies that 


' they never quite figure out how to turn it 


on its ear. 

There’s a gimmick here. Reiner and his 
star (and co-writer), Steve Martin, had 
the idea of splicing a bunch of old-movie 
clips into the story. Thus, through the 
magic of the editor's scissors, Martin can 
be seen conversing with the likes of 
Humphrey Bogart, Ingrid Bergman, 
Barbara Stanwyck, and Burt Lancaster. 
On paper, this sounds like a cemic 


masterstroke — rather similar to Woody 


Allen’s inspired \idea of dubbing a 
Japanese spy movie in What's Up, Tiger 
Lily? On screen, it barely plays at all, 
because the concept hasn't been de- 
veloped. The problem certainly isn’t one 
of execution. The combined talents of 
cinematographer Michael Chapman, 
production designer John DeCuir, and 
costume designer Edith Head (whose last 








| oman 














4 








picture this was) have made for a 
seamless integration of old and new 
footage: shot in black and white, Dead 
Men Don't Wear Plaid really does have 
the dark, blurry-edged look of the classic 
Hollywood film noirs. It took me several 
seconds to realize that the first clip (a 
scene with Alan Ladd in This Gun For 
Hire) was actually from an old film. 
Unfortunately, the illusion is more clever 
than amusing. The device comes alive 
only during several brief exchanges 
between Martin and Bogart (Martin's 
character keeps telling Philip Marlowe to 
put on a tie) and a scene from Double 
Indemnity in which Martin, in blond wig 
and drag, finds himself on the receiving 
end of Fred MacMurray’s lusty embraces. 
The other sequences have been used as 
setups for incredibly contrived gags, and 
since most of the old stars are accorded 
one cameo apiece, Dead Men starts to 


Steve Martin gets rid of that 5 o'clock shadow. 


‘turn into a cinematic game show — 


“Name That Flick!” 

Steve Martin does his best to play it all 
straight. And that’s-exactly what Steve 
Martin shouldn't be doing. Hollywood 
has not figured out how to use this'man 
— this comedian who, perhaps more 
than any other, is a product of the 10- 
second-attention-span generation. The 
humor of comics like Martin or Bill 
Murray is based on the hip distance 
they're able to keep between themselves 
and their roles. They're congenitally 
incapable of taking anything (least of all 
themselves) seriously, and so it’s no use 
rooting them in dramatic situations. | had 
problems with Martin throughout Pen- 
nies from Heaven, because even though 
his character -was the picture of wide- 
eyed sincerity, the cocky detachment of 
Martin the comic kept undercutting 

‘Continued on page 12 





Street 
cleaning 


by Alan Stern 


FIGHTING BACK. Directed by Lewis 
Teague. Written by Tom Hedley and 
David Z. Goodman. With Tom Skerritt, 


Patti~LuPone, Michael Sarrazin, and 


Yaphet Kotto. At the Cheri and the 
Circle, and in the suburbs. 

oor John D’Angelo. His pregnant 
P wife lost her baby after being 

attacked by a mean, ferrety-look- 
ing pimp. His mother had her finger 
sliced off by a neighborhood mugger, 
and his neighbor was shot down trying 
to protect her. A fat, bespectacled wimp 
is trying to sell smack to his kid. And his 
dog »was strangled in the shower by 
vandals. What's a God-fearing, law- 
abiding, Italo-American to do? Most 
people would read the graffiti on the wall 
and move to the suburbs. But not John 
D’Angelo. Not the man who runs an 
Italian deli in Philadelphia’s Kensington 
section. Not the guy who makes the best 
hot hero in town. “Nobody makes me 
move!” he snarls when his wife threatens 
to leave him unless they relocate. In- 
stead, John decides to ... fight back. 
Vowing to clean up the streets once and 
for all, he and his neighbors form the 
People’s Neighborhood Patrol. They 
visit the toughest bar in town and beat up 
the bartender. They humiliate purse 
snatchers by hanging them up on meat 
hooks for public ridicule. John himself 
breaks the arms of the local dope pusher, 


‘and then he roughs up the pusher’s 


pusher — a guy who runs a Bar-B-Q 
chicken joint — by grilling his face. Later, 
John: makes Bar-B-Q pimp by fire- 
bombing the man’s sleek white Cadillac. 
The result? Not only are-John’s children 

Continued on page 12 


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ter 
Old haunts 


Brustein puts the 


‘Ghosts’ 


by Carolyn Clay 


GHOSTS, by Henrik Ibsen. Adapted 
and directed by Robert Brustein. Set 
designed by Tony Straiges. Costumes 
by Rita Ryack. Lighting by James F. 
Ingalls. With Kathleen Widdoes, Alvin 
Epstein, John Bellucci, Jeremy Geidt, 
and Cherry Jones. At the American 
Repertory Theater, “in repertory 
through July 8. 


Ghosts, the title characters are things 

that go bump in the Jight. The play 
begins in a downpour, the rain running 
so relentlessly down the huge expanse of 
window in the back wall of the set that 
the large fjord and distant mountains in 
the background are barely visible. By act 
two, the overt .precipitation has been 
replaced by a gloom that gradually lifts_ 
as the past tightens its stranglehold on 
the Alvings, mother and son. In the end, 
as young Oswald. suffers his sudden, 
debilitating syphilitic attack, there is an 
eerie, piercing sound; all the doors fly 
open, as if at some supernatural instiga- 
tion; and the sun also rises. 

It is unusual, to begin with, for Ibsen’s 
famous (though seldom performed) play 
to have title characters, critical consensus 
being that the Alvings are haunted not 
by blithe spirits but by. false and 
reactionary ideas. But Brustein was at- 
tracted, he says, to the ‘ghost story” in 
Ghosts; perhaps he felt it was the shovel 
that might unearth the poem buried in 
the Alvings’ basement — beneath that 
musty parlor where the play takes place. 
“There are ghosts in that house,” the 
director insists. “Not just the ghosts of 
dead ideas — which have to do with the 
play of ideas — but the ghost of Captain 
Alving,-the ghost of Joanna, his mistress. 
It's a haunted house.” Here the dining 
room, in particular, seems the domain of 
specters, disembodied shadows still 
fulfilling their bodily needs, so-to speak 
— and clearly having a better time in 


I: Robert Brustein’s production of 


ghosts back in 


death than, say, Jacob Marley. In any 
case, Mrs. Alving sees them there; and so 
do we, in looming, undulating silhouette. 


Evidently Brustein intended to do even 
more with the “ghosts,” which are finally 
reduced to shadows, spooky music, and 
flapping doors in the sunlight. But some 
of’the effects tried in rehearsal simply 
didn’t* work, That he recognized the 
problem puts Brustein ahead of most 
theoretician/directors, who see produc- 
tions as they exist in the mind’s eye, not 
as they take shape on the stage. But it 
also shows that having an intriguing idea 
is much easier than executing it. The 
world is full of critics, myself included, 
who -like to talk about the Brandian 
poetry struggling to be freed from Ibsen's 
tightly corseted realistic dramas. “Those 
of us in the theater who love Ibsen,” 
Brustein exhorts in Critical Moments, 
“have an obligation to rescue him from 

misapprehensions and misconcep- 
tions, first by rediscovering the heroic 
dimension of Ibsen's characters, and 
secondly, by excavating the poem that 
always lies half-buried in Ibsen's prose 
mechanisms.” But as Brustein himself 
proves, the would-be rescuer is likely to 
find himself as half-buried as the poem. 

Which is not to say that the ART 
Ghosts, Brustein’s first directorial outing 
since his troupe moved to Cambridge, is 
a failure — except insofar as it fails to 
embody fully its perpetrator’s ideas. It is 
amusing that when reading Brustein on 
Ibsen, | thought both his notions and his 
passion so admirable that | wished he 
would. direct one of the Norwegian 
master’s works: for us (he had already 
staged The Wild Duck at Yale) — put his 
money where his pen was, so to speak. 
Now, seeing Ghosts, | wanted him to 
write about it rather than direct it, so I'd 
know exactly what he thought he was 
doing. 

Turning Ghosts into The Turn of the 
Screw is not, you see, the only thing up 


John Bellucci and Kathleen Widdoes 


Brustein’s canonical sleeve. He is also 
fascinated, it seems, by the implicit love 
relationship, dead or alive, between Mrs. 
Alving and the narrow-minded Pastor 
Manders, her business and _ spiritual 
adviser. In order to make it a vital part of 


the subtext, he cast a reasonably young © 


actress, Kathleen Widdoes, as Captain 
Alving’s widow — who is usually played 
by some Judith Andersonian figure 
whose sexuality would seem less dor- 
mant than dust encrusted. And he has 
tried to turn Manders, played by Alvin 
Epstein, into the kind of charismatic man 
of the cloth who might conceivably 


excite desire even as he seeks, at every 
opportunity, to squelch it. But Manders is 
no Elmer Gantry, and Brustein, no 
Andrei Serban, is ultimately too respect- 
ful of Ibsen to bend the script enough to 
turn the pastor into one. Which makes 
sense. After all, it’s hardly kosher to 
argue that Ibsen is as “arresting” today as 
he was 100 years ago, then rewrite him to 
prove it. 

But the result of this half-realized (one 
might even say half-baked) thought that 
Mrs. Alving and the pastor are still 
lusting after all these years is curious 


Continued on page 14 








ge ee 





The best 
men 


by Alan Stern 


NIAGARA FALLS, by Victor Bumbalo. 
Directed by Kit Liset. Sets and lighting 
designed by Weston Lant. Costumes by 
Peter Niemczura. With Ann Brennan, 
Merrill Kabler, Irene Edigar, James 
Russo, and Oscar Koch. Presented by 
the Triangle Theater Company at the 
Theater Loft, Thursdays through 
Saturdays through June 12. ~ 


ictor Bumbalo’s Niagara Falls is a 

V tender, .canny, and’ frequently 

hilarious comedy, but its title 
may create some wrong expectations, so 
let’s correct them now. Bumbalo’s play is 
about a wedding, not a honeymoon; in 
fact, the newlyweds in question, seeking 
to avoid their parents’ favorite honey- 
moon spot, are planning to. spend their 
first week of married life in Washington, 
DC. And Niagara Falls is set not in the 
watery industrial hamlet of the title but 
in an even more obscure part of New 
York — that midsection of the state 
where all the towns have Greek and 
Roman names. 

The action takes place in and near 
Utica, a small city halfway between 
Syracuse and Schenectady, just to the 
right of Rome. The classical allusions are 
apt, because the happy couple in this 
play are not the bride and groom but 
rather the bride’s brother and his male 
lover (and you know what those Greeks 
and Romans were like), who have 
arrived unexpectedly for the wedding. 
But these two members of the wedding 
never appear on-stage — even though 
both acts take place in the wee hours of 
the morning, when respectable straights 
are presumably snoozing while the gay 
folks are- still boogying. In act one 
(“American Coffee’), which occurs at 5 
a.m. on the day of the wedding, the 





Ann Brennan 


brother is somewhere off-stage, nestled 
in the arms of his lover, while hisparents 
argue over whether to lace the boys’ 
morning coffee with Sominex. And in act 
two (“Shangri-La Motor Inn”), which 
takes place at 3 a.m. the morning after 
the wedding, the model couple are red- 
eyeing it back to LA while the bride and 
groom thrash out the day’s events. 

The gay son’s return to his Italian 
working-class roots has, you see, 
precipitated confrontations that were 
successfully avoided until now. In fact, 














since the boy “came out’ to his parents 
by mail five years.ago, he hasn't even 
spoken with his father; Mr. Poletti has 
been content to rely on reports from his 
wife, who's kept in touch partly out of 
guilt: her son’s “condition,” she believes, 
is God’s way of punishing her for not 
having allowed Dominic Fucci, Utica’s 
answer to Johnny Mathis, to sing at her 
own wedding (when Dominic died, she 
imagines, he asked the Lord to make one 
of the Poletti children just like him). But 
Mr. Poletti, a big, beefy man who works 


as a janitor in a GE factory, has no truck 
with divine retribution. “If there was any 
justice in the world,” -he says, “God 
would only give rich people fairy sons.” 
With their money, he reasons, they could 
stand the humiliation. And though Polet- 
ti has been secretly reading up on the 
subject (“Queers do the same thing 
everybody else does,” he lectures his 
wife, “only they do it to each other’), he 
still thinks of homosexuality as a disease: 
“| don't want two people with it at the 
wedding,” he asserts, imagining with 
horror that his son will disgrace the 
family by Whirling his lover across the 
dance floor. The only graceful way out, 
he decides, is to spike their coffee so that 
they sleep through the reception. 

The son is never referred to by name, a 
device that leads to some stilted locu- 
tions. But at least he farés better than his 
lover, who’s known only as “the blond 
bombshell” and “that beautiful man with 
the pretty arms.” And if the son's 
anonymity is a gimmick, his absence 
from the play is not. He and his lover 
may form Niagara Falls's focus, but 
they're not’ its subject. Rather, the 
invisible gay couple serves as a yardstick 
against which the on-stage. straights 
measure their lives. As the Polettis argue 
ovér their son’s butch leather boots and 
deviant lifestyle — mom in her pink 
curlers and furry slippers, dad in his 
pajama tops and suspenders — they 
realize how constricted their own lives 
have become. “Your life may be hard and 
boring but at least you're getting through’ 
it in one piece,” is the only consolation 
Mrs. Poletti can offer her husband. And 
she herself suffers a recurring nightmare: 
her mother, pointing an accusatory 
finger, declares that her lasagna is bitter 
and overcooked. Mrs. Poletti’s only 
diversion, in fact, is her twice-weekly 
bingo game, and when her husband 
threaten$ to put a stop to that she 
becomes livid with rage 

The prospects for heterosexuality don't 
look any better in act two, which takes 

: Continued on page 14 












3SYHL NOILOSS XINSOHd NOLSOS 3HL 


2861 ‘| ANN” 











THE BOSTON PHOENIX, SECTION THREE, JUNE 1, 1982 








Jeff Thiebauth 


Folk rock’s royal 


couple 


Richard and Linda Thompson see the bright lights 


by Milo Miles 


People listen to music with the wrong 
ear, so | deny them music until they can 
benefit from it, not make play of it. Until 
they khow what it is for, they consume 
music like people warming their hands at 
a fire which could be cooking something. 

— Nili, a Sufi teacher 


alfway through Richard and Lin- 
H da Thompson’s sumptuous 90- 

minute show at the Paradise a 
week ago, a fan hollered everyone's 
unspoken question: “What took you so 
long?” (This was Richard Thompson’‘s 
first US visit in nine years, and their 
debut tour as a couple after recording six 
albums together in the last eight years.) 
“Drugs,” Richard deadpanned. “Chil- 
dren,” Linda responded a second later. 
They could just as easily have said “no 
money.” There was little reason, 
especially in ‘the last three years, to 
expect that the Thompsons would ever 
make the Atlantic crossing. First Light 
(1976), their debut LP for Chrysalis, was 
an uncharacteristically slick, subdued bid 
for ritzy-rock — very (ahem) dire straits 
for the Thompsons. Low sales snuffed 
out First Light so rapidly that Chrysalis 
declined to release their next record, 
Sunnyvista (1980), in the US, and an 
album's worth of Thompson songs, 
which Gerry Rafferty produced last year, 
never even made it to the British pressing 
‘plants. The Thompsons, it seemed, were 
joining the honorable and deepening 
ranks of the prematurely retired. But Joe 
Boyd, president of the tiny Hannibal 
Records, didn’t think so. He and Richard 
had known each other since 1968 (when 
Boyd first produced Fairport Conven- 
tion), and the Thompsons were exactly 
the kind of high-quality low-seller that 
his nascent label could help (he had 
already rescued the McGarrigle Sisters’ 
French Record and Hal Willner’s 
Amarcord Nino Rota). And, besides, 
producing a Richard and Linda Thomp- 
son record needn’t cost much money. 
Using only rhythm guitarist Simon Nicol, 
drummer David Mattacks (both Fairport 
Convention alumni), and bassist Pete 
Zorn, Boyd and the Thompsons took 
three days to record Shoot Out the Lights 
(Hannibal), mainly stripped-down ver- 
sions of songs from the Rafferty sessions. 
It's the resurrection of the year. 

For more than a decade Richard 
Thompson has quietly built up his wide 
reservoir of talents behind a dam of 
neglect, and if Shoot Out the Lights 
hasn't provoked a flood of attention, 
many old and new Americans fans seem 


55° 5 


ready to remeasure Richard’s depth. A 
good case can be made that he is the Eric 
Clapton of folk rock, as well as an 
idiosyncratic, probing ‘70s songwriter 
comparable to Neil Young, ‘But Clapton 
relies on his blazing vouth (or his fans’ 
reverence for it) to warm his twilight 
vears, and Young breaks with his past so 
frequently that he is rarely evaluated in 
terms of it. Richard formed his broadest 
and most endufing impression with 
Fairport Convention; even there he was 
often obscured by the novelty and nerve 
of singer Sandy Denny, who clinched her 
dominant position with “Who Knows 
Where the Time Goes,” the band’s only 
American hit. Richard made his mark as 
a delicate modal guitar player, whose 
moody songs included narrative nuances 
plucked from Celtic faery along with wry 
laments from modern lower-class losers: 
He also showed a memorable knack for 
arranging obscure gems by Bob Dylan 
(“Million Dollar Bash,” “I'll Keep It with 
Mine,” and “Percy's Song,” for instance). 

No doubt Richard meant to encourage 


old-time folk-rock associations when he 
released the all-instrumental Strict Time 
(import) earlier this year on his own 
label, Elixir. With minor piano and 
percussion help from Mattacks, Richard 
renews his reputation as a lively, ir- 
reverent virtuoso by playing a_ folk 
festival's worth of acoustic instruments 
(hammered dulcimer to Appalachian 
fiddle). A pure and austere collection of 
traditional tunes, Strict Time benefits 
from Richard’s jaunty genre-hopping 
(including reels, jigs, polkas, and an 
artful tribute to Duke Ellington, “Rockin’ 
in Rhythm”), but though the record’s 
warmer than most of Ry Cooder’s and 
cannier than Leo Kottke’s, it belongs with 
theirs. Strict Time grows tedious without 


- Richard's voice — with its Gregorian 


melisma, its desiccated wit, its weariness 
that never conveys cynicism. 

At the Paradise, Richard maintained 
his respect for restraint: three modest 
amplifiers for the whole band, a battery 
of monitor speakers (but no monolithic 
PA system), and mostly rhythm-guitar 








support from Nicol. The sweaty-cowboy 
pleasures of Hank Williams's “Honky 
Tonk Blues” made a revealing follow-up 


to the sweaty Old-World-peasant 
pleasures of “New Fangled Flogging 
Reel/Kerry Reel.” But the perils of 
wrapping Richard in his folk-rock past 
loomed largest during “Sloth,” an ex- 
tended (15-minute) anti-war saga from 
Fairport Convention’s Full House. De- 
spite the sturdy intelligence of the 
sentiment (“Just a roll of the drums/And 
the war has begun’) and the clash of 
wills suggested by Richard’s’ en- 
cvclopedic guitar solo, “Sloth” was an 
undeniable (and unremitting) throwback 
to ‘60s would-be grandeur, recalling 
Richard's other well-meaning bores, like 
“Calvary Cross.” 

Linda Thompson’s alto range and her 
ability to shape pristine pitch in romping, 
rock numbers (without makirig them 
breakneck ballads) resembles Sandy 
Denny’s talents. And on the Thompsons’ 
first collaboration, | Want To See the 
Bright Lights Tonight (issued in 1976 in this 
country as half of Richard Thompson 
Live), Linda often duplicated Denny’s 
inflections. But Denny was ensnared in 
the image mongering of the ‘60s, explor- 
ing only folkie-feminist roles; even her 
strongest work centers on a_ boozy 
madonna figure or a_ post-hippie 
sorceress. Although Linda delights in 
intricate fantasy (from “Hokey Pokey” to 

Continued on page 16 





Classical 


collaborations 


by Lloyd Schwartz 


Pro Arts Chamber Orchestra and 
the Back Bay Chorale and chaplain 
for the Boston-Cambridge Ministry in 
Higher Education at Harvard, remains 
something of a mystery figure in the local 
musical scene. He isn’t the least techni- 
cally equipped of this area’s conductors, 
yet he is among the least consistent. A 
concert of his | heard in March was a 
benefit ‘to help defray the hospital 
expenses of Pro Arte violinist Alice. 
Bodnar, who had been stabbed in the 
Arboretum. “As professional musicians,” 
Hill announced, “we say NO to the 
violence in Boston and YES to the vitality 
of music, which is the vitality of life.” His 
heart and will were in the right places, 
but he went on to conduct distinctly un- 
vital, square performances of Milhaud, 
Berlioz, and Mozart. | was a little nervous 
about sitting through his next concert — 
four hours of the St. Matthew Passion. 
But | needn't have worried. Last 
summer, Hill worked in Stuttgart with 
Bach specialist Helmuth Rilling, some of 
whose ideas must have rubbed off. Hill” 


L arry M. Hill, music director of the 


may also have more of an instinct for 
Bach than for most other composers, and 
more of a feel for choral music than for 
strictly orchestral. In this St. Matthew 
(May 22), some rhythmic squareness was 
still evident, but this was counter- 
weighted by some fascinating architec- 
tonic insight — a fresh sense of the 
structure of this huge piece, expressed 
primarily in terms of dynamics. Even if 
each section felt like a solid block (rather 
than like a moving line), the blocks 
themselves turned into something that 
moved. ‘+ 

I began to tune into this structuring in 
the sublime chorale “Ich-will hier bei dir 
stehen” (No. 23), the first totally arresting 
moment of the evening. The chorale is 
about keeping watch while Jesus is on 
the cross: ‘I would stand here beside thee 

. even if thy heart is breaking.” The 
chorus took this slowly, thoughtfully, 
quietly — a prayer not mysteriously 
hushed, but plain-spoken, touchingly 
matter-of-fact. Bach uses this same 
chorale tune, with different words and 
harmonies, five times in the St. Matthew. 


It had already appeared two numbers 
earlier, in the prayer/praise of-“Erkenne 
mich, meine Hiiter,” which does not ask 
for any unusual dynamics. Later (No. 63), 
the tune returns in a two-verse chorale. 
The first verse, “O Haupt voll Blut und 
Wunden” (“O head, full of blood and 
wounds’), was sung as a large, full- 
hearted lament; the second verse, how- 
ever, expressing the horror at the pallid 
and spat-upon yet still noble visage of 
Jesus, fell almost silent, dumbstruck with 
awe and outrage. 

This dynamic pattern had already 
become pronounced in ‘several other 
surprising but tremendously affecting 
numbers, In ‘‘Geduld, Geduld” (Pa- 
tience, patience’), Karl Dan Sorensen (so 
familiar and well-loved as the Evangelist, 
here singing the St. Matthew tenor arias 
for the first time) began by accepting 
with genuine patience. the stings and 
affronts of the world, as Christ himself 
did; but soon he could no longer contain 
his anger at this cruelty, and the cries for 
patience became an intense prayer to 
God and a fierce command to the self. 
For “Erbarme dich” (‘Have mercy, my 
God, for my tears’ sake’), concertmaster ° 
Kristina Nillson played (brilliantly) the 
obbligato tears as dramatic externaliza- 
tions of this prayer, the most inward and 
personal in the entire Passion, while alto 
Jane Struss, still as a statue (“like Niobe, 


all tears”), practically whispered the aria, 


until at the end the plea for mercy 





























Foolish 


expectations 


John Martyn’s folk fusion 


by Larry Katz 


Danger, released late in 1980, re- 

ceived no promotion, no airplay, and 

almost no press. (One of the few 
mentions the album did receive was in 
Billboard, where it was described as an 
import — even the trade papers didn’t 
know Martyn’s latest was released in the 
states.) Good records are overlooked all 
thé time, but Grace & Danger was more 
than just a good record. It was sexy, 
smart, and seductive — the culmination 
of a 15-year career unblemished by hack 
work. If Martyn’s new album, Glorious 
Fool (Duke), achieves any success, it will 
probably be because of Genesis’s Phil 
Collins, who is the record's producer, 
drummer, and back-up vocalist (as well 
as its financier, since the Duke label is a 
fledgling Genesis business venture). Bar- 


i Martyn’s 12th album, Grace & 


ring a small miracle, though, Glorious © 


Fool will undoubtedly join Grace and 
Danger in cut-out heaven. John Martyn, 
you see, suffers from the curse of having 
been labeled a Scottish folkie, an epithet 
Martyn has been saddled with for most 
of his career. Calling him a folk/jazz or 
folk/rock singer is closer to the mark 
(though neither description is likely to 
sell more records), but still inaccurate. 
Martyn has no easily definable stylistic 
identity. He shares a folk-music back- 
ground and stiff-upper-lip sulleness with 
fellow Englishmen Richard Thompson 
and Nick Drake, but is less of a 
traditionalist than either. With his a-bit- 
under-the-weather (and a-bit-pissed-off) 
attitude, Martyn can be viewed as the 
British analogue of Tim Hardin; and with 
his blissful disregard for commerical 
pressures and hypnotic, . enraptured 
vocalese, Martyn can recall a less funky 
Van Morrison. 

Although a mainstay of the London 
folk scene, Martyn was already in- 
corporating jazz into his second album, 
The Tumbler (1969), which featured 
Harold McNair’s flute. Martyn’s next two 
albums were tuneful, but watery col- 
laborations with his wife Beverly (who 
stopped performing thereafter), but it 
was Bless the Weather (1971) that 
solidified his earlier accomplishments 
and pointed to his future directions. On 
the rambling instrumental ‘Glistening 
Glyndebourne,” Martyn altered his 
acoustic guitar with an echoplex and 
tilted toward the spacy, electronic 
ensembie sound that he has continued to 
refine. The albums fhat followed also 
included rock elements (electric guitars, 
piano, and synthesizers), though for the 
most part, Martyn eschewed the back 
beat. Although they are uneven, these 
albums are filled with enchanting 


(though not fey), atmospheric songs 
keyed to Martyn’s singing and guitar 
playing. He favors a whispery high 
register, and even when-dipping into his 
low range to tighten the emotional 
screws of a song, he sounds as though 
he’s straining to extract whatever soulful- 
ness there is in his white, Anglo throat. 
Although he seems to be pushing his 
voice past its natural limits, this isn’t a 
compensatory trick to mask his deficien- 
cies, but rather the controlled device of a 
chancy performer — someone with a full 
arsenal of dramatic effects. Like his 
singing, Martyn’s. guitar work does not 
impress immediately. His rock playing 
borders on the crude and obvious, and 
he seems to hide his lack of chops by 
goosing his sound with fuzz, sustain, 
phasers, and echo. He seldom takes a 
solo; on some songs, he contents himself 
with striking one chord to the bar. But 
what he does — with elegance and esprit 
— is always fit perfectly into an 
ensemble. He is a master of filigree, 
letting the other instrumentalists shape 
an impressionistic landscape around the 
bare-line parts, while he sneaks in 
occasional dabs of color. 

Still, there was nothing startling — and 
certainly nothing commerical — about 
Martyn’s introspective music, and amid 
the deluge of ‘70s singer-songwriters, he 
got buried. He had his cult — his Live At 
Leeds release (1976), a limited pressing of 
10,000 copies, quickly sold out, mostly by 
mail — but that was it. When Grace and 
Danger was issued it was lost in the glut 
of Christmas 1980 product. Even the 
presence of Phil Collins didn’t attract 
attention, since his solo debut, the 
eventual top 10 Face Value, wasn’t out 
yet. In addition to Martyn and Collins, 
Grace & Danger's basic four-piece line- 
up included ex-Grease Band keyboardist 
Tommy Eyre and bassist John Giblin 
(who elastic playing is responsible for 
Grace & Danger's openness). As ex- 
pected, the LP’s two weakest cuts, the 
title track and the reggae standard, 
“Johnny Too Bad,” find Martyn struggl- 
ing to rock out. But the other cuts, with 
their shimmering textures (thanks to 
producer-engineer Martin Levan) and 
floating structures, allow Martyn’s voice 
to roam uninhibitedly — slurring, break- 
ing up, rhapsodically repeating words — 
and achieve a sensuous perfection. 

Two years later, Glorious Fool puts 
Martyn’s sound firmly in the hands of 
Collins. The man from Genesis doesn’t 
try either to make Martyn a more 
commerical property nor to alter the 
basic Martyn styles, but he does place 
every piece of his drum kit way up in the 


Dan Asher 


mix so the drums vie for attention with- 


whatever else is going on. This drum- 
mer’s. folly has its benefits, though, for 
Collins is a visceral percussionist who 
never lets his jazz technique prevail over 
his rock ‘n’ roll spirit. Which is to say, 
Collins likes to pummel, and, at first 
Glorious Fool seems a ham-fisted ego 
trip. Although on Grace and Danger 
Collins doesn’t call attention to himself, 
on Glorious Fool he’s all over the place, 
determinedly overplaying every cut. But 
the more you listen to Glorious Fool, the 
less_ self-centered Collins's 
seems. His splashy drumming with its 
trashy pop hyperactivity, emerges as a 
running commentary on Martyn’s moods 
and lyrics. Although this gives the album 
a rough edge and prevents it from 
achieving the sweet languor and seam- 
less quality of Grace and Danger, Col- 
lins’s indulgences move Martyn’s music 
closer to a bracing, modern sound by 
adding an urgency to Martyn’s geniality. 


strategy - 





opened out to embrace us all. Soprano 
Nancy Armstrong, in the most exquisite 
Bach singing I’ve yet heard from her, 
wound her voice around the delicate 
obbligatos for flute (Michele Sahm) and 
oboes (Barbara Knapp and Sandra 
_ Apeseche), reining in “Aus Liebe will 
mein Heiland sterben” (“Out of love my 
saviour is willing to die’) to a pianissimo 
to emphasize her innocent wonder at 
Christ's innocent generosity. At the end, 
the “Gute Nacht” recitatives for chorus 
and soloists (the fourth soloist was bass 
John-Osborn, steadily Telaxing into his 
first leading solo appearance in Boston) 
achieved a transcendent spiritual quiet- 
ude, followed — stunningly — by a full- 
voiced, forte exhalation of the final 
chorus, which is usually performed as a 
lullaby but which became here a convinc- 
ing, original, and heartfelt affirmation. 

A pillar, in the center of this per- 
formance, was Ray DeVoll’s Evangelist, 
less emotionally engaged than 
Sorensen’s usually is, but the perfect 
clear-eyed witness to these miraculous 
events. Keith Kibler, however, was an 
oddly aggressive, unsettled Jesus, using 
the deliberately hollow-sounding ‘‘voice 
of God” in which he sang the St. John 
Jesus last fall (Boston Cecilia). But the St. 
Matthew Jesus is a different character — 
reposed, contemplative, not heroic or 
operatic. Kibler seemed part of the wrong 
Passion. On the other hand, the Back Bay 
Chorale never sounded so good, so 


focused in tone or tight in ensemble. It’s 
far from the most honed, or the 
creamiest, of the Boston-area groups, but 
Hill has certainly brought it along. And 
the playing of the Pro Arte (except for an 
unfortunate, out-of-control gamba ob- 
bligato) also matched its previous highest 
levels. - 
Hill’s most bizarre decision was to 
have the narrative recitatives and 
choruses sung in English, to enable 
“predominantly English-speaking au- 
diences to feel the immediacy of the 
storyline when moving into and ex- 
periencing the reflective recitatives, arias, 
and ariosos, which are sung in German.” 
Hill’s egalitarian impulses betrayed him 
in this. The storyline itself is both familiar 
and, in Bach's setting, quite dramatically 
explicit. If anything needs to be more 
immediately comprehensible, it’s those 
“reflective recitatives, arias, and ariosos.” 
The words in some of the choral fugues 
are impossible to understand anyway, in 
any language. Ray DeVoll’s English 
diction is always flawless, but Kibler, the 
other major English-speaker, swallowed 
his words in his attempt to create that 
hollow sound. So where was the gain? 
And any gain was consistently, and 
inevitably, undermined by the rude 
shock of constantly shifting to another 
“language. It didn’t ruin the performance, 
but it was not one of the better ideas. 
* al * 
Two wonderful, under-30 musicians 


made their local concerto debut in the 
Brahms Double Concerto with Benjamin 
Zander and the Boston Philharmonic 
(May 23) — one of the best concerto 
collaborations I’ve ever heard. Cellist 
Jerry Grossman is a former student of 
Zander’s, and New York violinist Daniel 
Phillips is a friend of Grossman’s. Their 
thoughtful, intelligent, sometimes 
ferociously animated, and always rapt 
musical conversations, full of knowing 
eye contact, especially in the complex 
first movement (Phillips at several points 
even looked around at the orchestra), 
reminded me of the old Thibaud/Casals 
recording (1929), conducted by their 
frequent trio partner, Alfred Cortot. The 
lovely Andante was mellowness itself; 
the rondo finale a freewheeling display 
of good-spirited grotesquery. The 
Philharmonic exploded and sang and 
smiled, Zander’s instrument, sounding 
better all the time: the trumpet fanfare at 
the beginning of the last movement of 
the following Dvorak Eighth Symphony, 
for example, was played with uncommon 
sheen and uncanny unanimity by Bruce 
Hall and Tom Smith (they were terrific), 
though some flute solos seemed more 
wooden than woodland. 

The program was inspired — Dvofak’s 
pastures and forests after Brahms’s knot- 
ty, involuted brain-landscapes, yet both 
works were speaking the same language. 
Zander has never.seemed more relaxed, 

Continued on page 16 





Every one of Martyn’s stylistic pen- 
chants — soft rock, blues, fusion, jazz- 
ballad, mystical-funk, and high-tech folk 
rock — are subjected to this Collinsi- 
zation. Glorious Fool begins with a re- 
make of “Couldn’t Love You More,” a 
just-the-right-side-of-sentimental, low- 
key Martyn rumination, which here gets 
a tidy guitar solo from guest Eric Claptan. 
Collins gives the song a fuller accom- 
paniment than it received on Martyn’s 
One World LP (1977), and this treatment 
makes it less wispy without robbing it of 
its intimacy. In the first of the album's 
abrupt changes of pace, the raucous 
clutter of “Amsterdam” (one of Glorious 
Fool's two assaultive rockers), shatters 
this mood. Then there are Martyn’s jazz 
forays. ‘Hold on My Heart,” a ballad that 
contains a straight-ahead fliigelhorn 
solo and shows that, even at their 
sweetest, Martyn’s lyrics won’t_ be 
copped by Hallmark (“Loving, gently, 
hard as a spike, | will be anything”); 
“Didn't Do That” is high-speed fusion all 
the way, right down to its excited, 
bleating trumpet solo. Martyn’s other 
sides are showcased with “Please Fall in 
Love with Me,” crypto-pop in the style of 
Collins’s hit single, “In the Air Fonight,” 
and “Perfect Hustler,” whose sprightly 
Latin cross rhythms create a frisky danc- 
ing mood, which Martyn finishes by 
ecstatically singing “bodies swirl” over 


and over. The album’s closer, “Don’t You 


Go,” is a drumless dirge (Collins on 
piano) sung in an aching moan. It seems 
a stilted throwaway until the lyrics, banal 
on paper, come through Martyn’s 
slurred, wounded voice, and then you 
realize it’s a protest song: “The army and 
the navy/They never will agree/Till all 
the men and all the boys/Are gone from 
our country/Don't you go, my son.” 
Falklands ho, what? That's how most of 
Martyn’s songs work. They take a long 
time to sink in, because they are more 
than artifacts of a singer-songwriter’s 
slick craft. Like Van Morrison, Martyn 
wants to push the river — to achieve 
jazz's improvisation with pop’s im- 
mediacy — so he becomes the song, 
biting, chewing, swallowing, and spitting 
it out, always struggling towards a life- 
shaking transformation. Even when that 
transformation doesn’t come, his music is 
alive as he strains to meet this self- 
appointed challenge. It’s a fool’s act — 
and though this glorious fool may never 
sell records, his act requires grace and 
embodies danger. oO 








2861 ‘Lt ANNE ‘S3SYHL NOILOSS ‘XINSOHd NOLSOS 3SH1 





THE BOSTON PHOENIX, SECTION THREE, JUNE 1, 1982. 








ats Btdyes = 























ule 








Selected by Kit Rachlis, Boston Phoenix 
Music Editor 


Atomic Cafe (Rounder) 

in Billboard's soundtrack marathon, Atomic Cafe isn't going 
to give Chariots of Fire much of a run. The latter has already 
sprinted to the top of the charts and is likely to stay there as 
long as Jon Vangelis’s sighs-and-tears keep pulling at 
people's handkerchiefs. The Atomic Cafe soundtrack — 17 
blues. gospel. C&W, jazz, and rock ‘n’ roll songs in response 
to the atomic bomb — functions the way the movie's found 
propaganda footage ddes: the accumulative effect is ghastly, 
camp, goofy, and never dull. It's a musical lesson on how to 
avoid and on how to confront dread. The Golden Gate 
Quartet’s eerily accurate gospel pun, “Atom and Evil,” bleeds 
into Lowell Blanchard's eerily out-of-it “Jesus Hits Like an 
Atom Bomb.” “Atom Bomb Baby,” “Atomic Cocktail," and 
“Atomic Love” turn the end of the world into an everyday 
event — a linguistic commonplace in pop culture, but startl- 
ing in the narrow context of this record. Although more heavi- 
ly weighted toward biues and gospel, Atomic Cafe recalls 
Jukebox at Eric's, an anthology of early rock obscurities 
released last year (Sonny Russell's ‘S50 Megatons”’ over! 
both). All the songs on Eric’s are obsessively imitative — 
there isn’t an original moment on the record. Except that this 
doesn't matter. Almost all the songs possess a riotous crazi- 
ness that makes all formal considerations irrelevant. Atomic 
Cafe has the same spirit of craziness — except that it's more 
surreal, more apocalyptic, and it comes from something much 
larger than the songs themselves. The oh-so-modern sense 
that there won't be a tomorrow, and that, too, is no big deai. 

















Paul Weller, boy philosopher 


The Jam 
THE GIFT 
(Polydor) 

he cover of The Gift shows the Jam frozen 

i in a literal interpretation of the second-side 

opener, “Running on the Spot,” but it also 
accurately (and unintentionally) captures the 
band’s predicament. In the song, Paul Weller 
bitterly chides the blacks and whites who rioted in 
Britain’s streets last summer for using their fists 
instead of their brains. But after listening to Weller 
run a treadmill for six albums, hammering out 
interchangeable, humorless sermons on the safest 
of liberal social concerns, throwing a brick begins 
to seem like an attractive idea. The sloppily 
bashed-out idealism of the Jam’s 1977 debut, Jn 
the City, has been replaced by tight-lipped 
resignation. At 24, Weller sounds like an old man. 
He’s so serious, so eager to write himself into the 
Rock Hall of Fame (beside his old idol Pete 
Townshend?), that when he’s groping for the 
grand illuminating statement he often ignores the 
electricity within reach. 

The Jam's best songs are those in which Weller 
matches rock heroics with plain language and 
quits playing Boy Philosopher — “Down in a Tube 
Station at Midnight,” “Away from the Numbers,” 
“Eton Rifles.” The centerpiece of The Gift, “Trans- 
Global Express,” is daring for Weller if only 
because it suggests a radical solution: “Imagine if 
tomorrow the workers went on strike/Not just 
British Leyland but the whole world.” But Weller’s 
vocals, buried in the mix, render the words 
indecipherable; it's as if Weller had suffered an 
11th-hour anxiety attack over whether he’d just 
become new wave’s Ed Asner. The parts of the 
album in which Weller doesn’t equivocate, almost 
deliver. The simplified message (“spread some 
loving all around”) and danceable soul tinges of 
“Ghosts” and “The Gift’ recall Philly/Motown 
protest songs of the early ‘70s, like “Love Train” 
and ‘Balt of Confusion.” But neither Weller’s stiff, 
Masterpiece Theatre elocution nor the competent- 
but-whitewashed funk workouts of bassist Bruce 
Foxton and drummer Rick Buckler exude the God- 
fearing/God-trusting power needed to convince 
us that “love can change the world.” At worst, 
Weller’s flirtation with abstractions like “love” 
and “hate” is embarrassing — “Carnation,” which 
portrays “the Greed and Fear and.every ounce of 
Hate in you,” should have remained crumpled at 
the bottom of his underwear drawer. : 

Weller is also surprisingly careless with his 
details — does he ,actually imagine factory 
workers (hell, anybody) saying ‘things like “It’s 
back to the lunchbox and worker/management 
rows” (“Just Who Is the 5 O’Clock Hero”)? “Town 
Called Malice” is the album's only song that feels 
as lived as, say, “Tube Station.” Weller’s portrait of 
a decaying industrial society bristles with detail 
(“rows and rows of disused milk-floats .. .”). He 
doesn’t harangue his working-class anti-heroes. 
And when Weller faces his own hard choice — 
preach or rock — for once, he opts for trying to 
“put some joy back in this town.” Perhaps this is 
the easier route, but in rock ‘n’ roll it’s the 
honorable and more persuasive one. Anyway, it’s 


_‘a route on ‘which Weller can't: possibly get-lost.- « - 


The Jam’s performance at the Orpheum last 
week was conceived as a revival meeting of sorts 
— a banner reading “Trans-Global Unity Express” 
stretched across the stage, and the emphasis was 
on the funkier numbers. But Weller’s always-at- 
odds ambition/inhibition stopped the show in its 
tracks. Stuck on a platform at the rear of the stage 
were the Jam's two black, peach-suited~ horn 
players, Steve Nichol and Keith Thomas. Never 
invited to become a part of the action down front, 
they might as well have been on film; the pair 
hovered over Weller’s right shoulder like at- 
mosphere-setting apparitions — or worse, 
advertisements of Weller’s right-on taste. Not that 
communication was flowing between the Jam and 
the audience. Weller kept his eyes ahead and his 
comments perfunctory; there was little love in the 
Jam's love-in. A feeble joke or some healthy 
antagonism would have been preferable to 
Weller’s stony non-presence. For all his political 
steam letting, Weller made the night's most 
powerful statement on the songs — “Dreams of 
Children,” “Private Hell,” “David Watts” — in 
which he leaped high into the air and flailed away 
at his guitar, as one who believed that the right 
chord would crumble walls. 

— Joyce Millman 


Junior Cook 
SOMETHIN’S COOKIN’ 
(Muse) 

Pepper Adams 

URBAN DREAMS 

(Palo Alto) 


and Urban Dreams turn just as fequently on 

their supporting players as on the featured 
horn soloist. From this perspective, these records 
should be heard as exhilarating recitals by two 
major contemporary rhythm sections. Junior 
Cook’s album was prodcued by pianist Cedar 
Walton, ‘who also wrote two of the tunes. Billy 
Higgins, Cook’s drummer, has been along on 
dates like this with Walton, the late Sam Jones, 
and a variety of tenor players for a decade. Given 
Higgins’s infectious rhythm and Walton’s dry, 
cogent improvising and composing, memorable 
performances keep popping up. Here the gem is 
“Fiesta Espanol,” a tricky Walton line made for 
Cook's pithy tenor and the composer's effortless, 
Bud Powell-like notions. Bassist Buster Williams 
ably replaces Sam Jones. He has a freer, more 
impulsive cast to his lines — they spring the static 
harmonies of “Illusions of Grandeur” yet never 
meander at the expense of the straight-ahead 
grooves. 

The trio behind baritone saxophonist Adams is 
the product of interlocking associations. Pianist 
Jimmy Rowles, bassist George Mraz, and drum- 
mer Billy Hart have all recorded with Adams 
separately, and Rowles has called upon Mraz and 
Hart for some of his own albums. They add up to 
a distinctive unit, with Rowles elusive and whim- 
sical (his ““Pent-Up. House” solo sounds like ab- 
stract Basie) and with Hart busy and pointed. The . 
drummer can sometimes be too chatty, as on 
“Dexter Rides Again,” but he also adds delicate 
brush work to the title track and a more 
productive density to the accelerating “Three 


R lowing sessions like Somethin’s Cookin’ 


. Litthe Words.” Mraz, a frequent associate of 


Adams since their days in the Thad Jones/Mel 
Lewis band, is a buoyant time player and, on 
“Trentino,” a forthright soloist. 

The leaders meet with more qualified success. 
Junior Cook has risen to the challenge of odd 
structures and meaty harmonies since his days 
with Horace Silver, and he is suitably inspired on 
Walton’s tunes and the little-heard ballad “Detour 
Ahead.” His lean, controlled manner marks him as 
more steady than heady, however, and ‘his 
preference for forging rhythmic patterns against 


the band’s strong time adds a bit too much 


restraint to this free-blowing situation. Cook 
sounds best in the presence of another horn; his 
tightly declarative tone takes on new luster in 
ensembles, and his naturally terse solos are 
focused over briefer expanses. Muse,albums with 
trumpeter Bill Hardman (like the recent Politely) 
offer more complet€ views of this underrated 
player. 

Pepper Adams is more convincing on Urban 
Dreams, if only because he digs in and romps with 
the rhythm section. High spirits are a mixed 
blessing for the baritone saxophonist, though — 
he favors racehorse tempos that lead to much 
time-worn quotation. Still, his hoarse yet precise 
sound and muscular attack allow him to 
thoroughly inhabit his material, and jokes like the 
extended “Yes Sir, That's My Baby” episode 
during “Three Little Words” tend to sound funnier 
on a baritone. The program (four tunes associated 
with Dexter Gordon, Wardell Gray, and Sonny 
Rollins, plus two gentler Adams originals) stresses 
Adams's bebop tenor sources; it also provides 
Rowles with opportunities (on lines like “Dexter 
Rides Again”) for some of his most mobile solo 
work. Although I am not among the Rowles 
worshippers, | appreciate his value as a catalyst, 
especially when horn players are present, and he 
plays a major if quiet role in making things 
happen here. , 

— Bob Blumenthal 











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10 


THE BOSTON PHOENIX, SECTION THREE, JUNE 1, 1982 








Art 
Formal 


openings 


by Kenneth Baker 


odern 
ta k en 
bizarre 


painting has 


some pretty 
forms, but the 
word “painting” still implies 


something done on a flat surface 
with fluid media. “Sculpture,” on 
the other hand, implies no such 
inherited format, not even that of 
the portable physical art object. 
One step toward critical per- 
spective on contemporary 
sculpture is to ask how an artist 
has taken advantage of this free- 
dom from formal prescriptions. 
Because the term “sculpture” is 
so unexplicit, the physical struc- 
ture a sculptor gives his work has 
more than formal consequences. 
It presents us with the difficulty 
of describing something whose 
coherence seems to derive from 
no ‘set rules. This is one way in 
which sculpture can pressure us 
to attend to the words we use to 
describe things. 

David Raymond's recent work, 
now at the Stux Gallery (through 
June 19), looks like sculpture in 
the sense that it depicts nothing, 
has no obvious function, and is 

“highly considered in structure. 
Because each of Raymond's 


pieces is unique, there is really no - 


way to get at. the work except 
to describe its form. ‘“Mahoos- 
ic’’ (1981) -is something like 
a crib made of square steel 
stock. It has an open rectangular 
perimeter at the top, from which 
steel rods at irregular intervals 
project vertically toward the 
floor. | say “toward the floor” 
because only four of the 18 
verticals actually reach the floor. 
The others stop.at various heights 
above floor level. It may be a 
while before you can tell which 
of- the vertical elements (all of 
which taper to a point) are 
actually supporting the piece. 
After you have taken in the 
structure of the work, you may 
begin to feel a certain uneasiness, 
even annoyance, at its internal 
inconsistencies. 4 found myself 
wanting to lean with all my 


weight on the upper frame of the 
work to push it into the floor so 
that all- the verticals would ap- 
pear complete. This may sound 
like a quirky response, since art is 
not supposed to invoke such 
literal engagement on our part. 
But for me, this response is one of 
the things that certifies the work 
as sculpture. It is not easy to 


make an object that elicits such a | 


sense of the body's typical 
capacities, and of ground level. 
Several of Raymond's pieces 
seem to stand on tiptoe, as 
“Mahoosic” does. “China Cuba” 
is made of the same steel stock, 
but it is distinguished by having 
its nine linear elements converge 
into a single forged apex point. 
(Raymond did the piece with the 
assistance of a blacksmith.) In 
this case, the work is in the shape 
of a distended pyramid. Eight of 
its nine elements reach the floor; 
the central one stops about one- 
third of the way from the apex. 
This is the most anthropomor- 
phic work on view. Both its 
height and the convergence of all 
its parts at the top suggest a kind 
of abstract surrogate for the hu- 
man figure. Even the single, 
short, central rod looks more phal- 
lic than any of the other rigid, 
linear elements in the show. 
There is more to “China Cuba” 
than an analogy with the human 
(or perhaps the sculptor’s) form. 
Its radiating “legs” recall the 
graphic convention used in car- 
tooning to suggest the sound of, 
say, a knock on a door, or the 
blast of a horn. The same radiat- 
ing structure recalls the use of a 
spray of lines to suggest heavenly 
radiances in Renaissance painting. 
Associations with painting 
might seem irrelevant here _ if 
Raymond's piece were ‘not 
painted themselves. He has taken 
on the problem of color again in 
his recent work. When a sculptor 
makes up a thing no one has ever 
seen before, the question of what 
color it should be, or how it 

















David Raymond, “Mahoosic” 


should be colored, inevitably 
arises. Painting sculpture has 
never seemed to be the resolution 
of this question, but Raymond 
has advanced the problem in a 
sense by painting some. of his 
pieces in such a way that we can't 
really say what color they are, or 
even what color parts of them 
are. The two pieces I've already 
described are the ones whose 
color is most effective. In each 
case, the surfaces of the work 
have been painted and scraped, 
and then repainted and scraped, 
until they are no color in 
particular not unless you get 
down to looking at them inch by 
inch. It’s as if Raymond had dealt 
with the problem of color ‘1n 
sculpture by turning it into a 
problem of language. The words 
we. use to describe the colors of 


.things are simply not precise 


enough, or syntactically flexible 
enough, to pin down the colors in 
his sculpture. He has not resolved 
the presence of color in sculpture, 
but he has helped to show why it 


remains problematic. The weak 


point of Raymond's show is his. 
‘ group of drawings, which rather 


than clarifying seem to confuse 
our view of the sculpture. It is not 
clear whether they. are for him a 
way of thinking about sculpture, 
drawing, color,. or relations 
among them. They seem almost 
to contradict the formal in- 
telligence and careful fabrication 


.of the sculpture. Fortunately, just 


by being blatantly physical, the 
sculpture prevails. 

For a very different kind of 
sculptural experience, you might 
check out Walter Dusenbery’s 
show (through June 5) at Harvard 
University’s Gund Hall, which 
houses the Graduate School of 
Design. Dusenbery is a stone 
carver who works in the finest 
marble he can get his hands on, 
and his pieces, which are inspired 
by architectural motifs and struc- 
tures, usually have a kind of 
columnar or post-and-lintel form; 
our pleasure in them derives 
from Dusenbery’s feeling for the 








surface texture and physical mass 
of stone. One piece is a simple 
stack of red marble sections, 
rough cut on one side and 
polished to a smooth curve on the 
opposite side. Although the piece 
has very obviously been worked 
into this state, it nevertheless 
suggests a column of stone that 
has faced the wind for untold 
years and. gradually been worn 
smooth on one face. Part of what 
makes + Dusenbery’s work 
interesting is his ability to show 
how carving techniques can imp- 
ly the impersonal work of time 
and elemental nature. At best, his 
pieces imply that the carving he 
has done on them is itself one of 
the natural forces that have given 
the stone elements their present 
form. There is a_ paradoxical 
quality to these works in that 
they look at once contemporary 
and like ancient ruins. They 
might be seen as an effort to 
bring into sculpture a sense of 
time that surpasses our feeling for 
modern historical time. O 





Fuentes 


Continued from page 1 
him, however unsuccessfully.” 
(Neither Rosalind Cash nor Ellen 
Holly, the New York actresses 
~who will play the piece at the 
ART, looks a bit like Miss Piggy.) 
By its end Orchids in the 
Moonlight turns out to be less a 
cinematic archaeology expedition 
than a Pirandellian exercise in 
who's playing whom. As in much 
of Fuentes’s fiction, the plot blurs 
his characters’ identities instead 
of resolving them. ‘They could 
very well be two famous ac- 
tresses of the ‘20s, ‘30s, and ‘40s, 
namely Dolores del Rio and 
Maria Felix, who are living out 
their autumn years in Venice — 
but they could also be two, ah, 
Mexican ladies, who think they 
are Maria Felix and Dolores del! 
Rio, and who only have reality 
because they can imagine this,” 
Fuentes said. He obviously takes 
some capricious pleasure in this 
sort of deliberate confusion, to 
the extent of turning on his 
interviewer with a grin: “This 
happens to all of us. Are you 
Rosenberg — am I Fuentes? Or 
are we acting out the lives of two 
models that have been imposed 
on us and that we are un- 

conscious of, maybe?” 


It would be difficult to findany © 


standard model for Fuentes’s 
motley career. The child of a 
Mexican diplomat, he spent his 
youth traveling from capital to 


capital in the Western Hemi- 
sphere. His first novel, Where the 
Air is Clear, appeared in 1958, 
and since then he’s kept up a 
prolific output of books — 
lengthy panoramas of “Mexican 
life, political thrillers, arty no- 
vellas, and two plays, One-Eved 
King and All Cats Are Grav, 
which have been produced only 
in Europe. Between creations, he 
lectures in the US, Latin America, 
and Europe — often about film — 
and does an occasional stint in 
the foreign service (he was Mex- 
ico’s ambassador to France from 
1975 to 1977). Today he’s work- 
ing on several more plays, includ- 
ing a musical comedy about 
Mexican history (in the American 
tradition? — “there is no other,” 
he answers). 

His jumbled curriculum vitae 
seems to match Fuentes’s eclectic 
ideas about art. In his Spencer 
lecture, delivered last month at 
the Loeb, he spoke of the “con- 
tamination of genres”: the de- 
liberate confusion of literary tra- 
ditions by an author who acts as a 
kind of aesthetic lab researcher, 
mixing styles and forms with 
abandon, hoping to stumble up- 
on some new artistic compound. 
Cervantes and Shakespeare are 
Fuentes’s two exemplars for this 
technique, Don Quixote and 
Hamlet the source books. ‘You 
cannot write anything unless you 
feed yourself on the rot of what 
surrounds you or what precedes 
you. You need to transform the 
previous norm into something 
else, but you need that previous 


norm.” Cervantes imported 
chunks of pastoral and chivalric 
literature into his picaresque nov- 
el; Shakespeare wrote romances, 
histories, and other plays into his 
plays; Fuentes, today, can- 
nibalizes the worlds of film and 
journalism for his drama. 
Despite his obsession with old 
movies and cinematic ,legend, 
Fuentes maintains he could never 
write for the screen: “I’m a very 
good friend of a great film 
director, Bufuel, and we've dis- 
cussed the difference between 
the world as understood through 
images, which is what Bufuel 
does, and the world understood 
through language, which is my 
problem. Bufuel always tells me, 
‘You know, | couldn't write a- 
letter. It would say, hello, I’m 
writing you a letter because I’m 
sorry | have not been able to 
write you a letter for the past two 
weeks. But now I’m writing you 
this letter to prove that | wanted 
to write you the letter — so 
goodbye.’ What he has, though, 
are great, great images. I can’t 
understand the world unless the 
verbal element is present.” 
Writing plays, though, is an 
“absolute necessity’ for him, 
Fuentes insists. And he described 
the germination of Orchids this 
way: “Il was under great pressure 
writing a novel [Terra Nostra] 
and wanted to free myself from 
that pressure,-and found that | 
was captured in a verbal prison, 
dark, dank, uninhabited, except 
by bats and worms sometimes, 
and that | wanted to open the 


windows and let in some fresh 
light, and give voice to imagina- 
tion, incarnate imagination, in 
human beings, which is what the 
theater does. It was a great relief. 
Instead of having to ponder 


descriptive passages and, oh, all 


the things that the novel means, I 
was left with these naked essen- 
tial voices on stage. | came back 
from that as though | had been 
for a swim in the cold sea.” 

And Fuentes is a swimmer, not 
a languisher in the sun. He 
exhibits none of the world-weary 
enervation of so many modern 
dramatists — the sense that the 
world’s spring has run down, the 
sense that fills the works of, say, 
Samuel Beckett (whom Fuentes 
admires). “You can’t sit back and 
say, oh, it’s all dead and it’s 
exhausted. Quite the contrary. As 
a Latin American I can’t say that, 
I can't think that, because | 
simply feel we have too much to 
say. | wish I had three lives to 
write all | would want to write. 
You feel you have to re-create a 
whole language, a whole history. 
You don’t have time.” He does 
not, however, consider himself 
part of any grouping of Latin 
American authors, a wave over a 
couple of generations that might 
include Jorge Luis Borges and 
Gabriel Garcia Marquez. “The 
world has become large, and we 
have become dispersed,” he says. 
“Because of political conditions 
in Latin America, many of the 
writers live in exile. It makes it 
extremely difficult to” form a 
group. To have a Bloomsbury 


vou have to live together.” 

Fuentes denies that he’s a 
political writer, despite the 
elaborate political dimensions of 
some of his novels, like the recent 
The Hydra Head. He said he 
saves his political arguments for 
op-ed pieces, “where they 
belong.” Nonetheless, when he 
started to discuss the widening 
rift between the US and the 
peoples of Latin America, he 
began to sound like an apparition 
out of one of Alexander Haig’s 
bad’ dreams. The Falk- 
lands/Malvinas affair, for.exam- 
ple, shows the “fantastic in- 
nocence” of American foreign 
policy, in his analysis: “The US 
lets the Argentines think, well, if 
we're such great friends now, this 
is an opportune time to take back 
the Falklands. Then the US says, 
‘No, no! We needed you to take 
back Nicaragua, not the 
Falklands!’ ” 

Still, he believes there’s hope 
for true cooperation based on 
contact between people, rather 
than governments. “These issues 
are never personalized in Latin 
America against individual 
Americans,” he said, “unless 
maybe Jean Kirkpatrick appeared 
on the streets, maybe she'd get 
tarred and feathered, | don't 
know. But there is no hatred of 
Americans, only profound dif- 
ferences on policy and point of 
view. Latin Americans would like 
nothing more than to have a real 
partnership with the United 
States. But if it's based on in- 

Continued on page 12 














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THE BOSTON PHOENIX, SECTION THREE, JUNE 1, 1982 


Fuentes 


Continued from page 10 
temperance, the big stick, sending 
troops, supporting dictatorships, sup- 
porting people who torture and murder 
the people, stopping all movements 
toward a minimally better life in our 
countries — if the United States is iden- 
tified with that, it gets hate.” 

Fuentes takes earnestly his role as 
Latin American spokesman. He’s deliver- 


ing the commencement address at 
Wesleyan University this month, on US- 
Latin American relations — “I feel there 


is a voice telling me, do this!” But his 
greatest fervor is aroused not by trouble- 
some headlines but by his favorite 
metaphor: the horde of unwritten 
characters he envisions, vagrants of the 
imagination pounding on doors. (Fuentes 
is a sort of literary right-to-lifer.) In his 
Harvard lecture he spoke with incan- 
tatory intensity more characteristic of a 
clergyman than a novelist: “Let us not 
close the door on the figures of the 
fictions, of the theater, of our time, that 
we cannot yet name or see or even 
imagine. They are knocking at the doors 
of our imagination. They speak in the 
name of the unfinished men and women 
that we are. They refuse the cold mask of 
perfection. They will not accept an end, 
happy or unhappy. They are the harb- 
ingers of the plural faces of mankind. 
They are the figures of the rich and 
varied civilizations of this world, the 
bearers of other myths, other times, other 
dreams, beyond the narrow premises of a 
civilization defined by a few nations and 
a few interests. They are potential 
fictions, yes, potential theater, united by 
their common genesis in words. They 
knock saying, | am another, we are 
another. Let them in, please. They are 
coming home — they are bringing the 
great wheel of fire of the literary 
imagination.” 

Fuentes prescribes this massive rescue 
operation of the mind as our big 
opportunity — not only to invigorate a 
run-down literature and a_ dispirited 
culture, but also to move into the future 
with something more than just tortured 
memories and nuclear nightmares. “It is 
thanks to those courageous’ artists like 
Franz Kafka or Samuel Beckett that we 
are capable of having hope,” he said. “I 
quote a lot that phrase from Kafka, 
‘There shall be hope — but not for us." It 
means that, probably, we're a disaster, 
we're all fucked up. But maybe the next 
generation will be able to maintain some 
hope if we are capable of despairing 
completely, and of imagining Kafka’s 
penal colony or the world of Winnie in 
Beckett's Happy Days.” Or even, just 
possibly, if Fuentes is right, the lives of 
two old women in a cluttered room who 
might be Mexican movie stars — and 
might not. ; Oo 


Writers 


Continued from page 12 

gested a somewhat milder and much 
more likely possibility: “A union might 
raise more of us from the poverty level, 
and keep writers off the endangered- 
species list.” John Simon, editor-in-chief 
at Holmes and Meier and formerly of 
Schocken Bapks. addressed the congress 
as a sympathetic ally from Publishers’ 
Row, and he shared Piercy’s view. “A 
union will help you, and it will help the 
publisher. And it will help the written 
word as well.” 

Much of the anger that has led writers 
across the country to undertake the drive 
for a national union stems from obvious 
and documentable sources: exploitation 
by editors and publishers in the form of 
low rates, breached verbal contracts, little 
or no kill fees, unauthorized copy 
changes. The writers’ organizations that 
exist in the US today, such as P.E.N. and 
the Authors Guild, wield little power 
with publishers. “You can write away for 
the Authors Guild contract,” said Suzan- 
ne Gordon at the congress, “and good 
luck in getting it accepted. Simon and 
Schuster will laugh at you.” The collec- 
tive-bargaining power of a_ national 
writers’ union, so goes the argument, 
would enable it to negotiate directly with 
the employer for model contracts, for 
minimum and equitable fee s-ales, and 
for cost-of-living increases. Unionized 
writers could insist upon more control 
over their work and more effectively 
argue for larger advances and/or 
royalties. Many of these demands are in 


direct response to the average American 
writer's income — which is slightly 
under $5000 a year. 

Still, it is not enough simply to finger 
the guys with the blue pens behind the 
big desks. Some of the adverse condi- 
tions that exist for writers today are due 
to the conglomeration of the industry — 
the “literary-industrial complex.” The 
trend began more than two decades ago 
with the mergers of the nation’s largest 
publishing houses, and today some 50 
corporations control more than half the 
print media in the US. Faced with what 
some, see as an economic stranglehold 
upon the written word, writers are 
tempted to cry censorship when a less 
than conventional work is canned by the 
publishers or the press. 

“Writing is the art on the bottom of the 
grants list, because it involves meaning,” 
said Marge Piercy. “It’s always the 
dangerous art, causing nervous stomachs 
in foundations, politicians, and arts 
administrators. Few string quartets will 
raise issues of political content — all 
writing involves values.” This kind of 
commentary constitutes a hornet’s nest 
of sorts, one similar to Clement Green- 
berg’s comment back in the ‘50s when he 
announced that all original art looked 
ugly at first. But the cri de coeur over who 
and what gets published in contem- 
porary American letters is not a whimper 
that can be easily dismissed, nebulous 
though the issue may be. 

The current efforts toward the for- 
mation of a national writers’ union 
attempt’ to address both bread-and- 
butter issues and the less well defined 
béte noire of the politics of publishing. 
And the European precedent for such an 
organization says as much about the 
history of this country as about its own 
oh-so-egalitarian shores. America has 
the fickle tendency to applaud its literati 
and its hacks when they keep their noses 
clean (and to the grindstone) and to chide 
or neglect them when they don’t. Too 
often raised as sacrificial lambs in times 
of political and economic discontent, 
writers may have finally stopped wool 
gathering — and begun to gather ammo 
instead. O 


Rocky 


Continued from page 4 

the cover of Newsweek and Sports 
Illustrated and L’Uomo, he endorses 
Maseratis and De Loreans, and he lives in 
a house only slightly more modest than 
Monticello. His wife, Adrian (Talia 
Shire), is suddenly very chic and sure of 
herself, and even her brother, Paulie 
(Burt Young), is getting into the swing of 
things: Rocky has put him to work selling 
Italian Stallion T-shirts. But at the heart 
of every Rocky film is a simple tactical 
problem. Our hero always wins in the 
end, and yet the formula depends on his 
being the underdog. And how do you 
turn a champ into an underdog? Stallone 
makes it look simple. It seems Rocky’s 
trainer, Mickey (Burgess Meredith), has 
been matching him up with second-rate 
fighters all along, and now Rocky’s gone 
soft. “The worst thing happened to you 
that could happen to a fighter,” Mickey 
croaks. “You got civilized.’ (These re- 
marks will acquire new significance in 
Rocky IX.) Now there’s a ferocious new 
contender on the scene, Clubber Lang 
(played by Laurence Tero, who prefers to 
call himself Mr. T), a scary black scrapper 
who's been following Rocky from fight 
to fight and from public appearance to 
public appearance, snarling at him and 


insulting his manhood. Sure enough,’ 


Rocky proves no match for him under 
the hot lights at Madison Square Garden. 

Clubber Lang is the movie's most 
enjoyable character, partly because Mr. T 
plays him as the sort of demon- 
ic, scowling brute who might have 
been belched up from the depths of 
Mount St. Helens. A former bodyguard 
for Muhammad Ali and Leon Spinks, he 
sports a Mohawk haircut and a com- 
plicated beard; he wears long feather 
earrings, and his brow is as ominously 
furled as a thundercloud. Lest anyone 
accuse Stallone of racism, however, the 
black ex-champion Apollo Creed (Carl 
Weathers) shows up to train Rocky, 
spiriting him off to a seedy gym in Los 
Angeles to teach him how to fight like a 
black man. Watching Rocky clumsily 
shadow-box to the disco music while 
grinning black faces nod their approval, 
one might surmise that Stallone is trying 
to draw in a larger black audience, and 
it’s true that ghetto kids may enjoy the 


spectacle of a white champion who has 
norhythm. But Stallone is probably after 
something trickier. As the dapper black 
man and the dapper white man team up 
against the black demon of the gutter, 
you realize you're watching a parable of 
class war. Clubber Lang's dialogue is full 
of lines about how “This country wants 
to keep me down,” delivered as if by the 
Sugar Hill Gang in a foul humor, and he 
soon comes to seem a distillation of 
white America’s deepest fears. He's the 
poor ghetto black'as monster, and, with 
his tribal feathers and exotic hairdo, he’s 
a nightmare image of the Third World as 
well. Clubber’s very presence is a taunt: 
“You've gone soft, America.” And in an 
America that’s long suspected as much, 
that’s a potent challenge. “Train hard, 
Rocky,” you can feel the audience 
whispering. “You're fighting for us all.” 

The movie is mostly boxing, training, 
and more boxing, and Stallone uses his 
prefab characters and situations to create 
a Saturday-morning cartoon of a movie: 
crude, predictable, and mindlessly com- 
pelling. As a director, he’s blithely 
condescending; his characters keep cuing 
our reactions, as if the filmmaker thought 
his audience incapable of understanding 
the story. Every blow, every speech, 
every swipe at a punching bag or lap 
around a pool is interspersed with 
gigantic close-ups of Adrian, Paulie, 
Apollo, or Mickey looking pleased or 
worried, nodding or frowning or chant- 
ing the champ’s name. This is the sort of 
thing that John Ford turned into a style, 
surrounding John Wayne and Maureen 
O’Hara with beaming Irish faces so that 
we'd all join in blessing their union. But 
Ford could slow down and ease off as 
well, could wax expansive or lyrical. In 
Rocky Ill, there’s scarcely a shot that’s 
more than a few seconds long and 
scarcely a.cut that doesn’t jump from one 
violent action to another. The soundtrack 
is loud, loud, loud, with punches thud- 
ding home like wrecking balls and 
Clubber Lang emitting wounded- 
elephant bellows. This movie has all the 
delicacy and craftsmanship of a Bob 
Hope special. 

Still, Stallone is shrewd in matters of 
rhythm and pacing, and as calculated as 
Rocky Ill is, | think it might have been 
almost captivating had there been any 
trace of the old Rocky in it. There’s 
something cold and detached about this 
movie; no one in it is particularly 
endearing. The new Rocky Balboa — the 
champ — gets to mumble a few amusing 
quips near the beginning, but then he 
gives himself over to alternating fits of 
moroseness and preening. Dressed to the 
teeth and meticulously blow-dried, he re- 
sembles a punched-in Billy Joel, and his 
friendly palooka’s swagger has turned 
shifty and self-infatuated: he walks 
like one of those celebrity judges on 
Dance Fever. Starring in one clunker 
after another, Stallone may have lost 
whatever wit and originality he once had 
as an actor; during long stretches of 
Rocky lil, he’s supposed to be frightened, 
wracked with self-doubt, and instead he 
just clams up; he shrivels and disappears 
inside his musculature. This is a Rocky 
picture without Rocky, and when au- 
diences respond to it (as | think. they 
will), they won't be responding to the 
character on the screen. They'll be 
responding to the noise and the quick 
cuts and their own racial fears. And, 
mostly, they'll be responding to a mem- 
ory. 0 


Martin 


Continued from page 4 


every emotion, As Rigby Reardon, the 


Bogie-stvyle gumshoe of Dead Men Don't. 


Wear Plaid, Martin has a few amiably 
nutty moments, but his mockery of the 
classic macho guise — all lowered 
eyebrows and no-nonsense voice — 
never goes far enough. It’s a juvenile’s 
idea of camp humor: hard-boiled 
dialogue played for laughs simply be- 
cause it’s antiquated. 
The film is funniest on the scattered 
occasions when it. strays from ‘40s- 
archaic to ‘80s-surreal. Gorgeous Rachel 
Ward, playing the femme fatale who 
enlists Digby to solve her father’s 
murder, performs several weird bits of 
make-do surgery, and Martin is suavely 
nonchalant as he undertakes off-the-wall 
antics like shaving his tongue or prepar- 
ing the most potent cup of coffee in 
history. And when the sexual current 
starts flowing between the two stars, the 
results can be crudely hilarious. Ward 
delivers an outrageous variation on 


Lauren Bacall’s “You know now to 
whistle, don’t you?” from To Have and 
Have Not, and there's a great sight gag in 
which Ward and Martin (who's clothed 
in middle-aged-lady drag) are caught in a 
passionate embrace. But most of the 
humor in Dead Men is pretty dusty — 
tired old jokes about knockers and (I kid 
you not) mothers-in-law. Martin’s first 
comedy vehicle, The Jerk, was a pretty 
low farce, but he sometimes burst 
through the stale slapstick routines with 
one of his grinning spaz attacks. Dead 
Men's tone is cooler and more controlled, 
and the film doesn’t have those moments 
of nerdy insanity. It’s as though Steve 
Martin had forgotten that he ever had 
Happy Feet. 

Of course, Carl Reiner was writing 
gags back in the days when mother-in- 
law jokes were still funny. Reiner 
directed The Jerk, and it's clear that he 
views a younger-generation trouper like 
Martin as a sort of spiritual son. On a 
recent Tonight show, Reiner even ap- 
peared with Johnny in one of Martin's 
patented gleaming white suits. But his 
idea of funny has almost nothing to do 
with Martin's. Like Mel Brooks, Reiner is 
happiest when he can pull out the stops 
with a big, satirical Nazi number — as he 
does here, playing the lecherous Hun 
who turns out to be the chief baddie. The 
parodistic edge in Carl Reiner’s comedy 
expresses the outlook of a different era. 
Why is Steve Martin, WASP ‘surrealist 
extraordinaire,’ making movies with a 
Jewish humorist from the ‘50s? Martin 
and Reiner bring out the worst in each 
other. Together, they are two mild and 


fom] 


lazy guys. 0 


Fighting 

Continued from page 4 

free to play in the park that was once 
inhabited by junkies and _ prostitutes; 
John even becomes a media darling, with 
three-piece-suited PR types wooing him 
to run for office. 

Perhaps it’s <n indication of the 
vigilante genre's limitations that Fighting 
Back is easily the most interesting, 
complex, and good-natured film of its 
kind. Believe me, the movie plays a lot 
better than it sounds. For one thing, Tom 
Skerritt, as D’Angelo, is such a sweet, 
likable actor that he could probably 
make torturing puppies seem a human- 
itarian act. And Skerritt is ably supported 
by Patti LuPone (New York’s Evita) as 


his wife, comedian Pat Cooper as his. 


neighbor, and a suddenly middle-aged 
Michael Sarrazin, who, as D’Angelo’s 
buddy, gives what must be the most 
relaxed performance of his career. What's 
more, Lewis Teague (whose last film was 
the horror spoof Alligator) directs in a 
manner that manages to be droll without 
undercutting either the action or the 
seriousness of the subject. Although both 
Teague and his screenwriters, Tom 
Hedley and David Goodman, sym- 
pathize with D'Angelo, they also make it 
clear they think he’s a racist, a macho 
bully, and a bit of a schmuck. They see 


vigilante-ism as a regrettable solution to. 


a deplorable situation and, using a rather 
clever end title, they imply that even that 
solution is short-lived. So despite the 
foolishness of Fighting Back’s dialogue, 
the filmmakers at least encourage the 
audience to reflect a bit and not just react 
from the gut. 

And to judge by the audience at the 
theater | went to, they've succeeded. 
Toward the end of the film, a photo of 
the prime villain — the black pimp — 
flashes on screenyand someone in the 
audience yelled, ‘Get that mother!” The 
black man sitting. in front of me, 
apparently displeased by the remark, 
rose to look for its perpetrator. “Who's 
the turkey that said that?” “Sit down, you 
jerk!” shouted another voice. “Pipe 
down!” added the white, middle-aged 
woman near me. The black man, who 
hadn’t yet located his turkey, turned on 
the woman. “Shut up, you,” he growled. 
“Nobody tells me to shut up!” screamed 
the feisty lady. ‘This is Boston, what do 
you expect?” added another voice. For a 
minute, the theater was thick with 
tension. But a moment later, these people 
realized that they had succumbed to the 
same anxieties that beset the characters 
in the film, and the atmosphere relaxed 
into laughter. Sure, the edginess of 
Fighting Back may have incited the 
situation, but the film’s skepticism de- 
fused it; had*the movie been Death Wish 
Il, the outcome might have been very 
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14 


THE BOSTON PHOENIX, SECTION THREE, JUNE 1, 1982 








Ghosts 


Continued from page 5 

indeed. Not that Brustein made 
the whole thing up: Mrs. Alving, 
married young to the rich but 
dissolute captain, admits she had 
already given away her heart 
and implies that the recipient was 
Manders.When, after a year of 
connubial misery, she left her 
philandering husband, it was to 
the pastor that she fled — ob- 
viously scaring the hell out of 
him, either because he feared his 
own feelings or, more likely, 
because he feared the ax of public 
opinion (preferring to swing it 
rather than put his neck in its 
way). He, of course, directed Mrs. 
Alving back to her “duty,” which 
included catching syphilis from 
the captain and passing it on to 
their son. After which the preach- 
er ceased coming to dinner, 
probably out of terror that the 
hostess would hurl herself across 
the pickled herring into his arms, 


‘ besmudging both his cassock and 


his reputation. 

Brustein, in casting attractive, 
pre-menopausal actors in these 
roles, is endeavering to bring 
some earthly sexuality, however 
repressed, into this house of 
copulating ghosts. It sounds 
good; I'm all for getting out the 
goggles and exploring the under- 
currents of lust. But it just doesn’t 
work. The most Epstein can do is 
make Manders a_ flatter, less 
flamboyant prig. He still spends 
his time puffing reactionary 
platitudes, displaying a hardness 
that is in no way sexual, and 
saying inhumanly prissy things. 
That Epstein says them as nat- 
urally and as sympathetically as 
he can only makes them more 
absurd. When, for example, Mrs. 
Alving tells him the whole horrid 
story of her marriage, cul- 
minating in a painful account of 
the captain's affair with her maid, 
Joanna — and there are the 


ghosts on the wall, going at it as 
big as life — Manders replies 
snippily, inadequately, ludi- 
crously: “How horribly brutal 
and callous of him.” He goes on 
to characterize the seduction, 
which resulted in an illegitimate 
child (the current maid, Regina), 
as “a moment of thought- 
lessness,” and the Loeb audience, 
understandably, cannot contain 
its mirth. Let's face it, the man is a 
small-minded hypocrite, a dupe, 
and an unconscionable prick. If 
Mrs. Alving once had the hots for 
him, the fire has long since gone 
out; after all, she realizes the error 
of her superficially upright ways: 
And trying to humanize Manders 
just waters him down, robs him 
of his insidious power; it renders 
him a weak joke (exactly the 
opposite of Brustein’s intention) 
rather than a force to be reckoned 
with. 

Neither has Brustein, despite 
the admirable playing of Wid- 
does and Harvard senior John 
Bellucci as Oswald, reallv scaled 
the impossible ending of Ghosts. 
Metaphorically speaking, ve- 
nereal disease is still a serviceable 
symbol for inherited corruption 
(a favorite theme of Sam 
Shepard, too) and the in- 
escapable past — though of 
course you can’t catch the past 
from a toilet seat. Surely no one 
seriously believes that the dis- 
covery of penicillin rendered 
Ghosts theatrically inoperative. 
But syphilis is not as shocking as 
it was in 1881, when Ibsen wrote 
the play. And robbed of its power 
to shock, the third act of Ghosts, 
in particular, with its suggestion 
of incest, its sordid disease ex 
machina, and its strange talk of 
“the radiance of life,” tends to 
become lurid and _ hopelessly 
melodramatic. The truth is that, 
though the ending of the ART 
production is quite stunning, 
Brustein hasn’t solved the prob- 
lem; he has simply upstaged it. 

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willing to tamper with the text 
itself. There is Bellucci’s Oswald, 
suddenly slack-jawed and burbl- 
ing monotonically, ‘The sun — 
the sun.” There is Widdoes’s Mrs. 


Alving, mustering a tragic wail | 


that, on its own, almost eclipses 
the melodrama of the situation. 
There is the audience, trying hard 
not to snicker (this is, after all, a 
classic). And suddenly, there is 
the blinding sun; the shrieking, 
otherworldly noise; and the 
doors of that oppressive old 
manse being almost blown off 
their hinges. | must admit this 
startling image almost blew me 
off my hinges — though I'm still 
not sure what it’s meant to 
convey. Ar the ghosts being 
liberated? (Are we? ls Oswald?) 
Are they taking over? Or are they 
just taking advantage of the 
uncharacteristically good 
weather? 

The ART production begins as 
effectively. as it ends, with an 
uncannily appropriate snatch of 
Pink Floyd (the unfortunately 
incomprehensible lyrics have 
something to do with a seagoing 
daddy and his legacy) and an 
electronic simulation of rain — 
little drops of light cascading 
down the curtain and onto the 
floor. And Tony Straiges’s vast, 
pictorial set is as apt as it is 
unusual. Sure it’s gloomy, but not 
in the customary Ibsenite way, 
with lots of heavy drapery and 
Victorian furniture. This room is 
stark and gray, with just a smat- 
tering of furnishings and plants, 
all but swallowed by the equally 
gray vista outside; it’s like a 
greenhouse, indeed a_ world, 
without sun. 

And opening the parlor to the 
forbidding beauty of Ibsen’s Nor- 
way serves to unfetter the play. 
More than a “domestic drama” or 
a condemnation of middle-class 
morality, Ghosts can be, as Rich- 
ard Gilman argues, a play about 
“the rigidities, the fatal, blind 
movements of ideals and abstrac- 
tions in a universe of fact, and 
about the status of the mind and 
will as prisoners of a tyrannical, 
invisibly operating past.” Here, 
with the arguably creaky goings- 
on chez Alving dwarfed by 
mountains in the mist, the uni- 
verse is definitely a factor. And 
talk of the weather seems, as it 


most certainly is in Ghosts, 
significant. 
But this’ intentionally 


subversive play, described when 
it was first performed in England 
as a “loathsome sore,” has 
scabbed over somewhat stiffly. 
It’s terribly Aristotelian and full 
of talk that must be plowed 
through to get at the submerged 
poem. Brustein does well at the 
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the middle he could use a Roto- 
Rooter. He has staged the play 
pretty conventionally, so that 
Mrs: Alving and Pastor Manders, 
or Mrs. Alving and Oswald, 
spend a lot of time sitting at the 
table, or on the uncomfortable 
sofa, talking. Mrs. Alving is, 
however, surprisingly physical, 
not only with Oswald but with 
Pastor Manders, whom she tries 
on several occasions to embrace. 
He, of course, is saving his hugs 
for heaven. 

Widdoes proves an interesting 
choice for Mrs. Alving, a woman 
even Ibsen described as a Nora 
who rather than slamming the 
door stands by her man — with 
tragic results. A pretty, intelligent 
actress, she makes a very know- 
ing, even flirtatious pillar of rural 
rectitude. More rueful than 
ramrod-like, she is sometimes 
touching and even quite funny, 
as when she sits on the sidelines 
knitting like Madame Defarge 
while Manders is being conned 
by the wily carpenter, Engstrand. 
John Bellucci is a fiery and 
vulnerable Oswald, a tad affected 
perhaps,;~ but hilarious in his 
crude enthusiasm for the nubile 
Regina. Cherry Jones, as_ the 
wench in question, is pert enough 
and sly enough and healthy as a 
horse; but she’s awfully hip. And 
as Engstrand> her incorrigible 
dad, Jeremy Geidt, in his ratty 
muffler and pre-punk haircut, is 
both devilishly cunning and 
slightly sinister; no ghost story 
should be without such a spook. 
As for Epstein — an actor of 
some reputation whose bitter 
portrayal of the aging 
Shakespeare in Edward Bond‘s 
Bingo | particularly admired — 
his wimpy Manders is perhaps 
better classified as a failed ex- 
periment than as a bad job. 
Within its directorially imposed 
limits, the performance is credi- 
ble, but the strictures themselves 
are a disaster. 

It is ironic that Brustein should 
perceive Ghosts as a ghost story 
— ‘for there is more haunting 
going on than even he knows. 
Sure, there are the phantoms of 
“dead ideas and opinions and 
convictions,” thick enough and 
strong enough to shove “the 
whole of mankind,” as Ibsen 
wrote while composing the play, 
onto “the wrong. track.” And 
there are those ectoplasmic mani- 
festations of the captain and his 
paramour, lusting beyond the 
grave. But director ‘Brustein is 
haunted too — by critic Brustein, 
whose impassioned ideas about 
Ghosts he cannot quite make 
flesh. Having read Brustein on 
Ibsen, one feels that this produc- 
tion, however respectable, is but 
a shadow of what it wants to be. 


0 
Niagara 
Continued from page 5 
place in the lobby of the motel 
where the newly married couple 
are spending what's supposed to 
be their wedding night. But bride 
Jackie can’t bring herself to con- 
summate her marriage to the 
well-meaning but hopelessly un- 
tomantic Vinnie (the guy is so 
bland that even he compares 
himself to a Ritz cracker). As 


they walked down the aisle, she 
says, she saw their future: “I 
smelled every meal | was going 
to cook for you; I heard every 
fight we were going to have.” 
What wised her up, it seems, was 
a talk with her brother, who, she 
says, “has fun 24 hours a day.” 
She finds it touching that “he 
calls his friend his lover,” and 
she thinks they have “the most 
perfect relationship I’ve every 
heard of. Sometimes they sleep 
until 6 o'clock at night on Sun- 
days. Can you imagine: doing 
anything like that?” 

Vinnie is sympathetic but un- 
convinced. In fact, his philosophy 
of life is even more rudimentary 
than his mother-in-law’s. “You're 
born, you eat, you die, and that’s 
it,” he states. Only bums and 
Peter Pan get to live the kind of 
life that Jackie envisions. Gays 
can get away with it, he reasons, 
because nobody likes them; 
therefore ‘‘nobody tells them 
what it is they're supposed to 
do.” 

Despite the indications, 
Niagara Falls isn't a manifesto 
advocating the gay life. What 
Bumbalo is saying is that, viewed 
from the outside, the freedom 
gays have from certain restric- 
tions and expectations can be 
invigorating as well as upsetting. 
And though the straight 
characters in the play are 
amalgams of suburban and 
ethnic clichés, Bumbalo treats 
them with compassion as well as 
humor. Of the two acts (which 
were originally performed separ- 
ately), the first is more polished: 
the writing has greater depth, and 
Bumbalo achieves some scream- 
ingly funny moments without 
boxing his characters into narrow 
compartments. The piece struck 
me as a perfect vehicle for the 
husband-and-wife comedy team 
of Jerry Stiller and Ann Meara; 
but in this production by the 
Triangle Theater Company, Ann 
Brennan and Merrill Kabler make 
a convincing pair of long-mar- 
rieds. ; 

Niagara Falls’s second act is no 
less funny than the first, but it’s 
structurally flawed. For one 
thing, Bumbalo doesn’t make 
good enough use of the gay motel 
attendant who referees the new- 
lyweds’ argument; the play- 
wright sets him up for a cul- 
minating speech that ought to be 
the play’s highlight and then fails 
to deliver. The ending is also a 
cop-out — though if the writing 
were better, Bumbalo might have 
been able to camouflage its defi- 
ciencies. But Irene Ediger is a 
winning Jackie, and Oscar Koch's 
Vinnie. is a nice mixture of 
lumpishness and acuity. Kit Liset 
has directed with a fine feel for 
kitchen-sink humor. And given 
the Triangle Theater's budget 
limitations, which apparently 
precluded a kitchen sink for the 
Polettis, designer Weston Lant 
has created a wonderful tribute to 
America’s lower-middle class. | 
especially loved the John F. and 
Jackie Kennedy salt-and-pepper 
shakers — which elegantly de- 
fine the difference between the 
gay and straight sensibilities. In a 
straight kitchen, those shakers 
are just tacky; in a gay one, they’d 
be prized as high camp. 0 








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“i Thompson 


THE BOSTON PHOENIX, SECTION THREE, JUNE 1, 1982 


Continued from page 6 
“Pavanne’”), she is still one of the 
most pragmatic — and over- 
looked — post-feminist rockers 
of the last decade. Linda's amber 
vocals radiate such dignity and 
tough compassion, such shades 
of white soul, that they introduce 
a person far more fascinating 
than any persona. She opens up 
possibilities — an immediate, up- 
to-date sensuality, for one — that 
keep Richard from falling back 
on his folk-rock laurels. This 
tense, intricate teamwork separ- 
ates the Thompsons from John 
and Yoko, John and Beverly 
Martyn, Bob and Sarah, Ike and 
Tina Turner, and every real or 
mythical couple in the history of 
rock ‘n’ roll. 

The Thompsons’ under- 
standing of how a couple must 
struggle to share love — an 
understanding embodied in 
songs that become public explica- 
tions of their husband-and-wife 
bonds — remains their most 
exhilarating, disturbing, and 
direct source of material.‘ Their 
union has fostered an un 
paralleled series of pessimistic 
and calmly morbid originals and 
covers: “The Dark End of the 
Street” (Richard Thompson 
Live), “Ill Forget It All in the 
Morning” (Hokey Pokey), “Died 
for Love,” and “Strange Affair” 
(First Light), among others. Lin- 
da’s_ passionate plea in “For 
Shame of Doing Wrong” (Pour 
Down Like Silver) drips with 
guilt, and Richard’s “A Man in 
Need” (Shoot Out the Lights) is, 
as usual, defined by his deficien- 


cies. By dwelling on estrange- 
ment in all its disguises, the 
Thompsons argue that human 
creations like sex, affection, 
fidelity, and tenderness are frail, 


-potentially poisonous, and sus- 


tained by fumbling mortal 
endeavors. In Shoot Out the 
Lights, Richard sings ‘Don’t Re- 
nege on Our Love” with a 
convincing blend of anguish and 


anger, like a shrewd counsel for 


the defense of marriage. The 
lopping beat gives force to his 
reminders of emotional contracts 
“sealed with a golden band,” and 
the growl of the final guitar solo 
undercuts the piteous sentimen- 
tality that the lines “When my 
heart breaks/It breaks like the 
weather/If you leave me 
now/It'll thunder forever’ risk. 
Linda’s counterpoint is “Walking 
ona Wire,” a mournful complaint 
about the indifference that 
engulfs longstanding love. Her 
disappointment is equally ran- 
corous and tremulous: ‘This 
grind stone’s wearing me/Your 
claws are tearing me .... It’s too 
long, too long to myself.” The 
song cries out for the concern and 
resolve behind “Don’t Renege on 
Our Love,” and the intentional 
interplay between these two 
numbers is crucial. These two 
voices, with their complementary 
uncertainties, are marvelously 
suited for each other. 
* * * 


The rights that others have over 
vou 
— remember them. 
The rights that vou have over 
others 
.— forget them. 
— Sayenda Ali 


Paradise, Richard in- 
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with Mine” as a journey down 
the long corridors of the ‘60s: 
“Remember the be-ins? The 
protests?’’" ‘The _ illegitimate 
births?” Linda added. Besides 
singing Richard’s songs with a 
lighter, plainer touch than he 
could manage, Linda provides 
one or two forceful lyrics of her 
own per album (for instance, 
“Sisters,” on. Sunnyvista). Too 
bad that her “Did She Jump or 
Was She Pushed?” on Shoot Out 
the Lights is a shopworn saga 
about the unjust fate of an 
independent woman. You've 
heard all its grim particulars 
before, and surely the character's 
rebellion could be more precisely 
described than “She used to live 
life/She used to live life with a 
vengence.” Wisely, Linda passed 
over “Did She Jump or Was She 
Pushed?” In the show, she 
mesmerized the crowd with a 
penetrating, chilling performance 
of “Pavanne,”.a dream-inspired 
number from First Light. The 
song's lilting refrain, “Pa-vanne, 
Pa-vanne/Cold/Steel/Woman 
— Pavanne,” suggests a medieval 
round, and its deliberate pace 
matches the homicidal heroine’s 
calculation as she guns down her 
male victims. Linda defuses the 
expected folkie and feminist con- 
clusions — Pavanne is an 
aristocrat who murders not for 
money or revenge but for 
momentary thrills. A final turn of 
the screw comes in the last verse: 
“How do you. stop. this 
woman/When everyone is mov- 
ing in a trance/Like prisoners of 
some slow and courtly dance.” 
Unlovable Pavanne is less a 
person, finally, than one more 
hypnotic, mundane, vicious 
event holding the world in thrall. 

The Thompsons are dedicated 
Sufis, but they avoid invoking 
Islamic mysticism directly; as the 
old adepts of the Middle East 
insisted, those who need to know 
and who know how to look will 
find the message. In Sufism’s 
practical, here-and-now _ for- 
mulation, enlightenment is 
gained in earthly life. Death, 








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deceit, violence, and the rest of 
human rottenness cannot corrode 
the spirit any more than joy and 
romance can heal it. The essential 
earthly distinction is between 
those people who are awake, or 
striving to awaken (Pavanne, for 
instance) and those who are 
asleep, controlled by their habits 
and delusions (the socially 
responsible architects of Sun- 
nyvista,. for instance). Unlike 
most male folkies, Richard 
doesn’t endorse the values of 
anti-social. outcasts and blue- 
collar desperadoes; he writes 
songs about wild men and 
women because they're more 
alert. There's nothing heroic 
about the demented chap in 
“Shoot Out the Lights’’. who 
“Hides like a child’ and thinks 
“In the darkness the game is 
real/Real as a gun’ — only that 
his impulse to shoot out the the 
city’s bright lights rips away the 
comfort of artificial daylight. 
Sufism also adds a haunting 
tingle to “It’s Just the Motion” 
and “Wall of Death” on Shoot 
Out the Lights. When the 
Thompsons glided through “‘It’s 
Just the Motion,” the Paradise 
drifted toward coffee-house cozi- 
ness, as the crowd took-in the 
twilight-reprieve of the song. 
Indeed, its Iambent rhythms and 
Richard's chiming guitar ob- 
ligatos suggest a lullaby or a 
lyrical’hymn, but the tune asserts 
that the Motion, more un- 
fathomable than benign, some- 
times manifests itself as suffering: 
“It’s only the pain/That’s keeping 
you. sane/And gives you the 
mind to travel on/O the Motion 
won't leave you.” The ride is 
greater than the bumps and the 
breakdowns along the way. 
“The Wall of Death” ntakes a 
rousing finale for Shoot Out the 
Lights, and it’s a pity that the 
Thompsons left this number out 
of their show. Richard takes the 
lead. vocal on the’ record; it's 
unfortunate as well) that the 
Rafferty-produced arrangement 
featuring Linda isn’t included. 
The’ roller-coaster melody and 
the double-edged lyrics of “The 
Wall of Death” recall the playful- 
but-paralyzing Dylan_ rarities 
Richard once uncovered or The 
Basement Tapes — still, the 
wicked whimsy brought out by 
the Thompsons is unmistakably 
theirs. “The Wall of Death” mas- 
querades as a put-down from the 
carny kid who knows a secret 
ride. “You can go with the crazy 
people in the Crooked House. . . . 
The tunnel of love might amuse 
you/But let me take my chances 
on the Wall of Death/On the 
Wall of Death it’s the nearest to 
being free.’’ Shoot out the Lights 
gleams with rogue humanism 
and unpredictable ideals missing 
from current pop records and 
concert halls; with the 
Thompsons at the controls, con- 
fronting the unutterable on the 
Wall of Death is the grandest trip 
going in this famished summer of 
rock ‘n’ roll. Oo 


Classical 


Continued from page 7 

more comfortable with the 
music or with the orchestra. 
lransitions were thrillingly 
natural, and both pieces had 
an e\traordinarily unaffected, 
consistently focused center, 
Which is, of course, precisely 
what made possible all that 


freshness, freedom, and_ inti- 
macy. (The Philharmonic, by 
the way, has just announced a 
repeat performance of its 
marvelous Mahler Second — on 
October 11 at Carnegie Hall. 
Guess it's time we began sharing 
our private hoard.) 
* * * 

Toscanini knew that light mu- 
sic could be harder to play well 
than the standard “serious” re- 
pertoire (one of his most thrilling 
recordings was “The Dance of 
The Hours”). But today there are 
few Toscaninis. The Pops (May 
19) invited Christopher Keane, 
who conducts at the Met and the 
New York City Opera and is 
music director of the Syracuse 
Symphony and the new Long 
Island Philharmonic (LIP?) to 
conduct a program of old- 
fashioned Pops favorites — Sup- 
pé’s Light Cavalry Overture (ti- 
di-yum ti-di-dumb, ti-di-yum ti- 
di-dumb, ti-di-yum_ ti-di-dumb 
di-dee-YAH-DAH), Delius’s 
quietly enchanting “Walk to the 
Paradise Garden,” the William 
Tell Overture, the witty March 
from Prokofiev's Love for Three 
Oranges, Beethoven's Well- 
ington’s Victory, and a suite from 
Porgy and Bess featuring soprano 
Sarah Reese, baritone David 
Arnold, and the Tanglewood 
Festival Chorus. 

Things were going along fine at 
Keene's lively sock-it-to-’em pace 
(and some generally nice BSO 
sounds), until he decided to use 
Beethoven as a launching pad for 
tasty one-liners (‘It’s not played 
very often, and you're going to 
hear why’) and a comic “musi- 
cological’’ lecture (“The French 
are in big trouble, as you can 
plainly hear’). There was even a 
joke about Beethoven's hearing. 
Wellington's Victory isn't great 


‘Beethoven, but it’s perfect for 


Pops concerts, miles better than 
most of the. fruity arrangements 
that get played. If it’s laughable 
in spots, with its “Rule Britan- 
nia,” “The bear went over the 
mountain,” and “God Save the 
King,” do we really need some- 
one to tellsus when to laugh? 
Even at Pops it’s disturbing when 
someone forces us to laugh at the 
music. 

More frustrating was Robert 
Russell Bennett's filthy “sym- 
phonic picture” of Porgy and 
Bess, an overblown arrangement 
that Keene allowed to overwhelm 
both chorus and soloists. You 
could forget about hearing 
words. But some of the words are 
so familiar and memorable, you 
can hear them without hearing 
them. And where would you ever 
find more soaring, elegant, ex- 


_ pressive voices to sing them than 


Reese’s and Arnold’s (or get the 
chance to hear Reese as both Bess 
and Serena, Arnold as Porgy and 
Sportin’ Lif)? | can’t think when 
this great score — “Sum- 
mertime,” “My Man’s Gone 
Now,” ‘Bessie, You Is My 
Woman,” “I Got Plenty 0’ 
Nothin’,” or “It Ain’t Necessarily 
So’”” — has sounded so moving, 
so beautiful, so uplifting. “I wish 
they'd spend more time on the 
classics," | heard someone re- 
mark before the performance, 
“instead of on that Gershwin 
stuff.” No quéstion in anyone's 
mind afterward which was the ° 
real classic. Now John Williams 
ought to take a look at 
Gershwin’s original Porgy suite. 
It bombed in 1936, but it couldn't 
be worse than what Bennett got 
away with. O 











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All Performances 8:00 PM 


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492-7578 











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SATURDAY 29 





In its heyday, Chicago soul had a tremulous 
faith in understatement — in the ethereal pop 
moment. And as the heyday of Chicago soul 
was ending in the early ‘70s, the Chi-Lites 
gave the music its last sustained series of 
those moments: “Have You Seen Her,” “Get 
On Up,” and “(For God's Sake) More Power 
to the People.” With Eugene Record back 
making things happen, the Chi-Lites are 
experiencing their first hit in years, the 
tougher-minded “Hot on a Thing Called 
Love.” Which they undoubtedly will play at 
the Channel (25 Necco Street). Sets tend to 
start late there, so call 451-1905 for infor- 
mation. ~ 


SUNDAY 30 


It’s nice that the Muppets are visiting the 
Children’s Museum and all, but it’s also 
important for the working puppets of Boston 
to have outlets for their singing, dancing, 
acting, and modeling talents — which means 
principally the Puppet Showplace Theater 
in Brookline Village (32 Station Street, across 
from the Brookline Village stop on the 
Riverside line). Showplace puppets do two 
shows an afternoon, at 1 and 3 p.m. every 
Saturday and Sunday; tickets are $2.50. This 
weekend's offering is Folk “Tales of the 
Senecas, presented by the Showplace’s pup- 
pet ruler, Paul Vincent-Davis; in honor of the 
holiday weekend, there will also be shows 
tomorrow. For further details call 731-6400. 


MONDAY 31 


We can't imagine what a 50-piece Harmon- 
ica Choir would sound like (A sax section? A 
kazoo-playing mob? An organ?). At any rate, 
that’s what's playing tonight at the Tam, 1648 
Beacon Street in Brookline, Call 277-0982 if 


vou don't believe us. 


TUESDAY T 


Boston City Hall may or may not be a seat 
of government, but it’s definitely an art 
gallery. In fact, two exhibits are opening there 
today, one painting and one photography. 
Painter Sylvia Edwards-Golestaneh was 
born and trained in Boston and now lives in 
London; her watercalors,; pastels, and ink 
drawings will hang in the Main Gallery 
through June. Photographer Martha Friend 
has spent two years photographing brothers 
and sisters together; the resulting exhibit, 
“Siblings,” will be in the Scollay Square 
Gallery, also through June. 

Design Collaborative is. a gallery that 
recenthy opened in the Fort Point Channel 
Area (205 A Street, South Boston). And it’s 
having an opening as well: “Personal Oil 
Paintings and Drawings” by Pamela 
Moynahan,, who frequently uses almost 
photographic realism to create a’ surrealist 
atmosphere. Her exhibit will be shown till 
July 16; the gallery’s number is 269-1782. 


WEDNESDAY 2 


Listen to the sea, talk about the sea, eat the 
sea.-Mary Malloy, a staff member of the 
Peabody Museum in Salem and also a 
Folkways recording artist who sings and 
plays concertina, mandolin, fiddle, and tin 
whistle, will present a lecture/performance 
on songs of the sea at the museum at 11:30 
a.m., with a chowder lunch afterward. It’s 
$8.50 for music and food, and you need a 
reservation; call 745-1876. 

Playwright Ira Levin is probably best 
known for the film version of his novel 
Rosemary's Baby and for the play and movie 
versions of his Deathtrap. An earlier Levin 
play, Veronica’s Room, is being presented at 
Nucleo Eclettico II, 216 Hanover Street in the 
North End, Wednesdays through Saturdays 
at 8 p.m., starting tonight. Tickets are $5; call 
367-8056 for information and reservations. 





























Milo Miles, Kit Rachlis, and Stephen Schiff 
helped prepare this week's column. 





MARINE BAND 


Vi. CONCERT 
u 


Monday: 50 harmonicas 

















Friday: a scene from “But Then, 





Saturday the 5th: fair weather 





THURSDAY 3 


His films are among the most beautiful 
Hollywood ever produced, and his life was 
the stuff of legend. And yet most of his work 
is rarely shown in movie theaters any more. 
We're talking about the great director Josef 
von Sternberg, creator of The Blue Angel, 
Shanghai Express, and The Scarlet Empress, 
and the subject of an extraordinary retro- 
spective that starts this week at the Institute 
of Contemporary Art. The series kicks off 
tonight with his fifth film, the silent gangster 
movie Underworld (1927; shown at 6 and 8) 
and ¢ontinues tomorrow with The Last 
Command (1928; shown at 6 and 8); both 
films are shown Sunday starting at 4. For 
more information, call 266-5151. 


FRIDAY a 


These days the arts are left to sink or swim. 
Sculptor Robert Binning, who's determined to 
keep his art above water, is exhibiting a 
floating sculpture today, starting at noon, at 
the Esplanade lagoon by the Fairfield Street 
pedestrian overpass. There it will float till 
sunset, accompanied by. musicians from the 
Boston Conservatory of Music (assuming that 
the weather is clement). If not, Binning will 
try again Monday the 7th. 

Off the Wall's annual program Jazz 
Women, with a selection of vintage clips that 
feature the likes of Bessie Smith, Billie 
Holiday, Dinah Washington, Ella Fitzgerald, 
and Sarah Vaughan, offers a special treat this 
vear: Michelle Parkerson’s 1980 documentary 
“But Then She’s Betty Carter,” which 
includes interviews and concert footage of the 
great jazz singer. The show begins a week- 
long, run at Off the Wall tonight; for more 
information, call 354-5678. 

Violinist Nilla Pierrou, a frequent soloist 
with Europe's major-orchestras, rarely travels 
to the US, but you can hear her tonight at 8 — 
and for free — at Longy School of Music, 1 
Follen Street in Cambridge, near the Cam- 
bridge Common. She'll be playing, music of 
Mozart, Grieg, and Bartok (this last is a 
specialty of hers). For more information, call 
876-0956. 


SATURDAY ) 


Today is a good day to go to a street fair. In 
fact, today is a day when you almost can’t 
avoid passing, by one: The Back. Bay Street 
Fair will be going on along Marlborough 
Street between Berkeley and Clarendon, 10 
a.m. to 5 p.m., rain or shine. The Bay Village 
Street Fair will be on-Church Street, betw een 
Stuart and Tremont Streets, 11.a.m. to 5 p.m. 
(tomorrow if it rains). In the Public Gardens, a 
Victorian Promenade will start at 1:30 p.m., 
with lots of hoop skirts, high-wheelers, and 
ragtime music. And if you're tied up today, 
there’s the Huron Avenue Block’ Party, 
tomorrow from noon to 6 p.m. on Huron 
Avenue in Cambridge, between 
Fayerweather and Lakeview Streets. 

Defunkt, a sexen-piece (or so) funk-with- 
horns bafd, started as an after-hours jam 
session for ex-members of James Chance’s 
Contortions and grew into one of the leaders 
of New York’s 1979 punk-funk fusion. 
Defunkt’s vocal amperage won't give James 
Brown fans a shock (though it’s sure superior 
to Chance’s), but the crackle-and-scratch 
combination of trumpet and rhythm guitars 
nods ably to the JBs, and the songs about 
malignant love and urban unrest come fresh 
from the standard revised punk manual. 
Defunkt is not a shoo-in sharp évening (its 
two Hannibal albums finished out of the 
running), but considering the group's back- 
ground, you should take your chances. It’s 
playing at Spit (15 Lansdowne Street). 


SUNDAY 6 


Another opening, another brunch. Peasant 
Stock’s Sunday brunch theater, which began 
this spring with a presentation of two playlets 
from Bertolt Brecht’s Private Life of the. 
Master Race, has another offering ready to 
serve: Josef Bush's French Gray, a short play 
about Marie Antoinette’s last moments. Nora 
Sinclair will play Marie Antoinette, and if she 
equals her performance in the Brecht pieces, it 
should be well worth seeing. Brunch starts at 
1 p.m., by reservation only; call 354-9528. 


























2861 ‘| ANNE ‘JSYH1L NOILOAS ‘XINZOHd NOLSOS 3H1L 










































































THE BOSTON PHOENIX: SECTION THREE; JUNE 1, 1982 





SUNDAY 


1:00 (7) Basketball. An NBA championship game 
between Philadelphia and Los Angeles. 

2:00 (38) D-Day, the 6th of June (movie). Robert 
Taylor plays a lover boy on the Normandy beaches. 
it's the massed invasion of Europe, the single 
biggest military action since Genghis Khan or 
something, and this guy's mooning over some 
floozy. Well, we won anyway. From 1956. 

3:00 (2) American Playhouse: Oppenheimer, part 
three. Repeated from last week. The A team moves 
to Los Alamos, and JRO considers cracking under 
the strain of his responsibilities. 

4:30 (2) Were You There? Sports Profile. Career 
histories of Artie ‘the Octopus” Wilson, famed 
shortstop from the Negro baseball league, and 
1948 Olympic- ae old high-jumper Alice Coachman. 
7:00 (4) The ppets. Jim Henson and his fuzzy 
funsters are joined by special guest Sylvester 
Stallone. To add insult to stupidity, the folks at WBZ 
(the station that gave us last week's news-special 
features about how New Englanders would fare in a 
nuclear war — the local angle, you know) have 
bumped the regular second Muppet show in favor 
of a You Gotta |sic] Have Arts special. We were 
lucky enough to see the Children's Museum's 
current ‘The Art of the Muppets’’ exhibit press 
preview. By now the lines to get in must resemble 
the mob scene that stood and waited to see King 
Tut's material legacy a few years back, but 
whatever the wait, the exhibit is worth it. Seriously, 
it's beautifully set up, and the craftsmanship of the 
Mups is truly impressive. We came away convinced 
of the genius of Jim Henson and further convinced 
that the people at Channel 4 are really a bunch of 
fatheads for buying up Muppet shows and then 
never showing them. Go see the exhibit; think ugly 
thoughts about WBZ. 

7:00 (5) The Bad News Bears in Breaking Training 
(movie). Now there's a title that doesn't make a 
whole lot of sense. Anyway, the details didn't matter 
by the time this sequel came around. The cult had 
been formed. This 1977 baseball episode stars 
William Devane, Clifton James, and Jimmy Baio. 
7:00 (44) The Beaux Arts Trio at 25. The 
internationally acclaimed threesome celebrates its 
first quarter-century with a Beethoven show. Happy 
anniversary, Menahem, Isidore, and Bernard. 

8:00 (2) Nova: Life: Patent Pending. A \ook at the 
science of genetic engineering. and the business of 
same. When Wali Street takes notice, there's no 
telling what they'll engineer. Remember, it was Wall 
Street backing that financed the development of 
the Pinto. To be repeated on Wednesday at 10 p.m. 
on Channet 44. 

9:00 (2) Masterpiece Theatre: Flickers, part two. 
Arnie thinks of nothing but filmmaking. His bride is 
consequently less than passionate on their wedding 
night. To be repeated on Channel 44 on Monday at 
10 p.m. and on Friday at 9 p.m. 

9:00 (4) The Big Sleep (movie). Robert Mitchum 
plays Philip Marlowe in this 1978 snooze. Also 
Starring Sarah Miles, but even that shouldn't 
encourage you to waste your time. The thing is reset 
in England, and it just doesn't fly. In truth, it barely 
taxis. 

9:00 (5) Indianapolis 500. Same-day coverage of 
the endless roar from Indiana. 

10:00 (38) Baseball. The Sox vs. the Seattle 
Mariners. 

10:00 (44) ireland: A Television History: Parnell! 





(1875-1891). The scandalous tale of irish leader 
Charles Stewart Parnell. Repeated from last week. 
11:00 (2) Matters of Life and Death: Warriors’ 
Women. Profiles of five families facing various 
heavy problems with post-Vietnam readjustment. 
11:30 (4) War and Peace (movie). Yes, the long 
version. The Russian version. The version that if 
aired in its entirety would be on until 6 a.m. And this 
will be. Forget it, Marco Polo was enough of an 
endurance test. 

12:30 a.m. (5) Mata Hari (movie). The notorious 
WWI spy/vamp as portrayed by the Great Garbo. 
From 1932. Also starring Ramon Novarro, Lewis 
Stone, and Lionel Barrymore. 


MONDAY 


Noon (38) The indy 500 Festival Parade. The big 
names of formula racing on parade. We wonder 
whether a lot of them will try to pass on the turns. 
1:00 (2) A Star is Born (movie): Repeated from last 
week. Frederic March and Janet Gaynor star in the 
1937 version of this show-biz tragedy. 

4:30 (38) The Uncle Floyd Show. We don't really 
understand this, but it's meant to be a big deal. As 
best we can figure, this is a semi-spoofy kids’ show 
that's really for adults. Or “at least for the kinds of 
adults who still think Soupy Sales is a fit. Tune in 
and see for yourself. This will run daily and be 
repeated nightly at 11:30 p.m. 

8:00 (2) The Shakespeare Plays: Hamiet. Derek 
Jacobi stars as Shakespeare's all-too-metaphysical 
fall guy. Queen Gertrude is played by Claire Bloom, 
and Eric Porter plays Dutch uncle Polonius. Neither 
a borrower nor a blender be, kid. No, | think he said 
“fender.” 

8:00 (7) MORE. Channel 7's (or Channel V's if you 
go by the logo) monthly magazine-format news 
special this month features a report on uses for 
lasers (we'll pass, thanks), more damn China-trip 
highlights, and a profile of BSO institution Harry 
Ellis Dickson. 

8:00 (38) Sabotear (movie). WWII spy stuff, 








noteworthy only for its vintage (1942) and its stars © 


(Robert Cummings and Priscilla Lane) 
8:30 (44) Mount St. Helens: Why They Died. The 
story behind the eruption and the deaths as- 
sociated with it. To be repeated on Tuesday at 11 
p.m. on Channel 2. 
9:00 (5) Benny's Place (movie). Louis Gossett Jr. 
and Cicely Tyson star in an award-winning (the ABC 
Theater Award) play by J. Rufus Caleb. about an 
aging mill hand who balks at training his replace- 
ment. Hyped as powerful drama. 
10:00 (44) Masterpiece Theatre: Flickers, part two. 
Repeated from Sunday at 9 p.m. 
11:00 (44) Jack London with William Devane. 
Devane stars as the all-American author. To be 
repeated on Thursday at 10 p.m. 
11:00 (56) Saturday Night Live. Walter Matthau 
hosts. 
ht (5) The Manions of America (movie), part 

one Bometiing about ‘“‘the blazing pride and 
defiant loves"’ and bringing the melting pot to a boil 
in a lush sweeping saga. Pierce Brosnan and Kate 
Mulgrew star. 





TUESDAY 


2:00 (38) My Favorite Spy (movie). From 1942, we 
get Jane Wyman and the never-to-be-equaled Kay 





Kyser in a musical/comedy about a band leader 
who's so incompetent as a soidier that the 
overnment hires him as a spy. 

(2) Tinker, Tailor, Soldier, Spy, part three. 
Smiley takes a reconnaissance stroll down memory 
lane in search of the identity of the counterspy 
who's plaguing British intelligence. 

:00 (38) The Lost Weekend (movie). More Jane 
Wyman, this time with Ray Milland doing his Oscar- 
winning portrayal of an alcoholic. 

8:00 (56) The immigrants, part one. The first half of 
a TV adaptation of Howard Fast’s novel about old- 
country ethics in the new world. To be concluded on 
Wednesday starting at 8 p.m. 

9:00 (2) American Playhouse: Oppenheimer, part 
four. They've got the plans but lack the engineering 
to construct the bomb. They'll figure it out. To be 
repeated on Friday at 10 p.m. on Channel 44. 

9:00 (7) Basketball. The NBA bap ate series. 
9:00 (44) Pat Ewing and the A Dream. 
From a year or so ago. A WGBH documentary 
profile of Cambridge Rindge and Latin basketball 
superstar and all-around tall person Pat Ewing 
before he joined the Georgetown University Hoyas. 
11:00 (2) Mount St. Helens: Why They Died. 
Repeated from Monday at 8:30 p.m. 

11:00 (56) Saturday Night Live. Maureen Stapleton 
hosts Linda Ronstadt and Phoebe Snow. . 
Midnight (5) The Manions of America, part two. 


WEDNESDAY 


8:00 (2) Media Probes: Soundaround. A chat with 
the president of Muzak, the man responsible for 
bringing Glow Little Glowworm Bossa Nova to 
millions of weary shoppers. To be repeated on 
Thursday at 10:30 p.m. on Channel 44. 

8:00 (38) Class of ’44 (movie). Whatever happened 
to those obnoxious adolescents from The Summer 
of ‘42? Some of them went on to make this sequel. 
8:00 (56) The immigrants (movie), part two. The 
conclusion. 

8:30 (2) Mahler (movie). The biograpical movie by 
Ken Russell, starring Robert Powell. Quite the topic 
of conversation in classical-music circles in its day. 
Doesn't get much revival action any more though. 
10:00 (44) Nova: Life: Patent Pending. Repeated 
from Sunday at 8 p.m 

11:00 (56) Saturday Night Live. Cicely Tyson hosts 
the Talking Heads. 

Midnight (5) The Manions of America (movie), part 
three. The conclusion. 

Midnight (38) The Pad (and How To Use it) 
(movie). A 1966 Brian Hutton movie in the spirit of 
Richard Lester's 1965 The Knack (and How To Get 
't). Adapted from a play by Peter Shaffer. The story 
of a shy musician, the object of his lust, and the 
friend who helps him realize his goal. 











THURSDAY 


8:00 (56) Carrie (movie). Sissy Spacek stars in Brian 
De Paima's shocker about a high-school misfit who 
does what any reasonable person would want to do 
to a roomful of high-school kids. 

8:30 (2) Live from Lincoin Center: Two 
Philharmonics. We once performed with a 600- 
person mass band on the playing fields of Penn 
State. it didn't work. Some of us were halfway 
through the second fight song before we noticed 
that the back ranks hadn't finished the national 
anthem. Anyway, this concert features both the 
israel and New York Philharmonics on one stage 
under Zubin Mehta. Total musician population not 
counting Mehta will be 220. They’ll do some 
Tchaikovsky, some Bart6k, and Berlioz's “Sym- 
phonie fantastique."’ We'd rather they'd chosen 
Bolero. Simulcast on WGBH-FM (89.7 not 90). 





People die. Hoover was a case in point. A 
f the man behind the myth. We doubt very 


(56) Night Live. Bob Newhart hosts 
the Amazing Rhythm Aces. 


FRIDAY 


7:30 (2) Auction. The kickoff for the 1982 edition of 
the annual Channel 2 auction. Another round of 
thoroughly confused television production. If you 
still think this is fun, go ahead and buy something. 
They need the money. We can't, however, seriously 
suggest that anyone sit through more than a few 
minutes of this chaos. Through next week. 

9:00 (44) Masterpiece Theatre: Flickers, part two. 
Repeated from Sunday at 9 p.m. 

10:00 (4) impact: Doctors, Gods, and Heaiers. A 
look at the strain between doctors and their 
patients, and some new methods for bettering 
relationships between the ili and those who 
= their only hope for survival. More after the 


10:00 (44) American Playhouse: 
part four. Repeated from Tuesday at 9 p 
10:30 (38) Baseball. The Sox vs. At Calitornia 








ee, 


Angels. 
11:00 (56) Saturday Night Live. Candice Bergen 
hosts Frank Zappa. 
11:30 (4) impact: Doctors, Gods, and Healers. A 
follow-up panel discussion and call-in show. 

t (5) Fridays. Jamie Lee Curtis hosts 
Garland Jeffries. 


SATURDAY 


11:30 a.m. (2) The Private Life of Don Juan (movie). 
The 1934 extravaganza, starring Douglas Fairbanks 
as the Iberian pretty-face. Also featuring Merle 
Oberon. 

1:00 (2) Auction. Time to bid on the lawn-care 
products on the quickie board. 

6:00 (44) The Last Mile (movie). Preston Foster and 
Howard Philips star in a 1932 prison drama about 
death-row inmates who stage a revolt. 

8:00 (5) Someone | Once Knew. Dr. Tim Johnson 
hosts a documentary on Alzheimer's disease — a 
major cause of senility. 

8:00 (38) Planet Earth (movie). John Saxon stars in 
a 1974 sci-fi feature about a 20th-century man who 
makes it to the 22nd. Like Sleeper without the 
jokes. 

10:00 (4) NBC Reports: The Making of the 
President. He's actually a leftover Disney man- 
nequin from the New York World's Fair. No real 
details available. 

10:00 (38) Baseball. The Sox vs. the California 
Angels. 

10:00 (44) Jazz at the Maintenance Shop. Music 
from the Phil Woods Quartet. 

11:30 (5) Good News (movie).. June Allyson, Mei 
Torme, and Peter Lawford star in the famous but 
seldom seen 1947 remake of a 1930 college-humor 
production. The plot is not essential. This is the 
movie where they introduce The a, Drag. - 
11:30 (7) Guess Who's C to Dinner (movie). 
Tracy and Hepburn together for the last time in this 
1967 comic book for liberals. Great acting, brave 
script for '67, and Sidney Poitier's not bad either. 











OK 
ir waves. ...... 





SUNDAY 


MONDAY 





7:00 a.m. (WROR) Sundays on ROR. Lore Shelton 
and Lewis Robinson, two of the stars of Dancin’ in 
the Streets, discuss the musical revue now playing 
at the Next Move Theater. 

8:00 a.m. to noon (WBCN) Boston Sunday Review. 
A debate over the value of video games; an update 
on storing hazardous waste in Massachusetts; a 
look at where the Institute of Contemporary Arts is 
going and what the new exhibition is, with the 
director, David Ross; and an examination of hunger 
in Boston, with members of Project Bread. 

Noon to 5:00 (WBUR) The Sunday Show. This 
special Memorial Day program looks at the artistry 
that often springs from adversity and war, at the 
many monuments to war, and at the many songs of 
war. 

Noon to 8:00 (WHRB) A Short History of the Blues. 
An eight-hour review of the blues, from its Delta and 
Vaudeville roots to the urban era. 

2:00 (WGBH) Ford Hall Forum. Maya Angelou, 
author of / Know Why the Caged Bird Sings, delivers 
a talk upon receiving the “First Amendment 
Award.” 

3:00 (WERS) Live at Passim (live). A folk per- 
formance by Preston Reed. 

5:30 (WMFO) Great Atlantic Radio Conspiracy. 
George Lakey, founder of the Movement for a New 
Society and author of several books on non- 
violence, discusses the connections between 
violence and masculinity. 

6:00 to 10:00 (WBZ) The Lovell Dyett Show. Car! 
Holman, president of the Urban Coalition, dis- 
cusses its recent report on the urban crisis in 
America; at 7, Phil Hart, author of Cities, Suburbs, 
and Blacks, joins the discussion. 

6:30 (WBUR) Poems to a Listener. Jane Kenyon, 
author of From Room to Room, reads poems on the 


seasons. 
8:00 (WHRB) Historic Mozart Performances. Fritz 
Busch conducts the Chorus and Orchestra of the 
Glyndebourne Festival in a 1936 performance of 
Mozart's Don Giovanni. 
8:30 (WCRB) Sunday Opera House. Bernard 
Haitink conducts the Bavarian Radio Chorus and 


“Orchestra in Mozart's Magic Flute. 


9:00 ( ) Jazz Alive! A feature on the jazz 
piano, with 1981 performances by George Shearing 
and John Coates Jr. 

9:00 (WCOZ) Off the Record. Music and conversa- 
tion with Asia. 

10:00 (WGBH) Reading Aloud. The reading of Jane 
Langton’s new novel of suspense, Natural Enemy, 
concludes. 

10:30 (WGBH) Los Angeles Philharmonic. Myung- 
Whun Chung conducts Chihara’s Symphony No. 2 
(world premiére), Walton's Violin Concerto, with 
Kyung-Wha Chung, and Mendelssohn's Symphony 
No. 3 (Scottish). 

10:30 (WROR) Boston’s Other Voice. Part two of 
discussions about sexual preference, with Martin 
Weinberg of the Kinsey institute_for Sexual 
Research, and about lesbian mothers, with Jackie 
Forster, author of Rocking the Cradle. 

11:00 (WAAF) Bay State Rock. Performances by 
New England rockers Peter-Dayton a’ d the Lines. 
11:00 (WBOS) King Biscuit Flower Hour. Aldo 
Nova in a New York performance. 

Midnight (WROR) Mass Communications. Bob 
Thompson, host of the PBS television series Victory 
Garden, discusses home gardening and how to 
cope with the current threat of gypsy-moth 
caterpillars. 


8:00 a.m. through Tuesday (WHRB) Dead Air: 
Grateful Dead Orgy. A 50-hour portrait of a great 
American phenomenon, from the early days in San 
Francisco to this spring's East Coast tour. 
5:30 (WZBC) Caught in the Act. An hour-long 
weekly show on the arts in Boston, with reviews, 
interviews, news, and listings on movies, plays, 
books, concerts, museums, and galleries. 
6:30 (WGBH) The Spider's Web. ‘Petruckian."’ 
Once again, Jay O'Callahan brings to life another in 
the series of stories about the magical kingdom of 
Artana. 
6:30 (WBUR) Behind the News. Fox Butterfield 
discusses his two years as New York Times bureau 
chief in Peking. 
9:00 (WCRB) San Francisco Symphony. Erich 
Leinsdorf conducts Richard Strauss’s Don Juan, 
Schuller's Studies on Themes of Paul Klee, Barber's 
Adagio for Strings, and Franck's Symphony in D 
minor. 
10:00 (WGBH) Aloud. A reading of Edgar 
Allan Poe's ‘Tell-Tale Heart.” 
10:30 (WGBH) The Lord of the Rings. ‘Minas 
Tirith.”” Episode 18 of the BBC production of 
Tolkien's fantasy. 
Midnight (WITS) Larry King Show. Stephen 
Schlesinger, formerly with Time magazine and co- 
author (with Stephen Kinzer) of Bitter Fruit, reveals 
some new information on the 1954 CIA coup in 
Guatemala. 

t (WCOZ) Midnight Album. Jefferson 
Airplane’s Volunteers. 


TUESDAY 





look at what women have to go through to adjust to 
military life. 

7:00 to midnight (WHRB) The Art of Dennis Brain. 
Five hours of virtuoso performances by the English 
horn player. 

7:30 (WGBH) Reading Aloud. My Bondage and My 
Freedom. This reading of Frederick Douglass's 
history of struggle out of slavery continues each 
weeknight through June. 

8:30 (WMFO) On the Town (live). Flicks, a band 
from the North Shore, perform their original rock. 
9:00 (WCRB) Cleveland Orchestra. Andrew Davis 
conducts Elgar's Cockaigne Overture, Mozart's 
Piano Concerto No. 23, with John Browning, and 
Brahms's Symphony No. 4. 


THURSDAY 


Midnight to 10:00 a.m. ( The Lady Rocks. A 
musical tour of the important contribution women 
have made to rock ‘n’ roll. 
10:00 a.m. to 6:00 (WHRB) The Human Arts 
Ensemble Orgy. Eight hours of the new music from 
St. Louis, music that began in the late '60s under 
the leadership of percussionist Charles Bobo Shaw. 
- the Fi (WHRB 
qemnenn fe 
Armstrong's work fram 1923 to 1935. 
6:30 (WBUR) NPR Journal. ‘‘The Auto industry."’ A 
series of in-depth reports on why the US auto 
industry is having such a tough time competing with 
Japanese car makers. 
7:30 (WMBR) Rainbow Tales. A reading of a fairy 
tale by Bennett Blumenberg called ‘‘Melissa and the 
Green Dragon.” 
8:30 (Wi ) Live from Lincoin Center (live). Zubin 
Mehta conducts the Israel and New York 
Philharmonics in Tchaikovsky's Romeo and Juliet 
Fantasy Overture, Barték’s Miraculous Mandarin 
Suite, and Berlioz's Symphonie fantastique. 
Simutcast on Channel 2. 
9:00 (WCRB) New York Philharmonic. Raymond 
Leppard conducts a Purcell cabaret, with tenor 
David Britton and mezzo-soprano Hilda Harris, and 
Shostakovich's Symphony No. 5. 











4:30 (WGBH) The Spider’s Web. The Daughter of 
the Moon. This tale-of a girl growing up on crowded 
Chicago streets is heard each weekday through 
Friday. Note the new time. 
700 (WMBR) MBR . The new show 
premieres with a production of The Garden of 
Terror. e 

7:30 (WGBH) Aloud. A reading of selec- 
tions from Felicia Lamport's Light Metres; also, a 
visit with the author. Note the new time. 

8:00 to midnight (WGBH) Eric in the Evening. See 
Fave waves. 

9:00 (WCRB) Chicago Symphony. Georg Solti 
conducts Bart6k's Concerto for Orchesta and 
Bruckner’s Symphony No. 4 (Romantic). 

Midnight (WHDH) Paul Benzaquin Show. Dr. 
Judith Walker discusses her subcutaneous nerve- 
stimulation technique, which has revolutionized the 
treatment of pain 

Midnight (WITS) Larry King Show. William Sloane 
Coffin, senior minister of New York City’s Riverside 
Church, discusses his views on reversing the arms 
race. 





WEDNESDAY 


9:00 a.m. (WRKO) Dick Syatt Show. Richard 
Naegli, curator at the Stone and Franklin Park zoos, 
and Fred Kimball, animal psychic, discuss the lives 
and inner turmoil of caged animals. 

10:00 a.m. to 6:00 (WHRB) The Bob Brookmeyer 
Orgy. Eight hours of music from the jazz trom- 
bonist/pianist/composer/arranger, from his days 
as a sideman to his solo efforts. — 

6:30 ( “Women in the Military."” A 





FRIDAY 


Noon (WITS) Harley Gordon Show. Dr. Stuart Fine, 
from the Johns Hopkins Institute, discusses treat- 
ing the damaged eye with lasers instead of going in 
with a knife. 

8:00 (WGBH) The Lord of the Rings. ‘‘Shelob's 
Lair." Episode 19 of the BBC production of 
Tolkien's fantasy. Note that this is a new time and 
that there are no more Monday broadcasts. 

9:00 (WGBH) The Cantata Singers and Ensemble. 
The Singers celebrate the 250th anniversary of the 
birth of Franz Joseph Haydn with a performance of 
The Creation. 

9:00. OH) Hubert Jessup Show. David McClean 
of BU discusses unemployment and why the long 
lines are now wrapping around the block. 

11:30 (WGBH) Biues After Hours. A feature on the 
Zydeco blues of Louisiana, with music and con- 
versation with Rockin’ Dopsie and the Cajun 
Twisters. 








SATURDAY 


1:00 to 8:00 (WHRB) The Norman Blake Orgy. A 
five-hour review of Blake's 20-year career as 
guitarist, si , and mag ty 

2:00 (WCRB Chicago Lyric yric Opera. Gustav Kuhn 
conducts Beethoven's Fidelio; with Meier, Vickers, 
and Plishka. 

3:00 (WMFO) Ecomonics of Hunger. Sue Redlick, 
land-use planner for the Massachusetts Depart- 
ment of Food and Agriculture, ‘discusses what 
people in New England can do about world hunger. 





4:30 (WGBH) Cambridge Forum. MIT professor 
Rob Solow examines the social costs of the 
government's outrageous spending spree on arma- 
ments. 

6:00 (WBUR) The Adventures of Sherlock Holmes. 
“The Boscombe Valley Mystery."’ ‘The murder was 
done by a left-handed man carrying a biunt 
instrument, smoking a Trichinopoly cigar, and 
walking with a limp. Elementary, my dear Watson." 

6:30 (WBUR) The Adventures of Lord Peter 
Wimsey. Clouds of Witness, part two. Lord Peter 
discovers strange large footprints at the scene of 
the crime. 

8:00 (WCRB and WGBH) Boston Pops (live). Harry 
Ellis Dickson conducts Walton's Henry V Suite, with 
Leonard Nimoy narrating; and Nimoy performs 
excerpts from Shakespeare's Henry V. 

10:00 (WGBH) The Men with the Pink Triangle. A 
dramatic adaptation of the true story of a gay man's 
survival in Nazi death camps. 

10:00 (WBOS) Super Groups in Concert. A two- 
hour concert performance by Journey. 

11:00 (WGBH) Litany for Humanity. An examina- 
tion into why foreign lesbians and gay men are still 
forbidden from entering the US and how the 
international community responds to this restrictive 
US policy. 

11:30 (WGBH) Biues After Hours. A feature on the 
‘40s R&B of Joe Liggins. 
. 7 * 

Fave waves. WGBH has decided that once again it's 
time to shake up the gig schedule. For 
the most part, the changes, which will begirrthe first 
of June, make sense. Eric in the Evening, the 
popular nighttime jazz show, has expanded: it now 
airs straight through to midnight (Sunday through 
Thursday), with no break in the music at 10 p.m. 
Reading Aloud, which never did belong by itself in 
mid-evening, is now back at its old weekday siot of 
7:30. The various late-night.chamber music series 
from NPR, programs that were poor to begin with, 
have been dropped; the hour-long Chamberworks 
replaces them on weekdays at 6:30 p.m. The Los 
Angeles Philharmonic performances have been 
moved up to Sunday afternoons at 2 p.m. The 
Spider's Web has, appropriately, been moved up to 

4:30 in the afternoon, again on weekdays. 

Many shows air at the old times. Robert J., the 
laborious morning announcer, still has his classical 
hours, as does the afternoon MusicAmerica. 
Saturday afternoons are still devoted to folk music, 
and late-night weekends are still for the blues. 

The big changes are in the public-affairs shows 
from NPR, which seem to have gotten stuck in the 
leftover slots. The okay times are Sundays at 4 p.m. 
for Options in Education and 4:30 for Communiqué. 
And Cambridge Forum is now at 4:30 p.m. on 
Saturday. Even though weekends are pretty much 
killers for public-affairs shows, at least these 
precede All Things Considered, making for a nice 
block. The dumb idea is moving Horizons, the very 
fine documentary series, to Saturday night at 11 
p.m. Now really! All in all, though, the programming 
changes, which seem to be a response to listener 
tastes and preferences, are an improvement. Let's 
hope this is a schedule WGBH can live with for a 
while. 





WGBH 89.7 FM 
WHOH 850 AM 
WHRB 95.3 FM 
WITS 1510 AM 
WMBR 88.1 FM 
WMFO 91.5 FM 
WRKO 680 AM — 
WROR 98.5 FM 


WAAF 107.3 FM 
WBCN 104.1 FM 
WBOS 92.9 FM 
WBUR 90.9 FM 
WBZ 1030 AM 
WCOZ 102.5 FM 
WCRB 102.5 FM 
WERS 88.9 FM 











“SMS OTS wore ree) YS TOG 














Art listi 


GALLERIES 


ANDOVER GALLERY (475-7468), 91 N. Main St., 
Andover. Tues.-Sat. 9-5. Through June 5: con- 
Structed buildings, wall pieces, and works on 
paper by Gustaf Miller 
ARTWORKS EAST (523-7181), 62 Charles St., 
Boston. Through June 4: new work by Mickey 
Myers 
BOOKSMITH (536-4433), 753 Boylston St., 
Boston. Mon.-Sun. 9:30 a.m.-11:30 p.m. Through 
June 30: recent drawings by Melinda Greason. 
BOSTON CENTER FOR THE ARTS (426-5000), 
549 Tremont St.. Boston. Mills Gallery, Mon.-Fri. 
11-6. Through June 12: “Within,” works by 
Boston Center for the Arts artists. 
BOSTON CITY HALL, Govt. Center. Mon.-Fri 
10-4. June 2-30: “Images from Here and 
Abroad.” watercolors and pastels by Sylvia 
Edwards-Golestaneh. 
BOSTON PUBLIC LIBRARY (536-5400. ext. 2 16), 
Copley Square. Mon. 1-5, Tues.-Fri. 9-5. June 1- 
August 31: “The 17th-Century Church in New 
England.” prints. manuscripts, etc. 
BOSTON VISUAL ARTISTS UNION (227-3076). 
77 North Washington St.. Boston. Tues.-Fri 
11-6. Wed. 11-8. Sat. 11-4. June 1-25: “Figure as 
Form.” works by 10 artists. Reception June 4, 
7-9p.m 
BROMPFIELD GALLERY (426-8270), 30 Bromfield 
St.. Boston. Tues.-Sat. 11-5. Through June 18: 
paintings by Michael Dowling. Reception June 3. 
7-10 p.m 
BROOKLINE VILLAGE BOOKS & PRINTS 
(734-3519). 23 Harvard St.. Brookline. Mon.-Sat. 
11-6. Thurs. till 8 p.m. Through June: prints and 
watercolors by Barbara Lash. 
CAMBRIDGE ART ASSOCIATION (876-0246). 
25R Lowell St.. Camb. Tues.-Sat., 11-5. Through 
June 10: part li, winners in other media. 
CAMBRIDGE ARTS COUNCIL (498-9033) 
exhibit at the Loeb Drama Center. 64 Brattle St.. 
Camb.. daily 10-10, and at-City Hall Annex, 57 
inman St.. Mon.-Fri. 9-5. Through June 30: Joyce 
Bezdek and Jod Lourie 
CHAPEL GALLERY (244-2690). 60 Highland St.. 
West Newton. Thurs.-Sun. 1-4 p.m. Through 
June 6: paintings and drawings by Jocelyn Ajami. 
CLARK GALLERY (259-8303). PO Box 339, 
Lincoln Sta., Lincoln. Tues.-Sat. 10-5. Through 
June 19: works on paper by eight gallery artists 
CUTLER/STAVARIDIS GALLERY (482-4151). 
354 Congress St.. Boston. Tues.-Fri. 10-5, Sat 
noon-5. Through June 26: paintings by Domingo 
Barreres 
DESIGN COLLABORATIVE (269-1782). 205 A 
St.. Boston. Tues.-Sat. 10-3. June 1-July 16: 
photo-surrealistic oils and drawings by Pamela 
Moynahan. Reception June 4, 5:30-8:30 p.m. 
FANEUIL HALL, Upper Rotunda. Boston. Mon.- 
Sat. 11-6, Sun. noon-6 p.m. Through June 6: 49 
works from the Chase Manhattan Bank Collec- 
ion 
FEDERAL RESERVE BANK OF BOSTON, 600 
Atlantic Ave.. Boston. Mon.-Fri. 10-4. Through 
July 9: “The Intuitive Eye.” by South Shore Art 
Center artists 
GALLERY EAST (426-1940). 3 East St., Boston 
Daily noon-10 p.m. June 1-26: paintings by 
William Rand. Recpetion June 4, 7-10 p.m. 
GALLERY NAGA (267-9060). 67 Newbury St.. 
Boston, Tues.-Sat. 10-5. Through June 26 
landscapes. by Paul Shapiro 
GALLERY OF WORLD ART (332-1800), 210 
Needham St.. Newton Upper Falls. Mon.-Sat. 
9-5:30. Thurs. till 9 p.m. Through June 5: pastel 
and pencil drawings by Peggy Lawrence. 
GALLERY ON THE GREEN, 1837 Mass. Ave., 
Lexington. Tues.-Sat. 10-5. Through June 12: 
collages by Maud Morgan. clay sculptures by 
Audrey Bensley 
GATEWAY CRAFTS (734-1577), 62 Harvard St.. 
2nd floor. Brookline Village. Mon.-Fri. 10-4 
Handwoven shawls. scarves, silkscreens, 
ceramics, etc. by developmentally disabled 
craftsmen 
THE GLASS VERANDA (267-3779), 36 Newbury 
St.. Boston. Currently: “North Carolina Glass” by 
12 artists 
GRAPHICS 1 AND 2 (266-2475). 168 Newbury 
St.. Boston. Mon.-Sat. 9:30-5:30. Through June 
26: still lites by Linda Ptotkin 
IDEAL DINER (247-8249, 21 Huntington Ave.. 
Boston. Sun.-Thurs. 7 a.m.-10 p.m.. weekends till 
3 am. Through May 31: painted glass and 
photographs by Bonnie Griffith: 
IMPRESSIONS (262-0783). 275 Dartmouth St.. 
Boston. Tues.-Fri. 10-5:30, Sat. 11-5. June 3-26 
drawings by Paul Harcharik and English tand- 
scapes by Barbara Apel. Reception June 5, 3-5 
pm 
KINGSTON GALLERY (542-5694), 129 Kingston 
St.. Boston. Wed-Sun. 11-6. June 6-27: “New 
Suns.” paintings. drawings. sculptures, and 
masks by Thomas Workman and R.J. Oehler. 
LOADING DOCK GALLERY, 46 Waltham St. 
102, Boston. Wed.-Sat. noon-3 p.m. Through 
June 29: recent paintings on canvas by Antoinet- 
te Prince, recent works on paper by Gerald 
Shertzer. Reception June 4, 5-7 p.m. 
LOPOUKHINE NAYDUCH GALLERY (426-4973), 
354 Congress St., Boston. Wed.-Sat. noon-5 
p.m. Through July 30: selected works by Miroslav 
Antic, Ellen Banks, Morgan Bulkeley, Carlos 
Dorrien, Jim Jacobs, Thomas Liesegang, and 
Peter Pettus. 
MAGNUSON LEE GALLERY (262-5252), 8 New- 
bury St., Boston. Tues.-Sat. 10-5. Through June 
5: color photographs by Hans Namuth. 
MASS. HORTICULTURAL SOCIETY (536-9280), 
300 Mass. Ave., Boston. Through June 4: surreal 
landscapes and botanical screenprints by Tim 
Hamill. 
MOBILIA (876-2109), 348 Huron Ave., Camb. 
Tues.-Sat. 10:30-6. Through May 30: cloth 
pictures by Salley Mavor. 
NIELSEN GALLERY (266-4835), 179 Newbury 
St., Boston. Tues.-Sat. 10-5:30. Through Aug.: 
19th- and 20th-century prints and drawings. 
THE PICTURE SHOW, 102 Waltham St., Boston. 
Fri-Sun. 11-5. Through May 30: “The British Are 
Coming!’’, pop art. June 4-27: juried mural show. 
Reception June 4, 7 p.m. 
PROJECT GALLERY, 141 Huron Ave., Camb. 








Mon.-Fri. 9-5. Through June 18: “Designs in 


Paper” by Ruth Wilson and-Mikulka:--—— ~~ 


PRUDENTIAL TOWER LOBBY (236-3041), Bos- 
ton. June 2-25: graduating class exhibit of 
Montserrat School of Visual Art, Beverly. 
PUCKER/SAFRAI (267-9473), 171 Newbury St., 
Boston. Mon.-Sat. 10-5:30. Through June: paint- 
ings by Connecticut artist Gerald Garston. 
Through July 24: 14 gallery artists; reception 
June 5, 5:30-8 p.m. 

ROCKWELL GALLERY (354-6827), 69 Harvey 
St., Camb. Tues.-Sat. 2-5 p.m. Through June 17: 
“Quilts '82." 

ROLLY-MICHAUX (536-9898), 290 Dartmouth 
St., Boston. Tues.-Sat. 10:30-5:30. Through June 
12: etchings and lithographs by Joan Mirdé. 
SACRAMENTO STREET GALLERY (547-1062), 
20 Sacramento St., Camb. Sat. and Sun. 1-4 
p.m., Wed. 6-8 p.m. Through May 30: “Once 
Upon.a Cambridge: Photos and Paraphernalia.” 
SOCIETY OF ARTS AND CRAFTS (266-1810), 
175 Newbury St., Boston. Mon. 10-4, Tues.-Sat. 
10-5. Through June 25: moving sculpture by 
David Roy, fans and fibers by Pamela Vea Perry, 
jewely and constructed boxes by Heidi Wurlitzer. 
STUX GALLERY (267-7300), 36 Newbury St., 
Boston. Tues.-Sat. 10-5:30. Through June 19: 
sculpture by David Raymond. Reception May 29, 


3-5 p.m. 
THOMAS SEGAL GALLERY (266-3500), 73 
Newbury St. Boston. Tues.-Sat. 10-5:30 


Through June 5: experimental printmaking from 
San Francisco; “Chevrons,"’ hand-colored 
monotypes by Kenneth Noland; color Polaroid 
photographs by Olivia Parker. 

281 GALLERY (267-5279), 281b Newbury St., 
Boston. Tues.-Sat. 10-4. Through June 5: prints 
by Caroline DiNunzio, Leo Donahue, Ruth Adams 
McCahon, and Lynn Newcomb. 

WENNIGER GRAPHICS (536-4688), 164 New- 
bury St., Boston. Mon.-Sat. 10-5. Through June 
20: wood engravings and woodcuts by 18 artists. 


BOSTON’S MUSEUM OF TRANSPORTATION 








(426-6633), 300 Congress St., Boston. Tues.- 
Thurs. 10 a.m.-1 p.m., Fri.-Mon. 10-5. Admission 
$3.50, seniors $2; Mon. and Fri., $2 all ages. 


BROCKTON ART MUSEUM (588-6000), Oak St.. 
Brockton. Tues.-Sun. 12-5. Currently: “Kush: 
Lost Kingdom of the Nile,” ar 
discoveries from Sudan. Through June 27: 
current Boston-area painting and sculpture, 
photography influenced by the work of Minor 
White. 

CHINA TRADE MUSEUM (695-1815), 215 
Adams St., Milton. Tues.-Sun. 1-4 p.m. Ad- 
mission $3, seniors and students $1.50. Through 
June 27: rose porcelains of the Ch'ing Dynasty. 
DANFORTH MUSEUM (620-0050), 123 Union 
Ave., Framingham. Wed.-Sun. 1-4:30 p.m. 
Through June: lithographs by John Steuart 
Curry, Grant Wood, and Thomas Hart Benton. 
Through June 27: Bay State photography, 
German Expressionist prints. 

DECORDOVA MUSEUM (289-8355), Sandy 
Pond Rd., Lincoin. Tues.-Fri. 10-5, Sat. 12-5, 
Sun. 1:30-5. Admission $1.50, seniors and 
children 50¢. Through June 13: masterworks of 
“Super Realism.” 

ESSEX INSTITUTE (744-3390), 132 Essex St., 
Salem. June 1-Oct. 12: “Salem Witches.” 
INSTITUTE OF CONTEMPORARY ART (266- 
5152), 955 Boylston St., Boston. Tues., Thurs., 
and Fri. 11-7, Wed. 11-8, Sat. and Sun. 11-6. 
Admission $2, students and seniors $1, under 12 
50¢; free Wed. Through June 27: “Boston Now: 
Figuration,”’ current representational art. 

JOHN F. KENNEDY LIBRARY (929-4523), Co- 
lumbia Point. Dorchester. Daily 9-5. Admission 
$1.50. Currently: “An American Album,” auto- 
graphed photos of famous Americans. June 1-4: 
Hemingway memorabilia. 

MUSEUM OF FINE ARTS (267-9300), Boston. 
Tues.-Sun. 10-5, Wed. till 10; West Wing only: 
Thurs. and Fri. till 10. Admission $3 when entire 
museum is open; $2 when West Wing only is 
open; free for members and children; $2 for the 
elderly; free on Sat. 10-noon. Through Aug. 22: 
“New England Begins: The 17th Century." Call 
for information on related craft demonstrations 
and dramatic presentations. Also, exhibits on 
19th- and 20th-century woodcuts and American 
photography. 

MUSEUM OF OUR NATIONAL HERITAGE (861- 


6550), 33 Marrett Ad., Lexington. Mon.-Sat. 
10-5, Sun. noon-5:30. Currently: 19th-century 
folk art, “E.B. Luce, Photographer,” “American 
Tall-case _ Clocks,” _ “George Washington, 


Sci 
Park, Boston. Tues.-Thurs. 9-4, Fri..9 a.m.-10 
p.m., Sat. 9-5, Sun. 10-5. Adults $4.50, children 
5-16, elderly, students, and military $2.75; Fri. 
5-10 p.m., $2 adults, $1 others. Currently: the 
human brain, coral reefs. Also, “What You 
Always Wanted To Know About Astronomy” 
(planetarium 50¢ extra). 

PEABODY MUSEUM OF SALEM (745-1876), 
East india Square, Salem. Mon.-Sat. 10-5, Sun. 
and holidays 1-5. Adults $2; students and seniors 
$1.50, under 16 $1. Many exhibits on maritime 
and natural history. Currently: “American 
Traders in European Ports,” photographs of 
Native Americans, ‘Functional Weavina."’ 


PHOTOGRAPHY 


A STREET FRAMES GALLERY (268-2010), 205 
A St., Boston. Mon.-Sat. 10-6 p.m. June 1-30: 
Boston photographer Debbie Hird. 

BOSTON CITY HALL, Scollay Sq. Gallery, 1 City 
Hall Sq., Govt. Center. June 1-29: “Siblings,” 
photographs by Martha Friend. Reception June 
2, 5-7 p.m. 

BRENT SIKKEMA (266-9481), 216 Newbury St.. 
Boston. Tues.-Sat. 11-5:30. Through May 29: 
photographs by Olivia Parker. 

CLARENCE KENNEDY GALLERY (577-5177), 
770 Main St., Camb. Tues.-Sat. 11:30-5:30. 
Through May 29: photographs of Paris in the ‘30s 
by Lucien Aigner. 

FRAMERY, 11 School St., Rockport. Through 
June 13: Globe photographer Janet Knott. 
FRAMEWORKS (868-6798), 1967 Mass. Ave., 
Camb. Through June 30: “The Eye of the 
Beholder,” photographs by Carla M. Broman 
PROJECT (491-0187), 141 Huron Ave., Camb. 
Mon.-Sat.. 10-5. Through June 18: black-and- 
white photographs by Dean Dablow and Gary 
Cawood. 

ROBERT KLEIN (266-9481), 216 Newbury St., 
Boston. Tues.-Sat. 11-5:30. June 1-26: “No 
Man's Land,” photographs of Navajo border 
towns by Roswell Angier.Reception June 4, 5-7 
p.m 















6L 


ART INSTITUTE OF BOSTON (282-1223) 
Gallery East, 700 Beacon St., Boston. Mon.- 
Thurs. 9-5, Fri. 9-3. June 2-18: smalier works by 
Lenore Hill and Terence Batt. 
BRANDEIS UNIVERSITY 
Rose Museum (647-2403), Waltham. Tues.-Sun. 
1-5 p.m. Through June 20: works by Roberto 
Matta Echaurren. 
CAMBRIDGE CENTER FOR ADULT EDUCA- 
TION (547-6789), 42 Brattle St., Camb. Mon.-Fri 
9-5. Through June 7: paintings, batik, and tie-dye 
by Rose Tin Tin Sann Raschid. 
HARVARD UNIVERSITY 
Carpenter Center for the Visual Arts (495325 1), 
24 Quincy St., Camb. Tues. Sun. 1-6. Through 
June 9: “Killing Time,” photographs by Joe 
Steinmetz. Through June 6: aboriginal spear- 
throwing. 
Fogg Museum (495-2387), 32 Quincy St., Camb. 
Mon.-Fri. 9-5, Sat.10-5, Sun. noon-7. Through 
July 2: terracottas from the Arthur M. Sackler 
collection. Through June 26: ancient art acquired 
by George M.A. Hanfmann. 
Graduate School of Design (495-4122), 48 
Quincy St., Camb. Daily 9-5. Through June 5: 
sculptures by Walter Dusen ' 
Museum of Comparative . Through 
June: drawings by Nina Bohlen for Baboon 
Orphan. 
Harvard Semitic Museum (495-5656), 6 Divinity 
Ave., Camb., 2nd floor. Tues. 11 a.m.-9 p.m., 
Wed.-Sun. 11-5. Admission $2.50, seniors, stu- 
dents, and children $1.50. Through. June 20 
“Danzig 1939: Treasures of a Destroyed Com- 
munity.” 
Yenching Library (495-3395), 2 Divinity Ave. 
Camb. Mon.-Fri. 9 am.-10.p.m., Sat. 9-5. 
Through May 31: collages by Hisae Hasegawa. 
TUFTS UNIVERSITY 
Wessell Library (628-5000, ext. 235), Medford. 
daily 9 a.m.-11 p.m. Through June 24: “Desper- 
ation Dancing,” collages and drawings by Robin 
Winter. 
WELLESLEY COLLEGE (235-0320) 
College Museum. Mon.-Sat. 10-5, Sun. 2-5 
Through June 13: gifts of Wellesley alumnae, 
engravings of Marcantonio Raimondi 










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22 









edinis 
best live rock 
TONIGHT! 
THE CHI-LITES! 
“tot On A Thing Called Love” 
a kin 


THE ROCKIN’ HEARTBEATS 
Saturday, May 29 














From the U.K. 
An All Ages Show 


THE ANGELIC 
UPSTARTS 








JOE JACKSON — Beat Crazy (A&M) 
LEE MORGAN — Precrastinator 
(Blue Note 2 Rec. set) 

RESIDENTS — Commercial Album (import) 
PUCCINI — Turandot (RCA 3 Rec. set) 

TOM VERLAINE — Dreamtime (import) 
FUNKADELIC — Uncle Jam Wants You 


We buy, sell, and trade new, used, and 


rare records 








BOSTON’S . 
LARGEST 
ALTERNATIVE 
RECORD STORE 











$3.99 


$3.99 
$3.99 
$6.99 
$3.99 

99¢ 











¥02 with VILE 


6:00 pm © $4 ROCK 
(Ae ARNE 








THE ANGELIC 


UPSTARTS 
with JERRY’S KIDS 


9:00 pm @ Over.20 © $5 
¥102 Monday, May 31 






ROCK 



















Nu Muzik Revue 
RADIO ROMANCE/THE DARLEKS 
DISARRAY /RIFF RAFF 
Tuesday, June 1 


THE BOSTON PHOENIX, SECTION THREE, JUNE 1, 1982 













Don't Look Up! 


A FLOCK OF 
102 SEAGULLS ®écx 
with special eR THE NOVEMBER 


OUP 
Wednesday, june 2 








The Nu Muzik Face 
Offt! 


Your Favorite New 


Fri., June 18 


Ke Stompers} 


aboard Provincetown II 





Fri., June 18 


: Thurs., June 24 
TWO WAY STREET 





To place a listing: bring it or send it to Listings, 
Boston Phoenix. 100 Mass. Ave., Boston 02115 
by Monday before the Saturday when it should 


appear: each issue's listings run from that 
Saturday to Sunday of the following weekend. 
We can't take any listings over the phone: There 
iS No Charge. but your copy is subject to our 
revision and to space limitations. Theater listings 
are separate; send them to Play by Play, c/o Alan 
Stern. Classes. courses, workshops, and semi- 
nars are not listed here: call Phoenix Classifieds 
at 267-1234 to take out an ad under “‘instruc- 
tion.” We weicome photographs for possible 
inclusion, but can't be responsible for returning 
them 

NOTE: ABSOLUTE LISTINGS 

DEADLINE IS MONDAY 

AT5 P.M. 





ID 











Lies 


aboard the Commonwealth 





B. WILLIE SMITH 


Fri., June 25 





For ticket info & schedule contact: . 
i Best Cruise, 11 Beacon St., Boston MA 02108 742-4265 


LRA IOEEE CALLE CGRP. LLLLAL LL 











Bands 








Thursday, June 3rd 














THE 
PROFESSIONALS 


















featuring STEVE JONES and PAUL COOK 
Formerly of the Sex Pistols 














——e ROCK 
with KRAUT from NY 











and TSOL from LA 
Friday, June 4 














$2.50! Saturday Night 








Dance Party! 





with BOY’S LIFE 
SHRAPNEL from N.Y. 
PRIME MOVERS 














PHONE NUMBERS 
EMERGENCIES 


BOSTON POLICE: 911 

BROOKLINE POLICE: 734-1212 
CAMBRIDGE POLICE: 911 
SOMERVILLE POLICE: 625-1212 
STATE POLICE: 566-4500, 782-2335 
BOSTON FIRE: 536-1500 
BROOKLINE FIRE: 232-4646 
CAMBRIDGE FIRE: 876-5800 
SOMERVILLE FIRE: 623-1580 













































Saturday, june $ 








a Le: 





‘ i 








THE FIRST 


THE ODD COUPLE 













with special guests 
DIONYSUS 





















Sunday, June 6 














CIRCLEJERKS ‘X02 


. - 
eis 



































(Sorry — Chelsea Tour canceled) 
Thursday, June 10 


















THE ENEMY 




















JAMES MONTGOMERY 
MAXIUMUM DRIFT 
Friday, June 11 














































































































MEDICAL 
EMERGENCIES 


BOSTON-BROOKLINE: cali 911 

POISON: information Center, 232-2120 
SUICIDE: Samaritans 247-0220 

CAMBRIDGE AMBULANCE: 861-3400 

METRO AMBULANCE: Boston 288-6700. South 
Shore 843-2600 

CAMBRIDGE CITY HOSPITAL: 354-2020 
MASS. GENERAL HOSPITAL: 726-2000 

MASS. EYE & EAR; 523-7900 

BOSTON CITY HOSPITAL: 424-4075 

BETH ISRAEL HOSPITAL: 735-3337 

BRIGHAM AND WOMEN’S HOSPITAL: 
732-5636 
POISON AND 
232-2120 
PROJECT PLACE HOTLINE: 267-9150, 24°hours 
RAPE CRISIS CENTER, 24-hour hotline: 492- 
RAPE. immediate and continuing support, 
medical and leg! info, referrals. 

RAPE CRISIS HOTLINE serving Greater Lynn 
and North Shore. Call 595-RAPE for immediate 
and continuing support, medical and legal 
information. 

ST: ELIZABETH’S HOSPITAL: 782-7000 





INFORMATION CENTER: 





Because of space limitations, the rest of our 
“Aid” listings will appear once a month. Look for 
them in our June 29 issue. 





HILDREN 



















































































































































































$2.50!! Saturday Nite Thurs.. June 3 
Dance Party Réex 
Escape from NY Nite: 
LIQUID LIQUID 
A BLIND DOG STARES 
Saturday, June 12 Sat. June 5 
Weds, 
STEEL $msg : “ine 16 Local Hero: 
° Willie Alexander 
Exclusive NY & Boston ee 
Appearances only: ttl setts 
WAR OF THE WORLDS 
docx BAUHAUS ¥02 
MEETS THE — 
: Multiple. gene 
Coming Soon: : A Vid, en 
Boston Rock a Party - ee 60 
Ciena - June 25 Bis oo 
Sugarhill Gang/Sequence - June 26 ; | 
THE CHANNEL 1S NOW OPEN FOR - 
: vind 
pon't eave ag 
withou P _ 
Doors -* | 
Muse 56°82 at 19 py! 
Te Bes Pie Doaitiy® “% arg on 
13 Lansdowne Street 2622437 
Se SOSERS RE EFT: SS SRA EES: SN NMED ONNR GAEE CHET AMEN OREN DNNETEG 2 

















BETTY LEHRMAN, STORYTELLER, will present 
“Tales for the Telling,’ June 5 at 10 a.m. at the 
Arnold Arboretum. Admission $2; call 524-1718 
for reservations and directions. 

BOSTON BY LITTLE FEET, walking tours for 
ages 6-12. Fee $1 per person. Call 367-2345. 
BOSTON NEIGHBORHOOD BASKETBALL 
LEAGUE welcomes girls 12-19 years old; to 
register, call 725-4006. 

BOSTON PUBLIC LIBRARY, Copley Square, 
presents a free lecture/demo on the Sardana, a 
Catalan dance, May 27 at 4 p.m. in the lecture 
hall, downstairs. For group reservations call 
536-5400, ext. 328 or 334. 

CABOT ST. CINEMA THEATER (927-3677), 
Beverly, presents Marco the Magi and Le Grand 
David Sundays at 3 and 8:15 p.m. Adults $5.50, 
under. 12, $3.75. 

CAMBRIDGE FAMILY Y (876-3860), 820 Mass. 
Ave., Camb., now registering for Camp 
Massapoag in July and Aug. Call for 
CAMBRIDGE YWCA (491-6050), 7 Temple St., 
Central Sq., sponsors get-togethers for girls, 
canoeing, camping, swimming, and takirg.trips, 
Sat. at 1:30 p.m. Call for details. 

CAMP JOY, Boston Parks and Recreation 
Dept.’s program for special-needs children and 
adults, now accepting applications for its season 
July 12-Aug. 11. deadline June 1. Applications 
available at Boston Parks and Recreation Dept., 
room 816, Boston City Hall, Govt. Center. Cost 
$25. Call 725-3469 for information. : 
CHILDREN’S ART CENTRE (536-9666), 36 
Rutland St., Boston. Mon.-Fri. 2-5 p.m., Sat. 10 
a.m.-noon. Through May 30: “The Play of 
Musical Art,” by Barry V. Miller and children. 


June 1-July 15: paintings, drawings, and stitchery 
by Gertrude Van Allen Lafon. 
CHILDREN’S MUSEUM, Museum Wharf, 300 
Congress St., Boston (426-8855). Tues.-Fri. 10 
a.m.-9 p.m., Sat. and Sun. 10-5. Adults $4; 
children and seniors, $3; Fri. 6-9 p.m., half price. 
Through July 5: “The Art of the Muppets.” _ 
CHILDREN’S WORKSHOP, 1963 Mass. Ave., 
Camb. May 22 at 3:30 p.m.: Ratso P. Louise and 
Lizzie, puppet show. Admission $1.50; call 
354-1633. 
COOPER COMMUNITY CENTER, 1891 Wash- 
ington St., Roxbury, is accepting afterschool 
applications for youngsters 6-14. Parents should 
call 445-1813 Mon.-Fri. 9-5. 
DRUMLIN FARM, sponsored by the Mass. 
Audubon Society, South Great Rd., Lincoin 
(259-9807), offers outdoor and farming activities. 
Wagon and: sleigh rides 1-3 p.m., 50¢ extra. 
Admission $1, under 16 50¢. 
FRANKLIN PARK (442-0991) and STONE 
(436-3662) ZOOS are open year round. 
HABITAT INSTITUTE FOR THE ENVIRONMENT 
(489-3850), 10 Juniper Rd., Belmont, offers 
nature programs for children. Call for information 
fees. 
MORGAN MEMORIAL FRESH AIR CAMP begins 
June 26: for applications, call 
NEW ENGLAND AQUARIUM (742-8870), Central 
Wharf, Boston. Mon.-Thurs. 9-5, Friday 9 a.m.-9 
p.m., Sat. and Sun. 9-6. Adults $5, under 15, $3, 
students and seniors $4. Through Sept.: “Frogs 
and Toads.” 
NEWTON JUNIOR LIBRARY, 126 Vernon St., 
Newton, presents free children's films Tues. at 
2:30 p.m. June 1: “The Happy Prince’ and 
“Varda, the Peregrine 
PEABODY MUSEUM (745-1876), East India Sq., 
Salem, presents “All about Fishing,”’ June 5 at 
10:30 a.m. Children $1.50; accompanying adults 
free. 
PUPPET SHOWPLACE (731-6400), 32 Station 
St., Brookline Village, presents puppet per- 
formances Sat. and Sun. at 1 and 3 p.m. Tickets 
$2.50. May 29, 30 and 31: Folk Tales of the 
Senecas, with Paul Vincent-Davis. June 5 and 6: 
“The Lion and the mouse” and “The Three Little 
Pigs,’ with the Cranberry Puppets of Mary 
Churchill (8th birthday of Puppet Showplace). 
SOMERVILLE PUBLIC LIBRARY (623-5000, ext. 
43), Highland Ave. and Walnut St., Somerville, 
presents preschool films June 4 at 10:30 a.m.: 
“Whistle for Willie,”’, “A Story, a Story,” “Story 
About Ping,” ‘Letter to Amy.” 
TRAILSIDE MUSEUM (333-0690), 1904 Canton 
Ave., Milton, offers nature activities for children. 
Admission $1, children 50¢. May 29, 30, and 31: 
story hour at 10:30 a.m., food chain lecture and 
nature walk at 2 p.m. 





LUBS 


ADELPHIA RESTAURANT AND LOUNGE 
(288-5607). Dorchester. Country, oldies, disco. 
AHMED'S (547-9382 or 876-5200), 96 Winthrop 
St.. Harvard Sq.. Camb. Intimate dance bar with 
impressionistic prints below the restaurant. Tues. 
Sun. 9 p.m.-1 a.m.; till 2 a.m. Thurs.-Sat. Esther 
John plays baroque flute Wednesdays and 
Thursdays. 7-10 p.m. 

THE ARK (247-9548), 835 Beacon St., Boston. 
Tues.: College night; Thurs.: 2 for 1. 

THE ATRIUM, 50 Church St.. Camb. Café 
Lounge (491-3749) features jazz every night. 
Mon: Ed Perkins and Ed Friedland. Tues.-Thurs.: 
Jamie Baum Quartet. Fri.-Sun.: John Shapiro 
Trio. In the Cafe Atrium (491-3745), Michael 
Redo plays contemporary harp Sun.-Thurs. 
AVEROF (354-4500). 1924 Mass. Ave., Camb. 
Music and belly dancing nightly from 7:30 p.m. 
No dress code: no cover charge. 

BACKSTAGE (338-8827 or 648-8700), Charles 
Playhouse. 76 Warrenton St., Boston. Tues.- 
Sun.. 9 p.m.: Comedy Connection, with open 
mike nights Tues. and Wed " 
BELOW DECKS (267-8165). 745 Boyiston St., 
Boston. Jazz Mon. and Tues. May 29: Luanne 
Crosby Band. May 30: Kenje Ogata. May 31: 
Suzanne Perel Trio 

BENTLEYS CAFE (723-3368), 177 State St., 
Boston. Variety 

BLACKBURN TAVERN (263-9108), 2 Main St., 
Gloucester. Every Fri., 4-8 p.m.: happy hour with 
Jim Moses. May 29: Paula Veck Band. May 30: 
Rick Chaff Band. June 1: Jamie Newell. June 2: 
Barry Michaud & Linda Blaze. June 3: Lost Time. 
June 4 and 5: Joe Lilly Band. June 6: Pony 
BOOKSTORE CAFE (367-5078). South Market, 
Faneuil Hall, Boston. Full bar and food menu; 
open 10 am.-160 p.m. Mon.-Wed., 10 a.m.- 
midnight Thurs.-Sun. Live jazz Thurs.-Sun. No 
cover. 

BOSTON COMEDY CLUB (491-7313), 823 Main 
St.. Camb. 

BOSTON FISH HOUSE (244-2710), 227 
Needham St., Newton, exit 56E off Rte. 128. Mon. 
at 9:30 p.m.: Mike McDonald's Comedy Show- 
case. No cover. 

BUNRATTY’S (254-9804), 186 Harvard St., 
Allston. Large dance floor and separate game 
room. $1 cover. May 29 and 30: the System. 
CAN-TAB LOUNGE (354-2685), 738 Mass. Ave., 
Central Sq.. Camb. Jazz jam sessions with 
Spirals each Sunday, $1. 

CANTONE’S (338-7677), 69 Broad St., Boston. 
New wave. May 29: the Real Kids. 
CELEBRATION (536-1950), 533 Comm. Ave., 
Boston. Good times rock 'n’ roli music. Cover 
varies. . 

THE CHANNEL (451-1905), 25 Necco St. 
Boston. May 29: the Chi-Lites. May 31: the 
Angelic Upstarts, Vile, Jerry's Kids. June 2: A 
Flock of Seagulls, November Group. June 4: the 























Professionals. June 5: Boys Life, Shrapnel. June 
6: The First..fhe Odd Couple, Dionysus. 
CHAPMAN'S RESTAURANT (588-1179), 610 
Oak St.. Brockton. live entertainment Thurs.- 
Sat.: folk-rock, jazz, original. 
CHATHAMS CORNER (227-6454), 8 Commercial 
St.. Boston. Thurs.-Sat.: folk music. 
CHI-CHI'S (491-2040). 1001 Mass. Ave., Camb. 
Jazz brunch Sundays, noon-3\p.m., with Gary 
Jones & Caliente 
CHRISTOPHER'S RESTAURANT AND PUB 
(876-9180), 1920 Mass. Ave.. Camb. May 29: 
Lost in the Shuffle 
CITYSIDE RESTAURANT AND BAR (742-7390), 
262 Faneuil Hall Marketplace, Boston. Sun.: 
Smith & Sullivan. Mon. and Thurs,: Sonny 
Watson's Jazz Quintet. Tues. and Wed.: North 
Shore A Cappella. No cover; proper dress. 
CLUB NEW YORK (535-3033). Rte. 1. Peabody. 
Disco upstairs: rock downstairs. 
CLUB Ili (623-6957), 608 Somerville Ave., Som- 
erville. 
COBBLESTONE RESTAURANT (242-3344), 412 
Medford St.. Charlestown. Sundays, 4-8 p.m.: 
jazz jam sessions with the Eddie Ellis Quartet: 
musicians invited. No cover. 
COLONNADE HOTEL. Café Promenade (424- 
7000). 120 Huntington Ave., Boston. Pianist Rich 
Kuethe plays Tues.-Sun. from 7 to 11 p.m., Fri. 
noon-2 p.m. and Sun. 11:30 a.m.-2 p.m. The Bar 
at Zachary’s (261-2800) features the Lynn Stuart 
Trio Mon.-Sat. 9 p.m.-2 a.m 
COPLEY PLAZA HOTEL (267-5300). Copley Sq., 
Boston. Boogie-woogie pianist Sam Price ap- 
pears Mon.-Sat. 9 p.m.-1 a.m. in Copley's Bar. in 
the Plaza Bar, Mon.-Sat.: Neil Olmstead -piays 
4:30-8:30 p.m.. Eddie Heywood, Jr. 9 p.m.-1 a.m. 
COPPERFIELDS (247-8605). 98 Brookline Ave., 
Boston. Every Monday: the Rhythm Method. 
Every Sun. and Wed.: Gordie Milne z 
CYRANO'S (254-0003). 200 N. Beacon St., 
Brighton 
DANCIN' (266-7050). 590 Comm. Ave.. Boston. 
Cover varies. casual dress 
DING HO (661-7700). 13 Springfield St., Inman 
Sq.. Camb. Comedy Tues.-Sun. Wed.: open mike 
night. Thurs. and Sat.: Comedy All-Stars. Fri. 
Don Gavin, Sun.: Steve Sweeney 
DON'S PUB (864-0400). 512 Mass. Ave., Camb 
Biues Wed -Sun 
DOUBLES (236-2000). Sheraton-Boston Hotel. 
Mon.-Fri. 11 a.m.-2 a.m.. weekends 6 p.m.-2 a.m. 
Singer pianists Napua Davoy and Yasuko 
Ishibashi. Elegant 
DOYLE’S (524-2345), 3484 Washington St.. 
Jamaica Rtain. Food. drink, dancing 
ED BURKE'S (566-9267). 808 Huntington Ave.. 
Boston. June 4: Stovall Brown. June 5: the Urge 
ELIOT LOUNGE (262-8823). Mass. and Comm. 
Ave.. Boston. Live music nightly. Mon. and Tues.: 
jazz nights: Thurs.: 11th Hour Blues Band. Fri.: 
Chris Jones and the Regulars 
EXCUSE ME CLUB (284-9506). 20 Ocean Ave.. 
Revere Beach 
THE FAN CLUB (357-5050). 77 Warrenton St. 
Boston. Pianist nightly. disco dancing. music by 
Lynne Olson. Dinner 6 p.m.-1 a.m. 
THE FIVE SEASONS (524-90 16). 669 Centre St.. 
Jamaica Plain. Folk 
FOREIGN AFFAIRS (720-2463). 189 State St.. 
lower level. Boston. Soft rock. 
FRIENDS & CO. (742-8027). 199 State St., 
Boston. 
FROGG LANE BAR & GRILLE (720-0610). 
Faneuil Hall Marketplace. Boston. Wed.: Mark 
Kopenits Quintet. jazz. 
FROLICS (465-8400). Salisbury Beach. Tues.: 
female Jello wrestling. May 29 and 30: QT Hush. 
May 31: Private Lightning. Johnny A’s Hidden 
Secret, the T's. ; 
GATSBY’S (247-8848), Park Sq., Boston. Small, 
casual pub; no dancing or cover 
GEORGIES’ (661-1671), 1671 Mass. Ave., Camb 
DJs and disco 
GLASSHAT LOUNGE (569-1100), above Mam- 
ma Catina, 160 London St., East Boston. Jazz on 
Sundays. 
GREAT SCOTT (566-9014), 1222 Comm. Ave., 
Allston. Every Mon.: Bruce & Marshall Rock 'n’ 
Roll Duo. May. 29: Crockett. June 2: Ruckus. 
THE GROG (465-8008), 13 Middle St., New- 
buryport. May 29: Last Round. May 30: 
Tumbleweed Junction. 
THE GROUND ROUND (247-0500), Prudential 
Center. No cover. May 29: Crosswinds. 
HASTY PUDDING CLUB (876-8923), 12 Holyoke 
St., Harvard Sq., Camb. Jazz Mon. nights. May 
31: jazz video orgy. 
HEADLINERS NORTH (603-889-8844), 14 Rail- 
road Sq., Nashua, NH. May 29: Déja Vu. June 
3-5: the Branches. 
HYATT REGENCY (492-1234), 575 Memorial 
Drive, Camb. Mon.-Thurs.: Burt Seager Duo. Fri. 
and Sat. Burt Seager Trio. 
IDLER’S BACK. ROOM (492-9639), 123 Mt. 
Auburn, Camb. Every Mon.: hoot with Bob 
Halperin. May-28: Paul Geremia. May 29: Post 
Cards. May 30: Mimi Jones, May 31: anti-nuke 
benefit. June 1: Nathan Bell and Bob Halperin. 
June 2: Carol Goodman. June 3: Sharon 
Lundsford. June 4: Cormac McCarthy: June 5: 


INN-SQUARE MEN'S BAR, ladies invited 
(491-9672), 1350 Cambridge St., Camb. May 28: 
Planet Street, the Sex Execs. May 29: Memphis 
Rockabilly Band. May 30: Midnight Traveler. May 
31: the incredible Casuals. 

4.D.'s BARN (277-1200), 1200 Beacon St., 
Brookline. Thurs.-Sat.: Sanchia Pascale and 
Nitefall. 

JACKS (491-7800), 952 Mass. Ave., Camb. May 
29: New Models, Ooh-Ah-Ah. May 30: Body & 
Soul. 

JASON'S (262-9000), 131 Clarendon St., Boston. 
JASPER’S (625-4975), 379 Somerville Ave., off 
Union Sq., Somerville. Every Wed.: the Echoes, 
‘60s rock ‘n’ roll. May 29: the Make, Brass. May 
30: Joyce & the Excitable Boys. June 1: 4th 
anniversary party 

JONATHAN SWIFT'S (661-9887), 30 Boyiston 


St., Harvard Sq., Camb. May 29: Mission of 


Burma, Primary Colors. May 30: Healin’ of the 
Nation, reggae. June 1: John Lincoin Wright 
June 2: Duke Robillard Band. June 3: John 
Renbourn and John Fahey. June 4 and 5: Max 
Creek (Dead tribute). June 6: Sugar Minott & 
Jackie Mittoo, with Roland Alfonso, reggae: 
Evolution. 

JUMBO’S (623-9508), 1133 Broadway, Somer- 
ville. May 29: Maximum Drift, Secret Word. 
KING’S ROW fi (254-0710) at Sammy White's, 
1600 Soidiers Field. Rd., . “xhton. Oldies bands 
Fri. and Sat. 

KINVARA PUB (254-9737), 34 Harvard Ave., 


Allston. Sun.: John Lowbridge. No cover, free 
parking. May 29: Rick Woods. 
KIX DISCO BAR (266-7050), 590 Comm. Ave., 
Kenmore Sq., Boston. Proper dress. Over 20. 
LANDMARK CAFE (227-9660), 300 North Mar- 
ket Building, Faneuil’ Hall Marketplace, Boston 
Live entertainment nightly. 
LAST HURRAH (227-8600), Parker House, Tre- 
mont and School Sts., Boston. Mon.-Sat. nights 
and Sun. brunch: Ed, Bill & Bo Winiker Swing 
Orchestra. 
LENOX HOTEL (536-5300), 710 Boyiston St., 
Boston. In Diamond Jim's piano lounge, Mon.- 
Sat. 5-8 p.m.: Ella Hall. Mon. and Tues. 8:30 
p.m.-1:30 a.m,: Chuck Kriner. Wed.-Sat. 8:30 
p.m.-1:30 am.: Ellen White. Gun. 8 p.m.- 
midnight: Ed Perkins Trio. 
LI'L EARL’S ROCK & ROLL ROOM (283-1367), 
301 Main St., Gloucester, end of Rte. 128 north. 
May 29: Midnight Traveler. May 30: Drumm 
McDowell. June 4: Bertin Airlift. June 5: the Fools. 
LOGAN AIRPORT HILTON (569-9300), East 
Boston. Dancing; no cover or minimum. Ai Vega 
Trio and singers Mon.-Sat. Talent showcase 
Fridays. 
MACDONALD’S (524-9684), South and McBride 
Sts., Jamaica Plain. Sun.-Wed.: movies. Thurs.- 
Sat.: live music. 
MAVERICKS (423-4333), 112 Broad St., Boston. 
May 29: the Slicky Boys, the Decoders. May 30: 
Mickey CLean & the inner City, Face Lift, Disturb 
Furniture. 
MCNASTY'S (536-2509), 88 Queensberry St.. 
Boston. Rock ‘n’ roll. May 29: Allen Estes Band. 
May 30: the Neighborhoods, the Neats, 007. June 
3 and 4: the Lines. 
THE METRO (262-2424), formerly Boston-Bos- 
ton, 15 Lansdowne St., Boston. Live and 
recorded music, video, more. 
MIDDLE EAST RESTAURANT. (354-8238), 4 
Brookline Ave., Central Sq., Camb. Middle 
Eastern entertainment. 
MR. C's ROCK PALACE (454-5557), 111 
Thorndike St., Lowell. Cover varies. May 29: 
Shaboo All Stars. June 3: Meliah Kraze. June 4: 
"Doc Holiday. 
MODERN TIMES CAFE (354-8371), 134 Hamp- 
shire St., Camb. June 3: Lorenz, solo piano. June 
4: Blair Thaw, folk-country ($2 cover) 
MY PLACE (742-3922), 266 Commercial St. on 
the Waterfront, Boston. No cover or minimum. 
Live sounds Fri. and Sat., jazz. 
NARCISSUS (536-1950), 533 Comm. Ave., Ken- 
more Sq., Boston. Recorded dance music, 
computerized neon lighting, three dance fioors. 
NICELY, NICELY’S (367-6464), 64 Chatham St., 
Boston (Faneuil Hall area). Dixieland. Sun. 4-8 
p.m.: Crazy Ed Barnaby's oné-man band. 
NICK'S COMEDY STOP (482-0930), 100 War- 
renton St., Boston. Every Fri.: Chance Langton 
comedy show. Every Sat.: Don Gavin show. 
Tickets $5. Tues.-Sat.: singer-pianist Toby Hall 
(no cover). 
NOSTALGIA (479-8989), Wollaston Beach Bivd., 
Quincy. Proper dress. June 1: Five Alive. 
OXFORD GRILLE (876-5353), 36 Church St., 
Harvard Sq. (behind the Coop), Camb. Mon.: 
John Payne & his Sax Choir. Tues.: Tim Taylor. 
Wed.: Smith & Sullivan. Thurs.: Hennhouse. May 
29: Night Runner 
PAGE CAFE, 1667 Biue Hill Ave., Mattapan. 
PAPILLON (536-8495), 1353 Beacon St., 
Brookline. Light food, beer, and wine. Live jazz 
Wed. and Thurs. nights. 
THE PARADISE (254-2052), 969 Comm. Ave.. 
Allston. May 29: Richard Nolan & Third Rail, the 
Roamers, Prime Movers. June 3: Andy Pratt 
Band, Face to Face. June 4: Gun Club. June 5: 
Livingston Taylor. June 6: the Eggs, Dish, Jess 
Leary. 
PARK PLAZA HOTEL (426-2000), Arlington St. 
at Park Plaza, Boston. Three piano bars daily 
from 4:30 p.m. till 2 a.m. 
PASSIM (492-7679), 47 Palmer St., Harvard Sq. 
Folk music. May 29: Kim Wallach, Lee Baird. 
June 3: Spider Bridge, bluegrass. June 4-6: Rory 
Block, Willy Claflin. 
PB SHARON'S (367-1540), 14 Marshall St. 
Boston. Saturday nights: Frank Conroy, piano; 
Charles LaChapelle, bass. 
PEASANT STOCK (354-9528), 415 Washington 
St., Somerville. Classical music, by reservation 
only, Tues.-Thurs. June 1: violist Betty Hauck and 
pianist Dragana Bajalovic play Brahms and 
Schumann. June 2: the New England Woodwind 
Quintet plays Mozart, Haydn, and Barber. June 3: 
Romantic music played by flutist Constance 
Boykan, cellist David Fink, and pianist Bertica 
Cramer. Sunday brunch theater, opening June 6: 
Josef Bush's French Gray, with Nora Sinciair. 
THE PIER (426-6890), 145 Northern Ave., Bos- 
ton. Tues.: Lenny Clarke. Thurs.: Shoes. Fri.: the 
Cheaters. Sat.: J.D., Billy & Ken. Sun.: Dickie 
McManus & the Irish Revolution. May 29 and 30: 
Mac's Mob. 
PIZZERIA UNO (497-1530), 22 John F; Kennedy 


Hadlock. 

PLAY IT AGAIN SAM (232-4242), 1314 Comm. 
Ave., Brighton. Thurs.: open mike comedy. Fri.: 
Comedy All Stars. Sat.: Chance Langton and the 
Comedy Ali Stars. Sun.: D.J. Hanard and the 
Comedy Squad. 


. THE PLOUGH AND STARS (492-9653), 912 


Mass. Ave., Camb. Folk, exotic live sounds Sun. 
and Tues.-Thurs. 

PURPLE SHAMROCK (227-2060), 1 Union St, 
live entertainment. 
THE RAFT (452-7393). 5 E. Merrimac St., Lowell. 


Ave., Boston. May 29: Berlin Airlift, the Dream, 
Rick Roughgarden. May 30: cystic fibrosis 
benefit with the New Models, Richard Nolan, 
Cold Shoulder, Spuds, Arthur Slick, the Meet- 
ings, the Workers. 

RENDEZVOUS WITH THE BLUES (893-7171). 
596 Moody St., Waltham. May 29: Body and Soul. 
RICHARD’S PUB (782-6245), 3 Harvard Ave.., 
Allston. Wed.-Sun.: bluegrass music. May 29 
Green Line Breakdown. May 30: Mark Hoffman. 
RILEY'S (723-8371), 15 New Chardon St., 
Boston. DJ dance party every Wed. 

RYLES (876-9330), Inman Square, Camb. Live 
jazz nightly. Downstairs: Ed Perkins Trio Tues. 
and Wed.; Herman Johnson Quartet Fri. and 
Sat.; Eric Preusser every Sun. and Mon. May 29: 
ictus. 

SANDY BERMAN'S JAZZ REVIVAL (922-7515), 


. 54 Cabot St., Beverly. May 29: Phil Wilson All- 





Fri., June 4 


STOVALL 
BROWN 


R & B, Soul 
From Providence 





Sat., June 5 


THE URGE 


808 Huntington Ave., Boston 566-8287 














(nr. Brookline Village) 











1600 Soldier's Field Road 
Brighton, MA 


254-0710 
Live Oldies Bands 
“Golden 


Joe Baker” 
Friday, June 4, 
Saturday, June 5 


No Cover No Minimum 








with 
THE BLUES 
Thurs., June 3 
BIG WALLY 





Fri. & Sat., June 4 & 5 


RENDEZVOUS 








HEALIN’ OF THE NATIONS 








Live Rock Video Concerts!! 






THE ROLLING STONES 
THE GRATEFUL DEAD 






Sunday, May 30 
Reggae Dance Party 


featuring 










Open till 2 AM 





Monday, May 31 


JIMI HENDRIX 
THE DOORS 


8 till closing — no cover 














- EVERY bad - 
Erotic & 


MALE DANCERS 
performing for discreet & discriminating 
LADIES ONLY 8-11 p 


Thursday-Saturday, June 3-5 


THE BRANCHES 
ALL DRINKS 2 FOR 1 THURSDAY 


Thursday, June 10 


ALL 
al) DRINKS 
2FOR1 








45 BEACON ST 
KENMORE SQUARE 
266-O86( 


Sun., May 30 
Dr. Fox Presents 
‘ SINGLES PARTY 


Thurs., June 3 


MEDICINE CROW 


Fri., June 4 
GRAND STAFF 











THE NEW YORK 


SAMBRA BAND 
Latin Band 


Great Food at Great 
Prices 

Happy Hour 5-8 pm 

Monday and Tuesday nights 
for 1 











UNBEATABLE PRICES! 








Friday, June 11 
ACES & EIGHTS 
Saturday, June 12 


Thé Atiantics 


Coming Soon: 








JOHN LINCOLN WRIGHT 


beADLINE, 2 

















Shows at 7:30 & 10:30 


Tuesday, June 1 





& THE 
SOURMASH REVUE 
with special guest 
JAMES TALLEY 
fei benefit for the 
dge River Festival) 
















THE BANGS 

Thursday, June 3 

an evening with 
JOHN RENBOURN 


and 


JOHN FAHEY 


Advance Sale 











Rock 'n’' Roll Emporium 
88 Queensbury St 


536-2509 


Sunday, May 30 4pm 
ALL AGES SHOW 


THE . 
NEIGHBORHOODS 


THE NEATS 
007 













. Fri & Sat, June 4&5 
tome 


SUGAR MINOTT 


AR JACKIE Vihmaete) 


ROLAND ALFONSO 


EVOLUTION 


Monday, June 7 
YOUNG SNAKES 
and NATIVE TONGUE 














Thursday & Friday, June 3 & 4 





Sandy bermars 
SB. Revival, * 


Sat., May 29 — 9 p.m. 


Sun., May 30 — 8 p.m. 
UNH 20 
., May 31 — B p.m. 


Wed. —Tp.m: 
“Alto Summit Battie” 
pick , JIMMY , BOB 
JOHNSON " MOSHER ~ MOVER 
TERRY LYNN CARRINGTON 
GRAV SARGENT & ED PELSON 


ss — Sp.m. 
‘‘Women’s Jazz Quintet"’ 


Fri., June 4 — 
9 pc. “Jump Biues” Band 


ROOMFUL OF 


Sat., June 5 — 9 p.m. 
Legendary Band Leader 
SABBY LEWIS 

tke Roberts/Sax 

Ron McWhorter/Bass 

Baggy 


Grant/Drums 
un., June 6 — 7:30 p.m. 
PHIL PORTER FAMILY | 
Sat., June 12 
incredible Trumpet Virtuouso 
LEON MERIAN 
16 pc. Swing Band 
Special Guest From Paris 
THE Great BENNY 
WATERS 
New Supper Menu from 6 























- Remember Thursday is 
2forl night 








THE HEART ATTACKS 
featuring Jimmy Biggins of Jon 
Edwards, John Vogt of Pousette- 
Dart, and former members of the 
James band. 








Tuesday, June 8 


SANDY MAC & 













OLD & NEW DREAMS 


featuring Ed Blackwell, Don Cherry, 









Saturday, June 5 
One Night Only 








Charlie Haden, & Dewey Redman 
special guests 


Shows at 7:30 & 10:30 — Advance Sale 








Thursday, June 6 
REBECCA HALL 


& THE DOCTOR 


All Drinks 2 for 1 (8-11) 











Friday, June 11 


abin 
ayer 









Shows at 7:30 & 10:30 — Advance Sale 





Saturday, June 12 


BERLIN AIRLIFT 


NO COST PARKING 





Wednesday, June 9 












YOUR NE 
SAX QUARTET 






























Sunday. June 13 
Special Reggae 







pees featuri 
THE HEPTONES 7 


Shows at 9 & 11— Advance Sale 





















Thursday. June 17 
SLY & THE 
FAMILY STONE 










2961 ‘t ANN ‘JSYHL NOILO3S *XINZOHd NOLSOS 3HL 


}! 














I ; . i “-CHRISTOPHER’S ]{/- 32 
a Ww q ’ American apes, eee Pe r 
ill 3B Club Richard $ P ub Supergroup Fri., June 4 i aaa het age 
600 BROADWAY 3 Harvard Ave.-Allston Lead Guitar LUANNE CROSBY - , 










































































BA , SOME! : 
> — Porter agen ae 782-6245 American Supergroup looking Sat., June 5 
for heavy metal lead guitarist. 3-SIXTY 
SAT.: Live broadcast on WERS 88.9FM.S-lip.m. f° Wed., June 2 Next major U.S. Arena tour to as 
Sat. May 29 LYLE MAYS SEXTET TBA begin this Summer. 1920 Massachusetts Avenue «876-0 180 iy 
Marc Johnson /Drums ‘ sail’ diane mee be outstanding on-stage . ' 
Michael DiPasqua /Drums vo ormer, tall (6-foot range.) “ 
ee eee SPECIAL GUEST long hair, & must sing & write. 
Billy Drews Alto & Soprano Fri & Sat. June 4&5 Professionals only to respond. 
Sun. & Mon ’ ‘ ~ Please send tape, photograph & 
may 20631 ‘TROMBONE MADNESS | DOWN YONDER senate - 
Tues.. June | SQUISH Supergroup 
Sun., June 6 Grand Central Station 
Every Wednesday THE FRINGE MARK HOFFMAN P.O. Box 2524 N.Y., N.Y. 10163 
On A Rec: a: ‘ y . . 2 ° ie . 
Ta sense phenomenal 
June 3.465 CON BRIO , 





featuring Jerry Bergonzi / Tenor Sax 
Mick Goodrick ‘Guitar 





Sun.. June 6 
1 pm-12:50 am * 


gt moti y «l1/( Mavighs \|\S saves 
 REMEMS 








\* year-old guitarist 
appearing at: 


J UMBO'S-Wed. June 2 


BLUE SILVER We June 5 















nT * 
x creeonaens « * Jahoo a Grooua Oy Renee i Mon. June 14 
et Thats dune 2 F_RATHSKELLER-Wed. June 16 
& py Rene ag ore anay malig ) ’ AND THE KOZMBTICS : saan 8 














a = - ry 0 oT AL GI A To Introduce Our New Music Format XY me 
_crevapeeeae* || @ wolncerstes’ || THE OXFORD GRILLE a 


an, wae Happy Hour 4-8 


THE BOSTON PHOENIX, SECTION THREE, JUNE 1, 1982 























From Indiana . 3 ; 
L ig ~aenees “ . N OW OPE N 4 Entertainment Nightly 876-5353 36 Church Street, Cambridge, MA 
MEN 'N Jif *: 
featuring : Sat., May 29 Tues., June 1 
‘ , WOOD N’ STEEL WITHOUT A DOUBT 
edit iaitaa | gr IVE ALIVE. arp 
scone? 8308 Wibtgeceovtente 20 ie NIGHT RUNNER ancl it 








Thurs. & Fri., June 3 & 4 





Number Two with a Bullet 













































































































































































MOXIE 
Mon., May 31 
"Sat, May 29 ee Se ee on, pod HIS No Cover Charge 
+ 7. eUNCLE | Sun.-Thurs. 
* ; 
b > EVERY THURSDAY-DART TOURNAMENT 
mM FE the Now featuring five dart alleys! 876-5353 
* 
aa nant  * Two color TV's. Giant sub sandwiches daily! 
* ap NaNT wr ca 
* 24ht information phone 2585 
¥ positve ID required an 6 ’ 
: : umbo’s 
© * J 
e _ ial 82 Admieaion 
- Airlift || x __ 1133 Broadway 
THE DREAM ke _ bese . d Somerville, Mass. 02114 
* (617) 623-9508 
srenns May 30 b THEDOORS x 
ys ibrosis Benefit + (The Music of the Doors’ 
‘i pee hed ¥ Special guest ¥ Su ndays All idatatine, jageee m. * 
LS .' . 
RICHARD NOLAN & THE THIRD * KEVIN-AND THE 45's * 7-Midnight ___ Boston Rock's = 1DJ 
cotp So * Sun., May30 * Panama & Rich Anzatone Spins Your Muzik | 
ARTHUR SLICK x JIMCARROL -% The Judae “PRIME MOVERS” 
THE MEETINGS * BAND “peg. e vudg Wed., June 2 
a 14 Year Old Phenom 
NEW TALENT NIGHT - x THE STOMPERS: Mon. & Thurs. MIKE VIOLA & 
Tues. June’ % - vd 7:30 p.m.-12:30 a.m. THE BOTTOM LINE 
GG TURNER * Every Wednesday te ’ 
MAXIMUM DRIFT * THE BREAKERS “ Sonny Watson s Thurs., Fri., & Sat.. June 3-5 _ 
Wed., June 2 * Drinks 2 for 1 i Jazz Quintet ROCKOFF VODKA PRESENTS: 
EL * JUMBO'S $1000 “ROCK-OFF 
/ BASIC PLAID & PEARLS b Every Thursday) X Tues. & Wed. FINALS JUNE 13 
Thurs., June 3 % tadiesnightuntii 10pm , Call for info 
ee ERS * THE T’S * 8:30 p.m.-12:30 a.m. Giang Allon 
HINA $1 drinks tit 11 pm ‘ 
Fri., June 4 b , wo L The North Tues., June 8 
vial sanas ¥ ut See idee * ||1| Shore Acapella prec 
THE BANGS % $2 Admission y pe Wed., June 9 
Sat. June 5 * ‘MIDNIGHT * THIRD STAGE 
"Sinn sce" avg ||e——Teavaree 7 ||| Glatt |! F- 
7] Thurs., June 10 
GUEST MC “T” VEC | #5 CFS, PE, F SLur STRAIGHTAWAY 
Sun., June 6 * * 
UNNATURAL AXE REUNION x x 262 Faneuil Hal! Marketplace Fri. & Sat., June 11 & 12 
GANG GREEN Keres 48 Boston 742-7390 EASY STREET 
rs *% si¢ Word in No Cover Proper Dress 
May 29 and June 4 & 5 # desrn in the Hanover Mall and = ys nt n Facilities 
RICK ROUGHGARDEN Sam’s Box O pa cs inner/Cocktalls rise Caterin 
| Lemme (000020 by Frank P Powona.  * ‘ate 
. ARIE IAI RAIN EAT 4 





























THE CLUB 


KKKKKKKKKK KKK HII IIHR KIKI IKI IIA AAA II K IK 


* 
# THE NEW BOSTON COMEDY CLUB 





presents 


* MARK WEINER AND “THE WEINERETTES’’ * 
Wednesday, June 2 thru Sunday, June 6 


Next Week’s Feature Act: 


CAROL LEIFER AND RICH SCHYDNER 


: -——For Ticket Inf j j 
rer COMING ATTRACTIONS: *-<— Eat Some Courmayearaemerese 


BRUCE “BABY MAN” BAUM RICH HALL 
CAT OAR sulcmies * SHOWTIME: vt 
rere T.V. Show “What's Happening” from “Saturday Night Live” Wednesday, Thursday, Friday, Saturday 9:00 & 11P.M. of 


“@-@.0.0.$,9,8,.9.8eRe! 























> 
° 
% 
Pe 


- ~ — — ~ a -~ ~ ~ 7 ~ AL a - - — we — 


823 Main St. Cambridge ad 491 7313 


> 
» 
’ 
> 


























Continued from page 23 

Stars, with Andy McGee and George Leh. May 
30: U..of NH 17-piece Orchestra. June 2: alto 
Mover. June 3: Bougainvillea. June 4: Roomfut of 
Blues. June 5: Sabby Lewis. June 6: Phil Porter 


Family. 
SATCH’S (266-2929), 43 Stanhope St., Boston. 
Lying contest every Mon. Every Tues.: Frank 
London and Conjunto la Paz, Latin. Wed. and 
Sun.: Jelly Belly & Co., blues. Thurs.-Sat. Sonny 
Stanton Jazz Group. 
SCHOONER SALOON (774-9116), Rig. 114, 
Middleton. May 29: Gemini. June 3-5: Touch- 
tones. 
SCOTCH 'N’ SIRLOIN (723-3677), 77 N. Wash- 
ington St., Boston. Dancing, no dress code. 
Tues.: Dick Johnson Swing Shift. Wed.: J.D., Billy 
and Ken. Thurs. afd Fri.: Jim Sands (oldies). Sat.: 
Diamond Brothers Band. Sun.: J.D., Billy and 
Ken. 
SHERRY’S (472-2845), 579 Southern Artery, 
Quincy. Wed.-Sat. through May: Lesly Winters & 
Friends. 
SIMEONE’S (864-0400), 21 Brookline St., Camb. 
SKYCAP PLAZA (442-3131), 575 Warren St., 
Roxbury. Every Sun.: live jazz with Peculiar 
Institution, $3. Blues, too. 
SPINOFF (262-6132), 145 ipswich St., Boston. 
Roller skate to rock, disco, and new wave. 
SPIT (262-2437), 13 Lansdowne St., Boston. 
Dance to P/NW, rock, and reggae. Open Wed.- 
Sat. 10p.m.-1:37 a.m. DJs: Wed., Albert O.; 
Thurs., Tom Lane; Fri., Oedipus; Sat., Tony V. 
Wed.: video concerts. May 29: the Suburbs. June 
S$: Real Kids, Dawgs, Secret World. June 5: 
Defunkt. 
SPRINGFIELD’S (354-8030), 1369 Cambridge 
, St., Inman Sq., Camb. Sun.: Grover Mooney and 
Moon Unit. Mon.: Latin Night. Tues.: the Fringe. 
May 29: Ken Cervenka Quintet with Jerry 
Bergonzi. May 31: Este Momento. 
STEPPIN’ OUT LOUNGE (623-9286), 318 Broad- 
way, Somerville. Live rock and new wave Wed.- 
Sat. 
STORYVILLE (266-0860), 645 Beacon St., Ken- 
more Sq., Boston. Casual dress. Blues, rock. May 
29: Hypertension. May 30: Dr. Fox singles party. 
THE TAM (277-0982), 1648 Beacon St. 
Brookline. Food, drink, and live music. May 30: 
Natural Boogie. May 31: the Harmonica Choir, 
with 50 harmonicas. 
300 DERBY STREET RESTAURANT (745-9608), 
300 Derby St., Salem. Live music and dancing, no 
cover. May 29 and 30: Wood and Steel. June 4 
and 5: BVD. 
TINKER’S (427-0200), 888 Tremont St., Boston. 
Live entertainment Thurs.-Sun. June 3-6: Betty 
Carter. : 
TOM FOOLERY (236-4104), 102 Mass. Ave., 
Boston. Thursdays and Fridays: Norman Segal, 
ragtime piano singalong. 
TRADER ALAN’S FIFTH WHEEL (388-1696), 
Rte. 495 and Rte. 150, Amesbury. May 29: 
Thunder Road Band. May 30-June 5: the 
Bushwhack Band. June 6: the Uptown Country 
Band. 
TROLLEYS (367-8126), 55 Canal St., Boston. 
Tues. and Wed.: Ed Gates. Thurs.: Doug Lane 
Aoldies). Fri. and Sat.: Full Sail, ‘50s and ‘60s. 
UNCLE SAM'S (925-2585), 296 Nantasket Ave.. 
Nantasket. May 29: Through the Doors. May 30: 
Jim Carroll Band, the Stompers. 
THE VILLAGE PUB (889-1103), 213 Everett Ave., 
Chelsea. 
WESTERN FRONT (492-7772), 343 Western 
Ave., Camb. Jazz, reggae, funk, new wave, and 
Latin; two dance floors. May 29: Zion Initation. 
June 2: Little Joe Cook & the Thrillers. June 3: 
Mili Bermojo, Latin jazz. June 4 and 5: Loose 
Caboose, reggae. 
WESTGATE LOUNGE (583-2700), in the West- 
gate Mall. Every Mon.: Disco Joe Jazz. Wed.- 
Sun.: Metfo, no cover.. Tues.: under-20 night, 
Legacy, 8 p.m.-midnight; $3. 
WILLOW (623-9874), 699 Broadway, Somerville. 
Jazz entertainment seven nights; Nancy 
Holroyde, folk guitarist, every Sat. at 5 p.m.; jam 
session with Blue Silver every Sun. at 3 p.m. 
Cover varies. May 29: Lyle Mays Sextet. May 30 
and 31: Trombone Madness. June 3-5: Con Brio, 
with Jerry Bergonzi. 
WINNIE’S PUB (566-8651), 1619 Tremont St., 
Brigham Circle, Boston. Jazz, Irish, rock. 


“TRE rae ee HE Aeon 


ANCE 








PARTICIPATION 
SUNDAYS 





HWA YU TAI CHI (482-1325). Grand Master John - 


Chung Li performs the Hwa Yu Tai Chi form every 
Sun. evening at 7 p.m. 25 Edinboro St.. 
Chinatown. 

DANCE PARTY at Holiday Inn, Rtes. 1.and 128, 
Dedham, 3:30-7:30 p.m. every Sun. Music by 
Randy Rando. Admission $6; call 698-1613. 


MONDAYS 
COMMUNITY FOLK DANCERS — folk dancing 
every Mon. 7:30 p.m.-at the St. Paul Lutheran 
Church. 929 Concord Tpk., Arlington Heights. 
Beginners welcome: call 625-5870. Admission 
$2.75. 
ENGLISH COUNTRY DANCE takes place at 8 
p.m. at the Union Congregational Church, South 
‘Weymouth. Call 335-0818 for dates of sessions 
and information 
SCOTTISH COUNTRY DANCING takes place 
each Mon. at 8:15 at 7 Temple St., Camb. 
(491-6084). Beginners welcome. Admission $2. 
NEW ENGLAND SQUARES AND CONTRAS 
each Mon.. 8 p.m. at the Concord Scout House. 
Walden St... Concord (275-1879). Music by 
Yankee Ingenuity. Admission $3. 


TUESDAYS 


NEW ENGLAND SQUARES -AND CONTRAS - 


each Tues., 8:15 p.m. at Brimmer and May Gym, 
Middiesex Rd.. Chestnut Hill. Sponsored by 
Country Dance Society (235-6181); $3. 


WEDNESDAYS 





SINGLE SQUARES meet each Wed., 7:30 p.m. at 
Hastings School, Crosby Rd. at Mass Ave., 
Lexington. Admission $2.50. Call 523-8197. 
FRAMINGHAM INTERNATIONAL FOLK 
DANCERS meet each Wed., 8 p.m. at Hemenway 
School, Water St., Framingham. Admission $2; 
call 877-0151 

ISRAELI DANCING each Wed., 7:30 p.m. at the 
MIT Student Center. Call 225-9185. 

NORTH SHORE FOLK DANCERS (631-7821), 
Crombie St. Church, Salem. Each Wed., 8 p.m 
Call 944-8767 

ENGLISH COUNTRY DANCE meets at 8 p.m. at 
7 Temple St., Camb. Call 235-6181 for infor- 
mation. 

DANCE FREE provides an alternative dancing 
space for those not into disco, with all kinds of 
music..no smoking, and no alcohol, each Wed. at 
7:30 p.m. at Christ Church, Garden St., Harvard 
Sq.. Camb. (491-4195). Donations usually re- 
quested at the door. 

LINE, FOLK, AND BALLROOM DANCING FOR 
SENIORS every Wed., 2-3 p.m. at Hill House, 74 
Joy St.. Boston (227,5838). Free; sohahagante. 
No partners necessary. 

SQUARE AND CONTRA DANCE with caller Tod 
Whittemore each Wed., 7-9 p.m. at the Boston 
YWCA. 140 Clarendon St., Boston. Fee $3; 
partners not necessary 

COMMUNITY FOLK DANCERS OF BROOKLINE 
meet at 8 p.m. at Parish Hail, St. Paul's Episcopal 
Church. 15 St. Paul St., Brookline. Beginners 
weicome. Call 625-5870 


THURSDAYS 

NEW ENGLAND SQUARES AND CONTRAS 
each Thurs.. 8 p.mat VFW Hall, 688 Huron Ave.. 
Camb. Live music. Call 926-3023. Admission 
$2.75 

EXPERIENCED INTERNATIONAL FOLK DANCE 
every Thurs.. 8:15 p.m at the First Baptist 
Church, 5 Magazine St.. Camb. Music by the 
Boston Folk Ensemble. Sponsored by the Folk 
Arts Center of New England (491-6084); $2.50 
DANCE GROUP every Thursday at Sambodhi 
Rajneesh Meditation Center, Conomo Point Rd.. 
Essex. at 8 p.m. Admission $5; call 768*7640 


FRIDAYS 
BASIC INTERNATIONAL FOLK DANCE, 8 p.m 
at the Brimmer and May Gym. Middlesex Rd.. 
Chestnut Hill. Sponsored by the Folk Arts Center 
of New England (491-6084); $2.50. 
DANCE FRIDAY, a weekly multi-media event 
where you can dance barefoot any way You like in 
a smoke-and-alcohol-free environment at the 
Joy of Movement Center. 23 Main St., Watertown 
Square. Admission $3. Fri.. 8:30-11:30 p.m. 
LESBIAN AND GAY FOLK DANCING, second 
Fri. of each month, 7-9:30 p.m. in Camb. Call 
661-7223 for specifics. 


SATURDAYS 

DANCE ESPRIT — free-form dancing. 
7:30- 10:30 p.m. at 670 Centre St., Jamaica Plain. 
Admission $2: call 522-8300. 

BALLROOM, SWING, AND LATIN DANCING 
every Sat. nightsat Vaughan’s. 393 Boylston St.. 
Bost6n (Arthur Murray Studio) (266-6464). In- 
Struction. dancing. refreshments. door prizes. 
Jackets required for men. Admission $5.50. 


FRIDAY/4 


EXPERIENCED ENGLISH DANCING with the 
Country Dance Society. 8 p.m. at Church of Our 
Savior. Monmouth St.. 8rookline. Admission $3; 
call 235-6181 


SATURDAY/5 

FULL MOON BALLROOM SWING PARTY at Joy 
of Movement. 23 Main St., Watertown Sq., 8 
p.m.-midnight. Singles $7. couples $12. Music by 
14-piece Sounds of Swing. Call 926-2700. 
SQUARE & CONTRA DANCE FOR DISARMA- 
MENT at Central Congregational Church, Tit- 
comb and Pleasant St.. Newburyport. Music by 
Ed Taylor. Admission $3. 


iy SUNDAY/6 
SQUARES & CONTRAS FOR EXPERIENCED 
DANCERS, 8 p.m. at Scout House, Waiden St., 
Concord. Admission $4. Music by Yankee 
Ingenuity. Call 275-1879. 


PERFORMANCE 


SUNDAY/30 
UNA NOCHE CHILENA, performed by the 
Chilean Folkioric Dance Group of Boston, with 
ethnic and social dancing and ethnic refresh- 
ments. 7-11 p.m. at the International Institute, 
287 Comm. Ave.. Boston. Admission $4; call 
536-108 f. 








FRIDAY/4 

HALCYON DANCE COMPANY performs tonight 
and tomorrow at 8 p.m. atJoy of Movement, 536 
Mass. Ave.. Central Sq.. Camb. Tickets $5; call 
492-7578. -' 

DANCEART COMPANY performs tonight and 
tomorrow at 8 p.m. at Longwood Theater, Mass. 
College of Art. 364 Brookline Ave., Boston. 
Tickets $5; call 926-2614. 





VENTS 





SATURDAY/29 

WORLD'S FIRST SCULPTURE RACE takes 
place today as part of Cambridge River Festival, 
beginning at 2:30 p.m. at the Weld Boathouse, 
Boylston St. and Memorial Drive, Camb. 
UNTIFLED 17, a performance work, will be 
presented by Multi-Media Collective at 8:45 p.m 
at 349 Congress St.. near South Sta., Boston. 
Call 787-3177 for information. 

NEW BOSTON TENNIS CLASSIC today through 


~Mon. at the Franklin Field Tennis: Center, 950 


Blue Hill Ave.. Dorchester, sponsored by the 
Sportsmen's Tennis Club. Entry fee $15; call 
388-9092 or 288-1156 for information and entry 
blanks. 

JFK 10K ROAD RACE to commemorate the 65th 
anniversary of JFK's birth. starting at 10 a.m. at 


Kennedy Library, off Morrissey Bivd., 
Dorchester. Entry fee $4; call 929-4546 for 
information. Also, family picnic later that day 
(admission $10); call 929-4558 

“A TRIBUTE TO WOMEN IN SONG AND 
DANCE,” with performances by Mae Arnette, 
Angela Berryman, Anna Bobbitt Gardner, the 
Imani Poets, Andrea Herbert Major, and Audrey 
Walker, at 6:30 p.m. at Aswalos House, Boston 
YWCA. 246 Seaver St., Dorchester. Tickets $15 
includes cocktails and dinner; performance and 
dancing afterwards only, $8. Call 442-9645 
NEWBURYPORT WATERFRONT FESTIVAL to- 
day through Mon.. 11 a.m.-6 p.m. each day 
Admission $1.50. children $1; call 465-5692 or 
462-7096 

BARTON SQ. PLAYHOUSE (744-0114), 8 Barton 
Sq.. Salem, presents USA, adapted from John 
Dos Passos's classic novel, Wed.-Sat. through 
June 26 at 8 p.m. Tickets $6.95-$8.50. 
GATEWAY PLAYERS present Father of the 
Bride at 8 p.m. at the Gateway Playhouse, off 
Marion Rd.. behind Town Hall, Wareham 
(295-7678) 

LOWELL SPRING FESTIVAL today through 
Mon..; call 452-8903 for details. 


SUNDAY/30 

THE SUNDAY FUNNIES, comic-book fiea mar- 
ket at the Park Plaza. Boston, 10 a.m.-5 p.m. 
Admission $2 includes special 2-hour video 
show. Call 747-0665 

ROLLER SKATING MARATHON to benefit the 
Red Cross. 10 p.m. tonight to 10 a.m. tomorrow 
at Riverdale Roller World. West Bridgewater. Call 
586-4790 for information 


MONDAY/31 
SOUTH SHORE JEWISH SINGLES holds a 
barbecue at 3 p.m. Cost $7. Call 963-5846 or 
963-7438 for reservations and location. 


TUESDAY/1 
CAREER FAIR for 8th-graders at 9 a.m. in the 
Dorothy Quincy Suite, John Hancock Bidg., 200 
Clarendon St.. Boston. For more information call 
536-6950 


THURSDAY/3 

THE BODY SHOW runs today noon-10 p.m. and 
tomorrow through Sun. 10 a.m.-10 p.m. at 
Commonwealth Pier Exhibition Hall. Boston 
Exhibits and demonstrations, appearances by 
Joy of Movenfent. skater Linda Fratianne, and 
others. Admission $3.75, under 12 free. 
FASHION PREVIEW AND DANCE PARTY, 8 
p.m.-midnight at Metro, 15 Lansdowne St., 
Boston. Tickets $5 to benefit the American 
Cancer Society: call 872-6812 


FRIDAY/4 

FOOTLIGHT FOLLIES will be performed by the 
Footlight Club in a benefit performance to save 
Eliot Hall. At 8 p.m. tonight and tomorrow at 7A 
Eliot St. Jamaica Plain. Tickets $5; call 
524-6506 

GRECIAN FESTIVAL today 5 p.m. m.-midnight, 
tomorrow 10 a.m.-midnight and Sun. 10. a.m.-11 
p.m. at St. Spyridon Greek Orthodox Church, 
102 Russell St.. Worcester. Ethnic music, food, 
and crafts; music by Enosis, Alpha Omega. and 
Mike Peters. Admission free. 

SOUTH FOLKIES’ MUSICAL CAM- 
POREE today through Sun. at Camp Burgess 
Sandwich. Cost $20; call 837-0932 or 746-9120. 








The Kinvara: 
Pub 


34 Harvard Ave., Aliston, MA- 
Fri. & Sat., May 28 & 29 
K 








Sun., May 30 
JOHN L 





Fri. & Sat., June 4 & 5 
Direct from New York 








Bands for The Future 


No Cover 254-8737 
Free Parking in Rear 
















n 

















~ te] 
Sat., May 29 KEN CERVENKA 
TET 
with JERRY BE zi 
Every Sunday MOON UNIT 
Every Monday mag NIGHT 
Mon., May 3! es AENT 
Tues., june | URGE 
Wed. june 2 BEST FOREIGN FILM 
Thurs.,- june 3 UPSTREAM 
Fri. & Sat., BUNNY SMITH 
june 48 5S QUINTET 
1369 Cambridge St., 354-8030 
Inman Square, 

















| Seth's 


THE PLACE FOR 
RESTAURANT & LOUNGE 
43 Stanhope St., BOSTON 
(one biock from Hancock building) 
Satch’s Celebrity Supper Club Presents 


Sundays 10-4 
Brunch with WILLY WRIGHT 











Sundays and Wednesdays 
BLUE $ NIGHT with JELLY BELLY & Co 





Mondays 
THE FABULOUS SOUNDS OF WILLY 
TREAT 





Tuesdays e 
Latin Jazz and Dancing 
LONDON’S CONJUNTO LA PAZ 





Thurs., Fri. & Sat. 
SONNY STANTON JAZZ 


Upstairs C Disco Prison ant and 








PROPER ATTIRE — 








CLUB IIl 








608 Somerville Ave. 
Somerville 623-6957 








HAPPY HOUR 
Mon.-Fri. 4:00-8:00 





Every Monday 
Dart Tournament 
Luck of the draw, Cricket 
$50.00 ist prize 
Sun., May 30 
Country Music 
RICK ROBINSON 
AND THE BAYOU 
BOYS 
Thurs., June 3 - Sat., June 5 
JURY CHRISTIE 
& PUNCH 


THE RESURRECTION OF JANIS 
JOPLIN 











ELDERVENTURE ‘82, an ali-day college 
for adults. takes place 8: 30 a.m.-3 p.m. at ‘the 
NSCC Lynn Center. 100 Bennett St., Lynn. Cost 
$4: call 927-4850. ext. 482 or 324. 

TEDDY BEAR FESTIVAL at Faneuil Hall Market- 
place today.and tomorrow 10 a.m.-8 p.m. and 
Sun. noon-6 p.m. Bear judging contest Sat. at 4 
p.m. with entries 10 a.m.-2 p.m. Call 723-9442. 
A FLOATING ARTWORK by Robin Binning will 
be exhibited in the Esplanade lagoon at the 
pedestrian overpass at Fairfield St.. Boston, 
noon to sunset. accompanied by musicians from 
the Boston Conservatory of Music. (Rain date 
June 7). Sponsored by Meri Goyette. 


SATURDAY/5 Y 
POLICE AUCTION OF 87 UNCLAIMED VEHI- 
CLES at 10 am. at the Traffic and Parking 
Storage Facility. 36 Albany St.. Boston, with 
preview at 9 a.m) All bidders must pay cash on 
the spot. 
VICTORIAN PROMENADE starting at 1:30 p.m. 
at the-Boston Public Garden, with Victorian 
music. costumes. lawn games, and high-wheel- 
ers. Prizes for best costumes. Reception (dona- 
tion $10) from 4 to 6 p.m. on the Commons. _ 
THE SCRIPWRITER, performance 
poetry/theater event by Elaine Slavin, at 5 p.m. 
on Yirrell Beach. Point Shirley. Winthrop (rain 
dute June 6). Free; call 625-1685. 
MASS. TENANTS ORGANIZATION benefit 
dance. 8 p.m.-1 a.m. at the Irish Royer Function 
Hall, 1455 Dorchester Ave., Dor ter. Buffet 
and DJ. Donation $6; call 426-3951. 
COTTING SCHOOL FOR HANDICAPPED CHiL- 
DREN holds a flea market at 10:30 a.m. and an 
auction at 1:30 p.m. at 241 St. Botolph St. 
Boston. Admission free; call 536-9632 for infor- 
mation or to donate items. 
PHENAKISTOSCOPE, plays and pieces by Lan- 
ford Wilson and Robert Patrick tonight and 
tomorrow at 8 p.m. at Blacksmith House. 56 
Brattle St.. Camb. For ticket information call 
547-6789. 
DORCHESTER ARTS COUNCIL presents 
Grease. tonight at 8 p.m. and tomorrow at 4 p.m. 
at the Strand Theater. 543 Columbia Rd., 
Uphams Corner, Dorchester. Tickets $4, children 
and seniors $3; call 282-7078 or 282-3379. 
BACK BAY STREET FAIR, 10.a.m.-5p.m., rain or 
shine. on Marlborough St.. between Berkeley 
and Clarendon Sts. Food, music, games, crafts. 
BAY VILLAGE STREET FAIR, 11 a.m.-5 p.m. on 
Church St.. between Stuart and Tremont Sts.. 
Boston. Antiques. quiche, mimes, music. Ad- 
mission free: call 426-0076 
COMBINED ADMISSION to New England 
Aquarium and Stone Zoo, $6 for adults and $4 for 
children today and tomorrow, includes ad- 
mission to both places and shuttle bus between 
them. Call 742-8830. 
BOSTON COMMON™DAIRY FESTIVAL today 
through Fri. Cows will be milked. 


SUNDAY/6 
ALL BREED DOG SHOW AND OBEDIENCE 
TRIAL_at the Algonquin Regional. High School, 
Bartlett St.. Northborough. 8 a.m.-7 p.m. Ad- 
Continued on page 28 


Coming June 10, 11, 12 


FIRST STREET 


Top 40 and Rock 
Wed., Thurs., Sun., No Cover 



























Memphis Rockabilly | 
Sun., May 30 
50 PIECE HARMONICA 


ORCHESTRA 
from 6-8 | 
Soave Bowlers South America’s Tribute to: 





2861 ‘| SNMP ‘3SYHL NOILOAS ‘XINZOHd NOLSOS 3HL 








Mon., May 31 
Red Rooster Recording 
Artists 


Costes 


Tues., June 1 


CHRIS JONES & 
THE REGULARS 
Wed.. June 2 
THE SEALS 
Yhurs., June 3 
Free Admission 
<** FOREIGN 
LEGION 


Fri., June 4 


I-TONES 


(Reggae) 




































Sat., June 5 


NEW MODELS 


Sun., June 6 
From NYC 


ROCKHOUSE 


(Rockabilly Band) 




















1350 Cambridge St. 
Inman Sq., Cambridge 










viele 


































































SERS BAC 
gee Ry 
. 4s »< 
Sun., June 6 
“a” TOM GHENT 
CARDS Wed., June 2 Tues., June 8 
San. May 38 CAROL GOODMAN DANIEL HECHT 
aaa Thurs., June 3 Wed. June 9 
JONES SUSAN OSBORNE CHRIS SMITHER 
Mon., May 31 Fri., June 4 Thurs. & Fri., June 108 11 
ANTI-NUKE BENEFIT MASSENGILL 
Tues., June 1 Sat., June § eave 
NATHAN BELL GEORGE GRITZBACH Sat., June 12 
308 CATHARINE DAVID 
June 22, TOM PAXTON » Advance Sale 
123 MOUNT AUBURN HARVARD SQUARE 41-2087 




















P.] 


47 PALMER ST., 











LISTENING ROOM 


HARVARD SQ. 492-7679 






















Thurs.-Sat., June 17-19 









































GUY VAN DUSER 
Fri. & Sat. May 28 & 29 BILLY NOVICK 
KIM W H plus CINDY KALLET 
paste 3 Wed., June 23 
Thurs., June 3 GLOUCESTER HORNPIPE 
SPIDER BRIDGE SOCIETY 
(Bluegrass) 
Thurs.-Sat., June 24-26 
Fri.-Sun., June4-6 DAVID BUSKIN & ROBIN 
RORY BLOCK BATTEAU 
on = z Wed), July ” 
Wed. June Music from the ‘30's and ‘40s 
GEOFF BARTLEY with JEAN STAHL 





















































Thurs., June 10-Sat., June 12 Fri. & Sat., July 9 & 10 
¥ in +f JON GAILMOR 
Ken Laroche and plus NICK PLAKIA 
Randy Armstrong 
2 us Listen to — at aco 
Wed., June every Sunday p.m. p.m. 
DAVE EDWARDS WERS 88.9 FM , 





























































, SUN., May 30 


THE SYSTEM — BUNRATTY’'S 186 Harvard Ave.. Allston 
(254-9804) 

ARCADIA — GREAT SCOTT'S. 1222 Comm. Ave.. Allston 
(566-9014) 

MIMI JONES — IDLER’S BACK ROOM. 123 Mt. Auburn. 
Cambridge (491-2067) 

MIDNIGHT TRAVELER — INN SQUARE MEN'S BAR. 1350:Camb. 
St.. Cambridge (491-9672) 

BODY & SOUL — JACKS. 952 Mass. Ave.. Cambridge (491-7800) 
JOYCE & THE EXCITABLE BOYS — JASPER’S. 379 Somerville 
Ave.. Somerville (625-4975) 

JOHN LOWBRIDGE — KINVARA PUB. 34 Harvard Ave.. Allston 
(254-9737) 

NIGHT RUNNER — OXFORD GRILLE. 36 Church St.,. Cambridge 
(876-5353) 

THE NEW MODELS — THE RATHSKELLER, 528 Comm. Ave.. 
Boston (247-8309) . 

ERIC PREUSSER TRIO — RYLES (Downstairs) Inman Sq.. 
Cambridge (876-9330) . 

JELLY BELLY & CO. — SATCH'S. 43 Stanhope St.. Boston 
(266-2929) 

MOON UNIT — SPRINGFIELD'S, 1369 Camb. St.. Cambridge 
(354-8030) 

NATURAL BOOGIE — TAM O'SHANTER. 1648 Beacon St.. 
Brookline (277-0982) \ 

WORLD — THE WESTERN FRONT. 343 Western Ave.. Cambridge 
(492-7772) 

TROMBONE MADNESS — WILLOW JAZZ CLUB. 699 Broadway: 
Somerville (623-9874) 


MON., May 31 


R&R VIDEO — BUNRATTY’'S. 186 Harvard Ave, Allston (254-9804) 
RHYTHM METHOD — COPPERFIELDS. 98 Brookline Ave.. Boston 
(247-8605) ’ 

BRUCE AND MARSHALL — GREAT SCOTT'S. 1222 Comm Ave.. 
Allston (566-90 1 4) 

THE INCREDIBLE CASUALS — INN SQUARE MEN'S BAR, 1350 
Camb. St.. Cambridge (491-9672) 

RICK LARAMORE BAND — JACKS. 952 Mass. Ave.. Cambridge 
(491-7800) 

JOHN PAYNE AND HIS SAX CHOIR — OXFORD GRILLE. 36 
Church St., Cambridge (876-5353) . 

ERIC PREUSER TRIO — RYLES (DOWNSTAIRS). Inman Sq.. 
Cambridge (876-9330) 





WILLY TREAT — SATCH’S. 43 Stanhope St.. Boston (266-2929) 
LATIN JAZZ NIGHT — SPRINGFIELD’S, 1369 Camb. St.. 
Cambridge (354-8030) 

THE HARMONICA ORCHESTRA — TAM O'SHANTER. 1648 
Beacon St., Brookline (277-0982) 

TROMBONE MADNESS — WILLOW JAZZ CLUB. 699 Broadway. 
Somerville (623-9874) 


TUES., June 1 


JOHN BUTCHER AXIS — BUNRATTY’S. 186 Harvard Ave.. 
Allston (254-9804) 

THE BASICS — CANTONES. 69 Broad St.. Boston (338-7677) 
THE RHYTHM METHOD — COPPERFIELDS. 98 Brookline Ave., 
Boston (247.8605) 

HONEY & THE SUBURBANS — GREAT SCOTT'S, 1222 Comm. 
Ave.. Allston (566-90 14) 

NATHAN BELL/BOB HALPERIN — IDLER’S BACK ROOM. 123 
Mt. Auburn, Cambridge (491-2067) 

THE REGULARS — INN SQUARE MEN'S BAR, 1350 Camb. St.. 
Cambridge (491-9672) 

SILVER DOOTS — JACKS. 952 Mass. Ave.. Cambridge (491-7800) 
THE DREAM — JASPERS, 379 Somerville Ave.. Somerville 
(625-4975) 

PRIME MOVERS — JUMBO’S. | 133 Broadway. Somerville 
(623-9508) 

WITHOUT A DOUBT — OXFORD GRILLE: 36 Church St., 
Cambridge (876-5353) 

GG TURNER — RATHSKELLER. 528 Comm. Ave.. Boston 
(247-8309) 

ED PERKINS TRIO — RYLES (DOWNSTAIRS), Inman Sq.. 
Cambridge (876-9330) 

LONDON’'S CONJUNTO LAPAZ — SATCH'S. 43 Stanhope St.. 
Boston (266-2929) 

URGE — SPRINGFIELD'S, 1369 Cambridge St.. Cambridge 
(354-8030) 

ALLEN ESTES BAND — TAM O'SHANTER. 1648 Beacon St.. 
Brookline (277-0982) 

SQUISH — WILLOW JAZZ CLUB. 699 Broadway, Somerville 
(623-9874) 


WED., June 2 


FOREIGN LEGION — BUNRATTY ’S. 186 Harvard Ave.. Allston 
(254-9804) . 

SENSIBLE SHOES/DIATRIBE — CANTONES. 69 Broad St.. 
Boston (338-7677) ° 


GORDIE MILNE — COPPERFIELDS. 98 Brookline Ave., Boston 
(247-8605) 

RUCKUS — GREAT SCOTT. 1222 Comm. Ave., Allston (566-9014) 
SAPHIRE — GROUND ROUND, Prudential Center, Boston 
(247-0500) 

CAROL GOODMAN — IDLER’S BACK ROOM, 123 Mt. Auburn. 
Cambridge (491-2067) 

THE SEALS — INN SQUARE MEN'S BAR, 1350 Camb. St.. 
Cambridge (491-9672) ¥# 

THE DARK — JACKS. 952 Mass. Ave., Cambridge (491-7800) 
SILVER DOOTS — JASPERS. 379 Somerville Ave.. Somerville 
(625-4975) ’ 

MIKE VIOLA — JUMBOS, | 133 Broadway, Somerville (623-9508) 
STREET NOISE — OXFORD GRILLE, 36 Church St.. Cambridge 
(8765353) 

THE CLASS OF '66 — THE PIER. 145 Northern Ave., Boston 
(426-6890) 

ELLIOT FINESSE — RATHSKELLER. 528 Comm. Ave.. Boston 
(247-8309) 

ED PERKINS TRIO — RYLES (DOWNSTAIRS), Inman Sq.. 
Cambridge (876-9330) 

JUST FOR THE FUNK OF IT — RYLES (UPSTAIRS), Inman Sq.. 
Cambridge (876-9330) 

JELLY BELLY & CO — SATCHS. 43 Stanhope St.. Boston 
(266-2929) ‘ 

BEST FOREIGN FILM — SPRINGFIELD'S. 1369 Camb. St.. 
Cambridge (354-8030) 

SUGAR RAY & THE BLUETONES — TAM O'SHANTER. 1648 
Beacon St.. Brookline (277-0982) 

LITTLE JOE COOK — THE WESTERN FRONT. 343 Western 
Ave.. Cambridge (492-7772) 

THE FRINGE — WILLOW JAZZ CLUB, 699 Broadway, Somervitte 


. (623-9874) 


THURS., June 3 


FAT CITY — BEST CRUISE, Commonwealth Pier, Boston 
(742-4265) vm 

THE BANGS — BUNRATTY’S, 186 Harvard Ave.. Allston 
(254-9804) 

MOVING PARTS — CANTONES. 69 Broad St.. Boston (338-7677) 
CARTRIGHT — COPPERFIELDS. 98 Brookline Ave., Boston 


(247-8605) 

HOTHEADS — GREAT SCOTT'S. 1222 Comm. Ave., Aliston 
(566-90 1 4) 

SAPHIRE — GROUND ROUND. Prudential Center. Boston 
(247-0500) 


















Camel.Where a man belongs. 











tee, - Fale! tet. =) LT. US... Le eee 


-~ 
oa 











SOUNDBOARD 








SUSAN OSBORNE — IDLER’S BACK ROOM, 123 Mt. Auburn, 
Cambridge (491-2067) 

FOREIGN LEGION — INN SQUARE MEN'S BAR, 1350 Camb. St.. 
Cambridge (491-9672) 

MARIAN STREETPEOPLE — JACKS, 952 Mass. Ave., Cambridge 


(491-7800) 

THE STORES — JASPERS,. 379 Somerville Ave., Somerville 
(625.4975) 

ROCK-OFF — JUMBOS, 1133 Broadway, Somerville 
(623-9508) 


THE KOZMETIX — MAVERICKS, 112 Broad St., Boston (423-4333) 
MOXIE — OXFORD GRILLE, 36 Church St., Cambridge (876-5353) 
SPIDER BRIDGE — PASSIM, 47 Paimer St., Cambridge (492-7679) 
THE CLASS OF '66 — THE PIER, 145 Northern Ave., Boston 
(426-6890) P 

THE DAUGHTERS — RATHSKELLAR, 528 Comm. Ave., Boston 
(247-8309) 

REINER PUSCH QUARTET — RYLES (DOWNSTAIRS), Inman 
Sq.. Cambridge (876-9330) 

STEPHEN ROANE — RYLES (UPSTAIRS), Inman Sq., Cambridge 
(76-9330) 

SONNY STANTON — SATCH'S, 43 Stanhope St., Boston 
(266-2929) 

UPSTREAM — SPRINGFIELDS, 1369 Cambridge St., Cambridge 
(354-8030) 

BENNY & THE BIG NOTE — TAM O'SHANTER, 1648 Beacon St.. 
Brookline (277-0982) 

MILI BERMOJO — THE WESTERN FRONT, 343 Western Ave, 
Cambridge (492-7772) 

CON BRIO — WILLOW JAZZ CLUB, 699 Broadway, Somerville 
(623-9874) 


FRI., June 4 


J.D. BILLY & KEN — BESTCRUISE, Commonwealth Pier, Boston 
(742-4265) 

GUNSMOKE — BUNRATTY’S, 186 Harvard Ave., Alliston 
(254-9804) 

SALEM 66 — CANTONES, 69 Broad St., Boston (338-7677) 
LUGANNE CROSBY — CHRISTOPHERS, 1920 Mass. Ave.. N. 
Cambridge (876-9180) 

RUCKUS — COPPEFIELDS, 98 Brookline Ave., Boston (247-8605) 
STOVALL BROWN — BURKE'S, 808 Huntington Ave., Boston 
(566-9267) 

THE HOTHEADS — GREAT SCOTT'S, 1222 Comm. Ave., Allston 
(566-90 1 4) 


SAPHIRE — GROUND ROUND, Prudential Center, Boston 
(247-0500) : 
CORMAC McCARTHY — IDLER’S BACK ROOM, 123 Mt. Auburn, 
Cambridge (491-2067) ; 
I-TONES — INN SQUARE MEN'S BAR, 1350 Camb. St., Cambridge 
(491-9672) 

THE TRADEMARKS — JACKS, 952 Mass. Ave, Cambridge 
(491-7800) 

JOHNNY A'S HIDDEN SECRET — JASPERS, 379 Somerville 
Ave., Somerville (625-4975) 

THE LINES — JONATHAN SWIFTS PUB, 30 Boylston St., 
Cambridge (66 | -9887) , 
ROCK-OFF — JUMBO’S. 1133 Broadway, Somerville (623-9508 
GOLDEN JOE BAKER — KINGS ROW Ii, 2600 Soldier's Field Rd., 
Brighton (254-07 10) 

JOE BANJO BURKE — KINVARA PUB, 34 Harvard Ave., Allston 
(254-9737) 

DANGEROUS BIRDS — MAVERICKS, 112 Broad St..Boston 
(423-4333) 

MOXIE — OXFORD GRILLE, 36 Church St., Cambridge (876-5353) 
RORY BLOCK — PASSIM. 47 Palmer St., Cambridge (492-7676) 
THE CLASS OF ‘66 — THE PIER, 145 Northern Ave., Boston 


(426-6890) 

THE ORBITS — RATHSKELLAR, 528 Comm. Ave., Boston 
(247-8309) ; 

HERMAN JOHNSON QUARTET — RYLES (DOWNSTAIRS). 
Inman Sq., Cambridge (876-9330) ; 

TED CASHER QUINTET — RYLES (UPSTAIRS), Inman Sq.. 
Cambridge (876-9330) 

SONNY STANTON — SATCH'S, 43 Stanhope St., Boston 
(266-2929) ; 

BUNNY SMITH QUINTET — SPRINGFIELD’S. 1369 Camb. St., 
Cambridge (354-8030) 

MEMPHIS ROCKABILLY — TAM O'SHANTER, 1648 Beacon St., 
Brookline (277-0982) 

LOOSE CABOOSE — THE WESTERN FRONT. 343 Western Ave., 
Cambridge (492-7772) 

CON BRIO — WILLOW JAZZ CLUB, 699 Broadway. Somerville 
(623-9874) . 


SAT., June 5 


GUNSMOKE — BUNRATTY’S, 186 Harvard Ave.. Aliston 
(254-9804) 




















21-645 — CANIONES, 69 Broad St., Boston (338-7677) 

3-SIXTY — CHRISTOPHERS, 1920 Mass Ave., N. Cambridge 
(876-9 180) 

RUCKUS — COPPERFIELDS, 98 Brookline Av.e, Boston (247-8605) 
THE URGE — ED BURKE'S, 808 Huntington Ave., Boston 
(566-9267) 

THE HOTHEADS — GREAT SCOTTS, 1222 Comm. Ave., Alliston 
(566-901 4) 

SAPHIRE — GROUND ROUND, Prudential Center, Boston 
(247-0500) 

GEORGE GRITZBACH — IDLER’S BACK ROOM, 123 Mt. Auburn, 
Cambridge (491-2067) 

NEW MODELS — INN SQUARE MEN'S BAR, 1350 Camb. St.. 
Cambridge (491-9672) , 
THE KOZMETIX — JACKS, 942 Mass. Ave., Cambridge (491-7800) 
PRIVATE LIGHTNING — JASPERS, 379 Somerville Ave., 
Somerville (625-4975) 

ROCK-OFF — JUMBO’S, | 133 Broadway, Somerville (623-9508) 
GOLDEN JOE BAKER — KINGS ROW Ul, 1600 Soldiers Field Rd.. 
Brighton (254-07 10) 

JOE BANJO BURKE — KINVARA PUB, 34 Harvard Ave., Aliston 
(254-9737) 

ATTACK & UNDER ATTACK — MAVERICKS, 112 Broad St., 
Boston (423-4333) 

RORY BLOCK — PASSIM. 47 Paimer St., Cambridge (492-7679) 
FLAME — THE PIER, 145 Northern Ave., Boston (426-6890) 
FOREIGN LEGION — RATHSEKLLAR. 528 Comm. Ave., Boston 
(247-8309) 

HERMAN JOHNSON QUARTET — RYLES (DOWNSTAIRS). 
Inman Sq., Cambridge (876-9330) 

TED CASHER QUINTET — RYLES (UPSTAIRS), Inman Sq.. 


Cambridge (876-9330) 

SONNY STANTON — SATCH’S, 43 Stanhope St., Boston 
(266-2929) 

BUNNY SMITH QUINTET — SPRINGFIELD’'S, 1369 Camb. St.. 
Cambridge (354-8030) 


MEMPHIS ROCKABILLY — TAM O'SHANTER, 1648 Beacon St., 
Brookline (277-0982) 

LOOSE CABOOSE — THE WESTERN FRONT, 343 Western 
Ave.,Cambridge (492-7772) > 

CON BRIO — WILLOW JAZZ CLUB, 699 Broadway, Somerville 
(623-9874) 

















Warning: The Surgeon General Has Determined 
That Cigarette Smoking Is Dangerous to Your Health. 








8 mg. “tar”, 0.7 mg. nicotine av. 
per cigarette, FIC Report DEC. "81. 














I 
N 



















THE BOSTON PHOENIX, SECTION THREE, JUNE 1, 1982 










PRUDENTIAL CENTER 


Huntington Ave. Side (Arcade Level) 
247-0500 


Wed.-Sat., June 2-5 
SAPHIRE 


Coming Next Week 


STAR 


DANCING 
NEVER A COVER 














Visit P.J. Brennan’s Pub, Too! 








‘THE 
WESTERN 


Sundays thru May, Jazz from 8-12 with 


WORLD 
Fri. & Sat., May 28 & 29 7 
ZION INITATION: 4 


Every Wednesday in June 











Thurs., June 3 
MILI BERMOJO 
featuring Bert Seager and Gary Chaffee 
(Latin Jazz) 





Fri. & Sat., June 4&5 
SE CABOO: 


Thurs., June 10 
Direct from L.A 
SnU i MENS 
Fri. & Sat., June 11& 12 
Kav) CATCH A FIRE 
Fri. & Sat., June 18 & 19 


ALL STAR REGGAE NIGHT 
w/CARLTON BRYAN and CROSSROADS 


AL DOUGLAS ay) 
(From Marley's ‘Survival’ LP) 
RONALD MURPHY 
(from Jimmy Cliff) 





(From the Original WAILERS) 
Fri. & Sat., June 25 & 26 
HEALIN’ OF THE NATION 
Sat., July 3 Fri. & Sat., July 9 & 10 








(Reggae) 








a 
Hunratty's 


Boston's best music - nightly 
186 Harvard Ave. 
Alliston, Mass. 254-9804 





Sun., May 30 
THE SYSTEM 








Mon., May 31 


ROCK ’N’ ROLL 
VIDEO 


_ OMISSION 





en€& gio" Tues., June 1 
»o™ JOHN BUTCHER 
AXIS 


Happy Birthday Jon 
plus THE MEETINGS 





Wed., June 2 
FOREIGN LEGION 
plus THE MODES 





Thurs., June 3 
From New Jersey 


THE BANGS 
plus NEW CAREER 





Fri. & Sat., June4&5 


GUNSMOKE 
Reduced Admission ' til 9:30 





Sun., June 6 
REEVE LITTLE & THE 
STRAIGHT BAND 
plus special guest 


a 











 RYLES ° 


CAFE ° BAR ° 876-9330 / 
\ INMAN SQUARE, CAMBRIDGE j 


UPSTAIRS a 








UPSTAIRS 
Wed., June 2 
JUST FOR THE FUNK 
OF IT 
Thurs:, June 3 
STEPHEN ROANE 
and ED SAINDON 
Fri. & Sat., June 4&5 
TED CASHER QUINTET 





DOWNSTAIRS 





Sundays & Mondays 
ERIC PREUSSER 
PETER CARO 
TIM ARCHIBALD 
Every Tuesday & Wednesday 
ED PERKINS TRIO 
Thurs., June 3 
REINER PUSCH 
QUARTET 
Fridays & Saturdays 
HERMAN JOHNSON 
QUARTET 
Coming June 9 & 10 








Ti gto bnade & RAND 








7 





stole @- mate) imatelelan 
301 Main St 

End of 128 Nx 
283-1367 








Sat., June 6 


THE 
w/Special Guest 
THE 
_ VINNY BAND 


2 shows 








Fri., June | 
JON BUTCHER AXIS 





Sat., June 12 


the Stompers 





Thurs., June 17 
TRAPPER 





Fri., June 18 








| TREAMANYS 








JACKS 


‘ 952 Mass Av, Camb. 
eis) ee-Soh Eovésiele 











JANIS JOPLIN 














Continued from page 25 


mission $2. under 12 $1. Call 244-9686 for 
information ‘ 

CHILD CARE RESOURCE CENTER holds a 10th 
anniversary party at the Children's Museum, 6-8 
p.m. Adults $3.50, under 16 free; call 547-1057 
TENNIS OPEN HOUSE, with free instruction, 10 
am.-3 p.m. at Beaver Country Dav School, 
Chestnut Hill. Reservations required; call 
734-6726 

BIKE-A-THON to benefit St. Bartholomew's 
Episcopal Church starting at 1 p.m. at the 
Church, 239 Harvard St., Camb. Call 628-0783 or 
354-5532 

NIKE PIKEE ROAD RACE starts at 10 a.m. and 
goes for 10 kilometers up and down Storrow 
Drive. Entry fee $4 to benefit the Mass. Special 
Olympics. To enter, contact Mass. Special 
Olympics at Statler Office Bidg., suite 524, 20 
Providence St.. Boston - 

HURON AVE. BLOCK PARTY, noon-6 p.m. on 
Huron Ave.. between Fayerweather & Lakeview 


Sts. Camb. Fashion show. face painting, T- ~ 


shirts. beer. food. All invited. 





USIC 











CLASSICAL 


SATURDAY/29 
OBOIST STUART.~DUNKEL performs music of 
Jacob. Hanson. Hindemith. Clara Schumann 
and-Debussy at 8 p.m. at Longy School of Music, 
1 Follen St.. Camb. Free: call 876-0956 


TUESDAY/1 
NEW ENGLAND BAROQUE ENSEMBLE per- 
forms works of Purcell. Arne. and LOeillet at noon 
in King’s Chapel. Tremont and School Sts.. 
Boston. Donation $2: call 648-3873 


WEDNESDAY/2 
BOSTON ARCHDIOCESAN CHOIR SCHOOL, 
with organist John Dunn. will perform at 8:30 





pm. at Methuen Memorial Music Hall, Rte. 28, 
Methuen. Admission $4. children $1 
THURSDAY/3 


THE ARRIAGO TRIO will play works of 
Mendelssohn and E. Fernandez Arbos at 12:30 
p.m. at Federal Reserve Bank. 600 Atlantic Ave.. 
near South Sta.. Boston. Free 

ROCKPORT CHAMBER MUSIC FESTIVAL pres- 
ents the Annapolis Brass Quintet performing 
works by Bach and other 17th-20th-century 
composers at 8 p.m. at the Rockport Art Assn., 
12 Main St.. Rockport. Tickets $7; call 546-2825. 
BARITONE HERMAN HILDEBRAND and pianist 
Michael Mason perform lieder of Schubert, 
Schumann, Brahms, Wolf, and Richard Strauss 
at noon at Gardner Museum. 280 the Fenway, 
Boston. Free; call 734-1359 


FRIDAY/4 
VIOLINIST NILLA PIERROU and pianist Ludmilla 
Litson perform music of Mozart, Hasse, Grieg. 
and Bartok at 8 p.m. at Longy School of Music; 1 
Follen St.. Camb. Free: call 876-0956 
ROCKPORT CHAMBER MUSIC FESTIVAL pres- 
ents the American String Quartet performing 
works by Beethoven. Prokofiev: and Dvorak at 8 
p.m. at the Rockport Art Assn., 12 Main St 
Rockpart. Tickets $7: call 546-2825 
ALL NEWTON MUSIC SCHOOL presents 
clarinettist Aline Benoit. violinist Monika Kensta, 
and pianist David Witten ‘playing Stravinsky, 
Khatchaturian. and Milhaud at 8 p.m. at 321 
Chestnut St.. West Newton. Free; call 527-4553. 


SATURDAY/5 
ROCKPORT CHAMBER MUSIC FESTIVAL pre- 
sents the Annapolis Brass Quintet and the 
American String Quartet performing works by 
Stravinsky. JH. Schmelzer, Ravel, and. Brahms 
and the world premiére ofa piece by D. Alpher at 
8 p.m at the Rockport Art Assn.. 12 Main St.. 
Rockport. Tickets $7; call 546-2825. 
NEW ENG. COMPUTER MUSIC ASSN. presents 
a concert of works by P. Berg, H. Brun, G.M. 
Koenig, O. Laske, C. Roads,.and |. Xenakis at 8 
p.m. at the Village St. Theater, 27 Village St., 
Somerville, near the Camb. line. Donation $6, 
students and seniors $4. ; 
AN EVENING OF STRING QUARTETS by the 
New England Conservatory Preparatory School 
Quartet will be presented at 8 p.m. at the First 
and Second Church, 64 Marlborough St., Bos- 
ton. Works by Mozart, Haydn, and Beethoven. 
Free; call 267-6730. 
MEDFORD COMMUNITY CHORUS performs 
works of Bach and others at 8 p.m. at Medford 
High Schoob Little Theater, 489 Winthrop St., 
Medford. Admission $4, seniors $3;call 
396-5800, ext. 226, or 396-3264. 


SUNDAY/6 
ALL NEWTON MUSIC SCHOOL SCHOLARSHIP 


QUINTET performs -Haydn, Shostakovich, 


Beethoven, and Dvorak at 8 p.m. at All Newton 
Music School, 321 Chestnut St., West Newton. 
Free; call 527-4553. 
TRUMPETER ROLF SMEDVIG and organist 
James David Christie perform at 7:30 p.m. at 
Hammond Castle Museum, 80 Hesperus Ave., 
Gloucester. Tickets $6.50; call 283-7673. 
YOUTH PRO MUSICA performs the premiére of 
Wilbur Held's Song of Creation tor organ, brass 
quartet, adult choir, and youth choir, at 11 a.m. at 
St. Paul’s Cathedral, 138 Tremont St., Boston. 
Call 237-0465 or 653-1092. 

MEZZO EMILY ROMNEY and organist Philip 
Beaudry perform music of Bach, Sibelius, and 
Dvorak at 3 p.m. at Unitarian Church, Main St., 
Hudson. Free; call 562-9180. . 

ROCKPORT CHAMBER MUSIC FESTIVAL pres- 


“ents the Annapolis Brass Quintet and the 


“American String Quartet performing works by |. 

Dahi, Beethoven, Poulenc, dall'Abaco, and 
in, at 5 p.m. at the Rockport Art Assn., 12 
. Rockport. Tickets $7; call 546-2825. 






Main 
“THE 
Ethetwyn den and pianist Barbara-Roth at 3 
p.m. at the ch of the New Jerusalem, 140 


OF LOVE,” recital by contralto 


Bowdoin St., Boston. Art songs and arias by 
Balfe, Liszt, Mahler, Milhaud, and others. Free. 


POPULAR, ETC. 


SATURDAY/29 
ORGANIST HECTOR OLIVERA performs tonight 
at 8 p.m. and tomorrow at 3:30 p.m. at Knight 
Auditorium, Babson College, Wellesiey. Tickets 








$5. 

COUNTRY ARTIST BILL ANDERSON performs 
noon-1 p.m. at Suffolk Downs, off Rte. 1A and 
Revere Beach Parkway, East Boston. Admission 
$2.50 includes racetrack admission 

HERRICKS HIGH SCHOOL BAND AND OR- 
CHESTRA perform a free concert at noon at the 
Prudential Center, north lobby, Boston. Free. 
HERB REED of the original Platters and his group 
will give two performances nightly except Mon. 
through June 20 at the Palace, 1500 Broadway 
(Rte. 99), Saugus. Cover charge. Call 233-7400. 


SUNDAY/30 

COUNTRY ARTIST RAZZY BAILEY performs 
noon-1 p.m. at Suffolk Downs, off Rte. 1A and 
Revere Beach Parkway, East Boston. Admission 
$2.50 includes racetrack admission. 

OUTDOOR ROCK CONCERT at Thunderbird 
Country Club, Tyngsboro, noon-7 p.m., with the 
Ramones, David Johansen, Peter Dayton, and 
the Lines. All ages. 


MONDAY /31 

COUNTRY ARTIST CHARLY McCLAIN per- 
forms noon-1 p.m. at Suffolk Downs, off Rte. 1A 
and Revere Beach Parkway, East Boston. Ad- 
mission $2.50 includes racetrack admission. 
COUNTRY MUSIC FESTIVAL 11 a.m.-7 p.m. at 
Jake Sadowsky’s Indian Ranch, Rte. 16, 
Webster, with David Rogers, Liz Boardo, Diane 
Lincoin, Tina Welch, and many others. Donation 
$3.50, children’ $1 to benefit the American Heart 
Assn. 


TUESDAY/1 
NUCLEAR DISARMAMENT BENEFIT with the 
Allen Estes Band, the Walker Band, and Sandy 
Mac & friends, 8 p.m.-2 a.m. at the Tam, 1648 
Beacon St., Brookline. Donation $4 to benefit the 
Medical Area Nuclear Disarmament Committee. 


WEDNESDAY/2 

JOHN LANCHBERY conducts the Boston Pops 
tonight through Sat. at Symphony Hall: Tickets 
$4-$ 16; call. 426-8181. 

JOLYNDA TRESNOR AND J. SCOTT BRUMIT 
sing songs of the 1890s, with pianist Alice Smith, 
at 8 p.m. at DeCordova Museum, Sandy Pond 
Rd., Lingoin. Admission $1.50; call 259-8355. 
TOUCH, a six-piece group led by pianist Merv de 
Peyer, performs at Berklee Performance Center. 


FRIDAY/4 

STRAWBERRY FESTIVAL AND POPS CON- 
CERT at Arlington Town Hall, Arlington Center. 
Strawberries and ice cream at 7 p.m. ($1.50), 
music at 8:15 p.m. ($2.25-$4.50). Sponsored by 
Philharmonic Society of Arlington. Call 484-1060. 
STOUFFER’S HOTEL, 44 Middlesex Turnpike, 
Bedford, presents the Herb Pomeroy Quartet, 
4:30-7 p.m. No cover; call 275-5500. 


SATURDAY/5 
“EARTHSONG - MUSIC FOR THE PLANET,” 
concert by Northern Harmony, a 20-member 
vocal ensemble, performing Renaissance, tra- 
ditional, and contemporary song and dance of 
America and Europe. At 8 p.m. at Friends 
Meeting House, Longfellow Park, Camb. Ad- 
mission $4.50, children and seniors $3.50. 
POLYMNIA CHORAL SOCIETY performs selec- 
tions from HMS Pinafore and A Chorus Line at 
Memorial Hall, Melrose. Tickets $4-$5. Call 
665-9417 for time of concert. 


SUNDAY/6 

PEABODY MUSEUM OF SALEM presents tra- 
ditional, contemporary, and original music of the 
sea. Performers will be Peter Marston with Ivar 
and Ingrid Barentson, David Kleiman & Caitlin O' 
Sullivan, and Stuart Frank & Mary Malloy. At 3 
p.m. at the Museum, East India Sq., Salem. 
Museum admission; call 745-1876. 

HARRY ELLIS DICKSON conducts the Boston 
Pops at 7:30 p.m. in Symphony Hall. Tickets $4- 
$16; call 266-1492. 


» 








OTICES 








MISCELLANEOUS 


SMALL-BUSINESS PEOPLE can receive pro- 
fessional assistance free of charge at Boston 
College's Small Business Development Center. 
Call 969-0100, ext. 4091. 

AY BRUNCH CLUB (527-4478), PO Box 
245. Chestnut Hill, for the professional ‘single, 
‘divorced. separated, or widowed individual. 
Weekly potiuck brunches, programs, and social 
hours; reservations necessary. Admission $10. 
NEW COMMUNITY PROJECTS (783-3060) en- 
courages the concept of group living. Meets each 
Sun.. 5 p.m. at Boston Food Co-op, 449 
Cambridge St.. Allston. 
CIVIC: CENTER AND CLEARINGHOUSE 
(227-1762) can help you explore career options 
through volunteer work in ecology, con- 
sumerism, health services, advocacy, teaching, 
and tutoring. Also career counseling ($25 fee). 
ASIAN AMERICAN RESOURCE WORKSHOP 
(864-2603). 27 BeachSt., 3rd floor, Boston. Open 
Sat. for the expression of the Asian American 
experience through art, culture, and history, 
INFORMATION CENTER FOR INDIVIDUALS 
WITH DISABILITIES (727-5540, voice, or 
727-5236). 20 Providence St., room 329, Boston. 
INDEPENDENT HOUSE (369-1352 or 369-5405) 
offers a social club for learning-disabled adults 
18-28. THurs. at 7:30 p.m. atthe Brookline- 
Brighton-Newton Jewish Community Center. 
NEWTON FREE LIBRARY's Outreach Program 
(552-7145) offers books, magazines, récords, 
and silent films to the housebound. ” 





CAULDRON EXPERIMENTAL THEATER COL- 
LECTIVE (542-8575) meets every other Tues. at 
7:30 p.m. for scheduling, grant writing, and 
support 

FREE WORKSHOP ON MULTILINGUAL 
POETRY and musical improvisaion, sponsored 
by the Friends of Great Black Music Loft, 
welcomes people writing in Spanish, Portuguese, 
French. English. and Afro-Caribbean dialects 
Call 522-4648 or 661-8845 

COSMOS, weekly get-togethers at the Inter- 
national Institute, 287 Comm. Ave., with dancing, 
games, entertainment. and refreshments on 
Sundays. 7-11 p.m. Admission varies. Call 
536-1081 for events and membership-rates 
GREAT BOOKS study-discussion group meets in 
Brookline. Call 262-1899 for information 
SINGLES GROUP meets every second and 
fourth Fri. at 7:30 p.m. at Arlington St. Church, 
355 Boylston St.. Boston. Call 536-7050. Free; 
BYOB 

MINUTEMEN TOASTMASTERS CLUB meets 
first and third Thurs. at 7:30 p.m. at American 
Legion Post 156, 215’ Waverly Oaks Road, 
Waltham. Visitors welcome 

A GROUP OF GREETING-CARD ARTISTS 
meets monthly to share marketing ideas. Call 
646-3874 or 484-1622 

CAMBRIDGE ACTION TO SAVE HEAT 
(498-9034). 57 Inman St., Camb.. can advise you 
on weatherizing your home 

CAMBRIDGE FOOD CO-OP, 580 Mass. Ave.. 
Central Sq.. Camb.. now accepting non-working 
members. Call 661-1580 

EVENSONG COFFEEHOUSE, Fridays through 
June. 8-10 p.m., at Old South Union Church, 
Columbian Sq.. South Weymouth, features 
classical. folk. and jazz. Admission $1, students 
50¢; call 335-2545. 

A PREGNANCY HEALTH FAIR will be held Aug 
7 at VFW Hall in Wrentham. Organizations and 
persons wishing to participate should call 
384-7175 by June 15 


RECREATION 


FENCING at the Salle d’Armes Richards Fencing 
Club, 125 Walnut St., Watertown (926-3450), 
eery Tues. and Thurs., 8-11 p.m 

BOSTON CAMERA CLUB meets each week at 
7:30 p.m. at fhe First Presbyterian Church, 32 
Harvard St., Brookline (731-1953). Free. 

PLAY DUPLICATE BRIDGE at the Cavendish 
Club, Longwood Towers, 20 Chapel St., 
Brookline, Tues. and Thurs. at 11 a.m., Wed. and 
Fri. at 8 p.m. Admission $3; call 734-2230. 
BOSTON WOMEN’S RUGBY seeks players at all 
levels. Call 894-9430. 

WOMEN’S INDOOR SOCCER seeks players of 
all ages anu abilities. Call 864-8181. 

BOSTON SCRABBLE PLAYERS CLUB meets 
each Mon. at 6:30 at the Jackson-Mann Com- 
munity School, 500 Cambridge St., AListon. 
Prizes, refreshments. Admission $1.50. 
HEARTS TOURNAMENT every month at the 
Boston Chess Club, 1223 Beacon St., Brookline. 
Call 277-9893. 

WEEKLY WHIST GAME, Mon. 9 a.m.-noon in 
Hartman Hail, next to Union Hospital in Lyn 
Admission $1.25; call 581-9200; ext. 3850. 
NEWTON FREE LIBRARY CAMERA CLUB we'- 
comes new members, beginners and experts, for 
workshops, slide competitions, speakers, and 
field trips. Call 552-7163 or 484-1622. 
WEDNESDAY NIGHT VOLLEYBALL, 7-10 p.m 
at the West Newton Armory, 1137 Washington 
St., West Newton. Admission $3.75. All levels 
Call 734-6726. 

GAME NIGHT at Blacksmith House, 56 Brattle 
St., Camb., every Wed., 7:30-10:30 p.m. Scrab- 
ble, chess, bridge, etc. Admission 50¢. 

LEARN AND PLAY GO at the Mass. Go Assn., 94 
School St., Central Sq., Camb. (547-9453). 
FAMILY SWIM PROGRAM at the Central Branch 
YMCA, 316 Huntington Ave., Boston (536-7800, 
ext, 147), Tues. and Fri., 6:30 p.m. Members and 
non-members invited. 

FRENCH CONVERSATION GROUP every Tues.. 
noon-2 p.m: at the Alliance Frangaise, 118 Milk 
St., Boston. Bring-‘unch and talk French. Call 
482-4170 for information. 

THE BOSTON CHAPTER OF THE SOCIETY FOR 
THE PRESERVATION AND ENCOURAGEMENT 
OF BARBER SHOP. QUARTET SINGING IN 
AMERICA INC. invites all men who like to sing 
and can carry a tune to its singing meetings, 
Wed. at-8 p.m, at Middlesex County Hospital, 
Recreation Hall, 775 Trapelo Rd., Waltham. Call 
861-8106 or 926-3849. 

RX-7 CLUB OF NEW ENGLAND is for owners of 
Mazda RX-7s. call 787-1578. ‘ 


VOLUNTEERS 


VOLUNTARY ACTION CENTER has listings of 
more than 500 jasting volunteers. 
Call 482-8370 for i : 

CAMBRIDGE SCHOOL VOLUNTEERS seeks to 
help kids from kindergarten through high school; 
call 498-9218. 

ELIZABETH PEABODY HOUSE seeks Big Sis- 
ters and Brothers for kids 7-14; call 623-5510. 
MIDDLESEX COUNTY JAIL needs volunteers to 
conduct educational and recreational programs 
for inmates awaiting trial, Short-term programs 
on a topic of your choice. Call 494-4400. 

DARE FOSTER HOMES,. 14 Beacon St., room 
306, Boston, seeks prospective foster parents. 
Call 723-3420 day or night. ~ . 
CEASE (Coalition to End Animal Suffering in 
Experiments) is an all-volunteer organization 
(825-6700). 

MASS. SOCIETY FOR THE PREVENTION OF 
CRUELTY TO ANIMALS is looking for people to 
adopt dogs and cats. Call 522-5505, ext. 151. 
NEWTON FREE LIBRARY (552-7145) seeks 
volunteers to help with library services and 














programs. 

JEWISH FAMILY AND CHILDREN’S SERVICE 
seeks volunteers to visit the elderly (call 
227-664 1) and to help Russian immigrants adjust 
to America (call 566-57 16). 

NUCLEO ECLETTICO seeks help with 
sound/lighting, stage managing, set design, 
costuming, advertising, public relations, type- 
setting, and graphics. Call 367-8056, 12:30-5:30 


p.m. he 
SCIENCE FOR THE PEOPLE (547-0370) seeks 
volunteer editors, artists, photographers, and 
writers to produce @ bimonthly magazine. 
BROOKLINE SCHOOL VOLUNTEER PROGRAM 
needs tutors in math, reading, and English as a 
second language. Call 734-1111, ext. 152. 
Continued on page 30 








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one way gE 
to play tt... fxa. 


Wherever the music is hot, ings, 


the taste is Kool. At any 
‘tar level, there's only one 
sensation this refreshina. 








Warning: The Surgeon General Has Determined 
That Cigarette Smoking Is Dangerous to Your Health. 








Ultra Kings, 2 mg. “tar”, 0 .3 mg: nicotine; Lights Kings, 9 mg. 


“tar”, 0 .8 mg. nicotine av. per cigarette by FTC method; Filter Kings, 


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LOW TAR « MENTHOL 














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30 





THE BOSTON PHOENIX, SECTION THREE, JUNE 1, 1982 
































































SHAUGHNESSY REHABILITATION HOSPITAL 
needs volunteers. Call 745-9000 

ROCKLAND MUSEUM OF SCIENCE needs 
volunteers to work on the grounds and help give 
nature-study programs. Call 335-3424 
EASTERN SERVICE WORKERS ASSN. 
(427-9899), 55 Adams St., Roxbury, is an all- 
volunteer organization run through donations, 
providing food, clothing, and legal help where 
needed. Needs canvassers, professional skills, 
and transportation 

COMMUNITY DEVELOPMENT PROGRAM, a 
self-help program at Walpole State Prison, needs 
participation and support from those outside 
Write Joseph Jackson, PO Box 100, South 
Walpole 0207 t* 

9to5 (536-6003), 140 Clarendon St., Boston, the 
organization for women office workers, needs 
volunteers 

THE SCIENCE MUSEUM (723-2500) needs 
volunteers to help visitors, children, and staff 
CASA MYRNA VASQUEZ (262-9581), PO Box 
18019, Boston, needs volunteer interns to help 
with the staffing of a community-based shelter 
for women in crisis and-their children. 
PLANNED PARENTHOOD (492-0518), seeks 
volunteers for its counseling and referral service 
INTERNATIONAL INSTITUTE OF BOSTON 
(536-1081) needs tutors, interpreters, guides. 
and friends for immigrants and refugees arriving 
in Boston 

RENEWAL-HOUSE (566-6881) a shelter for 


battered women and their children, needs 
volunteers to answer crisis calls and do other 
shelter work 

THE HUNGER PROJECT aims to eliminate world 
hunger before the end of the century. Call 
566-0277 

CAMB. COMMITTEE FOR A NUCLEAR 
WEAPONS FREEZE needs volunteers for its 
petition drive each Sat. at 12:30 p.m. Call 
354-9456 or 492-3649. \ 

MASSPIRG (Mass. Public Interest Research 
Group) has many volunteer opportunities; call 
423-1796 

CAMBRIDGE ACTION TO SAVE HEAT seeks 
volunters; call 498-9034 

CAMBRIDGE YWCA seeks interns 14 years or 
older for its Summer Day Camp, June 21-Aug 
27. Call 491-6050 

MASS. ASSN. FOR THE BLIND seeks volunteers 
to read to the blind; also, a number of blind and 
mildly retarded adults need friends to share 
leisure time. Call 738-5110 

WOMEN’S EDUCATIONAL AND INDUSTRIAL 
UNION seeks volunteers to help with its Career 
Resource Library; call 536-5651, ext. 40 

HELP FOR ABUSED WOMEN AND THEIR 
CHILDREN seeks volunteers for its hotline, child 
care, and court and welfare advocacy. Call 
744-8552, mornings 











n:, May 30 


NATURAL 
rfefetel = 


Mon., May 31 


¢€ 


GQipubes 
HARMANIC! 


OETRY 
& PROSE 








SATURDAY/29 
STORYTELLERS IN CONCERT presents Yiddish 


nies by Judith Black’ “The World of My 
Fathers Hopes for My Children.” at 8 p.m. at 
First Church Congregational, 11 Garden St 


Cumb Admission $4: call 868-9600. ext. 449 
Wheelchan-accessible 

POET JAMES MERRILL AND NOVELIST ELIZA- 
BETH HARDWICK read from their works in a 
benefit for Ploughshares magazine. at 8 p.m. at 
Kirkland and Quincy Sts, 
Camb Admission $5 


WEDNESDAY/2 
POET JAMES MERRILL will read to the New 
Frqland Poetry Club at 8 p.m. at the Harvard 
Fucully Club. 20 Quincy St... Camb. Cail 


969-6373 Free 


Sunders Theater 


FRIDAY/4 

GLAD FRIDAYS, the reading series of lesbian 
writers. presents Kenward Elmslie 
tthe New York School performing his poems 
it 8 p.m. at. Glad Day Bookstore, 22 

Bromtield St. Boston. Donation $2 
“HEART MOVEMENT AND SOUL MOVEMENT,” 
rytelling and poetry-reading event with poet 
rt Bly and authors Joseph Campbell and 


ind Gay Male 


Gioia Timpanelli, featuring myths, stories. and 
poems from 12th-century Europe. At 8 p.m. at 
Sleeper Hall.Boston University, 871 Comm. Ave 
Boston. Admission $5; call 964-7140 for infor- 
mation 

AUTHOR ANN MARIE ROUSSEAU will discuss 
her book” Shopping Bag Ladies: Homeless 
Women Speak About Their Lives. at 4 p.m. at 
Brookline Village Books and Prints, 23 Harvard 
>t. Brookline Village. Free, call 734-3519 


SUNDAY/6 

POETRY READING AND POTLUCK SUPPER for 
women at 7 p.m. at the Cauldron Experimental 
Theater, 22 Randolph St.. South End, Boston 
Free. call 542-8575 

READING POETRY AT READING WORKS 
Paula Bonnell and Susan Donnelly will read at 4 
pm. at Porter Square Shopping Center. Camb 
M. LaBARE and ELLEN WITTLINGER will read 
ther poems at 8 p.m. at 13 Robinson St.. 
somerville Donation $2: refreshments. Call 


( 2799 


ONGOING 

NEW WRITERS’ COLLECTIVE holds open read- 
mgs-every Tues. at 8 pm. in the Community 
Church Bidg . 565 Boylston St., 3rd floor. Free: 
ill 742-1538 

STAGED READINGS OF ORIGINAL PLAYS take 
place every Sun at 2 p.m. at Nucleo Eclettico 
Theater. 37 Clark St.. Boston. Tickets $1.50; call 


12-7448 








ALKS 





SATURDAY/29 
WOMEN’S ACTION TO DISMANTLE THE WAR 
MACHINE, march and rally assembling at noon 
at Mass. Ave. and Memorial Drive, near MIT, 
Camb.. and marching across the Mass. Ave 
bridge to Boylston St., Boston and down to 
Copley Sq.for rally. _ 


SUNDAY/30 
NEW ENG. SOCIETY OF PSYCHIC SCIENCE 
RESEARCHERS presents Herbert Nickerson 
talking on “Biorhythms in Your Life’ and Lou 
Boersma, talking on “New Methods of Con- 
sciousness Raising,” at 7 p.m. at 1762 Beacon 
St, Brookline: Admission $2; call 734-5324. 


TUESDAY/1 
“800 MILES DOWN THE RHINE.” a wine-tasting 
travelogue by Diage Henault, will be presented at 
8:15 p.m. at Blacksmith House, 56 Brattle St 
Camb. Admission $1; call 547-6789 





RCHLST RI 


50-60 Players 
On Stage 


j 4 
, june 


BENEFIT FOR 
Medical Area 
Disarmament Committee 


w/ ALLEN 
ESTES BAND 
SANDY MAC & 
THE HEART 
ATTACKS 
THEEYES 














REAT 
OTT 


1222 Commonwealth Ave. 
Corner Harvard & Comm. Ave. 566-9014 





Mon. & Tues, May 31 & June 1 
RHYTHM METHOD 





Wed., June 2 
GORDIE MILNE 





Sat.. May 29 
CROCKETT 





Sun., May 30 
ARCADIA 





Mon., May 31 
BRUCE & MARSHALL 
Rock n Roll Duo — No cover 
62nd smash week! 


Thurs., June 3 


CARTRIGHT 


Country & Western 
Night 


Special Draft Beer 
Prices 





Tues., June 1 
TBA 





Wed.. June 2 
RUCKUS 





Thurs.. Fri., Sat., June 3,4,5 
THE HOTHEADS 
(Peter and Heidi) 

















Fri. & Sat., June 4 & 5 
RUCKUS 





Copperfields 


98 Brookline Ave., Boston, MA 








\ 247-8605 








1st Performance 
Since Spain 


SUGAR RAY & 
THE BLUE 
TONES 


BENNY & THE 
BIG NOTE 


MEMPHIS 
ROCKABILLY 
FAT CITY 


Try our quieter side — 
taped music & 
akelasl-tetele) alle bh 

Dinner Tues.-Sat. 





5:30,9 
Brunch Sun. 12-3:30 
1648 Beacon St. 

Brookline 
277-0982 














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Sundays thru Wednesdays 
Special Drink Prices 
All day 

No Cover 


All evening 
No Minimum 


SHOW. LINE INFORMATION 


426-6890 

















Author Michael 





THE EFFECTS OF REMARRIAGE ON CHiIL- 
DREN will be discussed at 8 p.m. at Riverside 


Family Counseling, 259 Walnut St.. Newton 
Free: call 964-6933 

AUTHOR AND CALLIGRAPHER JAY GREEN- 
SPAN presents a slide lecture called “Love or 
Responsibility: The Challenge of the Ketubah" at 
7:30 p.m. at the Jewish Young Adult Center, 1120 


Beacon St.. suite 1-G, Brookline. Wine and . 


cheese feception afterwards. Admission $2; call 
566-5946 

CONTINUUM OPEN HOUSE to discuss the 
benefits of career internships at 9:30 a.m. at 
Newton Country Day School, 785 Centre St., 
Newton. Free; call 964-3322 for reservations. 
“BARCELONA IN LITERATURE,” talk by 
Harvard professor Claudio Guillén at 8 p.m. at 
Boston Public Library, Copley Square, in the 
lecture hall, downstairs. Free; call 536-5400, ext 
216 

SIDDHA MEDITATION CENTER holds an open 
house, with lectures and meditation practice, at 
7:30 p.m. at SYDA Foundation, 155 Clyde St., 
Chestnut Hill. Free; call 734-0137 

“INTIMACY,” lecture and discussion on the 
taboos surrounding spirituality and sexuality by 
Dr. Frans Bakker. Admission $5; call 277-5672 
for time. and place. 


WEDNESDAY/2 

“PLL QUIT TOMORROW,” film on aicohalism 
with discussion afterwards, at 7 p.m. at Pierce 
Hall, McLean Hospital, 115 Mill St., Belmont 
Free; call 855-2112 
“ART AFTER HOURS,” lectures at 5:45 p.m. at 
the Institute of Contemporary Art. 955 Boylston 
St., Boston. Admission $5; call 266-5152. Today 
David Bonetti of Art New England will speak on 

The Figurative Tradition.” 
INTRODUCTORY, a women’s discussion group 
Wednesdays at 8 p.m. at the Women’s Center, 46 
Pleasant St., Camb. Tonight's topic: ‘Feminist 
Therapy.” Call 354-8807 for information 
“IS A NUCLEAR WAR WINNABLE?” talk by Pat 
Simon of the Council for a Nuclear Weapons 
Freeze, at noon at the Cambridge YWCA, 7 
Temple St.. Central Sq., Camb. Free; call 
491-6050 
MASS. WOMEN’S POLITICAL CAUCUS holds a 
campaign training session at 7 p.m. at 80 Broad 
St.. room 509, Boston, with talks by Alice Wolf, 
formerly of the Cambridge School Committee, 
and campaign manager Happy Green. Call 
451-9295 for reservations and information. 
“A POTPOURRI OF ROSES,” talk by Mike Lowe 
of the New England Rose Society at 5 p.m, at 
Horticultural Hall, 300 Mass. Ave.. across from 
Symphony Hall, Boston. Free; call 536-9280. 
DIVORCE RESOURCE AND MEDIATION 
CENTER presents a lecture on ‘Post Divorce Life 
Styles’ by Jerry Weinstein. at & p.m. at 2464 
Mass: Ave., North Cambridge, 3rd floor. Free; 
call 492-3533. 
LECTURE/PERFORMANCE/LUNCH at the 
Peabody Museum, East india Sq., Salem, featur- 
ing sea songs and chanteys performed by Mary 
Malloy and a fish-chowder lunch, starting at 
11:30 a.m. Cost $8.50; reservations required. 
Call 745-1876. 
SCULPTOR BOBBIE CRONIN presents ‘‘Colortul 
Slides for the Spring” at 8 p.m. at Boston Visual 
Artists Union, 77 N. Washington St., 3rd floor, 
Boston. Free; call 227-3076. 


THURSDAY/3 
MUSEUM OF FINE ARTS presents Sara B. 
Chase of the Society for the Preservation of New 





452-7393 





Sat., May 29 


NEXT 
EXIT 





JOHN A’S 
HIDDEN 
SECRET 

with special guests 


ANGRY 
YOUNG 
BEES 








* WHERE BOSTON’S 
ROCK BANDS ARE BORN 


Phone Tuesdays For Booking 


Harrington celebrates unity June 4. 


England Antiquities speaking on ‘Exterior Treat- 
ments" for preserving old houses, at 8 p.m. in the 
museum's Seminar Room. Tickets $6; call 
267-9300, ext. 300. 

WOMEN’S EDUCATIONAL AND INDUSTRIAL 
UNION presents Mary Newman, former Mass 
representative and regional director of HEW, 
speaking on women in politics, at 5:30 p.m. at 
356 Boylston St., Boston. Admission $5; call 
536-5651 


FRIDAY/4 
“ART SANDWICHED IN,” lectures at 12:15 p.m 
at the Institute of Contemporary Art, 955 
Boylston St., Boston. Today Cynthia Close 
discusses her work, part of the “Boston Now” 
exhibit. Admission $2. Bring lunch; coffee and 
dessert provided. Call 266-5152 
MICHAEL HARRINGTON, author of The Other 
America and national chair of Democratic 
Socialists of America, will be on hand for a DSA 
“Unity Celebration” starting at 8 p.m. at the 
McElroy Building, Boston College. Dancing, 
memorabilia auction, and music by folksinger 
Fred Small. Admission $5; call 426-9026 
NATL. ASSN. FOR MUSIC THERAPY holds a 
conference today 9 a.m.-5 p.m. and tomorrow 
9:30 a.m.-4 p.m. at Anna Maria College, Paxton 
Call 894-3600, ext. 2327 for information 


SATURDAY/5 

NATL. ORGANIZATION FOR AN AMERICAN 
REVOLUTION presents James MacFadden in a 
public forum, ‘From Civil Rights to Disarmament 
to the Second Americar’ Revolution,’ 1-5 p.m. at 
Union United Methodist Church, 485 Columbus 
Ave., South End, Boston. Donation $2 
SUPPORT GROUP FOR THE JOB HUNTER, 
every Sat, 2:15-4:15 p.m. at Wider Opportunities 
for Women, 413 Comm. Ave., Boston. Call 
43744040 for intormation,* 


LECTURE/DEMO on Chinese health and martial 


arts, with Master Leung Kay Chi, at 2 p.m. at 
Vandervilt Hall, Harvard Medical School, 107 
Louis Pasteur Ave., Boston. 


SUNDAY/6 , 
“HOMELESS IN AMERICA,” tak by psychiatrisi 
Matthew P. Dumont of the Chelsea Community 
Counseling Center, author of The Absurd Healer 
At 11 a.m. at the Community Church of. Boston, 
Community Church Center, 565 Boylston St., 
Boston. Music by flutist Takao Shinzawa and 
pianist Joe Fish. Free; call 266-67 10. 
WRITER ANO. PUBLICIST BENNO VARON 
speaks on “The Problem of Israel's image” at 2 
p.m. at Zionist House, 17 Comm. Ave., Boston 
Free; call 267-3600. 
JOHN KING FAIRBANK speaks on his book, 
China Bound: A Fifty-Year Memoir, at'3 p.m. at 
the Méeting House of the First Parish in 
Cambridge, Mass. Ave. and Church St., Harvard 
Sq., Camb. Sponsored by the Cambridge Forum. 
Free; call 876-9644. 
SUNDAY BRUNCH CLUB NORTH presents 
Ronaid S. Hertell of Bache Halsey Stuart Shields, 
Boston, speaking on “Money Dynamics for the 
Eighties,” at noon at Wenham Historical Mu- 
seum, Wenham. Cost $10 includes brunch; call 
468-1709. 


““COUNTRY PAINTING TECHNIQUES ON 


AMERICAN TINWARE,” lecture/demo at 1 p.m. 
at the Museum of Our National Heritage, 33 
Marrett Rd., Lexington. Free; call 861-6559. 
SUNDAY BRUNCH CLUB presents management 
consultant Riva Poor speaking on ‘Getting 
Unstuck,” at noon at The Workshop, 72 Colum- 
bus St., Newton Highlands. Cost $10 includes 
brunch; call 527-4478. 

“COLLECTING THE PILGRIM STORY,” lecture 
by Laurence Pizer of the Pilgrim Society. At 3 
p.m. in Remis Auditorium, Museum of Fine Arts, 
465 Huntington Ave., Boston.* Museum ad- 
mission. Call 267-9300. 





Call Mario at the club 8-10 pm 
or come on in! 





On Tuesdays, AFO Presents 
THE BYSICS 
Guest Stars Each Week 
Wed., June 2 
Two Exciting Bands 
SENSIBLE SHOES @ DIATRIBE 
Thurs., June 3 
MOVING PARTS 
formerly YOUR MOTHER 
PSYCHO 
Fri.; June 4 
SALEM 66 pius NOISE PENCIL 
featuring John Hovorka 
Sat., June 5 


21-645 @ LAST SACRIFICE 
oming Soon 
MIGHTY IONS 
LIZZIE BORDEN & THE AXES 


Go Mental Happy Hour with Kennie 
Wed.-Sat. 4-7 
New Juke Box 
Bring in Promo Tapes & 45's 


69 BROAD ST., BOSTON 
338-7677 


























Georgies’ 
1671 Mass. Ave. 
’ Cambridge, MA 








Featuring 
Monday 2-4-1 (8-10) 
Tuesday 2-4-1 (8-10) 

Wednesday 
MIKE KEELEY 
(8:30-12:30) 
Thursday 
MIKE KEELEY 
(8:30-12:30) 
Saturday Live Bands 
May 29 
THE EXCITABLE BOYS 
Sunday 


MIKE REELEY a 
SUMMER Leneye SPECIAL 


























Play by play 


compiled by Alan Stern 


BOBBY .BROWN (BRASS TACKS FOR 
SPRING CHICKENS). David Carmen's 
play, which is having its world premiére, is a 
Tom Swiftian tale about a scientific boy 
genius who sets Out to reinvent the ‘50s. At 
the Nucleo Eclettico, 37 Clark Street 
Boston (742-7445), through June 20 
Curtain is‘ at 8 p.m. Wednesday through 
Sunday. ' Tix, $7.50 to $9; must be 
purchased in advance 

DANCIN’ IN THE STREET! Described as 
“a new musical entertainment,"’ Billy 
Wilson's razzie-dazzle tribute to Motown 
reaches for —- and often grabs — a vision 
of ‘60s black pop as seen by its fans. Each 
scene in this revue is choreographed to the 
teeth and fairly bursts with the energy of its 
young, talented performers. But the trium- 
phant moments owe less to Wilson's 
theatrics than to the hit-making instincts of 
Berry Gordy. At the Next Move Theater, 1 
Boylston lace, Boston (423-5572), 
through June 27. Curtain is at 8 p.m 
Tuesday through Friday; at 6 and 9:30°p.m 
on Saturday; and at 2 and 5:30 p.m. on 
Sunday. Tix $12 to $16.50 

GHOSTS. Kathleen Widdoes is Mrs. Alving 
and Alvin Epstein is Pastor Manders in the 
ART’s 100th-anniversary production of 
Ibsen's play about inherited evil in the days 
before penicillin. In repertory at - the 
American Repertory Theater, Loeb Drama 
Center, 64 Brattle Street, Cambridge 
(547-8300) , through July 8. Curtain is at 8 
p.m. on Saturday (May 29) and at 2. and 8 
p.m. on Sunday (May 30). Tix $6 to 
$17.50. (See review in this issue.) 
JACQUES BREL IS ALIVE AND WELL 
AND LIVING IN PARIS. He's dead, of 
course, but the music lives on. At the New 
Ehrlich Theater, 539 Tremont Street, Bos- 
ton (482-6316) , through June 5. Curtain is 
at 8 p.m. Thursday through Saturday. Tix $6 
to $8. 

A LESSON FROM ALOES. At first glance, 
Athol Fugard's -examination of how 
apartheid has corroded the souls of three 
people seems an austere, forbidding work 
— the kind of play one had best admire 
from afar. But the BSC, which often has 
trouble making the Bard's verse bloom, has, 
amazingly, brought the play to full flower. 
Henry Woronicz's direction is subtle and 
sensitive, and as the embittered, neurotic 
Gladys, Sandra Shipley is magnificent — 


daring, confident, and terrifying. At the 
Boston Shakespeare Company, 300 
Massachusetts Avenue, Boston 
(267-5600) , through June 6. Curtain is at 8 
p.m. Wednesday through Saturday, and at 
2 p.m. on Sunday. Tix $6 to $9.50 

LIVING TOGETHER. The Lyric Stage 
presents two-thirds of The Norman Con- 
quests, Alan Ayckbourne’s interlocking 
trilogy about what happens when three 
mismatched couples share a weekend in the 
country. In this instaliment, the fun and 
games take place in the living room. At the 
Lyric Stage, 54 Charles Street, Boston 
(742-8703) , in repertory through June 5 
Curtain is at 8 p.m. on Thursday, and at 5 
and 8:30 p.m. on Saturday. Tix $5.50 to $8 
MOBIUS THEATER, perhaps Boston's 
most experimental theater company, pres- 
ents a smorgasbord of performance pieces 
Sally Randolph and Gail Moeller's im- 
provisational ‘A Room with Grapefruit"’ is 
scheduled for Tuesday and Wednesday 
June 1 and 2; “Little Mysteries."" S.D 
Lydenberg’s assortment of verbal and 
visual meditation pieces, will be performed 
on Thursday, June 3, and Sunday. June 6 
and the ‘‘audience-activated’’ Persephone 
and Hades, one of Mobius's most intriguing 
works, can be seen on Friday and Saturday, 
June 4 and 5. At the Helen Shlien Gallery, 


354 Congress Street (542-7416). All per- 
formances at 8 p.m. Tix $4; $8 for series 
NIAGARA FALLS. Victor Bumbalo's home- 
coming comedy is about a gay man who 
returns, with his lover, to his Italian working- 
class neighborhood to attend his sister's 
wedding. The story is told from the family's 
point of view — neither of the gay men 
appears on stage. Presented by the Tri 
angle Theater Company at the Theater Loft 
811 Boylston Street, Boston (536-3261) 
through June 12. Curtain is at 8 p.m 
Thursday through Saturday. Tix $5. (See 
review in this issue.) 

ORCHIDS IN THE MOONLIGHT. In this 
mélange of movie trivia and theatrical ritual, 
Mexican novelist and playwright Carlos 
Fuentes imagines a meeting between two of 
Mexico's greatest film stars, Dolores del Rio 
and Maria Felix, in Venice, on the day of 
Orson Welles's death. In repertory at the 
American Repertory Theater, Loeb Drama 
Center, 64 Brattle Street, Cambridge 
(547-8300) , through July 18. Curtain is at 8 
p.m. on Friday and Saturday (June 5), and 
at 2 and 8 p.m. on Sunday (June 6). Tix $6 
to $17.50. 

PHENAKISTOSCOPE. ‘Plays and pieces” 
by Lanford Wilson’ and Robert Patrick, 
neither of whom probably thought up that 
title. At the Blacksmith House, 56 Brattle 
Street. Cambridge (547-6789), through 
June 13. Curtain is at 8 p.m. on Saturday 
and Sunday. Tix $3.50 to $4 


THE PIRATES OF PENZANCE. Director 
Wilford Leach and choreographer Graciela 
Daniele have turnéd Gilbert and Sullivan's 
tuneful satire into a big, brassy, 1960s 
Broadway musical —- a Funny Pirate, if you 
will, of a Hello Mabel! And though the show 
is overmiked and overmugged, rarely does 
such fresh,.inventive energy get lavished on 
G&S. As Frederic, the reluctant buc- 
caneer, Peter (Herman's Hermits) Noone 
sings ‘‘Major-General Stanley, You've Got a 
Lovely Daughter"’ with charm and power to 
boot, and Jim Belushi's samurai Pirate King 
iS amusing, if somewhat overdone. At the 
Shubert Theater, 265 Tremont Street, 
Boston (426-4520), ‘through June 13 
Curtain is at 8 p.m. Monday through 
Saturday, with a 2 p.m. matinee on 
Saturday, and a 3 p.m. matinee on Sunday 
Tix $15 ta $30 

SHEAR MADNESS. The audience gets to 
play amateur gumshoe in this whodunit set 
in a Newbury Street beauty salon. We 
thought it rather hair-brained, but as the 
longest-running piay in Boston history, it's 
undeniably popular. At the Charles Play- 
house, Stage ill, 76 Warrenton Street, 
Boston (486-5225) , indefinitely. Curtain is 
at 8 p.m. Tuesday through Friday: at 6:30 
and 9:30 p.m. on Saturday; and at 3 and 
7:30 p.m. on Sunday. Tix $11 to $14 
STALLER’S FARM. Not a nice place to visit 
and you wouldn't want to live there. in fact, 
Franz Xaver Kroetz's Bavarian dirthill, where 


a retarded teenager is seduced and aban- 
doned by a hired hand, is one of the most 
unpleasant, and unforgettable, places on 
the face of the theater. Kroetz, one of West 
Germany's ‘‘new realists,"’ wants to stamp 
Out “‘garrulity”’ in the theater: his characters 
are virtually inarticulate, robbed of the 
means to express their pain — which is 
nonetheless graphically apparent, hanging 
from these bleak, bare bones of a play. We 
preferred Vincent Murphy's more realistic 
1977 production; this one is alienating and 
arty — though blessed by a fine per- 
formance by Tim McDonough and the 
occasional, exquisitely squalid image. At 
Theater Works, 250 Stuart Street, Boston 
(739-7270) , through June 5. Curtain is at 8 
p.m. Thursday through Saturday. Tix $5 to 
$10 

TABLE MANNERS. The first instaliment in 
Alan Ayckbourne’s The Norman Conquests 
(see Living Together) tells the story as seen 
from the dining room. At the Lyric Stage, 54 
Charles Street, Boston (742-8703) 
through June 5. Curtain is at 8 p.m. on 
Wednesday and Friday. Tix $5.50 to $8 
U.S.A. An adaptation of John Dos Passos’s 
classic kaleidoscopic trilogy about 
American life in the first quarter of the 
century. At the Barton Square Playhouse, 8 
Barton Square, Salem (744-0114) 
through June 26. Curtain is at 8 p.m 
Wednesday through Saturday. Tix $6.95 to 
$8.50 z 











Staller’s 
Farm 


by Franz Kroetz 


May6é —JuneS 
reservations Thur. —Sat. 


739-7270 8:00pm 
info/group sales: 227-5766 BosTIx 
Theater Works 








Boston Shakespeare 
Company School 


SUMMER SESSION 


1982 


al 


AE 


and brochure 





AMERICAN 
REPERTORY 
THEATRE 
THIS WEEK: 


GHOSTS 


by Henrik Ibsen 


ORCHIDS 


| IN THE .. 
MOONLIGHT 
by Carlos Fuentes 


Loeb Drama Center 
Harvard Square 


047-8300 





we 


& 
sich 
ew 


TIMES.” 





One Night Only! 


Saturday, July 24 


George 
Carlin 


Friday, June 25 


Kets S1€ yf 


1st Show 
soL0 OUT! 


Chateau deVille 


FRAMINGHAM 


Tickets available at the Framingham Box Office 
or by phone with major credit card. 
Call 965-2200 or toll free 1-800-982-5970. 
Also at Out of Town and TICKETRON 


THE WAY.” 


~ 


“A HOT TICKET DATE NON- 
STOP AND FIRST-CLASS ALL 


“WHAT A GOOD TIME.” 
— Joyce Kulhawik, WBZ-TV 





EXTENDED! 
Now thru June 20th! 





2 rt 


aabatates 


Ones” wie 


“1 CAN’T REMEMBER WHEN I’VE MORE EN- 
JOYED A MUSICAL REVUE THAN ‘DANCIN’ IN 
THE STREET?!’ THERE’S NOT A BUM NUMBER IN 
THE SHOW. IT IS, QUITE SIMPLY PUT, 
OUTSTANDING ENTERTAINMENT. IT’S FIVE- 
STAR MATERIAL. YOU'LL LOVE IT. TRUST ME.” 


— David Brudnoy, WNEV-TV 


““DANCIN’ IN THE STREET’ IS WONDERFUL! 
AN ACT WITH SUCH TALENT, CLASS, ENERGY, 
STYLE, THAT IT IS JUST ABOUT IR- 
RESSISTABLE. | CAN’T WAIT TO SEE IT FO’ MO’ 


— Kevin Kelly, Boston Globe 


“NEVER LESS THAN ENTER- 
TAINING. A TRIUMPH OF 


SHEER MUSICALITY.” 


— Frank Dolan, WEEI-AM 


“A ROUSING, FINGER-SNAP- 
PING, HIPSWINGING SHOW. 


THERE’S NEVER A LULL.” 
— Virginia Lucier, Middlesex News 


MUSIC 


— Mark Moses, The Phoenix 


“WOW! THIS IS A WINNER, 
PROVIDING THE SOULFUL 
‘DREAM GIRLS’ 
SHOULD HAVE HAD.” 


— Bill Brotherton, Lynn Daily Item 


“SOLID RAZZLE DAZZLE.” 


— Mike Pevzner, WATD-FM 





Pheetiix Spring Into Summer Special 


SAVE $2.50°PER TICKET! 





without notice. 


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* Good for the purchase of up to 2 tickets for any performance (except Saturdays’) in the month of june. 
be used by June 15th, 1982. May be used only with cash purchase and not in conjunction 
availability. The coupon must be presented at the box office at time of purchase. No refunds or 


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BOX OFFICE OPEN: Daily 10 am - 8 pm 
Sunday Noon - 6 pm Ticketron 


REGULAR PRICES $16.50 & $12.00 


$2.50 


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ORECTED AND aa 
Group Sales 
426-6444 





TELETRON CHARGE 
426-8383 


Ticket info 
423-5572 











( NEXT MOVE THEATER ' 


IN BOSTON’S THEATRE DISTRICT 
NEAR THE COLONIAL THEATRE 








Le 


2861 ‘| ANNE ‘SSYHL NOILO3S ‘XINSOHd NOLSO@ 3HL 





32 


THE BOSTON PHOENIX, SECTION THREE, JUNE 1, 1982 





Off the 


THIS WEEK 


* & &k Dave Edmunds, D.E. 7TH (Colum- 
bia). Dave Edmunds continues to get ideal 
song gifts (or loans) from his more prolific 
peers; this time, Bruce: Springsteen con- 
tributes an ironic anti-romance aimed at the 
winsome souls who take car mythology as 
gospel (or thought the Boss did) . Edmunds 
finds a temporary substitute for Nick Lowe's 
pungent pop humor with Gallagher and 
Lyles's ‘‘Generation Rumble,"’ and the D.E. 
7th band — all trusted Welsh mates — 
squeeze buoyant zydeco boogie into ‘Bail 
You Out"’ and Doug Kershaw's venerable 
“Louisiana Man.’ Although Edmunds can't 
help it if his gender makes his version of 
NRBQ's ‘‘Me and the Boys” less intriguing 
than Bonnie Raitt's, he-should never have 
stamped Chuck Berry's ‘‘Dear Dad" or 
been introduced to ‘‘Paula Meet Jeanne."’ 
But ‘One More Night,"’ a C & W ballad by 
British pianist Liam Grundy, is the rawest, 
most open number Edmunds has ever cut; 
the masculine vulnerability and adult 
anguish in his vocal carries more surprising 
weight than his finest oldies scholarship, 
**kkThe Minutemen, THE PUNCH 
LINE ¢SST, EP). Bassist Mike Watt and 
guitarist D. Boon sing with some of 
hardcore’s relentless rasp, and The Punch 
Line often resembles the Gang of Four's 
sputtering quasi-funk chopped into 18 less- 
than-60-second snippets. Several visceral 
hooks and grooves deserve more time to 
settle in (‘‘Search,"’ “‘Disguises,"’ ‘Straight 
Jacket"’), but the Minutemen's brevity has 
nothing to do with TV-trimmed attention 
spans. Boon and drummer George Hurley 
show a refreshing dislike of blur and murk 
— Boon knows what he's doing every haif- 
minute. The inward unrest and roughhewn 
politics on The Punch Line vary: from the 
usual shadowy enemies and semi-solutions 
that hamper rock rule-breakers everywhere 
(“‘Issued,"" “Song tor El Salvador’), to 
jolting bits (‘‘fanatics'’) that can be played 
over and over 

**kkThe Replacements, SORRY MA, 








compiled by Milo Miles 


FORGOT TO TAKE OUT THE TRASH 

(Twin Tone). Like the Suburbs, Twin 

Tone’s Minneapolis speedrock surprise a 

couple years ago, the Replacements crank 
out rough-and-raving garage rock a little 
louder, smarter, and sardonic than the 
average local bar crowd can handle. Unlike 
the eagerly upwardly-mobile Suburbs, the 
Replacements seem content celebrating 
the new high-school norms — blunt sex, 
poor drugs, and flat boredom. Singer and 
rhythm guitarist Paul Westerberg sets the 
tone of Sorry Ma in his scribbied liner notes 

“We wanted to put car horns over the 
mistake[s], but none of us owns a car.” 
Westerberg never strains to be cooler or 
crueler than his instincts allow, .and tunes 
like ‘I'm in Trouble,"’ ‘‘Takin’ a-Ride,”’ and 
“Raised in the City’’ work as believable, 
brash anecdotes rather than the latest 
regional installments of self-referential rock 
mythology 

**'2Rick Springfield, SUCCESS 
HASN’T SPOILED ME YET (RCA). New, 
wave is the obvious influence on Rick 
Springfield's recent work, but he has been a 
master of pastiche since 1973, when he was 
nipping from Elton John and the Beatles 

Last year's monster hit, “Jessie's Girl,”’ 

made the question of his thefts irrelevant by 
turning Springfield into a teen idol on record 
as well as on TV (General Hospital may be the 
best video promo of all time) . Still, the pop 
calculation of Success Hasn't Spoiled Me 
Yet is pure pleasure; Springfield gathers a 
poignant Gordon Lightfoot chord 
progression (‘‘What Kind of Fool Am |'’) or 

a Bruce Springsteen proletarian epic (‘‘To- 

night"’) , and he craftily interrupts headlong 

drives with theatrical, dreamy interludes 
(“Calling All Girls’). But the album's 
thematic range — the singer either wants to 

get a girl or get a girl back — is too callow, 

with an undercurrent of barely surpressed 

misogynist anger. Springfield indeed knows 

how to scratch the itch of teenage libido, 

but does he have to do if with such a 

knowing smirk? 

*&*k*XKIM WILDE (EMI America). Kim 

Wilde, Britain’s pinup-perfect pop star, is 


too polite to be,a Blondie, too modest to be 
in ABBA, too serious to be a Go-Go, but 
when her artless little slip of a voice catches 
on Kim Wilde's dazzling hooks (custom- 
made by her brother Ricky and father 
Marty) , it's pop kismet. And there's nothing 
old-fashioned in the way Wilde joins the Go- 
Go's and Joan Jett in lowering the priority of 
boys. Kim Wilde's love songs are nearly 
outnumbered by deliciously self-conscious 
girl-group talk about teen solidarity and 
growing pains (“Youth Heroes,” ‘Kids in 
America’’). The ubiquitous bleeps of syn- 
thesizers are less artsy pretensions than 
arcade diversions, like the xylophone that 
measures the Indianapolis 500 pace of 
“Chequered Love."’ Kim Wilde wears the 
trimmings of current English pop with the 
playfulness of a teenage girl trying on 
metallic eyeshadow in a department store 

* & & The Wipers, YOUTH OF AMERICA 
(Park Avenue). Youth of America is 2 
frustrating near-miss that, for once, is 
clearly the work of an auteur — guitarist 
pianist, producer, songwriter, and singe: 
Greg Sage, rock's reigning misfit in 
Portland, Oregon. Sage followed the Sex 
Pistols’ clarion squawk with more zeal than 
most Americans, and the Wipers’ debut, /s 
This Real (1979), was a provincial echo of 
white noise without nihilism; Sage may have 
accepted himself as a regional antichrist, 
but he was damned guilty about it. On 
Youth of America his production buries his 
harsh, polemical vocals, and the side-long 
guitar psychodoodles of ‘Youth of Ameri- 
ca" age rapidly. But on every cut Sage 
knows that power chords are made, not 
born, and ‘When It’s Over’’ careers on a 
crude but arching guitar riff into a delirious 
climax. Sage’s hermetic self-confidence is 
peculiar but laudable, considering the smug 
autogamy of the competition nowadays 


PREVIOUS 


***kxThe Art Ensemble of Chicago, 
URBAN BUSHMEN (ECM). The Art 
Ensemble's unpredictable combination of 
theatrical suspense and free-jam sponta- 
neity would seem to work against a live 
record — trying to capture the band in 
concert has to be an engineer's nightmare. 
Except that the’Ensemble has great engi- 
neers at ECM. Urban Bushmen covers all 
the bases in two records. Featuring a 








.pure (or almost pure) 











































































































COLUMBIA PICTONES Presents A MANTIN BANSBEDFF Production 
BME WILDER GILDA BABWER IN “DAMKY PAMEY™ sco, KATOLEEM QUINLAN oc RICHARD WIDMARE «stone ~ Ovectr of Photography AETHON ORMIT] 
Music by TOM SCOTT - fxecutive Produces MELVILLE TOCKER - Written by REWEY ROSEMBAQN & DAVID TAYLOR - Produced by MARTIN RANSONOFF 
[PG] PARENTAL GUIDANCE SUGGESTED <=>] 


Dwected by SUBMEY POITIER 





SOME MATERIAL MAY NOT BE SUITABLE FOR CHILOREN | 








WIONWKIW GIAVO Aa O10ug 


©1982 COL UMBIA PIC TURES INDUSTRIES NC 





STARTS FRIDAY 





continuous performance of nine pieces, the 
album captures the Art Ensembie's humor- 
ous frolicking as well as its concentrated 
structures. The tunes and approaches are 
fiery and varied, especially saxophonist 
Roscoe Mitchell's weighty, well-rehearsed 
“Uncle,"" several outgoing drum solos from 
Don Moye, and two extended sequences, 
“Urban Magic” and ‘Theme for SCO."' The 
seven-minute ‘Ancestral Meditation,’’ float- 
ing on subtones from the saxophones, 
bowed bass, and gong, manages to tell an 
eerie, evocative tale despite its virtual 
monotone 

* *& *'2ABAD BRAINS (ROIR, cassette). 
Because the Bad Brains recognized and 
respected the initial solidarity and uncom- 
promising defiance of the sullen skinhead 
youths trapped in the Washington (DC) 
punk underground, the band members 
became black superstars in an unfunky, 
chauvinistically unfriendly white-speedrock 
scene. The dozen uptempo tracks on Bad 
Brains are awesome adrenalin pumpers. In 
“Sailin’ On'' and the overwhelming live 
version of “Pay to Cum,” drummer Earl 
Hudson raps out punishing cross-rhythms 
at tempos that disjoint the competition 
Vocalist H.R. keeps on top of blazing 
clumps of syllables without succumbing to 
the usual hardcore spluttering; guitarist Dr 
Know doesn't have to carry a flabby rhythm 
section, and his adept explorations of 
atonal distortion and light-metal strut on 
‘““Supertouch/Shitfit,"" for example, make 
terrific, controlled’ carnage by any rock 'n’ 
roll standards. Bad Brains also includes 
three reggae numbers, the brightest change 
of pace any hardcore band has come up 
with, but the Brains’ rasta rhetoric, sprinkled 
with plugs for P.M.A. (‘Positive Mental 
Attitude’’), excludes simple human foibles 
and everyday hopes and fears until their 
optimism seems as unpalatable and inflex- 
ible as the worst hardcore nay-saying. 
**k*David Borden, MUSIC FOR 
AMPLIFIED KEYBOARD INSTRUMENTS 
(Red, import). After enduring a particularly 
arid series of Moog meanderings recently, | 
swore never again to consider an album of 
synthesizer ex- 
cursions, and after noticing that Music for 
Amplified Keyboard Instruments consisted 
of only four cuts — two of them well over 10 
minutes long — | feared the worst. But 
David Borden has listened hard to above- 
ambient Brain Eno and, especially, Terry 
Riley and Keyboard Instruments avoids the 
frequent synthwizard impulse to disgorge 
every trick known to electronics during 
extended compositions. ‘Esty Point’’ and 
“Enfield in Winter’ are fairly economical, 
linear meditations inspired by natural set- 
tings; instead of forcing the usual profound 
stillness into the great outdoors. Borden 
responds to the low-key, untidy, and urgent 
ripples of sound rebounding through the 
landscape. The two parts of Borden's 
abstract magnum opus, ‘“‘The Continuing 
Story of Counterpoint,"’ are drier and more 
evenly paced than his pastorals, but from 
prologue to postscript, “the purrs and 
chitters rise though distinct, purposeful lines 
of development and resolution. 

*&* k'20rnette Coleman and Prime 
Time, OF HUMAN FEELINGS (Antilles). 
Released three years after it was recorded, 
Of Human Feelings still stands at the 
forefront of the various ongoing attempts to 
apply the immediacy of electro-funk to the 
collective improvisations and polyphonic 
complexity of jazz. For all the harmelodic 
mumbo-jumbo Ornette Coleman erects 
around his music, his approach remains 
intuitive, full of the voice-like inflection 
integral to the best Afro-American pop. The 
empathy between Prime Time's guitarists, 
Bern Nix and Charlie Ellerbee, has 
flourished through their association_with 
Coleman, just as drummer Denardo Col- 
eman has come a long way from his club- 
handed beginnings. But the most important 
element is Coleman himself — one of the 
most fluid, engaging melodicists in jazz 
history. It's Coleman's tenor saxophone 
that forces ‘Jump Street’’ to live up to its 
name without sacrificing its hummable 
heart, and his tireless round of arabesques 
that holds the overheated field hollers in 
‘Job Mob" together. If the more controlled 
evocations of possibility found in On Human 
Feelings seem less crucial than Coleman's 
groundbreaking Dancing in Your Head LP, 
we should remember that it always takes 
time to catch up with everything he's 
Saying. 


* & & &Paul McCartney, TUG OF WAR 
(Columbia). Tug of War is bouncy, joyful, 
sweet and melodic — predictable for Paul 
McCartney. It's also frightening and fierce 
— things he's not supposed to be. This is an 
album of love songs — not silly ones — 
undeniably directed to John Lennon; the 
surprise is not the way the record sounds 
but the way McCartney's familiar, gorgeous 
pop achieves much more than anyone 
thought possible. He presents us with all the 
McCartney voices we've gotten to know 
over the years: ‘Here Today"’ and ““Some- 
body Who Cares" have the lovable 
balladeer; “Ebony and Ivory’’ shows off his 
ability to put across a “Let It Be’’-type 
“big’’ song; and “Dress Me Up as a 
Robber’: and ‘‘Ballroom Dancing" rock out 
fine. But the title cut draws all the personae 
together. ‘‘Tug of War"’ provides a hard- 
fought finish to the Lennon-McCartney 
rivalry by evoking the depth of their affinity. 
Tug of War is dedicated to discovering what 
Lennon meant to McCartney as an artistic 
inspiration and life-long friend — what he 
was lacking that only Lennon could-supply 
Serious stuff, but McCartney can still whistle 
a tune in the siough of grief — Tug of War 
confirms what a profound talent this can be 
* * ‘2 Various performers, THIS IS BOS- 
TON, NOT L.A. (Modern Method). Bos- 
ton's first hardcore anthology is dominated 
by local Black Flagettes, mostly middling 
tantrum throwers — Gang Green, a trio of 
16-year-olds, easily rules this lot. Rock is 
like skateboarding to Gang Green: a 
dangerous amusement. And the band’s 
viewpoint is just as charged and simple 
titles like “‘Snob,"' ‘‘Narrow Mind,"’ and ‘‘Kill 
a Commie" suggest its notions of wrong- 
doing. Proletariat (along with the un- 
recorded SS Decontrol) supports the 
humorless-ascetic branch of hardcore; but 
the Freeze holds up the punk tradition of 
pinhead partying, directing its nimble guitar 
fury around singer Cliff Hanger’s wry 
putdowns: ‘‘He could have been a doctor, 
hell, he could have been a monk. /He could 
have been most anything, but now he's 
probably drunk’ (‘It's Only Alcohol’) 

Such relaxed absurdity keeps Boston's 
scene from falling into the clutches of 
fussbudget hardcore drill sergeants. 


CLASSICS 


*kkk*kRay Charlies, MODERN 
SOUNDS IN COUNTRY AND WESTERN 
MUSIC (ABC). The first singing voice | can 
remember hearing — hearing as an electri- 
fying act of creation, at least — came from 
the jukebox in the bar next to the lunch 
counter of an isolated hot-spring resort in 
Chico, Montana. | put down = my 
cheeseburger and turned -toward the 
Wurlitzer, Ray Charles was moaning, man- 
fully sobbing, and soulfully whispering his 
classic version of ‘| Can't Stop Loving 
You."’ It was a weekday afternoon in mid- 
August, and though such sentiments as 
“I've made up my mind/To live in 
memories/ All the lonesome time’’ were far 
beyond my 10-year-old understanding, 
when | looked at the early drinkers in the bar 
(the usual bucks, bums, and brunettes) , | 
caught a glimmer. of what adults meant 
when they said, ‘He's singing our song."’ It 
wasn't just the jazzy horns on ‘Bye Bye 
Love" or the R & B accents added to “Hey 
Good Lookin’,"’ that made Modern Sounds 
in Country and Western Music sell more 
than three million copies and change the 
course of pop and country music: Charles 
had managed the most heartfelt, hard- 
earned C&W album since the death of 
Hank Williams. Tragedy and heartache 
arrive in any season, but Modern Sounds 
strikes chords of sorrow (‘Born To Lose,"’ 
“You Win Again’) too overwhelming for the 
continements of winter. Instead, this album 
is the ideal antidote for the summertime 
blues: Charles reminds you what a __dif- 
ference ‘Just a Little Lovin’ "’ can make, 
and. “Hey Good Lookin’,"’ the last cut, 
heads you back toward the outdoor fish 
fries. - (Modern Sounds in Country and 
Western Music shows up used in the oddest 
place — check out regular thrift shops and 
goodwill stores. ) 











kkk Superb *# x Good 
x Middling % Bearabie 
~ © A turkey 
Ea 




















A TALE THAT BEGINS AT 
THE END OF THE WORLD. 


Meet Riddley Walker. 


Two thousand years after mankind has been destroyed by the 


atom, 12 year-old Riddley Walker 
quest for his planet’s past. 


“Set in a remote future...composed in an English no one ever s 
or wrote...lighting by El Greco...jokes aw 
with Huck Finn's heart and charm.’ — 


Anthony Burgess, author of 
Walker, “A remarkable 
and wouldn't let me get out.” 


Now in paperback. 


Riddley 
At your bookstore now. 


Order directly from the ped 
lisher by sending $5.95 plus 
50¢ postage and handling to: ¥ 

i die alker Washington 

uare Press, 1230 Avenue of the 
Americas, New York, NY 10020 
(New York State and New York City 
residents please add appropriate 
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book...which impris 


leads a tribe of survivors on a 







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imospher 










Punch and Jud: 
Ir 











SACK GENERAL CINEMA 
PI ALLEY 1-2 MEDFORD 
237 WASHINGTON ST. ROUTE 128 EXIT 42 IPLE DRIVE-IN 
BOSTON 227-6676 272-4410 





























GENERAL CINEMA 


WASHRGTON 


Published by Pocket Books 


.« ee 2 ee 
























































These listings are compiled almost a week 
before theater bookings are final. New shows 
are often scheduled with little advance 
notification, and films may run longer than 
noted. Please call the theater before stepping 
out, and be advised that sneak previews are 
common Friday and Saturday nights. 


These listings run from Saturday, May 29 to 
Sunday, June 6. 





BOSTON 


ALLSTON CINEMA (277-2140) 

214 Harvard Ave. 

|: Deathtrap: through Thurs., 1, 3:10, 5:20, 7:30, 
9:45 

ll: The Joy of Letting Go: through Thurs., 1:10, 
2:50, 4:30, 6:10, 7:50, 9:30; Fri., Sat., 11 p.m. 
show 

BEACON HILL |, li & iit (723-8110) 

1 Beacon St. 

|: Das Boot: through Thurs., 
10:15 

li; Smash Palace: through Thurs., 
5:45, 7:45, 10; Fri., Sat., Sun., 11:50 
it: Atomic Café: through Thurs., 1, 2:45, 4:30, 
6:15, 8. 9:45; Fri., Sat., Sun., 11:45 show 
CHARLES I, Ii & Wt (227-1330) 

195 Cambridge Street 

1: Conan the Barbarian: through Thurs., 1, 3:15, 
5:30. 8. 10:15; Fri., Sat., 12:15 a.m. show; Sun. 
the 30th. no show at 8 

i: Chariots of Fire: through Thurs., 1, 3:15, 5:30, 
7:45, 10 

iil: The Long Good Friday: through Thurs., 1 
3:15, 5:30, 7:45, 10 

CHERI |, ll & it (536-2870) 

Dalton Street near the Prudential Center 

I: Rocky I: through Thurs., 1, 3:15, 5:30, 7:45, 
9:45; Fri., Sat., Sun., 11:45 show 

ll: Dead Men Don't Wear Plaid: through Thurs., 
1, 2:45, 4:30, 6:15. 8, 10; Fri., Sat., Sun., midnight 
show 

Wl: Fighting Back: through Thurs., 1:15, 3, 4:45, 
6:30, 8:15, 10:15; Tues.. no 6:30 or 8:15 show 
CINEMA 57 | & Ii (482-1222) 

200 Stuart Street 

I: Wrong Is Right: through Tues., 1, 3:15, 5:30, 
7:45, 10 

lt: AC/DC: through Tues., 1:30, 3:30, 5:30, 7:50, 
9:50 

EXETER THEATER (536-7067) 

Exeter Street at Newbury 

The Trials of Oscar Wilde: through Thurs., 1:30, 
4. 6:30. 9 

Rocky Horror Picture Show: Fri., Sat., midnight 
NICKELODEON CINEMA (247-2160) 

600 Comm. Ave. ‘ 

i: Diner: through Tues.. 1:45, 3:45, 5:45, 8, 10:15 
Diva: starts Wed.. 12;15, 3:10, 5:25, 7:50, 10:10 





1:30, 4:30, 7:30, 


1:15, 3:30, 





Dance Craze: Fri., Sat., 12:15 a.m. 
i: Three Brothers: through Tues., 
5:35, 7:50, 10:10 

Diner: starts Wed., 1:45, 3:4, 5:45, 8, 10:15 
Trash: Sat. (May 29), 12:15 a.m. 

Monterey Pop: Fri. Sat. (June 4 and 5), 12:15 


am 

lit: My Dinner with André: all week, 1:10, 3:20, 
5:30, 7:45, 10 

Richard Pryor Live on Sunset Strip: Sat. (May 
29), midnight 


Cheech and Chong's Nice Dreems: Fri., Sat 
(June 4 and 5), midnight 

PARIS (267-8181) 

841 Boylston Street 

Visiting Hours: through Thurs., 
7:45, 10 

Pi ALLEY | & if (227-6676) 

237 Washington St. 

i Victor Victoria: through Thurs., 1, 3:15, 5:30, 
7:45, 10:10 

it: The Beast Within: through Thurs., 
4:30, 6:15, 8, 10 

PREMIER PERFORMANCE THEATER 
(361-6111) 

17 Fairmount Ave., Hyde Park 
Outland: through Thurs., 7 
Deathtrap: through Thurs., 9 
SAXON (542-4600) 

219 Tremont Street 

Visiting Hours: through Thurs., 
7:45, 10 


1, 3:15, 5:30, 


1, 2:45, 


1, 3:15, 5:30, 





BROOKLINE 


CHESTNUT HILL I-V (277-2500) 
Route 9 at Hammond Street 

i: Chariots of Fire: through Thurs., 
7:30, 10 

ll: Visiting Hours: through Thurs., 1, 3:20, 5:20, 
7:45, 10 

It: Victor Victoria: through Thurs., 
7:20, 10 

IV: Rocky til: through Thure., 1, 3:20, 5:20, 7:45, 
10 

V: Conan the Barbarian: through Thurs., 1:30, 
4:30, 7:20, 10 

CINEMA BROOKLINE (566-0007) 

On Golden Pond: through Thurs., 7:15, 9:30; Sat. 
mat., 4:30; Sun. mats., 2, 4:30 

CIRCLE CINEMA I, Ii, & Ill (566-4040) 
Cleveland Circle 

i: Dead Men Don’t Wear Piaid: through Thurs. 
Call for times. 

it The Long Good Friday: through Thurs. Call for 





1;30, 4:30, 


1:30, 4:30, 


times. 

tl; Fighting Beck: through Thurs. Call for times. 
COOLIDGE CORNER (734-2500) 

290 Harvard St. 


i: Duck Soup: Sat., 3:35, 8:15 
Monkey Business: Sat. 1:45, 6:35 
Horse Feathers: Sat., 5:05, 9:45 


1:15, 3:25, . 





Breathless: Sun.-Tues., 5:55, 9:35; Sun., Mon. 
mat., 2:10 

The Conformist: Sun.-Tues., 7:30; Sun., Mon. 
mat., 3:50 

La Strada: Wed., Thurs., 7:40 

Juliet of the Spirits: Wed., Thurs., 5, 9:45 
Stunt Mani: Fri., Sat., 7:50; Sat. mat., 3:50 
Breaking Away: Fri., Sat., 6:10, 10:10; Sat. mat., 
2 


Women in the Dunes: starts Sun., 7:30; Sun. 
mat., 3:10 

The Wolves: starts Sun., 5:20, 9:40; Sun. mat., 
1:05 

it: Alphaville: Sat., 4:20, 7:35 

My Life To Live: Sat., 2:45, 6, 9:25 

The Lavender Hill Mob: Sun.-Tues., 8:05; Sun., 
Mon. mat., 3:30 

The Horse’s Mouth: Sun.-Tues., 6:30; Sun., Mon. 
mat., 1:45 

The Captain’s Paradise: Sun.-Tues., 5, 9:35 
Vengeance Is Mine: Wed., Thurs., 7:30 

Stray Dog: Wed., Thurs., 5:15, 9:40 

Dr. Strangelove: Fri., Sat., 8:15; Sat. mat., 4:30 
Bedazzled: Fri., Sat., 6:15, 9:50; Sat. mat., 2:30 
War and Peace, part I: starts. Sun., 4:45, 8:15; 
Sun. mat., 1:15 





CAMBRIDGE 


BRATTLE (876-4226) 

40 Brattle St. near Harvard Square 

To Have and Have Not: through Tues.,6,9:40 . 
Key Largo: through Tues., 7:50; Sat., Sun. mat., 
4:10 

in a Lonely Place: Wed.-Fri., 6:15, 9:50 

Knock on Any Door: Wed.-Fri., 8 

Trouble in Paradise: starts Sat., 6:45, 9:55; Sat., 
Sun. mat., 3:30 

The Lady Eve: starts Sat., 5, 8:15 

FRESH POND CINEMA (547-8800) 

Fresh Pond Shopping Center 

t: Deathtrap: through Thurs., 7:15, 9:30; Sat. 
mat., 2; Sun. mats., 2, 4:20 ~ 

lt: On Golden Pond: through Thurs., 7:20, 9:30; 
Sat. mat., 2; Sun. mat., 2, 4:25 





James Garner and Julie anvews in 1 Victor/Victoria. 


GALERIA CINEMA (661-3737) 

5 Boylston Street 

On Golden Pond: through Thurs., 
5:15, 7:15, 9:15 

HARVARD SQUARE THEATER (864-4580) 
1434 Mass. Ave. 

Female Trouble: Sat., 12:15 a.m. 

Missing: Sat., 3:35, 7:50 

Midnight Express: Sat., 1:30, 5:40, 9:55 

Reds: Sun., 1, 4:45, 8:30 

The Deer Hunter: Mon., 2:45, 7:50 

Taxi Driver: Mon., 12:30, 5:50 

Bad Timing: Tues., noon, 4, 7:55 

Carnal KNowledge: Tues., 2:20, 6:10, 10 

Death Wish ll: Wed., 1, 4:25, 7:55 

Dressed To Kill: Wed., 2:35, 6, 9:30 

Swept Away: Thurs., noon, 3:55, 7:55 

Seven Beauties: Thurs., 1:55, 5:50, 9:50 
Richard Pryor Live on Sunset Strip: Fri, 1:55 
5:15, 8:35 

Stripes: Fri., noon, 3:20, 6:40, 10 

Pink Flamingos: Fri., midnight; Sat., 12:15 a.m 
Fame: Sat., 3:25, 7:45 

American Graffiti: Sat., 1:30, 5:45, 10:05 
Harold and Maude: Sun., 1:30, 4:35, 7:50 

Play It Again, Sam: Sun., 3:05, 6:10, 9:25 

OFF THE WALL CINEMA (354-5678) 

15 Pearl St. 

Betty Boop and Friends: through Thurs., 7:15, 
9:30; Sat., Sun., Mon. mats., 2:15, 4:30 

Jazz Women and But Then, She’s Betty Carter: 
Starts Fri., 7:15, 9:45; Sat., Sun. mats., 2, 4:30 
ORSON WELLES I, i & il! (868-3600) 

1001 Mass. Ave. 

| Love You: through Thurs., 2. 4, 6, 8, 10 
Urghi: Fri., Sat., midnight 

it: A Week's Vacation: through Thurs., 2, 3:50; 
5:45, 7:45, 9:45 

The Grateful Dead Movie: Fri., Sat., midnight 
it: Passione d'amore: through Thurs., 2, 3:55, 6, 
8:15, 10:15 

The Harder They Come: Fri., Sat., 12:15 a.m. 


FILM SPECIALS 


BOSTON CENTER FOR ADULT EDUCATION 


1:15, 3:15, 











(267-4430), 5 Comm. Ave., Boston, presents 
Splendor in the Grass, with Natalie Wood, June 4 
at 8 p.m. Tickets $2.50, at the door. 

BOSTON FILM/VIDEO FOUNDATION 
(536-1540), 1126 Boyiston St., Boston. June 4 
and 5 at 8 p.m.: New England Film Festival 
winners present their works, with reception 
afterwards. Admission $3. 

CENTRAL SQUARE LIBRARY (498-9081), 45 
Pearl St., Camb., presents free films Tues. at 7 
p.m. June 1: Alfred Hitchcock's Foreign Cor- 
respondent. 

DANFORTH MUSEUM (620-0050), 123 Union 
Ave., Framingham, presents a German Ex- 
pressionist film series, Wed. at 8 p.m. Admission 
$1.50. June 2: Mother Krausen’s Journey to 
Happiness. 

FRENCH LIBRARY (266-435 1), 53 Marlborough 
St., Boston, presents postwar French films at 8 


p.m. Admission $2. May 29 and 30: Marcel ~ 


Carné's Dréle de drame. June 4-6: Jean Renoir's 
La régle du jeu. 

GOETHE INSTITUTE (262-6050), 170 Beacon 
St., Boston, presents films based on German 
literature Tues. at 8 p.m. June 1- Bauern, Bonzen 
und Bomben, Part lil (in German). 

INSTITUTE OF CONTEMPORARY ART (266- 
5152), 955 Boylston St., Boston, presents films of 
Josef von Sternberg. June 3 at 6 and 8 p.m.: 
Underworld (silent). June 4 at 6 and 8 p.m.: The 
Last Command (silent). Admission $3. 
MILITANT FORUM presents Cambodia: Year 
One, with discussion, June 6 at 7:30 p.m. at 510 
Comm. Ave., Kenmore Sq., Boston. Donation $2; 
call 262-4621. 

MODERN TIMES CAFE (354-8371), 134 Hamp- 
shire St., Camb., presents films Sat. at 9 p.m. 
Admission $2. May 29: Rossellini’s Open City. 
June 5: Jacques Becker's Casque d'or. 
NEWTON FREE LIBRARY (552-7145), 414 
Centre St., Newton Corner, presents free films 
Wed. at 7 p.m. June 2: Guale and The Great 
Barrier, Reef, documentaries on marine lite 
NORTH CAMBRIDGE BRANCH LIBRARY 
(498-9086), 70 Rindge Ave., Camb., presents free 
films Thurs. at 6 p.m. June 3: The Organizer. 
THE REAR WINDOW (277-4618) presents a film 
series every week in three locations: Tues. at 9 
p.m. at Maverick's, 112 Broad St., Boston, 8:45 
p.m. ($3); Fri. at Puppet Showplace Theater,32 
Station St., Brookline Village, 8 p.m. ($2.25); and 
Sun. at The Space, 8 Thayer St. South End, 7:30 
p.m. ($2.50). May 30 at The Space: Brian 
DePaima's Greetings. June 1 at Maverick’s, June 
4 at Puppet Showplace, and June 6 at The Space: 
Polanski's Cul de sac. 

SOMERVILLE PUBLIC LIBRARY (623-5000, ext. 
47), Highland Ave. and Wainut St., Somerville, 
Presents films every other Thurs. at 6:30 p.m. 
June 3: The Golden Voyage of Sinbad. Free. 
WALTHAM CONCERNED CITIZENS present 
Paul Jacobs and the Nuclear Gang, June 3 at 
7:30 p.m. at Waltham Public Library, 735 Main 
St., Waltham. Donation $1; call 893-0361 or 
899-1451. 

ZIONIST HOUSE (267-3600), 17 Comm. Ave., 
Boston, presents three color films on Theodore 
June 6 at 4 p.m. and again at 7°30 p.m. 











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A luminous film.” 
~ Bruce McCabe, Boston Globe 


—Bruce McCabe 
Boston Globe 














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i 
4 
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A breathtaking story of an Italian officer in 
the 1860's who is torn between two very 
different women. 


2:00, 3:55, 6:00, 8: 15, 10:15 


THE LATE SHOWS 


June 4&5 


| a 


' A Mugs Nee. 


NATHALIE BAYE in BERTRAND TAVERNIER'S 


A WEEK'S VACATION 


UNE SEMAINE DE VACANCES 




















The haunting story of a31 year old woman who 
can no longer handle her teaching career or her boy - 
friend’s demands and takes a week away from both 
to visit her family and examine her own life. 


2:00, 3:50, 5:45, 7:45, 9:45 























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34 





PHOENIX, SECTION THREE, JUNE 1, 1982 























* I: Victor Victoria: through Thurs., 


Suburban cinemas 


These listings run from Saturday, May 29, to 
Sunday, June 6. 


ARLINGTON, Capitol (648-4340) 

204 Mass. Ave 

On Golden Pond: through Thurs., 7, 9; Sun. mat. 
5 


BELMONT, Studio Cinema (484-1706) 

On Golden Pond: through Thurs., 7, 9 
BRAINTREE, General |-iV (846-1070) 

South Shore Plaza 

I: The Long Good Friday: through Thurs., 1:30, 
4:10, 7:20, 9:40 

i: Chariots of Fire: through Thurs., 
7:20, 9:40 


1:30, 4:20, 


i: Dead Men Don't Wear Plaid: through Thurs., 


1:30, 3:30, 5:20, 7:30, 9:30 
IV: Arthur: through Thurs., 
9:35 

ET: Sun. (May 30), 7:30 
BROCKTON, General Five (588-5050) 
Westgate Mall 


i: The Long Good Friday: through Thurs., 1:30, 


4:10, 7:20, 9:40 


7:15, 9:40 
ET: Sun. (May 30), 7:30 


il: If You Could See What | Hear: through Thurs., 


1, 3:15, 5:15, 7:30, 9:35 
IV: Fighting Back: through Thurs., 
5:25, 7:30, 9:35 


V: Dead Men Don't Wear Plaid: through Thurs., 


1:30, 3:30, 5:20, 7:30,.9:30 
BROCKTON, Sack |-IV (963-1010) 
Route 57 

{: Visiting Hours: through Thurs., 
5:40, 7:40, 9:40 


1, 3:10, 5:10, 7:30, 


1:30, 4:20, 


1:30, 3:30, 


1:10, 3:10, 


i: Rocky Mil: through Thurs., 1, 2:50, 4:40, 6:30, 
8:20, 10:15 

i: Hanover: through Thurs., 1:30, 4:20, 7:20, 
9:45 

IV: Porky's: through Thurs., 1:30, 3:30, 5:30, 
7:30, 9:30 


BURLINGTON, General |-II/ 
Route 128, exit 42 


i: Fighting Back: through Thurs., 1:30, 3:30, 5:25, 


7:30, 9:35 


li: Visiting Hours: through Thurs., 1, 3:15, 5:15, 


7:30, 9:40 


Ut; Porky's: through Thurs., 1:15, 3:20, 5:20, 7:30, 


9:30 
DANVERS, Sack |-VI 
Route 128, exit 24 


|: The Long Good Friday: through Thurs., 1:10, 
3:25, 5:35, 7:50, 10:05; Fri., Sat., Sun., 12:15 a.m. 


show 
i: Victor Victoria: through Thurs., 
7:25, 9:50 


Cheech & Chong’s Nice Dreams: Fri., Sat., Sun. 


12:15 a.m 


i: Porky's: through Thurs., 1:15, 3:10, 5:15, 7:25, 


9:40; Fri., Sat.. Sun., 11:45 show 


IV: Chariots of Fire: through Thurs., 1, 3:15, 5:30, 


7:45, 10:05; Fri., Sat., Sun., 12:15 a.m. show 


V: Arthur: through Thurs., 1:20, 3:25, 5:30, 7:35, 


9:40; Fri., Sat., Sun., 11:40 show 

Vi: Visiting Hours: through Thurs., 
5:30, 7:30, 9:40; Fri., Sat., Sun., 11:45 show 
DANVERS, Liberty Tree Mall | and Ii (599-3122) 
Route 128, exit 24 

t: Caligula: through Thurs., 7:45, 9:45; Sat., Sun., 
Mon. mats., 1:15, 3:15, 5:30, 7:45, 9:45 

li: Dead Men Don’t Wear Plaid: through Thurs., 
8:10, 9:55; Sat., Sun., Mon. mats., 1:10, 2:55, 


1:30, 4:30, 


1:25, 3:30, 


4:40, 6:25; Sun. the 30th, no 6:25 or 8:10 show 
DEDHAM, Showcase 8 (326-2100) 

950 Providence St 

t: Conan the Barbarian: through Thurs. Call for 
times. 

ll: Visiting Hours: through Thurs. Call for times. 
lt: Fighting Back: through Thurs. Call for times. 
IV: Chinese Connection: through Thurs. Call for 
times. 

Fist of Fury: through Thurs. Call for times. 

V: Neighbors: through Thurs. Call for times. 
Stripes: through Thurs. Call for times. 

Vi: Porky’s: through Thurs. Cail for times. 


~ Vil: Rocky fll: through Thurs. Call for times. 


Vili: If You Could See What ! Hear: through 
Thurs. Call for times. 

FRAMINGHAM, General |-V (235-8020) 

Route 9, Shopper's World 

|: Dead Men Don’t Wear Piaid: through Thurs., 
1:30, 3:30, 5:20, 7:30, 9:30 

Ht: Porky's: through Thurs., 1:15, 3:20, 5:20, 7:30, 
9:30 

it: ff You Could See What | Hear: through Thurs., 
1, 3:15, 5:15, 7:30, 9:35 

IV: Visiting Hours: through Thurs., 1, 3:15, 5:15, 
7:30, 9:40 

V: Chariots of Fire: through Thurs., 
7:20, 9:40 

NATICK, Sack |-Vi (237-5840) 
Route 9, opposite Shopper's World 
i: The Long Good Friday: through Thurs., 1:05, 
3:10, 5: 157 7:45, 9:55; Fri., Sat., Sun., 11:55 show 
i: Arthur: through Thurs., 1:10, 3:10, 5:10, 7:25, 
9:30; Fri., Sat., Sun., 11:30 show 

lit: Fighting Back: through Thurs., 1:20, 3:20, 
5:20, 7:35, 9:40; Fri., Sat., Sun., 11:45 show 

IV: Conan the Barbarian: through Thurs., 1, 3:15, 


1:30, 4:20, 


5:30, 7:50, 10:05; Fri., Sat., Sun., 11:55 show 

V: Victor Victoria: through Thurs., 1:15, 4, 7:15, 
9:45 

Cheech & Chong’s Nice Dreams: Fri., Sat., Sun., 
11:55 

Vi: Rocky tit: through Thurs., 1, 2:50, 4:40, 6:30, 
8:20, 10:15; Fri., Sat., Sun., midnight show 
NEWTON, Academy (332-2524) 

102 Beacon St., Newton Centre 

t: Beau Pére: through Thurs., 7:30, 9:30; Sat., 
Sun., Mon. mats., 1:30, 3:30, 5:30 

i: On Golden Pond: through Thurs., 7:15, 9:15; 
Sat., Sun., Mon. mats., 1:15, 3:15, 5:15 
NEWTON, West Cinema (964-6060) 

1296 Washington St. 

|: Missing: through Thurs., 7:10, 9:30 

Ticket to Heaven: starts Fri. Call for times. 

lt: Montenegro: all week, 7:30, 9:30 

tt: David: through Tues., 7:20, 9:35 

Evil Under the Sun: Wed., Thurs., 7:10, 9:25 
Prince of the City: starts Fri. Cal! for timnes. 
PEABODY CINEMA (599-1310) 

North Shore Center 

i: it You Could See What | Hear: through Thurs.. 
1, 3:15, 5:15, 7:30, 9:35 

tt: Rocky fil: through Thurs., 1, 3:15, 5:15, 7:30, 
9:40 

lit: Conan the Barbarian: through Thurs., 1:30, 
4:20, 7:20,9:45 ~ 3 

SAUGUS, General | and li (321-1345) 

Route 1 

i: Fighting Back: through Thurs., 1:30, 3:30, 5:25, 
7:30, 9:35 

ll: Porky’s: through Thurs., 1:15, 3:20, 5:20, 7:30, 
9:30 

SOMERVILLE, Sack Assembly Sq. (628-7000) 
35 Middlesex Ave. 

1: Dead Men Don’t Wear Piaid: through Thurs., 1, 
2:45, 4:30, 6:10, 7:55, 10; Fri., Sat., Sun, 11:45 
show 

i: Porky’s: through Thurs., 1:15, 3:20, 5:20, 7:25, 
9:30; Fri., Sat., Sun., 11:30 show 

ill: The Long Good Friday: through Thurs., 1:10, 





3:25, 5:30, 7:45, 9:55; Fri., Sat., Sun., 12:05 a.m. 
show 


IV: Visiting Hours: through Thurs., 1:15, 3:25, 
5:25, 7:45, 9:50; Fri., Sat., Sun., 11:45 show 

V: Rocky til: through Thurs., 1, 2:50, 4:40, 6:25, 
8:20, 10:20; Fri., Sat., Sun., 12:10 a.m. show 

Vi: Fighting Back: through Thurs., 1:35, 3:35, 
5:35, 7:35, 9:35; Fri., Sat., Sun., 11:35 show 

Vil: Conan the Barbarian: through Thurs., 1, 
3:20, 5:40, 8, 10:20; Fri., Sat., Sun., 12:20 a.m 
show 

Vill: Victor Victoria: through Thurs., 
7:20, 9:55 

Cheech & Chong’s Nice Dreams: Fri., Sat., Sun., 
12:10 

SOMERVILLE, Somerville (625- 108 1) 

50 Davis Sq. 

On Golden Pond: through Thurs., 7, 9; Sun. mat., 
5 

STONEHAM, General | and |! 

Routes 128 and 28 

i: Deathtrap: through Thurs., 7:15, 9:30; Sat. 
mat., 2; Sun., Mon. mats., 2, 4:20 

i: On Golden Pond: through Thurs., 7:20, 9:30; 
Sat. mat., 2; Sun., Mon. mats., 2, 4:25 
WALTHAM, General | and |! (890-1064) 

477 Winter St. 

i: Deathtrap: through Thurs., 7:15, 9:30; Sat., 
Sun., Mon. mats., 2, 4:20 

it: On Golden Pond: through Thurs., 7:20, 9:30; 
Sat., Sun., Mon. mats., 2, 4:25 

WOBURN, Showcase Six (933-5 138) 

Main Street, Middlesex Canal Park 

|: The Sword and the Sorcerer: through Thurs. 
Call for times. 

lt: Chariots of Fire: through Thurs. Call for times. 
it: Arthur: through Thurs. Cail for times. 

IV: Conan the Barbarian: through Thurs. Call for 
times. 

V: The Long Good Friday: through Thurs. Call for 
times. 

Vi: Dead Men Don’t Wear Plaid: through Thurs. 
Call for times. 


1:25, 4:20, 





‘A 3 
600 Comm. Ave. 


247-2160 


IT’S A COMEDY, A THRILLER, 


A ROMANCE... AND IT’S 
UNLIKE ANY OTHER MOVIE 
YOU'VE EVER SEEN 


Genuinely sparkling...a 


anip.eaeis 


e of style and chic 





hanky-panky. Every shot 









seems to be designed to 
felsielalanaalomelelells acm lms 


a glittering toy of a movie: 


DIV ae alelmnelal\vmealomanle je 











purely pleasurable movie to 
open here this year, but surely one of the finest 


aliaasmeensis 


Brithant 


aivismanean| 
See It In 


ONE O 


France in a decade. 
mediately 


iG¢t 


an alom anions versister Atly 


entertaining, absorbing and scary 


thrillers | 


ve seen ina long time.. 


als s Serr ific: 


Sensual Sunes dtitiandish: this is a 
novie devoted strictly domaale 


pleasure principle. 




















ve 


IRENE SILBERMAN PRESENTS “DIVA” A film by JEAN-JACQUES BEINEIX 
Adapted from the novel by DELACORTA Screenplay by JEAN-JACQUES BEINEIX, 
JEAN VAN HAMME Dialogue by JEAN-JACQUES BEINEIX With FREDERIC ANDREI, 
ROLAND BERTIN, RICHARD BOHRINGER, GERARD DARMON, 
JACQUES FABBRI, THUY AN LUU, DOMINIQUE PINON, ANNY ROMAND 
With the participation of WILHELMENIA WIGGINS FERNANDEZ 
Director of photography PHILIPPE ROUSSELOT Set designer HILTON McCONNICO 
Music composed and conducted by VLADIMIR COSMA 
Production manager ULLY PICKARD A co-production of GALAXIE FILMS and 

GREENWICH FILM PRODUCTIONS SOUNDTRACK ALBUM AVAILABLE ON DRG RECORDS 

Copyright © 1982 United Antists Corporation All rights reserved 
United Artists 


fag egos nr | 





NEW ENGLAND PREMIERE 


STARTS WEDNESDAY JUNE 2 


12:55, 3:10, 5:25, 7:50, 10:10 


R isste| 


‘ THE BEST FILM TO OPEN BOSTON 
‘SO FAR THIS YEAR.” 


Just opp. the Blandford St. stop 
on B.C. Green Line MBTA 






t 


Se 


- Michael Blowen, Boston Globe 


“k & & & & AN OUTSTANDING, 
FUNNY MOVIE about growing up and coming 
to terms with growing up. The best such movie 


about young Americans in ages.” 
— David Brudnoy, WNAC-TV 


“i & & & A LITTLE MIRACLE!...The most 
wonderful surprise I’ve had at the movies in ages. 


‘Diner’ is a beautiful movie.” 


end S08 ONTERTAINAEENT LTD 


— Stephen Schiff, Boston Phoenix 









WwiTit 


OIRECTED BY 


WRITTEN BY AND STARRING 


MY DINNER. 
_ AN ORE, 







ANDRE GREGORY ».0 WALLACE SHAWN 


1:10, 3:20, 5:30, 7:45, 


10:00 





Classics 


THE BEST OF BRITISH SKA.... 
12:15 am 


BA 2 
| meg 





3 






“After Hours at the Nick” ¥s.« sot, me 4e 5 
MONTEREY POP 12:15 am 


JOPLIN - HENDRIX - REDDING 
ser cony 2 > ncaa nl 


12:00 

















































Film strips 





compiled by Owen Gleiberman 








MOVIE OF THE WEEK: Diva (1982). Jean-Jacques Beineix's idiosyncratic thriller is one 
of the most celebrated French movies to come along in years. Shot entirely in Paris, it's 
the story of Jules (Frederic Andrei), an 18-year-old postal carrier infatuated with a great 
soprano who refuses to let her voice be recorded. But Jules smuggies a tape machine 
into a performance and records her anyway. Toss in a weird subplot about another 
precious tape (this one involving the syndicate), and you've got the ingredients for an 
unusual chase movie, which has reportedly been filmed in very high style. Wilhelmenia 
Wiggins Fernandez, the American soprano who plays the diva, performed the film's 
operatic numbers herself. Opens Wednesday, June 2, at the Nickelodeon. 








a 


* & K AMERICAN GRAFFITI (1973). Bit- 
tersweet nostalgia by George Lucas, who 
ransacks his memories of high-school 
graduation night in California ca. 1962 to 
come up with a thin but superiatively 
evocative portrait of an era. Featuring 
greasers, cuddly carhops on roller skates, 
and that time-honored American ritual 
known as cruising. With Ron Howard, 





Richard Dreyfuss, Cindy Williams, and Paul 


LeMat. Harvard Square. 

*&kKTHE ATOMIC CAFE (1962). A 
terrific documentary and one of the most 
devastating indictments of the Cold War 
consciousness ever made. Filmmakers 
Kevin Rafferty, Jayne Loader, and Pierce 
Rafferty spent five years combing the 
country for US bomb propaganda from the 
mid-'40s to the late ‘50s. The masterfully 
edited result isn’t just a comic grab bag of 
old newsreels but a veritable narrative — 





kkkk Superb 


tkkk Good 

xk Middling 
* Bearable 
« A turkey 


Films without ratings have not been 
viewed as we go to press. We intend no 
judgment. 











the’ story of how the government per- 
petuated America’s ignorance about the 
nuclear age> Beacon Hill. 


*BAD TIMING/A SENSUAL OBSESSION 
(1980). A dreadful Nicolas Roeg film. Milena 
Flaherty (Theresa Russell), a voluptuous, 
empty-headed free spirit living in Vienna, 
has taken an overdose of sleeping pills 
Inspector Netusil (Harvey Keitel) wants to 
know if her lover, a priggish psychiatrist 
(Art Garfunkel), took his own sweet time 
about calling the ambulance, and if so, 
why? As the story unfolds, in Roeg’s 
patented time-fragmented style, it becomes 
painfully apparent that these two people are 
utterly dull and vacant. Roeg's technique 
has backfired this time muddling matters far 
too much and exposing the script (by Yale 
Udoff) for the piffie it is. Coolidge Corner 
THE BEAST WITHIN (1982). A newlywed 
(Bibi Besch) is raped on her honeymoon 
and gives birth to a monster. Directed by 
Philippe Mora. Pi Alley, suburbs. 
**X*XBEAU PERE (1981). Director 
Bertramd Blier (Get Out Your 
Handkerchiefs) has finally tackled a truly 
taboo subject. His sublime, entrancing 
comedy is about the love affair of a 29-year- 
old cocktail-lounge pianist (Patrick De- 
waere) and his 14-year-old stepdaughter 








(Ariel Besse) , and in Blier's realistic fairy- 
tale world, this subversive romance comes 
to seem somehow rich, moral, and 
biologically right. Mingling laughter and 
dismay, the film brings to the surface a 
range of subterranean feelings about sex, 
and the effect is shocking, touching, and 
oddly exhilarating. Academy. 

*& * XBEDAZZLED (1967). Peter Cook 
and Dudley Moore are very funny as a Satan 
hell-bent on-raining on everybody's parade 
and a Faust who can't seem to get his soul 
sold in Stanley Donen's very '60s-flavored 
comedy. With Raquel Welch as Lust 
Coolidge Corner 

* & KX BETTY BOOP AND FRIENDS. Bet- 
ty Boop, that racy, irrepressible, Depression- 
era flapper, appears in seven of her zingiest 


cartoons, including ‘‘Betty Boop’s 
Penthouse,"’ ‘‘Betty Boop, M_D.,"’ and the 
wonderful ‘Minnie the Moocher,"’ featuring 


the sounds of Cab Calloway. Off the Wall 
*% & KBREAKING AWAY (1979). A com- 
mercial American movie with a real feeling 
for its Midwestern locale, and an unsen- 
timental generosity toward its characters 
Steve Tesich, who wrote the Oscar-winning 
script, attended Indiana University in Bloom- 
ington, the lovingly observed small town in 
which four inseparable pals, recent high- 
school grads, spend an in-between summer 
in their old haunts, staging a last-ditch 
holding gction against adulthood. The 
Rocky-esque climax, in which the bike- 
racing hero (Dennis Christopher) takes on 
the arrogant BMOCs at the race track, feels 
strained and inauthentic, but its inadequacy 
iS a measure of the warmth and the richness 
of detail that Tesich and director Peter 
Yafes (Bullitt, The Deep) have worked into 
the texture. Coolidge Corner. 

*& *& & KBREATHLESS (1959). Jean-Luc 
Godard's innovative first featufe, and a 
movie classic. Its story of a hardened but 
romantic French killer (Jean-Paul Belmon- 
do) and a pretty, naive, bland, and infinitely 
dangerous American girl (exquisitely 
played by the late Jean Seberg) is a 
fascinating metaphor for the relation of 
French and American sensibilities. The film 
is tull of quotes from old movies, and the 
Style is a mix of disarmingly naturalistic 
tableaux and stylized posing (the 
characters speak a wildly over-literary 
dialogue) . exhilarating from start to finish 
Coolidge Corner. 


BUT THEM, SHE'S BETTY CARTER 
(1980). Jazz great Carter is seen performing 
at a 1980 concert and reminiscing about her 
career in Michelle Parkerson’s documen- 
tary, being given its Boston premiere. On 
the same bill is the short ‘Jazz Women,"’ a 
compilation film featuring clips of 10 
legendary jazz singers, including Bessie 
Smith, Billie Holliday, Ella Fitzgerald, and 
Dinah Washington. Off the Wall. 


Cc 


*&*k‘*:THE CAPTAIN'S PARADISE 
(1953). Alec Guinness in a small, pleasant 
comedy that never quite gets off the 
ground. He plays the sea captain living out 
every man's fantasy; in one port, sweet tittle 
homemaker Celia Johnson awaits him; and 
in another, sultry temptress Yvonne De 
Carlo — he's secretly married to both of 
them. The set-up is too good to last, of 
course, but it’s amusing watching Guinness 
stretch, the wives themselves are idealized 
to the point of delirium. Anthony Kimmins 
directed, and one keeps wishing he'd 
invested the movie with some sort of style 
Coolidge Corner 

*&*KCARNAL KNOWLEDGE (1974). 
Mike Nichols's chilly goodbye to the roman- 
ticism of The Graduate boasts a darkly comic 
Jules Feiffer script that renders in depress- 
ing detail the futility of sexual relations. A 
glistening, almost malignant film, with fine 
performances by Jack Nicholson, Art Gar- 
funkel, Ann-Margret, and Candice Bergen 
Harvard Square. e 
*&kXCASQUE D’OR (1952). Simone 
Signoret enjoyed her greatest role as Marie, 
the sensuous, Auguste Renoir-like blonde in 
Jacques Becker's masterwork. Becker was 
a protegé of Jean Reno, and the film's 
glowing backgrounds and _ vibrant 
characterizations reflect the master’s in- 
fluence. But Becker's romantic recreation of 
a den of thieves (‘‘Apaches,"’ as he calls 
them) in a summery, Belle Epoque Paris 
recalls, more than anything, Bizet's 
Carmen. Serge Reggiani is magnificent as 
Manda, whose love for Marie leads him to 
murder, underworld intrigue and, eventually, 
the guillotine. Modern Times Cafe. 

* &X CHARIOTS OF FIRE (1981). This stiff- 
upper-lip crowd-pleaser about the glory 
boys who led the English running team to 








victory in the 1924 Paris Olympics makes a 
splashy. colorful spectacie out of the old- 
fashioned virtues — perseverance, patriot- 
ism, and reverence. Telling the story of two 
runners — one (lan Charleson) a modest, 
devout Scottish Christian and one (Ben 
Cross) an ambitious Jew — director Hugh 
Hudson succeeds in putting the longed-for 
lump in the collective throat, and he nods 
gingerly in the direction of issues. But 
there’s no feal grit or suspense, and the 
pokes at anti-Semitism are important Mo- 
tion Picture window-dressing; in the end, 
the movie feels like a cheat. Charles, 
Chestnut Hill, suburbs 
* CONAN THE BARBARIAN (1962). John 
Milus has envisioned his lavish adaptation 
of the Conan comics as a larger-than-life 
spectacle, a gladiator movie laced with the 
philosophy of G. Gordon Liddy. But Conan 
doesn't feel “mythic’’ — it's just long, 
solemn, and dull. Arnoid Schwarzenegger 
hasn't been given much to do but flex his 
pectorais, and it's almost impossible to 
connect him with the brawny lug from the 
comic strip. The movie boils down to a 
bunch of burly stuntmen sweating and 
grunting and bashing one another over the 
head with prop swords. With James Ear! 
Jones, Sandahi Bergman, and Ben 
Davidson. Charles, Chestnut Hill; suburbs 
kkkKTHE CONFORMIST (1971). 
Bernardo Bertolucci’s version of Alberto 
Moravia's celebrated novel tells the story of 
Clerici, a young, passioniess Fascist official 
in ‘30s Italy who is assigned to murder his 
former professor and winds up falling for his 
wife, who also must die. Where Moravia's 
tone was calm and detached, Bertolucci's is 
aflame; he turns the novel into a baroque 
melodramatic thriller full of dazzling com- 
positions, ravishing lighting and color, and 
elliptical dialogue. The effect is to trap the 
passioniess monster in a swirling, im- 
passioned milieu. Jean-Louis Trintignant, 
stiff, suspicious, and almost obscenely 
narcissistic, gives one of the finest per- 
formances of his career in the title role, and 
Dominique Sanda, Stefania Sandrelli, Pierre 
Clementi, and Gaston Moschin co-star 
Coolidge Corner 
*& *& XCUL-DE-SAC (1966). Grotesque, 
morbidly funny, and ultimately tragic, 
Roman Polanski’s most eccentric film 
bridges the gap between his humorously 
Continued on page 36 


















TIME LONG 
303032) FRIDAY 


‘*Director John MacKenzie revitalizes 
the gangster genre with more energy 
than it has since Coppola’s ‘The 
Godfather’ and ‘The Godfather II.’ 
The story is rattled off with 


bursts of imagination, 
humor and, of course, 
violence.”’ 


— Michael Blowen, 
BOSTON GLOBE 


THE LONG 
GOOD FRIDAY 


HANDMADE EIEMS Presents 


BOB HOSKINS anu HELEN MIRREN 


nr 


Pe tucedd Ms 


« HANDMADE FILMS Aovwese 


-. @PemeassyMercturRes < 


_ «THE LONG GOOD FRIDAY’ 


sed YE RRANCEIS MONAAMTAN Orginal sreenplas bs BURRIE AEE EEE 
BARRY FEA NSON Directed fy HOHEN SEC we eee 


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PIERRE DAVID and VICTOR SOLNICKI Present VISITING HOURS 

starring LEE GRANT WILLIAM SHATNER MICHAEL IRONSIDE anc LINDA PURL 
Screenplay by BRIAN TAGGERT pirected by JEAN CLAUDE LORD produces by CLAUDE HEROUX 
xecutive Producers PIERRE DAVID ansVICTOR SOLNICKI music by JONATHAN GOLDSMITH 





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36 


THE BOSTON PHOENIX, SECTION THREE, JUNE 1, 1982 





Continued trom page 35 

allegorical shorts (and the not-so-humor- 
ous Knife in the Water) and his obsessive 
latter-day chillers. Donald Pleasence gives a 
virtuosic performance as George, a snivel 
ng masochist who lives on an island where 
two wounded gangsters (led by growling 


Lionel Stander) repair. to reconnoiter 
Francoise Dorleac plays the doxyish wife 
who, among other things, forces George to 


dance about in her nightgown.in but one of 
many bizarré, squirmy sequences. A 
strange, haunting work. Rear Window at the 
Puppet Show Place Theater. 





DANCE CRAZE (1982). A concert film 
featuring some of the bands that came out 
of Engiand’s recent ska revival: the English 
Beat, the Specials, Madness, the Selector. 
and more. We've heard that during show- 
ings at New York's Eighth Street Playhouse, 
audiences get up and dance in front of the 
screen, Rocky Horror-style. Nickelodeon 
* DAVID (1979). Peter Lilienthal’s somber 
story of an adolescent struggling to evade 
the Nazis is “the first German film to 
examine the Holocaust through the eyes of 
. a Jew, but the movie has almost nothing to 
offer besides historical novelty. Lilienthal's 
characters are so schematic they might as 
well be wearing placards that read ‘‘Com- 
pliant Civilian” or ‘Naive Pre-war Jew,"’ and 
as the frozen-faced hero (Mario Fischel) 
wanders from one precarious hiding place 
to another, the film never establishes his 
involvement- with either friend or foe. David 
not only fails to evoke the terror of lite under 
the Nazis — it never involves us on the most 
basic narrative level. West Newton 
*& &DEATHTRAP (1982). Ira Levin's com- 





edy thriller (a smash on Broadway) centers 
on a simple, inspired gimmick: the devious 
hero; a blocked playwright named Sidney 
Bruhi (Michaei Caine), finds himself living 


out a thriller that has the makings of a 
Broadway hit the hit he can't bring 
himself to write. When he's sent a masterful 
thriller written by a former student 
(Christopher Reeve), Sidney decides to 
murder the kid and steal his play. The movie 
is full of twists and surprises, and there are 


enough laughs to keep the audience off 
guard. But director Sidney Lumet has no 
flair for the tongue-in-cheek, and 
screenwriter Jay Presson Allen has unwisely 
toned down the play's theatricality; when 
the film succeeds, it’s because Levin has 
managed to outsmart his adapters. With 
Dyan Cannon and irene Worth. Allston, 
suburbs 

**XDEATH WISH Wi (19862). Charies 
Bronson hunts down a pack of vicious 
hippie hoodiums who raped and killed his 
daughter in this sequel to the immensely 
popular 1974 vigilante thriller. The movie's 
macho politics are’ no great surprise, but 
there's some genuine filmmaking craft on 
display here. Michael Winner's baidly man- 
ipulated direction practically grabs you by 
the throat, and everything in the film, from 
the characters to Jimmy Page's greasy 
wah-wah-pedal score, is so unremittingly 
extreme that the story acquires the 
dimensions of a comic-book myth. Harvard 
Square 

*&*k*k*XTHE DEER HUNTER (1978). 
Michael Cimino's saga of three steelworkers 
who carry their “‘one clean shot"’ notions of 
manliness from the deer hunt into battle in 
Vietnam is an utterly satisfying look at how 
the myth of the American hero was 
consumed by the war it created. During the 
first third, in which Cimino creates a 


spacious portrait of a Russian-American 
steel town in Pennsylvania, we sense that a 


hundred lives, an entire universe, are 
passing before our eyes. And then, in-a 
Vietnam prison camp episode that's one of 
the most harrowing action sequences in 
movie history, the game of Russian roulette 
becomes a remarkable metaphor for the 
way America’s let's-go-in-there-and-clean 
out-the-vermin heroism turned into the 
suicidal gambling of Vietnam. Harvard 
Square 


* kX *XDINER (1982). A little miracle 
who would have guessed that someone 
could still make a completely original movie 
about the ‘50s? Set in Baltimore during the 
last week Ot the decade, Barry Leyinson's 
anecdotal tale of six buddies on the 
threshold of manhood is a gentle, lyrical, 
magically funny portrait of the games young 
men play to keep from growing up. By 
revealing how the ‘50s were dominated by 
the macho ethos as no era has been before 
or since, this beautiful little movie doesn't 
just show us the way men and women were 
back then; it shows us why they had to 
change. Mickey Rourke, Daniel Stern, and 
Steve Guttenberg head up a great cast of 
unknowns. Nickelodeon. 

* * &k KDR. STRANGELOVE, OR HOW | 
LEARNED TO STOP WORRYING AND 
LOVE THE BOMB (1963). Stanley 
Kubrick's wild, visionary satire on the 
inSanity of the arms race is too simplistic to 
take very seriously (though many do), but 
the movie is beautifully made and graced by 
some of the most inspired comic per- 
formances on film. With George C. Scott, 
Sterling Hayden, Slim Pickens, Peter 
Sellers, Peter Sellers, and Peter Sellers. 
Coolidge Corner. 

* *& & KX DRESSED TO KILL (1980). Brian 
De Palma's best movie, and as scary and 


funny and self-conscious as the director's 
Carrie. A sort of fantasy remake of Psyeho. 
in which a transsexual-killer, armed with a 
Straight razor terrorizes a sexually 
repressed housewife (Angie Dickinson), a 
tough-talking hooker (Nancy Allen), and 
the housewife’s computer-whiz teenage son 
(Keith Gordon), Dressed To Kill takes 
place in a world of repression, a world of 
prurience and pent-up desire. Here sex 
violence, even a Casual conversation all 
have the same pornographic allure. A 
sizzier. Harvard Square. 


*& XEVIL UNDER THE SUN (1962). The 
latest star-studded\Agatha Christie romp is 
superior to both Murder on the Orient 
Express arid The Mirror Crack’d, largely 
because the scenery's prettier. Indeed, 
what else is there to care about in a movie 
that’s practically all piffle? In broad, car- 
toonish strokes, screenwriter Anthony Shaf- 
fer paints in a few traits, a few relationships, 
and a motive for murder; the film is a familiar 
and lazily soothing pastime, like a 
crossword puzzle. Peter Ustinov is terrific as 
Christie's fussy Belgian detective, Hercule 
Poirot. With James Mason, Maggie Smith, 
and Colin Blakely. Guy Hamilton directed 
West Newton ; 











*® FAME (1980). On the surface, Alan 
Parker's film about the boys and girls who 
go to New York's High School of Performing 
Arts is a slick entertainment package — but 
it's all surface. Parker seems too concerned 
with manipulating audiences to wonder 
whether his. punchy short scenes are 














At the end of the universe lies “ 
the beginning) of vengeange. 
\ | : 


\ 


\ 


‘ 


PARAMOUNT PICTURES presents STAR TREK Il: THE WRATH OF KHAN Starring WILLIAM SHATNER LEONARD NIMOY 
also Starring BIBI BESCH and PAUL WINFIELD as TERRELL Introducing KIRSTIE ALLEY as SAAVIK 

tarring RICARDO MONTALBAN as KHAN Executive Consultant GENE RODDENBERRY ‘Based on STAR TREK 
Created by GENE RODDENBERRY Executive Producer HARVE BENNETT Screenplay by JACK B. SOWARDS 

Story by HARVE BENNETT and JACK B. SOWARDS Produced by ROBERT SALLIN Directed by NICHOLAS MEYER 


and S 


i 





|Read the novel from Pocket Books} © Soundtrack on Atlantic Records and Tapes 








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pertinent to the characters. And even 
though each performer is given a specific 
history and personality, they remain inter- 
changeable; watching the movie is like 
sitting through a hundred consecutive TV 
icommerciais. The cast includes Barry 
Miller, Gene Anthony Ray, and irene Cara 
Harvard Square 





*& &XTHE GRATEFUL DEAD (1977). Jerry 
Garcia (who's listed as editorial director 
and is clearly the film's guiding hand) and 
Leon Gast (location director) have con- 
structed their movie as much around the 
Dead's fans as around the Dead them- 
selves, and the result is perhaps the most 
loving homage to the rock ‘n' roll audience 
ever made. But when it concentrates on the 
group's stage act (in the second hdif) , the 
movie dies: no number of quick cuts and 
odd angles could turn Garcia and his hairy 
horde into a visually exciting band. Orson 
Welles 








HANKY PANKY (1982). Gene Wilder and 
Gilda Radner star in a Hitchcockian caper 
comedy, much of which was filmed in our 
own fair city. Sidney Poitier directed. Cheri, 
Chestnut Hill, suburbs 

* & THE HORSE’S MOUTH (1959). Joyce 
Cary’s novel becomes a very funny film, 
directed competently if not imaginatively by 
Ronald Neame. Alec Guinness wrote the 
script’ and delivered one of his most 
beguiling performances as Gulley Jimson, 
an eccentric artist, mystic, and scoundrel 
who lives wherever he can find an intriguing 
surface on which to paint. With Kay Walsh, 
Renée Houston, and Mike Morgan 
Coolidge Corner. 








*1 LOVE YOU. (19862). Arnaido Jabor, the 
Brazilian director, has made a pretty awful 
social comedy — one of those primal-fuck 
therapy movies in which two people get in 
touch with their deepest feelings by shout- 
ing at each other and engaging in artful sex 
The hero, Paulo (Paulo César Pereio) , is a 
ruined businessman who lives in a Rio 
penthouse that’s a voyeur's dream — a 
fortress of mirrored walls and fancy video 
equipment. Pretty soon, he meets Maria 
(sultry Sonia Braga} , and the two retire to 
Paulo's palace for a few days of Sturm Und 
Drang sex. The movie €an be funny when it 
focuses on the irappings of Brazil's 
Americanized culture, but when it turns to 
the couple's erotic entanglements, the 
result is porn with pretentions. Orson 
Welles 

kkk XIN A LONELY PLACE (1950). 
Among the most beautiful and tragic of the 
film noirs, with profoundly searching per- 
formances by Humphrey Bogart and Gloria 
Grahame. In this finest role of the ‘50s, 
Bogart plays Dixon Steele, a frustrated 
sereenwriter falsely accused of murder; as 
he half-heartedly tries to get himself off the 
hook and maintain the trust of the woman 
he loves (Grahame), he begins to realize 
that his frustration has made him violent 
enough to have committed the crime 
Nicholas Ray directed, and it's one of his 
most sensitive, revealing works a murder 
thriller that pierces the soul. Brattle 


J 


*& & JULIET OF THE SPIRITS (1965). One 
of Fellini's prettiest films, this exotic, whimsi- 
cal, rather fuzzy-headed exploration of a 
housewife’s search for identity is yet 
another of the director's homages to his 
wife, Giulietta Masina, who portrays the 
aging gamine unnerved by the suspicion 
that her husband is unfaithful. Juliet’s 
search for a self beyond her marriage takes 
the form of a fantasy journey, a purgation of 
demons whose extravagant depiction is 
made all the wilder by Fellini's obvious 
enthusiasm for’ his first feature-length ex- 
periment in color photography. Unfortunate- 
ly, it all falls apart in the end, as: Fellini-opts 
for a pat Freudian resolution. Coolidge 
Corner. 














%*& *XKEY LARGO (1948). John Huston's 
workmanlike film of Maxwell Anderson's play 
about gangsters terrorizing a Key West 
hotel during a hurricane veers dangerously 
close to being a message movie, but it's 
saved by bravura performances: Humphrey 
Bogart as the ex-soldier examining the 
nature of courage, Lauren Bacall as the girl 
examining the nature of Bogie. Lionel 
Barrymore as her relentlessly lovable father, 
and, in the film's best portrayal, Edward G. 
4 Robinson as the most malignant of he bad 
guys. Claire Trevor won an Oscar for her 
performance as Robinson's hard-drinking 
mol. Brattle. 
KNOCK ON ANY DOOR (1949). Nicholas 
Ray (Rebel Without a Cause) directs 
Humphrey Bogart and a young John Derek 
in an early melodrama of troubled, anti- 
social youth. Derek, who was then being 
groomed for stardom (ah, the irony!) plays 
a victimized lad who turns to crime; lucky for 
him he has defense attorney Bogart on his 
side. With George Macready, Allene Rob- 
erts, and Susan Perry. Braftle. 


L 


*&*k kk KTHE LADY EVE (1941). Preston 
Sturges’s sparkling comedy about a con 
artist trying to land a bashful millionaire is 
somewhat reminiscent of Bringing Up Baby, 
but, instead of dinosaur bones, Henry 
Fonda has a consuming interest in snakes. 
At any rate, Eve is less madcap and more 
sophisticated, an astonishingly seamless 
cross between a swank romance and a 
knock-down, slapstick bash. Barbara 









































~ ae ae fe 


"Stanwyck is marvelous as the naughty 


heroine, Charlies Coburn does a witty turn as 
her flim-flamming father, and William De- 
marest skulks. Brattle. 

*& *& &XTHE LAST COMMAND (1928). In 
the '20s and early '30s, German actor Emil 
Jannings specialized in masochistic 
portraits of once-proud men_ horribly 
humiliated. The Last Command is one of his 
intermediate efforts: it teams Jannings and 
director Joseph von Sternberg for a cynical, 
sometimes haunting examination of the 
shallowness of Hollywood mythmaking 
Jannings is an exiled Russian Grand Duke, 
now a Hollywood extra, who is forced to 
play himself in a World War | epic directed 
by a former adversary, an emigrant revol- 
utionary played by William Powell. The film 
version of history is contrasted with the 
Duke's memories of the actual events, 
which are seen in flashbacks. /nstitute of 
Contemporary Art 

* & & THE LAVENDER HILL MOB (1950). 
Alec Guinness is a timorous bank employee 
who spends several honest years trans- 
porting gold bullion before he decides to 
make off with some, shipping it out of 
England as Eiffel Tower paperweights 
Exciting, deftly paced, and often very funny, 
this is one of the best of the Ealing COmedies 
and, with Kind Hearts and Coronets, it made 
Guinness an international star. The agile 
direction is by Charles Crichton, and there 
are wonderful performances from Stanley 
Holloway, Sidney James, and Alfie Bass, as 
Guinness’s demented gang. Coolidge Cor- 
ner 

LET THERE BE ROCK (1982). Heavy 
metal paragons AC/DC are featured in a 
live concert film, shown in thunderous ‘‘wall 
of sound."’ For those about to shell out four 
bucks, we salute you. Cinema 57. 

* & ‘2 THE LONG GOOD FRIDAY (1981). 
A volatile English thriller with a lot of life 
around the edges — though the story 
seems scaled down to TV dimensions. Bob 
Hoskins stars as Harold Shand, an under- 
world kingpin whose empire is being 
systematically destroyed; he spends one 
long day trying to sniff out his mysterious 
enemy. Harold is not an especially appeal- 
ing character — more punk than godfather, 
he's not “big'’ enough to hold down the 
center of the movie — but it’s hard not to 


take a weird sort of liking to Hoskins, whose * 


scowling, low-life performance has a lot of 
nasty energy. With Helen Mirren and Eddie 
Constantine; directed by John Mackenzie. 
Charles, Circle, suburbs. 


*& & KMISSING (1982). Based on a true 
incident, Costa-Gavras’s first American film 
immerses us in a modern military nightmare 
— the 1973 Chilean coup. The setting 
(though unnamed throughout the film) is 
Santiago, and Sissy Spacek and Jack 
Lemmon are the wife and father of Charles 
Horman (John Shea), a liberal journalist 
who vanished during the outbreak of 
military action. Together, the two pursue the 
case like '40s detectives, embarking on a 
grisly tour of the coup that takes them from 
the city’s makeshift morgues to the tight- 
lipped American Embassy officials, who 
flatly deny that the US had anything to do 
with Charles's disappearance. Costa- 
Gavras implies otherwise, and he has 
created a powerful political drama by taking 
us into the corridors of power, where we 
watch the mechanisms of a corruption most 
of us take for granted. West Newton. 

*%& KMONTENEGRO (1981). Though it's 
often very funny, the most accessible film 
that Dusan Makavejev (WR: Mysteries of 
the Organism) has made feels like one of 
those stale old liberation comedies from a 
decade ago. Susan Anspach is Makavejev's 
mad housewife — a wigged-out madonna 
who leaves her rich-businessman husband 
(Erland Josephson) and follows a pack of 
garlicky Slavic immigrants to their sleazy, 
festive nightclub, where she spends three 
days “finding herself." The story is in- 
geniously told, but Makavejev's animal 
imagery and characteristic sexual fantasies 
all seem very banal; this is an academic's 
attempt at entertainment. West Newton. 

*& KXMONTEREY POP (1969). The first 
concert film to become a major hit has not 
worn well. The photography and editing that 
once looked so '‘60s-flashy now seem 
scrappy, and on several of the numbers 
(like the Mamas and Papas’ ‘California 








Dreamin’ '’), filmmakers D.A. Pennebaker = 


and Albert. Maysies shamelessly dub in 
studio versions, Don Kirshner-style. Worth 
seeirig, however for the spelibinding per- 
formances of Otis Redding, Janis Joplin, 
and Jimi Hendrix, who does an apocalyptic 
rendition of'Wild Thing.’’ Nickelodeon. 

kkkKMY DINNER WITH ANDRE 
(1981). The premise of this wonderful movie 
is magically simple: a playwright named 
Wally Shawn and an avant-garde theater 
director named André Gregory, playing 


themselves, sit down in a posh Manhattan . 


restaurant, order dinner, and talk. And 
that's the whole movie. But as Wally and 
André spill out theic souls to us — the 
dashing André going on about his mystical 
wanderings, the baic, pudgy Wally standing 
up for the sublime pleasures of everyday life 
— their searching eagerness is inspiring. 
And the result is less a weighty 
philosophical debate than a spritzy celebra- 
tion of conversation — a reflection on what 
the performance we spend our lives putting 
on is all about. Louis Malle directed. 
Nickelodeon m 





be] 


Fonda) comes to appreciate what a sweet 
guy her old dad is at heart. It's a gentle, 
flavoriess character comedy, and the end- 
less symbols and bits on death and old age 
are simply tossed in to make our weeping 
seem worthwhile. The movie does, however, 
have one revelation: as the cantankerous 
80-year-old Norman, Henry Fonda achieves 
an emotional eloquence that transcends 
Thompson's glib -sentimentality. Galeria 
Cinema Brookline, Academy, suburbs. 


%&* *XPASSIONE D’AMORE (1981). In 
Ettore Scola'’s dark, stately, richly ironic 
comedy, Bernard Giraudeau plays a hand- 
some, hot-blooded cavairy soldier during 
the Risorgimento who's in love with the 
dazzling wife (Laura Antonelli) of an older 
man. But then he meets Fosca (Valeria 
D'Obici), a diseased, romantic recluse 
whose vampirish ugliness is truly unsettling 
and gradually, miraculously, he begins to 
fall in love with her. The situation js 
provocative, afid the movie often strangely 
funny. But Scola newer reaches a satisfac- 
tory resolution, and we leave wondering 
whether Giraudeau finally embraces this 
doomed. waif in spite of her ugliness or 
because of it. Orson Welles 

**& *XPINK FLAMINGOS (1971). John 
Waters's classic of gross-out comedy, in 
which Divine proves once and for all that she 
is indeed the filthiest. person alive by 
devouring a handful of freshly-laid poodle 
turds. It's a one-of-a-kind picture, a gleefully 
dirty sex-and-violence fairy-tale whose 
raison d'etre is to make us laugh at our own 
revulsion. With Edith Massey. Mink Stole, 
David Lochary, and a cameo appearance 
by a man who sings ‘Surfin’ Bird"’ with his 
anus. Harvard Square 








POLTERGEIST (1962). There are some big 
names behind this new suburban Gothic 
Chiller, which we hope lives up to its billing 
as “the first real ghost story."’ Steven 
Spielberg produced the film ¢and reported- 
ly directed large chunks of it as well), and 


-the nominal director is Tobe Hooper, who 


made that masterpiece of low-budget 
dementia, The Texas Chainsaw Massacre 
With Craig T. Nelson, Jobeth Williams, and 
Beatrice Straight. Cinema 57. Circle, 
suburbs 
*&*'2PRINCE OF THE CITY (1981). 
Based on a true story, Sidney Lumet's 
misshapen, nearly three-hour police movie 
iS a gruesomely hypnotic tale of guilt and 
penance that assaults you with its serious- 
ness. Treat Williams, over-acting in every 
scene, is Danny Ciello, a corrupt team 
leader of New York's notorious Special 
Investigating Unit who becomes an informer 
tor the Knapp Commission. Lumet struggles 
to maintain an aura of moral ambivalence, 
but it's clear that Cielio rats on his partners 
because he's a “good guy whose soul is 
crying out for absolution. Still, the movie's 
seamy textures hold you, and its realism 
and richness of incident give it a sort of 
trembly nobility. West Newton 

R 
*kkKXTHE RULES OF THE GAME 
(1939). Perhaps Jean Renoir's best film 
perhaps the best film ever made. In this 
sublime study of a doomed party at an haut- 
bourgeois country estate, Renoir seduces 
us into the lives of nearly a dozen haunted, 
cruel, loving, despairing characters; Alt- 
man's Nashville could never have been made 
without it. Renoir's theme is that ‘Everyone 
has his reasons,"’ and the miracle of this film 

Continued on page 39 














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“CERTIFIED 
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Produced by Martin Lewis and Peter Walker 
Directed by Julien Temple and Roger Graef 
Soundtrack albums on Island Records & Tapes 





%%2ON GOLDEN POND (1981). As tear- 
jerkers go, this adaptation of Ernest Thomp- 
son's play has got the wildest array of 
sentimental gears and pulleys since. Love 
Story. The story is about Norman and Ethel 
Thayer (Henry Fonda and Katharine Hep- 
burn), an aging couple taking their final 
sojourn on a woodsy New England pond, 
and how their ungrateful daughter (Jane 


STARTS FRIDAY, JUNE 4 





























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2861 ‘t SNAP ‘33SYH1 NOILOAS ‘XINSOHd NOLSOS SHI 








THE BOSTON PHOENIX, SECTION THREE, JUNE 1, 1982 





























You'll be glad you came! 





we — eee 
Pe ar ean: . 












Accused of a love that dare not 
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MELVIN SIMON PRODUCTIONS/AST RAL BELLEVUE PATHE INC. Present BOB CLARK’S “PORKY " 
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Continued from page 37 
is that it shows us those reasons, and much 
more. French Library. 


THE SECRET POLICEMAN’S OTHER 
BALL (1962). A concert film featuring Peter 
Cook and most of the Monty Python troupe, 
as well as appearances by Peter Townsend, 
Jeff Beck, and Eric Clapton. Beacon Hill. 
* X SEVEN BEAUTIES (1975). Giancario 
Giannini plays a macho Italian faced with 
the horrors of life in a concentration camp 
and forced to consider whether mere 
survival isn't enough — especially in a worid 
turned topsy-turvy by war, sex, and Lina 
Wertmiulier's flashy cinematic pyrotechnics. 
A subplot about Giannini’s courtship of a 
monstrous lady commandant is funny in a 
grotesque sort of way, but several of the 
other interfaced vignettes seem 
meretricious and pointiessly gross. This is 
Wertmulier's most technically ac- 
complished film, but Love and. Anarchy 
remains her best. Harvard Square. 

*% & & SMASH PALACE (1961). The rather 
obscure film industry of New Zealand has 
coughed up its own Shoot the Moon — a 
volatile and realistic portrait of a crumbling 
marriage. This tale of a former race car 
driver (Bruno Lawrence) whose world falls 
apart when his wife and daughter leave him 
is a powerfully tragic story of how people try 
to create resolutions for themselves where 
none exist. The action scenes in the second 
half aren't always convincing, but Bruno 
Lawrence's smoldering performance is a 
graphic example of how scary it can be 
when a ‘“‘nofmal’’ Joe goes berserk 
Directed by Roger Donaldson. Beacon Hill 
STAR TREK li: THE WRATH OF KAHN 
(1982). Look at it this way: it couldn't be 
cheesier than the first Star Trek movie 
especially since the sort-of-talented 
Nicholas Meyer (Time After Time) is direct- 
ing. This time the gang's up against a 
brilliant renegade from the 20th century 
who's stolen a Federation starship and 
threatens to destroy Kirk, even if it means 
the End of the Universe. With Shatner, 
Nimoy, Kelley.. and James ‘‘Scotty”’ 
Doohan. Cinema 57, Chestnut Hill, suburbs 
*&*XKXLA STRADA (1954). Fellini's ai- 
legorical fairy tale isn't a deep or complex 








work, but it's a superb exercise in shading 
and mood featuring a trio of memorable 
performances. Giulietta Masina is the inno- 


cent peasant woman Gelsomina, Anthony 
Quinn the brutish strong-man who buys her 
tor companionship, and Richard Basehart 
the ill-fated jester. Coolidge Corner 
**kKXSTRAY DOG (1949). Among the 
best of Akira Kurosawa's gritty films about 
life in post-war Japan, this is a psychologi- 
cal detective thriller that veers toward social 
criticism. Toshiro Mifune is a young Tokyo 
policeman whose pistol is stolen during a 
period of economic hardship. As Mifune's 
search grows more desperate, he finds 
himself identifying closely with the thief, and 
the film takes on a vertiginous urgency and 
power. Coolidge Corner 

*& kX *XSTRIPES (1981). Ivan Reitman's 
anarchic military satire is basically a show- 
case for Bill Murray, whose unique brand of 
casual lunacy is so tunny it's liberating. The 
movie feels a tad thrown together. but the 
basic-training pieces are among the most 
hilarious army-comedy sequences in mem- 
ory. Murray takes the hang-loose _ir- 
reverence of M*A*S*H’ and updates it to 
the video-game era. With Harold Ramis, 
John Candy, and P.J. Soles. “I'm a lean, 
mean, fightin’ machine!"' Harvard Square 
*k*XTHE STUNT MAN (1980). Fast, 
clever, and exhilarating: it feels as if every 
second of running time, every scrap of film, 
had been crammed with entertainment 
value. Telling the story of a fleeing criminal, 
Cameron (Steve Railsback) , who is roped 
into service as the star's stunt double in a 
World War | picture being shot on location, 
director Richard Rush constructs an in- 
tricate, metaphorical wind-up toy of a movie 
that never bogs down or takes itself too 
seriously. Peter O'Toole, crowing joyfully, is 
the all-seeing, megalomaniac director, 
swooping down from the heavens — and 
into the frame — astride his winged camera 
crane. Harvard Square. 


T 


*& & & KX TAXI DRIVER (1976). Robert De 
Niro turns in a hypnotic performance as 
Travis Bickle, the haunted hack driver who 
drinks in the brutality and horror of New 
York City and then, overwhelmed with 
panic, loneliness, and disgust, spits it out 
like venom. Martin Scorsese's film is gar- 
ishly expressionistic and intellectually as- 
sailable, but it possesses an extraordinary 
visceral power. Paul Schrader translated his 
personal nightmare into an uncommonly 
vivid screenplay, and though the plot at 
times tests our credulity, the film burns with 
the logic of psychic torment. Harvard 
Square. 








‘ 


*&kKTICKET TO HEAVEN (1961). A 
riveting, horrifyingly funny story about the 
perils of modern religious cults. Based on 
Josh Freed's factual chronicle Moonwebs, 
the film follows a young Toronto 
schoolteacher (Nick Mancuso) who finds 
himself drifting into the clutches of a 
Moonies-like cult. Director R.L. Thomas 
manages to pander to our most outlandish 
images of the Moonies and turn them into a 
palpable fright besides, and in the movie's 
remarkable conversion sequence, he makes 
a fairly convincing case for the idea that 
almost anyone is susceptible to their mind 
games. With Saul Rubinek and R.H. Thomp- 
son. West Newton. 
*kx*k*TO HAVE AND HAVE NOT 
(1944). ‘Just put your lips together and 
blow,"’ instructs a sultry 19-year-old Lauren 
Bacall, and Humphrey Bogart, as a fishing- 
boat skipper drawn reluctantly (of course) 
into anti-Nazi intrigue, learns how to whistle. 
Howard Hawks directed this extremely 
loose, extremely entertaining Hemingway 
adaptation with a great deal of verve, and 
Walter Brennan added his usual endearing if 
exaggerated support. Brattle. 
*%& & & K TRASH (1970), A gutterside mas- 
terpiece — and the only film that ever came 
out of the Andy Warhol Factory in which 
genuine emotion transcends camp. Joe 
Dallesandro is the beautiful but inanimate 
junkie who can’t get it up, and Holly 
Woodlawn is his splendid, battered-but-true 
transvestite wife. Paul Morrissey’s unblink- 
ing camera records their low-income follies 
with a sort of gracious detachment, and the 
lunatic subplots are funnier and more 
bitingly satirical than the best of John 
Waters. It's Woodlawn's magnificent per- 
formance, however, that pulls the film 
together, turning Morrissey's deliberately 
bland, anti-narrative aesthetic into a form of 
deadpan tragedy. Nickelodeon 
THE TRIALS OF OSCAR WILDE (1960). 
Peter Finch portrays the playwright in an 
English film that traces Wilde from the 
height of his popularity - through the 
homosexual scandals that caused his public 
downfall. The cast includes Yvonne Mitchell, 
James Mason, and Nige! Patrick. Ken 
Hughes directed. Exeter 
* & & kK TROUBLE IN PARADISE (1932). 
Ernst Lubitsch’s masterpiece is perhaps the 
most sophisticated of American comedies 
— and one of the most exhilarating. Indeed 
it hardly seems American; Lubitsch's 


gorgeous Venetian interiors, the almost 
sublime cynicism of the characters, and the 
pearly diction of Herbert Marshall, Miriam 
Hopkins, and Kay Francis lend a European 
tone. it's the story of a pair of jewel thieves 
(Marshall and Hopkins) who fall in love and 
join the household staff of a rich widow 
(Francis) , planning to rob her; unfortunate- 
ly for Marshall, the lady in question is both 
canny and quite attractive. Few American 
scripts are as full of silky badinage as 
Samson Raphaelson and Grover Jones's; 
and the Lubitsch touch elevates rascality to 
the sublime. Brattle. 


%& & KUNDERWORLD (1927). Josef von 
Sternberg's melodrama was the first film to 
use gangsters as heroes. The atmosphere 
was almost unprecedented in its realism 
and, as always, Sternberg's compositions 
and lighting are strikingly expressivé 
George Bancroft plays Bull Weed, a sen- 
timentalized mobster whose _ rebellion 
against an oppressive society is a far cry 
from the nihilistic ruthlessness James 
Cagney wouid later portray so effectively 
Ben Hecht won an Oscar for the screenplay 
Institute of Contemporary Art. 

* *k'2URGH! A MUSIC WAR (1981). 
Twenty-eight new wave bands from Lon- 
don, New York, and Los Angeles perform a 
song apiece, and if the result is something 
less than a great concert film, it can stand 
as a near-definitive portrait of the punk 
legacy. Most of these groups play variations 
on the same stripped-down, bass-powered 
Caucasian garage-rock, but there are rivet- 
ing numbers from the Police, Oingo Boingo, 
X, and Pere Ubu, as well as an unforgettable 
few minutes with Kiaus Nomi, a space-age 
cabaret singer whose operatic falsetto is a 
study in twisted passion. Orson Welles 











Vv 





VENGEANCE IS MINE (1979). A popular 
Japanese film about the adventures of a 
reckless killer. Directed by Shohei Imamura 
Coolidge Corner 

VISITING HOURS (1962). Billed as the 
movie that will do for hospitals what Psycho 
did for motels, this suspense Chiller stars 
Lee Grant as a hospitalized newscaster 
trying to tend off the attacks of a ward- 


prowling maniac (Michael ironside, from 
Scanners) . With William Shatner and Linda 
Purl; directed by Jean Claude Lord. Paris, 
Saxon , Chestnut Hill, suburbs. 


*&*kXWAR AND PEACE (1968). Sergei 
Bondarchuk’s mammoth adaptation from 
Tolstoy (shown in two parts) is one of the 
most successful film versions ever of a 
literary masterpiece. With enormous 
amounts of Soviet government money at his 
disposal, Bondarchuk staged the 
Napoleonic battle sequences with great 
sweep and clarity. And a collection of fine 
performances, closely observed, gives a 
good account of the human story, as well 
Supé@rior to either the American theatrical 
version or the Masterpiece Theater serial, 
this War and Peace lasts six-and-a-half 
hours, yet it's not a minute too long. 
Coolidge Corner 

*&%A WEEK’S VACATION (1962). It's 
hard to believe that the same Bertrand 
Tavernier who made The Clockmaker could 
have turned out this mild, blandly sincere 
story of a 31-year-old Lyons schoolteacher 
who takes a week Off to sort out her 
problems. Disenchanted with her life, the 
heroine, Laurence (Nathalie Baye) , spends 
most of her ‘‘week's vacation’ dispensing 
advice to foriorn acquaintances. There are 
some warm, thoughtful moments, but most 
of the movie is the sort of quaintly appealing 








- fluff the French innovators of the ‘60s would 


Orson Welles. 

THE WOLVES (1971). Tatsuya Nakadai 
(Kagemusha) stars as a Japanese 
gangster (Yakuza) forced to choose be- 
tween personal and gang loyalties in this 
genre film. With Tetsuro Tamba. Directed by 
Hideo Gosho (Three Outlaw Samurai, 
Bandits vs. Samurai Squadron) Coolidge 
Corner. : 

*&*k KXKWOMAN IN THE DUNES (1964). 
Surreal, mythic and very lovely, this 
Japanese fable of an entomologist who 
finds himself trapped in a deep — or, rather, 
profound — sandpit with a quietly attractive 
widower is an engaging, subtle study of 
eroticism with allegorical overtones. From 
Kobo Abe's novel and directed by Hiroshi 
Teshigahara. Coolidge Corner. 

®WRONG IS RIGHT (1962). Richard 
Brooks's dispiriting satirical thriller is ap- 
parently the product of a disordered mind 
that wants to say something about politics 
and television but doesn't know exactly 
what. Sean Connery plays a TV newsman 
who stumbles across a plot to assassinate 
an Arab king, depose the president, and 
blow up New York with two atomic bombs. 

The movie's incoherence and lack of 
connection to the reali worid are exceeded 

only by its feebleness as satire; this is a fim 

for the sort of people who gasp and 
giggle when daring words like ‘‘Watergate"’ 

issue from the screen. Cinema 57, suburbs 








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Two by Nicholas Ray 
IN A LONELY PLACE 
With Bogart and Gloria Graham. 
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With Bogart, John g ~~ and Allene Roberts. 





June 5-8, Saturday -Tuesday 


Ernst Lubitsch’s 

TROUBLE IN PARADISE 

With Kay Francis, Miriam Hopkins and 
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6:45, 9:55, Weekend Matinee 3:30 
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THE LADY EVE 
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SUPPLEMENT TO THE BOSTON PHOENIX, JUNE 1, 1982 


Including a dining 
and drinking guide 


5 











THE BOSTON PHOENIX, SECTION FOUR, CAPE COD, JUNE 1, 1982 











LAW wes —€ N.S 


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The Cape Cod Coliseum 


Tickets available at Box Office, Ticketron, Concert Charge (all cards accepted) 426-818! 




















Provincetown: 


Scenes and themes 


About as far out as you can go 


by Jeff Wagenheim 


or those who battle like-thinking 
F motorists all the way from Quincy 

to Cape Cod Canal each summer, 
the quaint scenery along the upper 
Cape’s back roads is as much a refresh- 
ment from traffic-jam frustration as a 
cool drink at a roadside store. Further 
along the road, the sunshiny beaches of 
the Cape Cod National Seashore are 
convenient and cordial havens where we 
can relax after the long hours spent 
crouched behind a steering wheel. A 
three-hour non-stop drive or a couple of 
shorter hops broken up by a few hours of 
lounging on the sand brings you to road's 
end: Provincetown. 

P-Town, as natives call it, hasn't 
always been an ending point. When the 
Mayflower sailed the Atlantic and set 
anchor in what is now Provincetown 
Harbor on November 9, 1620, Cape Cod 
became the settler’s gateway to the 
continent. A beginning, of sorts. 

As a settlement, Provincetown would 
have many beginnings. After the Pil- 
grims learned that the land around what 
is now Plymouth would better serve their 
farming needs, they ended their two- 
month stay at Provincetown, and left the 
sandy dunes there uninhabited — except 
by occasional hordes of traders and 
fishermen who reportedly carried on 
with even more reckless abandon than 
do today’s summertime visitors. “Drink- 
ing, gambling and _ bacchanalian 
carousals,’” wrote Donald Wood in Cape 
Cod: A Guide, “continued sometimes for 
weeks with unrestrained license.” 

Through the 1600s and into the next 
century, Provincetown remained un- 
tamed, despite the best efforts of the 
sober-minded people of Boston. Even 
when Truro became a town in 1709 and 
Provincetown — then known as Cape 
Cod — was added to it as a precinct five 
years later, the fishermen, smugglers and 
privateers continued their unruly ways. It 
was not until 1727, by which time 
enough English settlers had arrived to 
subdue the town, that Provincetown was 
incorporated. 

Still, there were not enough settlers to 
give the town a permanent identity. At 
times during the next 25 years, 
Provincetown was reduced to a ghost 
town. By ‘the 1760s, however, it had 
become a whaling town. As the industry 
proliferated, the little town at the end of 
the Cape hit its stride, and by the time the 
War of 1812 broke out, Provincetown 
was a thriving town of 1000 inhabitants. 

The town would again change. 
Throughout the 1800s, whaling ships 
returning to Provincetown Harbor 
brought with them Portuguese immi- 
grants, who'd signed on as replacements 
for crew members who'd begged off the 
often grueling voyages when the ships 
called at overseas ports. And as the 
Portuguese population became _ the 
backbone of Provincetown, 
Provincetown became less of a whaling 
town and more of a Portuguese fishing 
village. 

The town’s whaling tradition led in a 
roundabout way to another facet of 
Provincetown’s identity: it’s national 
reputation as an artists’ colony. In 1916, 
the Viola, the last whaler to sail from 
Provincetown, and its captain, John 
Cook, became the subject of Bound East 
for Cardiff, a play written by a member 
of the fledgling Provincetown Players. 
The drama was produced first in 
Provincetown and later in New York. 
The playwright was Eugene O’Neill, 
who would go on to win a Nobel Prize 
and three Pulitzers. 

Actually, Provincetown’s arts colony 
existed long before the theatre people 
arrived. In 1899, Charles W. Hawthorne, 
the portrait and genre painter, started the 
Cape Cod School of Art. In Hawthorne's 
era, Commercial Street was often lined 
with artists painting portraits of the 
fishermen — or of anything else that 
moved them. To this day artists still paint 
portraits along Commercial Street, and to 
this day the most serious of 
Provincetown art is exhibited at 
Hawthorne Memorial Gallery. 

But just as Provincetown no longer is a 
fishing village, neither is it the artist's 


Photos by Paul Fortin 











The Pilgrim Monument 


retreat it once was. These days tourists 
people the streets of Provincetown — 
during summer months, anyway. Not 
your average sightseeing kind, but a 
more artistic type that want to infiltrate a 
real live arts colony. Sure, there are the 
families and the shutterbugs, but the P- 
town tourist is more likely to be a 
freewheeling sort who wants to “ex- 
perience” the place. 

That's why a good bit of Provincetown 
sightseeing is nothing more than a stroll 
down Commercial Street. You'll see the 
wharves (and, at the right time of day, 
the fishermen returning with their day’s 
catch), you'll look over the shoulder of 
artists (who may offer to paint your 
portrait for a fee), and you'll walk by 
much of Provincetown’s history. At 621 
Commercial, for instance, is Bissel 
House, where the Provincetown Players 
gave their first performance, in 1915, and 
where Eugene O'Neill submitted his 
Bound East for Cardiff manuscript the 
following summer. At 577 is the old John 
Francis apartment house, where O'Neill 
lived with other struggling artists. At 
number 524, just past Hancock Street, is 
the birthplace of the late Admiral Donald 
B. MacMillan, the Arctic explorer and 
comrade of Richard E. Byrd and Robert E. 
Peary. 

Also along Commercial Street you'll 
find the Center for the Arts, a folk-art 
museum situated in the first house in 
Provincetown to have a bathroom; the 
Provincetown Art Association, the oldest 
art organization in town; the 
Provincetown Marine Aquarium; and the 
oldest house in Provincetown. Nearby is 
the Provincetown Museum, which has 
exhibits about Admiral MacMillan, 
O'Neill, and other town notables. And 
next to the museum is Pilgrim Monu- 
ment, a 352-foot granite structure that, on 
a clear day, offers those who climb it a 
view of nearly the entire Cape. 

But those attractions are for sightseers, 
and as we said before, much of “seeing” 
Provincetown has nothing to do with 
“sights.” A stroller down Commercial 
Street need not stop at any of the historic 
landmarks to get a feel for the town. P- 
town is less a sightseeing place than it is 
a people-watching place. And a non- 
judgmental one, too. As has been widely 
publicized, P-town attracts a largely gay 

































——" 








summer crowd, and in my many trips 
there I've yet to see a single conflict. (One 
fellow wearing a nurse’s uniform a few 


Commercial Street before t 


















he crowds arrive - 





summers ago did attract some nasty 
stares — he looked too much like the 
homicidal maniac in Dressed to Kill.) 





For those of us who view P-Town as 
iimination of a iong day spent at 
one of the beaches off Route 6A (or at 
one of Provincetown s own: Race Point, a 
northern beach with spectacular dunes 
or Herring Cove, on the bay side, with 
warmer water), Commerciai Street is 
where you go to eat (there are both 
expensive restaurants and inexpensive 
pizza, seafood, and ice cream shops) to 
drink (again, there are both expensive 
and cheap bars), or simply to sit. Also, 
there are shops where you can pick up 
the inevitable Provincetown T-shirt or 
buy a traditional box of salt-water taffy. 

Before you can enjoy Provincetown’s 
charms, however, you've got to get there. 
If you go by car, your best bet is to travel 
at an odd hour to avoid traffic, Other 
wise, the three-hour trip could take four. 
Four hours wouldn't be so bad, though, if 
you enjoyed it, and one way to enjoy 
your trip is to take Route 6A beyond the 
Cape Cod Canal. Route 6, the high 
way,will get you to P-town faster, but it 
won't weave you through old Cape 
towns like Sandwich and Barnstable, 
towns that look like you expect a Cape 
Cod town to look. Once 6A joins up with 
6 again just past East Brewster, the rest of 
the road is an undivided highway that 
runs along Cape Cod National Seashore. 
Beyond Truro, the final approach to P- 
Town is a barren roadway between the 
dunes along the Atlantic and the 
bungalows that line Cape Cod Bay. 

You don’t have to drive, though. For 





$29 each way 


Internationa 
incernati¢ a 


you can fly from Logan 
Airport to Provincetown 
Airport. Provincetown-Boston Airlines 
offers four flights most days: 9:30 a.m 
except Sundays), 1:30 p.m., 3:30 p.m. 
and 7:30 p.m. (except Saturdays) 

If you can’t afford to fly — or if you'd 
rather spend your travel time lounging 
on the deck of a boat — you're in luck. 
The. Provincetown Steamship Co. runs 
one round-trip excursion between P 
Town and Boston each day during the 
summer. Starting Memorial Day week- 
end, the ship runs each weekend day. 
The daily trips start June 21. The ship 
leaves Commonwealth Pier at 9:30 a.m., 
arrives in P-Town at 12:30 p.m., leaves 
Provincetown at 3:30, and arrives back in 
Boston at 6:30 p.m. A round-trip ticket is 
$18 ($13 for children, and $3 extra for a 
bicycle), but that ticket is good for only 
one day. If you want to spend more than 
three hours in Provincetown (and’ can 
find a place there to spend the night), you 
have to buy two $12 one-way tickets. 
And by the way, Provincetown Steam 
ship Co. recommends that you show up 
by about 8:30 a.m. for its 9:30 excursion. 
Crowds, you know 

Which shouldn't come as much of a 
surprise. Most any approach to P-Town 
is going to be crowded. When people will 
drive three hours in traffic to the end of a 
peninsula — a place from where there's 
nowhere else to go once you've arrived 
— it says something about 
Provincetown. 0 


P 























r 





There’s a race of men that don’t fit in, 

A race that can’t stay still; 

So break the hearts of kith and kin, 
And toam the world at will.. 
Robert Service* 

The Men That Don’t Fit In 














The Black Sheep of 
, + * 
Canadian Liquors. 
A one hundred proof potency. that simmers 
just below the surface. Yet, it’s so smooth and 
flavorful, it’s unlike any Canadian liquor you 
have ever tasted: Straight, mixed, or on the 


rocks, Yukon Jack is truly a black 
sheep. A spirit unto itself. 







100 Pioof, Strong and Smooth. 


Yukon Jack? 100 Proof imported Liqueur Bottied by Heublein inc.. Hartiord, Conn. Sole Agents U.S.A* © 1907 Dodd. Mead & Co. inc 






Tickets: 
$12.50 & 
$16.50 V.1.P. 


ape C 











July 4 
JUICE 


6 & 9:30 








1982 
SUNDAY 
CONCERT 
SERIES 







JESSE WINCHESTER, . 


THE 5TH 
DIMENSION 







MELODY TENT 


HYANNIS, MA 


617-775-9100 










Aug. 8 GLADYS 
@ KNIGHT 

9 & THE 
e PIPS 














Aug. 15 | 
BILLY 
CRYSTAL 


with Special Guest 


TOM CHAPIN 
6 pm only 








Aug. 22 
DON 


McLEAN 






® 4 July 1 1 with Special Guest 
& > a 6 pm only KILIMANJARO 
6 pm only 









~ M 
g 
Pra 





July 18 
CHUCK 
ANGIONE 


‘~ 6pm only 


THREE 
poa %’ 
NIGHT 


6 pm only 








6 & 9:30 


July 25 
| DIONNE 
| WARWICK 


Sept. 5 
SPYRO GYRA 


6 pm only 





Aug. 1 


SISTER 
|| SLEDGE 


6 pm only 








Telephone Orders 775-9100 


grrr 
Monday, Sept. 6 
BARBARA 
MANDRELL 


with Special Guest ' 
STEVIE WARINER; | 
Tickets $20.00 ies 















































8 meg TICKET ORDER FORM = Checks — Money Orders — Charges 

;@ Mail to:: = t 
g Cape Cod Melody Tent, Box 1979, Hyannis, MA 02601 | 
. | would like tickets to the following shows: 4g 
n Show Date # Tix Price ea. Total y 
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4 





Cape Cod Dining 


People go to Cape Cod to enjoy 
the scenery, to swim, to wiggle their 
toes in.the sand. All this outdoor 
activity makes people hungry and \ 
thirsty, so it stands to reason that - 
Cape Cod, like all major tourist 
areas, offers a wealth of dining 
options. Below are listed.clubs and + 
restaurants in a variety of Cape 
towns, plus a few out on Martha's 7 ‘ 
Vineyard and Nantucket. i oF ; fy ew 

The price ranges listed apply to y 
entrees on dinner menus only, and 
do not include the cost of drinks, AX 
tips, or before- or after-dinner = \ 
goodies. The curious-looking ‘ab- ; 
breviations near the end of each 
listing stand for the names of major 
credit cards. AE stands for American i 
Express; CB for Carte Blanche; DC fj | 
for Diners Club, MC for Master Card, 
and Visa for (you'll never guess) Visa. 


BARNSTABLE 

Barnstable House, 3010 Main St., 
(Rte. 6A), 362-4911. Open seven 
days from 11:30 a.m. to 9:30 p.m. 
Lounge open to 1 a.m. Fully licensed. 
Range: $7 to $14. Reservations 
suggested. Casual but neat attire. 
AE, MC, Visa. Prime rib, lobster, fish. 
The Dolphin Restaurant, Rte. 6A 
(Main St.), 362-6610. Open Mon. 
through Sat. from 11:30 a.m. to 2:30 
p.m. for lunch. Dinner is served Mon. 
through Thurs. from 5 to 9 p.m., and 
on Fri. from 5 to 9:30 p.m. Dinner 
served on Sat. from 5 to 10 p.m. Fully 
licensed. Range: $6 to $13. Live 
music and dancing on Fri. Reserva- 
tions suggested. Casual dress. AE, 
DC, MC, Visa. Native seafood, 
steaks. 
Mattakeese Wharf Restaurant, Mill 
Way (off Rte. 6A) on Barnstable 
Harbor, 362-4511. Open seven days 
from noon to 2:30 p.m. for lunch and 
from 5 to 10 p.m. for dinner. Fully 
licensed. Range: $7 to $13. Enter- 
tainment nightly. Reservations sug- 
gested. Proper dress required. AE, 
MC, Visa. Native seafood. 


BOURNE ts " , ¢ a 








wet 








THE BOSTON PHOENIX, SECTION FOUR, CAPE COD, JUNE 1, 1982 





on 


Photos by Paul Fortin 





The Hungry Mate, 44 MacArthur 
Bivd., 759-2152. Open seven days 
from 8 a.m. to 9 p.m. Breakfast is 
served all day, lunch and dinner are 
served from 11:30 a.m. Fully 
licensed. Range: $3 to $8. Reservar 
tions accepted. Casual dress. AE, 
MC, Visa. Seafood, steaks, Italian. 


BREWSTER 
The Bramble inn Restaurant and 
Gallery, Rte. 6A, 896-7644: Open 
Mon. through Sat. from 11:30 a.m. to 
3 p.m. for lunch and from 5:30 to 
8:30 p.m. for dinner. Beer-and-wine 
license. Range: $7 to $12. Art gallery 
featuring many local artists. Re- 


Casual dress. MC, Visa. Continental. 
Chillingsworth, Rte. 6A (Main St.), 
896-3640. Open Tues. through Sun. 
for dinner. Seatings are between 6 
and 6:30 p.m. and between 9 and 
9:30 p.m.. Brunch is. served on 
Sunday from 11:30 a.m. to 2:30 p.m. 
Fully licensed. Range: from $25 for 
seven-course table d’hote served in 
this 18th-century French estate. 
Greenhouse lounge is open late 
evenings for appetizers and 
desserts. Classical pianist or harpist 
Mon. through Sat. Reservations sug- 
gested. Jacket and tie requested at 
dinner. AE, DC, MC, Visa, personal 
checks. Classic French and nouvelle 


Inn of the Golden Ox, Rte. 6A, 
896-3111. Open Tues. through Sun. 
from 5:30 to 9 p.m. Fully licensed. 
Range: $12 to $20 for complete 
dinners. Set in a remodeled church 
with the feeling of an old German Inn. 
Reservations required. Proper'dress 
preferred. No credit cards. Classic 
German. 


BUZZARD’S BAY 
Grandma’s Restaurant and Pie 
Shop, North Bourne Rotary, 
759-2526. Dining room. open seven 
days from 11 a.m. to 11 p.m. Pie 
shop open from 9 a.m. to 11 p.m. 
Fully licensed. Range: $2 to $9. 


tainment in the lounge Mon. through 
Sun. from 9 p.m. to 1 a.m. Reserva- 
tions accepted for parties of six or 
more. Proper attire requested. AE, 
MC, Visa. Native seafood, steak. 
Quintal’s, Rte. 6, 759-7222. Dining 
room’ open seven days from 11 a.m. 
to 10 p.m. Snack bar open daily from 
6 am. to 9 p.m. Fully licensed: 
Dancing Fri. and Sat. in the lounge to 
1 a.m. Range: $2 to $12. Reserva- 
tions’ accepted. Casual dress. AE, 
DC, MC, Visa. Seafood. 

Sandy’s Restaurant, Bourne Bridge, 
Rte. 28, 759-3088. Open seven days 
from 11:30 a.m. to 9:30 p.m. Fully 
licensed. Range: $3.50 to $10.95. 


six or more from 5:45 to 8 p.m. At all 
other times, reservations are ac- 
cepted for any number. MO; ‘Visa. 
Complete menu specializing in sea- 
food. 


CENTERVILLE . 

Lock and Oar Restaurant, Ale. 28, 
corner of Phinney’s Lane, 775-6730. 
Open seven days from 7 to 11 a.m. 
for breakfast and from 11:30 a.m. to 
4 p.m. for lunch. Open from 4 to 9:30 
p.m. for dinner. Fully licensed. 
Range: $4.95 to $11.50 . Reserva- 
tions accepted. Casual dress. MC, 
Visa. Seafood, Italian, continental. 

Village Corner Restaurant, corner 





servations suggested for dinner. cuisine with menu changing daily. 


Top-40 show band and other enter- 


Reservations accepted for parties of of Craigville Beach Rd. and South 




















Ror Richards: Buttery 


A Country Kitchen with Sophistication 
In Our 16th Season 


featuring 


Veal © Beef © Lamb ® Chicken 
Specializing in Gourmet Seafood 


Mobil Travel Guide %* * * Rating 
1979-1982 
* 
Hartford Courant 
“Top 10 Restaurants on Cape Cod”’ 
e 
Elle - Paris, France 


“One of the best in the country” 
. 


Breakfast, Lunch, Brunch: 9:00-3:00 PM 
Dinner: 5:30-10:00 PM 
Early Diner Special: 5:30-6:30 PM 
¥% Price on Buttery Menu 


Reservations Please 


Our new phone — 487-3259 
432 Commercial ® Provincetown 
















Cull; : tf, 


Exceptional dining in elegant, intimate-interiors. 
Cape Cod’s Only **** Four Star Restaurant (Mobil Travel Guide) 


Cuisine Francaise Route 6A, Brewster, Mass. 896-3640 





































‘ ' pQerrn, , 


~ 
SA 


SCLIN 














——— 





—_—————— 


~ Old Scrimshaw 
Leather Shop 


Established 1966 


a we 









616 Main Street, Chatham { 
945-1911 
Our 16th featuri li 
leather goodsss. 


Haridbags & Wallets 

Jackets & Vests 

Frye Boots & Sandals ! 
(custom- and ready-made) 4 
Attaches & Briefcases 

Soft Leather Luggage & Backpacks B 
Western Hats & English Driving Caps ‘4 

Clogs & Boat Shoes 


“FOR THE BEST 
IN LEATHER” 


We also feature... 


Belts, address & date books, RocSport 
shoes, casual summer footwear, 
moccasins, and other fine crafted items, 
as well as scrimshaw, leather, brass & 
silver jewelry, handcrafted buckles, and 
photographic prints. 



















Main St., 775-4234. Open seven 
days from 7:30 a.m. to 3:30 p.m. for 
breakfast and lunch and from 5:30 to 
9:30 p.m. for dinner. Fully licensed. 
Range: $3 to $12. Reservations 
suggested. Casual dréss. AE, MC, 
Visa. Continentai. 


CHATHAM 
Chatham Bars inn, Shore Rad., 
945-0096. Open seven days from 8 
to 9:30 a.m. for breakfast and from 
12:30 to 2 p.m. for lunch. Open for 
dinner from 7 to 8:30 p.m. Fully 
licensed. Fixed price: $20. Offers a 
view overlooking Pleasant Bay and 
the Atlantic, plus live swing music in 
the lounge nightly to midnight. Re- 
servations requested. Jacket and tie 
required for dinner. No credit cards. 
Varied menu. 

Chatham Squire Restaurant and 
Lounge, 487 Main St., 945-9785. 
Open seven days from 11:30 a.m. to 
1 a.m. Fully licensed. Range: $2.50 to 
$11. No reservations. MC, Visa. 
Seafood, steaks. 
Northport Seafood House, Rte. 28, 
Chathamport, 945-9217. Open 
seven days from 11:30 a.m. to 10 
p.m. Fully licensed. Range: $8.25 to 
$13. Reservations suggested. Cas- 
ual dress. AE, MC, Visa. Native 
seafood. 
The Queen Anne inn, 70 Queen 
Anne Rd., 945-0394. Open seven 
days from 8 to 10:30 a.m. for 
breakfast and from from 6 p.m. to 
closing for dinner. Clambake in 
| on Tues. from 5 to 7 p.m. 
unday brunch from 11 a.m. to 2:30 
p.m. Lounge open ail day, seven 
days a week. Fully licensed. Range: 
$9.75 to $16. Live entertainment 
several nights a week. Movies in 
lounge nightly at 7 and 9 p.m. 
Reservations suggested. Proper at- 
tire required. MC, Visa. New Eng- 
land, continental. 
Via Veneto Italian Cuisine and 
Steakhouse, 1629 Main St. (Rte. 28), 
West Chatham, 945-3720. Open 
seven days from 5 to 11 p.m. Lounge 
is open to 1 a.m. Fully licensed. 
Range: under $10. Entertainment on 
Fri..nights. Reservations accepted. 
dress. AE, DC, MC, Visa. 
Soutfiern and northern italian, 
Wegiusece Inn, Rte. 28, 432-5400 

tt Inn, Rte. 28, 432-5400. 
Opefiseven days from 8 to 9:30 a.m. 
andfirom noon to 2:30 p.m. Open for 
dinner from 6 to 9 p.m. Fully 
licenbéed. Range: $12 to $20. Piano 
music Mon. through Sat. Reserva- 
tions suggested. Proper attire re- 
quired. AE, MC, Visa. Seafood, 
continental. 


tal) 
DENNIS 

Captain’s Ciambake Emporium, 
410 Lqwer County Rd., Dennisport, 
398-0381... Open. seven days for 
dinner from 5 to 9 p.m. Fully 
licensed. Range: $7 to $16. Reserva- 
tions suggested. AE, MC, Visa. Com- 
plete menu specializing in traditional 
clambake. 
Celebrities, Rte. 28, West Dennis, 
394-7333. Open seven days from 11 
a.m. to 1 a.m. Fully licensed. Range: 
under $5. Live music nightly. Happy 
hour Sat. and Sun. from 3 to 8 p.m. 
Reservations accepted. Proper 
dress required. AE. Seafood, pizza, 
subs. 
The Columns, Rte. 28, West Dennis, 
398-8033. Open seven days from 
5:30 to 10:30 p.m. Sun. brunch from 
11:30 a.m. to 2:30 p.m. Lounge open 
to 1 a.m. Fully licensed. Range: $8 to 
$15. Live jazz nightly. Reservations 
suggested. Casual dress. AE, DC, 
MC, Visa. Continental with table- 
side preparations. 
Clancy’s, Upper County Rd., Den- 
nisport, 394-6661. Open seven days 
from 11:30 a.m. to 1 a.m. Fully 
licensed. Range: $3 to $7.50. Con- 
temporary Irish music nightly. Re- 
servations accepted. Casual. MC, 
Visa. Steak, sandwiches, seafood. 
Gina’s House, 134 Taunton Ave., 
385-3213. Open seven days from 
11:30 a.m. to 5 p.m. for lunch and 
from 5 to 10 p.m. for dinner. Lounge 
is open to 1 a.m. Fully licensed. 
Range: $4 to $10. No reservations. 
Casual dress. No credit cards. Sea- 
food, Italian. 
The Golden Anchor, Rte. 28, West 
Dennis, 394-5225. Open seven days 
from 6:45 to 10:30 p.m. for dinner. 
Sandwiches are served from 9:30 
p.m. to midnight. Lounge is open to 1 
a.m. Fully licensed. Singing waiters 
and waitresses. Reservations sug- 
gested. AE, MC, Visa. Varied menu. 
Opening June 18. 
Lighthouse inn, Lighthouse Rd., 
West Dennis, 398-2244. Open seven 
days from 8 to 9 a.m. for breakfast 
and from 12:30 to 2 p.m. for lunch. 
Open for dinner from 6 to 8 p.m. 
Fully licensed. Range: $9 to $14. 
Lunch served on deck overlooking 
the ocean. Dinner reservations sug- 
gested. Jackets required at dinner. 
MC, Visa. Varied menu. 
Marshside Restaurant, 28 Bridge 
St., East Dennis, 385-3555. Open 
seven days from 7:30 to 11:30 a.m. 
for breakfast and from 11:30 a.m. to 
9 p.m. for lunch and dinner. Fully 
licensed. Range: $2 to $7. No re- 
servations. No credit cards. Sea- 
food, deli sandwiches. 
The Pancake Man, Rte. 28, Den- 
nisport, 394-5057. Open seven days 
from 7 a.m. to 2 p.m. for breakfast 
and lunch and from 4:30 to 9 p.m. for 
dinner. Fully licensed. Range: $3 to 
$8. No reservations. No credit cards. 
Seafood, steak, sandwiches. 











Playhouse Restaurant, 36 Hope 
Lane, 385-8000. Open Mon. through 
Sat. from 11:30 a.m. to 2:30 p.m. for 
lunch, and frorn 5 to 10 p.m. for 
dinner. Open from 10 p.m. to mid- 
night for after-theater supper. Open 
Sun. for brunch from 11 a.m. to 2 
p.m., and for dinner from 5 to 10 
p.m. Fully licensed. Range: $9 to 
$15. Faces the grounds of the Cape 
Playhouse. Reservations suggested. 
AE, MC, Visa. Seafood, continental. 
Red Pheasant Inn, 905 Rte. 6A, 
385-2133. Open seven days from 
5:30 p.m. to closing. Sunday brunch 





from 11 a.m. to 2:30 p.m. Fully 
licensed. Range: $9.25 to $32. Re- 
servations required. Proper dress 
requested. MC, Visa. Seafood, con- 
tinental, steaks. 





Those of you who neglected to read 
the cute introductory paragraphs at 
the beginning of these listings may 
be wondering what those odd little 
abbreviations at the end of each of 
the listings are all about. Wonder no 
longer. They are merely the minimal 
designations for the names of major 
credit cards accepted at certain 


Cape dining establishments. AE 
stands for American Express; CB for 
Carte Blanche; DC for Diners Club; 
MC for Master Card; and Visa stands 
for Visa because Visa is a word that 
doesn't abbreviate well. Now you 
know. And while we're at it, we 
should point out that the ranges 
given in these listings are for entrees 
on dinner menus only, and do not 
include the cost of drinks, ap- 
petizers, desserts, tips, bribes, or 
cofnpensation for damaged flatware. 


Rose’s, Black Flats Rd., 385-3003. 








Open seven days, in season from 
July 1, from 5 p.m. to closing. 
Lounge open to 1 a.m. Fully licensed. 
Range: $6 to $13. Live music nightly. 


Reservations accepted. Casual 
dress. MC, Visa. Italian. 

The Sand Bar, Lighthouse Rd., West 
Dennis, 398-2244. Open seven days 
from 8 p.m. to 1 a.m. Fully licensed. 
Live entertainment nightly. No food. 


EASTHAM 
Demetri’s Sandpiper, Rte. 6, North 
Eastham, 255-9913. Open seven 

Continued on page 6 














Hyannis Star 


Cape Cod Mall 


(next to Sears Automotive) 


i Sai 


Seal 





unction of Rts. 28 & 132 


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days from noon to 2 p.m. for lunch, 
and from 5 p.m. to closing. Fully 
licensed. Range: $6 to $12. No 
reservations. Casual dress. MC, 
Visa. Seafood, steaks. 

Eastham Lobster Pool, Rte. 6, North 
Eastham, 255-9706. Open seven 
days from noon to 10 p.m. Bar open 
to 1 a.m. Fully licensed. Range: $4 to 
$15. No reservations. Casual dress. 
MC, Visa. Native seafood. 


FALMOUTH 
The Admiralty Executive Restau- 
rant, 51 Teaticket Highway, 
548-4240. Open seven days for 
dinner from 5 to 10 p.m. Fully 
licensed. Range: $7 to $15. Enter- 
tainment and dancing nightly. No 
reservations. Casual dress. AE, CB, 
MC, Visa. Varied menu. 
Amigo’s Mexican Cantina and Res- 
taurant, 31 East Main St., Tataket 
Square, 548-8510. Open seven days 
for lunch and dinner from 11:30 a.m. 
to 11 p.m. Appetizers served from 
11:30 a.m. to midnight. Lounge open 
to 1 a.m. Fully licensed. Range: $2 to 
$7. Reservations accepted for 
parties of six or more. Casual dress. 
MC, Visa. Mexican. Accesible to the 
handicapped. 
Bill Weaner’s Silver Lounge Res- 
taurant, Rte. 28A, Norih Falmouth, 
563-2410. Open seven days from 
11:30 a.m. to 1 a.m. Fully licensed. 
Range: under $8.50. Live music 
Wed. through Sun. nights. No re- 
servations. Casual dress. No credit 
cards. Seafood, steaks, sandwiches 
in an authentic railroad dining car. 
The Boat House, 88 Scranton Ave., 
548-7800. Open seven days from 
noon to 3 p.m. and from 6 to 10 p.m. 
Sun. brunch served from noon to 4 
p.m. Fully licensed. Range: $6 to 
$10. Piano music nightly. No re- 
servations. Casual dress. AE, MC, 
Visa. Varied menu. 
The Flying Bridge Restaurant, 
Scranton Ave., 548-2700. Open 
Mon. through Sat. from noon to 2:30 
p.m. and from 5:30 to 10 p.m. 
Open on Sun. from noon to 9 p.m. 
Fully licensed. Range: $7.95 to $18. 
Live music and dancing nightly in the 
lounge during July and August, 
weekends off-season. No reserva- 
tions. Casual dress. AE, DC, MC, 
Visa. Seafood, steaks. 
The Golden Sail, 143 Main St., East 
Falmouth, 548-3526. Open seven 
days from 11:30 a.m. to 2 a.m. Fully 
licensed. Range: under $10. Re- 
servations accepted. Proper dress 
requested. AE, MC, Visa. Chinese. 
Grasmere Pub, 327 Gifford, 
548-9861. Open seven days from 
11:30 a.m. to 4 p.m. for lunch and 
from 4 p.m. to 1 a.m. for’ dinner. 
Lounge is open to 1 a.m. Fully 
licensed. Range: $3 to $10. No 
reservations. Casual dress. No.credit 
cards. Complete menu specializing 
in seafood. 
Hearth ‘n Kettle, 874 Main St., 
548-6111. Family-style restaurant 
open 24 hours, seven days a week. 
Breakfast and lunch served 24 


licensed. Range: $6 to $11. Live 
music every evening. No reserva- 
tions. Casual dress. AE, MC, Visa. 
Molly’s, 29 Depot Ave., 548-9265. 
Open seven days from 5 p.m. to 1 
a.m. Fully licensed. Range: under $8. 
Live entertainment in the Black Cat 
Tavern nightly. Reservations ac- 
cepted. Proper dress for restaurant, 
Casual dress for tavern. AE, MC, 
Visa. Complete menu specializing in 
grilled fish and other seafood. 

The Nimrod, 133 Gifford St., 
548-5500. The Revolutionary-era inn 
is open seven days from noon to 3 
p.m. for lunch and from 6 to 10 p.m. 
for dinner. Fully licensed. Range: $8 
to $15. Reservations accepted. Cas- 
ual dress. AE, DC, MC, Visa. Sea- 
food. 

The Quarterdeck Restaurant and 
Lounge, 164 Main St., 548-9900. 
Open seven days from 11:30 a.m. to 
2:30 p.m. for lunch and from 5:30 to 
10:30 p.m. for dinner. Sandwiches 
served from 2:30 to 5:30 p.m. and 
from 10:30 p.m. to 12:30 a.m. Fully 
licensed. Range: $5 to $9. No re- 
servations. Casual dress. MC, Visa. 
Seafood, steaks, sandwiches. 
Regatta Restaurant, 217 Clinton 
Ave., at the end of Scranton Ave. at 
Falmouth Harbor entrance, 
548-5400. Open seven days from 5 
to 10 p.m. Beer-and-wine license 


(serving wine only). Range: $10 to 


$14.50. On the waterfront with pri- 
vate dock. AE, MC, Visa. Native 
seafood and continental dishes. 


HARWICH 
Bishop’s Terrace, Main St., West 
Harwich, 432-0253. Open Sun. 
through Fri. from noon to 2 p.m. for 


lunch, and Mon. through Sat. from 6. 


to 9 p.m. for dinner. Fully licensed. 
Range: $9 to $13. Piano music in the 
lounge Thurs. through Sat. to 1 a.m. 
Reservations required. Proper dress 
requested. AE, DC, MC, Visa. Varied 
menu. 

The Country inn, Rte. 39, 
Harwichport, 432-2769. Open Mon. 
through Sat. from 5:30 to 8:30 p.m. 
Fully licensed. Range: $8 to $13. 
Reservations accepted. Proper 
dress requested. MC, Visa. New 
England-style cooking featuring 
homemade breads and desserts. 
The Four Hundred Club, 429 Main 
St., Harwichport, 432-4636. Open 
daily from 11 a.m. to 12:30 a.m. 
Sunday brunch from noon to 3 p.m. 
Fully licensed. Range: $1.50 to $6. 
No reservations. Casual dress. MC, 
Visa. Mostly sandwiches. 

Old Kemah inn, 551 Main St., 
Harwichport, 432-1306. Open seven 
days for dinner from 6 p.m. to 
closing. Fully licensed. Range: $8.50 
to. $14. Reservations suggested. 
Casual dress. AE, MC, Visa. French. 
Sword and Shield, Main St., 
Harwichport, 432-9763. Open seven 
days from 11:30 a.m. to 10 p.m. Fully 
licensed. Range: $7 to $12. Reserva- 
tions suggested. Casual dress. AE, 
MC, Visa. Varied menu. 


HYANNIS 


415 Main St., 771-4131. A Victorian 
sea captain’s home open seven days 
from 11:30 a.m. to 5 p.m. for lunch 
and from 5:30 to 10:30 p.m. for 
dinner. Range: $7.50 to $12. Con- 
tinental. Reading room is open seven 
days from 11 a.m. to 1 a.m., with live 
entertainment nightly. Range: $2.50 
to $6.95.: Light menu. Champagne 
buffet-brunch Sun. from 11:30 a.m. 
to 2:30 p.m. Entertainment after- 
noons on the patio. Fully licensed. 
Reservations suggested. . Casual 
dress. AE, MC, Visa. 

Captain’s Chair, 166 Bay View St., 
Hyannis Park, 775-5000. Open 
seven days from 11:30 a.m. to 3 p.m. 
and from 5 to 10 p.m. Fully licensed. 
Range: $8 to $14. Organ music Fri. 
and Sat. Reservations accepted. 
Proper attire reqaested. AE, MC, 
Visa. Varied menu. 

Dick Doherty’s Crystal Palace, 310 
Barnstable Rd., Hyannis, 771-5889. 
Open seven days from 8 p.m. to 1 
a.m. Happy hour on Sat. and Sun. 
from 4 to 8 p.m. Live rock music at all 
times. Fully licensed. Cover Mon. 
through Sat. Casual dress. No food. 
Dom’s, 337 Main St., 771-6213. 
Open seven days for dinner from 5 to 
11 p.m. Beer-and-wine license. 
Range: $10 to $14. Reservations 
suggested. Casual dress. AE, MC, 
Visa. Northern Italian. 

Fiddlebee’s Restaurant, 72 North 
St., 771-6032. Open seven days 
from 11 a.m. to midnight. Fully 
licensed. Range: $1.25 to $11. No 








Visa. Salads, fondues, sandwiches. 
Flounder’s, Village Marketplace, 
North and Stevens Sts., 771-7231. 
Open seven days from 11:30 a.m. to 
3 p.m. and from 5 to 11 p.m. Fully 
licensed. Range: $9 to $13. Featur- 
ing Cafe Flounders, a sidewalk cafe. 
Reservations suggested. Casual 
dress. AE, MC, Visa. Seafood, 
steaks, chicken. 

Hearth ‘n Kettle, 412 Main St., 
771-3737. Family style restaurant 
seving 24 hours, seven days a week. 
Breakfast and lunch served 24 
hours, dinner served from noon. 
Fully licensed. Range: $6 to $11. Live 
music every evening. No reserva- 
tions. Casual dress. AE, MC, Visa. 
Heritage House, 259 Main St., 
775-7000. Open seven days from 7 
to 10 a.m. and from 5 to 10 p.m. Fully 
licensed. Range: $7 to $10. Live 
music six nights. Reservations sug- 
gested. Casual dress. AE, CB, DC, 
MC, Visa. Varied menu featuring 
outdoor clambake. 

Hill’s Dining Room and Inn, 530 
West Main St., 775-0344. Open 
Wed. through Mon. from 5 to 9 p.m. 
for dinner. Open at noon on Sunday. 
Fully’ licensed. Range: $6.95 to 
$12.50. No reservations. Proper 
dress required. MC, Visa. Complete 
menu specializing in seafood. 
Hungry Mariner, 165 Ocean St., 
775-2619. Open seven days from 
4:30 p.m. to 1 a.m. Fully licensed. 
Range: $6.95 to $14. No reserva- 
tions. Casual dress. AE, MC, Visa. 


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Hyannis Resort Hotel, 287 
Lyanough Rd., (Rte. 28), 771-4500. 
Open for breakfast and dinner seven 
days. Fully licensed. Reservaions 
suggested. All major credit cards. 
Seafood, American. 

The Landing, 270 Ocean St., 
771-6768. Open seven days from 4 
p.m. to 1 a.m. Fully licensed. Game 
room. Live entertainment with - 
ing seven nights from 9 p.m. 4% 1 
a.m. starting June 25. Casual cig 
No credit cards. No food. pia 
Mari-Jean’s Restaurant, 680 in 
St., 771-2245. Open seven Ss 
from 11:30 a.m. to 3 p.m. and f 5 
to 11 p.m. Fully licensed. R 4 
$7.95 to $14.95. Reservation - 
cepted. Casual dress. MC, ; 
French, continental. 4 
The Marlin, Rte. 132, 775-3840. 
Open seven days from 5 p.rf& to 
closing for dinner. Fully lice : 
Range: $5 to $10. Fish market o@f the 
premises. Reservations accepted. 
Casual dress. DC, MC, Visa. Sea- 
food, meats. - 
M.D. Armstrong’s, 720 MairtSt., 
771-3222. Open seven days from 
11:30 a.m. to 4 p.m. for lunch and 
from 5 to 11 p.m. for dinner. L 

is open to 1 a.m. Fully licensed. 
Range: $6 to $13. No reservations. 
Casual dress. AE, DC, MC, Visa. 
Eclectic menu. 

Mildred’s Chowder House, Rte. 28, 
775-1045. Open seven days from 11 
a.m. to 10 p.m. Fully licensed. 
Range: $4.50 to $15. Reservations 



















hours, dinner starts at noon. Fully The Asa Bearse House Restaurant, reservations. Casual dress. MC, Native seafood, steaks. Continued on page 8 
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ISLANDS 











Continued from page 6 

accepted. Casual dress. AE, MC, 
Visa. Seafood, steaks. 

Mitchell’s Steak House, Rite. 28, 
Airport Rotary, 775-6700. Open 
seven days from 11:30 a.m. to 3 p.m. 
for lunch and from 5 to 10 p.m. for 
dinner. Fully licensed. Range: $6.25 
to $13.95. Reservations accepted. 
Casual dress. AE, MC, Visa. Steaks, 
seafood. 

The Mooring, 230 Ocean St., 
775-4656. Open seven days from 7 
to 10 a.m. for breakfast and from 
11:30 a.m. to 5 p.m. for lunch. Dinner 
is served from 5 to 10:30 p.m. Fully 
licensed. Range: $4 to $12. Piano 
player Fri. and Sat. nights. Casual 
dress. AE, MC, Visa. Seafood. 

The Paddock, West End Rotary, 
775-7677. Open seven days for 
dinner from 5 p.m. to closing. Range: 
$8.75 to $13.50. The outdoor cafe is 
open seven days from noon to 
midnight. Range: under $10. Fully 
licensed. Reservations accepted. 
Proper dress. AE, MC, Visa. Sea- 
food, continental, steaks. 
Sheraton-Regal Inn, Rte. 132 and 
Bearses Way, 771-3000. Open seven 
days from 5:30 to 9:30 p.m. Lounge 
open to 1 a.m. Fully licensed. Range: 
$8 to $13. Live entertainment in the 
lounge nightly. Reservations ac- 
cepted. No jeans. All major credit 
cards accepted. Varied menu. 
Toni-Lee’s, 645 Main St., 771-7340. 
Open Wed. through Sat. at 7:30 p.m. 
for one seating. Beer-and-wine 
license. Range: $25 to $30. Reserva- 
tions required. AE, MC, Visa. Six- 
course varied menu. 

The Velvet Hammer, 209 Main St., 
775-5505. Open Mon. through Sat. 
from 11:30 a.m. to 4 p.m., and on 
Sun. from noon to 4 p.m. Open seven 
days for dinner from 4 p.m. to 1 a.m. 
Fully licensed. Range: $5 to $12. Live 
music and dancing nightly. A raw bar 
in the Cafe Ritz. Proper dress 
required after 8 p.m. in the nightclub. 
MC, Visa. American, pizza, sand- 
wiches, seafood bar. 

Villa Vecchione, 3 Sherman Sq., 
775-0682. Open seven days from 11 
a.m. to 5 p.m. for lunch and from 5 to 
11 p.m. for dinner. Fully licensed. 
Range: $3 to $15. No reservations. 
Casual dress. AE, MC, Visa. Italian, 
seafood. 

Wursthaus, Rte. 28, Cape Cod Mall, 
771-5000. Open Mon. through Sat. 
from 8 a.m. to 1 a.m. Fully licensed. 
Range: $5 to $11. Over 110 foreign 
and domestic beers. No reserva- 
tions. Casual dress. AE, DC, MC, 
Visa. German-American. 


MARTHA’S 
VINEYARD 


Edgartown 
The Colonial Inn, North Water St., 
627-4711. Open seven days from 8 
to 11 a.m. for breakfast and from 
11:30 a.m. to 2:30 p.m. for lunch. Din- 
ner is served from 6 to 10 p.m. Fully 
licensed. Range: $9 to $15. Porch 


‘and patio for outdoor dining. AE, DC, 


MC, Visa. Seafood, steaks. 

Harborside Inn, 3 South Water St., 
627-4321. Two rooms, Arthur and 
Nancy Young’s Navigator Restau- 


. rant and the Boathouse Bar, are 


open seven days for lunch from noon 
to 2:30 p.m. and for dinner from 5:30 
to 10 p.m. for dinner. Cocktails are 
served from 11 a.m. to midnight. 
Fully licensed. Range: $9 to $14. 
Reservations required for parties of 
five or more. AE, CB, DC, MC, Visa. 
Varied menu. 

Harborview Hotel, North Water St., 
627-4333. Open seven days from 8 
to 10 a.m. and from 12:30 to 1:30 
p.m. Open for dinner from 6 to 9 p.m. 
Sun. through Thurs., and on Fri. and 
Sat. from 6 to 10 p.m. Fully licensed. 
Range: $9 to $15. Reservations 
suggested. Jackets required at din- 
ner. AE, MC, Visa. European cook- 
ing. Lunch and dinner menus change 
daily. , 

Kelley House, 627-4394. Open Mon. 
through Sat. from 7:30 a.m. to 2 p.m. 
for breakfast and lunch. On Sun., 
breakfast is served from 8 to 9:30 
a.m. and brunch from 10:30 a.m. to 2 
p.m. Open for dinner from 6 to 9 p.m. 
Sun. through Thurs., and on Fri. and 
Sat. from 6 to 10 p.m. Fully licensed. 
Range: $9 to $15. Reservations 
suggested. Casual dress. AE, MC, 
Visa. European, New England. 

’s Restaurant, Main St., 
627-8316. Open seven days from 11 
a.m. to 3 p.m. for lunch and from 6 
p.m. to closing for dinner. Beer-and- 
wine license. Range: $9 to $16. AE, 
CB, MC, Visa. Seafood, continental. 


Menemsha 

Beach Plum inn, off the State Rd., 
645-9454. Open for dinner Tues. 
through Sun., seating between 6 and 
9 p.m. Range: $20 to $25, Cordon 
bleu chef. Reservations required. No 
credit cards, but personal checks 
are accepted. Cordon bleu, con- 
tinental, New England. 


Oak Bluffs 

The Ocean View, Chapman Ave., 
693-2207. Open seven days from 
11:30 a.m. to 3 p.m. for lunch and 
from 6 to 10 p.m. for dinner. Lounge 
open to midnight Sun. through 
Thurs., and to 1 a.m. on Fri. and Sat. 
Fully licensed. Range: $5.95 to $13. 
Reservations accepted for parties of 
six or more. MC, Visa. Seafood, 
steaks. 


Vineyard Haven 


‘served from 6 to 10. p.m. Fully 





Black Dog Tavern, Beach St. Ext., 
693-9223. Open seven days from 11 
a.m. to 3 p.m. and from 5:30 to 10 
p.m. Breakfast is served Mon. 
through Fri. from 6:30 to 11 a.m. On 
Sat. and Sun., brunch is served from ¥ 
6:30 a.m. to 2 p.m. Range: $7 to $14. 
No reservations. MC, Visa. Home- 
made baked goods, seafood, steaks, j 
fresh vegetables. (Vineyard Haven is H 
dry.) | 


West Tisbury 

Hot Tin Roof, Airport Rd., near the 
airport, 693-1137. Open seven days 
for sandwiches and snacks from 6 to | 
10 p.m. Club open seven days from 6 } 
p.m. to 1 a.m. Live, often big-name, 
acts perform for dancing on Fri. and 
Sat. from 9 p.m. and in concert at 9 
p.m. on Sun. Rock disco featuring 
oldies, reggae, soul, and new wave 
Mon. through Thurs. with guest DJs 
and special tribute programs on 
Wed. New talent showcased from 7 
to 10 p.m. on Mon. followed by rock 
disco. Fully licensed. Range: $5 to 
$10. Cover for live acts only. Proper 
but casual dress. AE, MC, Visa. 
Varied menu. 


MASHPEE 4 
The Flume, Lake Ave., 477-1456. 
Open Mon. through Sat. from 11 
a.m. to 5 p.m. for lunch and from 
5:30 to 9 p.m. for dinner. Open Sun. 
from noon to 8 p.m. Fully licensed. 
Range: $6 to $14. No reservations. 
Casual dress. MC, Visa. Complete 
menu specializing in seafood. 


NANTUCKET 
Boarding House, 12 Federal St., 
228-9622. Open Mon. through Sat. 
from noon to 2:30 p.m. for lunch and 
from 6 p.m. to closing for dinner. 
Fully licensed. Range: $10 to $15: 
Reservations suggested. Casual 
dress. AE, DC, MC, Visa. Continen- 
tal. 

Cap’n Tobey’s Chowder House, 
Straight Wharf, 228-0836. Open 
seven days from 11:30 a.m. to 4 p.m. 
and from 5 to 10 p.m. Fully licensed. 
Range: $8 to $14. Reservations 
accepted. Casual dress. 
Visa. Seafood, meat. 
The Chanticleer 
New St., Siasconset, 
Open Thurs. through T 


10 p.m. Fully licensed. 
$25. Piano music in the 
a.m. Reservations requir: 
ner. Jackets requested f 
Lunch served in the rose gar 
DC, MC, Visa. French. 
Elegant Dump Diner, 56 Union St., 
228-4634. Open seven d ont-6 
a.m. to 2 p.m., and Mort™’fhrough ~ 
Sat. from 6 to 9 p.m. Beer-and-wine 
license. Range: under $5. No re- 
servations. No credit ca 'Portu-.. 
guese food a specialty, same menu 
served ail day. 

The Harborside Restaurant, 
Wauwinet House, Wauwinet, 
228-0145. Open seven days from 8 
to 10 a.m. for breakfast and from 
noon to 2 p.m. for lunch. Dinner is 
served from 6 p.m. to closing. 
Lounge is open to 1 a.m. Fully 
licensed. Range: $8 to $14. Live 
entertainment Thurs. through Sun. 
Reservations accepted. Casual 
dress. AE, DC, MC, Visa. Seafood, 
steaks, Italian. 

Jared Coffin House, 29 Broad St., 
228-2400. Open seven days for 
breakfast from 7:30 to 11 a.m. and 
for lunch from 11:30 a.m. to 2:30 
p.m. Dinner is served from 6 to 10 
p.m., and sandwiches are served 
from 2:30 to 9:30 p.m. Sunday 
brunch from noon to 2 p.m. Fully 
licensed. Range: $9 to $15. Live 
music nightly. Reservations ac- 
cepted until 9 p.m. Proper dress 
required. AE, DC, MC, Visa. New 
England, continental. 

Le Languedoc, 24 Broad St., 
228-2552. The cafe is open seven 
days from noon to 11 p.m. The main 
dining room is open seven days from 
6:30 to 10 p.m. Fully licensed. 
Range: $6 to $10 in the cafe, and $10 
to $16 in the dining room. Reserva- 
tions accepted. Casual dress. All 
major credit cards. Continental. 

The Mad Hatter, 72 Easton St., 
228-9667. Open seven days from 8 
to 10:30 a.m. for breakfast and from 
noon to 2 p.m. for lunch. Dinner is 
served from 6 to 10 p.m. Fully 
licensed. Range: $8.50 to $15.50. 
Guitar music in the bar to 1 a.m. 
Reservations suggested. Casual ‘ 
dress. AE, DC, MC, Visa. Varied New 1 
England cooking. 

Thistle Restaurant, 20 Broad St., 
228-9228. Open Fri. through Wed. 
from 6:30 to 10 p.m. Fully licensed. 
Range: $8.50 to $15. Reservations 
accepted. Casual dress. AE, MC, 
Visa. Seafood, international. 

The Whale at the Gordon Folger 

Hotel, Easton St., 228-0313. Open 5 
seven days from 8 to 10:30 a.m. for 
breakfast and from 5:30 p.m. to 
closing for dinner. Fully licensed. 
Range: $9 to $12. Piano music 
nightly. Reservations suggested. 
Proper.dress required. AE, DC, MC, 
Visa. Seafood, prime rib. 

The White Elephant, Easton St., 
228-2500. Open seven days from 8 
to 10:30 a.m. for breakfast and from 
noon to 2 p.m. for lunch. Dinner is 





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licensed. Range: $12 to $15. Live 
entertainment Tues. through Sun. 
nights. Reservations required. Jack- 
ets required for dinner. Within waik- 

Continued on page 10 



































a ey) 


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WITH CLEAN OCEAN AIR 
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TOUR THE CAPE ON A HONDA 


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The Look, The Feel, The Power. 























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THE BOSTON PHOENIX, SECTION FOUR, CAPE COD, JUNE 1, 1982 


Continued from page 8 
ng distance of the ferry. AE, DC, 
MC, Visa. Varied menu. 


NEW SEABURY 
New Seabury inn, Shore Dr., 
477-9111. Open Mon. through Sat. 
from 7 to 10:30 a.m. for breakfast, 
and from 11:30 a.m. to 3 p.m. for 
lunch, and from 6 to 9 p.m. for 
dinner. Open Sun. from 11 a.m. to 4 
p.m. for brunch and from 6 to 9 p.m. 
for dinner. Snack bar open seven 
days from 7 a.m. to 7 p.m. Fully 
licensed. Range: $5 to $18. Live 
music Thurs. through Sat. from 
11:30 a.m. to 3 p.m. and from 4 to 6 
p.m., and on Sun. from noon to 5 
p.m. Reservations suggested. 
Proper dress with jackets required 


Fri. and Sat. All major credit cards. 
Continental, seafood. 


ORLEANS. 

Adams’ Rib, Rtes. 6A and 28, 
255-2270. Open seven days from 
11:30 a.m. to 3:30 p.m. for lunch and 
from 5 to 11 p.m. for dinner. Rib 
Cage Lounge open from 11:30 a.m. 
to 1 a.m. Fully licensed. Range: $7 to 
$13. No reservations. Casual dress. 
MC, Visa. Local seafood, prime rib. 
The Arbor, Rte. 28, 255-4847. Open 
seven days from 5 to 10 p.m. The 
Binnacle Tavern is open seven days 
from 4:30 p.m. to 1 a.m. Fully 
licensed. Range: $7 to $13. Reserva- 
tions accepted. Casual dress. AE, 
MC, Visa. Creative cuisine, continen- 
tal. 


Barley Neck inn, end of Main St., 
East Orieans, 255-6830. Open seven 
days from 5:30 to 10 p.m. Fully 
licensed. Range: $9 to $16. Live 
entertainment nightly in the lounge. 
Jazz concerts on Sun. from 3 to 6 
p.m. Cover is $1 or $2. Reservations 
recommended. Casual dress. AE, 
MC, Visa. Continental gourmet. 

Captain Linnell House, Skaket Rd., 
255-3400. Open for dinner Mon. 
through Sat. from 5:30 p.m. to 
closing, on Sun. from 3 to closing. 
Sunday brunch served from 11:30 
a.m. to 3 p.m. Fully licensed. Range: 
$10 to $15. Jazz Wed. through Sun. 
in the lounge, which seats 100 and 
has a dance floor. Cover is $1 or $2. 
No cover charge for diners. Reserva- 
tions recommended. Proper dress. 





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CAPE COD’S PREMIERE ROCK CLUB 


Rock ’n Roll 


June 4 


BEAU BOLERO 


special live concert tribute to Steely Dan 


“JOHNNY’S COAL TRAIN” 
“GARY SHANE and the DETOUR”. 


THE INCOMPAPABLE . 
LOU MIAMI & THE KOZMETIX 


“Happy Hour Saturday 4-8 
GORDY MILNE 


*o* 


June 10 & 11 


June 12 


at the Airport Rotary) 





June 5 


the Stompers 


Happy Hour Sunday 4-8. 
- DICK DOHERTY © 


EVERY SUNDAY NIGHT: AMERICAN STEEL 


AE, DC. MC, Visa. Seafood, con- 
tinental 
Cieaver Steak House, Rte. 28 


255-4860. Open Mon. through Fri. 
from 11:30 to noon for lunch, and 
seven days from 5 to 10 p.m. Fully 
licensed. Range: $6.50 to $13. No 


credit cards. Seafood, steaks, 
chops. /. 
The Joy of Dining, Rte. 6A, 


255-4021. Open seven days from 
11:30 a.m. to 2:30 p.m. and from 5 
p.m. to closing. Fully licensed. 
Range: $10 to $14. Piano music in 
lounge Thurs. through Sat. No re- 
servations. Casual dress in good 
taste. AE, MC, Visa. Continental. 
Land Ho Restaurant; Rte. 6A, 
255-5165. Open Mon. through Sat. 
from 11:30 a.m. to 1 a.m., and on 
Sun. from noon to 1 a.m. Fully 
licensed. Range: $6 to $8. No re- 
servations. No credit cards. Fresh 
seafood, steak, hamburgers. 
Lobster Claw, Rte. 6A, 255-1800. 
Open seven days from noon to 9 
p.m. Fully licensed. Range: $5 to 
$15. Children’s menu. Family-style 
restaurant. No reservations. AE, CB, 
DC, MC, Visa. Seafood. 

Yardarm, Rte. 28, 255-4840. Open 
seven days from 11 a.m. to 1 a.m. 
Kitchen closes at 9 p.m. Fully 
licensed. Range: $4 to $9. No re- 
servations. No credit cards. Fresh 
seafood, steak, prime rib. 


PROVINCETOWN 
Boatslip Restaurant, 161 Com- 
mercial St., 487-9212. Open seven 
days from 6:30 to 11 p.m. Tea dance 
daily from 3:30 to 6:30 p.m. Fully 
licensed. Range: $7.50 and up. On 
the waterfront. Reservations rec- 
ommended. Casual dress. MC, Visa. 
French, seafood. 

Bonnie Doone Restaurant, 35 Brad- 
ford St., 487-1185. Open seven days 
from 4:30 to 10:30 p.m. Fully 
licensed. Range: $6 to $10. Reserva- 
tions accepted. Casual dress. MC, 
Visa. Portuguese, American, sea- 
food. 

Cafe at the Mews, 359 Commercial 
St., 487-1500. Open Wed. through 
Mon. for dinner from 6 to 10 p.m., 
and on Sun. for brunch from 11 a.m. 
to 3 p.m. After July 4, open seven 
days from 6 to 11 p.m. Fully licensed. 
Range: $7 to $15. Reservations 
recommended. Casual dress. AE, 
MC, Visa. Seafood, continental. 
Cafe Blase, 328 Commercial St., 
487-3810. Open seven days from 9 
a.m. to 1 a.m. Fully licensed. Range: 
under $6. Outdoor cafe. No reserva- 
tions. No credit cards. French cafe 
food, sandwiches, quiche, salad. 
Ciro'and Sal’s Italian Restaurant, 4 
Kiley Ct., 487-9803. Open seven 
days from 5:30 to 11:30 p.m. Fully 
licensed. Range: $6 to $15. Reserva- 
tions accepted. Casual dress. MC, 
Visa. Gourmet northern Italian. 
Cookie’s Restaurant, 133 Com- 
mercial St., 487-1800. Open seven 
days from noon to 11 p.m. Fully 
licensed. Range: $6 to $8. No re- 
servations. No credit cards. Portu- 
guese. 

The Cottage Restaurant, 149 Com- 
mercial St., 487-9160. Open seven 
days from 7:30 a.m. to 3 p.m. and 
from 6 to 11 p.m. Lounge open to 1 
a.m. Fully licensed. Range: $8 to $13. 
Pianist and singer in tie lounge 
Tues. through Sun. nights. Reserva- 
tions accepted. Casual dress. MC, 
Visa. Home cooking. 

Governor Bradford Restaurant, 312 
Commercial St., 487-9618. Open 
seven days from 11 a.m. to 9 p.m. 
Lounge open to 1 a.m. Fully licensed. 
Range: $7 to $11. Live entertainment 
nightly. Dancing starts about 9:30 
p.m. No reservations. Casual dress. 
No credit cards. Sandwiches, lob- 
ster. 





Price ranges listed are for entrees on 
dinner menus, and do not include 
what you pay for arinks, desserts 

tips, or whatever. The pecuiiar- 
‘ooking abbreviations near the end 
of the listings represent the names of 
popular credit cards. AE is American 
Express, CB is Carte Blanche, DC is 
Diners Club, MC is Master Card, and 
Visa is self explanatory. 





Grand Central Cafe, 5 Masonic 
Place, 487-9116. Open seven days 
from 5:30 to 11 p.m., and to midnight 
after July 4. Fully licensed. Range: $7 
to $13. Outdoor garden. Reserva- 
tions recommended. Casual dress. 
AE, CB, DC, MC, Visa. Continental, 
steak, seafood. 

Landmark inn Restaurant, 404 
Commercial St., 487-9319. Open 
seven days from 5:30 to 10 p.m. Fully 
licensed. Range: $7.95 to $14.95. 
Reservations suggested. Casual 
dress. AE, MC, Visa. New England 
cooking, fresh seafood, steak. 
Lobster Pot, 321 Commercial St., 
487-0842. Open seven days from 
noon to 10:30 p.m. Bar open to 1 
a.m. Fully licensed. Range: $7 to $12. 
Reservations accepted. AE, MC, 
Visa. Seafood, vegetarian. 
Mayflower Cafe, 300 Commercial 
St., 487-0121. Open seven days 
from 11:30 a.m. to 10 p.m. Fully 
licensed. Range: $3 to $8. Family- 
style dining. No reservations. No 
credit cards. Seafood, Italian, Greek, 
Portuguese. 

MoJo’s, 5 Ryder St. Ext., 487-3140. 
Open seven days from 11:30 a.m. to 
2 a.m. ‘No license. Range: under $5. 
Outdoor fast-food stand with patio 
seating. No reservations. No credit 
cards. Fresh-fried and charcoal- 
broiled food, sandwiches, tacos. 
The Moors Restaurant, Bradford St. 
Ext., 487-0840. Open seven days 
from noon to 3:30 p.m. and ‘from 
5:30 to 10:30 p.m. Bar open to 
midnight: Fully licensed. Range: $7 
to $15. Pianist/singer irr Younge 
nightly from 7. p.m. to’*closing. 
Reservations recommendeg~ “AE, 
MC, Visa: “Portuguese; erican, 
seafood. UCU * OF 
Napi’s Restaurant, 7 Freeman St., 
487-9703. Open seven days from 6 
to’ 11 p.m: Bar open to 1 aGfi. Fully 
licensed. Range: $8 to $13: LWe jazz 
on Sun. from 10 p.m. t6%4 a.m. 
Reservations recommendew Casual 
dress. MC, Visa. Interniatiotal, sea- 
food, vegetarian. 

Océan’s Inn, 386 Commercial St., 
487-0358. Open seven days from 
10:30 a.m. to 4 p.m. for br@¥vich and 
from 5:30 to 10:30 p.m. for dinner. 
Cafe open from 10:30 p.m. to mid- 
night. -Bar ‘open to 1 am. Fully 
licensed. Range: $8 to $15. Sun deck 
and. covered patio. Reservations 
accepted for dinner. AE, MC, Visa. 
Continental, seafood. 

Pepe’s Wharf, 371 Commercial St., 
487-0670. Open seven days from 
11:30 a.m. to 11 p.m. Bar open to 1 
a.m. Fully licensed. Range: $8 to $18. 
Reservations. recommended. AE, 
MC, Visa. Continental, specializing in 
seafood. 

Pied Piper, 193A Commercial St., 
487-1527. Open seven days from 10 
a.m. to 1 a.m.- Bar, restaurant, and 
disco catering to women. Men wel- 
come. Tea dances on Sat. and Sun. 
from 2 to 6 p.m. Singer nightly from 7 
to 9 p.m. Disco nightly, starting at 9 
p.m. Hamburgers, chicken, and ribs 
sold for under $3. Outdoor afternoon 
barbecue when weather permits. 
Adjacent fruit-and-flower store. No 
credit cards. 

‘Pilgrim House Hotel, 336 Com- 
mercial St., 487-0319. Open for 
breakfast and lunch seven days from 
9 a.m. to 4p.m. and for dinner from 5 
to 11 p.m. Lounge open seven days 
from 11 a.m. to 1 a.m., with enter- 











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a small French Restaurant 
Intimate ¢ Candlelight ¢ Fine Wines 
551 Main St., Harwichport, Mass. 


Reservations: 432-1306 
Credit Cards: AX, MC & VISA 














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tainment starting at 6 p.m. Madeira 
Room open from 4:30 p.m. to 1 a.m., 
with shows at 5 and 11 p.m. Fully 
licensed. Range: $4.50 to $13. Cover 
for Madeira Room ranges from $4 to 
$7 with a two-drink minimum. Re- 
servations accepted for shows and 
for cafe, but not for upstairs lounge. 
AE, MC, Visa. Seafood. 

Plain and Fancy Restaurant, 334 
Commercial St., 487-0147. Open 
seven days from 5:30 to 11 p.m. Bar 
open to 1 a.m. Fully licensed. Range: 
$6 to $10. No reservations. Casual 
dress. AE,-MC, Visa. American, 
continental, seafood, steak. 

Poor Richard’s Buttery, 432 Com- 
mercial St., 487-3259. Open seven 
days from 9 a.m. to 2 p.m. and from 
5:30 to 10 p.m. Fully licensed. 
Range: $8 to $14. Five dining areas, 
including a solarium and outdoor 
garden. Reservations recommend- 
ed. Casual dress. AE, MC, Visa. Old- 
style French, seafood. 

Post Office Cafe, 303 Commercial 
St., 487-3892. Open seven days 
from 8 a.m. to 1 a.m. Fully licensed. 
Range: $1 to $7. Country music six 
nights a week, from 9 p.m. to 1 a.m., 
starting July 1 and going through 
Labor Day. Cover. Reservations ac- 
cepted. MC, Visa. Seafood, sand- 
wiches, crepes, breakfast. 

The Red inn, 15 Commercial St., 
487-0050. Open seven days from 
11:30 a.m. to 3 p.m. and from 5:30 to 
10 p.m. Fully licensed. Range: $9 and 
up. Garden room for non-smokers. 
Reservations accepted. Casual 
dress. AE, MC, Visa. Seafood, steak. 
Sea View Restaurant, 183 Com- 
mercial St., 487-0773. Open seven 
days from noon to 10 p.m. Fully 
licensed. Range: $7 to $14. Reserva- 
tions recommended. No credit 
cards. Seafood, steak, chops, 
chicken. 

Stormy Harbor Restaurant, 277 
Commercial St., 487-1680. Open 
seven days from 7 a.m. to 10 p.m. 
Fully. licensed. Range: $4 to $7. 
Family-style restaurant. Reserva- 


tions, accepted. No credit cards., 


Portuguese. 

The .ferrace, 133 Bradford St., 

487-0598. Open seven days from 6 
to 119.m. for dinner. Lounge open to 
1 a.m. -Fully licensed. Range: $9 to 
$14. Appetizers and desserts served 
in the; lounge. Reservations rec- 
ommended. Casual dress. All major 
credit cards. Continental. 

Tips -for ‘Tops’n Restaurant, 31 
Bradford St., 487-1811. Open seven 
days from 7 a.m. to 10 p.m. Beer- 
and-wine license. Range: $4 to $11. 
Reservations accepted. Casual 
dress. No credit cards. Seafood, 
Portuguese. 

Town House Restaurant, 291 Com- 
mercial St., 487-0292. Open seven 
days from 41 am. to 10 p.m. Fully 
licensed. Range: $7 to $15. Two 
bars, both with piano nightly. Patio 
with rose garden for outdoor dini oy 
Reservations accepted. AE, CB, DC, 
MC, Visa. Seafood, steak, chicken, 
chops. 

Weathering Heights, 30 Shank- 
painter Rd., 487-9259. Open seven 
days from 5:30 to 10 p.m. Fully 
licensed. Range: $7 to $13. Reserva- 
tions accepted. Casual dress. AE, 
MC, Visa. Seafood, prime rib, steak. 
The Whaler at the Holiday Inn, Rte. 
6A and Snail Rd.; 487-1711. Open 
seven days from 7:30 to 11:30 a.m. 

and from 5:30 to 10 p.m. Outdoor 
barbeque lunch seven days from 11 
a.m. to 4 p.m. weather permitting. 
Fully licensed. Range: $8 to $13. Live 
band and dancing nightly from 8:30 
p.m. to 1 a.m. Reservations ac- 
cepted. AE, CB, DC, MC, Visa. 
Seafood, steak. 


SANDWICH 
Anthony’s on the Canal, Coast 
Guard Rd., 888-4629. Open seven 
days from 4 to 9 p.m. Fully licensed. 
Range: $3 to $8. Children’s and 
senior-citizens’ menu. No reserva- 
tions. Casual dress. MC, Visa. Native 
seafood. 

Captain Scott’s, Tupper Rd., 
888-1675. Open seven days from 
11:30 a.m. to 10 p.m. Beer-and-wine 
license. Range: $3 to $7. No reserva- 
tions. Casual dress. No credit cards. 
Seafood. 

Dan’! Webster inn, 149 Main St., 
888-3622. Open seven days from 8 
a.m. to 10 p.m. Tavern open seven 
days from 11:30 a.m. to 1 a.m. Food 
served from 11:30 a.m. to 12:30 a.m. 
Sun. through Mon. Fully licensed. 
Pianist or dance quartet every night. 
Pianist on Sun. afternoon. Reserva- 
tions accepted, required for Sat. 
Proper dress. AE, MC, Visa. 
American, classical. 

Sandy’s Restaurant, Rte. 6A, 
888-6480. Open seven days from 
11:30 am. to 9:30 p.m. Fully 
licensed. Range: $3.50 to $10.95. 
Reservations accepted for parties of 
six or more from 5:45 to 8 p.m. At all 
other times, reservations are ac- 
cepted for any number. MC, Visa. 
Full menu specializing in seafood. 
Yankee Restaurant, Rte. 
6A, 888-9777. Open seven days from 
noon to 10 p.m. Range: $6 to $10. 
Deli open seven days from 6 a.m. to 
$2 to $6. Fully 


restaurant. Ail major credit cards. 
Seafood, steak, chicken. 


TRURO 
Skipper li Restaurant, Rte 6., North 
Truro, 487-9090. -seven days 


from 8 a.m. to 10 p.m. Fully licensed. 
Range: $8.to $13, Guitar and piano 


at happy hour, from 4 to 6 p.m.; at 
the Pool and Cabana Bar. Children’s 
menu. Reservations accepted. 
Proper dress. AE, MC, Visa. Sea- 
food 

The Whitman House, County Rd., 
North Truro, 487-1740. Open seven 
days from 5 to 10 p.m. Fully licensed. 
Range: $8.95 and up. Reservations 
recommended. Casual dress. AE, 
MC, Visa. American, seafood, steak. 


WELLFLEET 
Bookstore and Restaurant, Ken- 
drick Ave., 349-3154. Open seven 
days from 7 a.m. to 10 p.m. Bar open 
to 1 a.m. Fully licensed. Range: $5 to 
$9. Occasional live music. Reserva- 
tions accepted. Casual dress. MC, 
Visa. Seafood, American. 

Van Rensselaer’s, Rte. 6, South 
Wellfleet, 349-2127. Open seven 
days from 8 a.m. to 10 p.m. Fully 
licensed. Range: $7 to $13. Chil- 
dren’s menu. Reservations ac- 
cepted. All major credit cards. Sea- 
food, casseroles, steak, salad. 
Wellfleet Beachcomber, Cahoon 
Hollow Rd., 349-6055. Open Tues. 
through Sun. from noon to 1 a.m. 
Deli sandwiches, seafood, soup, and 
salad served to 1 a.m. Fully licensed. 
Range: under $6. DJ and disco music 
Wed. through Sun. from 9 p.m. to 1 
a.m. Room for more than 50 to 
dance. Rock band on Tues. from 9 
p.m. to 1 a.m. The Incredible Casual 
rock band on Sun. from 5 to 8 p.m. 
Game room. Oyster bar on outdoor 
deck overlooking the ocean. Cover is 
$2 every night. Membership card 
costing $15 admits you without 
cover charge any night from June 
through August. No reservations. 
Casual dress. No credit cards. 
Welifieet Oyster House, E. Main St, 
349-2134. Open seven days from 6 
to 10 p.m. Fully licensed. Range: $8 
to $14. Reservations accepted. Cas- 
ual dress. MC, Visa. International. 
Yesteryears, Rte. 6, South Wellfleet, 
349-9339. Open seven days from 
5:30 p.m. to closing until Oct. 12. 
Fully licensed. Range: $8 to $15. A 
new addition, the Oyster Bar, is a 
lounge and raw bar with live music. 
Jazz group Ted DeCollo and Traces 
performs from 8 p.m. to 1 a.m., Wed. 
through Sat., June through Sept. 
Jazz piano from 8 p.m. to 1.a.m. Sun. 
through Tues., June through Sept. 
Reservations accepted. Casual 
dress. All major credit cards. Con- 
tinental, seafood. 


WwoobDs HOLE 

Captain Kidd, 77 Water St., 
548-9206. Restaurant open seven 
days from 6 to 11 p.m. Bar open 
Mon. through Sat. from 11:30 a.m. to 
1 a.m., and on Sun. from noon to 1 
a.m. Fully licensed. Range: $6 to $12. 
Outdoor patio for dining. In bar, 
meals — primarily seafood for $2 to 
$8 — are served from 11:30 a.m. to9 
p.m. in restaurant, reservations are 
accepted, recommended for week- 
ends. Casual dress. MC, Visa. Tra- 
ditional New England fare. 
Leeside, Luscombe Ave., 548-9744. 
Open Mon. through Sat. from 11 
a.m. to 1 a.m., and on Sun. from 
noon * 1 a.m. Fully licensed. No 
reservations. No credii cards. Deli 
sandwiches, homemade soup. 


YARMOUTH 

Aldo Petrillo’s italian Restaurant, 
Rte. 28, South Yarmouth, 398-9440. 
Open seven days from noon to 
midnight. Fully licensed. Range: $4 
to $9. Reservations recommended. 
Casual dress. AE, MC, Visa. Italian, 
steak, chicken, haddock. 

Anthony’s Cummadquid Inn, 2 Main 
St., (Rte. 6A), Yarmouthport, 
362-4501. Open Mon. through Sat. 
from 5 p.m. until business slows 
down, and on Sun. from 12:30 p.m. 
Fully licensed. Range: $8 to $10. No 


reservations. Jackets required. MC, 
Visa. American. 
Bass River Seafood Restaurant, 15 
Mill Lane, South Yarmouth, 
398-6434. Open Sun. through Thurs. 
from 11:30 a.m. to 9 p.m., and on Fri. 
and Sat. to 10 p.m. Fully licensed. 
Range: $5 to $10. No reservations. 
Casual dress. MC, Visa. Seafood, 
American. 
Bioom’s Prime Rib House, Rte. 28, 
West Yarmouth, 775-0524. Open 
seven days from 4:30 to 11 p.m. 
Lounge is open to 1 a.m. Fully 
licensed. Range: $7 to $13. Live 
entertainment nightly from 9 p.m. to 
1 a.m. Reservations recommended. 
Casual dress. All major credit cards. 
Continental, speciality drinks. 
Compass Lounge, Rte. 28, 
South Yarmouth, 398-3668. Open 
seven days from 8 p.m. to 1 a.m. 
Fully licensed. Rock bands and 
dancing nightly. New York light show 
and room for 75 to 100 to dance. 
Game room with 14 games. Outdoor 
patio. Pizza and hot dogs. Cover is 
$1 to $4. No reservations. No credit 
cards. 
Cranberry Moose Restaurant, 43 
Main St., Yarmouthport, 362-3501. 
Until June 13, open Wed. through 
Mon. from 5 to 10 p.m. In season, 
open seven days from 5 to 10 p.m. 
Fully licensed. Range: $11 and up. 
Reservations recommended. Jack- 
ets requested on weekends. All 
major credit cards. Continental. 
Fred’s Turkey House, Rte. 28, West 
Yarmouth, 775-6783. Open Mon. 
through Sat. from 4:30 to 10 p.m., 
and on Sun. from noon to 10 p.m. 
Fully licensed. Range: $4 to $12. All- 
you-can-eat turkey dinner every 
night for $9.50. Lobster special every 
night. Reservations accepted. Cas- 
ual dress. AE, MC, Visa. Family-style 
turkey, seafood, steak. 
Hearth ‘n Kettle, 1196 Main St., 
South Yarmouth, 394-2252. Family- 
style restaurant open 24 hours, 
seven days. Breakfast and lunch 
served 24 hours. Dinner served from 
noon. Fully licensed. Range: $6 to 
$11. Live music every evening. No 
reservations. Casual dress. AE, MC, 
Visa. 
Kevin’s Seafood and Spirits, Rte. 


28, South Yarmouth, 394-7610. 
Open Sun. through Tues. from 11:30 
a.m. to 9 p.m., and on Fri. and Sat. 
from 11:30 a.m. to 10 p.m. Fully 
licensed. Range: under $8. No re- 
servations. Casual dress. No credit 
cards. Chicken, fish and chips, sea- 


food. 

Mill Hill Club, 164 Main St., (Rte. 28), 
West Yarmouth, 775-2580. Club 
open seven days from 8’ p.m. to 1 
a.m. Live rock music nightly. The Fat 
City Band, D.J. Sullivan, and Moxie 
are among those bands scheduled 
for this summer. Dance floor can 
accommodate 100. Cover is $3 
maximum. Casual dress. No credit 
cards. Tavern open seven days from 
noon to 1 a.m. Fully licensed. Range: 
$6 to $10. No credit cards. Seafood, 
chicken, beef. 

Old Yarmouth Inn, 223 Main St., 
Yarmouthport, 362-3191. Open 
seven days from 11:30 a.m. to 3 p.m. 
and from 5 to 10 p.m. Fully licensed. 
Reservations recommended. Proper 
dress required. DC, MC, Visa. New 
England cooking. 

Olympia Fish House, Rte. 28, South 
Yarmouth, 394-2612. Open seven 
days from 11 a.m. to 10:30 p.m. Fully 
licensed. Range: $6 to $10. Reserva- 
tions accepted. Jacket and tie re- 
quired. AE, MC, Visa. Seafood, 
Greek. 

Rascal’s Saloon, Rte. 28, West 
Yarmouth, 775-7800. Open seven 
days from 4 p.m. to 1 a.m. Dancing 
Starts about 8 p.m. with DJs and 
recorded music. Room for 100 
dancers. Tues. is Beach Boys night. 
Thurs. is new-wave night. Live music 
during happy hour Fri. through Sun. 
from 4 to 7 p.m. Two drinks for the 
price of one Sun. through Thurs. 
from 8 to 10 p.m. Popcorn, hot dogs, 
snacks. Cover at happy hour Fri., 
Sat., and Sun. No cover at night. 
Proper dress. No credit cards. 

The Skipper Restaurant, 153 South 
Shore Dr., South Yarmouth, 
394-7406. Open seven days from 
11:30 a.m. to 10 p.m. Lounge open 
to 1 a.m. Fully licensed. Range: $5 to 
$12. Overiooks Nantucket Sound. 
Reservations recommended. Casual 
dress. MC, Visa. Seafood, sirloin, 
roast beef. 





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Contents 








elcome to the Spring, 1982, Boston Phoenix Guide 
W to Boston Bands, our sixth such compilation. There 
has been a veritable explosion of performing acts in 
the area since our last edition appeared in the fall of '81. 
Whereas we innocently assumed we had reached something 
of a saturation point by listing about 1350 bands in that 
issue, the current Guide contains close to 1600 listings. 
Thanks are due to the many thousands of bands, agents, 
clubs, and directory-assistance operators who helped us in 
our travails. Even more thanks are due to our overworked, 
underfed, and astonishingly dedicated staff headed by Band 
Guide vet Julie White. Researchers were Sally Cole, Lisa 
Guisbond, Billy Pope, and Marjorie Sheffield. Supervision, 
irrelevant comments, and general kibitzing was provided by 
Paul D. Lehrman. Special thanks to Joseph A. (‘‘Count’’) 
Viglione for his help in making this list even longer. All 
information contained herein was supplied by the bands 
themselves or their agents, and is presumed to be correct. 
The Phoenix takes no responsibility for incorrect infor- 
mation, but if we have done you an injustice, drop us a line. 
We are sorry if your group did not make it into this listing, 
but, contrary to popular opinion, we are only human. To 
make sure that you get included in our next Guide, to be 
published this fall, watch for our famous coupon, which will 
appear in issues of the Phoenix several weeks before our 
deadline. This guide is meant to be a reference and a 
resource (and we are gratified how many people tell us what 
a useful reference it is). Readers are welcome to use it any 
way they choose, but not to reproduce it. The contents of the 
Boston Phoenix Guide to.Boston Bands are copyright 1982 
by Media Communications Corporation and the Boston 
Phoenix Inc. Reproduction by any method without express 
permission is prohibited, 


4 THE BANDS 





An alphabetical listing of more than 1500 Boston-area bands, with 
addresses, phone numbers, managers, and where to call for 


bookings. 

40 BANDS CROSS-INDEX 
An alphabetical listing of bands within categories by type of music. 
40 Acappella 44 Oldies 
40 Bluegrass 45 Reggae, calypso, 
40 Blues and R&B ’ ska, rock steady, 
41 Classical and island music 
41 Comedy 45 Rock and new 
41 Country, country rock wave: cover 

C&W, and Southern rock 46 Rock and new 

42 Dixieland wave: original 
42 Ethnic 48 Rock and new wave: 
42 Folk cover and original 
42 Funk §1 Rockabilly 
42 Fusion 51 Solo 
43 General business 52 Soul and gospel 
43 Irish 52 Swing 
44 Jazz 52 Top 40 
44 Latin and Latin rock 53 Tribute bands 

54 BOOKING AND MANAGEMENT 
A listing of local agencies offering booking services, management, 
and publicity, including brief descriptions of what the companies 
handle plus the names of contact persons. 

57 RECORDING STUDIOS 


A complete guide to New England recording studios. 





LS ESA EOIONOR LEP: BAe AME BS es I ERE 


ST SENN oi evn 


Managed by Regis King Ltd. 
Box D, Astor Station 
Boston, MA 02123 


(617) 935-5091 


DESIGN AND ILLUSTRATION BY KATHERINE MAHONEY 





ART DIRECTION & 


THE BOSTON PHOENIX, BOSTON BANDS, 


to NORRIS AR PR NON. 


ENKINS ASSOCIA 





JUNE 1, 1982 





Bands 


Listed alphabetically by name 





A La Mode, 1200 Massachusetts Avenue, 
No. 5W, Cambridge 02138. Original jazz 
and fusion. Contact Irv Ziskind, 354-67 13. 
A Wife 2 Kids and a Station Wagon, 116 
College Avenue, Somerville 02144. Original 
rock and new wave. Contact Jess Whited, 
776-1360. 

Abijon, 160 Williams Street, No. 2, Jamaica 
Plain 02130. Original high-energy rock. 
Contact Debi Colbert, 524-5064. 

About Time, 750 Shawmut Avenue, Rox- 
bury 02121. Cover and original rock, funk, 
and punk. Contact Mike D. Reid or Afro, 
427-0727. 

Abraham’s Seed, 18 Grove Street, Welles- 
ley 02181. Duo acoustic original and cover 
folk, country, and soft rock. Contact Chris 
or Daya Devi-Doolin, 431-7353. 

Aces & Eights, c/o Michael Skinner 
Productions, 98 Walker Street, Man- 
chester, NH 03102. Original and cover rock. 
Contact Dave McLaughlin, (603) 434-4025, 
or call (603) 669-6353. 

Adrial, c/o Musicorp International, 11 
Northeastern Boulevard, Nashua, NH 
03062. Top-40. Call (603) 883-8596. 
Adriane, c/o Don Mac Entertainment, 80 
Boyiston Street, Boston 02116. Solo 
top-40. Call 426-6618. 

The Agents, 26 Maryvale Road, Burlington 
01803. Cover and original rock and new 
wave. Contact Kevin O’Brien, 272-2315. 
Agents Provacateurs, Box 288, Amherst 
01004. Original progressive new wave. 
Contact Cleancut Records, (413) 549-3843. 
The Aggressions, 30 Berkmans Street, 
Worcester 01602. Original punk rock. 
Contact Richard Harnois, 753-2811. 
Agitation, 54 Royal Street, Allston 02134. 
Original new wave. Contact John Hill, 
782-5014 (evenings). 

Air Line, 140 Elim Street, Cambridge 
02140. Original rock. Contact Hartley 
Severns, 492-3041. 

Airaid, 62 Highland Avenue, Somerville 
02143. Original and cover rock. Contact 
Peter Farrar, 782-2066, or Eric Best, 
787-4545. 

Airborne Particles, 6 Winthrop Road, 
Lexington 02173. Original rock. Contact 
John E. Moore, 862-7086. 

Airporte, 5 Buswell Street, Boston 02215. 
Original rock. Contact Paul Mackie, 
666-3797, or Chris Danley, 489-2252. 
Alana and the Night Riders, 8 Marsh 
Avenue, Haverhill 01830. Country rock. 
Contact Ron Anderson, 374-4515. 

Alex Space, c/o Trippp Records, 136 
Chiswick Road, Suite 3, Brighton 02135. 
Original rock and new wave. Call 787-0098. 
Willie Loco Alexander, c/o Somor Music, 
399 Broadway, No. 3, Cambridge 02139. 
Solo original rock and new wave. Contact 
by mail, or call Joseph Casey, (401) 
231-3833. 

Alias, c/o Blue Jay Ltd., 320 Sprague 
Street, Dedham 02026. Cover rock and new 
wave. Contact George Wons, 326-7527, or 
Jim Tobin, 326-4989. 

Alibi, 15 Walker Street, Somerville 02144. 
Cover and original rock. Contact Donald 
Bender, 623-8585. 

Alien, 120 Adams Street, Maiden 02148. 
Original and cover heavy-metal rock. Con- 
tact Gene Pinkham, 321-0994. 

Alive After Five, c/o Musical Services 
Unlimited, 2 Washington Street, Haverhill 





01830. Top-40 and oldies. Contact Steven 
Goddu, 373-9894. 

The Johnny Allan Orchestra, 16 Priscilla 
Road, Lynnfield 01940. Big-band swing and 
GB. Call 334-57.13. 

Jimmy Allen and Easy Country, c/o John 
Penny Enterprises Inc., 259A Beech Street, 


Belmont 02178. Cover country. Call 
924-6722. 

GG Allin, 542 Beech Street, Manchester, 
NH 03104. Original punk rock. Call (603) 
669-8983. 

Sparkie Allison and Songpainter, Box 
211, Westfield 01086. Original and cover 
country rock and pop. Mgr., Pat Hall, (413) 
562-3556. 

The Larry Alltop Show featuring New 
Exciters, c/o Chaz Productions, Box 276, 
Stoughton 02072. GB and top-40. Mgr., 
Charles Yaitanes, 344-6691. 

Amante, c/o Ted Charles Associates, Box 
390, Salem 01970. Top-40. Call 744-9310. 
Americans Alone, Box 321, Concord 
01742. Original power pop and new wave. 
Contact Clayton Adams or Philip, 
369-8001. 

Amethyst, 62 Boylston Street, No. 314, 
Boston 02116. Top-40 and light rock. 
Contact Dan, 426-5292, or Joe, 361-3412. 

Amoebas in Chaos, 123 K Sutherland 
Road, Brookline 02146. Original avant- 
garde rock and new wave. Contact Rick 
Wilkerson, 739-0922. 

The Ampeaters, c/o Silver Fox Music 
Productions, 95 Van Kleeck Road, Millis 
02054. Cover and original rock. Call 
376-2022. 

Anabel, 45 Harding Road, Lexington 
02173. Solo folk and pop sing-along. 
Contact Anabel Graetz, 861-0649. 

Ananda, 131 Park Drive, No. G1, Boston 
02215. Jazz, classical, and Argentinian. 
Contact Bob Kroeger, 267-5135. 

Ancestor Worship, 30 Oxford Street, Ar- 
lington 02174. Original rock. Contact Gary 
Erwin, 646-2834. 

Chris Anders, c/o John Penny Enterprises 
Inc., 259A Beech Street, Belmont 02178. 
Solo C&W. Call 924-6722. 


Scott Anderson, c/o John Penny 


4 THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 











Enterprises Inc., 259A Beech Street, Bel- 
mont 02178. Solo rockabilly. Call 924-6722. 
Annie, c/o Rooster Berry Productions, 806 
Oaklawn Avenue, Cranston, Ri 02920. 
Cover and original rock. Call (401) 
943-5088. 

Angry Young Bees, 85 Elliott Street, No. 3, 
Beverly 01915. Original rock and new wave. 
Mgr., James Shaler, 927-7221. 

Animal Dance, 1450 Commonwealth Av- 
enue, Suite 4, Boston 02135. Original rock. 
Mgr., N.M. Greenspan, 566-5015. 

The Annoyed, 125 Alewife Brook Parkway, 
Somerville 02144. Original rock and new 
wave. Contact Robert Gaudreau, 
776-1694. 

Anonymous Passion, 541 Commonwealth 
Avenue, No. 604, Boston 02215. Original 
rock and new wave. Contact Mitchell 
Bernard, 267-4465. 

The Answer, 453 Nahatan Street, Norwood 
02062. Cover and original rock and oldies. 
Contact Rick Smith, 769-0584. 
Antarctica, 73 Aiken Avenue, Lowell 
01850. Original rock and fusion. Contact 
Raymond Lavigne, 453-3930. 

Anthem, 52 Dudley Street, Saugus 01906. 


Original rock. Mgr., John Mcinnis, 
233-1391. 
Anthem, 11 Leslie Street, Dorchester 


02122. Cover and original rock. Mgr., Jack 
Royal, 288-6269. 

Peter Anthony Group, Box 336, East 
Boston 02128. Oldies and top-40. Mgr., 
Chick Goldberg, 569-1410. 

Antigravity, 18 Laurel Street, Cambridge 
02139. Indian and African-influenced jazz. 
Contact Warren Senders, 547-7639. 

_The Antigravity String Band, 18 Laurel 
Street, Cambridge 02139. International 
folk. Contact Warren Senders, 547-7639. 
Anubis, Box 1089 GMF, Boston 02205. 
Original and cover modern rock. Mgr., 
Hammy Hall, 269-4365. 
A 68 Phillips Street, Boston 
02114. Original rock. Mgr., Ronna Reimer, 
723-2420. 

Arabesque, c/o Windfall Productions, 17 
Whiton Avenue, Hingham 02043. Original 
rock. Mgr., Bob Haley, 749-5840. 

Arcade Ambo, 11 Netherlands Road, 
Brookline 02146. Original rock and funk. 
Contact Peter Wadsworth, 738-7410. 
Area Code, c/o Northeast Entertainment 
Agency, Box 1718, Lowell 01853. Top-40. 
Call 459-4785. 
James Armstrong, D-1/94 Twin Oaks, 
Mansfield 02048. Solo cover rock and 
country. Call 339-5067. 

Neil Arnold and Nashville Fever, c/o John 
Penny Enterprises Inc., 259A Beech Street, 
Belmont 02178. Cover C&W. Call 


924-6722. 

The Aromatics, 126 Wilson Avenue, Rum- 
ford, Ri 02916. ’60s soul and rock. Contact 
Phil Madeira, (401) 434-3448. 
Arrival, 151 Park Drive, No. 23, Boston 
02215. Cover and original rock. Contact 
Bruce Replogle, 353-0865. 

The Art of Black Dance & Music, c/o 
Dance Plant, Box 66, West Medford 02156. 
Traditional black music, from Africa, the 
Caribbean, and the US. Mgr., Diane 
Pariser, 395-2199. 

Arthur Slick, c/o Paris Productions, 40 
Ridgemont Street, No. 3, Allston 02134. 
— rock and funk. Call 787-5385. 

The Articles, 16 Ashburton Place, Melrose 
02176. Original rock and new wave. Con- 
tact John McGourty, 665-1554. 

Asiatic Mode of Production, 47 Orchard 
Street, Medford 02155. Funk-influenced 
dissonant rock. Contact Elliot Spieler, 
391-2492. 

Astra, 24 School Street, Wilmington 01887. 
Original rock. Contact Joe Mullens, 
658-5783. 

The Atlantics, Box 2480, Boston 02208. 
Original rock and new wave. Contact Tom 
Hauck, 266-0930, or Pretty Polly Produc- 


Iustration by Leslie Evans 


tions, 266-0790. 

Attitudes, 109 Vogel Street, West Roxbury 
02132. Original and cover hard rock. 
Contact Robert Corey, 327-1289. 

Audio Savant, 69 Elm Street, No. 1, 
Cambridge 02139. Original new wave and 
experimental pop. Contact Ed Driscoll, 
536-6340 (days), or Bryson Dean, 661-1297 
(evenings). 

Audrey’s Kitchen Band, c/o John Penny 
Enterprises Inc., 259A Beech Street, Bel- 
mont 02178. Cover country. Call 924-6722. 
August, c/o Curtis International As- 
sociates, Boston Center for the Arts, 539 
Tremont Street, Boston 02116. Original 
rock. Mgr., John Curtis, 426-4243. 

Ava and the Tidal Wave Tour, c/o Black 
Rose Promotional Management, 211 
Eighth Avenue, No. BR, Brooklyn, NY 
11215. Original modern rock. Contact Joy 
Silver, (212) 768-5539, or Patrick O'Neil, 
623-0635. 

A.V.S., 570 Pleasant Street, No. 1, 
Worcester 01602. Original and cover rock. 
Contact Daryl Allyn, 755-4151. 

Axis, c/o Natural Acts, 350 Mariborough 
Street, Suite 40, Boston 02116. Cover rock. 
Call 353-0300 or (207) 695-3718. 

A.Y.M., 31 Park Drive, Boston 02215. 
Original rock. Contact Joe O'Neill, 
267-4859. 

Azian, RFD 2, Henniker, NH 03242. Original 
and cover rock. Contact Tom Seavey, (603) 
428-7857, or Tom Constantini, (617) 
774-0617. 

AZROC, c/o Martin Associates, 35 Milk 
Street, Methuen 01844. Cover and original 
rock. Cali 685-2521, or contact Mike 
Rigsby, 692-6989. 

Azure Drive, 51 Custer Street, No. 2, 
Jamaica Plain 02130. Original rock. Con- 
tact Ed Kraseski, 522-1169. 

Brian Babcock Experience, c/o Don Mac 
Entertainment, 80 Boylston Street, Boston 
02116. Top-40, oldies, and country. Call 
426-6618. 

BabyGrand, 16 Pheasant Lane, North 
Easton 02356. Top-40 and oldies. Contact 
Ray Mucci, 238-1644. 

Back Alley Band, 23 Linnwood Avenue, 
North Reading 01864. Cover and original 
rock, blues, and R&B. Mgr., Joe Bertolino, 
664-2023 or 396-6988. 

Back Bay Society Band, 67 Fernview 
Avenue, North Andover 01845. GB, swing, 
and jazz. Mgr., Paul Wagner, 266-1400 ext. 
266 or 683-0315. 

Backcountry, c/o Don Mac Entertainment, 
80 Boylston Street, Boston 02116 C&W. 
Call 426-6618. 

Back Trax, 15 Waltham Street, Woburn 
01801. '60s oldies. Mgr., David Peterson, 
933-0416. 

Bad Habit, c/o Ed Malhoit Agency, Box 
2001, Claremont, NH 03743. Commercial 
rock and Styx covers. Call (603) 542-8777. 
Bad Habits, Boston. Original rock. Contact 
Amy Rosen, 734-3525. 

Bad News Blues Band, Box 162, Man- 


chester, NH: 03105. Cover and original 
urban blues. Mgr., Gregg Hamlin, (603) 
668-5283. 


Bagpipe Brothers, 40 Reservoir Street, 
Cambridge 02138. Scottish and Irish drum- 
and-bagpipe duo. Contact Bob Genovesi, 
876-0948. 

Lee Baird, Box 19, Tufts University Station, 
Medford 02153. Solo folk, country rock, 
and blues. Contact Bill, 628-0848. 
Stephen Baird — Street Singer, P.O. Box 
570, Cambridge 02238. Solo political and 
satirical folk and a cappella drinking 
songs. Call 864-2970. 

Toni Ballard and Laura Stilla, 93 Nourse 
Street, Westboro 01681. Duo or group jazz 
and top-40. Call 366-2508. 

The Ballou Brothers’ Band, RFD 3, Milford, 
NH 03055. Original and cover rock and 
Southern rock. Contact Matt Ballou, (603) 
465-7768. 





B&H Rock Band, 2719 Washington Street, 
Roxbury 02119. Cover rock, disco, and 
blues. Contact Arthur Holland Jr., 
445-6541. 
The Bangs, c/o Don Mac Entertainment, 80 
Boylston Street, Boston 02116. Cover and 
original new wave. Call 426-6618. 
Banjo Dan and the Mid-nite Plowboys, c/o 
Performing Artist Associates, 161 Harvard 
Avenue, No. 11, Allston 02134. Bluegrass. 
Call 783-2060. 
Barleymow, Boston. 
Burke, 323-3161. 
Johnny Barnes and the Automatix, 7 
Church Street, Woods Hole 02543. Original 
rock and new wave. Cail 540-6492. 
Barons of Brain Matter, 18 Front Street, 
Beverly 01915. Cover rock, country, and 
R&B. Contact Paul Cohan, 922-3941. 
The Bars, 79 Steen Street, Natick 01760. 
Original rock. Contact Steve, 653-4648, or 
Rick, 332-2024. 
Tom Bartlett and Unicorn, c/o North 
Country Sounds, 175 Bunker Hill Road, 
Auburn, NH 03032. Irish and country. Call 
(603) 483-2662. 
Geoff Bartley, 3 Salem Street, Cambridge 
02139. Solo blues and folk: Call 661-9182. 
Basic Plaid and Pearis, 31 Wilton Street, 
Somerville 02145. Original rock and new 
wave. Contact Frank Gerace, 776-3312. 
The Basics, 270 Pond Street, Franklin 
02038. Original and cover acoustic new 
wave. Mgr., Anna Haagenson, 528-4170. 
Batik, 86 Philip Street, Medfield 02052. 
Original rock and new wave. Contact Peter 
B. Kenny, 359-4457. 
Jamie Baum and Friends, 55 Park Drive, 
No. 10, Boston 02215. Jazz standards and 
originals. Call 353-1505. 
The Bavarian Hauffbrau Band, c/o Ted 
Charles Associates, Box 390, Salem 01970. 
German beer-hali music. Call 744-9310. 
B.B. & The Resistors, 15 Raymond Road, 
Revere 02151. Original and cover rock. 
Contact Ernie Mattola, 284-3295. 
Joe Beard and the Blues Union, c/o 
Concerted Efforts, 312 Salem Street, Med- 
ford 02155. R&B. Call 396-1613. 
The Beat Boys, 5 Braemore Road, No. 21, 
Brighton 02146. Cover and original rock 
and blues. Contact Chris Sutcliffe, 
566-5961. 
Beat Feat, Box E75, South Easton 02375. 
Cover and original folk-rock. Contact Craig 
Carter, 580-0869. 
Guy Beau, 9 New Castle Drive, Nashua, NH 
03060. Solo original and cover rock. Mgr., 
Gerry Paquin, (603) 883-2172. 
Beau James, c/o Russ Carlton’ Entertain- 
ment, Box 542, Holliston 01746. GB and 
irish. Contact Jim Lawrence, 872-3584. 
Beaux-Tye, c/o Ted Charles Associates, 
Box 390, Salem 01970. Top-40. Call 
744-9310. 
Beaver Brown, c/o Coastline Productions, 
25 Market Street, Warren, Ri 02885. 
Original rock. Mgr., Arnold Freedman, (401) 


Irish. Contact Paul 


247-02 18 or (212) 245-4580. 


Mike Becker and the Post-Bohemians, 
260 Orange Street, Manchester, NH 03104. 
Original and cover rock, folk, and fusion. 
Call (603) 625-5910. 
Beer for Breakfast, 2 Nichols Street, 
Fitchburg 01420. Country and country 
rock. Contact Danny Snow, 342-2225. 
Jennifer Bell, 381 Russell Street, Woburn 
01801. Top-40. Contact Mike Turner, 
933-3301. 
Nathan Bell, c/o Green Productions, 83 
Harvard Street, No. 7, Brookline 02146. 
Solo original acoustic music. Call 566-6669. 
Trouble, c/o Summer 
Lightning, 43 Harvest Street, Providence, 
Ri 02908. Cover and original rock. Contact 
Henry Gauvin, (401) 521-4508. 
The Bill Bellamy Band, c/o Micabell 
Productions, 21 Pine Grove Street, 
Needham 02194. Original rock and R&B. 
Call 444-6071. 





Belivista, Box 204, Chestnut Hill 02167. 
Original jazz/rock. Contact Peter Calo, 
277-1923. 
Beloved, 4 Constitution Road, Mattapan 
02126. Original gospel/funk and jazz/rock. 
Contact Steve Fisher, 296-4854. 
Bender, 123' Main Street, Andover 01810. 
Cover and original rock. Contact Harrison 
E. Brown Il, 475-8566, or Jack Sciuto, 
688-7 165. 
Benny and the Big Note, Kittery Point, 
Maine. R&B and swing. Contact Ben 
Baldwin, (207) 439-4399. 
Jerry Bergonzi and Con Brio, 3 Chauncy 
Street, No. 14, Cambridge 02138. Jazz. 
Contact Robert Kaufman, 492-1265. 
Berlin Airlift, c/o Vanilla Production One, 
791 Tremont Street, Suite W301, Boston 
02118. Original rock. Mgr., Billie Best, 
267-5779, or contact Pretty Polly Produc- 
tions, 266-0790. 
Sandy Berman’s Satchmo Band, c/o 
Sandy Berman Productions, 7 Ives Street, 
Beverly 01915. Swing, New Orleans jazz, 
and Louis Armstrong covers. Call 922-6954 
Sandy Berman’s Swing Stars, c/o Sandy 
Berman Productions, 7 Ives Street, Beverly 
01915. Swing, jazz, and blues. Call 
922-6954. 
Bermuda Strollers, c/o Neer Associates, 
29 Commonwealth Avenue, Boston 02116. 
island music. Call 247-1630. 
Curt Bessett, c/o Cuzin Richard Entertain- 
ment Agency, Box 4585, Portsmouth, NH 
03801. Solo original folk. Call (603) 
436-8596. 
The Best in Sound, 41 Bower Road, 
Braintree 02184. Top-40 and GB. Contact 
Joseph Ciccolo, 848-7582, or Steve 
Driscoll, 471-3722. 
The Betty-Rockers, c/o Drc, Route 28, RFD 
2, Mashpee 02649. All-women cover and 
original rock, new wave, and top-40. 
Contact Donna Sanders, 477-3955. 
Big Band, Inc., 265 Salem Street, Medford 
02155. Swing, jazz, and pop. Contact Brad 
Collins, 396-7590, or Larry Rubin, 
244-0677. 
Big Band Unlimited, Foster Road, Ashby 
01431. Jazz and swing. Mgr., Fred 
Bernhardt, 386-5504. 
Big Sixteen, 86 Columbia Road, Box 156, 
Arlington 02174. Original and cover rock 'n’ 
roll. Contact Joel Gramolini, 643-2872. 
Big Wally Quartet, 9 Fosket Court, Natick 
01760. Cover and original blues and R&B. 
Contact Horace Jones, 653-9297. 
Big World, 6 Thurston Avenue, Newport, RI 
02840. Original rock- and new wave. Con- 
tact Sid, (401) 847-2030. 
Bijou Link, 251 Broadway, Cambridge 
02139. Boogie. Contact Rick Chadwick, 
876-6746. 
Bijou McCue and the Matinees, c/o Sziavi 
Talent Inc., 62 Lake Drive, Guilford, Conn. 
06437. Cover and original rock and blues. 
Mgr., Dave Smith, (203) 457-1213. 
The Bimbos, Box 1506, GMF, Boston 
02205. Original rock and new wave. Con- 
tact Sigourney Street, 542-4282. 
Dave Binder, c/o Littlefield Entertainment 
Agency, Box 218, Chelmsford 01824. Solo 
original rock and folk. Call 256-5985. 
Birdland, 126 St. Mary Street, Boston 
02115. Cover and original rock and blues. 
Contact Domingo Rosa, 267-4504. 
Birnam Wood, c/o Apple Core Studios, 67 
Highland Street, Walpole 02081. Original 
and cover rock. Contact John McDonough, 
668-2876. 
The Bits, 16 University Road, No. 2, 
Brookline 02146. Original rock, new wave, 
and country rock. Contact Bob MacKenzie, 
237-5759 (days) or 738-7079 (evenings). 
Black Axiss, 106 Maple Street, Dorchester 
02121. Original and cover acid-funk-rock. 
Contact Sherman Williams, 289-3527. 
Black Diamond, 195 Chapman Street, 
Watertown 02172. Original and cover rock. 
ontinued on page 6 


THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 5 












































































Continued from page 5 
Contact Phil luliano, 926-1107. 

Blackbird, 51 Church Street, Somerville 
02143. Traditional Irish. Contact Kevin 
O'Brien, 625-0835, or Jim Gleason, 
862-6146. 

Jan Blackman, 24 Ransom Road, Brighton 
02135. Solo and duo acoustic folk, rock, 
country, and oldies. Call 254-4812. 
Blackwater String Band, RFD 2, Box 62, 
Concord, NH 03301. Irish and American 
folk and country dance music. Contact 
Carolyn Parrott, (603) 224-7669. 

Blade, Box 1805, Boston 02105. Original 
and cover rock and new wave. Mgr., Rob 
McCarthy, 233-2759. 

T. Blade and the Fabulous Esquires, c/o 
Neer Associates, 29 Commonwealth Av- 
enue, Boston 02116. Cover and original 
rock and R&B. Call 247-1630. 

Jennifer Blair, c/o Bruce James Company, 
Box 439, Lyndonville, Vt. 05851. Cover and 
original rock. Call (802) 626-3317. 

Bob Blake and the Roustabouts, 39 Mason 
Avenue, North Billerica 01862. Country, 
oldies, and GB. Call 667-7802. 

The Blakes, 465 Main Street, West New- 
bury 01985. Original rock. Contact Keith 
Colby, 465-2083. 

Blazer, 42 Wigglesworth Street, Malden 
02148. Cover and original heavy metal. 
Contact J.J. Reynolds, 332-8492. 

The Blend, Sinnott Road, Kennebunkport, 
Maine 04046. Original rock. Contact Jim 
Drown, (207) 967-3171, or Skip Smith, (207) 
935-2349. 

Blind Ambition, 190 Robinson Street, 
Raynham 02767. Cover and original new 
wave. Contact Al Ribeiro, 822-4110. 

Blind Orphans, 11 Nicholson Street, 
Marblehead 01945. Original new wave. 
Contact David Dodge, 631-4109. 

Blind Owl, 9 Jenkins Drive, Billerica 01862. 
Original and cover progressive rock. Con- 
tact Bruce, 667-7430. 

The Mickey Bliss Band, 2 Bunker Hill 
Road, Plymouth 02360. Original and cover 
new wave and rockabilly. Call 746-3262. 
Larry Bloom, Box 62, Brookline 02146. 
Solo top-40 and GB voice and piano. Mgr., 
Rebecca Jones, 277-9411. 

The Blue Chips, 20 Harrison Street, 
Newton Highlands 02161. Cover rock. 
Contact Mark Natale, 969-3630. 

Blue Horizon Jazz Band with Stan 
McDonald, 25 Farm Road, Sherborn 
01770. Traditional jazz. Mgr., Ellen 
McDonald, 653-7247. 

Blue Moon, 268 Seaver Street, Stoughton 
02072. Original and cover rock and new 
wave. Contact Bil Bonanno, 344-3408. 
Blue Silver Quintet, 99 Day Street, Jamai- 
ca Plain 02130. Mainstream jazz. Contact 
Leo, 524-4777. 

Bluedust, 77 Baxter Avenue, Quincy 
02169. Cover rock and heavy metal. Mgr., 
Ron Cross, 479-3532. 

Blues After Dark; 34 Fairfield Street, 
Cambridge 02140. Blues, R&B, and funk. 
Contact Bruce Paley, 868-7737. 

The Blues Cousins, c/o Management One, 
Box 483, Allston 02134. Blues and R&B. 
Mgr., Andy Sokol, 284-6591. 

The Blues Outlet, c/o Captain Carl As- 
sociates, 65 Pond Street, South Attleboro 
02703. Blues. Call 399-8489. 

Blues Over Easy, c/o Entertainment Con- 
cepts Inc., 29 Commonwealth Avenue, 
Boston 02116. R&B. Call 247-0972. 

Liz Boardo Band, c/o John Penny 
Enterprises Inc., 259A Beech Street, Bel- 
mont 02178. Cover C&W. Call 924-6722. 
Bobby Watson Band, 9 Fosket Court, No. 
1, Natick 01760. R&B, funk, and soul. 
Contact Horace Jones, 653-9297. 

Body and Soul, 6 Jameson Road, Newton 
02158. Cover soul, blues, and R&B. Contact 
E.J. Lynch, 332-9842, or Bob Ferrendini, 
846-6043. 

Body Count, 2'2 Elim Street, Dover, NH 


6 THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 


03820. Original rock and new wave. Con- 
tact Liam, (603) 882-8277, or Rick, (603) 
742-1625. 
Bogash, c/o Clgckwork Entertainment 
Management, Box 1600, Haverhill 01830. 
Cover and original rock. Contact Bill 
Macek, 373-6010. 
The Boo Boo’s, 144 Gray Street, Man- 
chester, NH 03103. All women cover and 
original new wave. Contact Nadine Zevos or 
Boo Zevos-King, (603) 627-7227. 
Boosey Hawkes Band, 10 Belleview Av- 
enue, Middleton 01949. Southern rock. 
Contact David Feener, 774-8239. 
The Bones, 12A Eliot Street, Cambridge 
02138. Original rock. Contact Michael, 
354-8870, or Dave, 497-9479. 
Boogy Beast, c/o Ed Maihoit Agency, Box 
2001, Claremont, NH 03743. Commercial 
covers. Call (603) 542-8777. 
Bop Follies, c/o Sam Schneiderman Man- 
agement, 51 Washington Street, Box. 479, 
Boston 02146. Bebop jazz, swing, and 
blues. Call 232-7882. 
Borderline, 20 Oak Street, Cambridge 
02139. Cover and original rock. Contact 
Roy Gilbert, 547-1026. 
Bored Youth, 34 Farewell Street, No. 3, 
Newport, Ri 02840. Original rock, new 
wave, and reggae. Contact Greg Wood, 
(461) 847-4345. 
Bosco, c/o Cuzin Richard Entertainment 
Agency, Box 4585, Portsmouth, NH 03801. 
Cover rock. Call (603) 436-8596. 
The Boston Brats, c/o M.K. Associates, 
400 Commonwealth Avenue, Box CY77, 
Boston 02215. Cover and original rock. 
Contact Michael Krane, 284-4150. 
Boston Excelsior Mandolin Society, 213 
Chestnut Avenue, Jamaica Plain 02130. 
Turn-of-the-century popular songs and 
music. Contact Richard Badu, 522-2073, or 
Larry Unger, 643-5516. 
The Boston Fretts, 80 Strathmore Road, 
Brighton 02146. Classical. Contact Hank 
Wiktorowicz, 232-6295. 
Boston Jazz Conspiracy, 52 Joy Street, 
No. 2, Boston 02114. Jazz. Contact Buddy 
Aquilina, 720-0403, or call (516) 938-6563. 
Boston Pace, c/o Northeast Entertainment 
Agency, Box 1718, Lowell 01853. Top-40, 
cover rock, and show. Call 459-4785. 
Boston Rockabilly Music Conspiracy 
(BRMC), 95 Proctor Avenue, Revere 
02151. Rockabilly. Contact Vic Layne, 
284-1444, or John Tata, 646-4664. 
The Boston Swing Sextet, 107 Fuller 
Street, Brookline 02146.. Dixieland, jazz, 
and swing. Contact Sandy Hall, 731-5301, 
or Tom Petrakis, 254-1896. 
The Bottles, 7 Murray Street, Chelsea 
02150. Original rock and new wave. Con- 
tact Ed Sid/ 884-9259. 
Bougainvillea, 1109 Boylston Street, Bos- 
ton 02115. All-women’s jazz quintet. Con- 
tact Jeanette Muzima, 236-4969. 
The Bourbon St. Paraders, c/o Russ 
Cariton Entertainment, Box 542, Holliston 
01746. Dixieland and ’40s swing. Contact 
Jim Lawrence, 872-3584. . 
The Bourbon Street Jass Band, 25 
Thorndike Street, Cambridge 02141. Tra- 
ditional New Orleans music, swing, and 
Dixieland. Contact Greg Wall, 547-5281. 
kee Fantasy, c/o Russ Carlton 
Entertainment, Box 542, Holliston 01746. 
Greek and American music. Contact Jim 
Lawrence, 872-3584. 
Karl Boyle and Jazz Passage, 72 Cresthill 
Road, Brighton 02135. Jazz originals and 
standards. Call 782-3241. 
The Boys, c/o Apple Core Studios, 67 
Highland Street, Walpole 02081. Vintage 
rock. and Beatle covers. Mgr., John 
McDonough, 668-2876. 
Boys and Girls, 306 Maverick Street, East 
Boston 02128. Original rock and new wave. 
Contact Anthony R., 567-6968. 
Boys Life, Box 651, Malden 02148. Original 
rock and new wave. Mogr., David R. Surette, 





322-1262, or contact Joseph Casey, (401) 
231-3833. 

Brainchild, c/o Concerted Efforts, 312 
Salem Street, Medford 02155. Cover and 
original new wave and reggae. Call 
396-1613. 

Braindeath Shampoo, 512 Water Street, 
Lexington 02173. Cover and original acid 
surf rock. Contact Wet Wally or Sudsy 
Sales, 259-8805. 

The Branches, c/o Richard Carr Produc- 
tions, 1 Court Drive, Lincoin, Ri 02865. 
Cover rock. Call (401) 333-0700. 

Brass, c/o Watch City Studios, Suite 117, 
719 Washington Street, Newtonville 02160. 
Original rock. Contact Tom Sauinier, 
527-1802. 

Bravo BTO, c/o Bagg Brothers Produc- 
tions, 5 Theresa Road, Stoneham 02180. 
Original rock and new wave. Mgr., Bob 
Cammarata, 438-3850. 

Breakaway, c/o Frank Borsa Productions, 
112 Fourth Street, Norwood 02062. 
Nostalgic rock and oldies. Call 762-0110. 
The Breakers, Boston. Cover and original 
rock. Mgr., Danny Berthelette, 787-1137, or 
call (401) 944-9005. 

Breakfast in Bed, c/o Good Goose Produc- 
tions, 39 Winford Way, Medford 02155. 
Original electrofunk and new wave. Contact 
Dana Caus, 391-4246 or -4654. 

The Breeders, c/o Maxpro Group, 1351 
Main Street, Brockton 02401. Cover rock 
and new wave. Mgr., Paul Carchidi, 
586-6908. 

The Briefs, 423 Court Street, No. 2, 
Portsmouth, NH 03801. Original and cover 
new wave. Mgr., Jim Doolittle, (603) 
436-3278, or contact Paul Dionne, (603) 
749-1486. 

Chris Bright and the Sods, 79 Reservoir 
Avenue, Revere 02151. Original and cover 
rook and blues. Call 284-7445. 

Bright Morning Star, c/o 7 Westwood 
Road, Somerville 02143. Folk. and 
progressive political tunes. Contact George 
Fulginiti-Shakar, 666-9087. 

Brigitte Chantel, 105 Stanley Road, 
Swampscott 01907. R&B. Contact Peter 
Vallis, 592-7566 or 631-1680. 

Britain, 27 Hall Avenue, Somerville 02144. 


Original rock. Contact Carol Abbott, 
625-4911. 
Hugh Brodie Quartet, 141 Englewood 


Avenue, No. 45, Brighton 02146. Original 
and cover jazz and bebop. Mgr., Todd 
Wilson, 735-0281. 

Christopher Brooks and Friends, c/o 
Performing Artist Associates, 161 Harvard 
Avenue, No. 11, Allston 02134. Solo and 
trio jazz. Call 783-2060. 

Brother Jump, c/o Pro-town Productions, 
209 Lenox Avenue, Providence, Ri 02907. 
Original rock and funk. Call (401) 331-1720. 
Hugh Brown & Co., 14 Keswick Street, No. 
4, Boston 02215. Top-40, oldies, and 
Motown. Cail 536-8060. 

Jackie Brown, c/o Don Mac Entertainment, 
80 Boylston Street, Boston 02116. Solo 
country and top-40. Call 426-6618. ; 
Stovall Brown, c/o Lewis Wiener 
Enterprises, 806 Oaklawn Avenue, 
Cranston, Ri 02920. Original and cover 
R&B. Call (401) 944-9005. 

Bruce and Marshall, c/o Richard Carr 
Productions, 1 Court Drive, Lincoin, Ri 
02865. Cover and original acoustic rock 
and folk. Call (401) 333-0700. 

Cariton Bryan and Crossroads, c/o Con- 
certed Efforts, 312 Salem Street, Medford 


' 02155. Reggae. Call 396-1613. 


The B-Street Bombers, c/o Rockfever 
Productions, 535 Broadway, Lawrence 
01841. Cover rock. Call 682-7085 or -7270. 
Joe Bucci Trio, c/o Wedge Productions, 
211 A Street, South Boston 02128. Jazz 
standards and pop. Mgr., Bill Hynes, 
233-2195 or 269-4706. 
Buffalo Chip Tea, c/o Natural Acts. Suite 
Continued on page 8 





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Continued from page 6 
40, Boston 02116. Cover rock and R&B. 
Call 353-0300 or (207) 695-37 18. 

The Bumsteads, 310 Main Street, Walpole 
02081. Original rock. Contact Mickie 
Bumstead, 668-3721. 

Bunny & the Breeders, 53 Joy Street, 
Boston 02114. Original acoustic punk. 
Contact John Shumacher, 227-7 198. 
Burned Champagne, 59 Magazine Street, 
Cambridge 02139. Original new wave and 
cover biues and R&B. Contact Declan Hunt, 
354-7852 or 388-2640. 

Laura Burns and Roger Rosen, 699 Green 
Street, Cambridge 02139. Folk, folk-rock, 
and country. Contact Roger Rosen, 
492-3390. 

Burton and Tapper, 808 Mt. Auburn Street, 
No. 2, Watertown 02172. Acoustic pop and 
jazz. Contact Steve Tapper, 926-6663, or 
Keith Burton, 492-6937. 

Gary Burton Quartet, c/o Ted Kurland 
Associates, 46 Ashford Street, Boston 
02134. Jazz. Call 254-0007. 

The Businessmen, 53% Arlington Road, 
Woburn 01801. Original rock and new 
wave. Contact Mary Murphy, 935-1195. 
Buskin and Batteau, c/o Monarch Enter- 
tainment, 412 Pleasant Valley Way, West 
Orange, NJ 07052. Folk and original rock. 
Mgr., John Scher or Bert Holman, (201) 
736-9828. 

The Bystanders, 11 Pleasantview Street, 
Roslindale 02131. Cover rock and top-40. 
Contact Brian, 325-3098. i 

Cabin Fever, c/o International Artists, 322 
West 57th Street, Penthouse M, New York, 
NY 10019. Country and country rock. Call 
(212) 307-5705. 

Cadré, 103 Yorktown Street, Somerville 
02144. Original rock and new wave. Con- 
tact Michael Albertson, 625-3127. 

The Cambridge Saxophone Quartet, 233 
River Street, Cambridge 02139. Cover jazz, 
ragtime, classical, and pop. Contact Andy 
Baer, 492-1628. 

Karen Cameron, Box 101, Newton 02195. 
Solo or group jazz, blues, and swing. Call 
244-3978. 

Cameron-Loehr Band, 79-A Thurlow 
Street, Georgetown 01833. Original rock. 
Contact David Loehr, 352-7089. 

Louie Camp and the Rockin’ Savoys, c/o 
Captain Carl Associates, 65 Pond Street, 
South Attleboro 02703. R&B and oldies. 
Call 399-8489. 

Candi, c/o Campus Services, 172 Main 
Street. Spencer 01562. Cover rock. Con- 
tact Pat George or Don Santora, 753-1318. 
Candy, 135 West Eighth Street, South 
Boston 02127. Original and cover rock. 
Contact Larry Evans, 268-5485. 

Cangello and York, Box 497, Beverly 
01915. Country pop. Contact Bill Barter, 
927-2019. 

Bob Cannon, c/o Cuzin Richard Entertain- 
ment Agency, Box 4585, Portsmouth, NH 
03801. Solo folk. Call (603) 436-8596. 
Cape Cod Chamber Ensemble, 761 Depot 
Street. North Harwich 02645. Classical 
woodwind ensemble. Contact David Gal- 
lagher, 432-4611. 

Scott M. Capen, c/o Music is Mandatory, 
123 Elm Street, Georgetown 01833. Solo 
piano and vocal. Cali 352-8012. 

Captain Mojo, 3 Arcadia Street, No. 2, 
Cambridge 02140. Cover rock and blues. 
Mgr.. Barb Diederich, 661-2694. 

Cardiac Kids, c/o Silver Fox Music Produc- 
tions. 95 Van Kleeck Road, Millis 02054. 
Cover and original rock. Call 376-2022. 
Carefree, c/o Don Mac Entertainment, 80 
Boylston Street, Boston 02116. Top-40. 
Call 426-6618. 

Mary Carle Dance Band, c/o Sandy 
Berman Productions, 7 Ives Street, Beverly 
01915. Swing. Call 922-6954. 

Russ Carlton Quartet, c/o Russ Carlton 
Entertainment, Box 542, Holliston 01746. 
Oldies, top-40, and GB. Call 872-3584. 





Carmelilo, c/o New Friendship Productions, 
3 Edgar Terrace, Somerville 02145. Solo 
GB and oldies. Contact Frank Santangelo 
Jr., 666-9579. 

Cartwright, 170 Fitchburg Turnpike, Con- 
cord 01742. Country rock. Contact Gregory 
S. Roberts, 369-2841. 


- Ted Casher Quintet, Box 1511, Orleans 


02653. Original jazz and fusion. Contact 
Mike Garvan, 255-7281. 

The Catch, 28 Manchester Road, Brookline 
02146. Original and cover rock and new 
wave. Contact Milton Reder, 738-4279, or 
Bill Lane, 242-3509. 

Cat’s Ass, 56 Old Oaken Bucket Road, 
Norwell 02061. Cover and original biues 
R&B, and oldies. Contact Michael Bowen, 
659-2814. 

Cats Eye, c/o Natural Acts, 350 
Marlborough Street, Suite 40, Boston 
02116. Cover rock. Call 353-0300 or (207) 
695-37 18. 

C-D Current, 178 St. Alphonsus Street, 
Boston 02120. Original and cover acoustic 
new wave and blues. Contact C. Rusk, 
442-4693. 

Celebration, c/o Campus Services, 172 
Main Street, Spencer 01562. Cover and 
original rock. Contact Pat George or Don 
Santora, 753-1318. 

Celebrity Teens, c/o DarkWorid Industries, 
40 Mt. Auburn Street, Watertown 02172. 
Original dance rock. Mgr., Roger Green- 
awalt, 926-4178. 

P.J. Celi, Box 269, Boston 02101. Solo 
cover and original rock, blues, R&B, and 
soul. Call 776-1571. 

Celtic Standard, 4 David Street, South- 
ampton 01073. Irish folk music. Mgr., 
Mitchell J. Kovalski, (413) 527-3366. 

David Champagne’s Pink Cadillac, 35 
Leyden Street, Boston 02128. Original and 
cover surf rock and rockabilly. Contact 
David Champagne, 567-3640 or 227-7580. 
The Chance, 139 Salem Street, No. 8, 
Boston 02113. Original rock. Contact Deb- 
be Packard, 720-0889. 

Tom Chandler, 109 Dennett Street, 
Portsmouth, NH 03801. Solo original music 
and comedy. Call (603) 436-6227. 
Channel 23, 22 University Road, No. 2, 
Brookline 02146. Original acoustic pop- 
rock and folk. Contact Lynn Biddick, 
277-1450, or Gary Regina, 734-0404. 

The Channells, c/o ABS Productions, Box 
2085, Babson Park, 02157. '60s rock and 
cover and original new wave. Contact Alan 
Starr, 237-6480. 

Chapter 12, 1682 Commonwealth Avenue, 
No. 4, Brighton 02135. Original rock and 
new wave. Contact Dave or Tom, 739-6772. 
Tom Chase, 869 Park Street, Stoughton 
02072. Original rock. Call 344-0883. 
Chaser, c/o Rooster Berry Productions, 
806 Oaklawn Avenue, Cranston, RI 02920. 
Cover rock. Call (401) 943-5088. 

The Cheaters, c/o image Productions, Box 
633, Lexington 02173. Oldies and rock 
theater. Mgr., Charlie Robidoux, 263-8425. 
Cheese Balls, Natick. Original avant-garde 
rock. Contact Clive, 655-1429, or Larry 
696-9543. 

The Chicken Chokers, 113 Walden Street, 
No. 3, Cambridge 02140. Southern fiddle 
music. Contact Dr. Walter Traprock, 
495-3200 (days), or James Reidy, 491-5899 
(evenings). 

Bill Chinnock, c/o Pyramid Artists, 263 
Summer Street, No. 416, Boston 02210. 
Original rock. Call 542-7238. 

John Christian Band, 82 Robbins Street, 
No. 3, Waltham 02154. Original power- 
rock. Cal) 891-1595. 

Christian Steel, 9 Chestnut Street, West 
Newbury 01985. Cover and original power 
rock. Contact Todd Gerrish, 363-2944 or 
462-6092. 

Jurie Christie & Punch, c/o Chaz Produc- 
tions, Box 276, Stoughton 02072. Top-40. 
Mogr., Charles Yaitanes, 334-6691. 


8 THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 

















Christmas, 7 Ashford Street, Alliston 
02134. Original rock, new wave, and avant- 
garage music. Contact Michael Cudahy, 
782-6589. 

Christopher James, Pelham Street, 
Billerica 01862. Top-40 and original folk. 
Mor., Richard Burtt 667-9439. 

Chrysallis, c/o Cuzin Richard Entertain- 
ment Agency, Box 4585, Portsmouth, NH 
03801. Cover and original rock. Call (603) 
436-8596. 

Cimarron, 15 Paul Gore Street, Jamaica 
Plain 02130. Cover and original Latin. 
Contact Carlos Lazarte, 522-2006. 

Circus, c/o Campus Services, 172 Main 
Street, Spencer 01562. Cover and original 
rock. Contact Pat George or Don Santora, . 
753-1318. 


’ City Edition, 44 Delle Avenue, Roxbury 


02120. Original and cover R&B-funk-rock. 
Contact Kenny Harris, 442-1376, or Danny 
Blumenfeld, 522-0256. 
City Limits, 17 Park Drive, Woburn 01801. 
Cover and original rock. Mgr., Nolan 
Thompson, 282-1217, or contact John 
Giangregorio, 933-6796. 
Classic Ruins, Boston. Original rock and 
new wave. Contact Billy Borgioli, 523-3123. 
Class of °66, 17 Richardson Avenue, 
Wakefield 01880. '60s oldies. Contact Sam 
Donato, 245-7617. 
Robert Claycomb, c/o Encore, Box 1050, 
Boston 02147. Solo original and cover pop. 
Call 232-7916. 
Eddy Clearwater, c/o Concerted Efforts, 
312 Salem Street, Medford 02155. Cover 
and original rock and blues. Call 396-1613. 
lose Encounter, 54 Wheeler Circle, 
Stoughton 02072. GB and top-40. Contact 
Alan Markovitz, 344-1244. 
Clot ins, 36 Fairbanks Road, Milton 
02186. Original rock and new wave. Con- 
tact Dan Nugent, 698-0894. 
C-Notes, 57 Oakland Street, Malden 
02148. GB and top-40. Contact Phil, 
322-2671. 
Coastline, 40 Haverhill Street, Reading 
01867. Cover rock, new wave, and top-40. 
Contact John Janedy, 944-2598. 
David Coate and Band, Box 2172, Boston 
02106. Original. rock and folk. Mgr., Tom 
Goosman, 661-3893. 
Cold Shouider, 102 Union Wharf, Boston 
02109. Original new wave. Contact Dino 
Brown, 227-9795, or Stacey Pedrick, 
356-2468. 
Lui Collins, North Street, Goshen, Conn. 
06756. Solo original and traditional folk. 
Call (203) 491-3091. 
Dave Colt, 301 Neponset Street, No. 9, 
Norwood 02062. Solo top-40 and country. 
Call 762-7411. 
Commandos, 6 Bowles Avenue, West 
Boylston 01583. Original and cover rock 
and new wave. Contact Brian Hopper, 
835-4352. 
Common Law, 23 Cary Avenue, Revere 
02151. Cover and original rock. Contact 
David Baillie, 284-5651. 
The Complex Kidz, 36 Dillingham Avenue, 
Falmouth 02540. Original and cover new 
wave. Contact Chris Engles, 548-6225. 
The Composers’ Collective Band, 18 
Laurel Street, Cambridge 02139. Contem- 
porary improvisational jazz. Contact War- 
ren Senders, 547-7639. . 
The Contenders, c/o R. Mallory, 119 
Brainerd Road, Brighton 02134. Original 
rock and new wave. Call 566-0091. 
The Continentals, c/o Littlefield Entertain- 
ment Agency, Box 218, Chelmsford 01824. 
GB and top-40. Call 256-5985. 
Little Joe Cook and the Thrillers, Box 645, 
Cambridge 02139. R&B, soul, and oldies. 
Contact Little Joe Cook, 436-4050. 
The Cooltones, Box 4294, Portsmouth, NH 
03801. Cover ska, rock, and R&B. Contact 
Gary Traversy, (603) 436-0052. 
Johnny Copeland, c/o Concerted Efforts, 
Continued on page 10 




















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312 Salem Street, Medford 02155. Jazz, 
blues, R&B, and rockin’ Texas blues. Call 
396-1613. 

The Core, c/o Jim Hughes Management & 
Direction, B-2 Colonial Drive, No. 11, 
Andover 01810. Original rock. Mgr., Jim 
Hughes, 470-0887. 

John Coster and the Medicine Band, c/o 
Maureen O’Brien and Co., Box. 180, 
Williamsburg 01096. Original rock. Call 
(413) 268-7751. 

Count Viglione, c/o Varulven Manage- 
ment, Box 2392; Woburn 01888. Original 
rock. Contact Joseph Viglione, 935-5386. 
The Country Caravan featuring Shannon 
Smith, c/o Caravan Music, 58 River Street, 
Franklin, NH 03235. Country. Contact John 
or Donna Labraney, (603) 934-4864. 

The Country Fever Band, 1 Wade Place, 
Woburn 01801. Cover C&W and rockabilly. 
Contact John M. DiMambro, 933-1605 or 
935-0397. 

The Crabz, 105 Normandy Drive, Norwood 
02062. Original rock and new wave. Con- 
tact Michael Damish, 762-1799. 

Cracked Actor, 574 Prospect Street, West 
Boylston 01583. Cover and original rock 
and new wave. Contact Dan Hartwell, 
853-6824, or Mike, 835-3395. 

Crazy Ed Barnaby, RD 1, 72 Williams 
Avenue, Pocasset 02559. Solo ’50s country 
pop and rock. Call 564-4556. 

Lou Crimmins and the Diamonds, 8 
Robinwood Avenue, Jamaica Plain 02130. 
Jazz and cover rock. Contact Stephen 
Moore, 522-9110. 

Crisis, Box 323, Scituate 02066. Cover and 
original rock. Mgr., Chris Horne, 545-1184 
or -0524. 

Crockett, c/o Friendly Snake Management, 
Box 1007, Federal Station, Worcester 
01601. Original rock, new wave, and 


Southern rock. Call 754-8437. 

Bill Crofut, c/o Performing Artist As- 
sociates, 161 Harvard Avenue, No. 11, 
Allston 02134. Solo and duo folk. Call 
783-2060. 

Luanne Crosby Band, 83 Appleton Street, 
Arlington 02174. Cover and original rock 
and jazz. Contact Luanne Crosby or Warren 
Olsen, 646-8945. 

Crossfire, c/o Littlefield Entertainment 
Agency, Box 218, Chelmsford 01824. Cover 


and original rock and new wave. Call: 


256-5985. 

Crossroads, 15 Jasset Street, Newton 
02158. Country swing and GB. Contact 
Michael Clark, 244-5478. 

Cruizer, 122 North Street, Foxboro 02035. 
Original rock and new wave. Contact 
Harvey Cataldo, 543-9869. 

Crybaby, c/o Natural Acts, 350 
Marlborough Street, Suite 40, Boston 
02116. Commercial covers. Call 353-0300 
or (207) 695-37 18. 

Cryptic Edge, 1265 Wainut Street, 
Waltham 02161. Original surf rock. Contact 
Fred Nazzaro, 969-6860 or 783-1023. 
Crystal, 537 Beach Street, Revere 02151. 
. Cover and original rock and heavy metal. 
Contact John Pisano, 284-7374. 

C’ Streat, c/o Red Lion Management, 1 
Evelyn Court, Everett 02149. Original and 
cover pop-rock. Contact Michael - R. 
Dellisola, 389-9278, or Paul Cocciardi, 
389-2858. 

The Cubes, 1630 Commonwealth Avenue, 
No. 10, Brighton 02135. Original pop-rock. 
Contact Wade Birdwell, 277-5156. 

Cub Koda, c/o Concerted Efforts, 312 
Salem Street, Medford 02155. Original and 
cover rock, blues, and rockabilly. Call 
396-1613. 

Cub Koda and the Chase Street Rhythm 
Band, c/o Concerted Efforts, 312 Salem 


Street, Medford 02155. Blues and R&B. 
Contact Paul Kahn, 396-1613. 
Dick Curless, c/o John Penny Enterprises 
Inc., 259A Beech Street, Belmont 02178. 
Solo C&W. Call 924-6722. 
John Curtis, c/o Don Law Agency, 31 Fresh 
Pond Parkway, Cambridge 02138. Original 
rock. Contact Mindy d’Arbeloff, 547-0620. 
Custer’s Last Band, 808 Mt. Auburn 
Street, No. 3, Watertown 02172. Politi- 
cal/satirical folk. Contact Shelley Roth, 
924-7667. 
Dale and the Duds, c/o Frank Borsa 
Productions, 112 Fourth Street, Norwood 
02062. Cover rock and oldies. Call 
762-0110. 
Damaged in Handling, Dead Letter Office, 
GPO Boston 02100. No telephone, no 
sound, no lights, no contents. 
Dana & The Teardrops, 17 J Street, Hull 
02045. '60s oldies. Contact Michael Quinn, 
353-37 18 (days) or 925-1645 (evenings). 
Dancing Dogs, c/o Gary Parky, 35 Gardner 
Street, No. 18, Allston 02134. Original rock, 
new wave, and punk-funk. Call 787-3565. 
Danger Stranger, 9 Stillings Road, Saugus 
01906. Original and cover rock and new 
wave. Contact Gary D’Alelio, 233-0946. 
Dangerous Birds, 7 Ashford Street, Allston 
02134. Original rock and new wave. Con- 
tact Thalia, 783-1305, or Karen, 782-6015. 
Danny and the Jets, Box 664, Fitchburg 
01420. Blues and R&B. Mgr., Bob Grant, 
345-5981 (evenings). ‘ 
Carl Dario, 12 Hemiock Road, Peabody 
01960. Solo top-40, oldies, and GB. Con- 
tact Carl Lerario, 523-3923. 
Dario and Company, 16 Fayette Street, 
Boston 02116. Latin, reggae, magic, and 
juggling. Contact Dario Pittore, 451-0255. 
The Dark, c/o DarkWorld Industries, 40 Mt. 
Auburn Street, Watertown 02172. Original 
Continued on page 12 















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10 





THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 


























their act together. 


What you do want is to get your music out 
into the streets for fun and profit. That 
means making a record, not talking to some 
guy’s assistant about talking to a guy about 
making a record that he’s not going to make 


for you. Ever.” 


Jesse Henderson 
Long View Farm 


Introducing 
The Long View 
“Special” 


Five hundred great sounding 45 rpm 
records. Your band, your music. On 
the Long View label. 

Here's how: 

You give us $1,500. Not all at once if 
you don’t want to. 


For that you get the following: 

@ Ten (10) hours studio time at Long 
View Farm. Extra hours over ten at- 
the rate of $50 per hour. 

@ Expert production and engineering 
talent at the hands of Jesse 
Henderson and staff. 

@ Free two-inch tape. (Uniess you 
don’t want us to erase it after- 

- wards, in which case you can buy 
it for $95 per reel.) 

@ Free quarter-inch tape. (Bulk erased 
stock used once by superstars.) 

@ A mix using toys you haven't seen 
before, and the most famous live 
acoustic chamber in New England. 

@ Areference acetate of your single, 
cut by the likes of Bob Ludwig or ‘ 
Howie Weinberg at MASTERDISK, or 
Joe Gastwirt at CBS. 


“Area bands, stop kidding yourselves. The 
major labels are on the ropes, and they're 
not about to give you a “record deal.” Nor 
do you really want one until those guys get 


®@ Two (2) test pressings. Long View 
doesn’t use mail order pressing 
firms, but the likes of SPECIALTY 
RECORDS in Olyphant, PA, instead. 
(A Warner Bros. firm known for high 
quality records, virgin vinyl, and no 
pops, hisses, or skips.) 

@ Label copy set in type per your 
specifications, and bearing the Long 
View logo, scribe number, and 
manufacturer’s specifics. (Welcome 
to the Long View label!) 


@ Five hundred 45 rpm records, plain 


paper sleeves, boxed in lots of 25 
records each. (Plus 500 pink 
stickers for juke boxes!) 


@ Full supervision of every aspect of 


the production process, all 
telephone calls, shipping, 
messenger and packing fees, etc. 


Long View Farm @ New England's Finest Rock n’ Roll Recording Studio 





















Photo by Nancy Wilcox 


@ Further, you get some free 
information about how to 
distribute your records, how to pick 
up airplay, how much to ask for 
from local distributors, advice on 
exploiting your master and 
publishing rights in foreign 
territories, which radio stations to 
mail to locally, regionally, or 
nationally. We'll even mail your 
records for you if you pay us for the 
labels, the postage, and the cost 
of handling. 


Being “an independent” is fun, it 
works, and it costs less than making 
reel-to-reel copies and cassettes. 

Call us at (1) 867-7662, and ask to 
speak with Kathleen Holden. You're 
calling about the Long View “Special,” 
and you want to know when the next 
available recording dates are. 








Continued from page 10 
new wave. Mgr., Wade Steel, 926-4178, or 
contact Scott Becker, 395-9264. 
Darleks, 156 Hancock Street, Cambridge 
02139. Original punk rock. Contact Rich- 
ard, 864-6379, or Mark, 354-4635. 
Darling, 76 Gardner Street, Aliston 02134. 
Solo original rock. Contact Jack Darling, 
783-1872. 
The Daughters, c/o Entrepreneurs, Box 
316, Boston 02101. Original rock and new 
wave. Contact Jim Nestor, 599-08 12. 
The Dick Davis Oldies Show, 2 Mead 
Street Court, Charlestown 02129. Solo 
oldies and sing-along. Call 241-8457. 
Leon Jimmy Davis, c/o Don Mac Entertain- 
ment, 80 Boylston Street, Boston 02116. 
C&W. Call 426-6618. 
The Davis Bros., c/o Campus Services, 17) 
Main Street, Spencer 01562. Cover and 
original rock. Contact Pat George or Don 
Santora, 753-1318. 
The Dawgs, c/o Concerted Efforts, 312 
Salem Street, Medford 02155. Cover and 
original rock. Call 396-1613. 
Daybreak, c/o John Penny Enterprises Inc., 
259A Beech Street, Belmont 02178. Coun- 
try and country rock. Call 924-6722. 
Daybreak, 357 Alewife Brook Parkway, 
Somerville 02144. GB. Contact Paul M. 
Cullen, 666-9518 or 588-3563. 
Peter Dayton, c/o Starstruck Productions, 
645 Beacon Street, Box 147, Boston 02215. 
Original rock and new wave. Call 267-1551. 
D.B.0., 140 Bay State Road, Box 219, 
Boston 02215. Original and cover punk and 
new wave. Contact Al, 353-6957. 
The Dead Editors, 100 Massachusetts 
Avenue, Boston 02115. Original and 
backup copy. Contact F. Celsius, 936-1234. 
The Dead Lennons, c/o DarkWorld In- 
dustries, 40 Mt. Auburn Street, Watertown 
02172. Original new wave. Mgr., Wade 
Steel, 926-4178. 
Death in the Shopping Malis, Boston. 
Original rock and new wave. Contact Mike 
Newstandt, 891-4607. 
Debutante, c/o Status Quo Production 
Company, Hamilton C-36, Harvard Univer- 
sity, Boston 02163. Original theatrical rock. 
Mgr., Borden Marshall, 498-5464. 
The Decentz, Bay Road, Box 3046, 
Shelburne, Vt. 05482. Original new wave. 
Contact Billy Northup, (802) 985-8818. 
David Decker, 64 Oak Square Avenue, No. 
3, Brighton 02135. Solo original 
folk/country/rock. Call 787-1562. 
Decoders, 18 Spring Street, Somerville 
02143. Original and cover rock and new 
wave. Contact Russ Gershon, 623-1099. 
Decorum, 100 Washington Street, Brighton 
02135. Original and cover rock, blues, and 
R&B. Contact Rebekah Zak, 782-5066. 
Deja Vu, 863 Salem Street, Maiden 02148. 
GB and top-40. Contact Jim Caserta, 
324-8728. 
The Delinquents, c/o Cell Damage Produc- 
tions, 93 Spruce Street, Warwick, Rl 02886. 
Original new wave. Contact Tom Goodrich, 
4401) 738-8541. 
,James Demon Band, 13 Lancaster Street, 
Cambridge 02140. Original rock and reg- 
ae. Contact Jim Dimino, 876-7627. 
ny and the Dimwits, 25 Front Street, 
Salem 01970. Original rock and new wave. 
Contact Benjamin Dover, 745-4405: 
Tony DeNucci, 5 Baldwin Road, Plymouth 
02360. Original solo country rock. Call 
746-4218. 
The Detectives, 4 Osage Road, Canton 
02021. Cover and original rock and new 
wave. Contact Jeff Corkery, 828-4781. 
The Detours, 55 Pond Street, Waltham 
02154. Original rock. Mgr., Lee Brown, 
893-9784. 
Deuce, 15 Phillip Avenue, Burlington 
01803. Original. rock. Contact Tom Corleto, 
272-3466. 
Devon Square Trio, c/o Neer Associates, 
29 Commonwealth Avenue, Boston 02116. 


Folk. Call 247-1630. 
DeZiners, 219 Massachusetts Avenue, Lex- 
ington 02173. Original new wave. Contact 
John Musacchio, 862-1305 (evenings). 
Diemcad Brothers Band, 67 Prospect 
Street North, Braintree 02184. Big bands 
through rock and top-40. Contact Tony 
Pasano, 843-7565. 
Diatribe, 43 Harrison Street, No. 1, Somer- 
ville 02143. Original rock, new wave, and 
neo-funk. Contact Jim Arhelger, 666-9266. 
Dicky Downtown and the Stores, 65 
Exeter Street, Chelsea 02150. Original and 
cover rock and new wave. Contact Kevin 
Pawlak, 884-5779. 
Disarray, 52 School Street, Middleboro 
02346. Original rock and new wave. Mgr., 
Gil Bliss, 947-8992. 
Disc Doctors, 18 Leroy Drive, Burlington 
01803. GB and disc jockeying. Mgr., James 
Russo, 475-5000 ext. 2138 (days) or 
272-0547. 
Dish, c/o Janis LeBlanc Management, 18 
Oxford Street, Somerville 02143. Cover 
and original rock and new wave. Mgr:, Janis 
LeBlanc, 776-5568. 
The Dixie Cookbook, 111 Hillsdale Road, 
Somerville 02144. Dixieland and swing. 
Contact Dave MacMillan, 623-8524. 
Do’A, c/o Cuzin Richard Entertainment 
Agency, Box 4585, Portsmouth, NH 03801. 
Spiritual folk and jazz. Call (603) 436-8596. 
Dr. Hicklicks’ Cucumber Band, 116 Palm 
Street, Bangor, Maine 04401. Cover and 
original rock, country, and jazz. Contact 
Jay Smith, (207) 945-6688 or (207) 
942-7544. 
The Dr. P. Show featuring Pat Hamel, 1297 
Beacon Street, Brookline 02146. Rock- 
abilly, country rock, C&W, and ‘60s oldies. 
Contact Stephen Peisch, 232-3336. 
Dogs, c/o Natural Acts, 350 Marlborough 
Street, Suite 40, Boston 02116. Cover and 
original rock. Call 353-0300 or (207) 
695-37 18. 
Dogs in Traffic, 188 Aspen Road, 
Swampscott 01907. Cover and original 
rock and new wave. Contact Whisky, 
593-3969. 
Dick Doherty and Company, 310 
Barnstable Road, Hyannis 02601. Sing- 
along music. Call 267-7828. 
The lars, 58 Vane Street, North Quincy 
02171. Original mainstream rock. Contact 
Matt Hull, 328-0691. 
Michaei Donovan, Jamaica Plain. Solo jazz 

uitar. Call 524-1517. 

he Paul Donsanto Group, 115 West 
Squantum Street, No. 1007, North Quincy 
02171. Original and cover rock and jazz. 
Call 328-7471. 7 
Emitt Dooley, Boston. Original rock. Con- 
tact Amy Rosen, 734-3525. 
007, 131 Endicott Street, Boston 02113. 
Rock-influenced reggae. Mgr., Julienne 
Farman, 527-7724. 
Double Dare, c/o Pro-town Productions, 
209 Lenox Avenue, Providence, Ri 02907. 
Original and cover rock. Call (401) 
331-1720. 
Double Exposure, c/o Frank Borsa 
Productions, 112 Fourth Street, Norwood 
02062. Top-40, cover rock, and comedy. 
Call 762-0110. 
Double or Nothin’, 6 Scituate Street, 
Arlington 02174. Contact Gary Hoey, 
646-8515. ' 
Double Vision, c/o Littlefield Entertain- 
ment Agency, Box 218, Chelmsford 01824. 
Cover FM/rock. Call 256-5985. 
Julie Dougherty Band, 153 Boston Street, 
Salem 01970. Contemporary country rock. 
Call 744-6633. 
The Dow Jones Band, c/o Heptunes, Box 
1137, Derry, NH 03038. Cover and original 
rock and R&B. Contact Dave McLaughlin, 
(603) 434-4025. 
DownTime, 54 California Street, Water- 
town 02172. Cover and original rock and 
funk. Contact Bob Pierce, 924-2238 and 


12 THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 


Fs 





776-8886. 

Downtown Jazz Orchestra, 157 Raymond 
Street, Cambridge 02140. Cover and or- 
iginal jazz. Contact Norm Daoust, 
491-7424. 

Down Yonder, 84 Fuller Street, Brookline 
02146. Bluegrass. Contact Rusty Bourgoin, 
232-3446. 

The Dream, 62 Washington Street, Med- 
ford 02155. Original rock. Contact Peter 
Hunt, 648-2126. 

Drezniak, c/o Cherry ‘Lane Productions, 
739 Boylston Street, Boston 02115. Or- 
iginal rock and new wave. Contact Steven 
Farro, 262-7220. 

The Drones, c/o Cuzin Richard Entertain- 
ment Agency, Box 4585, Portsmouth, NH 
03801. Cover and original rock. Call (603) 
436-8596. 

Buzzy Drootin Jazz Band, c/o Sandy 
Berman Productions, 7 Ives Street, Beverly 
01915. Jazz, Dixieland, and blues. Call 
922-6954. 

The Drummers, c/o Cahill Communica- 
tions, 59 Wyola Road, Swansea 02777. 
Cover and original rock and new wave. 
Contact Michael Cahill, 674-4320. 

d’strbd, 14 Avery Street, North Attleboro 
02760. Comedy and music with skits and 
films. Contact Chris Morton, 695-2023 or 
226-3488. 

Dub Buddies, 210 Amory Street, No. 3L, 
Jamaica Plain 02130. Experimental electric 
rock. Contact Alan Tibbetts, 522-8327. 
Jim Duckett and Ron Aron, c/o Label 
Records; Box 312, South Woodstock, 
Conn. 06267. Original contemporary folk 
and blues. Mgr., Jane Hirsh,» (203) 
974-3869. 

Dave Dudley, c/o John Penny Enterprises 
Inc., 259A Beech Street, Belmont 02178. 
Solo Nashville. Call 924-6722. 

Due-mao, 186 Norfolk Street, Quincy 
02170. Cover rock and top-40. Contact 
Stephen L. Esdale, 471-7640. 

Pete Duran, Newton. Solo top-40 and 
original new music. Call 332-8947. 
Dynamic Duo, 1379 County Street, Some- 


. rset 02726. Cover rock, blues, and top-40. 


Contact Bruce Ferreira, 672-1385. 

, 27 Ewell Avenue, Lexington 
02173. Cover and original rock. Mgr., Guy 
Milinazzo, 862-1820. 
D.Y.S., 162 Grey Street, Arlington 02174. 
Original hardcore punk. Contact Jon 
Anastas, 646-9030, or Dave Smalley, 
969-0100 ext. 4050. 
Dean Earl, c/o Curtis International As- 
sociates, Boston Center for the Arts, 539 
Tremont Street, Boston 02116. GB. Con- 
tact Bill Curtis, 426-4243. 
East Coast, Box 178, South Walpoie 
02071. Cover and original rock. Mgr., 
Stephen Kennedy, 329-1696. 
Eastern Ave., 22 Eastern Avenue, Lynn 
01902. Cover and original soft rock. Con- 
tact Buddy Brannon, 599-4877, Barbara 
Migetz, 581-3303, or Joshua Bevins, 
631-5480. 
Gravy Easton, c/o 3-G Productions, Box 
64, Wellesley 02181. Original and cover 
rock. Call 653-7285. 
Eastwind, 10 Sevinor Road, Marblehead 
01945. Original and cover hard and soft 
rock and GB. Mgr., Marcey Snow, 
631-8389. 
Easy Street, Box 248, Reading 01867. 
Cover and original rock. Contact. Gary 
Avadanian, 667-5083. 
Roger Ebacher, 312 Merrimac Street, 
Newburyport 01950. Original and standard 
jazz, blues, and pop. Call 462-2781. 
The Echoes, 21 Hall Avenue, Somerville 
02144. Top-40, ‘60s rock, and Beatles 
covers. Contact Jimmy Del Ponte, 
623-0554. 
The Eckels Brothers, c/o Curtis Inter- 
national Associates, Boston Center for the 
Arts, 539 Tremont Street, Boston 02116. 
Jazz and classical. Contact Bill Curtis, 


















ow Fe 


- = 


- © we 








426-4243. 

Eclipse, 41 Pleasant Valley Drive, 
Worcester 01605. Cover and original rock 
and blues. Contact Paul Leslie, 852-0092. 
The Eddie Stewart Band, 56 Mark Terrace, 
Randolph 02368. Country rock, oldies, GB, 
and top-40. Contact Stewart Kassner, 
986-5119. 

The Edge, 185 Downer Avenue, Hingham 
02043. Original rock and new wave. Mgr., 
Mr. Coyne, 749-1087 or 322-0453. 
Jonathan Edwards, c/o Collins/Barrasso 
Talent. Coordination, 280 Lincoin Street, 
Allston 02134. Country rock. Call 783-1100. 
The Luke Edwards Band, 2 Linehurst 
Street, Malden 02148. Original rock. Call 
322-2295, or contact Tom, 289-1330. 

The Eggs, 76 High Street, Charlestown 
02129. Original rock. Mgr., Julianne Fiore, 
242-0751. 

Ego-Brats, 107 Munroe Street, Lynn 
01901. Original punk, funk, and reggae. 
Contact Greg Bongo, 592-9496 (days) or 
596-0028 (evenings). 

Eight to the Bar, c/o Natural Acts, 350 
Marlborough Street, Suite 40, Boston 
02116. R&B and swing. Call 353-0300 or 
(207) 695-37 18. 

89 Systems, c/o DarkWorld Industries, 40 
Mt. Auburn Street, Watertown 02172. 
Improvisatory new wave. Mgr., Wade Steel 
or Roger Greenawalt, 926-4178. 

The Elastic Skump Hugs, 11 Woodfall 
Road, Medfield 02052. Original and cover 
blues and country rock. Contact Jeffrey 
Ferguson, 359-8952. 

The Elektrics, c/o Frank and Andy Corp., 
1290 Avenue of the Americas, Suite 264, 
New York, NY 10019. Original rock. Con- 
tact Frank Breuer or Andy Gould, (212) 
245-3749. 

11th Hour Band, 129 Parker Street, Newton 
02159. Contemporary blues and rock. 


Contact Richard Rosenblatt, 965-1718, or 
Paul Lenart, 354-6885. 

Eliot Finesse, c/o Harvard Square Talent 
Agency, 5 Boylston Street, Cambridge 
02138. Original and cover rock. Call 
661-7720. 

Elite Charade, 137 Park Drive, No. 1, 
Boston 02215. Original new wave. Contact 
Barr Plexico, 783-4332. 

Eddy Ellis Group, c/o Rockfever Produc- 
tions, 535 Broadway, Lawrence 01841. 
Jazz, swing, and R&B. Call 682-7085 or 
-7270 

Empire Brass Quintet, 406 Marlborough 
Street, Boston 02115. Classical chamber 
music. Contact Robin Wheeler, 267-2549. 
Empty Rituals, 31 Watts Street, Chelsea 
02150. Original political new wave. Contact 
David Singer, 889-2526. 

Empty Sets, 48 Strathmore Road, Brighton 
02135. Original and cover rock and new 
wave. Contact Neal Night, 739-6385. 

Mark Endresen and the Rest, 23 Essex 
Street, Brockton 02401. Blues, late '50s 
rock, and original modern rock. Contact 
Peter Van Ness, 586-2655. 

The Ends and Means Committee, Box 


-423, Allston 02134. Social and political 


satire. Contact Julia Willis, 776-5568. 

The Enemy featuring Charles Farren, c/o 
Masci Management, 55 Eleanor Street, 
Chelsea 02150. Original rock. Mgr., Beau 
Masci, 884-9192. 

The Energetics, c/o Loveman’s Produc- 
tions, 54 Crispus Attucks Place, Roxbury 
02119. Top-40, soul, and R&B. Contact 
James Lewis, 427-3774. 

English, c/o Richard Carr Productions, 1 
Court Drive, Lincoln, Rl 02865. Cover rock. 
Call (401) 333-0700. 

The Enzymes, 106 High Street, Ashland 
01721. Original rock and new wave. Mgr., 
Dan Becker, 881-4230. 





Epoch, 16A Sherman Road, North Reading 
01864. Cover and original rock. Contact 
Steve Brosseau, 664-3605. 
Equus, c/o Great North East Productions, 
Box A34, Hanover, NH 03755. Cover and 
original rock, funk, and R&B. Mgr., Tony 
Perrone, (603) 643-3075, or contact Louis 
Mayhew, 492-8870. 
Cris Ericson Band, c/o Cris Ericson 
Productions, Pevear Building, Room 317, 
113 Munroe Street, Lynn 01901. Original 
rock and new wave. Call 356-5869. 
The Jeff Ernstoff Jazz Quartet, 16 Holman 
Street, Allston 02134. Jazz and funk. Call 
254-2094. 
Eros Apparatus, 20 Stillman Street, Boston 
02113. Original new wave. Contact Richard 
Foitz, 523-0153. 
Escapade, c/o Rooster Berry Productions, 
806 Oaklawn Avenue, Cranston, Ri 02920. 
Top-40. Call (401) 943-5088. 
Escape, c/o Bruce James Company, Box 
439, Lyndonville, Vt. 05851. Journey cov- 
ers. Mgr., Bruce James, (802) 626-3317. 
Tom Eslick, c/o Simplicity Productions, 
26A Grandview Road, Bow, NH 03301. Solo 
original contemporary folk. Mgr., Marcia E. 
Wyman, (603) 228-0418. 
Allen Estes and The Allen Estes Band, 16 
Fainwood Circle, Cambridge 02139. Solo 
country and group original rock. Call 
492-3884. 
E.T.A., Box 88, Braintree 02184. Original 
rock. Contact Dean Giles by mail. 
Euphoria, c/o Silver Fox Music Produc- 
tions, 95 Van Kleeck Road, Millis 02054. 
Cover and original rock. Call 376-2022. 
The Evidence, 41 Peterborough Street, 
Boston 02215. Original rock. Contact 
Stefan Heyn, 267-4398. 
Excalibur, c/o East Coast Music Produc- 
tions, 14 Fairview Road, Medfield 02052. 
Continued on page 14 





you one hour of mine.” 


“‘Give me fifteen minutes 
of your time, and I'll give 
you one hour of mine.” 


- Kevin Tracey 


**I have a new 24-track studio. 
record here. Now, | could talk about our state-of- 
the-art equipment, our excellent staff, the fact that 
I’ve taken the best elements from other studios and 
put them into mine, or | could go on and on about 
ourrates. But everybody says that! 
it. Then you'll know why you should record here. 
let's talk about your project, after you’ve seen and heard the place, I'll give you one hour of 
studio time FREE. Nocharge, FREE. Why? 
and record in my studio, you'll be back. Again and again. Call (603) 625-6300, or in Boston 


call 523-4433, and ask for me, Kevin Tracey. Give me fifteen minutes of your time, and I'll give 


Time restricted to 6PM-6AM, on availability. 





And I'd like you to 


What I’m saying is: You try my studio. You record in 
So, here’s my offer: Come to my studio, 


Because I’m so confident once you see, hear, 



























KEVIN 
TRACEY 
STUDIOS 


342 Lincoln Street 
Manchester. NH 03103 
003 625-6300 
Boston: O17 523-4433 





THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 13 
























Continued from page 13 

Cover and original power pop. Contact 
lrene, 359-7429 or -4039. 

The Exchange, 435 North Street, Randolph 
02368. GB and top-40. Contact Earle L. 
Hirtle, 472-1000 ext. 338 (days) or 
963-5 166 (evenings). 

Exports, 60 Codman Hill Avenue, 
Dorchester 02124. Original rock. Contact 
Joe Godas, 327-1400 (days) or 265-7374 
(evenings). 

Eye of the Storm, c/o Bad Boy Produc- 
tions, 26 Hoffman Avenue, Lawrence 
01841. Original and cover rock. Mgr., Ron 
Bellanti, 688-7639 or 683-4105. 

Eyes, c/o Ed Malhoit Agency, Box 2001, 
Claremont, NH 03743. Commercial covers. 
Call (603) 542-8777. 

Fable, 39 Cleveland Street, Gloucester 
01930. Cover and original rock and top-40. 
Contact Ken Renales, 283-0235. 

Face the Music, c/o Don Mac Entertain- 
ment, 80 Boylston Street, Boston 02116. 
Top-40. Call 426-6618. 

Face to Face, c/o Pretty Polly Productions, 
25 Huntington Avenue, Boston 02116. 
Original rock. Call 266-0790. 

Fair Warning, c/o Bad Boy Productions, 26 
Hoffman Avenue, Lawrence 01841. Van 
Halen covers. Mgr., Ron Bellanti, 688-7639 
or 683-4105. 

Fair, Yates, and Betschart, 93 Cottage 
Drive Extension, Holliston 01746. Cover 
and original rock. Contact Walter Fair, 
429-1520 (days) or 872-6770 (evenings). 
Family Affair, c/o Littlefield Entertainment 
Agency, Box 218, Chelmsford 01824. Con- 
temporary cover rock. Call 256-5985. 
Famous Strangers, 19 Kilsyth Road, 
Brookline 02 146. Original rock. Contact Jay 
Rubero, 232-0249, or Irene, 359-7429 or 
-4039. 

The Fanatics, c/o Concerted Efforts, 312 
Salem Street, Medford 02155. Cover rock. 
Call 396-1613. 

Fancy Colors, c/o Rooster Berry Produc- 
tions, 806 Oaklawn Avenue, Cranston, RI 
02920. Top-40 and swing. Call (401) 
943-5088. 

Fanfare, Newton. Top-40 and oldies duo. 
Contact Pete Duran, 332-8947. 

The Fans, c/o Pretty Polly Productions, 25 
Huntington Avenue, Boston 02116. Original 
rock and new wave. Call 266-0790. 
Fantasia, 81 Gillis Street, Nashua, NH 
03060. Cover and original rock. Contact 
Ron Trudeau, (603) 883-8965. 

Fantasy, c/o Don Mac Entertainment, 80 
Boylston Street, Boston 02116. Top-40 and 
GB. Call 426-6618. 

Fat City, c/o ASA Productions, 36 Myrtle 
Street, North Quincy 02171. '20s through 
‘60s swing and R&B. Contact Al Dotoli, 
328-6828. 

Fate, c/o Campus Services, 172 Main 
Street, Spencer 01562. Cover rock. Con- 
tact Pat George or Don Santora, 753-1318. 
Michele Feldheim-Uili Bartel Group, 105 
Chestnut Street, Cambridge 02139. Jazz 
originals and standards and Latin. Call 
876-5657. 

Felix Blasé and the Hats, 116 Grove Street, 
Medford 02155. Original new wave, reggae, 
and ska. Mgr., C.C. Carlson, 483-3079. 
The Jim Femino Band, Box Q, Beverly 
Farms 01915. Original and cover country 
rock. Contact Jim Femino, 745-7978. 

Les Fetes Galantes, 6 White Street Place, 
Cambridge 02140. Baroque music and 
dance. Contact John Tyson, 661-3353. 
Garrison Fewell, Brighton. Solo jazz guitar. 
Call 783-1095. 

F.F. 90, 3 Albert Drive, No. 5, Woburn 
01801. Original rock. Contact Ray 
Domenici, 935-6735. 

Fiddle Fever, 22 Paul Street, Watertown 
02172. Bluegrass, fiddle tunes, and West- 
ern swing. Contact Russ Barenberg, 
924-7112. 

5th Gear, c/o Musicorp International, 11 


Northeastern Boulevard, Nashua, NH 
03062. Top-40 and cover rock. Call (603) 
883-8596. 

53 Avenue, c/o Captain Carl Associates, 65 
Pond Street, South Attleboro 02703. Cover 
rock. Call 399-8489. 

Fingers, c/o Richard Carr Productions, 1 
Court Drive, Lincoin, Rl 02865. Cover rock. 
Call (401) 333-0700. 

Fire Angel, 355 Highland Avenue, Malden 
02148. Cover and original rock. Contact 
Matt McKay, 321-5726 or 779-6368. 

The Fire Dept., c/o Fazzie Productions, 38 
Woodhaven Street, Carver 02330. Original 
new wave and rock. Mgr., Frank Azzolino, 
866-4619, or contact Joe Scali, 625-0040. 
The First, c/o Paperbag Productions, 55 
Brentwood Street, Allston 02134. Cover 
and original rock and new wave. Mgr., Jim 
Kennedy, 782-0796. 

First Street, 14 Williams Street, Medford 
02155. Cover and original rock, funk, and 
soul. Contact Paul Costa, 395-8296. 

Fish, 7 Kenney Street, Jamaica Plain 
02130. Original jazz. Contact Barry 
Kermisch, 522-6929. 

5Live, c/o Musicorp International, 11 
Northeastern .Boulevard, Nashua, NH 
03062. Top-40 and soft rock. Call (603) 
883-8596 

The Fix, 24th Street, Plum Island, Newbury 
01950. Cover and original rock. Contact 
Jerry Arsianian, 462-2689. 

The Flaming Hets, 31 Queensberry Street, 
No. 5, Boston 02215. Original rock. Contact 
Asa, 262-1467. 

The Flamingos, c/o Ted Charles As- 
sociates, Box 390, Salem 01970. ‘50s 
oldies. Call 744-9310. 

Flash, 1 University Drive, Milford 01757. 
Cover rock. Contact Joe Morais, 473-5244. 
Flicks, 25 Winford Way, Medford 02155. 
Original \heavy metal. Contact Karin 
Macinnes, 395-8178. 

FLIGHT, Box 336, East Boston 02128. 
Top-40 and GB. Mgr., Chick Goldberg, 
569-1410. 

The Floating House Band, 12 Goddard 
Street, Quincy 02169. Big-band funk and 
fusion. Contact John Horrigan, 472-6672. 
Fly By Night, 15 Village Rock Lane, Suite 1, 
Natick 01760. Original rock, funk, and jazz. 
Contact Mark Jones, 653-0353, or United 
Entertainment Complex, (212) 753-7000. 
Flyer, 181 Charlesbank Road, Newton 
Corner 02158. Soul and original rock. 
Contact Michael Elliott, 964-1625. 
Foggivision, 727 South Avenue, Weston 
02193. Original and cover country rock. 
Contact Dolly Butler, 899-1518. 

The Fools, c/o William Morris Agency, 1350 
Avenue of the Americas, New York, NY 
10019. Original rock. Contact Ken 
Dicamillo, (212) 586-5100. 

Footloose, c/o Rainbow Enterprises. 6 
Thatcher Street, Medford 02155. Cover 
and original acoustic-country, folk, and 
late-'60s duo. Contact Nick Kaiser, 
396-9621. 

Foreign Legion, 15 Banks Street, Waltham 
02154. Original rock. Mgr., Judy Mintz, 
899-7082. 

Forest & Stone, 116 Walker Street, third 
floor, Lowell 01854. Top-40 and comedy 
duo. Contact Paul Beauregard, 459-1209. 
Forge, c/o E.C. Video Productions, 287 
Main Street, Medford 02155. Cover and 
original heavy metal. Contact John 
Scaduto, 395-1246, or Chris, 436-7706. 
The Form, Box 664, Fitchburg 01420. 
Original rock and new wave. Mgr., Bob 
Grant, 345-5981 (evenings). 

Former Fans, 175 Beach Street, 
Bridgewater 02324. Cover and original 
rock. Contact Nora Cap, 697-4696. 

The Forons, 60 Charlesgate West, No. 2-C, 
Boston 02215. Original rock and new wave. 
Mgr., Jeanette Poillon, 236-1827 (days) or 
353-0885 (evenings). 

Fortuna Bay, 9 Gray Circle, Lynn 01902. 


14 THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 


Original and cover Latin and funk. Contact 
Don Silverman, 592-9759, or A. Montijo, 
925-2370. 

Fortune, c/o New Friendship Productions, 
3 Edgar Terrace, Somerville 02145. Cover 
rock and top-40. Contact Frank Santangelo 
Jr., 666-9579, or Jeff Jodice, 449-3727. 
Fortune, 210 Carnation Street, Pawtucket, 
R!| 02860. Cover and original rock, R&B, 
fusion, and top-40. Contact Michael 
Malone, (401) 725-8982. 

411, c/o Apple Core Studios, 67 Highland 
Street, Walpole 02081. Original and cover 
rock. Contact John McDonough, 668-2876. 
The Four Letter Words, 15 Green Street, 
No. 3, Cambridge 02139. Original and 
cover punk. Call 492-7130. 

Four Tonight, 495 Chandler Street, 
Worcester 01602. Cover soft rock and 
Broadway tunes. Mgr., Richard Wilkins, 
754-0065. 

Fox, c/o Bruce James Company, Box 439, 
Lyndonville, Vt. 05851. Cover and original 
rock. Call (802) 626-33 17. 


.The Frames, 397 Copeland Street, 


Brockton 02401. Cover and original rock 
and new wave. Contact Dan Chaskes, 
586-4504. 

Bob Franke, 2 Wisteria Street, Salem 
01970. Solo and group original folk and 
blues. Call 741-1264. 

Free & Easy, 33 Columbus Avenue, Lowell 
01851. GB, top-40, disco, and cover rock. 
Contact Dave, 458-9888. 

Free Fall, 16 Vine Street, Saugus 01906. 
Cover and original rock. Contact Howie 
Long, 233-0982. 

Free Fire, 321 Bedford Street, Concord 
01742. New-wave folk rock. Contact 
Claude Thomas, 369-6112, or Alan Pink- 
ham, 782-7690. 

Free Lance Wife Revue, Box 6004, Boston 
02209. Original feminist jazz and be-bop. 
Contact C.A. Lee, 492-8436. 

The Free Spirit Band, 472 Memorial Drive, 
Cambridge 02139. Cover rock and new 
wave. Contact Christian Flaherty, 
225-7468. 

Freer, 537 Beach Street, Revere 02151. 
Solo jazz. Contact Freer Willson, 284-2827. 
The Freestyle Band, 113 Elm Street, 
Marlboro 01752. Cover rock and top-40. 
Mgr., Dino Caiazzo, 481-4553 or 485-9266. 
Harry French, Quincy. Solo rock and 
country. Call 472-1388. 

The Fringe, 51 Rockview, Jamaica Plain 
02130. Original jazz. Contact Bob Gullotti, 
899-9382, or Rich Appleman, 522-7503. 
Full Hand, c/o Concerted Efforts, 312 
Salem Street, Medford 02155. Reggae. Call 
396-1613. 

Full House, Quincy. Country rock and 
country. Contact Harry French, 472-1388. 
Full Moon, c/o Littlefield Entertainment 
Agency, Box 218, Chelmsford 01824. Or- 
iginal rock, folk, and country. Call 
256-5985. 

Full Tilt, 92 Dalby Street, Newton 02158. 
Cover and original rock and blues. Contact 
Steve Marchand, 244-8592. 

The Furies, 38 Brainerd Road, Allston 
02134, Original rock and new wave. Con- 
tact Artie Plummer, 739-2538. 

Fury, 22 Roberts Road, Wellesley 02181. 
Original and cover rock. Contact Mike 
Farber, 235-8074. 

The F.U.’s, 45 Lvdor Way, Dorchester 
02124.-Hardcore punk. Mgr., R.H. Hatfield, 
825-6325. 

Future Dads, 4 Westmoreland Street, 
Dorchester 02124. Original rock and new 
wave. Contact Richard Parsons, 436-1674 
or 287-8381. y af 


Galaxy, c/o Wedge Productions, 211 A 
Street, South Boston 02128. Fop-40. Mgr., 
Bill Hynes, 233-2195 or 269-4706. 

Deborah F. Galiga, 35 Foster Street, 
Brighton 02135. Solo original and cover 
rock and punk®folk. Call 783-1971. 

Tommy Gallant All Stars, c/o Cuzin 




























































































Richard Entertainment Agency, Box 4585, 
Portsmouth, NH 03801. Jazz, Dixieland, 
and swing. Call (603) 436-8596. 

Peter Gallway, c/o Natural Acts, 350 
Marlborough Street, Suite ¢0, Boston 
02116. Cover rock and R&B. Call 353-0300 
or (207) 695-37 18. 

Gangbusters, c/o Ed Malhoit Agency, Box 
2001, Claremont, NH 03743. Cover rock 
and Beatles and Rolling Stones covers. Call 
(603) 542-8777. 

Ganggreen, 12 Fairfield Street, Braintree 
02184. Original hardcore rock. Contact 
Chris Doherty, 843-1391. 

Larry Garland and Friends, 9 Boardman 
Street, Newburyport 01950. Mainstream 
jazz and GB. Mgr., Sharon Murray, 
462-8013. 

The Gators, Box 248, Reading 01867. 
Cover and original rock and ‘60s covers. 
Contact Gary Avadanian, 667-5083. 

Gay 90’s Reveliers, c/o Frank Borsa 
Productions, 112 Fourth Street, Norwood 
02062. Dixieland. Call 762-0110. 
Generation, c/o Musical Services Un- 
limited, 2 Washington Street, Haverhill 
01830. GB. Contact Steven Goddu, 
373-9894. 

Bob Genovesi, 40 Reservoir Street, Cam- 
bridge 02138. Solo original folk piano and 
vocals. Call 876-0948. 

Genuine Risk, 299 Summit Avenue, 
Brookline 02146. Cover and original rock 
and blues. Contact William T. Gartiand, 
731-0370. 

Paul Geramia and the Paul Geramia Trio, 
Box 693, Newpart, RI 02840. Solo and 
group traditional blues and jazz. Call (401) 
849-7682. 

Gesang Derein Lyra, c/o Russ Carlton 
Entertainment, Box 542, Holliston 01746. 
German music. Contact Jim Lawrence, 
872-3584. 





Gesh, 213 Pauline Street, Winthrop 02152. 
Original rock. Contact Robert Gesh, 
846-5788. 

The Steve Geyer Band, c/o Pyramid 
Artists, 263 Summer Street, No. 416, 
Boston 02210. Original rock. Call 
542-7238. 

Ghouls-A-Go Go, 55 Bristol Street, Cam- 
bridge 02141. Original rock and new wave. 
Contact Charlie Chesterman, 491-3692. 
Mel Gilbo & Company, Boston. Original 
heavy metal. Call 523-0895. 

Guy and Pip Gillette, c/o Don Mac 
Entertainment, 80 Boylston Street, Boston 
02116. R&B and blues. Call 426-6618. 

Girl Talk, c/o Joyce Lucia, Berklee College 
of Music, 1140 Boylston Street, Boston 
02215. Mainstream and modern jazz. Con- 
tact Roberta Radley, 266-1400 ext. 268 
(days). 

The Gist, 60 The Fenway, No. 55, Boston 
02215. R&B, funk, and Motown. Contact 
Steve, 266-6517 (evenings), or. Bill, 
383-0253 (evenings). 

Glass Mountain, c/o Bruce James Com- 
pany, Box 439, Lyndonville, Vt. 05851. 
Cover and original rock. Call (802) 
626-3317. 

The Global Reps, 124 North Street, Med- 
ford 02155. Original rock/jazz. Contact 
Neal Konstantin, 391-7158, or Kenji Saiz, 
395-6277. 

The Gloucester Hornpipe and Clog Socie- 
ty, 62 Crystal Cove Avenue, Winthrop 
02152. International folk and Celtic music. 
Contact Ralph Tufo, 846-1835 (evenings). 
The Gluons, Box 415, South Dartmouth 
02748. Original new wave. Mgr., Ken Goes, 
992-1591 or 992-7472. 

, 9 Sewall Street, Roxbury 02120. 
Reggae, African rhythms, and funk. Mgr., 
Claudia Rabb, 492-1547. 

Gold Dust, 234 Kendrick Street, Needham 





02194. Original rock. Mgr., Richard Nolan, 
or contact Scott Couper, 444-1687 
Gold Note 4, c/o Frank Borsa Productions, 
112 Fourth Street, Norwood 02062. Cover 
rock and oldies. Call 762-0110. 
The Good Life, c/o Gary Moffie Entertain- 
ment Associates, 186 Lincoln Street, Bos- 
ton 02111. Top-40 and ‘50s oldies. Calli 
542-1033. 
Carol Goodman, 44 Pleasant Street, Cam- 
bridge 02139. Solo blues. Contact by mail. 
The Goodrich Brothers Band, 76 Robert 
Best Road, Sudbury 01776. Cover and 
original rock. Contact Alan Goodrich, 
443-6865. 
Peter Gordan, c/o Curtis International 
Associates, Boston Center for the Arts, 539 
Tremont Street, Boston 02116. Swing 
Contact Bill Curtis, 426-4243. 
D.R. Gouger Brass Quintet, 169 Colonial 
Village, Amherst 01002. Baroque to mod- 
ern classical. Call (413) 253-2681. 
Graceful Ox, c/o Blind Tuna Productions, 
724 Main Street, Winchester 01890. Or- 
iginal hard rock. Contact Mr. Robinson, 
245-2152. 
Grand Larceny, c/o Littlefield Entertain- 
ment Agency, Box < 18, Chelmsford 01824 
Cov - and original rock. Call 256-5985. 
Grand Slamm, c/o Bad Boy Productions, 
26 Hoffman Avenue, Lawrence 01841 
Original and cover heavy-metal rock. Mgr., 
Ron Bellanti, 688-7639 or 683-4105, or 
contact Rockfever Productions, 682-7085 
or -7270. 
Grand Staff, c/o Loveman's Productions, 
54 Crispus Attucks Place, Roxbury 02119. 
Soul. Contact James Lewis, 427-3774. 
Mary Gray, 97 Massapoag Avenue, North 
Easton 02356. Solo cover soft rock. Call 
238-0355. 
Great Estate, c/o Neer Associates, 29 
Continued on page 16 

















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THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 















Continued from page 15 

Commonwealth Avenue, Boston 02116. 
Top-40. Call 247-1630. 

The Great Pretenders, c/o Image Produc- 
tions, Box 633, Lexington 02173. Oldies 
and rock theater. Mgr., Charlie Robidoux, 
263-8425. 

Great Staffe, c/o Silver Fox Music Produc- 
tions, 95 Van Kleeck Road, Millis 02054. 
Cover and original rock. Call 376-2022. 
Greenline Breakdown, 11 Monmouth 
Court, Brookline 02146. Bluegrass. Contact 
Steve Soumerai, 566-5117, or Martha 
Mason, 782-7115. . 

Greg Greenway Band, c/o Entertainment 
Concepts Inc., 29 Commonwealth Avenue, 
Boston 02116. Original rock and folk. Call 
247-0972. 

Janet Grice and Tropical, 39 Speridakis 
Terrace, Cambridge 02139. Brazilian and 
original jazz. Call 868-7811. 

The Oliver Griffith Group, 19 Peacock 
Farm Road, Lexington 02173. Cover jazz 
and GB. Call 861-8090. 

Grindstone, c/o Ffrost Management, Ffrost 
Drive, Durham, NH 03824. Cover rock. 
Mgr., Ron Curcio, (603) 868-7334. 
Groinoids, Natick. Hardcore punk-rock. 
Contact Clive, 655-1429, or Larry, 
696-9543. 

The Group, 126 Walter Street, Roslindale 
02131. Original rock and new wave. Mgr., 
Bill Hall, 323-4389, or contact Robert, 
277-3185. 

Guitar Junior, c/o Concerted Efforts, 312 
Salem Street, Medford 02155. Blues, R&B, 
and soul. Call 396-1613. 

Gunsmoke, c/o Gunsmoke Productions, 
546 Fulton Street, Medford 02155. Cover 
and original Southern rock and R&B. 
Contact Vincent Mirisola, 396-5923. 
Gypsy, c/o Don Mac Entertainment, 80 
Boylston Street, Boston 02116. Top-40. 
Call 426-6618. 

Habbit, 27 Oval Road, Quincy 02169. Cover 
and original rock and top-40. Contact 
Joseph Cullen, 773-5677. 

Kenny Hadley Big Band, 71 Congress 
Street, Braintree 02184. Jazz. Mgr., Ray 
Folsom, or contact Kenny Hadley, 
848-8215. 

Half A Care, Conomo Point, Essex 01929. 
Original and cover rock, R&B, and reggae. 
Contact D. Richardson, 768-6482. 

Bob Halperin, 16 Laurel Street, Cambridge 
02139. Solo blues. Call 547-6247. 

Hanging Woman Creek, c/o Captain Carl 
Associates, 65 Pond Street, South At- 
tleboro 02703. Original rock and Southern 
rock. Call 399-8489. 

HarborLight, c/o Silver Fox Music Produc- 
tions, 95 Van Kleeck Road, Millis 02054. 
Top-40 and cover rock. Call 376-2022. 
Harbour Brass Quartet,,.94 Ocean Avenue, 
Salem 01970. Classical, pop, ragtime, and 
marches. Contact Jeff Marsanskis, 
745-6038. 

Chip Harding, c/o Sky's the Limit Manage- 
ment, 400 Main Street, Reading 01867. 
Original rock. Contact Al Perry, 944-0423. 
Hardtops, 365 Faneuil Street, No. 4, 
Brighton 02135. Original rock. Contact 
John Shriver, 782-4218. 

Hardware, 14 Toppans Lane, Newburyport 
01952. Cover and original rock and new 
wave. Contact David M. Anderson, 
462-6065. 

Charles Harris Trio, Brockton. Jazz and 
pop. Call 586-6051. 

The Hartbeat Band, c/o Loveman’s 
Productions, 54 Crispus Attucks Place, 
Roxbury 02119. Soul and top-40. Contact 
James Lewis, 427-3774. 

Harvest Home, 85 Storey Avenue, New- 
buryport 01950. Traditional Irish and soft 
rock. Contact Jack Geary, 465-5736. 

Mark Harvey and Aardvark, 15 Newbury 
Street, Boston 02116. Large concert-jazz 
ensemble. Call 262-0440. 

Brad Hatfield, c/o Curtis International 


16 





THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 





Associates, Boston Center for the Arts, 539 
Tremont Street, Boston 02116. Top-40. 
Contact Bill Curtis, 426-4243. 

Elmer Hawkes, 885 Massachusetts Av- 
enue, No. 9, Cambridge 02 139. Original folk 
rock and country rock. Contact Ned Profit, 
354-6088. 

Hawkeye, c/o Northeast Entertainment 
Agency, Box 1718, Lowell 01853. Funk, 
top-40, and show. Call 459-4785. 

Michael Hayes Sextet, 16 Queensberry 
Street, No. 14, Boston 02215. Solo, duo, 
and group contemporary jazz. Call 
536-4392. 

Haywire, 18 Summer Street, 
01880. Original and cover rock. Contact 
John Schmidgall, 245-0786. 

The Headlines, Box 248, Reading 01867. 
Cover and original rock. Contact Gary 
Avadanian, 667-5083. 

Healin’ of the Nation, Boston. Original and 
cover reggae, ska, and rockers. Contact 
Igene, 731-8093. 

The Heartdrops, 100 Kimball Street, 
Malden 02148. Cover and origirial new 
wave and rockabilly. Contact Paul 
Parcellin, 324-3730. 

Heist, c/o Littlefield Entertainment Agency, 
Box 218, Chelmsford 01824. Cover rock. 
Call 256-5985. 

Randy Henderson Band, 640 Worcester 
Road, Framingham 01701. Jazz/fusion and 
GB. Call 879-2730. 

HennHouse, 3 Paula Lane, West Yarmouth 
02673. Top-40. Contact Reggie O'Keefe, 
775-9149. 

Heresy, 511 Fulton Street, Medford 02155. 
Cover and origina! rock and blues. Contact 
Pat Holden, 396-7487. 

Heroes, 40 Sunflower Road, Holbrook 
02343. Cover and original rock. Mgr., Chris 
Baker, 767-1394. 

Hi-Beams, 1599 Cranston Street, 
Cranston, RI 02920. Original rock and new 
wave. Contact Lou Lilli, (401) 942-8297. 
Jack Hickey, 72 Broad Street, Boston 
02110. Solo trish and American folk. Call 
482-4183. 

John Hicks and Revolution, c/o John 
Penny Enterprises Inc., 259A Beech Street, 
Belmont 02178. C&W. Call 924-6722. 

High Tension, Box 630, Wareham 02571. 
Heavy metal. Mgr., R. Jarvis, 759-4710, or 
contact J. Ard, 295-5147. 

High Tide, 9 Webster Street, Natick 01760. 
Soft rock. Contact Susan W. Bailey, 
653-8930. 

High Tide, 13 River Street, Brookfield 
01506. Original and cover rock, country, 
fusion, and reggae. Contact Eric Glass, 
248-6561. 

High Times, c/o The Flash Group Corpor- 
ation, Suites 502 & 503, 302 Captains Walk, 
New London, Conn. 06320. '40s swing to 
"60s R&B. Call (203) 443-5371. 

The Hobo County Band, c/o Hurricane 
Productions, 35 Wadsworth Avenue, 
Waltham 02154. Country rock. Contact Jim 
LeBlanc, 894-4267. 

Marc nee 7 Kenney Street, Jamaica 
Plain 02130. Solo and duo pop and folk. 
Call 522-6929. 

Ken Holiman Quintet, 791 Tremont Street, 
No. £203, Boston 02118. Jazz. Call 
267-4939 or 725-5819. 

Nancy Holroyde, 118 Hillside Street, Bos- 
ton 02120. Folk guitar and dulcimer. Call 
731-4859. 

Homegrown, 93 Woburn Street, Lexington 
02173. Irish, folk, and C&W. Contact Jay 
Murphy, 862-6977. 

Hometown Rockers, c/o Lewis Wiener 
Enterprises, 806 Oaklawn Avenue, 
Cranston, Ri 02920. Cover and original 
rock. Call (401) 944-9005. 

Honey, c/o Ted Charles Associates, Box 
390, Salem 01970. Top-40. Call 744-9310. 
The Hooker Brothers, c/o Don Mac Enter- 
tainment, 80 Boylston Street, Boston 
02116. Oldies. Call 426-6618. 


Wakefield . 


The Wayne Naus-Greg Hopkins Big Band, 
Dorchester. Big-band jazz and swing. Call 
298-86 16. 
Horizon, Box 234, Scituate 02066. GB and 
top-40. Contact Ron Magnetti, 545-6001. 
Horizon, 12 Summer Street, Waltham 
02154. Top-40, GB, and funk. Contact 
David Pettengill, 894-8612. 
John Horner Trio, 17B Green Street, No. 2, 
Brookline 02146. Jazz. Call 247-0582. 
The Hostage, c/o Mary's Little Lamb 
Productions, 158 Jerome Street, No. 2, 
West Medford 02155. Cover and original 
rock, new wave, and funk. Contact Bili 
Sparrow, 488-3711. 
Hot Acoustics, Gary Bertz, and Alyce’s 
Violin, c/o Dale West Management, Box 
3030, Vernon, Conn. 06066. Cover and 
original rock and boogie blues. Contact 
Gary Bertz, (203) 224-0130. 
Hot Dates, 160 Strathmore Road, Brighton 
02135. Original new wave. Contact Cheryl 
Simcoe, 787-2104 (evenings), or Mitch 
Kary, 667-4111 (days). 
Hot Lunch, 26 Woodside Lane, Arlington 
02174. Original rock and new wave. Con- 
tact Peter Hartman, 646-4355. 
Hot Off the Frets, 32 Fayette Street, 
Cambridge 02139. Bluegrass, swing, and 
Western swing. Contact Billy Henry, 
864-3930, or Dave Reiner, 897-4132. 
Hot Sonatas, 10 Wigglesworth Street, 
Somerville 02145. Swing and jazz duo. 
Contact Charles R. Teahan, 625-3556. 
The Dave Howard Quartet, 200 Swanton 
Street, No. 615, Winchester 01890. Be-bop 
and mainstream jazz and fusion. Call 
729-9068. 
Hunger City RFC, c/o Destiny Recording 
Studio, 31 Nassau Avenue, Wilmington 
01887. Original rock and new wave. Con- 
tact Larry Feeney, 658-8391. 
Hush, 10 Arcadia Street, Malden 02148. 
Early ‘60s covers. Contact Dan, 321-3377. 
Hushmoney, 2 Heard Street, Arlington 
02174. Original rock and new wave. Con- 
tact Sam Uvino, 646-1841. 
J.B. Hutto and the New Hawks, c/o 
Concerted Efforts, 312 Salem Street, Med- 
ford 02155. Original and cover blues and 
rock. Call 396-1613. 
The Doug Hyatt Quartet, c/o Don Mac 
Entertainment, 80 Boylston Street, Boston 
02116. Progressive jazz. Call 426-6618. 
Hyde, 16 Pinehurst Avenue, Billerica 
01821. Cover and original rock. Contact 
Brad Ryan, 663-4929. 
Hypertension, c/o Productions Alpha, 708 
Mystic Avenue, Somerville 02145. Original 
and cover funk. Contact Bob Pierce, 
924-2238 or 776-8886. 
Ice, Age, 14A King Street, Dorchester 
02122. Original post-punk. Contact George 
Ripley, 282-2036. 
ictus, c/o Airborn Records, Box 484, 
Kenmore Station, Boston 02215. Original 
jazz/fusion. Contact Ray Frisby, 236-1688. 
Ignor and the Ramus’s, c/o Camoflauge 
Recording, 230 Dudley Road, Newton 
02159. Original dance rock and funk. 
Contact Greg or Ramona, 964-7466. 
Image, c/o Rockfever Productions, 535 
Broadway, Lawrence 01841. Original and 
cover rock. Call 682-7085 or -7270. 
The implants, 65 Thompson Street, Hyde 
Park 02136. Original art-rock. Contact 
Stephen McAlear, 364-3575. 
In the Red!, 301 Lowell Street, No. 34, 
Somerville 02143. Original rock dance 
music. Contact Dave Lussier, 776-9501. 
The Incredible Casuals, RR1, Box 365A, 
Eastham 02642. Original and cover rock. 
Contact Chandler Travis, 255-6472, or 
Steve Shook, 896-7863, or call Concerted 
Efforts, 396-1613. 
The Incredible Two-Man Band, c/o Ken 
O’Brian Productions, 354 Garden City 
Drive, Cranston, RI 02910. Original and 
cover classical rock. Contact Micky Stiros 
Continued on page 18 











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Continued from page 16 

or John Bryda, (401) 737-5661. 

The Indigos, c/o Northeast Entertainment 
Agency, Box 1718, Lowell 01853. Top-40. 
Call 459-4785. 

Infinity, 12 Orchard Avenue, Nashua, NH 
03060. Original and cover progressive rock. 
Contact Dave Brideau, (603) 889-4481. 
The informers, 36 East Wyoming Avenue, 
Melrose 02176. Original rock and new 
wave. Contact Chris Burke, 665-6819. 
Inity, 68 Newbury Street, Somerville 02 144. 
Original fusion and reggae. Mgr., Gregory 
Cummings, 323-9633 (days) or 628-6680. 
The Innocents, 224 Massachuset}s Av- 
enue, No. 22, Arlington 02174. Original and 
cover rock and new wave. Contact David 
Kmetz, 648-6154. 

The inspirations, c/o Destiny Recording 
Studio, 31 Nassau Avenue, Wilmington 
01887. GB. Contact Larry Feeney, 
658-8391. 

The instigators, 221 Massachusetts Av- 
enue, No. 409, Boston 02115. Cover and 
original rock and new wave. Mgr., Mike 
Capsalis, 266-9632. ; 

Invasion, c/o Ffrost Management, Ffrost 
Drive, Durham, NH 03824. Cover rock. 
Mgr., Ron Curcio, (603) 868-7334. 
Invitation, 157 Raymond Street, Cam- 
bridge 02140. GB. Contact Norm Daoust, 
491-7424. 

The Irish Mist Showband, 7 Hillside Av- 
enue, Norwood 02062. Traditional and 
contemporary Irish and American music. 
Contact Joe Glynn, 769-5989. 

iron Cross, 16 Meridian Street, Melrose 
02176. Original and cover heavy metal. 
Mgr., Joe Brown, 665-4876, or contact 
Drew Ferrante, 438-2474. 

Iron Rage, Box 832, Plymouth 02360. 
Original heavy-metal rock. Mgr., John 
Scurti, 746-5690. 


isopropyl, Box 858, Boston 02123. Original 
experimental music. Contact Mimi 
Darcmarx, 247-3061. 

1.U.D., 19 Whidden Avenue, Whitman 
02382. Original punk. Contact Bob 
Gorman. 447-6205. 

The Jackals, 36 Boulevard Terrace, No. 2, 
Allston 02134. Original rock. Call 232-9848 
or 661-7720. 

Jade, Arlington. Top-40 and GB. Contact 
Carol Chin, 646-2840. 

Jade, 1100 Victoria Street, New Bedford 
02745. Cover and original rock and top-40. 
Mgr., John Menezes, 995-1997. 

The Jail Band, 104 Taylor Road, Stow 
01775. Cover and original country and 
Southern rock, blues, and rockabilly. Con- 
tact Terry, 827-5150, or Dave, 897-6598. 
The Jaimes, Box 8092, Lowell 01853. 
Original rock and new wave. Contact Eggs 
Jaimes, 459-0955. 

Jamas, 137 Peterborough Street, No. 3, 
Boston 02215. Cover and original funk and 
jazz. Contact Gary Strauss, 267-8041. 
Janis, c/o M.K. Associates, 400 Com- 
monwealth Avenue, Box CY77, Boston 
02215. Janis Joplin covers. Contact 
Michael Krane, 284-4150. - 
Jared, 97 Gardiner Road, Quincy 02169. 
Original rock. Contact Kevin McCarthy, 
471-0655. 

Jazz Step, 9 Hamnstead Road, Boston 
02130. Cocktail jazz. Contact Robert M. 
Trott, 522-5987. 

Charlie Jennison, c/o Cuzin Richard Enter- 
tainment Agency, Box 4585, Portsmouth, 
NH 03801. Jazz and Dixieland. Call (603) 
436-8596. 

Jericho, c/o Mark: Steinberg Productions, 
Box 59, Greendale Station, Worcester 
01606. Cover rock. Call 853-8050. 
Jesson’s Express, RFD 3, Bypass 28, Derry 
NH 03038. Top-40 and GB. Contact 


Michael or Valerie Jesson, (603) 434-6021. 
Jet Screamer, 73 South Avenue, Revere 
02151. Original and cover rock. Contact 
Gary Coffey, 289-5316. 

Jewel, 50 Ash Street, Northbridge 01534. 
Original and cover rock. Contact John, 
234-5889, or Bob Jordan, 839-3692. 
Jillian, c/o New Friendship Productions, 3 
Edgar Terrace, Somerville 02145. '50s and 
‘60s oldies and cover rock. Contact Frank 
Santangelo Jr., 666-9579. 

Jim Jones and the Guyanas, c/o J&J 
Productions, 34 Mountain View Drive, RFD 
2, Laconia, NH 03246. Original new wave 
and punk. Mgr., John O'Shaughnessy, (603) 
524-8594. 

Jimi and the T-Biue Experience, c/o Silver 
Fox Music Productions, 95 Van Kleeck 
Road, Millis 02054. Jimi Hendrix covers and 
cover and original rock and blues. Call 
376-2022. 

Jinx, 202 Common Street, Watertown 
02172. Original rock. Contact Tory Kirk, 
923-2042. 

Joccor, c/o Blind Tuna Productions, 724 
Main Street, Winchester 01890. Cover 
rock. Contact Mr. Robinson, 254-2152. 
John A’s Hidden Secret, c/o Peter Lembo 
Management, 29 Commonwealth Avenue, 
Boston 02116. Original rock. Call 
267-7 189. 

Johnny and the Aces, c/o Don Mac 
Entertainment, 80 Boylston Street, Boston 
02116. Cover and original rock. Call 
426-6618. 

Johnny Atomic, Box 208, West Newton 
02165. Original and cover rock and new 
wave. Mgr., Gary Smith, 894-2973. 
Johnny Thunders, c/o Entrepreneurs, Box 
316, Boston 02101. Original rock and new 
wave. Contact Jim Nestor, 599-0812. 

The Herman Johnson Quartet, Box 159, 
Berklee College of Music, 1140 Boylston 























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Street. Boston 02115. Standard and or- 
iginal popular jazz. Call 536-1514. 

Michael Johnson and Blaze, c/o Love- 
man’s Productions, 54 Crispus Attucks 
Place, Roxbury 02119. Top-40 and R&B. 
Contact James Lewis, 427-3774, 

Dick Johnson’s Swing Shift, c/o. Curtis 
International Associates, Boston Center for 
the Arts, 539. Tremont Street, Boston 
02116. Jazz and swing. Contact Bill Curtis, 
426-4243. 

Joint Venture, 204 Sunny Hill Road, 
Lunenburg, 01462. Swing, jazz, and GB. 
Mgr., Bob Prescott, 582-6358. 

Jon Butcher Axis, c/o Rockfever Produc- 
tions, 535 Broadway, Lawrence 01841. 
Original rock. Call 682-7085 or -7270. 
Mimi Jones; 158 Central Street, Somerville 
02144. Original folk and rock. Contact 
Jackie Ciano or Michelle Willson, 625-3598. 
Christopher Jones and the Regulars, 43 
Royal Avenue, Cambridge 02138. Original 
rock. Call 492-1376. 

Joni & The Blasterz, c/o Lady Godiva 
Productions, Box 45, Astor Station, Boston 
02123. Cover and original hard rock. 
Contact Cyndia Shook or Tahra Rich- 
ardson, 469-9875. 

Tom Joseph’s Country Connection, c/o 
Seaside Studios, 21 Pleasant Street, New- 
buryport 01950. Solo and group country 
and country swing. Contact Tom Joseph or 
Adonna Freeman, 462-4002. 

Joshua Tree, 10 Pond End School Lane, 
Waltham 02154. Cover rock. Contact Eddie 
English, 891-0329 (evenings) or Keith 
Keller, 927-7219. 

Joyride, 113 Oak Street, Wellesley 02181. 
Cover rock, top-40, and oldies. Contact 
Rodger Jackson, 235-0082. 

Jump Street, 29 Thorndike Street, Arling- 
ton 02174. Original rock and R&B. Contact 
Ed Vallee, 646-9498. 


Junk Mail, 73 Perham Street, West Rox- 
bury 02132. Original and cover rock. 
Contact L.A. Whittemore, 423-4673 (days), 
or Alan Romeo, 232-667 1 (evenings). 

Just for the ‘Funk of It, 586 Putnam 
Avenue, Cambridge 02139. Original funk, 
jazz, and fusion. Contact Steve Olenick; 
354-1019, or Robert Doezema, 738-4482. 
Just Us, c/o Musical Services Unlimited, 2 
Washington Street, Haverhill 01830. GB. 
Contact Steven Goddu, 373-9894. 
Justice, 33 Bethany Road, Framingham 
01701. Cover and original rock and top-40. 
Contact Richard Ramuno, 872-6209. 
Justin, c/o Justin Enterprises Inc., 216 
Prospect: Street, West Springfield 01089. 
Cover and original rock. Mgr., Silvana 
Gravini, (413) 739-3116. 

Justine, c/o Don Mac Entertainment, 80 
Boylston Street, Boston 02116. All-woman 
C&W and country rock. Call 426-6618. 
Peter Kairo, c/o Hurricane Productions, 35 
Wadsworth Avenue, Waltham 02154. Solo 
country, ragtime, folk, and bluegtass. Con- 
tact Jim LeBlanc, 894-4267. 

Kaos, Box 208, West Newton 02165. Punk. 
Mgr., Gary Smith, 894-2973. 

Ras Karbi, c/o Feather Music, 4 Crawford 
Street, Cambridge 02139. Reggae. Mgr., 
Jeff Phillips, 876-8995. 

The Kash Band, c/o Nick Lamberti Agency, 
353 Washington Street, Suite 5, Brighton 
02135. Top-40 and show music. Call 
783-0388. 

Kasner Gooch, Box 91, Holden 01520. 
Electronic music and fusion. Contact Bill 
Gangi, 829-6248. 

Katahdin, c/o Natural Acts, 350 
Marlborough Street, Suite 40, Boston 
02116. Cover and original rock. Call 
353-0300 or (207) 695-37 18. 

Katonah, c/o Ed Malhoit Agency, Box 
2001, Claremont, NH 03743. Commercial 


covers. Call (603) 542-8777. 
Keeper, 25 Woodland Street, Arlington 
02174. Original rock and new wave. Con- 
tact R.J. Shapiro, 646-6180 or 876-1773. 
Michael Keith, 1071 Beacon Street, No. 2, 
Brookline 02146. Solo avant-garde 
classical and jazz bassoon. Call 738-6481. 
The Shane Kelly Band, 475 Trapelo Road, 
Waltham 02154. Original heavy metal and 
blues. Call 647-5781. 
Kelly’s irish Troubadours, c/o Russ 
Carlton Entertainment, Box 542, Holliston 
01746. Irish and GB. Contact Jim Law- 
rence, 872-3584. 
Kewi, c/o Paul Carrichino, 195 Main Street, 
Milford 01757. Cover and original country 
rock. Call 473-0883. 
Kicks, c/o Don Mac Entertainment, 80 
Boylston Street, Boston 02116. Top-40. 
Call 426-6618. 
The Kids, Box 336, East Boston 02128. 
Beatles, Stones, Beach Boys, and Journey 
covers. Mgr., Chick Goldberg, 569-1410. 
Nils Kieser Band, c/o Musical Services 
Unlimited, 2 Washington Street, Haverhill 
01830. Original and cover rock. Contact 
Steven Goddu, 373-9894. 
Kill Sludge, Natick. Original patriotic punk. 
Contact Clive, 655-1429, or Larry, 
696-9543. . 
Kinetic Ritual, 17 Howe Street, Somerville 
02145. Original new wave. Mgr., Jah Stinky, 
625-5215, or contact Phrenchy, 646-8746. 
King Bs, c/o Natural Acts, 350 
Marlborough Street, Suite 40, Boston 
02116. Cover mainstream rock and R&B. 
Call 353-0300 or (207) 695-37 18. 
Kitty Thrills, 131 Holworthy Street, Cam- 
bridge 02138. Original and cover rock and 
new wave. Contact Louis Martelli, 
661-0558, or John Scales, 666-9852. 
Kix, 493 State Road, Plymouth 02360. 
Continued on page 20 








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THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 19 





Continued from page 19 

Top-40 and cover rock. Mgr., James 
Damon, 224-2612, or contact John 
Fiumara, 888-0765. 

Kix (an almost all-girl revue), 1904 
Acushnet Avenue, New Bedford 02746. 
Original and Broadway song-and-dance 
cabaret. Mgr., Marcie Gauvin, 995-8127. 
Larry Klug Trio, 9 Goodrich Street, No. 4, 
Jamaica Plain 02130. Modern treatment of 
old jazz standards. Call 524-5190. 
Knightmare, 99 Sherwood Drive, Man- 
chester, NH 03103. Original progressive 
heavy metal. Contact Tim Koukos, (603) 
622-1552. 

The Knights, c/o Northeast Entertainment 
Agency, Box 1718, Lowell 01853. Swing, 
oldies, cover rock, and top-40. Call 
459-4785. 

Michael Koenig and the Mother- 
fuckinshitheads, 196 Harvard Avenue, No. 
5, Allston 02134. Original new wave. Call 
783-2828. 

Koli, 112 Maple Street, No. 5, Malden 
02148. Israeli folk music. Contact Koby 
Rotstein, 321-9703. 

Tennie Komar and the Silencers, c/o 
Spirit Records, 42 Baker Avenue, Lex- 
ington 02173. Original and cover rock and 
new wave. Contact Jonathan Goldman, 
861-1625, or Tennie Komar, 592-3784. 
Chuck Kruger Band, Box 101, Thomaston, 
Maine 04861. Southern rock, reggae, and 
R&B. Call (207) 354-8928. 

Ken Kwartler, 2 Ayr Road, Brookline 
02146. Original and cover folk and rock. 
Call 735-0111. 

LABONZA, 83 Viola Street, Lowell 01851. 
GB and cover and original rock. Contact 
Joe Sheehan, 454-3945. 

The Ladds, c/o Rooster Berry Productions, 
806 Oaklawn Avenue, Cranston, Ri 02920. 
Cover and original rock. Call (401) 
943-5088. 

Laduvane, Box 27, Cambridge 02140. 
Women's international and Balkan folk. 
Mgr.. Sharon Davis, 648-8204, or contact 
Anabel Graetz, 861-0649. 


Lady's Choice, c/o Rooster Berry Produc- 
tions, 806 Oaklawn Avenue, Cranston, RI 
02920. Top-40. Call (401) 943-5088. 

Fred Lake IV, 55 Bow Street, Portsmouth, 


NH 03801. 
431-4721. 
Lois Lane and the Daily Planets, 48 
Brooksdale Road, Brighton 02135. Cover 
R&B, funk, rock, and top-40. Contact Lois 
Lane, 245-4238; or Nathan Aronow, 
254-2065. 

Chance Langton, c/o Neer Associates, 29 
Commonwealth Avenue, Boston 02116. 
Solo comedy, music, and impressions. Call 
247-1630. 

Lynn LaPrad, 1450 Cornmonwealth Av- 
enue, Suite 4, Boston 02135. Original rock. 
Mgr.. N.M. Greenspan, 566-5015. 
Laquidara, 6 Mead Street, Everett 02149. 


Solo folk-rock. Call (603) 


Cover and original rock. Contact Joe, - 


389-2315. 

The Rick Larramore Band, c/o Tour de 
Jour Productions, 25 Bromfield Road, 
Somerville 02144. Original rock, new wave, 
and reggae. Call 776-6678. 

Last Call, c/o Don Mac Entertainment, 80 
Boylston Street, Boston 02116. Top-40 and 
GB. Call 426-6618. 

Last Child, 272 Pleasant Street, Brockton 
02401. Aerosmith covers. Mgr., Marc John- 
son, 587-8582. 

The Last Ones, 101 Chestnut Street, 
Waltham 02154. Original rock dance music. 
Contact Rick Carmel, 647-1249. 

The Last Round Band, Nashua Avenue, 
Annisquam 01930. Original and cover 
country rock. Contact Richard J. Ellis, 
592-9536, or Kathe Burbach, 661-7720. 
The Last Sacrifice, 1713 Commonwealth 
Avenue, No. 1, Brighton 02135. Original 
new wave. Contact Ty, 482-3279, or Steps, 
783-0066. 


Nick Latteo, 136 Summer Street, 
Weymouth 02188. Solo cover country and 
oldies. Call 335-8414. 

Laughing Hands, 22 Paul Street, Water- 
town 02172. Original string band music and 
jazz. Contact Russ Barenberg, 924-7112. 
L.A. Woman, c/o Pyramid Artists, 263 
Summer Street, No. 416, Boston 02210. 
Doors covers. Call 542-7238. 

Glen Lawrence, c/o Don Mac Entertain- 
ment, 80 Boylston Street, Boston 02116. 
Solo top-40. Call 426-6618. 

Bob Lazaroff, 56 Parkvale Avenue, No. 5, 
Allston 02134. Solo original rock. Call 
783-9417. 

Lazarus, Everett. Original rock and blues. 
Contact Sunny, 387-8540. 

Lazarus, 23 Underwood Avenue, Fram- 
ingham 01701. Contemporary gospel. Con- 
tact David Fuller, 875-3060. 

The Lazers, 206 Beacon Street, Boston 
02116. Basic original rock. Contact Paul, 
266-1732. 

Jess Leary, c/o Janis LeBlanc Manage- 
ment, 18 Oxford Street, Somerville 02143. 
Solo soft rock and country. Mgr., Janis 
LeBlanc, 776-5568. 

Roger Lee, c/o Don Mac Entertainment, 80 
Boylston Street, Boston 02116. Solo coun- 
try. Call 426-6618. 

Lou Leeman & Dime a Dance, 11 Buena 
Vista Avenue, Assonet 02702. Cover rock, 
blues, and country. Contact Louis Leeman, 
644-2488. 

Legacy, Box 237, Hampton Falis, NH 
03844. Original rock. Contact Tom Daley, 
(603) 926-7 166. 

George Leh, c/o Sandy Berman Produc- 
tions, 7 Ives Street, Beverly 01915. Solo 
blues, jazz, and gospel. Call 922-6954. 
Joe Lentino and the Goodtimers Swing 
Band, 36 Roberts Road, West Medford 
02155. Big-band swing. Call 396-1854. 
Leo Ego, c/o O.G.0. Productions, 90 
Bacon Street, Waltham 02154. Original new 
wave. Contact George Shepard, 891-6181. 
Mary Lewis Trio, c/o Gary Moffie: Enter- 
tainment Associates, 186 Lincoln Street, 
Boston 02111. GB and top-40. Cail 
542-1033. 

The Sandy Lewis Band, c/o Curtis Inter- 
national Associates, Boston Center for the 
Arts, 539 Tremont Street, Boston 02116. 
GB, Contact Bill Curtis, 426-4243. 

Lichen, 144 Gray Street, Manchester, NH 
03103. Cover rock and biues. Contact John 
Zevos, (603) 627-7227. 

Licks, 22 Ashford Street, Allston 02134. 
Original rock. Contact Debby Larkin, 
254-5774. 

The Lifters, c/o Harvard Square Talent 
Agency, 5 Boylston Street, Cambridge 
02138. Original rock. Contact Kathe 
Burbach, 661-7720, or Howie Oven, 
739-67 14. 

Limbo Race, 162 Hampshire Street, No. 1, 
Cambridge 02139. Original rock and new 
wave. Contact Randy Black, 354-2471. 
Diane Lincoin Band, c/o John Penny 
Enterprises Inc., 259A Beech Street, Bel- 
mont 02178. C&W. Call 924-6722. 

Lines, c/o Maxpro Group, 1351 Main 
Street, Brockton 02401. Original and cover 
rock and new wave. Mgr., Paul Carchidi, 
586-6908. 

Harry Lipson, Box 145, Harvard Square, 
Cambridge 02238. Solo original folk and 
folk-rock. Call 661-3335. 

The Liquids, 21 Wedgwood Road, Welles- 
ley 02181. Original rock, new wave, and 
ska. Mgr., Amy Hershenson, 235-3993 
(evenings). 

Reeve Little and the Straight Band, 
Cambridge. Original rock. Call 492-0331. 
The Little Big Band, 118 Peakham Road, 
Sudbury 01776. Jazz, swing, Dixieland, and 
pop. Contact Jim McKinley, 890-6300 
(days) or 443-3018. 

little deers, 353 River Street, Waltham 
02154. Original rock. Mgr., Alien Schlorch, 


20 THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 


647-0567. 

Little Jimmy and the Homewreckers, 16 
Pinedale Avenue, Methuen 01844. Cover 
and original rock, blues, R&B, and rock- 
abilly. Contact Paul Metcalf, 685-4148. 
LiveOak Trio, 59'2 Summer Street, Salem 
01970. Medieval, Renaissance, and tra- 
ditional. Lynn Marcotte, 741-0362. 

The Livin’ Sound, 412 Saratoga Street, 
East Boston 02128. GB and top-40. Con- 
tact Jim Sicuso, 569-3395. 

Living Gloves, 72F Gardner Street, No. B, 
Allston 02134. Original rock and new wave. 
Mgr.. Wayne Tackabury, 862-7411, or 
contact Joel Cohen, 783-2993. 

Paul Livingston, c/o Lady Godiva Produc- 
tions, Box 45, Astor Station, Boston 02123. 
Solo and group soft rock and top-40. 
Contact Cyndia Shook or Tahra Rich- 
ardson, 469-9875. 

Lizzie Borden and the Axes, c/o Black 
Rose Promotional Management, 211 
Eighth Avenue, No. BR, Brooklyn, NY 
11215. Original and cover rock and new 
wave. Contact Joy Silver, (212) 768-5539, 
or (617) 451-9428. 

Loaded Dice, c/o Pro-town Productions, 
209 Lenox Avenue, Providence, Ri 02907. 
R&B. Call (401) 331-1720. 

Local Noise Organization, 7 Winthrop 
Street, Winchester 01890. Original new 
wave. Contact Wally Gagel, 729-5967. 
Johnny Logan, c/o Destiny Recording 
Studio, 31 Nassau Avenue, Wilmington 
01887. Original and cover rock and coun- 
try. Contact Larry Feeney, 658-8391. 
Logic, Box 223, Mansfield 02048. Cover 
and original rock and new wave. Contact 
Keith Hayes, 339-2570. 

Loki, 18 Rose Street, Somerville 02143. 
Original rock and new wave. Contact 
Joseph C. Scurio, 776-1420. 

Lookout, 190 Moody Street, Waltham 
02154. Original rock. Contact Peter 
LaBranche, 647-0091 (days), or Steve 
Zarelli, 899-6872 (evenings). 

The Loose Caboose Band, Box 184, 
Wendell 01379. Original and cover reggae. 
Contact David Boatwright, 544-3106, or 
Kathe Burbach, 661-7720. 

Loose Ends, 100 Flint Street, Somerville 
02145. Cover rock. Contact Steve Carro, 
628-8595. 

Loose Ties, 6 White Way, Rockport 01966. 
‘60s covers and original modern rock. 
Contact Max Pokrivchak, 546-6905. 
Lorelei, 10 Valero Road, Hyde Park 02136. 
GB and top-40. Contact Arlyne Defino, 
364-3885, or Mary Ann Dorocak, 933-8509. 
Lost in the Shuffle, 152 Harvard Street, No. 
8, Brookline 02146. Biuegrass, acoustic 
music, and country. Contact Michael Pearl, 
277-1021. 

Lost Time, 21 Nautilus Road, Gloucester 
01930. Cover and original rock and reggae. 
Mgr., Bernard Hall, 283-3481. 

Lotus, 10 Village Way, No. 15, Natick 
01760. Top-40 and GB. Contact James 
Lawrence, 655-2653. 

Love Lace, c/o Richard Carr Productions, 1 
Court Drive, Lincoln, Ri 02865. Cover rock. 
Call (401) 333-0700. 

Loveman, c/o Loveman's Productions, 54 
Crispus Attucks Place, Roxbury 02119. 
Comedy. Contact James Lewis, 427-3774. 
Low Spark, 416 Marlborough Street, No. 
11, Boston 02115. Cover soft rock, jazz, 
and funk. Mgr., David Moog, 536-2212. 
The Lowgistics, 30 Auna Drive, No. 9, 
Brockton 02401. Original rock and ‘60s 
covers. Contact Steve Ruzzo, 588-9199. 
Lox, c/o Frank Borsa Productions, 112 
Fourth Street, Norwood 02062, Reggae and 
calypso. Call 762-0110. 

David Luke & the Limerick Road Band, 89 
Webster Avenue, Brant Rock 02020. Or- 
iginal and cover rock. Call 837-0832. 

The Lydian String Quartet, c/o Morn- 
ingside Management, 270 Albany Street, 
No. 5, Cambridge 02139. Classical. Contact 





Carla Pollack or Fred Silverstein, 864-5450. 
The Lynch Mob, 174 Grand ptreet, 
Worcester 01603. Original rock and new 
wave. Contact Doug Hartwell, 798-2876, or 
Matt Koomey, 845-1782. 

Lyndon Johnson Band, 9 Cranton Avenue, 
Groveland 01834. Original rock dance 
music. Contact Jeff Chernick, 373-1691. 
The Lyres, 77 Charles Street, No. 4, Boston 
02114. Original rock. Contact Jeff Conolly, 
367-8073 

Brownie Macintosh and his Apple Cider 
Boys, c/o Ted Charles Associates, Box 390, 
Salem 01970. Country rock. Call 744-9310. 
Eddie Madden, c/o Curtis International 
Associates, Boston Center for the Arts, 539 
Tremont Street, Boston 02116. GB. Con- 
tact Bill Curtis, 426-4243. 

Phil Madeira, 126 Wilsor, Avenue, Rum- 
ford, Rl 02916. Solo R&B and gospel. Cail 
(401) 434-3448. 

Madigan, c/o Cuzin Richard Entertainment 
Agency, Box 4585, Portsmouth, NH 03801. 
Cover rock and top-40. Call (603) 
436-8596. 

Magic, c/o Natural Acts, 350 Marlborough 
Street, Suite 40, Boston 02116. Com- 
mercial covers. Call 353-0360 or (207) 
695-37 18. 

Magic and the Reggae Stars, c/o Con- 
certed Efforts, 312 Salem Street, Medford 
02155. Reggae and calypso. Call 396-1613. 
Magic Mose & His Royal Rockers, 1111 
Boylston Street, No. 24, Boston 02215. 
Original blues, R&B, and new wave. Con- 
tact G. Andrew Maness, 536-9150. 

The Make, Box 329, Newtonville 02160. 
Original rock and new wave. Contact Bill 
Hassan, 527-8501 or 332-1043. 

The Richard Malcolm Band, 16 East 
Hodges Street, Norton 02766. Original jazz 
and funk. Call 285-3271. 

Dennis Malloy Duo, 860 Main Street, 


Norwell 02061. Original and cover soft 
rock. Contact Paul, 749-8873, or Dennis, 
659-4796. 

Manifestation, c/o Collective Wizardry Inc., 
99 Webb Street, Salem 01970. Original and 
cover rock and new wave. Contact Fred 
Corbett, 745-7946, or Michael Noll, 
745-1780. 

Eddy Mann Trio, c/o New Friendship 
Productions, 3 Edgar Terrace, Somerville 
02145. Top-40 and GB. Contact Frank 
Santangelo Jr., 666-9579. 

The Thomas Manning Band, c/o Blind 
Tuna Productions, 724 Main Street, 
Winchester 01890. Original rock. Contact 
Mr. Robinson, 254-2152. 

Marauder, 22 Vose Street, Woonsocket, RI 
02895. Cover and original rock. Contact 
James R. Cortis, (401) 769-3269. 

The Marginals, 20 Harrison Street, Newton 
Highlands 02161. Original rock. Contact 
Mark Natale, 969-3630. 

Margo Thunder and Entrigue, c/o Love- 
man’s Productions, 54 Crispus Attucks 
Place, Roxbury 02119. Soul, R&B, pop, and 
top-40. Contact James Lewis, 427-3774. 
Mariachi Guadalajara, c/o Morningside 
Management, 270 Albany Street, No. 5, 
Cambridge 02139. Mexican mariachi band. 
Contact Carla Pollack or Fred Silverstein, 
864-5450. 

Marky Mussel and the Clams, 11 Light 
Street Court, Lynn 01905. Original rock and 
new wave. Contact Mark McGhee, 
598-2 166. 

Tony Marlo, c/o Lady Godiva Productions, 
Box 45, Astor Station, Boston 02123. Solo 
cover rock and top-40. Contact Cyndia 
Shook or Tahra Richardson, 469-9875. 
The Mark Marquis Group, c/o Littlefield 
Entertainment Agency, Box 218, 
Chelmsford 01824. Jazz. Call 256-5985. 
The Marsels, 83 Payson Road, Brookline 


02167. Funk, top-40, and disco. Contact 
Bill Bowdish, 734-1153. 
Milton Marsh, c/o Marsh Publications, Box 
635, Astor Station, Boston 02123. Original 
jazz and classical. Call 734-5162. 
The Marshalls, 5 Sheafe Street, Boston 
02113. Original and cover rock. Contact 
Ellie or Barry Marshall, 367-8799 or -6369. 
Chris Martin Group, 38 Carey Avenue, No. 
4, Watertown 02172. Original rock and rock 
verité. Contact Chris Martin, 923-2491. 
Polly Martin Show, Box 336, East Boston 
02128. Dolly Parton covers. Mgr., Chick 
Goldberg, 569-1410. 
The Steve Marvin Quartet, c/o Gary Moffie 
Entertainment Associates, 186 Lincoin 
Street, Boston 02111. Jazz, top-40, and 
GB. Call 542-1033. 
Ed Mascari, 30 Curtis Road, Natick 01760. 
Solo and group jazz. Call 653-0247. 
Masquerade, 16 King Street, Lexington 
02173. Cover and original rock. Contact 
Mark Levitan, 863-1087. 
Massachusetts, Box 248, Reading 01867. 
Cover and original rock. Contact Gary 
Avadanian, 667-5083. 
Mastex Connection, c/o Letarte 
Enterprises, 18 Graham Street, Fitchburg 
01420. Cover rock and Southern rock. 
Mogr., Larry Letarte, 345-2819, or contact 
Dave, 632-2675. 
Maveriks, c/o Kirschner Management, Box 
859, Cambridge 02139. Original rock. Mgr., 
Steve Kirschner, 739-2446. 
The Max Bros., 6 Gerard Drive, No. 6, 
Fitchburg 01420. Swing and R&B. Contact 
Gary lannuzzi, 342-8038. 
Maximum Drift, 45 Butler Street, Revere 
02151. Original progressive rock. Mgr., Bill 
Geary, or contact Billy Sheehan, 289-2300. 
Mayfair, 2 Holyoke Street, Cambridge 
02138. Top-40 and GB. Contact Don Ryan, 
Continued on page 22 





DO YOU HAVE 


KAVELEK 


HARVARD SQUARE TALENT 
661-7720 


THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 21 


management: 
Marguerite Mallaney 
146 Highland St. 
Worcester. MA. 01609 
617-753-7655 





Continued from page 21 

659-4634 

McAhli, 35 Beacon Street, West 
Bridgewater 02379. Soft rock. Contact Bob 
McDermott, 586-9379. 

Cormac McCarthy, c/o Cuzin Richard 
Entertainment Agency, Box 4585, 
Portsmouth, NH 03801. Solo folk. Call (603) 
436-8596 

Semenya McCord, c/o WAG Promotions, 
326 Prospect Street, Cambridge 02139. 
Jazz. pop. and educational programs. Mgr., 
Rodney S. Ward, 492-4748. 

The Chris McDermott and Jon Gorr Band, 
222 South Street, No. 2,. Boston 02111. 
Original contemporary jazz. Call 522-2425. 
Millie McFadden Quintet, 8 Wainut Street, 
No. 16. Everett 02149. Jazz. Call 387-8560. 
Jean Mcintosh, c/o Musicorp International, 
11 Northeastern Boulevard, Nashua, NH 
03062. Solo top-40 and Irish. Call (603) 
883-8596. 

McKie & Company, 57 Musket Drive, 
Nashua, NH 03062. Soft rock. Contact Ted 
McKie. (603) 880-7008. 

Dick McManus and the Irish Revolution, 
35 West Eagle Street, East Boston 02128. 
Country, top-40, standards, and Irish. Call 
569.5333 

McPherson Strut, c/o Peter Dennis 
Productions, 161 Massachusetts Avenue, 
Boston 02115. Cover and original rock. 
Contact Peter Dennis, 536-7103. 
McTeggarts, Salem. Irish. Contact Jim 
Byrne, 745-2127 

Mean Arithmetic, 645 Beacon Street, No. 
419A. Boston 02215. Original new wave. 
Contact Michelle Sims, 742-0243, or Randy 
Forte. 267-8268. 

Medicine Crow, 270 Newbury Street, Bos- 
ton 02116. Original rock and reggae. 
Contact Scott Williams, 262-3022. 

The Meetings, c/o Rockfever Productions, 
535 Broadway, Lawrence 01841. Original 
and cover rock. Call 682-7085 or -7270. 
Megabeats, 58 Longwood Avenue, 
Brockton 02401. Original rock and new 
wave. Contact Dolores Paradise, 580-1772. 
The Memos, Box 157. Lawrence 01841. 
Original rock and new wave. Contact Jim 
Behrens, 685-4818. 

Memphis Rockabilly Band, 54 De Soto 
Road. West Roxbury 02132. Rockabilly. 
Contact Jeff Spencer, 327-0972. 

The Men, 242 Pleasant Street, Wakefield 
01&80. Cover and original rock, new wave, 
blues, and R&B. Contact Bongo, 246-0967. 
Men & Volts, 94 Green Street, Jamaica 
Plain 02130. Original rock and new wave. 
Contact Phil Kaplan, 522-7057, or David 
Greenberger, 738-7079. 

Mercedes, 34 Broady Avenue, Quincy 
02169. Top-40. Contact Nancy Ahonen, 
773-6854, or Stan, 471-2327. 

The Leon Merian Big Band, c/o Sandy 
Berman Productions, 7 Ives Street, Beverly 


01915. Swing, jazz, and blues. Call 
922-6954. 
Merlin, 33 First Crown Point Road, 


Rochester, NH 03867. Cover and original 
rock. Contact Nancy Kolodzinski, (603) 
332-9133. 

Mertz Brothers, c/o Pro-town Productions, 
209 Lenox Avenue, Providence, RI 02907. 
Cover rock and oldies. Call (401) 331-1720. 
Messenger, c/o Rockfever Productions, 
535 Broadway, Lawrence 01841. Original 
and cover rock. Call 682-7085 or -7270. 
The Mike Metheny Quartet, c/o Ted 
Kurland Associates, 46 Ashford Street, 
Boston 02134. Jazz. Call 254-0007. 

Pat Metheny Group, c/o Ted Kurland 
Associates, 46 Ashford Street, Boston 
02134. Jazz. Call 254-0007. 

Metro, c/o Northeast Entertainment Agen- 
cy. Box 1718, Lowell 01853. Top-40, funk, 
and show. Call 459-4785. 

Metropolis, 83 Shirley Avenue, Revere 
02151. Original rock and new wave. Mgr., 
Phyllis, 284-4741. 


22 THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 





Lou Miami and the Kosmetix, Box 199, 
Cambridge 02140. Original rock and new 
wave. Mgr., Joan Martin, 666-4594/5. 

The M.1.A.’s, 17 High Gate, No. 6, Alliston 
02134. Original rock and psychedelic new 
wave. Contact Peter Lost, 783-4827, or 
Tony Mendousa, 247-4024. 

Mid-City Clones, Lawrence. Original new 
wave. Contact Mike Geisler, 373-5366. 
Middle Earth, Box 2002, Taunton 02780. 
Cover and original rock. Contact Robert 
Briggs, 822-1758, or Tim Smith, (401) 
635-2828. 

Midnight Blue, 5 Frothingham Road, Burl- 
ington 01803. Top-40 and GB. Mgr., Betsy 
M. Weimer, 273-0678. 

Midnight Pass, c/o Fran Mann Agency, 183 
Gamwell Avenue, Pittsfield 01201. Cover 
rock and top-40. Call (413) 442-0665. 
Midnight Traveler, c/o Harvard Square 
Talent Agency, 5 Boyiston Street, Cam- 
bridge 02138. Original and cover main- 
stream rock. Call 661-7720. 

Mighty lons, 69 Broad Street, No. 5, 
Boston 02109. Original and cover rock. 
Contact Tom White, 426-0643. 

Miles Beyond’s Rock & Roll Show, 113 
Monroe Street, Room 233, Lynn 01903. 
Cover and original rock and new wave. 
Contact Alan Brown, 592-9496. 

The Harry Miller Space Heater Band, 16 
Westland Avenue, No. 40, Boston 02115. 
Classically influenced contemporary jazz- 
rock. Call 437-0203. 

Jane Miller, 237 Walton Street, Fitchburg 
01420. Solo cover and original rock and 
jazz. Call 343-3365. 

Gordie Milne, Norwood. Solo top-40 and 
oldies. Call 769-3643. 

Jeffrey Wayne Mincey, c/o Summer Light- 
ning, 43 Harvest Street, Providence, Ri 
02908. Original rock. Contact Henry 
Gauvin, (401) 521-4508. 

Miriah, 4 Hoover Avenue, West Peabody 
01960. Original rock. Mgr., Daniel R. 
DiBenedetto, 535-4646. 

Mission of Burma, Box 1154, Boston 
02205. Original new wave. Mgr., Jim 
Coffman, 426-3977. 

Alger Mitchell, c/o Captain Cari As- 
sociates, 65 Pond Street, South Attleboro 
02703. Original rock and C&W. Cail 
399-8489. 

The Mix, c/o New England Talent Consult- 
ants, Box 217, West Peabody 01960. Cover 
and original rock. Mgr., Bill Bunker, 
532-0970. 

Mixed Company, Quincy. Top-40 rock. 
Contact Harry French, 472-1388. 

M.K. Delta, c/o District Ltd., Box 306, 
Beverly Farms 01915. Original mini- 
malist/modernist music. Contact Mark, 
777-2172. 

Modern Electrics!, 11 Waverly Oaks Road, 
Waltham 02154. Original synthesized mu- 
sic. Mgr., Jeff Haymes, 899-4756 or 
272-1819. 

Modern Essence, 50 Chester Street, No. 5, 
Allston 02 134. Original rock, new wave, and 
reggae-funk. Contact Greg Simon, 
254-2108, or Max Rose, 437-0702. 
Modern Headaches, 188 Conant Street, 
Concord 01742. Cover and original rock, 
new wave, and punk. Contact Dr. Ozone, 
369-2470. 

Modern Sin, 6 Eldora Street, No. 2, 
Roxbury 02120. Contemporary jazz. Con- 
tact Stephen Rice, 739-9672. 

The Modes, c/o Play Records, Box 621, 
Randolph 02368. Original rock and new 
wave. Contact Steve Davidson, 961-1218. 
Molly Maione Band, c/o Sandy Berman 
Productions, 7 Ives Street, Beverly 01915. 
Jazz and blues. Call 922-6954. 

Momentum Jazz Trio, 70 The Fenway, 
Boston 02215. Jazz standards and or- 
iginals. Contact Claire Daly, 266-7974, or 
Rebecca Kane, 353-1505. 

Monad, Box 740, Cambridge 02139. Or- 
iginal electric new wave and rock and 





acoustic folk. Contact by mail. 
Mono-Vogue, 23 Academy Street, Arling- 
ton 02174. Progressive electronic pop- 
rock. Contact Michel Biard, 646-0268. 
The James Montgomery Band, c/o Col- 
lins/Barrasso Talent Coordination, 280 
Lincoln Street, Allston 02134. Original rock. 
Call 783-1100. 

Moonfleet, c/o Thistie Records, Box 408, 
Malden 02148. Original rock. Mgr., Zed 
Mclarnon, 324-1989 or 646-5321, or con- 
tact Mike Gluck, 247-3423. 

Moon Unit featuring Grover Elvin Mooney, 
101 Calumet Street, Boston 02120. Original 
jazz. Mgr., Roxanne Mooney, 738-1587. 


Morgan, c/o Silver Fox Music Productions, 
95 Van Kleeck Road, Millis 02054. Cover 
rock, top-40, oldies, and Elvis Presley cov- 
ers. Call 376-2022. 

Bill Morrissey, c/o Cuzin Richard Enter- 
tainment Agency, Box 4585, Portsmouth, 
NH 03801. Solo folk. Call (603) 436-8596. 
David Moss (‘“Drumsong”), c/o Per- 
forming Artist Associates, 161 Harvard 
Avenue, No. 11, Allston 02134. Solo or- 
iginal percussion. Call 783-2060. 

Motion, c/o Nick Lamberti Agency, 353 
Washington Street, Suite 5, Brighton 
02135. Top-40. Call 783-0388. 

The Movers, c/o Ted Charles Associates, 
Box 390, Salem 01970. Cover rock and 
top-40. Call 744-9310. 

The Movers, 315 Charger Street, No. 82, 
Revere 02151. Cover and original rock, 
top-40, and funk. Contact Charlie Hicks, 
289-1442. 

Moxie, 7 Sloane Drive, Framingham 01701. 
Cover and original rock and oldies. Contact 
Whitney Morin, 877-8092. 

Mundanes, Box 6101, Providence, Ri 
02940. Original rock and new wave. Mgr., 
Joshua Miller, (401) 751-2981. 

Murder’s Home, 580 Commonwealth Av- 
enue, No. 4, Boston 02215. Original 
Memphis blues and rockabilly. Contact T.K. 
Whacko, 536-9353. 
Matt “Guitar” Murphy Band, c/o Con- 
certed Efforts, 312 Salem Street, Medford 
02155. Cover and original blues and rock. 
Call 396-1613. 

Murphy’s Law, 54 Orchard Street, Ray- 
nham 02767. Contemporary country and 
rockabilly. Contact James B. DuPont, 
822-5503, or Mike, 947-4157. 

Ron Murray Consort, 138 Mechanic Street, 
Canton 02021. Duo and group GB, jazz, 
and classical. Call 828-2549. 

The Museum Direktors, 149F Brittany 
Manor Apartment, Amherst 01003. Original 
and cover new-wave dance music. Contact 
Paul Lebel, (413) 253-5080, or John 
Olszewski, (413) 546-8492. 

The Music Company, c/o Silver Fox Music 
Productions, 95 Van Kleeck Road, Millis 
02054. Top-40 and cover rock. Call 
376-2022. 

Music That’s Good for the Head, c/o 
Cooperative Artists Institute, 311 Forest 


Hills Street, Jamaica Plain 02130. 
Participatory improvised percussion and 
vocal music. Contact Tom Garfield, 
524-6378. 


The Mustangs, 173 Evelyn Road, Needham 
02194. Cover and original rock and rock- 
abilly. Contact Larry Newman, 444-8934. 
M.V.M., c/o S.A.B.A.R. Communications, 
279 Prospect Street, Norwell C2061. Or- 
iginal rock and new wave. Contact Mark 
Vanderwater, 659-4610. 
My First Date, 201 Jackson Road, Newton 
02158. Original rock and new wave. Con- 
tact Bill Walker, 527-1851 (evenings). ty 
My Hip, 90 Gainsborough Street, No. 2B, 
Boston 02115. Original rock. Contact 
Joseph Pesce, 247-1495. 
Mystriss, c/o Northeast Entertainment 
Agency, Box 1718, Lowell 01853. Cover 
and original rock. Call 459-4785. 
Continued on page 24 





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Continued from page 22 

Naked Truth, c/o Entertainment Concepts 
Inc., 29 Commonwealth Avenue, Boston 
02116. Cover and original rock. Call 
247-0972. 

The Name, c/o Richard Carr Productions, 1 
Court Drive, Lincoln, Rl 02865. Cover rock. 
Call (401) 333-0700. 

Native Tongue, 47 Franklin Avenue, Revere 
02151. Original new wave. Contact Lee 
Leffler, 284-8294. 

Natural Boogie, 9 Pomeroy Street, Alliston 
02134. Cover and original rock and R&B. 
Contact Chris Axworthy, 738-9493, or Andy 
Cottle, 254-5810. 

Natural Rhythm, 146 Highland Street, 
Worcester 01609. Original and cover rock 
and funk. Mgr., Marguerite Mullaney, 
753-7655. 

Neats, Box 1154, Boston 02205. Original 
new wave. Contact Jim Coffman, 426-3977. 
Nebulas, Box 116A, Greendale Station, 
Worcester 01606. Original rock and new 
wave. Mgr., Dave Goldberg, 756-2767. 
The Needles, 158 St. Paul Street, Brookline 
02146. Original and cover rock. Contact 
Janet Henderson, 232-8642. 

John Neel Band, c/o Natural Acts, 350 
Marlborough Street, Suite 40, Boston 
02116. Cover and original Southern rock 
and R&B. Call 353-0300 or (207) 695-37 18. 
Negative FX, 60 Grove Street, West Med- 
ford 02155. Original hardcore rock. Con- 
tact Richard Collins, 488-6668, or Choke, 
247-7268. 

The Neighborhoods, c/o Pretty Polly 
Productions, 25 Huntington Avenue, Bos- 
ton 02116. Original rock and new wave. Call 
266-0790. 

Bill Nelson Orchestra, 45 Perham Street, 
West Roxbury 02132. GB. Call 325-9745. 
Neon, c/o Pyramid Artists, 263 Summer 
Street, No. 416, Boston 02210. Original 


rock. Call 542-7238. 

The Neon Valley Boys, 52 Williams Street, 
Worcester 01609. Bluegrass. Contact Ed- 
die Williams, 757-6799. 

Dick Nephew Band, c/o John Penny 
Enterprises Inc., 259A Beech Street, Bel- 
mont 02178. Cover country. Call 924-6722. 
Ness, 89 Gardner Street, No. 3, Alliston 
02134. R&B and funk. Contact Kevin Smith, 
783-5265. 

Network, 3 Silver Court, Beverly 01915. 
Original and cover rock and new wave. 
Contact Gary Keenan, 927-9072. 

New Black Eagle. Jazz Band, 128 Front 
Street, Marblehead 01945. Traditional New 
Orleans jazz. Mgr., Peter Bullis, 631-8680. 
New Career, c/o Pretty Polly Productions, 
25 Huntington Avenue, Boston 02116. 
Original rock and new wave. Call 266-0790. 
The New Deal, 27 Ridgeway Lane, No. 4, 
Boston 02114. Original rock and new wave, 
Contact Norman Rosenfield, 523-3637. 
Jamie Newell and the After Hours Band, 
8A Hancock Street, Somerville 02144. 
Cover and original country rock, blues, and 
R&B. Contact Jamie, 628-9032. 

New England, c/o Pretty Polly Produc- 
tions, 25 Huntington Avenue, Boston 
021.16. Original rock. Call 266-0790. 

New England Gospel Ensemble, 27 Irma 
Street, Dorchester 02124. Gospel. Contact 
Jim Early, 265-7464. 

New Leaf, c/o Precious Time Productions, 
68 Fernview Avenue, North Andover 01845. 
Cover rock. Contact Emilie Flitner, 
687-3779. 

Howie Newman, 35 Fairview Avenue, 
Watertown 02172. Solo folk, contem- 
porary, and humorous songs. Call 
926-8296 or 436-4600. 

Ruby Newman Orchestra, c/o Frank Borsa 
Productions, 112 Fourth Street, Norwood 
02062. Top-40, GB, swing, and big band. 


lie 
Call 762-0110. 
New Models, 145 Englewood Avenue, No. 
44, Brookline 02146. Original rock and new 
wave. Mgr., Steve Berkowicz. Contact 
Casey Lindstrom, 232-9685. 
New Yankee Rhythm Kings Jazz Band, 
204 North Street, Foxborough 02035. 
Traditional New Orleans jazz. Contact Bob 
Connors, 543-9431. 
New York, c/o Rooster Berry Productions, 
806 Oaklawn Avenue, Cranston, Ri 02920. 
Top-40 and cover rock. Call (401) 
943-5088. 
Next Exit, 17 Linlew Drive, Derry, NH 
03038. ‘60s rock and power pop. Contact 
Brad Atwood, (603) 434-57 14. 
The Next Generation, 80 Elliott Street, 
Danvers 01923. Original aggressive dance 
rock. Contact Anthony Ruggiero, 777-4262 
or 774-8763. 
The Nick Adventure Band, RR 1, Box 197, 
Troy, NH 03465. Cover and original rock, 
new wave, and Southern rock. Contact Bill 
Mason, (603) 242-3822. 
Nightbear, c/o Ed Malhoit Agency, Box 
2001, Claremont, NH 03743. Commercial 
covers. Call (603) 542-8777. 
Night Flight, 18 Oakridge Avenue, No. 24, 
Salem, NH 03079. Cover and original funk. 
Contact Victor Giaimo, (603) 898-9046. 
Nighthawks, c/o Entertainment Concepts 
Inc., 29 Commonwealth Avenue, Boston 
02116. Original rock. Call 247-0972. 
Nightlife, 70 The Fenway, Boston 02115. 
Duo jazz, R&B, and GB. Contact Larry 
Kopp, 236-4759. 
Nightrunners, 28 Mercer Road, Needham 
02194. Original rock, pop, and jazz. Con- 
tact Barry O'Toole, 522-2634. 
Night Shift, c/o Lady Godiva Productions, 
Box 45, Astor Station, Boston 02123. 
Top-40. Contact Cyndia Shook or Tahra 
Richardson, 469-9875. 








staff is as follows: 


recording industry. 


side of New York. 


FLEETWOOD STUDIOS 
INCORPORATED 
SINE WAVE 
PRODUCTIONS 


Fleetwood Recording studios has been in existence for 24 years 
and has recently been purchased by Sine Wave Productions. It 
consists of three studios featuring a 24-track studio. Sine Wave's 


Dick Miller, Production and Music Director, was staff 
arranger for Studio | in Atlanta, Georgia, home of the 
Atlanta Rhythm Section, with 20 years experience in the 


Ray Fournier, Production and Management, has been 
involved in dding sound and recording for many albums for 
Haneley Sound, James Brown, Blues Project and live per- 
formances such as Woodstock and the Newport Jazz Festi- 
val; he has also produced albums for Mercury in Nashville. 
Bill Ferruzzi, Chief Engineer, has 30 years of experience in 
radio and technology and has engineered special projects 
with Arthur Fiedler; he is considered the best engineer this 











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Suzanne Miller. Studio Coordinator has handled research 
H . 
for the charts covering the West Coast for Record World btm ce: opie ond queue tl tapenaate Cateoten of 
Magazine. thr for lasting reliability input gain for +50 db to 
© Ultra noise and high -10 db in 10 db steps. 
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for ease in servicing. rack-mount versions. 
@ Highest quality sealed ® Mono/subgroup convert switch 
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We also have an additional full time staff in engineering and 
maintenance. Our organization has a publishing company as 
well as a record label. We are seeking talented composers, 
artists and musicians. We are located at 321 Revere Street, 
Revere, Mass 02:151. Phone number: (617) 284-8700. 
IF YOU GIVE US A CALL, WE ASSURE 
YOU WILL BE A “HIT” WITH US! 
The Staff 

Services: 24 track, 16 track, 8 track, 4 track 2 track, Tape 
Duplicating, cassette and reel-to-reel, record pressing, art 
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protected carbon track faders 
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displays 
» For the name of the dealer nearest you, 
ive us # call at (617) 744-5320. 


35 Lafayette Street, P.O. Box 2054, Salem, MA 01970 } 
Dealer inquiries invited. 






































24 THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 











Nightshift featuring Mary Gold, c/o Hur- 
ricane Productions, 35 Wadsworth Avenue, 
Waltham 02154. Country rock and contem- 
porary country. Contact Jim LeBlanc, 
894-4267. 

Nightside, 82 Ivy Street, Brookline 02146. 
GB and swing — Ellington to Eagles. 
Contact Elizabeth Ball or Jeff Halpern, 
738-0273. 

9th Street Band, 204 Howard Street, 
Brockton 02402. Cover rock, funk, and 
top-40. Contact Lou Villani, 584-3162. 
Nitrogen Narcosis, c/o Phantom As- 
sociates, 42 Commonwealth Road, Water- 
town 02172. Original power-folk duo. Con- 
tact John Vorhaus, 926-8830. 

"s Business, 47 Franklin Street, 
Concord, NH 03301. Cover rock and R&B. 
Mor., Bill Brophy, (603) 225-7294. 

Donny NoCash, Box 336, East Boston 
02128. Johnny Cash covers. Mgr., Chick 
Goldbetg, 569-1410. 

Richard Nolan and Third Rail, Box 202, 
Auburndale 02166. Original rock. Contact 
David Bullen, 244-6818. 
Normandy, 220 Southfield, 
02402. Original rock. Contact 
O'Neil, 587-9787. 

Skip North and North Country, Medford. 
Country, rockabilly,: and oldies. Call 
395-5732. 

Northeast Expressway, c/o Richard Carr 
Productions, 1 Court Drive, Lincoin, Ri 
02865. Cover rock. Call (401) 333-0700. 
The Northern Heights Band, 19 Cameron 
Avenue, Somerville 02143. Cover and 
original rock and blues. Contact John J. 
Perry, 666-1358. 

Northern Lights, 28 Clark Road, Ipswich 
01938. Bluegrass and swing. Contact Tay- 
lor Armerding, 356-0669, or Alison Brown, 
498-2926. 

Northern Tier, Turf Meadow Road, Bedford 
01730. Cover acoustic-rock duo. Contact 


Brockton 
Dennis 


Steve Buzzotta, 275-2890. 

Northlight, 115 Summit Avenue, Chelsea 
02150. Original and cover rock and top-40. 
Contact Ron Lovely, 884-4124. 

Dave Northrop, 6 Deerfield Drive, Bar- 
rington, Rl 02806. Solo original folk and 
oldies. Call (401) 246-1336. 

The Not, 3 Midiand Road, Wellesiey 02181. 
Original rock and new wave. Contact Rob 
Wallace, 235-7215. 

Nova, c/o Rooster Berry Productions, 806 
Oaklawn Avenue, Cranston, RI 02920. 
Cover, original rock. Cail (401) 943-5088. 
Nova, 54 Egmont Street, No. 1, Brookline 
02146. Jazz and fusion. Contact Bill 
Boublitz, 242-0857, or Craig Starr, 
738-7026. \ 

November Group, 19 Palfrey Street, 
Watertown 02172. Original rock and new 
wave. Contact K. Kirby, 924-3840. 

Billy Novick and Guy Van Duser, Box 71, 
Watertown 02172. Swing. Contact Billy 
Novick, 776-8150. 

The Numbers, c/o Shooting Star Talent, 25 
Winford Way, Medford 02155. Original rock 
and new wave. Mgr., Karin Macinnes, 
395-8178. 

Oblivion, 41 Summit Road, Holbrook 
02343. Original and cover rock and new 
wave. Contact Don Hendrix, 767-1098. 
The Gordon O’Connell Group, 200R Frank- 
lin Street, Cambridge 02139. Solo classical 
and jazz, and group original jazz. Call 
491-8913. 

Robbie O’Connell and James Keane, 439 
Martello Road, Franklin 02038. Traditional 
and contemporary Irish music and songs. 
Contact Robbie O'Connell, 528-4151. © 
The Odds, 624 Boston Post Road, 
Marlboro 01752. Original and cover ‘60s 
rock and new wave. Mgr., Howie Tulsky, 
481-9543. 

Odious, 526 Saratoga Street, East Boston 
02128. Cover and original rock. Contact 


Dan Disario, 567-1989. 
Old Coyote, 311 Lawsbrook Road, Con- 
cord 01742. Country swing and traditional 
fiddie music. Contact Richard Allen, 
369-4333. 
Oldies Revival, 18 Woodcliff Street, 
Dorchester 02125. '50s and '60s oldies and 
R&B. Contact Slim, 427-2025. 
Old Tired and Disgusted, Boston. Cover 
blues, R&B, and oldies. Contact Stewart 
Goldstein, 738-5600 (days). 
The Oliver Bursey Band, 35 Hollywood 
Road, Winchester 01890. Cover rock and 
oldies. Contact Mike Surabian, 729-2191. 
Paul O’Malley, 5 Morrison Avenue, Somer- 
ville 02144. Original rock. Call 787-9162. 
Peter O’Malley’s One Man Show, 306 
Newbury Street, Boston 02115. Solo GB 
and magic. Call 536-6695. 
1-800, 51 Lexington Avenue, Cambridge 
02138. Original rock and new wave. Con- 
tact Henry Batteau, 876-5738. 
One People, 46 Bigelow Street, Cambridge 
02139. Reggae. Mgr., Kurt Montas, 
492-8285. 
Ooh Ah Ah, 185 Beacon Street, 
Boston 02115. Original new wave. Contact 
Akio Akashi, 247-1388, or Eric 
Schermerhorn, 262-9283. 
Open Road, 28 Mason Street, Beverly 
01915. Original and cover rock and South- 
ern rock. Contact Gene Richard, 927-1753. 
Opera, c/o Richard Carr Productions, 1 
Court Drive, Lincoin, Ri 02865. Cover rock. 
Call (401) 333-0700. 
Opposites, c/o Cherry Lane Productions, 
739 Boylston Street, Boston 02115..Or- 
iginal rock and new wave. Contact Steven 
Farro, 262-7220. 
The Orbits, c/o Pretty Polly Productions, 
25 Huntington Avenue, Boston 02116. 
Original rock and new wave. Call 266-0790. 
Orchestra Tropica, 57 Colborne Road, No. 
Continued on page 26 








360 NEWBURY STREET 
BOSTON, MA 02115 


(617) 437-1815 





NEW HOT LINE! 


OUTSIDE MASS. 


1-800-343-0759 


YOUR PERSONAL CHECK 
WELCOME HERE 














INSIDE MASS. 


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WE SHIP WORLD WIDE! 


280 \SORCESTER ROAD - ROUTE 9 
FRAMINGHAM, MA 01760 


(617) 879-3590 











THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 25 














Continued from page 25 
B2, Brighton 02135. Latin and Latin jazz. 
Contact Edgard Nevarez, 254-8096. 
Orcrist, 30 Friend Street, Waltham 02154. 
Cover and original heavy-metal rock. Mgr., 
Jim Kennedy, 782-0796, or contact Bob 
Viens, 899-9721. 

Organised Confusion, Box 593, Woburn 
01801. Original and cover rock. Contact 
Edward Madden, 272-2183, or by mail. 
Orient, 26 Fairbrook Road, Framingham 
01701. Cover and original rock. Contact 
Gary Ballard, 877-4950. 

Origin of the Species, 797 Washington 
Street, Brookline 02146. Original rock and 
new wave. Contact Chuck Hahn, 731-8872. 
Orion, 25 Old Harbor Street, South Boston 
02127. Original and cover jazz and folk. 
Contact Joshua Cedar, 268-1362. 
Orpheus, 4 Ames Street, Room 304, 
Cambridge 02139. Original and cover rock 
and new wave. Contact Sara Thornton, 
225-6624. 

Robert Ellis Orral, c/o Entertainment Con- 
cepts Inc., 29 Commonwealth Avenue, 
Boston 02116. Original rock and new wave. 
Call 247-0972. 

John Orsi, c/o Etching Grey, Box 1400, 
Woonsocket, Ri 02895. Original rock and 
new wave. Contact Blair Sharp, (401) 
762-1254. 

The Others, Box 376, Newtonville 02160. 
High-energy original rock. Contact Jim 
Pederson, 899-0361. 

Outhouse All-Stars, c/o Foreplay Produc- 
tions, 27 Hall Avenue, Somerville 02144. 
Original rock and R&B. Contact Patrick 
O'Neil, 623-0635, or Eric O'Brian, 
625-1878. 

The Outlets, 82 Norwood Avenue, New- 
tonville 02160. Original rock and new wave. 
Mgr., Kathie Logue, 969-6774. 

Outrage, c/o Lewis Wiener Enterprises, 
806 Oaklawn Avenue, Cranston, Ri 02920. 
Original rock. Call (401) 944-9005. 
Overkill, 55 Locke Road, Hampton, NH 
03842. Original and cover heavy metal. 
Contact Jon Johnson, (603) 926-2141. 
Overman, 15 Mountain Avenue, 
Swampscott 01907. Original rock. Contact 
Paul Todisco, 581-5837. 

Ozone, 15 Fairfax Street, Boston 02124. 
Original new wave. Mgr., Chris Pilkington, 
825-1656 (evenings). 

Makoto Ozone and Keichi Ishabashi, c/o 
Sandy Berman Productions, 7 Ives Street, 
Beverly 01915. Solo and duo jazz. Call 
922-6954. 

Conjunto Pabon, 100 Wyman Street, Ja- 


maica Plain 02130. Latin, salsa, and 
merengue. Mgr., Roberto Pabon, 
524-2866. 


Pagan, 143 Willow Street, Waltham 02154. 
Original and cover progressive rock. Con- 
tact Robert Flynn, 891-3946. : 

Pajama ’88, 8 North Ash Street, Brockton 








02401. Original new wave. Contact Mark 
St. Louis, 584-0181. 

Jeff Palmer Orchestra, 450 Adams Street, 
Holliston 01746. Top-40, oldies, and swing. 
Call 429-5202. : 

Panache, c/o Ed Malhoit Agency, Box 
2001, Claremont, NH 03743. Commercial 
covers. Call (603) 542-8777. 

Panda, 9 New Castle Drive, Nashua, ‘NH 
03060. Original rock. Mgr., Gerry Paquin, 
(603) 883-2172. 

Pandora, c/o M.K. Associates, 400 Com- 
monwealth Avenue, Box CY77, Boston 
02215. Cover rock showband. Contact 
Michael Krane, 284-4150. 

Para, 9 Pine Street, Watertown 02172. 
Cover and original progressive rock and 
top-40. Contact Scott Robinson, 923-1380 
(evenings). 

Paradox, c/o Mary Cutler Associates, 77 
Surnmer Street, No. 805, Boston 02111. 
Original progressive rock and heavy metal. 
Contact Bruce Owens, 321-1978, or call 
451-6249. 

Paradox, 1361 Quincy Shore Drive, Quincy 
02169. Cover heavy metal. Contact Joe 
Clark, 479-9719, or Rich  Tulimieri, 
471-8665 

Paradyse, c/o Caesar Productions, 34 
Hopewell Street, Taunton 02780. Cover 
rock. Contact Bob Nichols, 823-4700. 

The Paramounts, 42 Brackett Street, No. 1, 
Brighton 02135. Original new wave. Con- 
tact Bart, 783-2519. 

Lester Parker Quintet, Box 73, Boston 
02113. Mainstream jazz. Call 322-3904. 
Parlin Brothers’ Band, 28 Marcoux’s 
Grove, Plaistow, NH 03865. Cover and 
original rock and country rock. Mgr., Rod 
Stevens, (603) 382-6317. 

Marcus Parsons, Box 487, Cambridge 


02238. Solo acoustic music. Call 
PHONESONG, 491-0500. 
The Parts, 61 Ames Street, Lawrence 


01841. Original and cover rock. Contact 
Vince DiTommaso, 681-0676. 

Pastiche, c/o Pretty Polly Productions, 25 
Huntington Avenue, Boston 02116. Original 
rock and new wave. Call 266-0790. 

The Pastimes, 2 C Street, Reading 01867. 
GB and C&W. Contact Robert Foley, 
944-3606. 

A Patch of Blue, c/o Sandy Berman 
Productions, 7 Ives Street, Beverly 01915. 
Contemporary jazz, blues, and swing. Call 
922-6954. 

Patchy Ground Fog, Box 44, Chicorua, NH 
03817. Bluegrass and folk. Contact Peter 
Heimlich, (603) 323-7747. 

The John Payne Band, 318 Harvard Street, 
Brookline 02146. Jazz. Call 277-3438. 

Bill Payne’s Boston Jazz Band, 37 Ridge- 
wood Road, Concord 01742. Dixieland and 
swing. Call 369-7572. 

The David Peacock Group, 54 Westland 
Avenue, Boston 02115. Original rock. Call 


dee 


267-1309 
Pegasus, 81 Putnam Street, Weymouth 
02189. Cover and original rock. Mar., 
Ronny Swan, 335-4556. 

The Pencils, c/o Don Law Agency, 31 Fresh 
Pond Parkway, Cambridge 02138. Satirical 
Original new wave. Contact Mindy 
d'Arbeloff. 547-0620. 

Shamus Pender, 287 Russell Hill Road, 
Ashburnham 01430. Solo Irish, Celtic, and 
British Isles traditional folk. Mgr., Eileen 
Moore Quinn, 827-5388. 

John Penny Band, c/o John Penny 
Enterprises Inc., 259A Beech Street, Bel- 
mont 02178. C&W. Call 924-6722. 
Penzance, c/o New Friendship Produc- 
tions, 3 Edgar Terrace, Somerville 02145. 
GB and top-40. Contact Frank Santangelo 
Jr., 666-9579. 

Suzanne Perel Quintet, c/o Lady Godiva 
Productions, Box 45, Astor Station, Boston 
02123. Jazz, funk, and GB. Contact Cyndia 
Shook or Tahra Richardson, 469-9875. 
The Performers, 68 Winifred Avenue, 
Worcester 01602. Original rock. Contact 
Steve Geer, 756-0928. 

Ed Perkins Trio, 3 Flintlocke Lane, Dedham 
02026. Cover and original jazz. Call 
329-1392. 

John Perrault Band, c/o Cuzin Richard 
Entertainment Agency, Box 4585. 
Portsmouth, NH 03801. Folk. Call (603) 
436-8596 

The Joe Perry Project, c/o Col- 
lins/Barrasso Talent Coordination, 280 
Lincoln Street, Allston 02134. Original rock. 
Call 783-1100. 

Petit Mal, 24 Fisk Place, Cambridge 02139. 
Original new wave. Contact Carrie Cooper, 
354-5915. 

P.F. and the Flyers, c/o Richard Carr 
Productions, 1 Court Drive, Lincoin, Ri 
02865. Cover rock. Call (401) 333-0700. 
Sherrie Phair, Box 506, Harvard Station, 
Cambridge 02238. '40s jazz, swing, and 
blues vocalist. Call 491-1961. 

The Phantoms, Hano Street, Alliston 
02134. Original rock and punk-disco. Con- 
tact Micky Metts, 782-4463. 

Phare Pleigh, 55 Essex Street, Cambridge 
02139. Cover funk, soul, and top-40. Mgr., 
Ted S. Edmonds, 868-3227. 

The Glenn Phillips Band, c/o Bob Jordan 
Expr'essive Music, Box 261, Grafton 
01519. Original instrumental rock. Call 
839-3692. 

The Pictures, c/o R.G. Management, Box 
85, Framingham 01701. Original rock and 
new wave. Mgr., Rick Gallagher, 429-2876. 
Dave Pike and Hearts Country, c/o John 
Penny Enterprises Inc., 259A Beech Street, 
Belmont 02178. C&W. Call 924-6722. 

Bob Pilsbury, c/o Sandy Berman Produc- 
tions, 7 Ives Street, Beverly 01915. Solo 
jazz, blues, and ragtime piano. Call 
Continued on page 28 









+. 








RECORDS 


Do you have more talent than 
money? If you want the straight 
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26 THE BOSTON PHOENIX, BOST 


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Call “Weird” Larry at (617) 658-8391 
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Don't forget Destiny's 16-hour 
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including tape - still $300 





















































ON BANDS, JUNE 1, 1982 













TASCAM 


« 


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3 


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bring professional quality recording within any 
band’s reach. the Tascam 38 (pictured above) 
allows full 8-track simultaneous recording on '/2 
inch tape. full frequency response in both 
SYNC and play modes. and pitch control and 
auto-zero return for under $2500! The 4-track 
34 and 2-track 32 offer the same features at 
comparable savings. The M-30 and M-35 


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Continued from page 26 

922-6954. 

The Rick Pinette Band, c/o Natural Acts, 
350 Marlborough Street, Suite 40, Boston 
02116. Cover and original mainstream 
rock. Call 353-0300 or (207) 695-3718. 
Pink Inc., Box 96, Boston 02101. Original 
new wave. Contact Deb Roth, 542-7245. 
Babe Pino Rockin’ Blues Band, Box 248, 
Reading 01867. Blues tributes. Contact 
Gary Avadanian, 667-5083. 

The Pinpoint Band, c/o Caesar Produc- 
tions, 34 Hopewell Street, Taunton 02780. 
Original rock and Southern rock. Contact 
Bob Nichols, 823-4700. 

Pizazz, 440 Island Street, Stoughton 
02072. Top-40. Contact John Tolias, 
341-0397, or Gary, 878-4910. 

Pizazz, 291 Newbury Street, Boston 02116. 
Top-40 and swing duo. Contact Shel 
Lopatin, 262-4755. 

P.J. and the Pontiacs, Box 269, Boston 
02101. Cover R&B and soul. Contact P.J. 
Celi, 776-1571. 

Plain Folk, 18 Kensington Road, Worcester 
01602. Irish and folk. Mgr., Charlie Ball, 
798-2402. 

Planet Street, c/o Harvard Square Talent 
Agency. 5 Boylston Street, Cambridge 
02138. Original rock and new wave. Call 
661-7720. 

Plan 9, Box 198, Middletown, RI 02840. 
Original and cover psychedelic dance rock 
and new wave. Contact Deborah DeMarco, 
(401) 397-5688. 

Pleasant Beef, c/o Zero Productions, 107 
Munroe Street, Lynn 01901. Original new 
wave and punk-funk. Contact Gregory 
Osgood, 592-9496. 

The Pleasure Dots, 8 Washington Avenue, 
Northampton 01060. Original and cover 
blues and dance rock. Mgr., Bill Fitzgerald, 
(413) 586-0855. ; 

The Plush, c/o Blind Tuna Productions, 724 
Main Street, Winchester 01890. Original 
new wave and heavy metal. Contact Mr. 
Robinson, 254-2152. 

The Pods, 157 Harriet Avenue, North 
Quincy 02171. Cover and original rock and 
new wave. Contact Ronald Barden, 
328-1494. 

Points North, c/o New England Talent 
Consultants, Box 217, West Peabody 
01960. Cover and original rock and new 
wave. Mgr., Bill Bunker, 532-0970. 

Police State, 143 Pemberton Street, Cam- 
bridge 02140: Original rock. Contact John 
Sullivan, 354-4549. 

Herb Pomeroy, c/o Curtis International 
Associates, Boston Center for the Arts, 539 
Tremont Street, Boston 02116. Jazz. Con- 
tact Bill Curtis, 426-4243. 

Poncho, 24 Trident Avenue, Winthrop 
02152. Cover and original rock and ‘50s 
and ‘60s oldies. Call 846-7239. 

Poor Boy Symphony, c/o Clockwork Enter- 
tainment Management, Box 1600, Haverhill 
01830. Cover and original rock. Contact Bill 
Macek, 373-6010. 

Molly Porterfield, c/o Music Management, 
32 Linnaean Street, Cambridge 02138. 
Solo piano/vocal jazz and top-40. Call 
354-4095. 

Lewis Porter Quartet, c/o Morningside 
Management, 270 Albany Street, No. 5, 
Cambridge 02139. Jazz. Contact Carla 
Pollack or Fred Silverstein, 864-5450. 
Portraits in Sound, 32 Walter Street, 
Salem 01970. GB. Contact Tony Malionek, 
745-2312. 

Positive 1.D., 2 Edgewood Road, 
Gloucester 01930. Cover and original rock 
and new wave. Contact Justin Tocco, 
283-0242. 

Ellis Posner Band, 393 Broadway, Cam- 
bridge 02139. Original and standard jazz. 
Contact Ellis Posner, 547-4606. 

The Possessions, 15 Inman Avenue, War- 
wick, RI 02886. Original punk. Mgr., Mark 
Seaback, (401) 737-7834. 


28 


‘ Potpourri, 


THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 


The Postcards, 5 Washington Street, 
Portsmouth, NH 03801. Cover and original 
rock and swing. Contact Jim Tierney, (603) 
436-0797, or Stanley Longstaff, (603) 
436-0396. 

1616 Bay Road, Stoughton 
02072. Top-40 and oldies. Contact Howard 
Jung, 344-9170. 

Powerglide, c/o Richard Carr Productions, 
1 Court Drive, Lincoln, Rl 02865. Cover 
rock. Call (401) 333-0700. 

John Powers, c/o Destiny Recording Stu- 
dio, 31 Nassau Avenue, Wilmington 01887. 
Original rock. Contact Larry Feeney, 
658-8391. 

The Andy Pratt Band, c/o Pretty Polly 
Productions, 25 Huntington Avenue, Bos- 
ton 02116. Original rock. Mgr., Dan Russell, 
668-5639, or call 266-0790. 

Preacher Jack, c/o Sandy Berman Produc- 
tions, 7 Ives Street, Beverly 01915. Solo 
boogie-woogie gospel and blues. Call 
922-6954. 

Precious Comodity, 372 Hillside Street, 
Milton 02186. Cover and original rock. 
Mogr.. David Friedlander, 696-8404. 
Preservation, c/o Rockfever Productions, 


535 Broadway, Lawrence 01841. Kinks 
covers. Call 682-7085 or -7270. 
President, 20 Arch Street, Dover; NH 


03820. Original rock. Contact Freddie 
Catalfo, (603) 742-3425. 

The Preston-Porter Band, West Main 
Road, West Millbury 01586. '50s rock and 
cover and original rockabilly. Call Ric 
Porter, 865-6811. 

Eric Preston’s Purple Haze, c/o Rockfever 
Productions, 535 Broadway, Lawrence 
01841. Jimi Hendrix covers. Call 682-7085 
or -7270. 

Eric Preusser Band, 17 Warren Street, 
Cambridge 02140. Cover and original jazz 
and funk. Call 876-9411. 

Primary Colors, 126A Babcock Street, B-1, 
Brookline 02146. Original rock. Contact 
John Hartcorn, 739-3908 (days), or lan 
Stevens, 277-3771 (evenings). 

Prime Movers, 36 Ely Road, Dorchester 
02124. Original and cover rock and new 
wave. Mgr., Joyce Linehan, 436-7209, or 
contact Jeff Sugarman, 332-3770. 
Primitive Romance, 150 South Street, No. 
3, Jamaica Plain 02130. Original hypnotic 
rock. Contact Randy Barnwell or Lester 
Esser, 524-2742. 

The Prisoners, Box 528, Natick 01701. 
Original rock. Contact Jack Bialka, 
872-0744 

Private Cellar Band, 3 Columbia Road, 
Danvers 01923. Country. Mgr., Richard 
Fifield, 774-6080. 

Private Lightning, c/o Pretty Polly Produc- 
tions. 25 Huntington Avenue, Boston 
02116. Original rock. Call 266-0790. 
Private Stock, DLD No. 73, 310 Franklin 
Street, Boston 02110. Cover rock, top-40, 
and oldies. Contact Lee Jackson, 
471-4450. 

The Probers, c/o Pyramid Artists, 263 
Summer ‘Street, No. 416, Boston 02210. 
Original rock. Call 542-7238. 

The Product, 41 Winter Street, Kingston 
02364. Original new wave. Contact Eugene 
DiFrancesco, 585-3810 (days), or Phil 
Brosseau, 293-3291. 

K.K. Proffitt, c/o Regis King Ltd., Box D, 
Astor Station, Boston.02123. Original rock. 
Contact Kathy Proffitt, 935-5091. 

Progress Street, 49 Gardner Street, All- 
ston 02134. Original rock. Contact Ray 
Sadolsky, 566-1485. 

The Proletariat, Box 534, Kenmore Station, 
Boston 02215. Post-punk original rock and 
new wave. Contact Frank, 763-8819, or 
Peter, 644-2878. 

Prophecy, 22 Oakhurst Circle, Needham 
02192. Cover heavy metal. Contact Marc 
Johnson, 449-3573. 

Prophet, 2'2 Putnam Street, Nashua, NH 
03060. Cover and original rock and fusion. 


Contact George E. Dudley or John Dudley, 
(603) 883-8355. 
Protex Blue, 20 School Street, New- 
buryport 01950. Original and cover rock 
and new wave. Contact Tom Reeves, 
465-8576 (evenings). 

Provincetown Jug Band, 17 Carnes Av- 
enue, Provincetown 02657. Goodtime folk 
and country swing, oldies, and. R&B. 
Contact Geno Haggerty, 487-2714, or Tim 
Dickey, 349-9254. 

P.S. Wild, 1742 River Street, Hyde Park 
02136. Original and cover rock. Contact Al, 
361-2953, or Billy, 265-2426. 

Psycho, 4 Union Street, Brighton 02135. 
Original rock. Contact Bill Bois, 782-5242, 
or John Wolfe, 776-2613. 

Psyclone, 9 Condor Road, Reading 01867. 
Original rock, new wave, and dance rock. 
Contact Don Richard, 944-9012. 

Pug Easy, 150 Larkin Street, Revere 02151. 
Original and cover rock. Contact Steve 
Coviello, 284-7925, or Steve Levy, 
284-6219. 

The Pull, c/o Lewis Wiener Enterprises, 806 
Oaklawn Avenue, Cranston, RI 02920. 
Cover and original rock. Call (401) 
944-9005. 

Pulsation, 262 Blue Hill Avenue, Milton 
02186. Jazz and fusion. Contact Lance Van 
Lenten, 698-8972 or 738-5614. 

Michael Punzak, 82 Monument Street, 
West Medford 02155. Solo folksinger with 
fiddle and autoharp. Call 488-7598. 
Puppet Rulers, c/o Entertainment Con- 
cepts Inc., 29 Commonwealth Avenue, 
Boston 02116. Original rock. Call 
247-0972. 

John Purcell and the Partials, 11 Wood- 
bridge Street, Cambridge 02140. Be-bop 
avant-garde jazz. Contact John Purcell, 
497-4420. 

Pursuit, Box 525, Buzzard’s Bay 02532. 
Cover rock and top-40. Contact Rob Jarvis, 
759-4710. 

The Puzzles, 7A Warren Avenue, Woburn 
01801. Original new wave. Contact Ellen 
Cunis, 935-9038. 

Pyramid, c/o Richard Carr Productions, 1 
Court Drive, Lincoin, Rl 02865. Cover rock. 
Call (401) 333-0700. 

Q.T. Hush, c/o The Flash Group Corpor- 
ation, Suites 502 & 503, 302 Captains Walk, 
New London, Conn. 06320. AC/DC covers. 
Call (203) 443-5371. 

The Quest, 795 Washington Street, New- 
tonville 02160. British-style original rock. 
Contact Claude Fixler, 729-5827. 

Tony Racciatti Octet, 3 Payne Road, 
Newton 02161. Jazz. Call 965-2985. 

The Race, c/o Ed Malhoit Agency, Box 
2001, Claremont, NH 03743. Commercial 
covers. Call (603) 542-8777. 

Race, 107 Grove Street, North Attleboro 
02760. Original high-tension rock. Contact 
Tom Benedetti, 699-8841. 

Racer, 19 Cedar Hill Road, Ashland 01721. 
Original and cover rock. Mgr., Tom Noths- 
tein, 881-2461. 

Radio Novena, 180 Third Street, No. 1, 
Cambridge 02141. Original new. wave. 
Contact Desaray, 491-2961. iB 

Radio Prison, 10 Thatcher Street, Hyde 
Park 02136. Original new wave! Contact 
Jim Vacca, 361-0759. 

Radio Romance, 29 Ocean Avenue, North 
Scituate 02055. Original rock. Contact 
Steve Goddard, 545-0765. 

The Radios, c/o Russ Carlton Entertain- 
ment, Box 542, Holliston 01746. '60s oldies. 
Contact Jim Lawrence, 872-3584. 
Radiostar, c/o Richard Carr Productions, 1 
Court Drive, Lincoln, Rl 02865. Cover rock. 
Call (401) 333-0700. ca 
Aaron Rae Show, c/o New Friendship 
Productions, 3 Edgar Terrace, Somerville 
02145. GB and oldies show band. Contact 
Frank Santangelo Jr., 666-9579. 

Rainbow, 34 Tracy Street, Peabody 01960. 
GB and top-40. Contact Roy Pais, 
































531-5074. 
Rainbow’s End, 95 Glenwood Road, Som- 
erville 02 145. Irish and C&W. Contact Frank 
Smith, 625-6079. 

Rampage, 25 Daniel Drive, Burlington 
01803. Cover and original rock. Contact 
Brian M. Owens, 272-7932 or 933-8830 ext. 
51. 

Random Access, 545 Somerville Avenue, 
No. 2, Somerville 02143. Original sym- 
phonic-punk. Contact Victor Preston, 
628-2267. 

Rapid Eye Movement, 94 Green Street, 
Jamaica Plain 02130. Original improvisa- 
tional avant-garde. Contact David Sholl, 
522-7057. 

Rapport, 68 Brookside Avenue, New- 
tonville 02160. GB. Contact Alison Conant, 
332-5214. 

Rasmyth, c/o Cuzin Richard Entertainment 
Agency, Box 4585, Portsmouth, NH 03801. 
Cover rock and top-40. Cail (603) 
436-8596. 

The Rats, 232 Kelton Street, No. 20, Allston 
02134. Cover and original rock and com- 
edy. Contact G. Cook, 738-0569. 

Raven, c/o Don Mac Entertainment, 80 
Boylston. Street, Boston 02116. Top-40. 
Call 426-6618. 

The Raw Honey Band, 38 Oxbow Road, 
East Falmouth 02536. Bluegrass. Contact 
Mark Trichka, 540-4714. 

Raw Meat, 14 Batti Avenue, East 
Bridgewater 02333. Original and cover 
heavy-metal rock. Contact Ralph Roberts, 
378-3494, or Jonathan Duncan-Pettingill, 
837-1118. 

Razor, c/o Ed Malhoit Agency, Box 2001, 
Claremont, NH 03743. Cover heavy metal. 
Call (603) 542-8777. 

R-Complex, c/o Manny Click Enterprises, 
17 Morgan Street, No. 2, Holyoke 01040. 
Original and cover rock and new wave. Call 


(413) 533-5424. 

Real Kids, c/o Cherry Lane Productions, 
739 Boylston Street, Boston 02115. Or- 
iginal rock and new wave. Contact Steven 
Farro, 262-7220. 

Reality, 62 Riverview Circle, Wayland 
01778. Original new wave and video. 
Contact Susie Wong, 877-0690. 

Andrea Re & Clouds, 113 Grant Street, Nc. 
1, Portland, Maine 04101. Original and 
cover rock. Contact Charles Brown, Jr., 
(207) 772-1007. 

Recurring Nightmare Band, 5 Parker 
Road, Bedford 01730. Original avant-garde 
rock, new wave, and blues. Contact Paul 
Mudgett, 275-7051. 

Red, 24 Thayer Street, Boston 02118. 
Original rock, new wave, and red music. 
Contact Ottmar Liebert, 426-6655. 

The Red S r Band, 58 West Street, 
No. 8, Worcester 01609. Original and cover 
rock and new wave. Contact Don Mont- 
gomery, 757-9493. 

Redline, 62 Carrington Avenue, 
Providence, Ri 02906. Original rock and 
new wave. Mgr., Nick or Josh Gutfreund, 
(401) 331-2065. 

The Redneck Revival, 389 Shawsheen 
Avenue, Wilmington 01887. Modern coun- 
try. Contact John Bognore, 658-8249. 
Redsun Conversion, Boston. Original and 
cover rock and top-40. Contact Keno Reed, 
254-3421, or Lori, 289-9180. 

Red Tape, c/o K.O. City Studio, 262 
Mammoth Road, Lowell 01854. Original 
avant-garde new wave. Contact Andy 
Szava-Kovats, 454-7769. 

The Reflections, c/o Russ Carlton Enter- 
tainment, Box 542, Holliston 01746. GB and 
top-40. Contact Jim Lawrence, 872-3584. 
Release, 7 Miner Street, Boston 02215. 
Commercial jazz, soft rock, and funk. 
Contact Gary Dekow, 536-3236, or Sande 





Sharlat, 536-5849. 
Reminiscence, 4 October Lane, Lynnfield 
01940. "30s and ‘40s swing. Contact 
Maicoim Granger, 334-6061. 
Rendezvous, 106 Litchfield Street, Bright- 
on 02135. Top-40 and GB. Contact Mario 
Porporino, 254-1788, or Gina Riggi, 
745-5246. 
Renegade, c/o Clockwork Entertainment 
Management, Box 1600, Haverhill 01830. 
Cover and original rock. Contact Bill 
Macek, 373-6010. 
Reprise, c/o Pav Enterprises, Box 215, 
Agawam 01001. '60s rock. Contact Joe 
Pav, (413) 786-1511. 
Resistance, 1 Islington Terrace, Aliston 
02134. Cover and original rock. Les Ross, 
782-5075. 
The Resistors, 40 Durham Street, Law- 
rence 01843. Cover and original new wave. 
Contact Dan Desjardins, 683-9378. 
Restivo Bros., 10 Totman Drive, No. 4, 
Woburn 01801. Cover and original rock. 
Contact Dan Restivo, 933-9025. 
Reunion, c/o Campus Services, 172 Main 
Street, Spencer 01562. Cover rock and 
top-40. Contact Pat George or Don San- 
tora, 753-1318. 
Revenue, Box 71, Belmont 02178. Original 
rock and new wave. Contact Marshall 
Bradt, 924-1992. 
Revolver, Lynn. Original and cover rock. 
Contact Howie Colclough, 595-5759. 
Arthur Rex, c/o Don Mac Entertainment, 
80 Boylston Street, Boston 02116. Original 
and cover heavy metal. Call 426-6618. 
Fred Reynolds Good Time Jazz, c/o Frank 
Borsa Productions, 112 Fourth Street, 
Norwood 02062. Dixieland. Call 762-0110. 
The Rheinlander, c/o Russ Cariton Enter- 
tainment, Box 542, Holliston 01746. Ger- 
man music. Contact Jim Lawrence, 
Continued on page 30 








I’s woRTH ING XBIll 











WHAT YOU DON’T SEE IS WHAT 
maxXell. DELIVERS 


IF IT’S WORTH RECORDING, 


© 























THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 29 










Continued from page 29 

872-3584. 

The Rhythm Method, 13 Victory Avenue, 
Quincy 02169. Cover and original rock and 
new wave. Mgr., Greg Roberts, 369-2841, 
or contact David Grutter, 479-4626. 
Jonathan Richman, c/o Pyramid Artists, 
263 Summer Street, No. 416, Boston 
02210. Original rock. Call 542-7238. 

Riff Raff, 5 Roselin Avenue, Quincy 02169. 
Hard rock. Contact John Tronca, 471-7905. 
Robin Right and Right Country, c/o John 
Penny Enterprises Inc., 259A Beech Street, 
Belmont 02178. Country and country rock. 
Call 924-6722. 

Rik-E, 39 West Newton Street, Boston 
02118. Original blitz and new wave. Contact 
Richard Northrop, 536-7176. 

Bob Riley and the Music Masters, c/o John 
Penny Enterprises Inc., 259A Beech Street, 
Belmont 02178. Cover pop-country. Call 
924-6722. 

Paul Rishell Band, 25 Magnolia Avenue, 
Cambridge 02138. Blues, R&B, and funk. 
Contact Paul Rishell, 491-8656, or Albert 
Balgochian, 965-1792. 

Risk-A, 2 Chestnut Place, Saxonville 01701. 
Original and cover rock and new wave. 
Contact David L. Donald, 443-9857. 

Ruth Ristich, c/o Productions Alpha, 708 
Mystic Avenue, Somerville 02145. Jazz. 
Contact Bob Pierce, 924-2238 or 776-8886. 
The Rivals, 28 Sylvia Street, Lexington 
02173. Original rock. Contact Robert But- 
ler, 862-0284. 

The Dave Rivers Band, Box 2097, Littleton 
01460. Cover and original rock. Contact 
Richard L. Page, 486-8884. 

The Riverside Drivers, c/o Lady Godiva 
Productions, Box 45, Astor Station, Boston 
02123. R&B and Motown. Contact Cyndia 
Shook or Tahra Richardson, 469-9875. 
The Rizztones, c/o Don Mac. Entertain- 
ment, 80 Boylston Street, Boston 02116. 
Beatles covers, ‘50s and ’60s oldies, and 
cover rock. Call 426-6618. 

The Roamers, 13 Weir Street, Auburndale 
02166. Original rock. Contact William 
Roemers, 527-2311. 

Katie Roberts-Margie Pos Quartet, 178 
Morrison Avenue, Somerville 02144. Cover 
and original jazz and Latin. Contact Joe 
Link, 625-2182. 

Roberts Station, Box 2746, Brandeis Uni- 
versity, Waltham 02254. Cover and original 
rock and blues. Contact Andrew Silfen, 
647-4842. 

The Duke Robillard Band, 99 Highland 
Avenue, Mansfield 02048. Rock and R&B. 
Mgr., Ronald Martinez, 339-6857. 

Lewis Robinson and V . C/O Produc- 
tions Alpha, 708 Mystic Avenue, Somerville 
02145. Original and cover rock and funk. 
Call 262-0207 or 776-8886. 

Rick Robinson and the Bayou Boys, c/o 
John Penny Enterprises Inc., 259A Beech 
Street, Belmont 02178. C&W. Call 
924-6722. : 

Rockabilly Planet, c/o Concerted Efforts, 


312 Salem Street, Medford 02155. Rock- | 


abilly. Call 396-1613. 

Rockestra, c/o Bruce James Company, 
Box 439, Lyndonville, Vt. 05851. Cover and 
original rock. Call (802) 626-3317. 

The Rockett 88’s, 1407 Beacon Street, 
Brookline 02146. Cover and original rockin’ 
blues and R&B. Contact Michael Costello, 
734-5272. 

The Rockin’ Heartbeats, 121 Walden 
Street, Cambridge 02140. Original and 
cover R&B, blues, and rock. Contact 
George Lewis, 491-0628. 

Rockinhood, 14 John Street, Waltham 
02154. Cover and original rock and South- 
ern rock. Contact John Delfino, 894-6695. 

Rocky Road, 25 Asunta Road, Revere 
02151. Oldies. Contact Alan Synott, 
289-5024. 

Jimmy Rogers Blues Band, c/o Concerted 
Efforts, 312 Salem Street, Medford 02155. 





Blues and R&B. Call 396-1613. 

Alida Rohr’s Band, 28 Ashcroft Street, 
Jamaica Plain 02130. Punk jazz, blue wave, 
and mutant music. Call 522-6104. 

The Randy Roos Band, Brighton. Original 
fusion. Call 254-0958. 

Rosie, c/o Richard Carr Productions, 1 
Court Drive, Lincoin, Ri 02865. Cover rock. 
Call (401) 333-0700. 

Al Ross and Thunder Road, c/o John 
Penny Enterprises Inc., 259A Beech Street, 
Belmont 02178. Country and country rock. 
Call 924-6722. 

Robert Ross, c/o Concerted Efforts, 312 
Salem Street, Medford 02155. Cover and 
original rock and blues. Call 396-1613. 
The Rough Cuts, 159 River Street, Brain- 
tree 02184. Original rock. Contact Robert 
Turner, 843-3816. 

Rough Mix, c/o Apple Core Studios, 67 
Highland Street, Walpole 02081. Original 
and. vintage rock. Contact John 
McDonough, 668-2876. 

Rick Roughgarden, 1810 Commonwealth 
Avenue, Brighton 02135. Solo acoustic art 
rock. Call 734-0388. 

The Roundabouts, 54 Knoll Road, Hamil- 
ton 01936. Oldies and GB. Contact Rich 
Dorato, 468-7221. 


Roundhouse, c/o Richard Carr Produc- 


tions, 1 Court Drive, Lincoln, Ri 02865. 
Cover rock. Call (401) 333-0700. 

Peter Rowan, c/o Concerted Efforts, 312 
Salem Street, Medford 02155. Original and 
cover rock and country. Call 396-1613. 
The Rox, 529 Union Street, 
02370. Original and cover rock and new 
wave. Contact Scott Wheeler, 878-0239. 
Royalty, c/o Rooster Berry Productions, 
806 Oaklawn Avenue, Cranston, Ri 02920. 
Top-40 and commercial covers. Call (401) 
943-5088. 

Rubber Rodeo, c/o FAT Artists, 400 Essex 
Street, Salem 01970. Cover and original 
new wave and country. Mgr., Don Roze, 
744-7678. 

Rubber Tellie String Quartet, 140 Elim 
Street, North ‘Cambridge 02140. Avant- 
garde new music. Contact Hartley Severns, 
492-3041. 

The Rubies, c/o Pretty Polly Productions, 
25 Huntington Avenue, Boston 02116. 
Cover and original rock. Call 266-0790. 
The Ruckus, 15 Mosgrove Avenue, Roslin- 
dale 02131. Cover and original rock. 
Contact Ken Quigley, 327-0422. 

Tom Rudd, c/o New Friendship Produc- 
tions, 3 Edgar Terrace, Somerville 02145. 
Solo GB. Contact Frank Santangelo Jr., 
666-9579. 

The Ruins, 110 Bellevue Road, Quincy 
02171. Original rock. Contact Don Golden, 


30 THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 


Rockland © 


> 


328-1557. 

The Run, c/o Runmusic, General Delivery, 
Hollis, NH 03049. Origina| rock and new 
wave. Mgr., Michael Wrann and Carol 
Thibeault, (603) 465-7640. 

The Runes, 21 Overlook Drive, Weston 
02193. Original rock and new wave. Con- 
tact Joe Ward, 894-8571. 

Run 21, c/o Ed Malhoit Agency, Box 2001, 
Claremont, NH 03743. Cover, and original 
rock and rock theater. Call (603) 542-8777. 
Gary Rup and the Group, 45 Russel Street, 
Plymouth 02360. Oldies, country, disco, 
and top-40. Call 746-2542. 

Carey Rush Band, c/o Ed Malhoit Agency, 
Box 2001, Claremont, NH 03743. Com- 
mercial covers. Call (603) 542-8777. 
Rutman’s U.S. Steel Cello Ensemble, 265 
Pearl Street, Cambridge 02139. Avant- 
garde new wave. Contact Robert Rutman, 
492-3464. 

R.W. Big Band, Box 2, Franklin 02038. 
Cover jazz and swing. Contact Russell 
Weisman, 528-3111. 

The Rythm Express, Box 3318, Nashua, 
NH 03060. Cover and original blues, funk, 
and soul. Contact Stephen T. Smith, (603) 
882-7731. 

Randy Sabien Quartet, 60 Harvard Av- 
enue, Brookline 02146. Hot swing with 
violin. Call 734-5873. 

Sabor Latino, 264 Redge Avenue, Cam- 
bridge 02140. Cover and original Latin, 
jazz, and new wave. Contact Rafin Sanchez, 
497-0864. 

Sabotage, c/o Top Rock Productions, 651 
Main Road, Tiverton, Ri 02878. Cover and 
original rock. Mgr., Rick Paquin, (401) 
624-6603 or (401) 624-8943. 

Sacred Cows, 4 Ames Street, Cambridge 
02139. Original punk. Contact Jon von 
Zelowitz, 225-6605. 

Sahara, c/o Richard Carr Productions, 1 
Court Drive, Lincoin, Rl 02865. Cover rock. 
Call (401) 333-0700. 

St. James Gate, 97 Dudley Road, Wayland 
01778. Bluegrass, Irish, country, and folk. 
Contact Ron Lister, 524-2856. 

Salem 66, 7 Ashford Street, Allston 02134. 
Original rock and new wave. Contact Judy 
Grunwald, 782-6589. 

Tony Saleton, c/o Performing Artist As- 
sociates, 161 Harvard Avenue, No. 11, 
Allston 02134. Solo folk. Call 783-2060. 
Debbie Salvucci, c/o Frank Borsa Produc~ 
tions, 112 Fourth Street, Norwood 02062: 
Solo folk and top-40. Call 762-0110. 
Trudy Sandhaus Quartet, 107 Westbourne 
Terrace, Brookline 02146. Jazz standards 
and GB. Call 232-3570. 

Sandy Mac and the Heart Attacks, 79 
Speen Street, Natick 01760. Original and 
cover R&B and rock. Contact Sandy 
MacDonald, 653-4648. 

Sapphire, c/o Rooster Berry Productions, 
806 Oaklawn Avenue, Cranston, Ri 02920: 
Top-40 and disco. Call (401) 94345088. 


Gray Sargent, c/o Sandy Berman Produc- 


tions, 7 Ives Street, Beverly 01915. Solo or 
group jazz, blues, and swing. Cail 
922-6954. 

Sa Sa Ay, c/o Morningside Management, 
270 Albany Street, 
02139. Haitian dance band. Contact Carla 
Pollack or Fred Silverstein, 864-5450. 
Sass, Box 301, Maynard 01754. Original 
rock. Mgr., William Riseman, 267-0294. 
The Satellites, 104 Charles Street, No. 205, 
Boston 02114. Original rock and new wave. 
Mgr., Jim Felber, 524-0807. 

Saturday Night Special, c/o Captain Carl 
Associates, 65 Pond Street, South At- 


tleboro 02703. Cover and original  eaimaaie 


rock. Call 399-8489. 

The Dimi Saunders Band, 38 Springhill 
Road, Framingham 01701. Original rock 
and new wave. Mgr., Nate Robinson, 
877-8085. 

Gail Savage, c/o Clockwork Entertainment 
Management, Box 1600, Haverhili 01830. 


Ilustration by Leslie Evans 


No. 5, Cambridge* 









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Cover and original rock. Contact Bill 
Macek, 373-6010. 

Savage Towels, 206 Bristol Road, Welles- 
ley 02181. Original and cover rock and new 
wave and ‘60s oldies. Contact Chip 
Hourihan, 235-8709. 

Savero, 76 Forest Park Avenue, North 
Billerica 01862. Oldies and top-40. Contact 
Carlo Severo, 667-1418. 

Sayne, 1031 Main Road, Westport 02790. 
Original rock and new wave. Contact John 
Winters, 636-8 198. 

Scant asure, 148 Malden Street, 
Malden 02148. Traditional music of Ireland 
and the British Isles. Contact Chris Maher, 
322-2539 or 242-1911. 

Scared Kids, 33 Middle Street, No. 14, 
Waltham 02154. Original rock. Contact 
Rudy Buck, 891-7696. 

Ron Scarlett Band, c/o Fast Contrast 
Productions, 36 Moore Street, Boston 
02128. Original rock. Contact Ron Scarlett 
by mail. 

Schemers, c/o Lewis Wiener Enterprises, 
806 Oaklawn Avenue, Cranston, Ri 02920. 
Original rock. Call (401) 944-9005. 
Schooner Fare, c/o Outer Green Music, 
Box 8012, Portland, Maine 04104. Folk, 
traditional, nautical, and Celtic music. Mgr., 
Tom Power, (207) 774-9483. 

Andrew Schulman, c/o Entertainment 
Concepts Inc., 29 Commonwealth Avenue, 
Boston 02116. Cover and original rock and 
folk. Call 247-0972. 

Science Friction, 43 Winter Street, No. 3, 
Boston 02108. Original rock and new wave. 
Contact Stephen Berman, 451-1229. 
Scollay Square Stompers, 38 Outlook 
Road, Swampscott 01907. Dixieland and 
‘20s novelties. Contact Jack Phelan, 
595-6379. 

Scorpio, c/o Frank Borsa Productions, 112 
Fourth Street, Boston 02062. Solo cover 





rock and top-40. Call 762-0110. 

Maggie Scott, c/o Curtis International 
Associates, Boston Center for the Arts, 539 
Tremont Street, Boston 02116. Jazz and 
GB. Contact Bill Curtis, 426-4243. 
Scrambler, 65 Memorial Drive, Stoughton 
02072. Original rock. Contact Thomas 
Connolly, 344-4263. 

Seabrook and Star, c/o Moreton Artist 
Management, 45 Meadowbrook Road, 
Weston 02193. Cover and original main- 
stream pop duo. Mgr., Steve Moreton, 
893-0669. 

The Seals, 57 Cadish Avenue, Hull 02045. 
Cover and original rock and British in- 
vasion. Contact Alicia Zipp-Smith, 
925-3763. 

Search, c/o Performing Artist Associates, 
161 Harvard Avenue, No. 11, Allston 02134. 
Jazz standards and originals. Call 
783-2060. 

Second Division, 115 Hemenway Street, 
Boston 02115. Original rock and new wave. 
Contact Kevin James, 262-9258. 

Second Society, c/o Neer Associates, 29 
Commonwealth Avenue, Boston 02116. 
Cover rock, funk, and top-40. Call 
247-1630. 

The Secret, 74-A Bowdoin Street, Maiden 
02148. Original and cover rock and new 
wave. Contact Michael Steinberg, 
321-0308. 

Secret Agents, c/o Silver Fox Music 
Productions, 95 Van Kleeck Road, Millis 
02054. Cover rock and top-40. Cail 
376-2022. 

Secret Word, c/o J&J Productions, 9 
Linden Street, Allston 02134. Original rock 
and new wave. Contact Jim, 782-9257. 
The Sect, 93 Auckland Street, Dorchester 
02125. Original and cover rock and new 
wave. Contact Paul Bazzinotti, 282-8458. 
Seduced and Abandoned, 16 Cottage 





Street, East Weymouth 02189. Soft rock 
and folk. Contact Karen D'Arcy, 335-2572. 
Jerry Seeco, c/o Frank Borsa Productions, 
112 Fourth Street, Norwood 02062. 
Top-40, GB, and cover rock. Call 762-0110. 
Larry Seigal, c/o Don Mac Entertainment, 
80 Boylston Street, Boston 02116. Solo 
country rock. Call 426-6618. 
Selli’s Deli, 24 Brooks Street, Brighton 
02135. Original rock. Contact Bruce Peel, 
782-2225. 
Send Me To Camp, 359 South Quin- 
sigamond Avenue, Shrewsbury 01545. '50s 
and ‘60s rock and original and traditional 
R&B. Contact Bob DeFosse, 753-8612 or 
799-5456. 
Sensible Shoes, 56 Mansfield Street, 
Alliston 02134. Original rock and new wave. 
Mgr., Jim Holt, 254-8424, or contact Suzie 
Brockmann, 254-4065. 
The Serious Martinis, 18 Homer Street, 
No. 4, Brookline 02146. Original and cover 
rock. Contact Winslow, 738-6610. 
Seth, 21 Everett Street, Medford 02155. 
Original rock. Contact Gerard Stafford, 
391-4430. 
The Sexexecs, c/o Harvard Square Talent 
Agency, 5 Boylston Street, Cambridge 
02138. Original rock and new wave. Cail 
661-7720. 
The Shaboo All-Stars, c/o Harvard Square 
Talent Agency, 5 Boylston Street, Cam- 
bridge 02138. Cover and original rock and 
R&B. Call 661-7720. 
Shahara-Zod, c/o Northeast Entertain- 
ment Agency, Box 1718, Lowell 01853. 
Funk, reggae, and top-40. Call 459-4785. 
The Shake, 25 Alice Avenue, Warwick, Ri 
02886. Original rock. Contact Gordon, 
(401) 738-0992. 
The Shakers, 80 Josephine Avenue, Som- 
erville 02144. Original new wave. Contact 
Continued on page 32 





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THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 31 








Continued from page 31 

Bill Del, 625-6247. 

The Shakes, 169 Endicott Street, No. 8, 
Boston 02113. '50s rockabilly and blues. 
Contact Ron Scaffidi, 367-3645. 

Gary Shane and the Detour, New Town 
Branch, Box 392, Boston 02258. Original 
rock and new wave. Mgr., Alan Rotberg, 
926-7688. 

Shape Shifter featuring Arni Cheatham, 
791 Tremont Street, No. W311, Boston 
02118. Original contemporary jazz and 
standards. Call 353-0368. 

Shapes, 84 East Ashland Street, Brockton 
02402. Cover and original rock and new 
wave. Contact Kevin Yelapi, 584-2855, or 
Roy Tucker, 266-2708. 

Sharon and Friends, c/o Green Mountain 
Productions, Box 723, Stoughton 02072. 
Cover and original country, blues, and pop. 
Mor., Larry Myatt, 341-1552. 

Shattered, c/o Bruce James Company, 
Box 439, Lyndonville, Vt. 05851. Rolling 
Stones covers. Call (802) 626-3317. 

Shaw Brothers, c/o Cuzin Richard Enter- 
tainment Agency, Box 4585, Portsmouth, 
NH 03801. Folk. Call (603) 436-8596. 

She, Box 142, Campton, NH 03223. Cover 
rock and new wave. Contact Tom Curatolo 
or Scott Anderson, (603) 726-8804. 
Shenandoah, c/o Entertainment Concepts 
Inc., 29 Commonwealth Avenue, Boston 
02116. Original rock. Call 247-0972. 

Glenn Shields and the Baked Apple Band, 
Box 1605, Seabrook, NH 03874. Country 
and country rock. Call (617) 887-5651. 
Shire, c/o New England Management, 91 
Garfield Avenue, Lynn 01905. Original 
progressive rock. Mgr., Norm Soucy, 
599-8763. 

The Shittons, 234 Adams Street,. Newton 
02158. Cover rock and oldies. Contact Judy 
Garrick, 964-7497. 

Shiyers, c/o Coastline Productions, 25 
Market Street, Warren, RI 02885. Original 
rock. Mgr., Arnold Freedman, (401) 
247-0218 or (212) 245-4580. - 

Shocking Pink, 61 Elm Street, Danvers 
01923. Original new wave. Contact Wayne 
Gibson, 774-2345 or 888-6229. 

Dick Short Quartet, 23 Rosedale Street, 
Dorchester 02124. Jazz, top-40, and GB. 
Call 436-6993. 

The Paul Shumsky Trio, 6 Thayer Street, 
Hingham 02043. Jazz. Call 749-8873. 

Shut Up, 12 Acadia Park, No. 3, Somerville 
02143. Original electronic new wave. Con- 
tact Gene Thompson, 666-4368, or 
Malcolm Smith, 354-1568. 

The Sickness, Natick. Original punk. Con- 
tact Clive, 655-1429, or Larry, 696-9543. 
Signal featuring Michael Gregory Jack- 
son, 2 Pomeroy Terrace, Northampton 
01060. Original new wave and rock. Con- 
tact Tony King, (413) 586-1408. 

Silas Stingy, c/o Watch City Studios, Suite 
117, 719 Washington Street, Newtonville 
02160. Cover rock. Contact Tom Sauinier, 
527-1802. 

The Maynard Silva Band, 22 Warren 
Avenue, Pawtucket, RI 02860. Cover and 
original rock and blues. Call (401) 
726-1851. 

The Silver Doots, 365 Beacon Street, 
Boston 02116. Cover and original rock. 
‘60s music with an '80s beat. Contact Tom 
Cain, 266-03 10. 

Silver Lining, 24 Grove Street, Winchester 
01890. Cover and original rock, blues, and 
R&B. Contact Phil Cardillo or Larry Man- 
cini, 729-7040. 

Michael Silver and Quick Fox, 824 East 
Street, Pittsfield 01201. Original and ’50s 
rock. Contact Mike Valenti, (413) 445-5085. 
Silver Stars Steel Orchestra, c/o Morn- 
ingside Management, 270 Albany Street, 
No. 5, Cambridge 02139. Trinidadian steel 
band. Contact Carla Pollack or Fred 
Silverstein, 864-5450. 

The Silvertones, c/o Management One, 


Box 483, Alliston 02134. Blues and R&B. 
Mgr.. Andy Sokol, 284-6591. 

Simplicity, 275 Old Ham Street, Pembroke 
02359. GB. Contact James Pizzi, 294-8379. 
Simplistics, 41 Gordon Street, Alliston 
02134. Original new wave. Contact Ed 
Harney, 783-3035. 

Singe, 155 Main Street, Marlboro 01752. 
Original rock. Contact Billy Claire, 
481-2568. 

Sixpence, 66 Mt. Vernon Street, West 
Roxbury 02132. GB and top-40. Contact 
Richie Travers, 327-9728. 

Skazam, C/o Bill Roche Productions, 150 
Massachusetts Avenue, Box 41, Boston 
02115. Cover rock, funk, and top-40. Mgr., 
Bill Roche, 267-9582. 

Bill Skon, 328 Walden Street, Cambridge 
02138. Solo folk, jazz, and classical. Call 
491-2125. 

Skyak, 11 Newbury Street, Somerville 
02144. improvisatory jazz and folk. Contact 
Jonathan, 623-2066. 

SKYDOG, 40 Union Street, North Easton 
02356. Cover and original Southern rock 
and blues. Contact Ted Guest, 238-6675. 
Skyhigh, c/o Natural Acts, 350 
Marlborough Street, Suite 40, Boston 
02116. Cover rock. Call 353-0300 or (207) 
695-37 18. 

Sky Island, 42 Holiday Road, Holbrook 
02343. Cover and original rock. Contact 
Vinnie, 767-2839, or Donny, 335-6886. 
Slap, Box 248, Reading 01867. Cover and 
original rock. Contact Gary Avadanian, 
667-5083. 

Slap Happy, Box 8621, Boston 02114. 
Comedy, music, and juggling. Mgr., L. Roy 
Goldberg, 367-2643. 

The Slash, 60 Cameron Avenue, Somerville 
02144. Original and cover heavy metal and 
funk. Contact Damien Stewart, 623-3969. 
Sean Slattery, c/o Windfall Productions, 17 
Whiton Avenue, Hingham 02043. Solo and 
group traditional Irish. Mgr., Bob Haley, 
749-5840. 

Sleepy LaBeef, c/o John Penny 
Enterprises Inc., 259A Beech Street, Bel- 
mont 02178. Rockabilly. Call 924-6722. 
Sleepwalker, 6 Kendall Street, Walpole 
02081. Cover and original rock and top-40. 
Contact Laura Darling, 668-6843. 

The Slickee Boys, c/o Ground Zero 
Productions, 1661 Commonwealth Avenue, 
No. 1, Brighton 02135. Original psychedelic 
rock. Mgr., David Weinstein, 787-3903. 
Slow Random Voltage, 142 Hemenway 
Street, Boston 02115. Original new wave. 
Mogr., Nicolette, 266-6485. 

Slyders, Box 664, Fitchburg 01420. Or- 
iginal and cover rock. Mgr., Bob Grant, 
345-598 1 (evenings). 

Fred Small, 11 Kilsyth Road, Mecford 
02155. Solo topical folk. Call 395-5967. 
Smart Bombs, 65 Charter Street, No. 1F, 
Boston 02113. Original new wave. Contact 
Tim Mukherjee, 720-4101 (evenings). 

B. Willie Smith, c/o The Flash Group 
Corporation, Suites 502 & 503, 302 Cap- 
tains Walk, New London, Conn. 06320. 
R&B. Call (203) 443-5371. 

The Smith Bros., c/o Richard Carr Produc- 
tions, 1 Court Drive, Lincoin, Ri 02865. 
Cover rock. Call (401) 333-0700. 

Les Smith and his Orchestra, 500 Revere 
Beach Boulevard, Suite 307, Revere 02151. 
Dixieland, swing, and pop. Call 289-8816. 
Smith Row, 2 Smith Row, Holliston 01746. 
Cover rock and top-40. Contact Alferd 
Nesti, 429-7054. 

Chris Smither, c/o Judy Keyserling, 3622 
Whitehaven Parkway NW, Washington, DC 
20007. Solo original and cover rock and 
blues. Call (202) 338-4158. 

Smoke, c/o Silver Fox Music Productions, 
95 Van Kleeck Road, Millis 02054. Cover 
rock. Call 376-2022. 

Smokey & the Bandits, 153 Salem Street, 
Malden 02148. Eagles-influenced cover 
rock. Contact Stan Martin, 324-1504. 


32 THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 





Smuggler, 18 George Street, Lynn 01905. 
Original and cover rock. Mgr., Brad Glew, 
581-7593. 

Snack World, 54 Royal Street, Alliston 
02134. Original new wave. Contact Craig 
Comeau, 782-5014 

Sneak Preview, 119 Brainerd Road, Bright- 
on 02134. Original rock and new wave. 
Contact Robin Mallory, 566-0091. 
Snowhite, c/o Lewis Wiener Enterprises, 
806 Oaklawn Avenue, Cranston, RI 02920. 
Cover and original rock. Call (401) 
944-9005. 

Snypr, c/o East Coast Music Productions, 
14 Fairview Road, Medfield 02052. Cover~ 
and original rock. Contact Irene, 359-7429 
or 359-4039. 

The Social Contract System, 29 Fairlawn 
Lane, Lexington 02173. Original rock and 
new wave. Contact Eric Melcher, 862-6087. 
Soiree, c/o Tom Elliott Productions, 100 
Leonard Street, Belmont 02178. GB and 
top-40. Call 484-1648. 

The Solution, 9 Myopia Road, Winchester 
01890. Cover rock. Contact Scott Kessel, 
729-0419 (evenings). 

Someone & the Somebodies, 129 
Grasmere Street, Newton 02158. Original 
rock and new wave. Contact Tristram 
Lozaw, 244-6803, or Robert Davis, 
367-0695. 

Sounds of Sage, 64 Bayberry Road, 
Abington 02351. Soft rock, top-40, and 
oldies. Contact Matt Delaney, 871-3125, or 
Tom Pimentel, 697-3382. 

The Sounds of Swing, 100 Putnam Street, 
Watertown 02172. Swing and jazz. Mogr., 
David Bloom, 484-7789 or 926-8937. 
Southern Rail, 4 Ames Street, Ware 202, 
Cambridge 02139. Traditional and modern 
bluegrass and country. Contact Sharon 
Horovitch, 494-0453. 

Spare Parts, 7 Goose Pond Road, Lyme, 
NH 03769. Cover and original rock. Contact 
Frank Blanford, (603) 795-2493. 

Special People, Amherst. Original soul and 
rock fusion. Contact David Tick, (413) 
253-3075. 

The Specimens, 44 Binford Street, Boston 
02210. Original rock, punk, and funk. Mgr., 
Doug Case, 482-9876. 

Spectacle, c/o Northeast Entertainment 
Agency, Box 1718, Lowell 01853. Show. 
Call 459-4785. 

Tony Spectra Spectacular, 104 Francis 
Wyman Road, Burlington 01803. Top-40 
and past hits. Call 272-3174, or contact 
Don Mac, 426-6618. 

Spice of Life, c/o Nick Lamberti Agency, 
353 Washington Street, Suite 5, Brighton 
01235. Top-40. Call 783-0388. 

Spider & the Saint, 8 North Ash Street, 
Brockton 02401. Original new wave, blues, 
and comedy. Contact Mark St. Louis, 
584-0181. 

Spider Bridge, 70 Queen Anne’s Drive, 
Weymouth 02189. Folk and bluegrass. 
Mor., Jon Verdun, 868-2330 (days) or 
331-5915 (evenings). 

Spindle City Band, c/o Littlefield Enter- 


‘tainment Agency, Box 218, Chelmsford 


01824. Original and cover rock and top-40. 
Call 256-5985. 

Spiral, 1306 Massachusetts Avenue, No. 
303, Cambridge 02138. Cover jazz and GB. 
Contact Hectof Hambides, 491-8464. 
Spiral Dance, 16 University Road, No. 1, 
Brookline 02146. Jazz and Latin. Contact 
Laura Klein or Tony Corman, 731-3428. 
Split Gender, Providence, Ri. Original new 
wave. Contact >aul, (401) 847-5555, or Mel, 
(401) 273-1874. 

The Spores, 558) East 6th Street, South 
Boston 02127. Cover and original rock. 
Contact John Cristoferi, 269-5319 (even- 
ings). 

Spring, 21 Appleton Street, No. 3, Somer- 
ville 02144. Jazz standards and originals. 
Contact Art Lillard or Claudia Bienenfeld, 
623-5367. 





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Spuds On Parade, 624 Cambridge Street, 
Brighton 02135. Original rock. Contact 
Mark, 787-5527, or Jeff, 277-2586. 

Spyce, 4 Boardman Place, Cambridge 
02139. Original and cover rock and R&B. 
Contact Paul Shunamon, 495-2707 (days), 
or Arnold Dobson, 864-4826 (evenings). 
Squad Sixteen, 775 Trapelo Road, 
Waltham 02154. Original rock and new 
wave. Mgr., Mark C. _ Lichtenwainer, 
891-5386 (evenings until 9). 

Squires Four, 23 Seventeenth Avenue, 
Haverhill 01830. GB and top-40. Contact 
Neil Flewelling, 372-0670 or 887-2014. 

SS Decontrol, c/o SSD, 8 Longwood Road, 
Lynn 01904. Hardcore rock. Call 599-4796. 
Stage Unlimited, 18 Leroy Drive, Burl- 
ington 01803. GB. Contact Jim Russo, 
272-0547 or 475-5000 ext. 2138 (days). 
Bill Staines, Box 292, Dover, NH 03820. 
Solo original folk. Call (603) 749-4694. 

The Stand, 590 South Border Road, 
Winchester 01890. Original and cover rock. 
Contact Vincent A. Calderone, 729-2592. 
Star, c/o Lewis Wiener Enterprises, 806 
Oaklawn Avenue, Cranston, RI 02920. 
Original and cover funk and soul. Call (401) 
944-9005. 

Orrin Star and Gary Mehalick, 32 Fayette 
Street, Cambridge 02139. Acoustic blue- 
grass, folk, and country. Contact Orrin 
Star, 864-3930. 

Starfire, 49 Warren Avenue, No. 101, 
Pawtucket, RI 02860. Cover and original 
rock and blues. Contact Al Costa (401) 
727-0013. 

The Starlight Dance Band, 90 Kimball 
Road, Dedham 02026. GB. Contact John 
Hamilton, 329-0337, or Barry Quinlan, 
769-5946. 

Starlite, 1833 River Street, Hyde Park 
02136. Cover rock, jazz, GB, and top-40. 
Contact Paul Phinney, 364-2517. 
Star-Luv, c/o Rooster Berry Productions, 


806 Oakiawn Avenue, Cranston, RI 02920. 
Top-40 and disco. Call (401) 943-5088. 
Stars of Swing, c/o Music Management, 32 
Linnaean Street, Cambridge 02138. Swing 
and GB. Call 354-4095. 

State-of-Mind, c/o Eye Productions, Box 
217, Cohasset 02025. Original rock. Con- 
tact David Boyajian, 383-6340, or Steve 
Nicoletta, 749-4128. 

The State Street Strutters, 204 Sunny Hill 
Road, Lunenburg 01462. Dixieland. Mgr., 
Bob Prescott, 582-6358. 

The Steamers, 56 Main Street, Maynard 
01754. Cover rock, blues, and R&B. Con- 
tact Fran Dagostino, 897-8799 or Lars 
Stone, 532-3655. 

Steeler, Box 664, Fitchburg 01420. Original 
heavy-metal rock. Mgr., Bob Grant, 
345-5981 (evenings). 

The Stench, 1 Odom Street, Quincy 02169. 
Original and cover rock. Contact Dana 
Martinson, 471-9316. 

Stepchild, 106 Kittredge Street, Roslindale 
02131. Original rock. Contact Buddy or Dan 
Collins, 323-6450. 
Steppin’ Out, c/o Rooster Berry Produc- 
tions, 806 Oaklawn Avenue, Cranston, Ri 
02920. Top-40 and disco. Call (401) 
943-5088. 

Stereo Types, 70 Line Street, Somerville 
02143. Original rock and new wave. Con- 
tact Peter Mark, 431-7880 (days) or 
492-0593 (evenings). 

Glenn Stetson and the Diamonds, c/o Ted 
Charles Associates, Box 390, Salem 01970. 
‘50s oldies. Call 744-9310. 

Dean Stevens, 26 Fordham Road, No. 3, 
Boston 02134. Solo original acoustic folk. 
Call 787-9089. 

Denny Stevens, c/o Stratosphere Records, 
Box 80, Boston 02101. Original rock and 
pop-rock. Mgr., Dennis Guarente, 
387-9424. 

Didi Stewart and the Amplifiers, c/o 





Coastline Productions, 25 Market Street, 
Warren, RI 02885. Original rock. Mgr., 
Arnold Freedman, (401) 247-0218 or (212) 
245-4580. 
Sticks and Stones, c/o Don Mac Entertain- 
ment. 80 Boylston Street, Boston 02116. 
Top-40. Call 426-6618. 
The Stompers, c/o Peter Lembo Manage- 
ment, 29 Commonwealth Avenue, Boston 
02116. Original rock. Call 267-7 189. 
Stone Castle, Boston Road, Chelmsford 
01824. Original and cover rock. Contact 
Andy Watson, 256-7622. 
The Stone Cross Band, c/o Ed Maihoit 
Agency, Box 2001, Claremont, NH 03743. 
Commercial covers. Call (603) 542-8777. 
Stonehenge, 462 Summer Street, 
Brockton 02402. Original and cover rock. 
Contact Randy Jenkins, 587-8957. 
Paul Stookey and Band, c/o Street Level 
Artists Agency, 545 High Street, Walpole 
02081. Original folk-pop-rock. Mgr., Dan 
Russell, 668-5639. 
Stormin’ Norman & Suzy, 827 10th Av- 
enue, No. 3N, New York, NY 10019. Original 
rock and blues. Contact Norman Zamcheck 
or Suzy Williams, (212) 243-0779, (212) 
724-7400, or (212) 265-8518. 
Jeff Stoughton, c/o Curtis International 
Associates, Boston Center for the Arts, 539 
Tremont Street, Boston 02116. Jazz and 
GB. Contact Bill Curtis, 426-4243: 
Jeff and Candy Stout and Friends, 144 
Whitman Avenue, Melrose 02176. Jazz and 
swing. Contact Candy or Jeff Stout, 
662-9541. 
Straight Away, 48 Wainut Street, Somer- 
ville 02143. Cover rock and top-40. Contact 
Fred Ellsworth tll, 776-0728. 
Straight, No Chaser, c/o Cuzin Richard 
Entertainment Agency, Box 4585, 
Portsmouth, NH 03801. Jazz. Call (603) 
436-8596. 

Continued on page 34 





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THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 33 








Continued from page 33 

Strangeways, 39 Inman Street, Cambridge 
02139. Original rock and new wave. Con- 
tact James Petcoff, 497-5692. 

Stratus, 60 Leahy Road, Brockton 02402. 
Cover and original rock. Contact Joe 
Goldsberry, 588-6922. 

Strawberry Farm String Band, c/o Donald 
Picknell, General Delivery, Bath, NH 03740. 
Traditional bluegrass and C&W. Cail (603) 
747-2625. 

Street Legal, 4 Galloupe Avenue, Beverly 
01915. Cover and original rock. Mgr., Peter 
A. Cahill, 922-8404. 

Street-Level, c/o Hebeco International, 37 
Ocean Avenue, Basement Apartment, Old 
Orchard Beach, Maine 04064. Cover rock. 
Contact Bobbie Hebert, (207) 934-5839. 
Street Life, c/o Ted Charles Associates, 
Box 390, Salem 01970. Top-40 and disco- 
funk. Call 744-9310. 

Street Magic, c/o New Friendship Produc- 
tions, 3 Edgar Terrace, Somerville 02145. A 
cappella oldies. Contact Frank Santangelo 
Jr., 666-9579. 

Streetnoise, South Boston. Cover and 
original new wave. Contact Ed Grenga, 
426-1752. 

Streetsong, 19 Commonwealth Avenue, 
Haverhill 01830. Cover rock and oldies 
Contact Carroll MacDougall, 372-0079. 
Street Talk, Box 744, Cambridge 02139. 
Original rock and blues. Contact Bob 
Halperin, 547-6247, or Nathan Bell, 
566-6669. 

Street Talk, c/o Nick Lamberti Agency, 353 
Washington Street, Suite 5, Brighton 
02135. Top-40. Call 783-0388. 
Streetwalkers, 7 Henchman Street, Boston 
02113. R&B and oldies. Contact Ted 
DeColo, 742-2997. 

Stringham and Sal, 143 Hemenway Street, 
No. 8, Boston 02115. Traditional jazz duo. 
Contact David Stringham, 536-4949. 
Struggle, 5 Eleanor Road, Walpole 02081. 
Original rock and fusion. Contact .Felix S. 
Betro, 668-6344. 

Strutt, c/o Richard Carr Productions, 1 
Court Drive, Lincoin, Ril 02865. Cover rock. 
Call (401) 333-0700. 

Suade Cowboys, 284 Grove Street, Med- 
ford 02155. Original funk and new wave. 
Contact Bob Toomey, 889-3075 (days), or 
Garry Cook, 738-0569. 

Subjects, 1412 Commonwealth Avenue, 
No. 16, Brighton 02135. Original rock. 
Contact Henry Overstrom, 232-4134. 

The Suburbanaires, Box 161, Carlisie 
01741. Jazz and swing dance band. Con- 
tact Ray Leach, 369-6903 or 271-3241. 
Sue B. and the Barbatos, 14 Conant Road, 
Watertown 02172. Cover and original soft 
rock and top-40. Contact Paul Barbato, 
924-3284, or Susan, 924-5874. 

Sugar and Spice, c/o Paul Carrichino, 195 
Main Street, Milford 01757. Top-40. Call 
473-0883. 

Sugar Ray and the Blue Tones, 419 
Newport Road, Hull 02045. Traditional and 
original R&B and blues. Contact Michael 
Ward, 925-5440. 

Suite Life, 43 Glen Street, Rockland 02370. 
Top-40 and GB. Contact Rich Famularo, 
878-6278. 

Summit, 134 Howard Street, Melrose 
02176. GB. Contact Steve Parker, 
665-4758. 

Sundown, 35 Audubon Road, Weymouth 
02188. Oldies and GB. Contact Richie 
Isaacson, 337-1215. 

Survivor, c/o Silver Fox Music Produc- 
tions, 95 Van Kleeck Road, Millis 02054. 
Cover and original rock. Call 376-2022. 
Suz-n-Kane, c/o Ted Charles Associates, 
Box 390, Salem 01970. Top-40. Call 
744-9310. 

The Swallows, 1232A Beacon Street, 
Brookline 02146. Original rock and new 
wave. Contact William Lee, 735-0283. 
Sweet Emotions, 9 New Castle Drive, 


34 





THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 


Nashua, NH 03060. GB and top-40. Mgr., 
Gerry Paquin, (603) 883-2172. 

Sweet Evil, 3 Page Road, Lexington 02173. 
Cover and original rock. Contact Steve 
Kreide, 862-6516. 

Sweet Lemon, c/o Musicorp International, 
11 Northeastern Boulevard, Nashua, NH 
03062. Top-40 and soft rock. Call (603) 
883-8596. 

Sweet Potato Wine, 118 Hillside Street, 
Boston 02120. Folk, Irish, and bluegrass. 
Contact Nancy Holroyde, 731-4859. 
Swing Shift, Kelsey Road, Sheffield 01257. 
Original and cover blues and country. 
Contact Bob MacVeety, (413) 229-8375. 
Swing String, 32 Fayette Street, Cam- 
bridge 02139. Duo and group acoustic 
swing and pop. Contact Bob Comtois, 
864-3930. 

Synapse, 6 Independence Avenue, Lex- 
ington 02173. Cover and original rock and 
fusion. Contact Jeff Wyman or Hessie 
Swain, 861-8168 or 862-6872. 

Synergy, 4 West Street, Grafton 01519. GB 
and top-40. Contact Paul Marin, 839-2992. 
Syraxe & Co., c/o Management One, Box 
483, Allston 02134. Original British new 
wave performing in conjunction with a 
dance troupe and multi-media show. Mgr., 
Andy Sokol, 284-6591. 

The System, 22 Commonwealth Terrace, 
No. 2, Brookline 02146. Original and cover 
rock. Contact Gordon Freedman, 
739-0267, or Thomas Gimbel, 926-4992. 
T. Gangster, 222 North Quincy Street, 
Brockton 02402. Original rock. Contact 
Tad Straffin, 587-6836. 

Makoto Takenaka Trio, 845 Boylston 
Street, No. 503, Boston 02116. Jazz stan- 
dards and contemporary improvisatory 
music. Call 266-9596. 

Talking Book, 29 High Street, Ashland 
01721. Cover rock and top-40. Contact 
David Garcia, 881-5867, or Jeffrey W. 
Smith, 938-0100. 

Tambo, 163 Willow Avenue, Somerville 
02144. Cover and original rock, new wave, 
reggae, and country rock. Contact Don 
Anderson, 625-4343. 

Tank, c/o Ed Malhoit Agency, Box 2001, 
Claremont, NH 03743. Commercial covers 
and original rock. Call (603) 542-8777. 
Tanoose, c/o Soundrich Talent, Box 243, 
Barrington, R! 02806. Cover and original 
rock. Mgr., Jack Reich, (401) 245-7111. 
Tantrum, Brockton. Cover and original 
rock and heavy metal. Contact Mike, 
583-6811. 

Tappin’ at the Met, 32 Friend Street, 
Congers, NY 10920. Contemporary swing. 
Contact Chad Rosen, (914) 268-6036. 
Tarot, c/o Richard Carr Productions, 1 
Court Drive, Lincoln, Rl 02865. Cover rock. 
Call (401) 333-0700. 

A Taste of Honey featuring Nancy Buc- 
cacio, 42 Farwell Street, Natick 01760. '40s 
oldies, cover rock, top-40, and GB. Contact 
Jeff Buccacio, 653-8077. 

The Taxi Boys, Box 392, Newton 02158. 
Original rock and new wave. Mgr., Alan 
Rotberg, 926-7688. 

Kate Taylor, c/o Noble Savage Entertain- 
ment, Lighthouse Road, Gay Head 02535. 
Original rock and R&B. Mgr., Charles 
Witham, 645-9637. 

Livingston Taylor, c/o Don Law Agency, 31 
Fresh Pond Parkway, Cambridge 02138. 
Original pop and rock. Contact Mindy 
d'Arbeloff, 547-0620. 

Tea In China, 833 Boylston Street, No. 2, 
Newton Highlands 02161. Original rock and 
new wave. Mgr., Michael J. Upham, 
965-2678 (after 4 p.m.). 

Techniques, 1441 Washington Street, East 
Bridgewater 02333. Cover and original rock 
and top-40. Contact Tom Lombardo, 
378-7987. 

Them Fargo Bros., Box 912, North Con- 
way, NH 03860. Original and cover rock 
and country rock. Contact John Dudili, (603) 


356-3977 = 
Ten, 11 Vandette Avenue, Dracut 01826. 
Top-40 and original and cover rock. Con- 
tact Jack or Phil, 957-0467. 
Tender Buttons, 2 Clinton Street, No. 34, 
Cambridge 02139. Original rock and new 
wave. Contact Scott Shershow, 547-0852. 
The Texas Instruments, 108 Oxford Street, 
No. 3, Cambridge 02138. Bluegrass. Con- 
tact Todd Macalister, 492-4397. 
3-Sixty, c/o Azure Productions, 1116 
Boylston Street, Boston 02115. ‘50s and 
‘60s oldies. Contact Dennis or Bob, 
247-4186, or John, 266-1400. 
Mitch Throop, 922 Broadway, Somerville 
02144. Solo original and cover folk/rock. 
Call 628-6542 
Through The Doors, c/o Richard Carr 
Productions, 1 Court Drive, Lincoln, RI 
02865. Cover and original rock and tribute. 
Call (401) 333-0700. 
Thrust, c/o Silver Fox Music Productions, 
95 Van Kleeck Road, Millis 02054. Cover 
and original rock. Call 376-2022. 
Tiffany, c/o Curtis international Associates, 
Boston Center for the Arts, 539 Tremont 
Street, Boston 02116. GB and top-40. 
Contact Bill Curtis, 426-4243. 
Tiger's Baku, 21 Montfern Avenue, Bright- 
on 02135. Original rock and jazz fusion. 
Contact Tiger Okoshi, 254-3413. 
The Tillermen, 5 Glen Drive, East Walpole 
02032. Irish and oldies. Contact Jim 
O'Halloran, 668-9042. 
The Time Beings, c/o K.M.S Talent Com- 
pany, 25 Second Avenue, Chelmsford 
01824. Cover and original rock. Contact 
Kevin Smith, 256-7881. 
Time Trax, 20 Cherry Street, Swampscott 
01907. Cover new wave and ‘60s rock. 
Contact Anita Connerty, 592-4643. 
Toby Dammit, 17 Oakdale Street, No. 2, 
Jamaica Plain 02130. Original rock-horror. 
Mgr., Pamela Brogden, 524-1619. 
Together, c/o Rooster Berry Productions, 
806 Oaklawn Avenue, Cranston, Ri 02920. 
Top-40. Call (401) 943-5088. 
Toiz, Box 102, Loudon, NH 03301. Cover 
and original heavy metal. Mgr., Dave Colby, 
(603) 225-7379. 
Tokyo Boy, 17 Linlew Drive, Derry, NH 
03038. Cover and original rock. Mgr., Brad 
Atwood, (603) 434-5714, or contact Craig 
Maxner, (603) 668-4880. 
Too Tall Terry, c/o Don Mac Entertain- 
ment, 80 Boylston Street, Boston 02116. 
R&B. Call 426-6618. . 
Tornado Alley, c/o Campus Services, 172 
Main Street, Spencer 01562. Cover rock. 
Contact Pat George’ or Don Santora, 
753-1318. 
John Totaro, c/o Management Rays, 15 
Bare Hill Road, Framingham 01701. Solo 
original soft rock and folk. Call 875-6063. 
Touch, c/o Richard Carr Productions, 1 
Court Drive, Lincoln, Ril 02865. Cover rock. 
Call (401) 333- 0700. 
Touch of Silk, 31 Ashfield Street, Roslin- 
dale 02131. Top-40 and GB. Contact Peter 
Cicco, 327-7143. Y 
Touch Tones, 37 Noble Street, Revere 
02151. Oldies. Contact Howie Greenburg, 
289-8749. 
Toute Suite, c/o Michael Skinner Produc- 
tions, 98 Walker Street, Manchester, NH 
03102. Cover and original rock and new 
wave. Mgr., Michael Skinner, (603) 
669-6353. 
Toys, c/o Lewis Wiener Enterprises, 806 
Oaklawn Avenue, Cranston, Ri 02920. 
Cover and original rock. Call (401) 
944-9005. 
Traces, 7 Henchman Street, wy 134 
Rock-influenced jazz. Contact T eColo, 
742-2997. : 
Trackless Trolley, Box 606, Woods Hole 
02543. Cover and original rock, blues, and 
reggae. Contact Alan Whitefox, 548-8107. 
The Trademarks, c/o Concerted Efforts, 
Continued on page 36 

















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Continued from page 34 ‘ 

312 Salem Street, Medford 02155. Original 
rock and new wave. Call 396-1613. 

Tragic Masque, 15 Dartmouth Street, 
Arlington 02174. Cover and original rock 
Contact Rich Vartanian, 648-4254. 
Tragus, 231 Park Drive, Suite No. ‘17, 
Boston 02215. Original heavy metal. Con- 
tact Lars Lofas, 267-3242 

Trailblazers, c/o Don Mac Entertainment, 
80 Boylston Street, Boston 02116. C&W. 
Call 426-6618. 

Trans/Sister, 21 Cortes Street, No. 4, 
Boston 02116. Top-40. Mgr., Hillary Smith, 
776-9697, or contact Claire Frances, 
426-3485. 

Trapper, c/o Rockfever Productions, 535 
Broadway, Lawrence 01841. Original and 
cover rock. Call 682-7085 or -7270. 

The Tree Beard Band, 1 Francis Street, 
Chelmsford 01824. Modern country. Con- 
tact Bud Barbere, 256-2904, or June 
Cooper, (603) 478-3472. 

Tremendous Richard, 3 Arcadia Street, 
Cambridge 02140. Cover rock and blues. 
Contact Jeff Miller, 661-2694. 

Trespass, 1680 Commonwealth Avenue, 
Brighton 02135. Original rock and new 
wave. Contact Jonathon P. Geer, 739-6313. 
TRIGGER, 53 Sherborn Street, Arlington 
02174. Commercial cover and original rock. 
Contact Gerry Cronin, 648-1098. 

Triks, c/o Clockwork Entertainment Man- 
agement, Box 1600, Haverhill 01830. Cover 
and original rock. Contact Bill Macek, 
373-6010. 

Trilogy, c/o Don Mac Entertairiment, 80 
Boylston Street, Boston 02116. Top-40. 
Call 426-6618. 

Triple Shake, 41 Gore Street, Cambridge 
02141. Original and cover dance-rock and 
new wave. Contact Richard Cortese, 
497-9148 or Mark Sandman, 876-6576. 





The Trodds, 69 Day Street, Newton 02166. 
Original psychedelic rock. Contact Aram 
Heller, 527-4933. 

Trombone Madness, 13 Haviland Street, 
No. 4, Boston 02115. Jazz and be-bop. 
Contact John Licata, 267-7722. 

The Truly Needy, 109 Crescent Hill Av- 
enue, Arlington Heights 02174. Original and 
cover rock. Contact Douglas W. Osborne, 
646-8746. 

The T's, 84R Main Street, Kingston 02364. 
Original and cover rock. Contact Alan 
DiStasio or Vinny Liuzzi, 585-6377. 
Tunesmith, 237 Walton Street, Fitchburg 
01420. Cover blues and country rock. 
Contact Stephen Arsenault, 343-3365. 
Mike Turk Quartet, 12 Porter Road, 


! 


Cambridge 02140. Jazz and fusion featur- 
ing jazz harmonica. Call 646-5168 or (212) 
JU2-8800. 

Jill Turner Jazz Quartet, 100 Pine Street, 
Cambridge 02139. All-female jazz and GB. 
Gall 497-5450. 

The Tweeds, Somerville. Original tock. 
Mgr., Peter Borst, 776-6533. 


' 21-645, c/o Sound Advice, 459 Cambridge 


Street, Allston 02134. Original new wave. 
Mgr., Joe Shannon, 783-4036. 
The Twittering Machine, c/o Class Acts, 
26 Hemenway Street, Suite 32, Boston 
02115. Classical flute, violin, piano and/or 
organ for all occasions. Call 424-1253. 
Two-Finger Snap, 34 Lincoln Street, May- 
nard 01754. Contemporary jazz standards, 
blues, and ragtime. Contact Rick Maida, 
897-7627, or Fred Lilienkamp, 464-2851. 
Two Million B.C., c/o Stone Age Manage- 
ment, 11 Irving Street, Boston 02114. 
Original heavy metal. Call 720-4971 or 
547-6825. 
The Two of Us, 14 Blake Road, Braintree 
02184. GB and comedy duo. Contact Dick 
Tellier, 843-0488. 
UDB, 291 Whittenton Street, Taunton 
02780. Cover and original dance rock. 
Contact Michael Sullivan, 823-8618. 
Ugly Rumors, 155 St. Paul Street, North 
Smithfield, Rl 02895. Country rock and 
Grateful Dead covers. Mgr., Bill Walsh, 
(401) 274-4283. ; 
Ultimate Force, 71 Crawford Street, Bos- 
ton 02121. Cover and original funk, R&B, 
and top-40. Contact Torin M. Litfle, 
442-7021. 
Patti Unaitis and Friends, 4 Parkvale 
Avenue, Aliston 02134. Blues, funk, and 
jazz. Call 782-3720. 
Unattached, 14 William Street, No. 1, 
Worcester 01609. Original rock and new 
Continued on page 38 























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whether it’s your first 
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success and encouraging us to expand in the future. 
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Vic Le Comer Alan Rotberg Jeff Morley 
Mo, Larry & Curly Greg Landers Jeff Lyons: 
Steve Thorsen David Rubin Joe Harvard 
Spider John Troy Dave Bone 
The Trademarks The Angry Young Bees Bob Case 
The Sex Execs Paul Kolderie David Champagne 
The Puppet Rulers The Vinnie Band Doug Leeds 
Mission of Burma - Jon Butcher _ Lee Ritter 
Zodio Doze Chris Martin Jeff Cole 
Cathey Brown Andy Paley Willie Borges 
Mike Kalenderian Steve Perry _ Phil Kubicki 
Frankie Rowe Charlie Farrow Orville Gibson 
Sal Baglio Don Law Org. J. Geils Band 
Mike Stern Billy Cole Robin Lane 
Mike Strusik John Felice Billy Borgroli record companies listen to 
Mick Goodrick Johnny Barnes Leo Fender 
Reeve Little Billy West Fritz Drayton — when it’comes to Committing themselves to tape 
Bennie & the Big Note = Jack Griffin - Kip Korea 
Jump Street Asa Brebner McGregor McGehee ‘ 
The James Montgomery Steve Gentile Mike Manning engineer, or producer, | can help you every step of the way 
Band A Moon Man , rehearsing with you for maximum efficiency 
Andy Shapiro Henry Cox Sao arrangements: vocal. instrumental. and sweetening 
Bill Walker Jonathan Richman Randy Roos. 
H Tim Ri an working with you and the engineer to get your sound across 
hee ee Ed McGee duplicating, mastering. pressing © 
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aene ago la athe So cail me. before you take that first (expensive) step! 
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Buy/Sell/Trade/Repairs 424-1353 
Vintage Guitar Specialists 
12A Eliot St., Below Pier One .Phone 354-8870 


536-5390 








36 THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 


INustration by Leslie Evans 


4 
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Continued from page 36 
wave. Contact Jamie, 791-8955. 
The Uncalied 4, 201 High Street, Hanson 
02341. Punk. Contact Walter Gustafson Ill, 
293-3967. 
Uncle Pleasant, Box 8243, Boston 02114. 
Original and cover rock. Contact Tony 
Baglio, 569-9257. 
Uncle Sam’s Band, c/o Destiny Recording 
Studio, 31 Nassau Avenue, Wilmington 
01887. Cover and original rock. Contact 
Larry Feeney, 658-8391. 
Unction, Boston. Original progressive- 
esoteric rock. Mgr., Bob Haviice, 427-4886. 
Underdog, 11 Peterborough Street, No. 8, 
Boston 02215. Original out rock and new 
wave. Contact Frank Swart, 262-1677. 
Under the Influence, 82 South Broadway, 
Lawrence 01843. Original rock. Mogr., 
Michael Bider, 688-4347. 
United Crime, c/o Fat Boy International, 2 
Ware Street, Cambridge 02138. Original 
rock. Contact Gerry Speca, 354-5659. 
The Unloved, 11 Nicholson Street, 
Marblehead 01945. Original punk. Contact 
David Dodge, 631-4109. 
Unmanned Flight, 14 Claflin Place, New- 
tonville 02160. Original dance-rock. Con- 
tact Luke Furr, 969-0042. 
The Untouchables, 6 South Street, Salem 
01970. Cover and originat rock and funk. 
Contact Richard Velardo, 741-0567. 
The Upstarts, 8 Williams Street, Saiem 
01970. Original rock and new wave. Con- 
tact Ted Richard, 744-8165, or Joyce 
Linehan, 436-7209. 
Upstream, Brighton. Mainstream 
Contact Garrison Fewell, 783-1095. 
Uptown Express, 87 Third Street, Cam- 
bridge 02141. Funk, soul, top-40, and 
swing. Contact Maria Lazzaro, 354-7432. 
Uranium Dinosaur, c/o DarkWorid in- 
dustries, 40 Mt. Auburn Street, Watertown 
02172. Original hard rock. Mgr., Wade 
Steel, 926-4178. 
Urban Allies, 169 Hunnewell Avenue, New- 
ton 02158. Original new wave. Mgr., Han- 
nah Erlich, 965-4227. 
Urge, 29 Nantasket Avenue, Brighton 
02135. Cover and original rock and blues. 
Contact Robert Cedrone, 254-6832. 
Ursa Major, c/o Derby Management & 
Direction, Box 3632, Nashua, NH 03061. 
Original and cover hard rock. Contact Mark 
Tuniewicz, (603) 883-2914. 
U.S. Rock, 207 Salem Street, Boston 
02113. Original and cover rock and new 
wave and oldies. Contact Nelson Visconti, 
720-4107, or Joseph Pirelli, 269-0161: 
Bob Uvello, c/o Chaparral Music, 128 
Leighton Road, Boston 02136. Solo folk 
and country. Call 361-6083 or 361-1597. 
The Valar, c/o Mark Steinberg Produc- 
are age" a. pthergig eis Station, 
orcester. 01 izzy and 
Black Sabbath covers. Cail Gea-ese, 
Joe Val and the New S Wratdaen write 
Boys, 57 Vernon Street, Waltham 02154 
Biuegrass. Contact Dave Haney, 899-6119. 
The Valley Big Band, 149 Bridge Street, 
Nevthamgion 01060. 16-piece jazz and 
swing orchestra. Contact Donald Abrams, 
(413) 584-7034. 
Vas deferens, 89 Orchard Street, Jarnaica 
Plain 02130. Original new -wave. Contact 
Hello, Nelson? 524-1925. , 
The Paula Veck Band, c/o Concerted 
Efforts, 312 Salem Streét, Medford 02155. 


jazz. 


Cover and original rock and R&B. Contact . 


Paul Kahn, 396-1613. 

The Al Vega Trio, 74 Foster Street, Everett 
02149. Solo and group jazz and swing 
dance music. Call 387-5640. 

Velocity, 5 Bow Street, Arlington 02174, 
Original rock. Contact Wayne Morgan, 
646-0474. 

Vendetta, 9 Park Street, Beverly 01915. 


Original rock. Contact Greg Nesto, 
922-1995. 
Vice-Versa, 23 Academy Street, on, 


02174. Original rock and néw wave. Con- 
38 





THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 


tact Michel Biard, 646-0268. 

The View, c/o Lady Godiva Productions, 
Box 45, Astor Station, Boston 02123. Cover 
rock. Contact Cyndia Shook or Tahra 
Richardson, 469-9875. 

The View, 220 Southfield, Brockton 02402. 
Top-40. Contact Dennis O'Neil, 587-9787. 
Vile, 14 Percival Street, Maynard 01754. 
Original punk. Contact Bill, 897-6431, or 
Dale, 897-7361. 

Vinny, 246 Essex Street, Beverly 01915. 
Original rock and new wave. Contact Ralph 
Fatello, 927-9248. 

Mike Viola and the Bottom Line, 32 Rice 
Street, Cambridge 02140. Original rock 
and new wave. Mgr., Dinah Minot, 
876-6529. 

Viscous Bulbi, 10 Bald Rock Road, Way- 
land 01778. Original rock and new wave. 
Contact Roger Keller, 653-1200. 
Visigoths, 16 Latin Road, West Roxbury 
02132. Original hard rock. Contact Neil 
Moynihan, 327-3042, or Jim De Simmone, 
325-5008. 

Vision, c/o Campus. Services, 172 Main 
Street, Spencer 01562. Cover rock. Con- 
tact Pat George or Don Santora, 753-1318. 
Vital Signs, c/o Cherry Lane Productions, 
739 Boylston Street, Boston 02115. Or- 
iginal rock and new wave. Contact Steven 
Farro, 262-7220, or Chuckie, 289-1332. 
Vitamin, 872 Huntington Avenue, Roxbury 
02115. Original funk-rock. Contact Jason 
Shapiro, 738-0735. 

Voices, c/o East Coast Music Productions, 
14 Fairview Road, Medfield 02052. Cover 
and original rock. Contact Irene, 359-7429 
or 359-4039. 

The Volcano Club, 1114 Main Street, 
Leominster 01453. Cover rock and top-40. 
Contact Kevin Horgan, 534-8862. 

Volo Volo, c/o Morningside Management, 
270 Albany Street, No. 5, Cambridge 
02139. Haitian dance band. Contact Carla 
Pollack or Fred Silverstein, 864-5450. 

V;, Box 668, Roxbury Crossing 02120. 
Original new wave. Contact George Petcoff 
or Matt Burns, 782-6015. 

Gary Wade’s Best Blues Revue, 28 Nelson 
Street, Lynn 01905. Cover and original 
blues, R&B, and jazz. Contact Violet Young, 
593-9319 or 324-4673. 

The Waffles, 110 Longmeadow Drive, 
Lowell 01852. Cover rock and new wave 
and oldies. Contact Tim Moriarty, 
454-3928. 

Eddie Walker, 21 Overiook Drive, Weston 
02193. Original new wave. Mgr., Joe Ward, 
327-6148. 

Greg Wall and Now Appearing, 25 
Thorndike Street, Cambridge 02141. Con- 
temporary jazz. Call 547-5281. 

Dave Walters Quartet, c/o Wedge Produc- 
tions, 211 A Street, South Boston 02128. 
Top-40. Mor., Bill Hynes, 233-2195 or 
269-4706. 

John Wardwell Blues Band, Box 243, 
Newbury, NH 03255. Blues. Call (603) 
763-2439, or contact Jamie Duncan, (603) 
428-3428. 

Ward X, 27 Downing Street, Norwood 
02062. Cover and original hard rock and 
popular new wave. Contact Jon Wine, 
762-0274. 

Warlock, Box 664, Fitchburg 01420. Or- 
iginal and cover heavy metal. Mgr., Bob 
Grant, 345-5981 (evenings). 

Warm Front, 226 Chestnut Street, Cam- 
bridge 02139. Cover rock, jazz, and funk. 
Contact David Gnatt, 661-0999. 

Warp Drive, 1379 County Street, Somerset 
02726. Cover rock and blues. Contact 
Bruce Ferreira, 672-1385. 

Wasted Space, 42 Endicott Street, East 
Weymouth 02189. Cover rock and blues. 
Call 337-0008. 

Watercolors, 14 Wheelwright Road, West 
Medford 02155. Cover rock, funk, and 
top-40. Contact Rosanne M. Hebert, 
391-0533, or Barbara Keel, 369-2668 (even- 
ings). 


Joan Watson-Jones, 52 Franklin Street, 
Derry, NH 03038. Solo top-40, folk, and 
blues. Call (603) 434-6503. 

Paul Wayne, Box E111, South Easton 
02375. Solo oldies, standards, and com- 
edy. Contact Robin Taylor, 238-0155. 

The Wayouts, 26 Mystic Street, 
Charlestown 02129. Original power-pop. 
Contact Rich Mirsky, 242-4456. 

The Doug Webb Group, 15 Edgerly Road, 
No. 9, Boston 02115. Cover and original 
jazz. Call 424-1020. 

Larry Wedgeworth, c/o Loveman's 
Productions, 54 Crispus Attucks Place, 
Roxbury 02119. Commercial covers and 
soul. Contact James Lewis, 427-3774. 
Weed-Boy and the Differents, c/o The 
Future Research Company, Box 393, Astor 
Station, Boston 02123. Original rock and 
new wave. Contact Reed Augliere, 
569-3602. 

Arthur Weex, 38 Harbor Street, Salem 
01970. Solo original and cover American 
folk. Call 745-6103. 

Tina Welch Band, c/o John Penny 
Enterprises Inc., 259A Beech Street, Bel- 
mont 02178. Country and country rock. Call 
924-6722. 
Wench, Box 81, 
Original and cover .rock. Mgr., 
Johnson, (603) 763-4065. 

Lee West & the Planets, 78 Parker Road, 
Wakefield 01880. Original rock and pop. 
Call 245-0853. 

Westgate Guard, 97 Adams Avenue, West 
Newton 02165. Original new wave. Contact 
Thomas Quinn, 244-2364. 

Wheatstone Bridge, 58 Selkirk Road, 
Brighton 02135. Original and cover folk- 
rock. Contact Craig Harris, 738-0394. 

The Dick Whetmore Jazz Band, c/o Sandy 
Berman Productions, 7 Ives Street, Beverly 
01915. Jazz, blues, and Dixieland. Call 
922-6954. 

Which Doctor?, 1258 Commonwealth Av- 
enue, No. 22, Allston 02134. Original rock. 
Contact Brian Handler, 277-3008. 

Johnny White and the Alpine Express, c/o 
John Penny Enterprises Inc., 259A Beech 
Street, Belmont 02178. C&W. Call 
924-6722. 

White Horse, 190 Sycamore Street, Roélin- 
dale 02131. Original and cover rock. 
Contact Rick Bertucci, 469-2568. or 
482-1122. 

White Lance, 310 Lowell Street, Peatiody 
01960. Cover rock and top-40. Contact 
Daniel C. Langille, 532-0998. 

White Mountain Bluegrass, c/o Cuzin 
Richard Entertainment Agency, Box 4585, 
Portsmouth, NH 03801. Bluegrass. Call 
(603) 436-8596. 

White Satin, 255 Mountain Avenue, Maiden 
02148. GB, top-40, 4nd oldies. Contact Bob 
Solano, 321-7428. 

The Dave Whitney Jazz Band, 33 Wyman 
Road, Billerica 01821. Jazz, swing, Dix- 
ieland, and popular dance. music. Call 
667-7357. 

Whizz Kidds, c/o Ed Malhoit Agency,-Box 
2001, Claremont, NH 03743. Commercial 
covers. Call (603) 542-8777. 

The Whole Wheat Horns, c/o Soundrich 
Talent, Box 243, Barrington, Ri 02806. 
Original rock and blues. Mgr., Jack Reich, 
(401) 245-7111. 

Roger Whynot Group, c/o Russ Carlton 
Entertaiment. Box 542, Holliston 01746. 
Square dance music. Contact Jim Law- 
rence, 872-3584. 

The Widespread Depression Orchestra, 
c/o Harvard Square Talent Agency, 5 
Boylston Street, Cambridge 02138. Swing 
and R&B. Call 661-7720. 

Hank Wiktorowicz Trio, 80 Strathmore 
Road, No. 2, Brighton 02146. Original and 
cover jazz. Call 232-6295. 

The Wild Country Band featuring E.J., c/o 
Hurricane Productions, 35 Wadsworth Av- 
enue, Waltham 02154. Country rock. Con- 
tact Jim LeBlanc, 894-4267, or John Penny, 


Newbury, NH 03255. 
George 





——— 





























— ~~ a 

















924-6722. 

The Wild Stares, 21 Park Vale Avenue, 
Allston 02134. Original new wave. Contact 
Justin Burrill, 782-6015. 

Wildman Wirtanen & the West Virginia 
Wonders, 262 Mammoth Road, Lowell 
01854. Original country-folk. Mgr., Andy 
Szava-Kovats, 454-7769. 

Captain Jackie Lee Williams, c/o John 
Penny Enterprises Inc., 259A Beech Street, 
Belmont 02178. Rockabilly. Call 924-6722. 
The Williamson-Andrews Band, 22 
Ashford Street, Allston 02134. Original 
rock. Contact Mark W. Pollack, 254-5774, 
or Gary Goodman, 254-6895. 

Willie T., 205 Putnam Avenue, Cambridge 
02139. Solo acoustic contemporary music. 
Contact Bill Santoro, 491-6815. 

Phil Wilson Orchestras, c/o Dotken 
Promotions, 125 Virginia Road, Waltham 
02154. Jazz-oriented dance music. Contact 
Ken Elliott, 899-1339. 

Windfall, c/o Windfall Productions, 17 
Whiton Avenue, Hingham 02043. Original 
rock. Contact Bob Haley, 749-5840. 
Windopane, c/o Peak Productions, 21 
Chrome Street, Worcester 01604. Original 
rock. Contact Alan D'Allessandro, 
798-3446 or 754-1028. 

Windows, 95 Child Street, No. 3, Jamaica 
Plain 02130. Original jazz, funk, and soul. 
Contact Jon Gorr, 522-4994 

Windsor Players, 4 Birch Lane, Pelham, NH 
03076. Top-40 and GB. Contact Frank 
Weymouth, (603) 635-7616. 

Ed, Bill, and Bo Winiker Swing Orchestra, 
Parker House Hotel, 60 School Street, 
Room 360, Boston 02108. Swing and big- 
band music for all occasions. Contact Ed 
Winiker, 367-2637. 

Wish, c/o Nick Lamberti Agency, 353 
Washington Street, Suite 5, Brighton 
02135. Top-40. Call 783-0388. 
Wood-N-Steel, c/o Low Budget Produc- 


tions, 20 Texas Road, Tewksbury 01876 
Cover and original rock and folk. Mgr., 
Louis Salamone, 657-7042 

Woodrose, 336 East Main Street, Marlboro 
01752. Original heavy metal and art-rock. 
Contact Dave Smith, 481-0189. 
Woodstock, 186 Norfolk Street, Quincy 
02170. ‘66 through ‘76 rock. Contact 
Stephen L. Esdale, 471-7640. 

The Works, c/o Musicorp International, 11 
Northeastern Boulevard, Nashua, NH 
03062. Top-40. Call (603) 883-8596 
Worlds End, Box 875, Salem, NH 03079. 
Cover and original rock. Contact Mark 
Thomas, (603) 898-5584. 

The Worms, 100 Webster Street. Man- 
chester, NH 03104. Original new wave. 
Contact Kevin Collins, (603) 668-8913. 
The Worx, c/o Clockwork Entertainment 
Management, Box 1600, Haverhill 01830. 
Cover and original rock and new wave. 
Contact Bill Macek, 373-6010. 

John Lincoln Wright and the Sour Mash 
Revue, 23 Valentine Street, Cambridge 
02139. C&W and country rock. Call 
491-7780. 

X-Dreams, 596 Franklin Street, Cambridge 
02139. Cover and original rock. Contact 
Don Bishop, 661-8852. 

Xenolith, c/o 3-G Productions, Box 64, 
Wellesley 02181. Original and cover rock. 
Call 653-7285. 

Yankee Ingenuity, 29 Marion Road, Bed- 
ford 01730. Folk-, square-, and contra- 
dance music. Contact Donna Hinds, 
275-1879. 

The Young Moderns, 1 Bromfield Court, 
No. 5, Newburyport 01950. Cover and 
Original rock. Mgr., Roy Bradshaw, 
462-9927. 

The Young Rationals, 1359 Cambridge 
Street, Cambridge 02139. Original 
progressive rock. Contact Sheldon 
Mirowitz, 661-5692, or Tim Jackson, 


267-7181 

Young Snakes, c/o Godawful Productions, 
35 Hillside Avenue, Medford 02155. Or- 
iginal new wave. Mgr., Scott Becker, 
395-9264. 

Your Mother, c/o Microwave Productions, 
6 Pond Street, No. 1, Jamaica Plain 02130. 
Original rock and new wave. Mgr., Gary 
Dunn, 524-7348 

Your Neighborhood Saxophone Quartet, 3 
Salem Street, Cambridge 02139. Jazz and 
avant-garde music. Contact Steve Adams, 
661-9182. 

Myron Zajac, c/o Frank Borsa Productions, 
112 Fourth Street, Norwood 02062. Solo 
folk. Call 762-0110. 

Zenegal, 20 Peters Street, Cambridge 
02139. Original rock and R&B. Contact 
Hugh Norton, 491-2724. 

Zephyr, 46 Home Street, Malden 02148. 
Cover and original rock. Contact Carl 
Chimi, 322-6672. 

Zero Gravity, 58 Ridgemont Street, Allston 
02134. Original rock. Contact Michael 
Wisniewski, 254-0821. 

0321, 139 Chestnut Street, New Bedford 
02740. Original new wave and power pop. 
Contact Frenchy Cancela, 999-2138. 

Zion Initation, c/o Loveman’'s Productions, 
54 Crispus Attucks Place, Roxbury 02119. 
West Indian reggae. Contact James Lewis, 
427-3774 

Zodio Doze, c/o Stuff Corporation, 41 
Perry Street, New York, NY 10022. Original 
modern rock. Mgr., Maurizio Mancini, 
423-1634 (Boston). 

The Zone, 76 Gardner Street, Brighton 
02135. Original rock. Contact Steve Gaetz, 
783-1872 or 323-5073. 

Dave Zox Trio, Winthrop. Modern jazz. Call 
846-6245. 

Z-Squares, 7 Bayberry Road, Danvers 
01923. Original rock and new wave. Mgr., 
Randi Little, 777-1174. 





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Bands cross-index 


Listed alphabetically within musical categories 








A CAPPELLA 


Street Magic 


. BLUEGRASS 

Banjo Dan and the 
Mid-nite Plowboys-, 
Down Yonder 
Fiddle Fever ° 
.Greenline Breakdown 
Hot Off the Frets 
Péter Kairo 
Laughing Hands 
Lost in the Shuffle 
The Neon Valley Boys 
Northern Lights 
Patchy Ground Fog 
The Raw Honey Band 
St. James Gate 
Southern Rail 
Spider Bridge 
Orrin Star and Gary Mehalick 
The Texas Instruments 
Joe Val and the New England 
Bluegrass Boys 

White Mountain Bluegrass 


BLUES AND R&B 


Back Alley Band 

Bad News Blues Band 

Lee Baird 

B&H Rock Band 

Barons of Brain Matter 

Geoff Bartley 

Joe Beard and the Blues Union 

The Beat Boys 

Nathan Bell 

The Bill Bellamy Band 

Benny and the Big Note 

Sandy Berman's Swing Stars 

Big Wally Quartet 

Bijou Link 

Bijou McCue and the Matinees 

Birdland 

T. Blade and the Fabulous Esquires 

Blues After Dark 

The Blues Cousins 

The Blues Outlet 

‘Blues Over Easy 

Bobby Watson Band 

Body and Soul 

Bop Follies 

Chris Bright and the Sods 

Brigitte Chantel 2 

Stovall Brown 

Buffalo Chip Tea 

Burned Champagne 

Karen Cameron 

Louie Camp and the Rockin’ Savoys 

Captain Mojo 

Cat’s Ass 

C-D Current 

P.J. Celi 

City Edition 

Eddy Clearwater 

Little Joe Cook and the Thrillers 

The Cooltones 

Johnny. Copeland 

Cub Koda 

Cub Koda and the Chase Street 
Rhythm Band 





Danny and the Jets 
Decorum 

The Dow Jones Band 
Buzzy Drootin Jazz Band 
Jim Duckett and Ron Aron 
Dynamic Duo 

Roger Ebacher 

Eclipse 

Eight to the Bar 

The Elastic Skump Hugs 
11th Hour Band 

Eddy Ellis Group 

Mark Endresen and the Rest 
The Energetics 

Equus 

Fat City 

Fortune 

Bob Franke 

Full Tilt 

Peter Galiway 

Genuine Risk 

The Paul Geramia Trio 

Guy and Pip Gillette 

The Gist 

Carol Goodman 

Guitar Junior 

Gunsmoke 

Half A Care 

Bob Halperin 

High Times 

Hot Acoustics 

The Jail Band 

Jimi and the T-Blue Experience 
Michael Johnson and Blaze 
Jump Street 

The Shane Kelly Band 

King Bs 

Chuck Kruger Band 

Lois Lane and the Daily Planets 
Lazarus 

Lou Leeman & Dime a Dance 
George Leh 

Lichen 


40 THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 





Little Jimmy and the Homewreckers 
Loaded Dice 
Phil Madeira 
Magic Mose & His Royal Rockers 
Margo Thunder and Entrigue 
The Max Bros. 
The Men 
The Leon Merian Big Band 
Molly Malone Band 
Murder’s Home 
Matt ‘‘Guitar’’ Murphy Band 
Natural Boogie 
John Neel Band 
Ness 
Jamie Newell and the 

After Hours Band 
Nobody’s Business 
The Northern Heights Band 
Oldies Revival 
Old Tired and Disgusted 
Outhouse All-Stars 
A Patch of Blue 
Sherrie Phair 
Bob Pilsbury 
Babe Pino Rockin’ Blues Band 
P.J. and the Pontiacs 
The Pleasure Dots 
Preacher Jack 
The Preston-Porter Band 
Provincetown Jug Band 
Recurring Nightmare Band 
Paul Rishell Band 
The Riverside Drivers 
Roberts Station 
The Duke Robillard Band 
The Rockett 88's 
The Rockin’ Heartbeats 
Jimmy Rogers Blues Band 
Alida Rohr’s Band 
Robert Ross 
The Rythm Express 
Sandy Mac and the Heart Attacks 
Gray Sargent 
Send Me to Camp 
The Shaboo All-Stars 
The Shakes 
Sharon and Friends 
The Maynard Silva Band 
The Silver Doots 
Silver Lining 
The Silvertones 
SKYDOG 
Chris Smither 
Spider & the Saint 
Spyce 
Starfire 
The Steamers 
Stormin’ Norman & Suzy 
Strawberry Farm String Band 
Street Talk 
Streetwalkers . 
Sugar Ray and the Blue Tones 
Swing Shift 
Kate Taylor 
Too Tali Terry 
Trackless Trolley 
Tremendous Richard 
Tunesmith 
Two-Finger Snap 
Ultimate Force 
Patti Unaitis and Friends 


Urge 
The Paula Veck Band 


IMustration by Leslie Evans 


——— 





= or rer 








aati. 
. = 
SSS 




































— = _ —~ae ereer 





Gary Wade's Best Biues Revue 
John Wardwell Biues Band 
Warp Drive 

Wasted Space 

Joan Watson-Jones 

The Dick Whetmore Jazz Band 
The Whole Wheat Horns 

The Widespread Depression Orchestra 
Zenegal 


CLASSICAL 


Anabel 

Ananda 

The Boston Fretts 

The Cambridge Saxophone Quartet 
Cape Cod Chamber Ensemble 
The Eckels Brothers 

Empire Brass Quintet 

Les Fetes Galantes 

D.R. Gouger Brass Quintet 
Harbour Brass Quartet 
Michael Keith 

LiveOak Trio 

The Lydian String Quartet 
Milton Marsh 

Ron Murray Consort 

Rapid Eye Movement 

Rubber Tellie String Quartet 
Bill Skon 

The Twittering Machine 


COMEDY 


Stephen Baird 

Tom Chandler 

Dario and Company 

Dick Doherty and Company 
Double Exposure 

d’strbd 

The Ends and Means Committee 
Forest & Stone 

Kix (an almost all-girl revue) 


Chance Langton 

Loveman 

Howie Newman 

Peter O’Malley’s One Man Show 
The Rats 

Slap Happy 

Spider & the Saint 

The Two of Us 

Paul Wayne 


COUNTRY, COUNTRY 
ROCK, C&W, AND 
SOUTHERN ROCK 


Abraham's Seed 

Alana and the Night Riders 
Jimmy Allen and Easy Country 
Sparkie Allison and Songpainter 
Chris Anders 

James Armstrong 

Neil Arnold and Nashville Fever 
Audrey's Kitchen Band 

Brian Babcock Experience 
Backcountry 

Lee Baird 

The Baliou Brothers’ Band 
Barons of Brain Matter 

Tom Bartlett and Unicorn 

Beer for Breakfast 

The Bits 

Jan Blackman 

Bob Blake and the Roustabouts 
Liz Boardo Band 

Boosey Hawkes Band 

Brigitte Chantel 

Jackie Brown 

Laura Burns and Roger Rosen 
Cabin Fever 

Cangello and York 

Cartwright 

The Chicken Chokers 

Dave Colt 





The Country Caravan featuring 
Shannon Smith 

The Country Fever Band 

Crazy Ed Barnaby 

Crockett 

Crossroads 

Dick Curless 

Leon Jimmy Davis 

Daybreak 

David Decker 

Tony DeNucci 

Dr. Hicklicks’ Cucumber Band 

The Dr. P. Show featuring , 
Pat Hamel 

Julie Dougherty Band 

Dave Dudley 

The Eddie Stewart Band 

Jonathan Edwards 

The Elastic Skump Hugs 

Allen Estes 

The Jim Femino Band 

Fiddle Fever 

Foggivision 

Footloose 

Harry French 

Full House 

Full Moon 

Gunsmoke 

Hanging Woman Creek 

Elmer Hawkes 

John Hicks and Revolution 

High Tide 

The Hobo County Band 

Homegrown 

Hot Off the Frets 

The Jail Band 

Tom Joseph's Country Connection 

Justine 

Peter Kairo 

Kewi 

Chuck Kruger Band 

The Last Round Band 

Continued on page 42 









4OO COMMONWEALTH AVENUE BOX CY77 BOSTON, MASS. 02215 








BOSTON BRATS 


May 
12-16 E.J.’s Lounge, Rowley, MA 





July 


@ Management 
® Bookings 
® Rentals 
(Lights & Sound) 





19-21 Axe Handle, Rochester, N.H 
22-23 The Place, Manchester. N.H 
25-27 Harry's, Augusta, ME 

June 

2-5 Timothey's Too. Framingham, MA 
8th Bunratty’s, Aliston. MA 

10-12 Sanctuary, Worcester, MA 
16-20 J 's Pittsfield, 





MA 
22-27 Barnabie'’s, North Conway, N.H 


30th-4th Club New England, Burlington, VT 
9-10 Axe Handle, Rochester, N.H 
20-23 Harry's, Augusta, ME 
25-26 Bayview St. Garage, Camden, ME 
A 


ugust 
29th- 1st Johnnathan's Restaurant, 
Pittsfield, MA 
6th Eventies, Central village, CT 
7. Franklin's, Leominster, MA 
15 Barnabie’s, No. Conway. N.H 


Exclusive bookings 


throughout New England. 
New Bands please call 


MKA. 








PANDORA 
April 21-24 Axe Handle, Rochester, N.H 
May 6-8 Chicken Box, Nantucket 
May 12 Lady Bug, Peabody, MA 
May 20 Franklin's, Leominster, MA 
May 21 Frollics, Salisbury Beach 
May 22 New Hampshire Voc. Tech., 
Laconia, N.H 
May 27-29 Lighthouse, Revere Beach 
June 1 Timothey's Too, Framingham, MA 
June 3-4 Sanctuary, Worcester, MA 
June 5 Jumbo’s, Somerville, MA 
June 10-12 Lady Bug, Peabody. MA 
June 17-20 Cappietio’s, Raynham, MA 
— 1-4 Jonathan's Restaurant, Pittsfield. 


ay 13-18 Barnabies, No. Conway, N.H 
July 21-25 Club New England, Burlington. 
V.T 


July 29-31 Franklin's, Leominster, MA 













August 17-22 Chicken Box, Nantucket 





Sh South, Pe P 
Sanctuary, Worcester, MA 
Club New York, Peabody. MA 
Jumbo’s, Somerville. MA 
F 

Club lll, Providence. Ri 

inema Lounge, Leominster. MA 
Uncle Sam's, Hull. MA 
March 
Mr. C's, Lowell. MA 
Old Forge, So. Eastern, MA 
Main Event, Providence, RI 
Merrimac C , Andover, MA 
Bunratty’'s, Allston. MA 









April 
Even Ties, Central Village, CT 
Jumbo's, Somerville. MA 
Showcase South, Pawcatuck, CT 
Beverlies, NH. CT 


Breakout Tour 1982 


May 
ick,CT Fast Lane, Portland. Me 


Lamplighter, Warwick. Ri 
Lupo's, providence. Ri 
Follics, Salisbury Beach 
Harry's, Augusta. ME 
Axe Handle, Rochester. NH 
Johnathan's, Pittstieid. MA 

2 June 
Jacks, Cambridge. MA 
Raskies, Milford. CT 
Club Casino, Hampton Beach. NH 
Cumpus Lounge, Hyannis. MA 
Chase, NY 
imperial Garage, NY 
Goblet, NY 


} rat A ia va MA 
py ne Bangor, ME 


Marian Street People & The Blue Raiders 


(Tribute to Janis Joplin) 





THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 41 





Continued from page 41 
Nick Latteo 
Jess Leary 
Roger Lee 
Lou Leeman & Dime a Dance 
Diane Lincoln Band 
Johnny Logan 
Lost in the Shuffle 
Brownie Macintosh and his 
Apple Cider Boys 
Polly Martin Show 
Mastex Connection 
Dick McManus and the Irish 
Revolution 
Alger Mitchell 
Murphy’s Law 
John Neel Band 
Dick Nephew Band 
Jamie Newell and the 
After Hours Band 
The Nick Adventure Band 
Nightshift featuring Mary Gold 
Donny NoCash 
Skip North and North Country 
Old Coyote 
Open Road 
Parlin Brothers’ Band 
The Pastimes 
John Penny Band 
Dave Pike and Hearts Country 
The Pinpoint Band 
Private Cellar Band 
Provincetown Jug Band 
Rainbow's End 
The Redneck Revival 
Robin Right and Right Country 
Bob Riley and the Music Masters 
Rick Robinson and the Bayou Boys 
Rockinhood 
Al Ross and Thunder Road 
Peter Rowan 
Rubber Rodeo 
Gary Rup and the Group 
St. James Gate 
Saturday Night Special 
Larry Seigal 
Sharon and Friends 
Glenn Shields and 
the Baked Appie Band 
SKYDOG 
Smokey & ‘the Bandits 
Southern Rail 
Orrin Star and Gary Mehalick 
Strawberry Farm String Band 
Swing Shift 
Tambo 
Them Fargo Bros. 
Trailblazers 
os Tree Beard Band 
Tunesmith © 
vay Rumors 


Tina Tine Welch Band 
doprey ne haere and 


The wo ‘Country Ba iy bend and featuring 


Wlimon Wirtanen & the West Virginia 
Won 

John Lincoln Wright and 

: the Sour Mash Revue 


" DIXIELAND 

« The:Boston Swing Sextet 
set oueper: treet Jazz Band 
- Paraders. , 





ties Jennison 
New Yank Rhythm Kings Jazz Band 
Bill Payne's Boston Jazz Band 
Fred Reynolds Good Time Jazz 
Scollay Square Stompers 
Les Smith and his Orchestra 
The State Street Strutters 
The Dick Whetmore Jazz Band 
The Dave Whitney Jazz Band... 


42 





ETHNIC 


The Antigravity String Band 
The Art of Black Dance & Music 
The Bavarian Hauffbrau Band 
Gesang Derein Lyra 

Koli 

Laduvane 

The Rheiniander 


FOLK 

Abraham's Seed 

Anabel 

The Antigravity String Band 
Lee Baird 

Stephen Baird — Street Singer 
Geoff Bartley 

Beat Feat 

Mike Becker and the Post-Bohemians 
Nathan Bell 

Curt Bessett 

Dave Binder 

Jan Blackman 

Blackwater String Band 

Boston Excelsior Mandolin Society 
Bright Morning Star 

Bruce and Marshall 

Laura Burns and Roger Rosen 
Buskin and Batteau 

Bob Cannon 

Celtic Standard 

Channel 23 

Christopher James 

David Coate and Band 

Lui Collins 

Bill Crofut 

Custer’s Last Band 

David Decker 

Devon Square Trio 

Do’A 


Jim Duckett and Ron Aron 

Tom Eslick 

Footloose 

Bob Franke 

Free Fire 

Full Moon 

Deborah F. Galiga 

Bob Genovesi 

The Gloucester Hornpipe 
and Clog Society 

Greg Greenway Band 

Elmer Hawkes 

Jack Hickey 

High Tide 

Marc Hoffman 

Nancy Holroyde 

Homegrown 

The Irish Mist Showband 

Mimi Jones 

Peter Kairo 

Koli 

Ken Kwartler 

Laduvane 

Fred Lake IV 

Harry Lipson 

LiveOak Trio 

Cormac McCarthy 

McKie & Company 

Monad 


Bill Morrissey 

Howie Newman 
Nitrogen Narcosis 
Dave Northrop 

Orion 

Marcus Parsons 
Patchy Ground Fog 
Shamus Pender 

John Perrault Band 
Plain Folk 
Provincetown Jug Band 
Michael Punzak 
Pyramid 

St. James Gate 

Tony Saleton 

Debbie Salvucci 
Schooner Fare 

Andrew Schulman 
Seduced and Abandoned 
Shaw Brothers 


THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 





Bill Skon 

Skyak 

Fred Small 

Spider Bridge 

Bill Staines 

Orrin Star and Gary Mehalick 

Dean Stevens 

Paul Stookey and Band 

Sweet Potato Wine 

John Totaro 

Bob Uvello 

Joan Watson-Jones 

Arthur Weex 

Wheatstone Bridge 

Roger Whynot Group 

Wildman Wirtanen & the 
West Virginia Wonders 

Willie T. 

Wood-N-Steel 

Yankee Ingenuity 

Myron Zajac 


About Time 

Arcade Ambo 

Arthur Slick 

Asiatic Mode of Production 
Beloved 

Black Axiss 

Blues After Dark 

Bobby Watson Band 
Breakfast in Bed 

Brother Jump 

City Edition 

Dancing Dogs 

DownTime 

Ego-Brats 

Equus 

The Jeff Ernstoff Jazz Quartet 
First Street 

The Floating House Band 
Fly By Night 

Fortuna Bay 

The Gist 

Gojjam 

Hawkeye 

Horizon 

The Hostage 

Hypertension 

Jamas 

Just for the Funk of It 

Lois Lane and the Daily Planets 
Low Spark 

The Richard Malicoim Band 
The Marsels 

Metro 

The Movers ~ 
Natural Rhythm 

Ness 

Night Flight 

9th Street Bard 
Suzanne Perel Quintet 
Phare Pleigh 

Pleasant Beef 

Eric Preusser Band 
Release 

Paul Rishell Band 

The Rythm Express 
Second Society 
Shahara-Zod 

Skazam 

The Slash 

The Specimens 

Star : y 


. Street Life x 


Suade Cowboys 

Ultimate Force 

Patti Unaitis and Friends 
The Untouchables * 
Uptown Express 

Vitamin 

Warm Front 

Watercolors 

Windows 


A La Mode 


—~  e e e 























~ eee 








Antarctica 

Mike Becker and the Post-Bohemians 
Bellvista 

Ted Casher Quintet 

The Floating House Band 
Fortune 

High Tide 

The Dave Howard Quartet 
ictus 

Inity 

Isopropyl 

Just for the Funk of It 
Kasner Gooch 

Nova 

Prophet 

Pulsation 

Random Access 

The Randy Roos Band 
Special People 

Struggle 

Synapse 

Tiger's Baku 

Mike Turk Quartet 


GENERAL BUSINESS 


The Johnny Allan Orchestra 
The Larry Alltop Show 
featuring New Exciters 
Back Bay Society Band 
Beau James 
Bob Blake and the Roustabouts 
Larry Bloom 
Boston Excelsior Mandolin Society 
Joe Bucci Trio 
Russ Carlton Quartet 
Carmello 
Close Encounter 
C-Notes ' 
The Continentals 
Crossroads 
Carli Dario 
Daybreak 


Deja Vu 

Dean Earl 

Eastwind 

The Eddie Stewart Band 
The Exchange 

Fantasy 

FLIGHT 

Free & Easy 

Larry Garland and Friends 
Generation 

The Oliver Griffith Group 
Randy Henderson Band 
Horizon 

Horizon 

The Inspirations 
Invitation 

Jade 

Jesson’s Express 

Joint Venture 

Just Us 

Kelly's Irish Troubadours 
LABONZA 

Last Call 

Mary Lewis Trio 

The Sandy Lewis Band 
The Livin’ Sound 

Lorelei 

Lotus 

Eddie Madden 

Eddy Mann Trio 

The Steve Marvin Quartet 
Mayfair 

Midnight Blue 

Ron Murray Consort 

Bill Nelson Orchestra 
Ruby Newman Orchestra 
Nightlife 

Nightside 

Peter O'Malley's One Man Show 
The Pastimes 

Penzance 

Suzanne Perel Quintet 
Portraits in Sound 








Aaron Rae Show 

Rainbow 

Rapport 

The Reflections 

Rendezvous 

The Roundabouts 

Tom Rudd 

Trudy Sandhaus Quartet 

Maggie Scott 

Jerry Seeco 

Dick Short Quartet 

Simplicity 

Sixpence 

Soiree 

Spiral 

Squires Four 

Stage Unlimited 

The Starlight Dance Band 

Starlite 

Stars of Swing 

Jeff Stoughton 

Suite Life 

Summit 

Sundown 

Sweet Emotions 

Synergy 

A Taste of Honey 
featuring Nancy Buccacio 

Tiffany 

Touch of Silk 

Jill Turner Jazz Quartet 

The Two of Us 

The Al Vega Trio 

White Satin 

Windsor Players 


Bagpipe Brothers 
Barleymow 
Tom Bartlett and Unicorn 


eeu James Continued on page 44 









E/350 CAMBR. 











/DGE ST.- /NMAN SQ.- CAMBRIDG. 














Strum Your Strings 
Tickle Your Keys 


Sing a Song 
Beat a Drum 


Can You Teach Guitar? 
Takidaete akelai dalem allt) acre 












For Rock & Roll at It’s Best™ 
Contact Vinnie (617) 767-2839 


THE. BOSTON PHOENIX, BOS: ON BANDS, JUNE 1, 1982 43 














































































Continued from page 43 

Blackbird 

Blackwater String Band 

Celtic Standard 

The Gloucester Hornpipe 
and Clog Society 

Harvest Home 

Jack Hickey 

Homegrown 

The Irish Mist Showband 

Kelly’s Irish Troubadours 

Jean Mcintosh 

Dick McManus and the 
irish Revolution 

McTeggarts 


Robbie O'Connell and James Keane 


Shamus Pender 
Plain Folk 
Rainbow's End 

St. James Gate 
Scant Measure 
Schooner Fare 
Sean Slattery 
Sweet Potato Wine 
The Tillermen 


JAZZ 


A La Mode 
Ananda 
Antigravity 
Back Bay Society Band 
Toni Ballard and Laura Stilla 
Jamie Baum and Friends 
Belivista 
Beloved 
Jerry Bergonzi and Con Brio 
Sandy Berman’s Satchmo Band 
Sandy Berman’s Swing Stars 
Big Band, Inc. 
Big Band Unlimited 
Blue Horizon Jazz Band 

with Stan McDonald 
Blue Silver Quintet 
Bop Follies 
Boston Jazz Conspiracy 
The Boston Swing Sextet 
Bougainvillea 
The Bourbon Street Jass Band 
Karl Boyle and Jazz P 
Hugh Brodie Quartet 
Christopher Brooks and Friends 
Joe Bucci Trio 
Burton and Tapper 
Gary Burton Quartet 


The Cambridge Saxophone Quartet 


Karen Cameron 

Ted Casher Quintet 

The Chicken Chokers 

The ry ema Collective 
n 


Johnny Copeland 
Lou Crimmins and the Diamonds 
ae Crosby Band 


Dr. Hicklicks’ Cucumber Band 
Michael Donovan 

The Paul Donsanto Group 
Downtown Jazz Orchestra 
Buzzy a Jazz Band 


Roger Ebacher 
The-Eckels Brothers 
Eddy Ellis Group 
‘ The Jeff Ernstoff Jazz Quartet 
Sy Michele Feldheim-Utli 
4. >. » Bartel Group 
-. ‘Garrison Fewell 
~ Fish 


7? Fly By Night 
Free Lance Wife Revue 
Freer 
t The Frit 
Tommy Gallant All Stars 
Mee, Larry Garland and Friends 
 - ¢Paul-Geramia Trio 
“SS Girl Talk 
The Global Reps 
Janet Grice and Tropical 
The Oliver Griffith Group 
Kenny Hadley Big Band 


44 THE BOS TON FHOENIX, BOSTON BANDS, JUNE 1, 1982 


Charles Harris Trio 
Mark Harvey and Aardvark 
Michael Hayes Sextet 
Randy Henderson Band 
Ken Holiman Quintet 
The Wayne Naus-Greg 
Hopkins Big Band 
John Horner Trio 
Hot Sonatas 
The Dave Howard Quartet 
The Doug Hyatt Quartet 
ictus 
Jamas 
Jazz Step 
Charlie Jennison 
The Herman Johnson Quartet 
Dick Johnson’s Swing Shift 
Joint Venture 
Just for the Funk of It 
Michael Keith 
Larry Klug Trio 
Laughing Hands 
George Leh 
Joe Lentino and the 
Goodtimers Swing Band 
The Little Big Band 
Low Spark 
The Richard Malicoim Band 
The Mark Marquis Group 
Milton Marsh 
The Steve Marvin Quartet 
Ed Mascari 
Semenya McCord 
Chris McDermott and 
Jon Gorr Band 
Millie McFadden Quintet 
The Leon Merian Big Band 
The Mike Metheny Quartet 
Pat Metheny Group 
The Harry Miller Space 
Heater Band 
Jane Miller 
Modern Sin 
Moily Malone Band 
Momentum Jazz Trio 
Moon Unit featuring Grover 
Elvin Mooney 
David Moss 
Ron Murray Consort 
Music That’s Good for the Head 
New Black Eagle Jazz Band 
New Yankee Rhythm Kings Jazz Band 
Nightlife 
Nightrunners 
Nova 
The Gordon O'Connell Group 
Orchestra Tropica 
Orion 
Makoto Ozone and Keichi Ishabashi 


. Lester Parker Quintet 


A Patch of Blue 

The John Payne Band 
Suzanne Perel Quintet 
Ed Perkins Trio 
Sherrie Phair 

Bob Pilsbury 

Herb Pomeroy 

Molly Porterfield 
Lewis Porter Quartet 
Ellis Posner Band 

Eric Preusser Band 
Pulsation 

John Purcell and the Partials 
Tony Racciatti Octet 
Rapid Eye Movement 
Release 


Reminiscence 

Ruth Ristich 

Katie Roberts-Margie Pos 
Quartet 

Alida Rohr’s Band 

Rubber Tellie String Quartet 

R.W. Big Band 

Sabor Latino 

Trudy Sandhaus Quartet 

Gray Sargent 

Maggie Scott 

Search 

Shape Shifter featuring 
Arni Cheatham 


Dick Short Quartet 
The Paul Shumsky Trio 
Bill Skon 
Skyak 
The Sounds of Swing 
Spectacle 
Spiral 
Spiral Dance 
Spring 
Starlite 
Jeff Stoughton 
Jeff and Candy Stout 
and Friends 
Straight 
Stringham and Sal 
The Suburbanaires 
Makoto Takenaka Trio 
Tiger’s Baku 
Traces 
Trombone Madness 
Mike Turk Quartet 
Jill Turner Jazz Quartet 
Two-Finger Snap 
Patti Unaitis and Friends 
Upstream 
The Valley Big Band 
The Al Vega Trio 
Gary Wade's Best Biues Revue 
Greg Wall and Now Appearing 
Warm Front 
The Doug Webb Group. 
The Dick Whetmore Jazz Band 
The Dave Whitney Jazz Band 
Hank Wiktorowicz Trio 
Phil Wilson Orchestras 
Windows 
Your Neighborhood Saxophone 
Quartet 
Dave Zox Trio 


LATIN 


Ananda 

Cimarron 

Dario and Company 

Michele Feldheim-UIli 
Bartel Group 

Fortuna Bay 

Janet Grice and Tropical 

Mariachi Guadalajara 

Orchestra Tropica 

Conjunto Pabon 

Katie Roberts-Margie Pos 
Quartet 

Sabor Latino 

Spiral Dance 


OLDIES 


Alive After Five 

The Answer 

Peter Anthony Group 

Brian Babcock Experience 

BabyGrand 

Back Trax 

Jan Blackman 

Bob Blake and the Roustabouts 

The Biue Chips 

Breakaway 

Hugh Brown & Co. 

Louie Camp and the 
Rockin’ Savoys 

Russ Carlton Quartet 

Carmelio 

Cat’s Ass 

The Cheaters 

Class of 66 

Little Joe Cook and 
the Thrillers 

Crazy Ed Barnaby 

Dale and the Duds t 

Dana & the Teardrops 

Carl Dario 

The Dick Davis Oldies Show 

The Dr. P. Show featuring 
Pat Hamel 

Dick Doherty and Company 

The Echoes ‘ 

The Eddie Stewart Band 

Fanfare 





















is 





The Flamingos 

Footloose 

Gold Note 4 

The Good Life 

The Great Pretenders 

The Hooker Brothers 

Hush 

Jillian 

Joyride 

The Knights 

Nick Latteo 

Joe Lentino and the 
Goodtimers Swing Band 

The Lowgistics 

Mertz Brothers 

Gordie Milne 

Morgan 

Moxie 

Skip North and North Country 

Dave Northrop 

Oldies Revival 

Old Tired and Disgusted 

The Oliver Bursey Band 

Jeff Palmer Orchestra 

Poncho 

Potpourri 

Private Stock 

Provincetown Jug Band 

The Radios 

Aaron Rae Show 

The Rizztones 

Rocky Road 

The Roundabouts 

Gary Rup and the Group 

Savage Towels 

Savero 

Send Me To Camp 

The Shittons 

The Silver Doots 

Sounds of Sage 

Tony Spectra Spectacular 

Glenn Stetson and the Diamonds 

Street Magic 





Streetsong 

Streetwalkers 

Sundown 

A Taste of Honey featuring 
Nancy Buccacio 

3-Sixty 

The Tillermen 

Time Trax 

Touch Tones 

U.S. Rock 

The Waffles 

Paul Wayne 

White Satin 


REGGAE, CALYPSO 
SKA, ROCK STEADY, 
ISLAND MUSIC 


The Art of Black 
Dance & Music 
Bermuda Strollers 
Bored Youth 
Brainchild 
Cariton Bryan and Crossroads 
The Cooltones 
Dario and Company 
James Demon Band 
007 
Ego-Brats 
Felix Blasé and the Hats 
Full Hand 
Gojjam 
Half A Care 
Healin'’ of the Nation 
High Tide 
Inity 
Ras Karbi 
Chuck Kruger Band 
The Rick Larramore Band 
The Liquids 
The Loose Caboose Band 
Lost Time 
Lox 


Magic and the Reggae Stars 
Medicine Crow 

One People 

Sa Sa Ay 

Shahara-Zod 

Silver Stars Steel Orchestra 
Tambo 

Trackless Trolley 

Volo Volo 

Zion Initation 


ROCK AND 
NEW WAVE: COVER 


Alias 

Amethyst 

James Armstrong 

The Aromatics 

Axis 

Bad Habit 

B&H Rock Band 

Barons of Brain Matter 

Bijou Link 

The Blue Chips 

Biuedust 

Boogy Beast 

Bosco 

Boston Pace 

The Boys 

The Branches 

Breakaway 

The Breeders 

The B-Street Bombers 

Buffalo Chip Tea 

The Bystanders 

Candi 

Captain Mojo 

Cats'Eye 

Chaser 

Coastline 

The Cooltones 

Crazy Ed Barnaby 
Continued on page 46 














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THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 45 


Pree 





Continued from page 45 

Lou Crimmins and 
the Diamonds 

Crybaby 

Dale and the Duds 

Double Exposure 

Double or Nothin’ 

Double Vision 

Due-mao 

Dynamic Duo 

The Echoes 

English 

Eyes 

Family Affair 

Thé Fanatics 

Fate 

5th Gear 

53 Avenue 

Fingers 

Flash 

Fortune 

Four Tonight 

Free & Easy 

The Free Spirit Band 

The Freestyle Band 

Harry French 

Peter Galiway 

Gangbusters 

Gold Note 4 

Mary Gray 

Grindstone 

HarborLight 

Harvest Home 

Heist 

Marc Hoffman 

Invasion 

Jericho 

Jillian 

Joccor 

Joshua Tree 

Joyride 

Katonah 

King Bs 

Kix ° 

The Knights 

Lois Lane and the 
Daily Planets 


Lowteernian & Dime 4 Dance” 


Lichen & 

Paul Livingston Ps 
Loose Ends ’ o 
Love Lace a 2 | 
Low Spark 

Madigan 

Magic 

Tony Marlo 

Mastex Connection 
McAnhi 

Mertz Brothers 

Midnight Pass 

Mixed Company 


J vine beers 


‘The Music Company 
Thé Name B 
New Leaf ' 
New York 
Next Exit 
Nightbear 
9th Street Band 
Nobody's Business 
Norfhieast Expressway 
Northern Tier 
The Oliver Bursey Band 
Op 

“ye, Panache 

»,. , Pandora 

“4.” Pargdox 


. Paradyse 
x. P.F. @nd the Flyers 


‘Powerglide 
PrivateStock 


< 






The 
Radiostar 
Rasmyth 
Razor 


46 





THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 


Reprise 

Reunion 

The Rizztones 

Rosie 

Roundhouse 

Royalty 

Carey Rush Band 

Sahara 

Scorpio 

Second Society 

Secret Agents 

Jerry Seeco 

She 

The Shittons 

Silas Stingy 

Skazam 

Skyhigh 

The Smith Bros. 

Smith Row 

Smoke 

Smokey & the Bandits 

The Solution 

Sounds of Sage 

Starlite 

The Steamers 

The Stone Cross Band 

Straight Away 

Street-Level 

Streetsong 

Strutt 

Talking Book 

Tarot 

A Taste of Honey featuring 
Nancy Buccacio 

Time Trax 

Tornado Alley 

Touch 

Tremendous Richard 

Ugly Rumors 

The View 

Vision 

The Volcano Club 

The Waffles 

Warm Front 

Warp Drive 

Wasted Space 

Watercolors 

Larry Wedgeworth 

White Lance 

Whizz Kidds 

Woodstock 


ROCK: ORIGINAL 


A Wife 2 Kids and a Station Wagon 
Abijon — , 
Agents Provacateurs 

The Aggressions 

Agitation 

Air Line 

Airborne Particles 

Airporte 

Alex Space 

Willie Loco Alexander 

GG Allin 

Americans Alone 

Amoebas in Chaos 
Ancestor Worship 

Angry Young Bees 

Animal Dance 

The Annoyed 

Anonymous Passion 
Antarctica 

Anthem 

Appaloosa 

Arabesque 

Arcade Ambo 

Arthur Slick 

The Articles 

Astra 

The Atlantics 

Audio Savant 

August © 

Aya and the Tidal Wave Tour 
AY.M. 

Azure Drive 

Bad Habits 

Johnny Barnes and the Automatix 
The Bars 

Basic Plaid and Pearis 


Batik 

Beaver Brown 

The Bill Bellamy Band 

Beloved 

Berlin Airlift 

Big World 

The Bimbos 

Dave Binder 

The Bits 

The Blakes 

The Blend 

Blind Orphans 

Body Count 

The Bones 

Bored Youth 

The Bottles 

Boys and Girls 

Boys Life 

Brass 

Bravo BTO 

Breakfast in Bed 

Britain 

Brother Jump 

The Bumsteads 

Bunny & the Breeders 

Burned Champagne 

The Businessmen 

Buskin and Batteau 

Cadré 

Cameron-Loehr Band 

Celebrity Teens 

The Chance 

Channel 23 

Chapter 12 

Tom Chase 

Cheese Balls 

Bill Chinnock 

John Christian Band 

Christmas 

Classic Ruins 

Clothespins 

Cold Shoulder 

The Contenders 

The Core 

John Coster and 
the Medicine Band 

Count Viglione 

The Crabz 

Crockett 

Cruizer 

Cryptic Edge 

The Cubes 

John Curtis 

Dancing Dogs 

Dangerous Birds 

The Dark 

Darleks 

Darling 

The Daughters 

Peter Dayton 

The Dead Lennons 

Death in the Shopping Malis 

Debutante 

The Decentz 

David Decker 

The Delinquents 

James Demon Band 

Denny and the Dimwits 

The Detours 

Deuce 

DeZiners 

Diatribe 

Disarray 

The Dollars 

Emitt Dooley 

The Dream 

Drezniak 

Dub Buddies 

Pete Duran 

0.Y.S. 

The Edge ‘ 

The Luke Edwards Band 

The Eggs 

Ego-Brats 

89 Systems 

The Elektrics 


. Elite Charade 


Empty Rituals 


The Enemy featuring \ 


Charles Farren 




















































































The Enzymes 

Cris Ericson Band 
Eros Apparatus 

The Allen Estes Band 
E.T.A. 

The Evidence 
Exports 

Face to Face 
Famous Strangers 
The Fans 


Felix Blasé and the Hats. 
F.F. 90 


The Fire Dept. 

The Flaming Hets 
Flicks 

Fly By Night 

Flyer 

The Fools 

Foreign Legion 

The Form 

The Forons 

Free Fire 

Full Moon 

The Furies 

The F.U.'s 

Future Dads 
Ganggreen 

Gesh , 

The Steve Geyer Band 
Ghouls-A-Go Go 

Mel Gilbo & Company 
The Global Reps 


Hot Dates 

Hot Lunch 

Hunger City RFC 

Hushmoney 

Ice Age 

Ignor and the Ramus’s 

The Implants 

The Informers 

The Innocents 

In the Red! 

lron Rage 

Isopropyl 

1.U.D. 

The Jackals 

The Jaimes 

Jared 

Jim Jones and the Guyanas 

Jinx 

John A’s Hidden Secret 

Jon Butcher Axis 

Christopher Jones and the Regulars 

Mimi Jones 

Jump Street 

Kaos 

Keeper 

The Shane Kelly Band 

Kill Sludge 

Kinetic Ritual 

Knightmare 

Michael Koenig and the 
Motherfuckinshitheads 

Lynn LaPrad 





The Liquids 
Reeve Little and 

the Straight Band 
little deers 
Living Gloves 
Local Noise Organization 
Loki 
Lookout 
The Lowgistics 
The Lynch Mob 
Lyndon Johnson Band 
The Lyres 
Magic Mose & His Royal Rockers 
The Make 
The Thomas Manning Band 
The Marginals 
Marky Mussel and the Clams 
Chris Martin Group 
Maveriks 
Maximum Drift 
Mean Arithmetic 
Medicine Crow 
Megabeats 
The Memos 
Men & Volts 
Metropolis 
Lou Miami and the Kosmetix 
The M.1.A.’s 
Mid-City Clones 
The Harry Miller 

Space Heater Band 
Jeffrey Wayne Mincey 








The Gluons The Rick Larramore Band Miriah 

Gold Dust The Last Ones Mission of Burma 

Graceful Ox The Last Sacrifice Alger Mitchell 

Greg Greenway Band Bob Lazaroff M.K. Delta 

Groinoids Lazarus Modern Electrics! 

The Group The Lazers Modern Essence 

Hanging Woman Creek Legacy The Modes 

Chip Harding Leo Ego Monad 

Hardtops Licks Mono-Vogue 

Elmer Hawkes The Lifters The James Montgomery Band 
Hi-Beams Limbo Race Continued on page 48 
4 on 


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THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 47 
















































Continued from page 47 
Moonfleet 
Mundanes 

M.V.M. 

My First Date 

My Hip 

Native Tongue 
Neats 

Nebulas 

Negative FX 

The Neighborhoods 
Neon 

New Career 

The New Deal 

New England 

New Models 

The Next Generation 
Nighthawks 
Nightrunners 
Richard Nolan and Third Rail 
Normandy 

The Not 

November Group 
The Numbers 

Paul O'Malley 

1-800 

Ooh Ah Ah 
Opposites 

The Orbits 

Origin of the Species 
Robert Ellis Orral 
John Orsi 

The Others 
Outhouse All-Stars 
The Outlets 

Outrage 

Overman 

Ozone 

Pajama '88 

Panda 

Paradox 

The Paramounts 
Pastiche 

The David Peacock Group 
The Pencils 

The Performers 

The Joe Perry Project 
Petit Mal 

The Phantoms 

The Glenn Phillips Band 
The Pictures 

Pink Inc. 

The Pinpoint Band 
Planet Street 
Pleasant Beef 

The Plush 

Police State 

The Possessions 
John Powers 

_. The Andy Pratt Band 
President 

Primary Colors, 
Primitive Romance 
The Prisoners 
Private Lightning 
The Probers 

The Product 

K.K. Proffitt 

The Proletariat 
Psycho 

Psycione 

Puppet Rulers 

The Puzzles 

The Quest 

Race 

Radio Novena 

Radio Prison 

Radio Romance 
Random Access 
Reality 

Real Kids 

Recurring Nightmare Band 
Red 


Redline 

Red Tape 
Revenue 
Jonathan Richman 
Rik-E 

The Rivals 

The Roamers 


Alida Rohr's Band 

The Rough Cuts 

Rick Roughgarden 

The Ruins 

The Run 

The Runes 

Rutman’s U.S. Steel Cello 
Ensemble 

Sacred Cows 

Salem 66 

Sass 

The Satellites 

The Dimi Saunders Band 

Sayne 

Scared Kids 

Ron Scarlett Band 

Schemers 

Science Friction 

Scrambler 

Second Division 

Secret Word 

Selli’s Deli 

Sensible Shoes 

Seth 

The Sexexecs 

The Shake 

The Shakers 

Gary Shane and the Detour 

Shenandoah ‘ 

Shire 

Shiyers 

Shocking Pink 

Shut Up 

The Sickness 

Signal featuring Michael 
Gregory Jackson 

Simplistics 

Singe 

The Slickee Boys 

Slow Random Voltage 

Smart Bombs 

Snack World 

Sneak Preview 

The Social Contract System 

Someone & the Somebodies 

Special People 

The Specimens 

Spider & the Saint 

Split Gender 

Spuds On Parade 

Squad Sixteen 

SS Decontrol 

State-of-Mind 

Steeler 

Stepchild 

Stereo Types 

Denny Stevens 

Didi Stewart and the Amplifiers 

The Stompers 

Paul Stookey and Band 

Stormin’ Norman & Suzy 

Strangeways 

Street Talk 

Struggle 

Suade Cowboys 

Subjects 

The Swallows 

Syraxe & Co. 

T. Gangster 

The Taxi Boys 

Kate Taylor 

Livingston Taylor 

Tea In China 

Tender Buttons 

Tiger's Baku 

Toby Dammit 

John Totaro 

The Trademarks 

Tragus 

Trespass 

The Trodds 

The Tweeds 

21-645 

Two Million B.C. 

Unattached 

The. Uncalled 

Unction 

Underdog 

Under the Influence 

United Crime 


48 THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 


‘ 


The Unloved 
Unmanned Flight 

The Upstarts 

Uranium Dinosaur 

Urban Allies 

Vas deferens 

Velocity 

Vendetta 

Vice-Versa 

Vile 

Vinny 

Mike Viola and the Bottom Line 
Viscous Bulbi 

Visigoths 

Vital Signs 

Vitamin 


V; 

Eddie Walker 

The Wayouts 

Weed-Boy and the Differents 
Lee West & the Planets 
Westgate Guard 

Which Doctor? 

The Whole Wheat Horns 
The Wild Stares 

The Williamson-Andrews Band 
Windfall 

Windopane 

Woodrose 

The Worms 

The Young Rationals 
Young Snakes 

Your Mother 

Zenegal 

Zero Gravity 

0321 

Zodio Doze 

The Zone 

Z-Squares 


ROCK AND NEW 
WAVE: COVER 
AND ORIGINAL 


About Time 

Abraham's Seed 

Aces & Eights 

The Agents 

Airaid 

Alibi 

Alien 

Sparkie Allison and Songpainter 
The Ampeaters 

Annie 

The Answer 

Anubis 

Arrival 

Asiatic Mode of Production”. 
Attitudes 

A.V.S. 


- Azlan 


AZROC 

Back Alley Band , 

The Ballou Brothers’ Band 

The Bangs 

The Basics 

8.B. & the Resistors 

The Beat Boys 

Beat Feat 

Guy Beau 

Mike Becker and the 
Post-Bohemians 

Rick Bellaire and Trouble 

Bender 

The Betty-Rockers 

Big Sixteen 

Bijou McCue and the Matinees 

Birdland 

Birnam Wood 

Black Axiss 

Black Diamond 

Blade 

T. Blade and the 
Fabulous Esquires 

Jennifer Biair 

Blazer 

Blind Ambition 

Blind Owl 

The Mickey Bliss Band 

Blue Moon 














































Bogash 

The Boo Boo’s 

Borderline 

The Boston Brats 

Brainchild 

The Breakers 

The Briefs 

Chris Bright and the Sods 

Bruce and Marshall 

Candy 

Scott M. Capen 

Cardiac Kids 

The Catch 

C-D Current 

Celebration 

P.J. Celi 

David Champagne’s Pink 
Cadillac 

The Channelis 

Christian Steel 

Chrysallis 

Circus 

City Edition 

City Limits 

Robert Claycomb 

Eddy Clearwater 

David Coate and Band 

Commandos 

Common Law 

The Complex Kidz 

Cracked Actor 

Crisis 

Luanne Crosby Band 

Crossfire 

Crystal 

C’ Streat 

Cub Koda 

Danger Stranger 

The Davis Bros. 

The Dawgs 

D.B.O. 

Decoders 

Decorum 


The Detectives 





Full Tilt 


Dicky Downtown and the Stores Fury 

Dish Deborah F. Galiga 
Dr. Hicklicks’ Cucumber Band The Gators 

Dogs Genuine Risk 


Dogs in Traffic 

The Paul Donsanto Group 
Double Dare 

The Dow Jones Band 
DownTime 

The Drones 

The Drummers 
Dynasty 

East Coast 

Eastern Ave. 

Gravy Easton 
Eastwind 

Easy Street 

Eclipse 

11th Hour Band 

Eliot Finesse 

Empty Sets 

Mark Endresen and the Rest 
Epoch 

Equus 

Euphoria 

Excalibur 

Eye of the Storm 
Fable 

Fair 

Fantasia 

Fire Angel 

The First 

First Street 

The Fix 

Forge 

Former Fans 

Fortune 

411 

The Four Letter Words 
Fox 

The Frames 

Free Fail 


Glass Mountain 

The Goodrich Brothers Band 
Grand Larceny 

Grand Slamm 

Great Staffe 

Habbit 

Half A Care 

Hardware 

Haywire 

The Headlines 

The Heartdrops 

Heresy 

Heroes 

High Tension 

High Tide 

Hometown Rockers 

The Hostage 

Hot Acoustics 

J.B. Hutto and the New Hawks 
Hyde 

Image 

The Incredible Casuals 

The Incredible Two-Man Band 
Infinity 

The instigators 

lron Cross 

Jade 

Jet Screamer 

Jewel 

Jimi and the T-Biue Experience 
Johnny and the Aces 
Johnny Atomic 

Johnny Thunders 

Joni & the Blasterz 

Junk Mail 

Justice 


in 
-_ Continued on page 50 








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~ 'F BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 49 








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Continued from page 49 
Katahdin 
Nils Kieser Band 
Kitty Thrills 
Tennie Komar and the Silencers 
Ken Kwartler 
LABONZA 
The Ladds 
Laquidara 
Jess Leary 
Lines 
Little Jimmy and the 
Homewreckers 
Lizzie Borden and the Axes 
Johnny Logan 
Logic 
Loose Ties 
Lost Time 
David Luke & the 
Limerick Road Band 
Dennis Malloy Duo 
Manifestation 
Marauder 
The Marshalls 
Masquerade 
Massachusetts 
McPherson Strut 
The Meetings 
The Men 
Merlin 
Messenger 
Middle Earth 
Midnight Traveler 
Mighty lons 
Miles Beyond’s Rock & Roll Show 
Jane Miller 
The Mix 
Modern Headaches 
The Movers 
Moxie 
Matt ‘“‘Guitar’’ Murphy Band 
The Museum Direktors 
The Mustangs 
Mystriss 
Naked Truth 
Natural Boogie 
Natural Rhythm 
The Needles 
Network 
The Nick Adventure Band 
The Northern Heights Band 
Northlight 
Nova 
Oblivion 
The Odds 
Odious 
Open Road 
Orcrist 
Organised Confusion 
Orient 
Orpheus 
Overkill 
Pagan 
Para 
Parlin Brothers’ Band 
The Parts 
Pegasus 


The Rick Pinette Band 
Plan 9 

The Pleasure Dots 

The Pods 

Points North 

Poncho 

Poor Boy Symphony 
Positive !.D. 

The Postcards 
Precious Comodity 
Prime Movers 
Progress Sireet 

Protex Blue 

P.S. Wild 

Pug Easy 

The Pull 

Racer 

Rampage 

The Rats 

Raw Meat 

R-Complex 

Andrea Re & Clouds 
The Red Snapper Band 
Redsun Conversion 
Release 

Renegade 

Resistance 

The Resistors 

Restivo Bros. 

Revolver 

Arthur Rex 

The Rhythm Method 
Riff Raff 

Risk-A 

The Dave Rivers Band 
Roberts Station 

The Duke Robillard Band 
Lewis Robinson and Voices 
Rockestra 

The Rockett 88’s 

The Rockin’ Heartbeats 
Rockinhood 

Robert Ross 

Rough Mix 

Peter Rowan 

The Rox 

Rubber Rodeo 

The Rubies 

The Ruckus 

Run 21 

Sabor Latino 
Sabotage 

Sandy Mac and the Heart Attacks 
Gail Savage 

Savage Towels 

Andrew Schulman 
Seabrook and Star 
The Seals 

The Secret 

The Sect © 

The Serious Martinis 
The Shaboo All-Stars 
Shapes 

The Maynard Silva Band 
Michael Silver and Quick Fox 
The Silver Doots 

Silver Lining 


Sky Island 

Slap 

The Slash 
Sleepwalker 
Slyders 

Chris Smither 
Smuggler 
Snowhite 

Snypr 

Spare Parts 
Spindle City Band 
The Spores 
Spyce 

The Stand 
Starfire 

The Stench 

Stone Castle 
Stonehenge 
Stratus 

Street Legal 
Streetnoise 

Sue B. and the Barbatos 
Survivor 

Sweet Evil 
Synapse 

The System 
Tambo 

Tank 

Tanoose 

Tantrum 
Techniques 

Ten 

Them Fargo Bros. 
Mitch Throop 
Through the Doors 
Thrust 

The Time Beings 
Toiz 

Tokyo Boy 

Toute Suite 

Toys 

Trackless Trolley 
Tragic Masque 
Trapper 
TRIGGER 

Triks 

Triple Shake 

The Truly Needy 
The T’s 

UDB 

Uncle Pleasant 
Uncle Sam’s Band 
The Untouchables 
Urge 

Ursa Major 

U.S. Rock 

The Paula Veck Band 
Voices WE 
Ward X 

Warlock 

Wench 
Wheatstone Bridge 
White Horse 
Wood-N-Steel 
Worlds End 

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50 THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 





















Xenolith 
The Young Moderns 
Zephyr 


ROCKABILLY 


Scott Anderson 
The Bar-Mitzfah Beats 
The Mickey Bliss Band 
Boston Rockabilly Music 
Conspiracy (BRMC) 
David Champagne's Pink Cadillac 
The Country Fever Band 
Cub Koda 
The Dr. P. Show 
featuring Pat Hamel 
The Heartdrops 
The Jail Band 
Little Jimmy and the 
Homewreckers 
Memphis Rockabilly Band 
Murder’s Home 
Murphy's Law 
The Mustangs 
Skip North and North Country 
The Preston-Porter Band 
Rockabilly Planet 
The Shakes 
Sleepy LaBeef 
Captain Jackie Lee Williams 


SOLO 


Adriane 

Willie Loco Alexander 

Anabel 

Chris Anders 

Scott Anderson 

James Armstrong 

Lee Baird 

Stephen Baird — Street Singer 
Geoff Bartley 

Guy Beau 


Nathan Bell 

Curt Bessett 
Dave Binder 

Jan Blackman 
Larry Bloom 
Christopher Brooks and Friends 
Jackie Brown 
Karen Cameron 
Bob Cannon 
Scott M. Capen 
Carmelio 

PJ. Celi 

Tom Chandler 
Robert Claycomb 
Lui Collins 

Dave Colt 

Crazy Ed Barnaby 
Bill Crofut 

Dick Curless 

Cari Dario 

Jack Darling 

The Dick Davis Oldies Show 
David Decker 
Tony DeNucci 
Michael Donovan 
Dave Dudley 

Pete Duran 

Tom Eslick 

Allen Estes 
Garrison Fewell 
Bob Franke 

Freer 

Harry French 
Deborah F. Galiga 
Bob Genovesi 
Paul Geramia 
Carol Goodman 
Mary Gray 

Bob Halperin 
Michael Hayes 
Jack Hickey 

Marc Hoffman 
Tom Joseph's Country Connection 





Peter Kairo 

Michael Keith 

Fred Lake IV 

Chance Langton 

Nick Latteo 

Glen Lawrence 

Bob Lazaroff 

Jess Leary 

Roger Lee 

George Leh 

Harry Lipson 

Paul Livingston 

Phil Madeira 

Tony Marlo 

Ed Mascari 

Cormac McCarthy 

Jean Mcintosh 

Jane Miller 

Gordie Milne 

Bill Morrissey 

David Moss (‘‘Drumsong’’) 
Howie Newman 

Dave Northrop 

Gordon O'Connell 

Peter O’Malley’s One Man Show 
Makoto Ozone 
Marcus Parsons 
Shamus Pender 
Bob Pilsbury 
Molly Porterfield 
Preacher Jack 
Michael Punzak 
Rick Reughgarden 
Tom Rudd 

Tony Saleton 
Debbie Salvucci 
Gray Sargent 
Scorpio 

Larry Seigal 

Bill Skon 

Sean Slattery 
Fred Small . 
Continued on page 52 





molme elele) @lalet-m-liremlanielasir-lelelamer-| |b 


Ol aldt-malelaal= 





545-1184 545-0524 eves 








“ nt ie ASTIN 
THE BOSTON PHOENIX, BOSTON BANDS, JUNe 1, 1982 


x 





Continued from page 51 
Chris Smither 


Bill Staines 

Dean Stevens 
Mitch Throop 

John Totaro 

Bob Uvello 

Joan Watson-Jones 
Paul Wayne 

Arthur Weex 


Witlie T 
Myron Zajac 


SOUL AND GOSPEL 


The Aromatics 
Asiatic Mode of Production 
Beloved 
Bobby Watson Band 
Body and Soul 
P.J. Celi 
Little Joe Cook 
and the Thrillers 
The Energetics 
First Street 
Flyer 
The Gist 
Grand Staff 
Guitar Junior 
The Hartbeat Band 
Lazarus 
George Leh 
Phil Madeira 
Margo Thunder and Entrigue 
New England Gospel Ensemble 
Phare Pleigh 
P.J. and the Pontiacs 
Preacher Jack 
The Riverside Drivers 
Special People 
Star 
Uptown Express 
Larry Wedgeworth 
Windows 


SWING 


The Johnny Allan Orchestra 
Back Bay Society Band 
Benny and the Big Note 
Sandy Berman's Satchmo Band 
Sandy Berman's Swing Stars 
Big Band, Inc. 

Big Band Unlimited 

Bop Follies 

The Boston Swing Sextet 
The Bourbon Street Jass Band 
The Bourbon St. Paraders 
Karen Cameron 

Mary Carle Dance Band 
Crossroads 

Diamond Brothers Band 

The Dixie Cookbook 

Eight to the Bar 

Eddy Ellis Group 

Fancy Colors 

Fat City 

Tommy Gallant All Stars 


Peter Gordan 

High Times 

The Wayne Naus-Greg 
Hopkins Big Band 

Hot Off the Frets 

Hot Sonatas 

Dick Johnson's Swing Shift 

Joint Venture 

The Knights 

Joe Lentino and the 
Goodtimers Swing Band 

The Little Big Band 

The Max Bros 

The Leon Merian Big Band 

Ruby Newman Orchestra 

Nightside 

Northern Lights 

Billy Novick and Guy Van Duser 

Jeff Palmer Orchestra 

A Patch of Blue 

Bill Payne’s Boston Jazz Band 

Sherrie Phair 

Pizazz 

The Postcards 

R.W. Big Band 

Randy Sabien Quartet 

Gray Sargent 

Les Smith and his Orchestra 

The Sounds of Swing 

Spectacle 

Stars of Swing 

Jeff and Candy Stout 
and Friends 

The Suburbanaires 

Swing String 

Tappin’ at the Met 

Uptown Express 

The Valley Big Band 

The Al Vega Trio 

The Dave Whitney Jazz Band 

The Widespread Depression Orchestra 

Ed, Bill, and Bo Winiker 
Swing Orchestra 


TOP-40 


Adrial 

Adriane 

Alive After Five 

The Larry Alltop Show 
featuring New Exciters 

Amante 

Amethyst 

Peter Anthony Group 

Area Code 

Brian Babcock Experience 

BabyGrand 

Toni Ballard and Laura Stilla 

Beaux-Tye 

Jennifer Bell 

The Best in Sound 

The Betty-Rockers 

Larry Bloom 

Boston Pace 

Hugh Brown & Co. 

Jackie Brown 

The Bystanders 

Carefree 


Russ Cariton Quartet 

Jurie Christie & Punch 

Christopher James 

Close Encounter 

C-Notes 

Coastline 

Dave Colt 

The Continentals 

Carl Dario 

Deja Vu 

Diamond Brothers Band 

Double Exposure 

Double or Nothin’ 

Due-mao 

Pete Duran 

Dynamic Duo 

The Echoes 

The Eddie Stewart Band 

The Energetics 

Escapade 

The Exchange 

Fable 

Face the Music 

Fancy Colors 

Fanfare 

Fantasy 

5th Gear 

5Live 

FLIGHT 

Forest & Stone 

Fortune 

Free & Easy 

The Freestyle Band 

Galaxy 

The Good Life 

Great Estate 

Gypsy 

Habbit 

HarborLight 

The Hartbeat Band 

Brad Hatfield 

Hawkeye 

HennHouse 

High Tide 

Honey 

Horizon 

Horizon 

The Indigos 

Jade 

Jade 

Jesson's Express 

Michael Johnson and Blaze 

Joyride 

Justice 

The Kash Band 

Kicks 

Kix 

The Knights 

Lady’s Choice 

Lois Lane and the 
Daily Planets 

Last Call 

Glen Lawrence 

Mary Lewis Trio 

The Livin’ Sound 


‘ Paul Livingston 


Lorelei 
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52 THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 

















































































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Madigan Reunion Together 

Eddy Mann Trio Royalty Touch of Silk 
Margo Thunder and Entrigue Gary Rup and the Group Trans/Sister 
Tony Marlo Debbie Salvucci Trilogy 

The Marsels Sapphire Ultimate Force 
The Steve Marvin Quartet Savero Uptown Express 
Mayfair Scorpio View 


Jean Mcintosh 
McKie & Company 


Second Society 
Secret Agents 


The Voicano Ciub 
Dave Walters Quartet 






































Dick McManus and the Jerry Seeco Watercolors 
irish Revolution Shahara-Zod Joan Watson-Jones 
Mercedes Dick Short Quartet Arthur Weex 
Metro Sixpence White Lance 
Midnight Biue Skazam White Satin 
Midnight Pass Sleepwalker Windsor Players 
Gordie Milne Smith Row Wish 
Morgan Soiree The Works 
nea yomes of Sage 
e Movers on tra Spectacular 
The Movers Sais of Life By TRIBUTE 
The Music Company Spindle City Band Bad Habit 
Ruby Newman Orchestra Squires Four Sandy Berman's Satchmo Band 
New York Starlite The Boys 
Night Shift Star-Luv Escape 
9th Street Band Steppin’ Out Fair Warning 
Northlight Sticks and Stones Gangbusters 
Jeff Palmer Orchestra Straight Away Janis 
Para Street Life Jimi and the T-Blue Experience 
Penzance Street Talk The Kids 
Phare Pleigh Sue B. and the Barbatos L.A. Woman 
Pizazz Sugar and Spice Last Child 
Pizazz Suite Life Polly Martin Show 
Molly Porterfield Suz-n-Kane Morgan 
Potpourri Sweet Emotions Donny NoCash 
Private Stock Sweet Lemon Babe Pino Rockin’ Blues Band 
Pursuit Synergy Preservation 
Rainbow Talking Book Eric Preston's Purple Haze 
Rasmyth A Taste of Honey featuring Q.T. Hush 
Raven Nancy Buccacio The Rizztones 
Redsun Conversion Techniques Shattered 
The Reflections Ten Through the Doors 
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BOOKINGS 
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STARSTRUCK PRODUCTIONS, INC. 
BOSTON, MA (617) 267-1551 


THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 53 
















Booking 


and management 





Andrew G. Gordan, c/o Bosstown Re- 
cords, Box 994, 104 Charles Street, Boston 

02114, 523-5095. Management, publicity, 

and promotion. 

Apple Core Studios, 67 Highland Street, 

Walpole 02081, 668-2876. Managing rock 

acts. Booking clubs, schools, concerts, and 
functions. Publicity and video production. 

Contact John McDonough. 

Gary Avadanian, Box 248, Reading 01867, 

667-508?. Managing rock bands. Regional 
booking ‘or clubs, halls, schools, and 

lounges. 

Bad Boy Productions, 26 Hoffman Av- 
enue, Lawrence 01841, 688-7639 or 
683-4105. Managing and concert promo- 
tion for rock groups. Contact Ron Bellanti. 

B.A.M.M., 9 Bailey Road, Shrewsbury 
01545, 798-3520 or 776-5222. Managing 
rock and R&B acts. Publicity and promo- 
tion. Contact Bruce Amdur. 

Fred Berk Artist Management, 71 

Boylston Street, Brookline 02147, 
739-2010. Managing, producing, and con- 
sulting. 

Sandy Berman Productions, 7 Ives Street, 
Beverly 01915, 922-6954. Managing jazz 
and blues acts. Booking jazz, blues, swing, 
and Dixieland acts for private parties, 


clubs, halls, schools, and colleges. Promo- 
tion and publicity. Audio and video produc- 
tion. 

Black Dog Productions and Concerts Inc., 


27 Dana Street, Cambridge 02138, 
661-1339. Producing local and national folk 
and acoustic acts for concerts. Occasional 
tour booking. Contact Kari Estrin. 
Black Rose Promotional Management, 
211 Eighth Avenue, No. BR, Brooklyn, NY 
11215, (212) 768-5539 or (617) 451-9428. 
Personal management for rock groups. 
Booking clubs. Contact Joy Silver. 
Blind Tuna Productions, 724 Main Street, 
Winchester 01890, 245-2152. Managing 
rock groups. Booking clubs. Publicity. 
Contact Mr. Robinson. 
Bonnard Sage Productions, Hingham, 
749-4464. Managing rock bands. Booking 
clubs and colleges. Publicity and promo- 
tion. 
Frank Borsa Productions (Collegiate As- 
sociates), 112 Fourth Street, Norwood 
02062, 762-0110. Managing music and 
novelty acts. Booking clubs, schools, 
lounges, and functions. 
Bullet ment, Box H, Harvard 
01451, 456-8111. Managing original rock 
acts, Publicity and promotion. Contact 
Stephen Bond Garvan. 
Caesar Productions, 34 Hopewell Street, 
Taunton 02780, 823-4700. Managing rock 
groups. Booking colleges, high schools, 
and clabs. Publicity. Contact Bob Nichols. 
Cam Services, 172 Main Street, 
Spencer\01562, 753-1318. Managing pop 
groups. Booking high schools, colleges, 
ae local ‘and regional clubs. Contact Pat 
sore or Don Santora. 
Sel ap Productions, Box 7, Pinehurst 
01866, 072.9561, Managing rock bands. 
Booking rock and GB acts for schools and 


clubs. Contact Sal Capotosto. 
Captain Cari Associates, 65 Pond Street, 
South Attleboro 02703, 399-8489. Man- 
aging local R&B and new wave acts, and 
national R&B acts. Booking showcase 
clubs. Tour management. 
Russ Carlton Entertainment, Box 542, 
Holliston 01746, 872-3584 or 431-1496. 
Booking GB and ethnic bands for functions, 
schools, and colleges. Publicity and video 
production. Contact Jim Lawrence. 
Richard Carr Productions, 1 Court Drive, 
Lincoln, Rl 02865, (401) 333-0700. Booking 
rock bands for clubs, colleges, and halls. 
Promotion. Contact Rick Carr or Bob 
Duteau. 
Joseph Casey, Box 739, Astor Station, 
Boston 02123, (401) 231-3833. Managing 
rock groups. Booking showcase clubs, 
colleges, and high schools. Publicity. 
Ted Charles Associates; Box 390, Salem 
01970, 744-9310. Booking top-40 and 
cover rock bands for out-of-town hotels 
and lounges. 
Chaz Productions, Box 276, Stoughton 
02072, 344-6691. Managing dance and 
show bands. Booking hotels and lounges. 
Contact Charles Yaitanes. 
Cherry Lane Productions, 739 Boylston 
Street, Boston 02115, 262-7220. Booking 
rock, new wave, comedy, and top-40 acts 
for clubs and colleges. Promotion and 
publicity. Contact Steven Farro. 
Class Acts, 26 Hemenway Street, Suite 32, 
Boston 02115, 424-1253. Booking classical 
soloists and groups for functions and 
schools. 
Clockwork Entertainment Management 
y, Box 1600, Haverhill 01830, 
373-6010. Managing FM/top-40 and rock 
bands. Booking clubs. Contact Bill Macek. 
Coastline Productions Inc., 25 Market 


54 THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 


Street, Warren, Ri 02885, (401) 247-0218 or 
(212) 245-4580. Managing and producing 
rock, jazz, and fusion groups. Contact 
Arnold Freedman. 

Collins/Barrasso Talent Coordination, 
280 Lincoln Street; Allston 02134, 
783-1100. Managing national folk and rock 
acts. Booking clubs, colleges, and con- 
certs. Contact Tim Collins, Steve Barrasso, 
Cheryl Murray, or Sam Faulhaber. 
Commonwealth Productions and Promo- 
tions, 186 Harvard Avenue, Aliston 02134, 
254-9804. Promotional consulting and pub- 
licity for rock groups. Contact David 
Giamatteo, Wayne Morgan, or Cathy Cor- 
vino. 

Concerted Efforts, 312 Salem Street, 
Medford 02155, 396-1613. Managing jazz, 
bluegrass, country, blues, rock, and reggae 
bands. Booking all types of music for clubs, 
colleges, and festivals. Contact Paul Kahn, 
David Brinn, or Loli Bassin. 

John Cronin Productions inc., 850 
Boylston Street, Chestnut Hill 02167, 
731-6900. Booking rock, blues, country, 
jazz, and disco acts for clubs, concert halls, 
and national festivals. Promotion. ‘i 
Curtis International Associates, Boston 
Center for the Arts, 539 Tremont Street, 
Boston 02116, 426-4243. Managing jazz 
and swing bands. Booking GB, jazz, swing, 
and classical acts for hotels, lounges, and 
functions. Contact Bill Curtis. Managing 
rock groups. Booking rock groups for out- 
of-town clubs. Contact John Curtis. 

Cuzin Richard Entertainment Agency, 
Box 4585, Portsmouth, NH 03801, (603) 
436-8596. Booking, rock, R&B, folk, jazz, 
comedy, and mime acts for clubs, schools, 
and functions. Contact Richard Smith. 
DarkWorld industries, 40 Mt. Auburn 
Street, Watertown 02172, 926-4178. Man- 
aging new-wave, rockabilly, and rock 
groups. Booking nationaily for clubs. Con- 
tact Wade Steel or Roger Greenawait. 
Derby Ma t & Direction, Box 
3632, Nashua, NH 03061, (603) 883-2914. 
Limited management and promotion for 
rock and soft-rock bands. Contact Mark 
Tuniewicz. ‘ 
Destiny Recording Studio, 31 Nassau 
Avenue, Wilmington 01887, 658-8391. 
Managing rock, folk, and jazz acts. Booking 
clubs. Publicity. Contact Larry Feeney. 
East Coast Productions, 14 Fair- 
view Road, Medfield 02025. Managing rock 
acts. Booking national and regional rock, 
top-40, and oldies acts for clubs, concerts, 
schools, and functions. Contact Irene, 
359-7429 or -4039. 

Tom Elliott Productions, 100 Leonard 
Street, Belmont 02178, 484-1648. Man- 
aging folk. and folk-dance acts, street 
entertainers, and other variety acts. Book- 
ing schools, festivals, and functions. 
Emergent Productions, Box 2392, Woburn 
01888, 242-0751. Managing rock and R&B 
acts. Booking clubs, halls, schools, and 
colleges. Pubiicity and promotion. Contact 
Julianne Fiore. 

Entertainment Concepts inc., 29 Com- 


iiustration by Leslie Evans 











monwealth Avenue, Boston 02116, 
247-0972. Managing rock bands. Booking 
schools and clubs. Contact Mark or Ronda 
Flashen. 
Entrepreneurs, Box 316, Boston 02101. 
Managing rock bands. Booking rock and 
blues acts for clubs. Contact Jim Nestor by 
mail. 
Fazzie Productions, 38 Woodhaven Street, 
Carver 02330. Managing new-wave bands. 
Publicity and consulting. Contact Frank 
Azzolino, 866-4619, or Joe Scali, 625-0040. 
Feather Music, 4 Crawford Street, Cam- 
bridge 02139, 876-8995. Consulting and 
publicity. Booking showcases. Contact Jeff 
Phillips. 
Ffrost Management, Ffrost Drive, Durham, 
NH 03824, (603) 868-7334. Managing rock 

roups. Contact Ron Curcio. 

he Flash Group Corporation, Dewart 
Building, Suites 502 and 503, 302 Captains 
Walk, New London, Conn. 06320, (203) 
443-537 1. Booking rock, country, and other 
acts for regional and national clubs, con- 
certs, halls, and schools. Contact Jim Baker 
or Mark Gentilella. 
The Future Research Company, Box 393, 
Astor Station, Boston 02123, 569-3602. 
Managing music acts. Booking clubs. Pub- 
licity and audio/video production. Contact 
Reed Augliere. 
Gemini Concerts, Box 3928, Centerdale, 
Ri 02911, (401) 231-3833. Managing rock 
acts. Booking national rock acts and other 
acts for large halls, clubs, and colleges. 
Contact Joseph Casey or Frank J. Russo. 
Godawful Productions, 35 Hillside Avenue, 
Medford 02155, 395-9264. Managing new- 
wave groups. Booking clubs and colleges. 
Promotion, marketing, and publicity. Con- 
tact Scott Becker. 
Grant Central Enterprises, Box 664, 
Fitchburg 01420, 345-5981 (evenings). 





Management and promotion for original 
rock and new-wave acts. Showcases. Con- 
tact Bob Grant. 

N.M. Greenspan Promotional Manage- 
ment, 1450 Commonwealth Avenue, Suite 
4, Boston 02135, 566-5015. Managing 
original rock bands. Publicity. 

Harvard Square Talent, 5.Boyiston Street, 
Cambridge 02138, 661-7720. Booking 
rock, country rock, reggae, solo, and GB 
acts for clubs, schools, and functions. 
Contact Kathe Burbach. 

Heptunes, Box 1137, Derry, NH 03038, 
(603) 434-4025. Managing and booking all 
types of acts for clubs, schools, and 
concerts. Publicity and promotion. Contact 
Dave McLaughlin. 

Jim Hughes Management & Direction, B-2 
Colonial Drive, No. 11, Andover 01810, 
470-0887. Managing rock groups. Publicity 
and promotion. 

Hurricane Productions, 35 Wadsworth 
Avenue, Waltham 02154, 894-4267. Man- 
aging country-rock and folk acts. Booking 
clubs, concerts, and colleges. Publicity and 
promotion. Contact Jim LeBlanc. 

Image Productions, Box 633, Lexington 
02173, 263-8425. Managing top-40 and 
show acts. Booking lounges, hotels, 
restaurants, and clubs. Contact Charlie 
Robidoux. 

International Artists, 15 Mansfield Street, 
Allston 02134, 787-0120. Managing na- 
tional and local country, rock, jazz, and 
blues acts. Booking local and out-of-town 
clubs. Contact Jeff Norman. 

Bruce James Company, Box 439, Lyndon- 
ville, Vt. 05851, (802) 626-3317. Managing 
cover and original bands. Booking regional- 
ly for clubs, schools, halls, and festivals. 
Lady Godiva Productions, Box 45, Astor 
Station, Boston 02123, 469-9875. Booking 
top-40, rock, GB, and show bands for 





clubs, lounges, and functions. Contact 
Cyndia Shook or Tahra Richardson. 

Nick Lamberti Agency, 353 Washington 
Street, Suite 5, Brighton 02135, 783-0388. 
Managing top-40 and rock acts. Booking 
clubs and colleges. 

Don Law Agency, 31 Fresh Pond Parkway, 
Cambridge 02138, 547-0620. Managing 
rock groups. Booking halls, clubs, schools, 
and festivals. Contact Neil Jacobsen or 
Mindy d’Arbeloff. 

Janis LeBlanc Management, 18 Oxford 
Street, Somerville 02143, 776-5568. Man- 
aging rock groups. Booking rock and solo 
acts for clubs. Publicity and promotion. 
Peter Lembo Management, 29 Com- 
monwealth Avenue, Boston 02116, 
267-7189. Managing rock bands. 

Lewis Wiener Enterprises, 806 Oaklawn 
Avenue, Cranston, RI 02920, (401) 
944-9005. Management and record and 
television production, Contact Mike Lewis 
or Stuart Wiener. 

Littlefield Entertainment Agency, Box 
218, Chelmsford 01824, 256-5985. Man- 
aging all types of music and novelty acts. 
Booking music and other acts for schools, 
functions, clubs, and small halls. Contact 
Wayne or Chet Littlefield. 

Loveman’s Productions, 54 Crispus At- 
tucks Place, Roxbury 02119, 427-3774. 
Managing R&B acts. Booking R&B, soul, 
rock, and reggae acts for clubs, colleges, 
and organizations. Contact James Lewis. 
Don Mac Entertainment, 80 Boylston 
Street, Boston 02116, 426-6618. Booking 


-top-40, rock, country, and GB acts, from 


singles to show bands, as well as variety 
acts, for functions, events, lounges, and 
clubs. Contact Don Mac, Bob Smith, or Cyd 


Abatt. 
Ed Malhoit Agency, Box 2001, Claremont, 
Continued on page 56 














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THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 








HIND THE ° 










BOSSTOWN RECORDS 
Album on sale at Strawberries. 
Road Manager (Bookings) Pat O’Neil 623-0635 
Tour Coordinator (Bookings) 
Joy Silver (212) 768-5539 











55 


Continued from page 55 

NH 03743, (603) 542-8777. Booking rock 
bands for clubs and schools. Publicity. 
Contact Jason Farrell or Kathy Shull. 
Management One, Box 483, Alliston 02134, 
284-6591. Managing original rock and R&B 
acts. Contact Andy Sokol. 

Maxpro Group, 1351 Main Street, 
Brockton 02401, 586-6908. Managing rock 
groups. Booking colleges, high schools, 
and clubs. Publicity, promotion, and 
production. Contact Paul Carchidi. 

Lee Michaud, 80 Boyiston Street, Boston 
02116, 426-3564 or -2440. Managing 
top-40, new-wave, and C&W acts. Booking 
nationally for lounges and clubs. 

M.K. Associates, 400 Commonwealth Av- 
enue, Box CY77, Boston 02215, 284-4150. 
Managing rock bands. Booking clubs, 
colleges, and schools. Publicity. 

Gary Moffie Entertainment Associates, 
186 Lincoln Street, Boston 02111, 
542-1033. Booking GB and jazz acts for 
functions and clubs. Publicity. Producing 
national jazz acts for concerts. 

Moreton Artist Management, 45 
Meadowbrook Road, Weston 02193, 
893-0669. Career direction for contem- 
porary rock acts. Booking solo acts and 
groups for clubs. Publicity and promotion. 
Contact Steve Moreton. 

Morningside Management, 270 Albany 
Street. No. 5, Cambridge 02139, 864-5450. 
Managing ethnic, classical, and jazz 
groups. Booking schools, fairs, festivals, 
functions, and concert series. Contact 
Carla Pollack or Fred Silverstein. 

Music Management, 14 Longfellow Road, 
Cambridge 02138, 354-4095. Managing 
classical, GB, bluegrass, and folk acts. 
Booking museums, concert series, func- 
tions, and schools. Contact Judith Neu or 
Pauline Joseph. 

Musical Services Unlimited, 2 Washington 
Street. Haverhill 01830, 373-9894. Booking 
top-40, oldies, GB, and jazz bands for 
weddings, functions, and clubs. Promotion. 
Contact Steven Goddu. 

Musicorp International, 11 Northeastern 
Boulevard, Nashua, NH 03062, (603) 
883-8596. Managing top-40 and rock acts. 
Booking hotels and nightclubs. Publicity. 
Contact Tom Fini. 

MW Associates Music Manage- 
ment/Marketing Services, Box 1575, Bos- 
ton 02109, 864-4371 or (413) 253-2280. 
Managing rock groups. Booking clubs and. 
colleges. Contact Marshall Weinberg. 
Natural Acts, 350 Marlborough Street, 
Suite 40, Boston 02116, or Box 1162, 
Greenville, Maine 04441, 353-0300 or (207) 
695-3718. Booking cover rock acts for 
clubs and schools. Contact Skip Tosi.} 
Neer Associates, 29 Commonwealth Av- 
enue. Boston 02116, 247-1630. Managing 
rock bands. Booking local and national 
rock bands and variety acts for clubs, 
colleges, halls, and functions. Contact 
Frank Neer or Vinny Sestito. 

New England Talent Consultants, Box 
217. West Peabody 01960, 532-0970. 
Managing original rock and new-wave acts. 
Promotion and creative marketing. Contact 
Bill Bunker. 

New Friendship Productions, 3 Edgar 
Terrace, Somerville 02 145, 666-9579. Man- 
aging top-40, GB, oldies, and show, singles, 
duos. and bands. Booking clubs and 
functions. Contact Frank Santangelo Jr. 
Northeast Entertainment , Box 
1718, Lowell 01853, 459-4785. Booking 
local and national top-40, oldies, and show 
bands for local and out-of-town hotels and 
lounges. Contact Peter Descoteaux, Yves 
Descoteaux, or Rick Hopkins. 

Gerry Paquin, 9 New Castle Drive, Nashua, 
NH 03060, (603) 883-2172. Managing rock 
and GB solo acts and bands. 

Pea-El Productions, 26 Hemenway Street, 
Suite 32, Boston 02115, 424-1253. Consult- 


ing, direction, and recording production for 
rock, folk, jazz, and classical musicians and 
acts. 

John Penny Enterprises Inc., 259A Beech 
Street, Belmont 02178, 924-6722. Man- 
aging country acts. Booking country, 
top-40, GB) and light-rock acts for clubs, 
fairs, schools, halls, and functions. 
Performing Artist Associates (PAA), 161 
Harvard Avenue, No. 11, Aliston 02134, 
783-2060. Managing classical, folk, biue- 
grass, jazz, and other performing artists. 
Booking libraries, schools, museums, and 
community concert series. Non-profit. Con- 
tact Sandy Sheckman, Judy Sandler, or 
Benjamin Sears. 

Peter Dennis Productions, 161 Massachu- 
setts Avenue, Boston 02115, 536-7103. 
Managing pop rock acts. Contact Dennis 


Cecere. 

Pretty Polly Productions, 25 Huntington 
Avenue, Boston 02116, 266-0790. Booking 
original rock, new-wave, and top-40 bands 
for festivals, halls, clubs, and colleges. 
Publicity. Contact Howard Cusack or Robin 
Dexter. 

Productions Alpha, 708 Mystic Avenue, 
Somerville 02145, 776-8886 or 924-2238. 
Managing funk, jazz, rock, soul, and pop 
bands and solo acts. Regional booking for 
clubs, halls, lounges, and schools. Contact 
Bob Pierce or Lyman Underwood. 
Pro-town Productions, 209 Lenox Avenue, 
Providence, Ri 02907, (401) 331-1720. 
Managing rock and R&B bands. Booking 
halis, clubs, and schools. Contact Debra 
Davis or Pat DeQuattro. 

Pyramid Artists inc., 263 Summer Street, 
No. 416, Boston 02210, 542-7238. Booking 
national and local rock and blues acts for 
clubs, concerts, schools, and festivals. 
Contact Mike Flanagin, Warren Scott, or 
Bruce Solar. 

R&F Promotional Studio, 1 Pleasant Street 
Framingham 01701, 879-5725. Booking 
rock and jazz acts for clubs, schools, and 
functions. Contact Ron or Frank Moresi. 

. Management, 58 Gilbert Street, 
Watertown 02172, 926-4291. Managing 
original rock bands. Limited booking of 
rock bands for clubs. Contact Richard 
Casella. 

Regis King Limited, Box D, Astor Station, 
Boston 02123, 935-5091. Management and 
production. Contact Kathy Proffitt. 

Bruce le, 151 Park Drive, No. 23, 
Boston 02215, 353-0865. Booking, man- 
agement, and publicity. 

Rockfever Productions, 535 North Broad- 
way, Lawrence 01841, 682-7085 or -7270. 
Managing rock bands. Booking halls, clubs, 
schools, and lounges. Publicity. Contact 
Neil Schneider, Bruce Houghton, Vince 
Longo, Ron Bellanti, or Valerie Hyatt. 
Rooster Berry Productions, 806 Oakiawn 
Avenue, Cranston, Ri 02920, (401) 
943-5088. Booking rock, top-40, and soul 
acts for clubs, halls, schools, and festivals 
nationwide. Consulting. Contact Reggie 
Hurley. 

Roy Dee Agency, 80 Boylston Street, 
Boston 02116, 426-3564 or -4080. Man- 
aging local and national top-40, soft rock, 
show, variety, and novelty acts. Booking 
functions, clubs, colleges, and lounges. 
Contact Ginny. 

S.A.B.A.R. Communications, 279 Prospect 
Street, Norwell 02061, 659-4610. Booking 
original rock bands for clubs, colleges, and 
small halis. Contact Mark Vanderwater. 
Sam Schneiderman Management, 51 
Washington Street, Box 479, Boston 
02146, 232-7882. Managing MOR and jazz- 
oriented acts. 

Silver Fox Music Productions, 95 Van 
Kleeck Road, Millis 02054, 376-2022. Man- 
aging rock acts. Concert coordination of 
local and regional cover rock acts for 
colleges, universities, and clubs. Booking 
bands for high-school dances and proms. 


56 THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 








Contact Norman Bloom. 
Simplicity Productions, 26A Grandview 
Road, Bow, NH 03301, (603) 228-0418. 
Managing solo acts. Booking colleges, 
clubs, and festivals. Contact Marcia 
Wyman. 
Sirius Productions inc., 44 Highland 
Street, Boston 02119, 442-8847 or 
427-2197. Consulting for rock and top-40 
groups. Contact Curtis Henderson, Jr. 
Michael Skinner Productions, 98 Walker 
Street, Manchester, NH 03102, (603) 
669-6353. Managing rock acts. Booking 
clubs, high schools, and colleges. Publicity 
and promotion. 
Sky’s the Limit Management, 400 Main 
Street, Reading 01867, 944-0423. Man- 
aging rock bands. Publicity. Contact Al 
Perry. 
Smoldering Boulder Productions, 5 Bow 
Street, Arlington 02174, 646-0474. Booking 
rock bands for clubs, colleges, and halls. 
Contact Wayne Morgan. 
Sound Advice, 459 Cambridge Street, 
Allston 02134, 783-4036. Booking and 
promotion for bands. Contact Joe Shan- 
non. 
Soundrich Talent, Box 243, Barrington, Ri 
02806, (401) 245-7111. Managing rock 
bands. Booking clubs, schools, hall, and 
festivals. Contact Jack Reich. 
Star Shots, 52 Mountain Street, Sharon 
02067, 784-6726. Publicity. Contact Bob. 
Mark Steinberg Productions, Box 59, 
Greendale Station, Worcester 01606, 
853-8050. Managing rock bands. Booking 
clubs, colleges, and tours. 
Steve Murra and y, 171 Newbury 
Street, Boston 02116, 236-4340. Manage- 
ment and development for rock acts. 
Street Level Artists y, 545 High 
Street, Walpole 02081, -5639. National 
representation for local original jazz, folk, 
and pop recording acts. Booking halls, 
schools, clubs, and festivals. Contact Dan 
Russell. 
Summer Lightning, 43 Harvest Street, 
Providence, Ri 02908, (401) 521-4508. 
Managing rock acts. Contact Henry Gauvin. 
Entertainment, 275 Mili Way, 
Barnstable 02630, 362-9704. Booking local 
and national rock acts for clubs and 
colleges. Contact John Callahan. 
Taurus Productions, 509 Columbus Av- 
enue, Boston 02118, 247-8522. Booking 
reggae acts for clubs. Contact Leroy Webb. 
Tumbling: Dice Music Productions, 199 
Webster Street, East Boston 02128, 
569-0780. Publicity. Contact John Amato. 
Vanilla Production 791 Tremont 
Street, Suite W301, Boston 02118, 
267-5779. Managing and consulting for 
rock and jazz acts. Contact Billie Best. 


it, Box 2392, Woburn © 


Varulven 

01888, 935-5386. Managing new-wave 
bands. Booking rock bands for clubs, halls, 
and lounges. Publicity and promotion. 
Contact Joseph A. Viglione. 

Joe Ward, 21 Overlook Drive, Weston 
02193, 894-8571. Managing rock bands. 
Booking clubs, colleges, small halls. 
Watch City Studios, 719 Washington 
Street, Suite 117, Newtonville 02160, 
527-1802. Managing rock groups. Booking 
high schools and clubs. Publicity. Contact 
Tom Sauinier. 

Way for Artists to Grow (WAG) Promo- 
tions, 326 Prospect Street, Cambridge 
02139, 492-4748. Managing black classical 
acts. Booking clubs, colleges, functions, 
and festivals. Contact Rodney Ward. 
Wedge Productions, 211 A Street, South 
Boston 02128, 233-2195 or 269-4706. 
Managing top-40 and GB bands. Booking 
clubs and functions. Contact Bill Hynes. 
Windfall Productions, 17 Whiton Avenue, 
Hingham 02043, 749-5840. Managing rock 
and Irish acts. Booking rock, Irish, and GB 
acts for clubs, colleges, and functions. 
Contact Robert Haley. 



























New England 
recording studios 












by Paul D. Lehrman 


he recording scene in New Eng- 
’ land is in a state of upheaval. 
Many studios, large and small, 
are closing their doors or are in 
trouble, while at the same time many 
more are popping up to take their 
places. Two of the oldest and most 
respected studios in the region, Triton 
Productions (né Hub Studios) and 
Suntreader, as well as Hensley Re- 
cording, a promising newcomer, have 
recently gone out of business. Several 
other studios have undergone own- 
ership changes. 

Meanwhile, the new one-inch 16- 
track format is taking the studio world 
by storm, and is helping to make 
recording in New England even more 
of a bargain than it has been. Of 
course, owners of older studios are 
constantly complaining about the new 
cut-rate studios, but that’s what keeps 
things interesting. 


The following list contains all of the 


musit-recording facilities capable of at 
least eight-track work in Massachu- 
setts, northern Connecticut, Maine, 
New Hampshire, Rhode Island, and 
Vermont. There is also a section for 
location recorders who will come to 
your rehearsal or live gig and tape you, 
either in stereo or multitrack. We have 
left off of our list the several studios 
that do only commercial work or 
qualify as ‘‘private’’ facilities. Many 
studios provide services we do not 
mention, such as videotaping, disc 
mastering, brokerage for disc press- 
ing, cassette or reel-to-reel tape 
duplication, or house musicians or 
arrangers. If your favorite studio does 
not provide these services, they can 
steer you towards someone who does. 

The ‘compressors, etc.”’ category in 
each listing includes compressors, 
limiters, expanders, noise gates, and 
sibilance controllers. The percentage 
of ‘‘label’’ work a studio claims is 
limited to those projects assigned to 
the studio by a record label, and does 
not reflect the percentage of work they 
do that eventually ends up on a record 
label, which is often much higher. 
“Commercial’’ work includes radio, 
television, video and film soundtracks, 
industrials, and audio/visual projects. 
Rates quoted are ‘‘book”’ rates, either 
for an hour or a small package. For 
longer projects, studios will often offer 
lower rates. Be sure to ask. Prices do 


WMustration by Leslie Evans 





not include tape, unless specified. 

Our thanks to the many studio 
owners, managers, and engineers who 
supplied the information contained 
herein, which should be accurate as of 
press time. We welcome any correc- 
tions or additions — please write to 
the Supplements - Editor, c/o this 
paper. 

This Directory of New England Re- 
cording Studios is copyright 1982 by 
Media Communications Corporation 
and the Boston Phoenix Inc. All rights 
reserved. Reproduction by any 
method without express permission is 
prohibited. 





24-TRACK 
MASSACHUSETTS 


See also: Studio B (16-track). 


Blue Jay Recording Studio 
669 Bedford Road, Carlisie 01741, 
369-2200. 
Owners: Bob Lawson, Janet Lawson, Steve 
Langstaff. 
Engineers: Glenn Berger, Michael Golub. 
Room size: 1000 sq. ft. 
Tape machines: MCI (24,2), Revoxes (2). 
Console: MCI 600 -- 32-input, automated. 
Monitors: Urei 813 time-aligned, 
Auratones, powered by Bryston. 
Reverb: Lexicon digital, EMT plate. 
Compressors, etc.: Urei, Gain Brain, Kepex, 
Orban de-esser. 
Equalizers: Troisi parametric. 





Other outboard equipment: Lexicon Prime 
Time, Loft flanger, DeltaLab harmonizer 
Microphones: Neumann U47 tube, U87, 
KM84, and KM86. 

Keyboards: 1927 Steinway B 7’ grand, 
Rhodes 88 and Wurlitzer electric pianos 
Amps: Ampeg. 

Credits: Aerosmith, Ric Ocasek, Pat 
Metheny, George Thorogood and the 
Destroyers, Tom Rush. 

40% label; 20% commercial; 
independent. 

Rate: on request. 


40% 


Century Ill 
545 Boylston Street, Boston 02116, 
267-9800. 
Also equipped for: 16-, 8-, and 4-track. 
Owner: Ross Cibella. 
Manager: Lynn Descoteau. 
Engineers: Fred Torchio, Rob Hill. 
Room size: 35x20x12, designed by John 
Storyk. 
Tape machines: MCI (24, 4, mono), Scully 


(2). 

Console: MCI JH-428. 

Monitors: Urei 813 time-aligned, 
Auratones, JBL 4311, powered by Bryston. 
Noise reduction: Dolby (for mixdown only) 
Reverb: EMT gold-foil. 

Compressors, etc.: Teletronix, Urei, dbx, 
Roger Mayer, Orban de-esser. 

Equalizers: Lang, Pultec, Orban, and Ashly 
parametric. 

Other outboard equipment: Lexicon Prime 
Time, Eventide Harmonizer, ADS vocal 
stresser, EXR aural exciter, BTX Shadow 
video synchronizer. 

Microphones: Neumann U47, U87. 
Keyboards: Yamaha 7’ grand. 

Drums: Pearl. 

Credits: Steve Allen on the QEll, Maurice 


Starr (RCA), Colorform, Coaster (film 
track). 
30% label; 50% commercial; 20% 
independent. 
Rate: negotiable. 

Dimension Sound Studios 


368 Centre Street, Jamaica Plain 02130, 

522-3100. 

Also equipped for: 16-, 4-track, location 

(see Soundmirror). 

Owners: Dave Hill, Thom Foley. 

Engineers: Thom Foley, Brian Ales, Gail 

Perry, 

Room size: 1200 sq. ft.'with iso booths. 

Tape machines: MCI (24), Ampex (4, 2, 

mono). 

Console: customized ADM. 

Monitors: Altec 604E with Mastering Lab 

crossovers, AR 10pi, Auratones, powered 

by Mcintosh. 

Noise reduction: Dolby.- 

Reverb: two EMT plates, Lexicon digital. 

Compressors, etc.: SpectraSonic, Urei, 
Continued on page 58 


THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 57 














Continued from page 57 

Kepex, Gain Brain, ADM. 

Equalizers: custom parametric, Pultec. 
Other outboard equipment: Ursa Major 
Space, Station; Lexicon delay, Countryman 
phaser, BTX SMPTE synchronizer. 
Microphones: Neumann U64, U67, U87, 
KM84,. M249B, SM2 stereo, Telefunken 
251, Sony C37A, RCA 44BX, 77DX. 
Keyboards: Yamaha 7'4"' grand, Hammond 
B3, Rhodes, Baldwin electric harpsichord, 
ARP 2600, Omni Il, and DGX. 

Amps: assorted. 

Drums: Ludwig with Roto-toms. 

Other instruments: assorted percussion. 
Credits: WGBH-TV, .George Thorogood 
(Rounder), Geoff Muldaur, / Ain’t Drunk 
(Hannibal), Sleepy LaBeef (Rounder). 

50% label; 30% commercial; 20% 
independent. 

Rate: negotiable. 


Eastern Sound 
11 Messina Avenue, Methuen 01844, 
685-1832. 
Also equipped for: video. 
Owner: Pat Costa. 
Engineer: Pat Costa. 
Room size: 24x20 with iso booth. 
Tape machines: Ampex (24, 2), Revox (2). 
Console: Syncon -- 28x24 with VCA 
grouping. 
Monitors: Altec 604-8G, JBL 4311, 
Auratones, powered by Crown. 
Noise reduction: dbx. 
Reverb: Audicon plate, Lexicon digital. 
Compressors, etc.: dbx, Urei, Gain Brain, 
Kepex, OmniCraft, Trident. 
Equalizers: Ashly parametric, Neptune and 
Urei graphic. 
Other outboard equipment: Eventide 
Harmonizer and phaser, Loft and DeltaLab 
delays, Lexicon Prime Time, EXR aural 
exciter, Neptune analyzer. 
Microphones: Neumann U47, U87. 
Keyboards: Yamaha 6'7" grand, Rhodes. 
Publisher: Sally Ann Music (SESAC), 
Platinum Plus (BMI). 
Credits: Afternoon Delights (MCA). 
25% commercial; 75% independent. 
Rate: negotiable. 


Fleetwood Recording Studios 

321 Revere Street, Revere 02151, 
284-8700. 

Also equipped for: 16-, 12-, 8-, and 4-track. 
Owners: Raymond Fournier, Richard Miller. 
Engineers: Williana Ferruzzi (chief), Jeff 
Landroche, Richard Miller, independents. 
Room size: 40x60, 8-track 20x13. 

Tape machines: 3M (24), Scully (12/8, 4; 2). 
Console: Automated Processes -- 32x32. 
Monitors: Big Reds, Urei_ time-aligned, 
*Auratones, powered by Phase Linear. 
Noise reduction: Dolby and dbx (for 
mixdown only). 

‘Reverb: EMT, Fairchild, MicMix. 
_Compressors, etc.: Eventide Omnipressor, 
Urei, Teletronix, Inovonics, Kepex, Orban 
de-esser. 

Equalizers: Pultec, Langevin, Aengus. 
Other outboard equipment; Eventide 
Harmonizer. 

Microphones: Neumann U67, U48, U49, 
RCA 77DxX. 

Keyboards: Mason and Hamlin grand, 
Hammond L103, Rhodes. 

Amps: Fender, Aripeg, Peavey. 
Label/Publisher: Sine Wave. 

Credits: Colgate, John. Hicks and 
Revolution, Foster. Grant, Artie Barsamian 
Big Band. 

50% commercial; §o% independent. 

Rate: negotiable. ‘ 


Long View Farm 
Stoddard Road, gh hap pa 01535, 
867-7662,~7050, Or -7 
Also equipped for: 16- phe 4-track. 
Owner: Gil Markle. 


58 





THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 





Manager: Kathleen Holden. 

Engineers: Jesse Henderson, Geoff Myers. 
Room sizes: Studio A — 20x25 with iso 
booths; Studio B — 50x30; soundstage — 
38x27. 

Tape machines: MCI (24), 3M (16), Ampex 
(4, 2), Studer, Scully, Revox, Stellavox (2). 
Console: MCi JH-528, Aengus 1608 
custom. 

Monitors: Urei time-aligned 813, Big Reds, 
JBL 4311, Bose, Advent, powered by 
Crown. 
Noise reduction: Dolby (for mixdown only). 


Reverb: acoustic chamber, EMT plate, 
AKG 
Compressors, etc.: Universal Audio, 
Teletronix, Kepex, Gain Brain, Roger 
Mayer. 


Equalizers: AP|, Modular Audio. 

Other outboard equipment: DeltaLab, Loft, 
and Eventide delays, Eventide Harmonizer 
and phaser, Orban stereo synthesizer. 
Microphones: Neumann U47, U87, KM84, 
RCA 44BX, Schoeps. 

Keyboards: Steinway grand, Baldwin baby 
grand, Hammond B3 and C3, Rhodes, ARP 
and Moog synthesizers, Elka Stringer. 
Amps: Fender, Am ’ 

Drums: Slingerland, Fibes, Rogers. 

Label: Long View Records. 

Publisher: S.E. Music. 

Credits: J. Geils Band, Ario Guthrie (Warner 
Bros.), Rupert Holmes (MCA), Melanie. 
70% label; 10% in-house; 20% 
independent. 

Rates: 24-track, $190/hr., includes room 
and board; 16-track, $100/hr. 


The Mixing Lab 
Newton, 964-8010. 
Owner: John Nagy. 
Engineers: John Nagy, Paul Mufson, Danda 
Stein. 
Room size: control room 18x17, small 
overdub room; designed by Tom Danaher. 
Tape machines: MCI (24, 2), Revox and 
Ampex (2). 
Console: custom — 24x24, with full 
parametric equalization and VCA grouping. 
Monitors: Big Reds, ADS 910, others, 
powered by Mcintosh. 
Noise reduction: Dolby and dbx. 
Reverb: Lexicon digital, AKG. 
Compressors, etc.: Urei, Gain Brain, Kepex, 
Orban de-esser. 
Other outboard equipment: Lexicon Prime 
Time, flanger, and phaser, Pipe flanger, 
Marshall Time Modulator. 
Microphones: Schoeps, Neumann U47, 
KM84. 
Amps: Fenders. 
Other instruments: various acoustic pluck- 
string instruments. 
Credits: George Thorogood (Rounder), 


Leon Russell, Pat Metheney, Summer 
Solstice (ABC-TV). 

65% label; 30% commercial; >5% 
independent. 


Rates: $70 to $140/hr.; blocks negotiable. 


Music Designers Inc. 
241 White Pond Road, Hudson 01749, 
890-8767. 
Also equipped for: 16- and 4-track, digital. 
Owner: Jeff Gilman. 
Manager: Jeanne French. 
Engineers: Jeff Gilman, Fred Mueller. 


-Room size: 24x34 with 16x12 iso booth. 


Tape machines: 3M (24), MCI (4, 2), Ampex, 
Revox, Otari (2). 

Console: Harrison — 32x32 with Allison 
automation. 

Monitors: Urei 813 time-aligned, Altec 604, 
JBL, powered by Bryston and Mcintosh. 
Reverb: acoustic chamber, Lexicon digital, 
EMT gold-foil, AKG. 

Compressors, etc.: Urei, Allison, Ashly, 
Quad-Eight, Teletronix, Kepex, 
SpectraSonics, Roger Mayer. 

Equalizers: Variband slerennaai. Altec. 














Other outboard equipment: DeltaLab 
delay, Cooper Time Cube, MXR flanger, 
360 Systems frequency shifter, Lexicon 
Prime Time. 

Microphones: Sony C37A, Neumann M49, 
U67, U47 fet, Telefunken 251, Crown PZM, 
Sennheiser 804 shotgun: \ 
Keyboards: Bluethner 7’6’’ grand, 

Hammond B3, Cannon-Guild harpsichord, 

ARP Omni. 

Amps: Roland, Acoustic, Fender. 

Drums: Sonor. 

Other instruments: assorted percussion. x 
Publisher: Top Sail Music (BMI). 

Credits: Mason Daring and Jeannie Stahl, 
Heartbreak; Skeeter Davis and NRBQ; Tina 

Welch (Belmont); Digital Equipment 
Corporation. 

Rates: $125/hr.; blocks available. 





Sound Design 
80 Cambridge Street (rear), 
01803, 273-1548. 
Also equipped for: 16-, 8-, 4-track, location, 
video. 
Owner: Bruce Mancinelli. 
Engineers: Brad Szostek, Bruce Mancinelli. 
Room size: 25x35 with iso booth. 
Tape machines: MCI (24), Ampex (16), 
Tascam (‘2"’-8, 2), Otari (2). 
Console: APSi 3000. 
Monitors: JBL 4311 and 4430, Altec, 
Auratones, powered by Crown, UniSync, 
Phase Linear, and BGW. 
Noise reduction: dbx (for mixdown only), d 
Dolby (on request). 
Reverb: AKG, Lexicon digital. 
Compressors, etc.: SpectraSonics, Ashly, 
Kepex, Urei, dbx. 
Equalizers: Ashly parametric. 
Other outboard equipment: Lexicon Prime 
Time, Eventide Harmonizer and flanger. 
Microphones: Neumann U87, RCA 77DX. 
Keyboards: Steinway grand, Hammond B3. 
Amps: various. 
Drums: Ludwig. 
Other instruments: 
Stratocaster guitar. 
Label: Sound Design Records. 
Credits: Jane Olivor (CBS), the Lines, Love 
& Flame, the Make. 


Burlington 





Precision bass, 


30% label; 20% in-house; 50% 
independent. 
Rate: negotiable. 

Soundtrack 


77 North Washington Street, fifth floor, 
Boston 02114, 367-0510. 
Also equipped for: 16-, 
video. 

Owner: Robert Cavicchio. 
Manager: John Jordan. 
Engineers: John Kiehl, Karen Kane, Steve 

Liquori, Tony Volante, Sonny DuFaulit, 

Roger Stockey. 

Room sizes: 24-track, 20x40 with iso 

booths and 12x20. 1 
Tape machines: Studer (24, 2, mono), 3M 
(24), MCI(1’’-8), Otari (4), Ampex (2, mono). 
Consoles: Neve 32-input, Auditronics 24- 
input, Tangents 8-input. 

Monitors: Urei time aligned, Altec 604, JBL 
4311, Auratones, powered by 
SpectraSonics, BGW, Urei, and Crown. 
Noise reduction: Dolby (for mixdown only). 
Reverb: Lexicon digital, Neumann gold-foil, 


8-, 4-track, and 


AKG 
Compressors, etc.: Urei, dbx, Kepex, Gain 
Brains, Orban de-esser, Eventide 


Omnipressor. 
Equalizers: Ashly and Pultec parametrics. 


Other outboard equipment: Eventide 
Harmonizer, Lexicon Prime Time and Time f 
Compressor, MXR phaser, SMPTE 


generator, EXR aural exciter. 
Microphones: Neumann U87, U89. 
Keyboards: Yamaha grand, Clavinet, 
Rhodes and Wurlitzer electric pianos, 
Prophet One, Minimoog. 

Amps: Fender Twin. 











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it 


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Yo 


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Drums: Gretsch, Ludwig, congas. 

Other instruments: timpani, chimes, vibes, 
marimba, harp. 

Credits: Channel 7, John Hancock 
Insurance, Jon Butcher Axis, Mission of 
Burma (Ace of Hearts). 

75% commercial; 25% independent. 

Rate: negotiable. 


Spectrum Recorders 
151 South Main Street, Lanesborough 
01237, (413) 499-1818. 
Also equipped for: digital and video. 
Owner: Spectrum Recorders Inc. 
Engineers: Peter Seplow (chief), David 
Fowle. : 


Room size: 25x30x 15, with iso booths. 
Tape machines: MCI (24), Scully and 
Technics (2). 

Console: APS| 3000 — 32-input. 
Monitors: Urei 811 time-aligned, Altec 604, 
Auratones, powered by Carver, SAE, 
Pioneer, and custom. 

Reverb: MicMix. 

Compressors, etc.: Urei, dbx, custom 
gates, Burwen noise eliminator. 
Equalizers: UTC. 

Other outboard equipment: DeltaLab 
acousticomputer, Loft analog delays. 
Microphones: Sony, Neumann. 
Keyboards: Heinsman grand. 

Credits: the Cobble Mountain Band (Single 
Brook), Shenandoah, Fear of Strangers 
(Faulty Products/IRS), GE Credit Union. 
20% label; 40% commercial; 40% 
independent. 

Rate: negotiable. 


Syncro Sound Studios * 
331 Newbury Street, Boston 02115, 
424-1062. 
Also equipped for: 40-track. 
Owner: Studio 81 Inc. 
Manager: Steve Berkowitz. 
Engineers: Thom Moore, Walter Turbitt, 
Andy Topeka. 
Room size: 32x16x10 and 30x10x16, 
designed by John Storyk. 
Tape machines: Stephens (40), MCI (24), 
Ampex and Studer (2). 
Console: customized MC! JH-600, 36-input 
with eight wild faders, automated. 
Monitors: Urei time-aligned 813, JBL 4311, 
Auratones, powered by Yamaha, BGW, and 
Crown. 
Noise reduction: Dolby. 
Reverb: acoustic chamber, EMT plate. 
Compressors, etc.: dbx, Aphex, Urei, 


Compex, Kepex, Gain Brains, Orban de- 
esser 


Equalizers: Orban, Pultec, Lang, API. 
Other outboard equipment: Eventide 
Harmonizer, flanger, phaser, and delay, 
Lexicon Prime Time, AMS harmonizer. 
Microphones: Sony C37P, RCA 77DxX, 
Neumann U47, KM84, U87, AKG D12, 
Crown PZM. 

Keyboards: Yamaha grand, Hammond B3, 
access to synthesizers. 

Amps: Mesa Boogie, vintage Fender and 
Ampeg. 

Drums: Slingeriand. 

Other instruments: assorted percussion. 
Credits: the Cars, Shake It Up (Elektra); 
Romeo Void; the Atlantics; the Dark. 

33% label; 33% in-house: 33% indepen- 
dent. 

Rate: negotiable. 


CONNECTICUT (24) 








Gallery 
87 Church Street, East Hartford 06108, 
(203) 528-9009. 
Also equipped for: 16- and 8-track. 
Owner: Douglas Clark. 
Engineers: Douglas Clark, Bill Pauluh, Peter 
Solak. 
Room size: 1500 sq. ft. with iso booth. 
Tape machines: MCi (24), Ampex (2 and 
mono), Otari (2). 
Console: custom built. 
Monitors: Altec 604, powered by Marantz. 
Noise reduction: dbx. 
Reverb: custom piate. 
Compressors, etc.: dbx and custom comp- 
limiters, Dynafex, 16 custom gates, Orban 
de-esser 


Equalizers: custom graphics, Phoenix 
Audio parametrics. 
Continued on page 60 








Album available at: 
Strawberries 
(Boston & Cambridge) 
All Coop locations 
Looney Tunes 


BELLVISTA 
THE PAINTER 


... ‘MORE THAN LIVES UP TO EXPECTATIONS!!” 
BOSTON GLOBE 


Hear Belivista on 
~ WBUR 
WERS 
WBRU 











For information: 277-1923 




















EX CLUSIVEL Y REPRESENTED BY 


263 SUMMER ST., 
SUITE 416, 
BOSTON MA 02210 
(617) 542-7238 














Ilustration by Leslie Evans 








THE BOSTON PHOENIX, BOSTON BANDS JUNE 1, 1982 59 

































































Continued from page 59 

Other outboard equipment: Eventide 
Harmonizer and delay, Countryman phaser, 
Roland Spacecho, Loft delay. 
Microphones: Neumann U87, Crown PZM. 
Keyboards: Baldwin 6’ grand, Hammond 
B3, Rhodes, Mellotron. 

Amps: Fender, Sunn, others. 

Drums: Roto-toms, Synare 3, others. 
Other instruments: guitars, xylophone, 
vibes, congas, assorted percussion. 

Label: Grand Globe International. 

Credits: Larry Young (Arista), Little Village 
(Quiet Cannon), Flo (Mercury). 

10% tabel; 15% commercial: 75% 
independent. 

Rates: $50/hr.; 16-track, $45/hr. 


Jhana Sound Productions 
Wainut Tree Hill Road, Sandy Hook 06482, 
(203) 426-0307. 

Also equipped for: 16-track. 

Owner: John Hanna. 

Manager: Jack Leonard. 

Engineer: Ron Bacciocchi. 

Room size: 1200 sq. ft. with iso booths. 
Tape machines: MCI (24/16, 2), Revox (2). 
Console: MC! — 36 input. 


Monitors: time-aligned Big Reds, 
Auratones, powered by Mcintosh and 
BGW 


Reverb: EMT, AKG. 

Compressors, etc.: Urei, Kepex, Gain Brain, 
Allison, Roger Mayer. 

Equalizers: Ashly parametric. 

Other outboard equipment: Eventide 
Harmonizer, Lexicon Prime Time, DeltaLab 
acousticomputer, ADR vocal stresser. 
Keyboards: Yamaha grand. 

Other instruments: available on request. 


Credits: Charlie Midnight (CBS), Jeff 
Cannata (Portrait/CBS). 
5% commercial; 80% in-house; 15% 
independent. 
Rate: negotiable. 

The Nineteen Recording Studio 


19 Water Street, South Glastonbury 06073, 
(203) 633-8634. 

Also equipped for: 16-, 8-, 4-track, location 
Owners: Jonathan Freed, Ronny Scalise. 
Manager: Steven Fanelli. 

Engineers: Jonathan Freed, Ronny Scalise. 
Tape machines: MCI (16/24), Tascam 
(‘%"’-8, 2), Otari and Revox (2). 
Console: Sound Workshop- 1600, 
automated. 

Monitors: M&K, JBL, Auratones, powered 
by Epicure and Bryston. 

Noise reduction: dbx. 

Compressors, etc.: Eventide, Urei, dbx. 
Equalizers: SAE graphic, Ashly parametric, 
Pultec. 


Other outboard equipment: Eventide 


Harmonizer, MXR delay, Phase Linear 
autocorrelator. 
Microphones: Neumann U47, U87, 


KM84/83, Sony C37, ECM33P. 
Keyboards: 1919 Knabe baby grand, 
Yamaha CP-70 electric grand, Hammond 
B3, Rhodes, Mellotron, .Clavinet, Moog 
synthesizer. 
Amps: Fender, Acoustic. 

Drums: Ludwig with Roto-toms. 

Other instruments; Les Paul guitar, Fender, 
Gibson, Rickenbacker, and Alembic 
basses, assorted percussion. 

Label: Nineteen Records. 

Credits: The Cardiac Kids (Sudden), Eight 
to the Bar, Andy May (Flying Fish), 
Fountainhead (Arista). 

40% label; 25% commercial; 20% ee 
15% independent. 
Rate: $70/hr; automated mixing, $90/hr. 


Reel Dreams 
6 East Newberry Road, Bloomfield 06002, 
(203) 243-8317. 
Also equipped for: 16-track. 
Owners: Carl Henry, Bill Hudak: 


60 





THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 


Engineers: Carl Henry, Bill Hudak, Bernie 
Evans. 

Room size: 30x30 with 4 iso booths. 

Tape machines: MCI (24, 16), Scully and 
Otari (2). 

Console: Loft Modular. 

Monitors: JBL 4315, M&K subwoofers, 
Minimus-7, powered by Phase Linear, 
Crown, and SAE. 

Noise reduction: dbx. 

Reverb: custom plate. 

Compressors, etc.: dbx, Urei, Orban, Roger 
Mayer. 

Equalizers: Urei graphic, Orban parametric. 
Other outboard equipment: Eventide 
Harmonizer, Lexicon Prime Time, Loft 
delay, EXR aural exciter, Roland Spacecho, 
Mutron phasers, PAIA_ synthesizer 
modules. 

Microphones: Neumann U47, U87. 
Keyboards: Yamaha 6’ grand, tack piano, 
Hammond B3, Wurlitzer and Rhodes 
electric pianos. 

Amps: Fender Twin and Tremolux, Ampeg, 
Randall, Switchmaster, others. 

Drums: Rogers. 

Other instruments: assorted percussion. 
Label: Reel Dreams Records. 

Publisher: Carl Henry Music (BMI). 
Credits: Gary Wofsey and the 
Contemporary Jazz Orchestra featuring 
Phil Woods, Rick Cerone (Reel Dreams 
Records). 

5% in-house; 95% independent. 

Rates: $50/hr.; 16-track, $45/hr. 





NEW HAMPSHIRE (24) 


Kevin Tracey Studios. 
342 Lincoln Street, Manchester 03103, 
(603) 625-6300 or (617) 523-4433. 
Owner: Kevin Tracey. 
Manager: Janet Tracey. 
Engineers: Bill Tracey, John Chase. 
Room size: 24x34, designed by Steve 
Blake. 
Tape machines: Otari (24, 2, and mono). 
Console: Sound Workshop Series 30. 
Monitors: Urei 811A, Auratones, powered 
by Crown. 
Noise reduction: Dolby (for mixdown only). 
Reverb: Masterroom. 
Compressors, etc.: Ashly. 
Other outboard equipment: EXR aural 
exciter, Lexicon delay (on request). 
Microphones: Neumann U89. 
Keyboards: Yamaha 7’ grand, Rhodes, 
Prophet 5, Electrocomp 101, 
Odyssey synthesizers. 
Drums: Ludwig, with Roto-toms. 
Other instruments: timpani, 
percussion. 
50% commercial; 50% independent. 
Rate: negotiable. 


RHODE ISLAND (24) 


Normandy Sound 
25 Market Street, Warren 02885, (401) 
247-02 18. 
Also equipped for: 16-track. 
Owners: Arnold Freedman, Bob Shuman, 
Phil Greene. 
Engineers: Phil Greene, Bob Winsor, Phil 
Adier, Tom Soares, A.W. Dick, David 
Butler. : 
Room size: 1000 sq. ft. with iso booth. 
LEDE design by Dan Zeliman. 
Tape machines: MCI (24), Scullys (2). 
Console: MCI JH-636, automated. 
Monitors: Urei time-aligned 813, JBL 4313, 
Auratones, powered by Mcintosh and 
Crown. 
Noise reduction: dbx. 





assorted 








Reverb: acoustic ‘chamber, EMT and 
Audicon plates, Lexicon digital. 
Compressors, etc.: Urei, MXR, Roger 


Mayer, Gain Brain, Orban de-esser. 
Equalizers: Ashly parametric, Pultec. 
Other outboard equipment: Loft and MXR 


and ARP , 





delays, MXR phaser and flanger, Lexicon 
Prime Time, Aphex. 

Microphones: Neumann U47 tube, U48 
tube, U87, KM84, Sony C500. 

Keyboards: Yamaha 6’6”’ grand, Hammond 
A100, Korg CX-3, Rhodes. 

Amps: Fender, Polytone, MusicMan. 


Other instruments: 1960 Fender 
Stratocaster, Yamaha guitar, Precision 
Bass. 


Credits: Tiger Okoshi (JVC), Billy Cobham 
(Elektra/Musician), James Cotton, Dick 
Johnson (Concord Jazz). 

75% label; 10% commercial; 5% in-house; 
10% independent. 

Rate: on request. 





16-TRACK 
MASSACHUSETTS 


See also: Century Ill, Dimension Sound 
Studios, Fleetwood Recording Studios, 
Long View Farm, Music Designers, Sound 
Design, Soundtrack (all 24-track). 


Baker Street Studio 
1072 Belmont Street, Watertown 02172, 
484-98 12. 
Also equipped for: 8-track. 
Owner: Roger Baker. 
Engineers: Roger Baker, Darleen Wilson, 
Andy Mendelson, Rick Kolow. 
Room size: 15x35 with iso booths, designed 
by Abadon/Sun. 
Tape machines: Otari (16, 8, and 2). 
Console: Tangent — 20-input. 
Monitors: Urei 811 time-aligned, 
Auratones, powered by Crown. 
Noise reduction: dbx. 
Reverb: acoustic chamber, Ecoplate. 
Compressors, etc.: Urei, dbx, Gain Brain, 
Kepex, Orban de-esser. 
Equalizers: Urei parametric, BSR graphic. 
Other outboard equipment: DeltaLab 
delay, Ibanez delay and flanger, Eventide 
phaser, MXR transposer. 
Microphones: Neumann U47, U67, RCA 
77DX, Crown PZM. 
Keyboards: Sohmer “baby grand, 
Hammond organ, Wurlitzer dectiic piano, 
Micromoog. 
Amps: Ampeg, Fender. 
Other instruments: assorted percussion. 
Credits: the Orbits, Healin'of the Nation, 
John Lincoin Wright/James Talley, Lou 
Miami and the Kozmetix. 
5% label; 5% commercial; 
87% independent. 
Rates: $33/hr. {10 hrs.); 8-track, $19/hr. 
(10 hrs.). 


Downtown Recorders 
537 Tremont Street, ‘Boston 02116, 
426-3455. . 
Owner: Mitchell Benoff« ; 
Engineers; Joe Cuneo, Jeff Whitehead, 
independents. : 
Room size: 27x22, with four iso booths. 
Tape machines: MCI (16), Tascam (8, on 
request), Otari and Revox (2). 
Console: Tangent — 32-input, modified. 
Monitors: Urei 811 time-aligned, JBL 
4311B, Auratones, powered by Crown. 
Noise reduction: dbx. 
Reverb: 100-foot dome acoustic chamber, 





3% in-house; 


Lexicon, digital (extra charge), Clover 
spring. 
Compressofs, ‘etc:: Urei, Ashly, Roger 
Mayer. 


Equalizers: Ashly parametric. 

Other outboard equipment: Lexicon Prime 
Time. 

Microphones: Neumann U87, KM84. 
Keyboards: 1920 Steinway 7’ grand, 
Hammond B3, Wurlitzer electric piano. 
Credits: Axes, Hawkeye, Human Sexual 
Response, Jonathan Edwards. 

20% in-house; 80% independent. 

Rate: $25/hr. (20 hrs.) 














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ivy Lane Recording Studio 
192 Ash Street, Hopkinton 01748, 
435-3760. 

Owners: David and Larry Minnis. 

Manager: David Minnis. 

Engineer; Larry Minnis. 

Room size: 3000 sq. ft. with iso booth. 
Tape machines: MC1 (16), Scully and Revox 
(2). 

Console: Tangent — 24-input. 

Monitors: JBL 4311, Auratones, powered 
by Crown. 

Noise reduction: dbx. 

Reverb: Lexicon digital. 

Compressors, etc.: Urei, OmniCraft, Orban 
de-esser. 

Equalizers: Ashly parametric. 

Other outboard equipment: MicMix delay. 
Microphones: Neumann (187. 

Keyboards: Yamaha grand, various 
synthesizers on request. 

Amps: Fender. 

Drums; Ludwig. 

Other instruments: Rickenbacker 12-string 
and bass guitars, Martin acoustic, Fender 
Stratocaster. 

Credits: Dennis Michael O'Rourke, Broken 
Crystal (Rhodes); James Cox, Delusions of 
Grandeur; Robbie O'Connell, Close to the 
Bone (Green Linnet); Exodus, Breakaway 
(Chariot). 

100% independent. 

Rate: $30/hr. 


MCM Recording Studio 
54 Commercial Street, Worcester 01608, 
755-5643. 
Also equipped for: 8-track. 
Owner: Paul Martin. 
Engineers: Paul Martin, Rod Libbey. 
Room size: 45x18 with iso booth. 
Tape machines: MCI (16), Tascam ('2’’-8, 2). 
Console: Tascam Model 15. 





Monitors: Urei 811 time-aligned, JBL 4311, 
Auratones, powered by Crown. 

Noise reduction: dbx. 

Reverb: Audicon plate. 

Compressors, etc.: dbx. 

Equalizers: Soundcraftsman graphic. 
Other outboard equipment: Lexicon delay. 
Microphones: Neumann U87, RCA ribbon. 
Keyboards: Baldwin grand, Hammond 
Porta-B. 

Drums: Sonor. 

Credits: Mitch Chakor, Cliff Goodwin. 

35% commercial; 65% independent. 
Rates: $35/hr.; 8-track, $20/hr. 


Me 
108 Massachusetts Avenue, Boston 02115, 
267-4095. . 
Also equipped for: 4-track. 
Owner: Ken Kanavos. 
Engineers: Ken Kanavos, independents. 
Room size: 21x31 with iso booths. 
Tape machines: Tascam (1'’-16), Teac (4), 
Otari (2). 
Console: Tangent. : 
Monitors: Altec 604-8K; Auratones, 
powered by Crown. 
Noise reduction: dbx. 
Reverb: MicMix. 
Compressors, etc.: Ashly, OmniCraft. 
Equalizers: Urei graphic. 
Other outboard equipment: Lexicon delay. 
+ cael Neumann KM84, U87, Crown 
Keyboards: Hume 6'1"" grand, Hammond 
L100, Hohner electric piano, others. 
Amps: Fender Twin, Sunn Coliseum. 
Orums: Slingeriand. 
Other instruments: available on request. 
Credits: Greg Hawkes, the Silver Doots, 
Mission of Burma. 
100% independent. 
Rates: $18/hr. 


Oceanus Audio Recording 
29 Ocean Avenue, North Scituate 02055, 
545-0765. 

Owner: Steve Goddard. 

Manager: Skip Bickston. 

Engineer: Steve Goddard. 

Room size: 23x22 with iso booth. 

Tape machines: Tascam (1"'-16, 2), Revox 
2 


Console: modified Tangent. 

Monitors: custom cabinets, powered by 
Ultralinear. 

Noise reduction: dbx. 

Reverb: acoustic chamber, custom analog 
delay and spring. 

Compressors, etc.: Ashly. ; 

Equalizers: Moog parametric, BSR stereo 
graphic. 

Other outboard equipment: MXR 
flanger/doubler. 

Keyboards: Whitman 5'2” baby grand. 
Amps: Fender Twin and Vibrolux, Ampeg. 
Other instruments: various guitars. 

Label: California Sun Records. 

Publisher: Big Fish Music (BMI). 

Credits: J.B. Hutto and the New Hawks, 
Image, the Outlets, the Vinny Band. 

40% in-house; 60% independent. 

Rate: $15/hr. 


Plum Studio 
2 Washington Street, Haverhill 01830, 
372-4236. 
Also equipped for: video. 
Owner: Richard Tiegen. 
Engineer: Richard Tiegen. 
Room size: 1000 sq. ft., L-shaped, with iso 
booth. 
Tape machines: Ampex (16), Revox and 
Tandberg (2). 
Console: Speck — 16x16. 
Monitors: JBL. 4311 and Auratones, 
Continued on page 62 








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BOSTON. MASS 02115 


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Mail orders accepted 
Call or write for our price list. 
Wholesale & Retail. 


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HOURS: 11am-5pm Mon.-Fri. 


cassettes. 





oe 





THE BOSTON PHOENIX, BOSTON BANDS. JUNE 1. 1982 61 











Continued from page 61 

powered by BGW and Crown. 

Noise reduction: dbx (for mixdown only). 
Reverb: Fairchild. 

Compressors, etc.: dbx, Urei, Valley People 
Dyna-Mite. 

Equalizers: Furman parametric. 

Other outboard equipment: MXR 
flanger/doubler, delay, and pitch 
transposer. 

1" esata Altec 216 tube, Neumann 
U87 

Keyboards: Kawai upright. 

Amps and other instruments: complete 
music store. 

Label: Plum Records. 

Publisher: Astrodisque (BMI). 

Credits: J.B. Hutto and the New Hawks, the 
Graphics, the Upstarts, the Inkspots. 

20% label; 10% commercial; 10% in-house; 
60% independent. 

Rate: negotiable. 


Sanctuary 
Carl Thompson Road, Westford 01886, 
692-7037. 
Owner: Ed Buckingham. 
Engineer: Ed Buckingham. 
Room size: 30x40, designed by Steve 
Langstaff. 
Tape machines: Otari (16, 2). 
Console: Sound Workshop 1600. 
Monitors: Urei 813, JBL 4333, 4311, 
Auratones, powered by BGW. 
Reverb: AKG. 
Compressors, etc.: Ashly. 
Equalizers; Ashly parametric. 
Other outboard equipment: DeltaLab 
delay. 
Credits: Shane Champagne, MAG-4, 
Songster. 
100% independent. 
Rates: $40/hr. includes accomodations. 


Silver Lake R 
Lake Street, Kingston 02364, 585-4642, 
-9227, 878-7384. 
Owners: Paul Lukaris, Fred Danner. 
Engineers: Paul Lukaris, Fred Danner, 
David James. 
Room size: 23x17. 
a machines: 3M (16), Teac (4, 2), Ampex 


Console: Aengus. 

Monitors: Little Reds, Altec, JBL 4311, 
Auratones, powered by Phase Linear. 
Reverb: AKG. 

Compressors, etc.: Teletronix, Ashly, dbx. 
Equalizers: Neptune graphic. 
‘Other outboard equipment: MXR digital 
delay. 

Microphones: Neumann U87, AKG C28. 
Keyboards: Baldwin baby: grand, 
Hammond 83, Rhodes and Wurlitzer 
electric pianos, Minimoog, ARP Omni and 
String Ensemble, Clavinet, Mellotron, 
Prophet 5 synthesizers. 

Amps: Acoustic, Ampeg, Marshall. 

Drums: Rogers, Sonor. 

Other instruments: assorted percussion. 
Credits: State of Mind, ‘Vendetta, New 
England, Brass. 

20% in-house; 80% independent. 

are $25/hr. (15 hrs.); $20/hr. (over 15 

rs.). 


Sound Techniques 
3 Laurel Street, Watertown 02172, 
923-4040. 
Owner: Leon Janikian. 
Engineers: Leon Janikian, Jim Anderson, 
Karen Kane. 
Room size: 22x35x10 with iso booth. 
on machines: Tascam (1''-16), Technics 
Console: Sound Workshop Series 30. 
Monitors: JBL 4313, Auratones, Eastern 
Acoustic Works MS50, powered by 


Bryston. 
Noise reduction: dbx. 
62 





THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 


Reverb: Lexicon digital. 

Compressors, etc.: Urei, Ashly. 
Equalizers: Ashly parametric, White 
graphic. 

Other outboard equipment: DeltaLab 
acousticomputer and Time Line, EXR aural 
exciter, Maestro woodwind modifier. 
Microphones: Neumann KM84, RCA 77DxX, 
AKG C33 stereo. 

Keyboards: Chickering grand, Hammond 
A100, Rhodes. 

Amps: Fender. 

Other instruments: assorted percussion. 
Credits: Belivista, The Painter (En Route); 


Berlin Airlift; Jimmy Giuffre, Livingston 


Taylor. 

50% tlabel; 15% commercial; 35% 
independent. 

Rates: $35/hr.; blocks available. 


Studio B 
419 Boylston Street, Boston 02116, 
266-5464. 
Also equipped for: 24-track (on request), 
location. 
Owner: Studio B Inc. 
Engineers: Allen Smith, Robin Coxe- 
Yeldham. 
Room size: 25x25 with iso booths. 
Tape machines: 3M (16), Revox (2). 
Console: Sound Workshop 1628 — 24- 
input. 
Monitors: Eastern Acoustics (Forsythe), 
JBL 4311, Auratones, powered by Phase 
Linear. 
Noise reduction: dbx (for mixdown only). 
Reverb: Masterroom, Hammond spring. 
Compressors, etc.: Walter Lenk custom, 
Ashly, MXR, Roger Mayer. 
Equalizers: Ashly parametric. 
Other outboard equipment: MXR and 
Lexicon digital delays, other available. 
Microphones: Neumann U86, U87, KM84, 
RCA 77DX, Sony C55. 
Keyboards: Henry Miller concert grand, 
Hammond B3, Rhodes. 
Amps: Ampeg, Fender. 
Drums: Slingerland. 
Label: Cooking Records, 
international/Boston Skyline. 
Publisher: Boston’s. Finest Music Co. 
(ASCAP). 
Credits: Robert Ellis Oral (Whifi/RCA); Phil 
Gentili,, Mama Lied (CBS Portrait); David 
Chocron (Polydor); Hot Dates (Boston 
Skyline); Native Tongue (Modern Methods). 
50% label; 30% -commercial; 20% 
independent. 
Rate: $35/hr.; blocks available. 


' CONNECTICUT (16) 


See also: The Gallery, Jhana Sound 
Productions, The Nineteen Recording 
Studio, Reel Dreams (all 24-track). 


Boston 








Amphion Recording and Production 
114 Brooklyn Street, Rockville 06066, (203) 
pe 1786. 

Also equipped for: 8- and 4-track. 
Owner: Ed Adams. 
Engineer: Ed Adams. 
Room size: “2 aay with iso booths, designed 
by B.K. Builder 
Tape machines: cl (16), Teac (4), Ampex 


Monitors: six Large Advents, others, 
powered by Mcintosh. 

Noise reduction: dbx. 

Reverb: custom plate, AKG. 

Compressors, etc.: dbx, Orban de-esser. 
Equalizers: Phoenix Systems parametric. 
Other outboard equipment: DeltaLab and 
Loft delays. 


customized aay De 101 Sr 
Amps: Ampeg, Pea 
Drums: Pearl, Slingertand. 


Credits: Fred Locke Stereo, Warehouse 
Foods, Sage-Allen Company. 

40% commercial; 60% independent. 
Rates: $40/hr.; 8-track, $33/hr.; blocks 
available. 


Nickel Recording 

168 Buckingham Street, Hartford 06106, 
(203) 524-5656. 
Also equipped for: 8- and 4-track, location. 
Owner: Jack Stang. 
Engineers: Jack Stang (chief), Chuck 
Russo, Tom Newton. : 
Room size: 40x65 with two iso booths. 
Tape machines: Tascam (1-16, ‘%’’-8, 4), 
Otari (2). 
Console: Tascam*Model 15, modified — 
24-input. 
Monitors: JBL, Egos, Auratones, pecans 
by Nikko and Crown. 
Noise reduction: dbx. 
Reverb: custom plate, custom spring. 
Compressors, etc.: dbx. 
Equalizers: Urei graphic. 
Other outboard equipment: Lexicon Prime 
Time, EXR aural exciter, MXR flanger. 
Keyboards: Cable baby grand, synthesizers 
available. 
Amps: Fender, Gibson, Sound City. 
Drums: Ludwig. 
Other instruments: Fender Stratocaster 
and acoustic guitars, assorted percussion. 
Label: Nickel Recording. 
Publisher: Nickel Music (BMI). 
Credits: Matt Townsend (Spector 
International), Carol Hahn (De-lite 
Records). 

35% label; 15% commercial; 50% 
independent. 
Rates: $38/hr.; 8-track, $29/hr.; 4- or 2- 
track, $25/hr. 


RBYR 
920 North Main Street, Southbury 06488, 
(203) 264-3666. 
Also equipped for: 4-track, video. 
Owner: Jack Jones. 
Manager: Marjorie Jones. 
Engineers: Evan Jones, Jack Jones. 
Room size: 32x25 with iso booth, designed 
by Jeff Cooper. 
Tape machines: Ampex (16, 4, 2, mono). 
Console: custom-modified Tangent — 
32x32. 
Monitors: JBL 4315, Electrovoice Sentry Ill, 
Technics, Auratones, powered by Phase 
Linear and Yamaha. 
Noise reduction: dbx (for mixdown only). 
Reverb: AKG, Orban, Masterroom. 
Compressors, etc.: Urei, Electrodyne, 
Roger Mayer, Inovonics. 
Equalizers: Ashly parametric, Pultec, Lang. 
Other outboard equipment: Eventide 
Harmonizer, MXR delay and pitch 
transposer, Roland Dimension-D, Korg 
tape echo. 
Microphones: RCA 77DX, Sennheiser 
MK 105, Neumann U67, KM86. 
Keyboards: Yamaha upright piano, Rhodes, 
Yamaha synthesizer, ARP string 
synthesizer, Minimoog. 
Amps: Kustom, MusicMan, Acoustic. 
Drums: Tama. 
Other instruments: Les Paul electric, Martin 
acoustic guitars. 
Credits: the Hartford Group, Janet Marlow, 
Roger Sprung, MCA, Aetna Life Insurance. 
20% label; 20% commercial; 15% in-house; 


45% independent. 
Rates: $45/hr.; 4-track, $35/hr. 

Trod Nossel Studios 
Box 57, 10 Street, Wallingford 
06492, (203) 26 10 or 269-4465. 


Also equipped for: 8- and 4-track. 

Owner: Trod Nossel Artists. 

Engineers: Richard Robinson, Douglas 
Snyder. 

Room size: 29x34 with iso booths. 

Tape machines: Scully (16/8, 4, 2, mono). 








| 
| 


















we 


















Console: Automated Processes — 28- 
input, customized. 

Monitors: Big Reds, ADC, powered by 
Crown. 

Reverb: EMT plate, AKG. 

Compressors, etc.: RCA tube, Altec, Pye, 
Gain Brain, Kepex, custom units. 
Equalizers: Audio Arts parametric, and 
APSI graphic, Alembic, Pultec, Hycor. 
Other outboard equipment: Eventide 
flanger and phaser, ElectroHarmonix 
vocoder, Lexicon Prime Time, Omnisonic 
Imager, MXR transposer, custom exciter. 
Microphones: Neumann U47 tube, Syncron 
$10, Bang & Olufsen SM5. 

Keyboards: Knabe 9’ grand, Hammond B3, 
Lowrey organ, Clavinet, Baldwin electric 
harpsichord, ARP Odyssey. 

Amps: Marshall, Traynor, Ampeg, Fender. 
Drums: Ludwig (wood). 

Label/Publisher: Trod Nossel Artists. 
Credits: The Actuals, the Ancient Mariners 
Fife and Drum Corps, Plan 9 (Bomp), B. 
Willie Smith Band (TNA). 

30%, commercial; 30% in-house; 40% 
independent. 

Rate: $30/hr. (12 hrs.). 





MAINE (16) 


: EAB 
223 Lisbon Street, Box 958, Lewiston 
04240, (207) 786-3476. 
Also equipped for: 8- and 4-track. 
Owner: Ed Boucher. 
Engineer: Ed Boucher. 
Room size: 25x45 with iso booth. 
Tape machines: 3M (16), Scully (4, 2). 
Console: API. 
Monitors: Altec 604, JBL, Auratones, 
powered by Crown. 
Noise reduction: dbx. 





Reverb: EMT, AKG. 

Compressors, etc.: API, Urei, Quad Eight, 
Orban de-esser. 

Equalizers: Orban and ITI parametric, Delta 
and MXR graphic, Pultec. 

Other outboard equipment: Lexicon Prime 
Time, Martin Varispeed, Eventide delay and 
phaser. 

Microphones: Neumann U47, U87, KM88, 
RCA 77DX, 44BX. °* 

Keyboards: Yamaha 7'4"' grand, Hammond 
organ, Rhodes, Mellotron, Clavinet, ARP 
String Ensemble. 

Amps: MusicMan, Fender. 

Drums: Ludwig. 

Label: Mouse Records. 

Publisher: Sparky Music (BMI). 

Credits: Cherrie Bonnie, Bill Chinnock, Rick 
Pinett, Tom Chandler, Schooner Fare, 
Richie Raposa. 

33% label; 33% commercial; 33% 
independent. 

Rate: $50/hr. 


The Outlook 
Star Route, Box 180, Bethel 04217, (207) 
824-3246. 
Owner: Ted St. Pierre. 
Engineer: Ted St. Pierre. 
Room size: 35x20. 
Tape machines: Tascam (1-16, 2), Otari 
(2). 
Console: Tangent — 20-input. 
Monitors: JBL L26, Auratones, powered by 
Crown. 
Noise reduction: dbx. 
Reverb: Furman. 
Compressors, etc.: dbx, Urei. 
Equalizers: Furman parametric. 
Other outboard equipment: Mutron digital 
delay, Echoplex, assorted effects. 
Keyboards: \vers and Pond upright, 


Polyfusion synthesizer. 

Amps: Fender Bassman and Bandmaster, 
Pignose. 

Drums: Yamaha. 

Label: Outlook Records. 

Publisher: Deepspace Diver. 

Credits: Willie Alexander, Solo Loco 
(Bomp); Modern Methods Records; Joe 
Perham, Outhouse Vol. 1. 

15% label; 5% commercial; 5% in-house; 
75% independent. 

Rate: negotiable, accommodations included. 


Studio Dual 

101 Pine Street, Portland 04102, (207) 
773-7 176. 

Also equipped for: 4-track, location. 
Owner: John Etnier. 

Engineer: John Etnier. 

Tape machines: Tascam (1°'-16), Otari (4, 
2). 

Console: Tangent 3216 —.21-input. 
Monitors: Yamaha 1000, Auratones, 
powered by Yamaha. 

Noise reduction: dbx. 

Reverb: MicMix. 

Compressors, etc.: Valley People Dyna- 
Mite, dbx, Omnicraft. 

Other outboard equipment: Loft analog 
delay, Marshall Time Modulator, EXR 
exciter, Soundcraftsman.analyzer. 
Microphones: Neumann U87 and KM84. 
Keyboards: 1926 Steinway Model M 6’ 
rand, Hammond Porta-B, Rhodes, 
Seauertidl Circuits and EML synthesizers. 
Amps: Mesa Boogie. 
Other instruments: marimba, assorted 
percussion. 
Publisher: Driven Music (BMI). 
Credits: Chuck Kruger, Peter Galway 
Revue, the Donns, live broadcasts for 

Continued on page 64 














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THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 63 








Continued from page 63 

WMGxX, Scott Paper. 

25% commercial; 50% in-house; 25% 
independent. 

Rate: negotiable. 





NEW HAMPSHIRE (16) 


Fishtraks Communications 
62 Congress Street, Portsmouth 03801, 
(603) 431-5492. 
Also equipped for: 8-track. 
Owner: Don Greenwell. 
Manager: Bruce Lawson. 
Engineers: John Goodone (chief), Carol 
Cafeiro. 
Room size: 38x38 with iso booths. 
Tape machines: Tascam (1"-16, ‘%'’-8), 
Teac (4), Otari (2) 
Console: Tascam Model 15 — 24-input. 
Monitors: JBL 4313, Auratones, powered 
by Crown. 
Noise reduction: dbx. 
Reverb: Ecoplate and AKG. 
Compressors, etc.: Symetrix, Gain Brains. 
Equalizers: MXR_= graphic, Orban 
parametric. 
Microphones: Neumann U87 and U47 fet. 
Keyboards: \vers & Pond baby grand, 
Rhodes, ARP string ensemble, Clavinet, 
Korg synthesizer. 
Drums: Fibes, LP conga. 
Other instruments: Les Paul Custom 
electric, Martin acoustic, Rickenbacker 
stereo bass guitars. 
Label: Fishtraks. 
Publisher: McKay/Spears (ASCAP). 
Credits: Harvest Home, White Mountain 
Bluegrass, John Perrault, Ben Baldwin and 
the Big Note. 
10% commercial; 50% in-house; 40% 
independent. 
Rates: $55/hr.; 8-track, $30/hr.; 8-track 
mixing, $20/hr.; blocks available. 


RHODE ISLAND (16) 
See also: Normandy Sound (24-track): 


Star Trak 
806 Oaklawn Avenue, Cranston 02920, 
(401) 944-9005. 
Owners: Mike Lewis, Stuart Wiener, Jimmy 
Crane, others. : 
Engineers: Jack Rametta, Mike Kowal.. 
Room size: 20x20 with iso booths. 
Tape machines: Ampex (16),.Dokorder (4), 
Otari (2). 
Console: Neotek Series Il. 
Monitors: Tannoy, powered by BGW. 
Reverb: AKG. 
Compressors, etc.: dbx rack. 
Other outboard equipment: dbx and MXR 
flangers, Multiecho tape delay. 
Microphones: Neumann U87, KM84. 
Keyboards: Harrington baby grand, 
Rhodes, Crumar Orchestrator, ARP 
Explorer. 
Amp: Fender Bandmaster. 
Drums: Ludwig. 
Credits: Howie Morrel (Lou Reed, prod.). 
Label: Star Trak. — 
100% independent. 
Rate: $30/hr. (10 hrs.). 











Viscount Recording Studios 
486 Wellington Avenue, Cranston 02910, 
(401) 467-9362. © 
Also equipped for: 4-track. 
Owner: Russ Martin. 
Engineers: Russ Martin, Pat Eastman. 
Room size: 500 sq. ft. with iso booth. 
Tape machines: MCI (16), Scully (4, 2). 
Console: MCi/API custom. 
Monitors: Urei time-aligned 813, 
Auratones, powered by Crown and H/H. 
Reverb: Lexicon digital, Audicon plate. 
Compressors, etc.: Urei, Gain Brain, Kepex, 
Orban de-esser. 


64 THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 





Equalizers: Automated Processes 
parametric. 

Other outboard equipment: Eventide 
phaser, Lexicon Prime Time. 
Microphones: Neumann U64, U87, Altec 
M30. 

Keyboards: Yamaha grand. 

Amps: Ampeg, Fender. 

Other instruments: assorted percussion. 
Credits: Walter Horton (Blind Pig); The. Mu- 
sic of Arthur Custer, Vol. 2 (Serenus),; J.B. 
Hutto (Baron); the. Taxi Boys; the Il- 
lustrators. 

30% commercial; 70% independent. 

Rates: $30/hr. (24 hrs.). 


VERMONT (16) 


(See also: Suntreader Studios, 24-track.) 








Earth Audio Techniques 
The Barn, North Ferrisburg 05473, (82) 
425-2111. 
Also equipped for: 8-track, location, video. 
Owners: Bill Schubart, Mike Couture. 
Engineers: Chuck Eller, Mike Couture. 
Room size: 30x40 with iso booth. 
Tape machines: MCI (16, 1°’-8, ¥2’’-2, “%’’-2), 
Studer and Scully (2). 
Console: MC\ JH-416. 
Monitors: Urei 813 time-aligned, Altec 
604-8G, ADS, Auratones, powered by 
BGW. 
Noise reduction: Dolby. 
Reverb: acoustic chamber, AKG. 
Compressors, etc.: dbx, Urei. 
Equalizers: API, Lang, and Audioarts 
parametric. 
Other outboard equipment: Eventide delay 
and phaser. 
Microphones: Neumann -U47 tube, U87, 
KM84, RCA 77DxX. 
Keyboards: Steinway- 5'7’’ grand, 
Hammond B3, Rhodes, Oberheim OB-X2A 
and ARP 2600 synthesizers. 
Amps: 1949 Fender Bassman. 
Drums: Ludwig: 
Labels: Philo Records, Fretless Records, 
Barking Rat Records. 
Publishers: Other Music (ASCAP), Pleiades 
Music (BMI). 
Credits: Tom Rush, Keith Jarrett, 
Kilamanjaro, Do’A. 
20% in-house; 80% independent. 
Rate: on request. 


Mountainside Recording Studio 
Garvey Hill, Northfield 05663, (802) 
485-8594. 

Also equipped for: location (2-track). 
Owner: Dick Longfellow. 

Engineers: Dick Longfellow, Crow Levine. 
Room size: 22x22 with iso booth. 

Tape machines: Tascam (1''-16), Otari, 
Revox, and Sony (2). 

Console: Tangent 3216 — 18-input. 
Monitors: Eastern Acoustic Works MS50, 
Altec 15, Auratones, powered by Pioneer. 
Noise reduction: dbx. 

Reverb: Ursa Major Space Station, AKG. 
Compressors, etc.: dbx, Omnicraft. 

Other outboard equipment: DeltaLab 
delay. 

Microphones: Neumann KM84, Sony C37P. 
Keyboards: Sohmer baby grand. 

Label: Green Mountain Records. 

Credits: Coco and the Lonesome Road 
Band (Green Mountain); Michael Hurley, 
Snockgrass (Rounder); Gordon Stone 
(Fretless Records). 

10% label; 10% commercial; 30% in-house; 
50% independent. 

Rate: $22.50/hr. (8 hrs.). 





EIGHT-TRACK 
MASSACHUSETTS 


See also: Century Ill, Fleetwood Recording 





Studios, Sound Design, Soundtrack (all 24- 
track); Baker Street, MCM Recording 
Studio (both 16-track). 


Active Sound Productions 
Boston, 326-2664. 
Also equipped for: location. 
Owner: Larry Lessard. 
Engineer: Larry Lessard. 
Room size: 2000 sq. ft. with iso booth. 
Tape machines: Otari ('/2’’-8, 2). 
Console: Walker — 16-input, with reverb. 
Monitors: JBL 4311, Auratones, powered 
by AB. 
Noise reduction: dbx. 
Compressors, etc.: Ashly. 
Equalizers: Biamp graphic. 
Other outboard equipment: Lexicon Prime 
Time. 
Keyboards: upright piano, Vox Continental 
organ, Micromoog. 
Amps: Sunn, Fender. 
Drums: various. 
Credits: Midnight Traveler, Wilie 
Alexander, Primary Colors, SS Decontrol. 
30% tlabel; 20% in-house; 50% 
independent. 
Rate: $10/hr.; location, $200/day. 


Air Sound 
1116 Boylston Street (rear), Boston 02215, 
247-4186. 
Owners: Dennis Rothgaber, Bob Reardon. 
Engineer: Bob Reardon (chief). 
Room size: 16x25 with iso booth. 
Tape machines: Otari ('’''-8), Technics and 
Pioneer (2). 
Console: Sound Workshop 1280B. 
Monitors: JBL 4311, Auratones, powered 
by Soundcraftsman. 
Noise reduction: dbx. 
Reverb: Sound Workshop. 
Compressors, etc: Ashly, dbx. 
Equalizers: MXR graphic. 
Other outboard equipment: Advanced 
Audio delay. 
Keyboards: grand piano, Hammond L106, 
Wurlitzer electric piano, Clavinet, EML 
synthesizer. 
Amps: Peavey, Yamaha. 
Drums: Ludwig. 
Other instruments: Epiphone and Ovation 
acoustic guitars, Ibanez electric guitar, 
Fender Precision bass. 
Label: Azure Productions. 
Credits: the Hardtops, Craig Najjar, Berklee 
College, Fly By Night. 
40% commercial; 10% in-house; 50% 
independent. ™ 
Rates: $20/hr.; 20 hours for $300. 


Burclan Productions 
452 Pleasant Street, Watertown 02172, 
924-8080. 
Owners: Jack Clancy, Bruce Burke. 
Engineers: Jack Clancy, Bruce Burke. 
Room size: 20x20. 
Fape machines: Otari ('2''-8, mono),-Crown 
(2). 
Console: Tascam Model 35. 
Monitors: Pioneer and Cizek, powered by 
Crown. 
Noise reduction: dbx. 
Reverb: Orban sprir 3. 
Compressors, etc: Orban. 
Keyboards: Baldwin spinet. 
Drums: Ludwig. ; 
Credits:. Wang Laboratories, Digital 
Equipment Corporation, National Fire 
Protection Association (soundtrack). 
85% commercial; 15% independefit. 
Rate: negotiable. 


Cetta Recording 
Newton, 332-5639. 
Owner: Joey Bellamo. 
Engineers: Joey Bellamo and others. 












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Room size: 15x14 and 9x16 with iso booth. 
Tape machines: Tascam ('2"'-8, 2). 
Console: custom-modified Tascam Model 5 
and Model 2. 

Monitors: JBL 4311 and Auratones, 
powered by Tapco. 

Noise reduction: dbx. 

Reverb: Sound Workshop and Tapco. 
Compressors, etc.: Ashly. 

Other outboard equipment: DeltaLab 
delay, EXR aural exciter. 

Keyboards: Steinway upright, Rhodes, EML 
synthesizer. | 

Amps: Fender Twin and _ Vibrasonic, 
Ampeg. 

Drums: Slingeriand, Synare synthesizer. 
Other instruments: assorted percussion. 
50% commercial; 50% independent. 

Rates: $20/hr.; blocks negotiable 


Destiny Recording Studio 
31 Nassau Avenue, Wilmington 01887, 
658-8391. 
Also equipped for: location. 
Owner: Larry Feeney. 
Engineer: Larry Feeney. 
Room size: 22x22 with iso booth. 
Tape machines: Tascam (‘’'-8), Teac (2). 
Console: Tascam — 16-input. 
Monitors: Auratones, EPi 70, KLH 100, 
Ohm D, powered by Marantz. 
Noise reduction: dbx. 
Reverb: Biamp stereo spring. 
Compressors, etc.: MXR, Paia, Symetrix. 
Other outboard equipment: MXR delay, 
Univox tape delay. 
Keyboards: Schaff upright piano. 
Amps: Fender Bassman and Super Reverb. 
Other instruments: Gibson Les Paul 
Custom guitar and Triumph bass, other 
electric, acoustic, and bass guitars. 
Label: Destiny Records. 
Publisher: Seismic Music (ASCAP). 


Credits: the Satellites, Kid Gloves, the 
Stompers, Image, the Wages (Destiny). 
25% commercial; 25% in-house; 50% 
independent. 

Rates: $300 for 16 hours, includes tape; 
accommodations available. 


Euphoria Sound 
10 Shirley Avenue, Revere 02151, 
284-9707, -5729. 
Also equipped for: 4-track. 
Owner: Howard Cook. 
Engineers: Gordon Hookailo (chief), 
Howard Cook, Jeff Epstein, Mark Lamier. 
Room size: 36x24 with iso booth. 
Tape machines: Tascam ('2"’-8), Otari and 
Teac (2). 
Console: two custom-modified Tascam 
Model 5s and Tascam Model 1. 
Monitors: Altec, powered by Dunlap- 
Ciarke. . 
Noise reduction: dbx. 
Reverb: Lexicon digital (extra charge), 
Sound Workshop, Masterroom. 
Compressors, etc.: Ashly, dbx, Biamp, 
Symetrix. 
Equalizers: MXR, DeltaLab, SAE, and 
Biamp graphics, dbx equalizer/analyzer. 
Other outboard equipment: Lexicon Prime 
Time, Yamaha and Sound Concepts delays, 
Ampex stereo tape delay, Mutron phaser, 
dbx effects rack. 
Keyboards: Kohier-Campbell baby grand, 
ARP Odyssey, Casiotone 401. 
Amps: Lab Series, MusicMan. 
Other instruments: assorted percussion, 
glockenspiel. 
Label: Euphoria Records. 
Credits: Ronee Blakely, Johnny Thunders 
(prod. Jimmy Miller), Waltham Camera and 
Stereo; Boston Globe. 
25% label; 25% commercial; 50% 
independent. 





Rates: $25/hr.; $155 for 8 hours. 


Fish Brook Music 
2 Lawrence Road, Boxford 01921, 
887-2253. 
Owner: Ross Warner. 
Engineer: Ross Warner. 
Room size: 30x 11x16. 
Tape machines: Tascam (‘2''-8, 2), Teac (4). 
Console: Tascam Model 5A — 16-input: 
Monitors: JBL 4311, Auratones, powered 
by Peavey. 
Noise reduction: dbx. 
Reverb: Sound Workshop. 
Compressors, etc.: dbx, Ashly. 
Equalizers: Audioarts parametric. 
Other outboard equipment: Lexicon Prime 
Time, Mutron bi-phase, MXR 
flanger/doubler. 
Keyboards: Baidwin baby grand, Rhodes, 
Ciavinet, ARP 2600 synthesizer and 
sequencer, Sequential Circuits 
Programmer. 
Amps: Peavey, JBL. 
Credits: the Fools, Chris Jones and the 
Regulars, the Cold Shoulder Band, the Ina 
Ray Band. 
100% independent. 
Rates: $20/hr. 


Home Grown Recording 

6 Atwood Street, Kingston 02364, 

585-3261. 

Owner: Gary Antie. 

Engineer: Gary Antie. 

Raom size: 20x20 with iso booth. 

Tape machines: Tascam ('2"'-8), Teac (2). 

Console: two Tascam Model 5s. 

Monitors: Cizek, powered by Tapco. 

Noise reduction: dbx. 

Reverb: Tapco. 

Compressors, etc.: Ashly and Symetrix. 
Continued on page 66 











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THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 














Continued from page 65 

Equalizers: MXR graphic. 

Other outboard equipment: MXR 
flanger/doubler and delay. 

Keyboards: Bluthner grand, Wurlitzer 
electric piano. 

Credits: the T's, Hugh Ferguson, Paul 
Santos, Chris Martin. 

100% independent. 

Rate: $12.50/hr. (10 hrs.) 


H.T. Recording Studios ; 
292 Setucket Road, Dennis 02638, 
385-2939. . 
Also equipped for: location. 
Owners: John Todd, Will Harrigan. 
Engineers: John Todd, Will Harrigan. 
Room size: 26x24. 
Tape machines: Tascam ('2"'-8), Otari (2). 
Console: Sound Workshop 1280B. 
Monitors: JBL 4311, Auratones, powered 
by Sansui. 
Noise reduction: dbx. 
Reverb: modified Tapco. 
Compressors, etc.: dbx. 
Other outboard equipment: Lexicon delay. 
Keyboards: Rhodes, Moog Prodigy, 
Crumar Performer. 
Label/Publisher: H.T. 
Credits: Michael Welch, Fran McKendree, 
Mark Lane. 
80% in-house; 20% independent. 
Rate: $30/hr., blocks negotiable. 


Interscope Inc. 
1170 Commonwealth Avenue, Alliston 
02134, 232-2627. 
Also equipped for: 4-track, location. 
_ Owner: Bob Caran. 
Engineers: Bob Caran, John Serrie, Erik 
Lindgren. 
Room sizes: 60x40 and 40x20. 
on machines: Tascam ('2"’-8s), Teac (4, 
4 
Console: Biamp 1621 with reverb. 
Monitors: custom American’ Speaker 
Systems, powered by Crown. 
Noise reduction: dbx. 
Reverb: Clover spring. 
Compressors, etc.: MXR. i 
Equalizers: Biamp.’ - 
Other outboard equipment: MXR flangers 
and phasers, Lexicon delay. 
Microphones: Neumann. 
Keyboards: Rhodes and Wurlitzer electric 
pianos, EML, Korg, and Minimoog 
synthesizers. 
33% commercial; 33% in-house; 33% 
independent. 
Rates: $35/hr.; blocks negotiable. 


Loft Studios 
55 Pond Street, Waltham 02154, 893-9784. 
Owner: Marcus Horowitz. 
Manager: Joe Sarno. 
Engineers: Marcus Horowitz, Matt 
Horowitz, Lee Brown. 
Room Size: 2500 sq. ft. 
Tape machines: Otari ('2’’-8), Revox (2). 
Console: Sound Workshop 12808. 
Monitors: JBL 4311, KLH 5, powered by 
Phase Linear. ‘ 
Noise reduction: dix. 
Reverb: Orban. © 
Compressors, etc.: dbx. 
Equalizers: Orban parametric. 
Other outboard -equipment: Eventide 
Harmonizer. dbx boom box, MXR flanger. 
Microphones: Neumann U87. 
Keyboards: Holmes grand, Rhodes, ARP 
String ensemble. 
Amps: Marshall, Peavey, Ampeg. 
Drums: Gretsch. es 
Other instruments: B.C. Rich 10-string and 
Gibson Les Paul guitars, Ampeg bass. 
Label: Loft. 
Credits: The Detours (Loft), John Warren, 
Bill Clarke. 
25% in-house; 75% independent. 
Rate: $20/hr., blocks available. 





Music Underground 
58 Arsenal Road, Framingham 01701, 
872-5141. 
Owner: Jack McCusker. 
Engineer: Jack McCusker. 
Room size: small. 
Tape machines: ('2''-8), Tandberg (2). 
Console: Sound Workshop 1280B/8EQ. 
Monitors: Rogers LS3/5A with EAW 
subwoofer, powered by Crown and Apt. 
Noise reduction: dbx, Burwen, Dolby B (for 
mixdown only). 
Compressors, etc.: Urei. 
Equalizers: Orban parametric. 
Other. outboard equipment: MXR and 
Sound Concepts delays. 
Amps: Fender. 
Credits: Tea In China, the Pictures, Fast 
Eddie and the Unbeatabies. 
100%, independent. 
Rate: $10/hr. 


Oak Grove Recording Studio 
65 Clinton Street, Maiden 02148, 321-1017 
or 324-9421. 
Owner: Emenee Productions. 
Engineers: Mark Hanrahan, Emir Galevi. 
Room size: 30x20 with iso booth. 
Tape machines: Tascam ('2"’-8), Teac.(4, 2). 
Console: two Tascam Model 5s. 
Monitors: JBL L100 and Advents, powered 
by BGW. 
Noise reduction: dbx. 
Reverb: Sound Workshop. 
Compressors, etc.; dbx, Ashly, Omnicraft. 
Equalizers: Furman and Orban parametric, 
MXR and Soundcraftsman graphics. 
Microphones: Neumann KM86. 
Keyboards: Baldwin grand, Hammond M3, 
Rhodes, ARP 2600 synthesizer. 
Amps: Carvin, Ampeg, Fender. 
Other instruments: Les Paul and Telecaster 
guitars, and EBO bass. 
Credits: Lenny Gardino, Boys Life, Balloon, 
Gene Mackles (for WGBH), Giacco Peto. 
10% commercial; 10% in-house; 80% 
independent. 
Rate: $15/hr. 


Part I of Il Recordings 
9 Sable Avenue, North Dartmouth 02747, 
996-9728. 
Also equipped for: location. 
Owner: Mike Rose, Warren Miller. 
Engineers: Mike Rose, Warren Miller. 
Room size: 14x20 with iso booth. 
Tape machines: Scully (1°'-8), Tascam and 
Teac (2). 
Console: Speck — 16-input. 
Monitors: JBL, powered by Phase Linear. 
Noise reduction: dbx (for mixdown only). 
Reverb: Orban. 
Compressors, etc.: dbx. 
Equalizers: Ashly. 
Other outboard equipment: Lexicon delay. 
Keyboards: Kimball upright, Prophet One 
and Crumar Performer synthesizers. 
Label: Part | of li Recordings. 
Credits: Barrier, Cheryl Wheeler, DC-Tenz, 
Butch McCarthy Band. 
20% in-house; 80% independent. 
Rate: $17.50/hr. (10 hrs.). 


Perfect Crime Productions 
60-A Elton Avenue, Watertown 02172, 
924-7181. 
Also equipped for: 4-track. 
Owner: Rob Dimit. 
Engineers: Rob Dimit, Jeff Chitouras. 
Room size: 20x24. 
Tape machines: Tascam (''’-8), Otari (4), 
Revox and Ampex (2). 
Console: Sound Workshop 1280B. 
Monitors: Altec, Advents, Auratones, 
powered by Dynaco, Carver, and 
Acoustech. 
Noise reduction: dbx. 
Reverb: AKG, Lexicon digital (on request). 
Compressors, etc.: Urei, Ashly, Allen & 
Heath, Roger Mayer. 


THE BOSTON OHOENITY ROSTON RANDS TINE 1 1089 








Equalizers: Ashly parametric, Allen & 
Heath. 

Other outboard equipment: Lexicon Prime 
Time and delay, MXR delay. 

Microphones: Neumann U87, Telefunken 
M221A. 

Keyboards: 1928 Steinway baby grand, 
Hammond C-V, Farfisa Combo Compact. 
Amps: Ampeg B-15, Fender Twin. 

Drums: Gretsch. 

Credits: Jacques Cousteau (Ambition 
Records), Jonathan Richman (Modern 
Method Records). ' 

40% label; 10% commercial; 50% 
independent. 

Rates: $25/hr.; packages available. 


Polymedia 
18 Crawford Street, Needham 02194, 
444-4282. 
Owners: Dave Kowal, Leo lodice. 
Engineers: Dave Kowal, Leo lodice. 
Room size: 22x25 with iso booth. 
Tape machines: Otari ('2''-8, 4, and 2). 
Console: Tapco C-12. 
Monitors: AR-91, Auratones, powered by 
BGW. 
Noise reduction: dbx. 
Reverb: MicMix. 
Compressors, etc.: dbx, Symetrix. 
Equalizers: Soundcraftsman graphic, Sym- 
etrix parametric. 
Other outboard equipment: Lexicon Prime 
Time. 
Keyboards: yg piano. ; 
Credits: the Phantoms, Jim Simpson, 
Suburban Strategy, Maria Ezzi. 
50% commercial; 50% independent. 
Rate: $25/hr. 


Polytrax Studio 
84 Bowers Street, Newtonville 02160, 
527-2115. 
Also equipped for: 4-track. 
Owner: Gene Vega. 
Engineers: Gene Vega, Joe Prioli. 
Room size: 11x14, designed by Peter Fink. 
Tape machines:. Tascam ('2''-8), Teac (4), 
Otari and Pioneer (2). 
Console: Tapco C12 — 12-input. 
Monitors: modified AR3A, KLH, Auratones, 
powered by Quatre, QSC, and Dyna. 
Noise reduction: dbx. 
Reverb: Tapco spring. 
Compressors, etc.: dbx. 
Equalizers: Technics parametric, 
Soundcraftsman graphic. 
Other outboard equipment: MXR flanger, 
delay. and stereo chorus, EXR aural exciter. 
Microphones: Neumann KM86. 
Keyboards: ARP Odyssey and String 
Ensemble. 
Amps: Crate, Sunn. _ 
Drums: Slingerland. ; 
Other instruments: 360 Systems guitar 
synthesizer, assorted guitars and basses. 
Label/Publisher: Polytrax. 
Credits: Kip Korea, Smuggler, the Billy 
Goons, Someone and the Somebodies. 
10% commercial; 15% in-house; 75% inde- 
pendent. 
Rate: $14/hr. (10 hrs.). 


Radiobeat 
Kenmore Square, Boston, 254-7071. 
Owner: James Dufour. 
Engineers: James Dufour, Lou Giordano. 
Room size: 16x20 with iso booths. 
Tape machines: Otari (¥2"'-8, 2), Teac (2). 
Console: Tangent — 20-input. 
Monitors: EAW MS100, Auratones, pow- 
ered by Phase Linear. 
Reverb: acoustic chamber, Tapco. 
Compressors, etc.: Ashly. 
Equalizers: Tapco graphic. 
Amps: Fender, saree. Sunn. 
Other instruments: Fénder Precision bass. 
Credits: the Proletariat, This is Boston not 
L.A. (Modern Method), The Propeller 
Cassette (Propeller). 

















me 


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on 
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a NE a OT OTT 











\ 


10% label; 100% independent. 
Rates: $15/hr. (10 hrs. for &125.). 


Reed Street Studio 
160 Reed Street, Lexington 02173, 
862-4872. 
Also equipped for: \ocation. 
Owner: Kenny Epstein. 
Engineer: Kenny Epstein. 
Room size: 20x12, others. 
Tape machines: Tascam ('%''-8, 4), 
Tandberg (2). 
Console: Tapco 6200A. 
Monitors: Advents, powered by Yamaha. 
Noise reduction: Dolby (for mixdown only). 
Equalizers: MXR graphics. 
Other outboard equipment: MXR flanger, 
Advent digital delay. 
Keyboards: Wurlitzer electric piano. 
Amps: Acoustic. 
100% independent. 
Rates: $15/hr.; blocks available. 


Rik Tinory Productions 
Box 311, Cohasset 02025, 383-9494. 
Also equipped for: 4-track, location. 
Owner: Rik Tinory. 
Engineers: Rik Tinory. 
Room size: 30x50 with iso booth. 
Tape machines: Ampex (1°’-8, 4, 2). 
Console: Ampex — 15-input, custom modi- 
fied. 
Monitors: Aitec, powered by Ampex. 
Reverb: EMT, Fisher spring. 
Compressors, etc.: Urei. 
Equalizers: Pultec. 
Microphones: Neumann U47, U64, U87. 
Keyboards: Steinway grand. 
Drums: Gretsch. 
Labels: Old Boston Records, Sequel Re- 


-. cords, RTP International. 


Credits: Pope John Paul li in Boston, Tom 
Jones (Tina Turner TV Special), George 








Burns (Mercury), Boston the Only Place For 
Me. 

10% label; 50% commercial; 30% in-house: 
10% independent. 

Rates: $45/hr.; 2-track, $25/hr. 


Sanity Sound 
102 Hudson Road, Box 452, Sudbury 
01776, 443-9857. 
Owner: Dave Donald. 
Engineers: Dave Donald. 
Room size: 14x25 with iso booth. 
Tape machines: Scully (1"’-8, 2), Ampex (2). 
Console: Sound Workshop 1280 — 12- 
input. \ 
Monitors: JBL, powered by Mcintosh. 
Noise reduction: dbx. 
Reverb: Neptune. 
Compressors, etc.: Teletronix and Biamp. 
Equalizers: SAE graphic, Neptune para- 
metric. 
Other outboard equipment: Lexicon Prime 
Time, MXR delay. 
Microphones: Neumann U87. 
Keyboards: Steinway upright, Casio MT-30 
and Yamaha polyphonic synthesizers. 
Amps: LabSeries, Acoustic, Ampeg. 
Other instruments: trombone, alto sax, 
acoustic guitar. 
Label: Risky. 
Credits: Risk-A, Fred Lillienkamp, the 
Goodrich Brothers, Rendezvous. 
50% in-house; 50% independent. 
Rate: $15/hr. 


Silent Sound Studio 
100 Massachusetts Avenue, third floor, 
Boston 02115, 637-4711. 
Also equipped for: focation (mono). 
Owner: Anechoic Inc. 
Engineers: Phil Remote, Dewitt Over. 
Room size: not large. 
Tape machines: Magnavox (2”’-8), Roberts 





(2). 
Console: Sure. 

Monitors: infinitesimal .001, Horrortones, 
powered by Hamster. 

Noise reduction: on occasion. 

Reverb: Orbanban. 

Compressors, etc.: Mountain People 
Dynamiters, Charles gates. 

Equalizers: Colt. 

Other outboard equipment: Mercury, 
Evinrude. 

Microphones: Tieryelo ribbon. 

Keyboards: \tek. — 

Drums: Bang & Roll. 

Label: Biank Records. 

Credits: No One, Nothing (Blank); Every- 
body Else, Caterwauling (Spitup). 

30% commercial; 20% in-house; 90% inde- 


pendent. 
Rates: yes. 
Smap Sound 
1328 Broadway, Somerville 02144, 
625-1900. 


Owner: Somerville Media Action Project 

(non-profit). 

Manager: Bruce Petschek, director. 

Engineers: John Kusiak, Mark Tripoli. 

Room size: 15x25. 

Tape machines: Otari (1"’-8), Tascam (4, 2). 

Console: Tascam Mode! 10 — modified. 

Monitors: MA Pro 3, Auratones, powered 

by Crown. 

Noise reduction: dbx. 

Reverb: custom spring. 

Compressors, etc.: custom, dbx. 

Equalizers: custom parametrics. 

Keyboards: Rhodes, access to Korg and 

ARP synthesizers. 

Amps: Sunn, Fender. 

Drums: Ludwig. 

Credits:: Pousette-Dart Band, Hayden 
Continued on page 68 

















(vhs format) 





Entertainers 
Wanted: 


To perform in exchange for a 


Video Cassette 
of their performance 


For information contact Cathy Linnane or Laurette 
Carter at the Activity Center of the Walter E. 
Fernald State School, Waltham, MA, 894-3600, 
x 2340, 12:30-9 p.m. 











THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 67 


J 


“It’s just a matter of time”’ 


Janis LeBlanc Management 
(617) 776-5568/666-1026 





























Continued from page 67 

Planetarium. 

20% commercial; 30% in-house; 50% inde- 
pendent. 

Rate: $12.50/hr. 


Soundworks 

140 Chestnut Street (rear), Cambridge 
02139, 354-7928. 

Owner: Soundworks Inc. 

Manager: Steve Kaufman. 

Engineers: Anthony Caputo (chief), Roger 
Stevenson. 

Room size: 30x40 with iso booths. 

Tape machines: Otari (’'-8), Revox (2). 
Console: Sound Workshop Series 20 — 12- 
input. 

Monitors: JBL 4311, Auratones, powered 
by Crown. 

Noise reduction: dbx (for mixdown only). 
Reverb: AKG. 

Compressors, etc.: MM. 

Equalizers: Moog parametric, SAE graphic. 
oor outboard equipment: DeltaLab de- 
ay. 

Microphones: Crown PZM. 

Keyboards: Miller upright, Rhodes, syn- 
thesizers. 

Amps: Fender, MusicMan, Acoustic. 
Drums: Ludwig. 

Label: Portable Records. 

Publisher: Delta Mirror Music (BMI). 
Credits: Return of the Secaucus Seven 
(soundtrack); publishing demos for Arista, 
Columbia, United Artists; the Mundanes. 
20% commercial; 40% in-house; 40% inde- 
pendent. 
Rates: $15/hr. (8 hrs.). 


Splice of Life 

6 Sparhawk Street, Brighton 02135, 

782-3384. 

Owners: Hanuman Dass, George Fulginiti- 

Shakar. 

Engineers: Hanuman Dass (chief), Kristen 

Beard, Karen Kane, Richard Mendelson. 

Room size: 25x25 with iso booth. 

Tape machines: Tascam ('2’’-8), Teac (2). 

Console: Sound Workshop 1280B’ — 12- 

input. 

Monitors: Eastern Acoustic Works MS50, 

Auratones, powered by Dynaco. 

Noise reduction: dbx. 

Reverb: Sound Workshop. 

Compressors, etc.: dbx. 

Equalizers: Audioarts parametric, Dynaco 

graphic. 

Other outboard equipment: EXR aural 

exciter, Lexicon delay, others on request. 

Microphones: Crown PZM. 

Keyboards: Steinway 6’ grand, Hammond 

B3, Rhodes, synthesizers available. 

Amps: Fender, Polytone, Sunn, Acoustic. 

Drums: Gretsch, Ludwig; Eames, Synare 3. 

Other instruments: assorted percussion, 
_ electric guitar, Fender bass. 

Credits: Ronnie Earl and his Broadcasters 

(Leopard Records), Fred Small (Mobiliza- 

tion for Survival Records), the Kitchen Set 

(Varulven), the South Road Band. 

20% label; 20% in-house; 60% indepen- 

dent. ; 

Rates: on request. 


Supremacy Sound 
261 Spring Street, Brockton 02401, 
583-06 16. 
Also equipped for: 4-track, location. 
Owner: Sam Mathews. 
Engineers: Sam Mathews, Art Williamson. 
Room size: 17x20 with iso booth. 
Tape machines: Otari (1"’-8, 2), Teac and 
Dokorder (4), Pioneer (2). 
Console: Sound Workshop 1280B/8EQ. 
Monitors: JBL 4311, Rectilinear Ill, pow- 
ered by BGW and Pioneer. 
Noise reduction: dbx. 
Reverb: Horizon, Sound Workshop 242. 
Compressors, etc.: Ashly, Symetrix. 
Equalizers: Tapco graphic, Ashly para- 


68 THE BOSTON PHOENIX. BOSTON BANDS, JUNE 1, 1982 


metric. 

Other outboard equipment: MXR delay and 
effects boxes, Sound Workshop vocal 
doubler. 

Microphones: Beyer ribbons. 

Keyboards: Rhodes. 

Label: Mysterious Ways. 

Credits: Blackeye (film track); Sherry Gale, 
Beginning (Mysterious Ways); Jim Foster 
and Ear! Williams, Dangerous Lover, Fame; 
Andre Evans. 

25% commercial; 25% in-house; 50% inde- 
pendent. 

Rate: $15/hr. 


Wheatfield Recording Studio 
71 Avenue A, Turners Falls 01376, (413) 
863-2682. 
Owner: Renaissance Church. 
Engineer: James Skiathitis. 
Room size: 30x60x30. 
Tape machines: MCI (1’’-8, 2). 
Console: Quad-Eight — 16-input. 
Monitors: JBL 4350, powered by Crown. 
Reverb: EMT gold-foil. 
Compressors, etc.: Urei, Audio & Design, 
Kepex. 
Equalizers: API, Urei graphic, Orban para- 
metric. 
Other outboard equipment: Eventide delay. 
Microphones: Neumann U87, KM84, KM85. 
Keyboards: Hammond B3. 
Amps: Fender. 
Drums: Ludwig. 
10% commercial; 45% in-house; 45% inde- 


pendent. 
Rate: $25/hr. 
Winterwood Recorders 
208 Foster Street, Littleton 01460, 
.486-8840. 


Owners: Tom Haley, Mary Ann Haley, Peter 
Cunningham. 

Engineers: Tom Haley, Peter Cunningham. 
Room size: 40x25. 

Tape machines: Tascam ('%2"'-8), Technics 
(2). 

Console: Sound Workshop 1280B — 12- 
input. 

Monitors: JBL 4311, Auratones, powered 
by BGW. 

Noise reduction: dbx. 

Reverb: Sound Workshop. 

Compressors, etc.: Ashly. 

Equalizers: MXR. 

Other outboard equipment: EXR aural 
exciter, MXR delay. 
Keyboards: Kimball upright. 
Amps: Fender, Marshall, 
Power Soak. 

Other instruments: \ots of guitars. 

Label: CZ Records. 

Credits: Arthur Slick and the Nice Girls, Bill 
Bellamy, Rick Berlin, Ron Murray. 

20% in-house; 80% independent. 

Rates: $25/hr.; packages available. 


Tom Schoiz 





CONNECTICUT (8) 


See also: The Gallery, The Nineteen 
Recording Studio (both 24-track); Amphion 
Recording and Production, Nickel 
Recording, Trod Nossel Recording Studio 
(all 16-track). 





Angelsea Productions 
55 Russ Street, Hartford 06106, 
241-8111. 
Also equipped for: 4-track. 
Owner: Angelsea Productions. 
Engineers: Douglas Munford, David Gillon, 
Allen Sojka, Brian Thomas, Barbara 
Rossignol. 
Room size: 20x36x 13. 
Tape machines: Otari (’''-8, 2), Revoxes 
and Technics (2). 
Console: Cetec — 20-input, Soundcraft — 
16-input. 
Monitors: Mcintosh ML-4C, Bose 901, 


(203) 





Advent, powered by Mcintosh and Yamaha. 
Noise reduction: Dolby (for mixdown only), 
dbx 

Reverb: Sound Workshop. 


Compressors, etc.: Fairchild, dbx, 
SpectraSonics, Eventide. 
Equalizers: Fairchild and_ Trident 


parametrics. 

Other outboard equipment: MXR delay. 
Keyboards: Baldwin Acrosonic spinet. 
Credits: Brainwave (TV pilot), Pro Seminar 
Institute, Solarspan_ Internationale, 
Theosophical Society in America. 

85% commercial; 15% in-house. 

Rate: $21/hr. (6 hrs.). 


MAINE (8) 
See also: EAB (16-track). 


Neworld Media 
South Blue Hill 04615, (207) 374-5539. 
Also equipped for: 15-track, animation. 
Owner: Noel Paul Stookey. 
Manager: Stu Davis. 
Engineers: John Stuart, Stu Davis, Noel 
Stookey. 
Room size: ‘L-shaped, 36x24x12 with iso 
booths 
Tape machines: Ampex and Scully (1°-8 
and 2). 








Console: Interface Electronics 300 — 16- 
input. 

Monitors: custom JBL, Auratones, powered 
by SAE. 


Reverb: GWS plate, Davis/Milstein spring. 
Compressors, etc.: Altec, Teletronix, Toy 
Chest, Kepex, Quad Eight. 
Equalizers: Melchor, Pultec, 
Multitrack parametric, SAE graphic. 


Lang, 


Other outboard equipment: MXR 
flanger/doubler, Inovonics real-time 
analyzer. 


Microphones: Neumann U87, Crown PZM. 
Keyboards: Steinway 6’ grand, MiniKorg, 
upright piano, ~Vox Continental organ. 
Australian bush (pump) organ, Baldwin 
electric harpsichord. 

Amps: Yamaha, Baldwin. 
Other instruments:. Fender 
assorted percussion. 

Label: Neworld Records. 
Publisher: Neworld Publishing. 
Credits: Noel Stookey, Band and Body 
Works (Neworld); Captain Kangaroo songs; 
David Mallett. 

15% commercial; 
independent. 
Rates: $35/hr.; 15-track, $60/hr. 


Telecaster, 


70% in-house; 15% 


Rockland Recording 
143 Maverick Street, Rockland 04841, 
(207) 594-7679. 
Also equipped for: 4-track. 
Owner: Jim Deans. 
Engineer: Jim Deans. 
Room size: 22x38 with iso booth. 
Tape machines: Scully (1''-8, 2), Sony (4), 


Ampex (2). 
Console: Allen & Heath. 
Monitors: Big Reds, JBL, Auratones, 


powered by Crown and H/H. 

Noise reduction: Dolby, dbx (for mixdown 
only), Phase Linear. 

Reverb: Orban, AKG. 

Compressors, etc.: Urei. 

Equalizers: Orban, Pultec. 

Other outboard equipment: Eventide 
flanger, Orban stereo synthesizer, Lexicon 
digital delay. 

Microphones: Neumann U67, U87, KM83, 
AKG C60. 

Keyboards: upright piano, Hammond C3, 
Rhodes 88. 

Amps: Ampeg, Westbury. 

Other instruments: Guild, Adamis, and 
Gibson guitars, Hofner and Fender 
Precision basses. 

Credits: Jim Tookey, Bob Elston (Lucky). 


Continued on page 70 











i 


| 
j 
é 


“| came to PRS with an idea. 


My production business was expanding and | felt it was time that | had my 

own recording studio. | needed someone | could trust to design my 

studio with the right acoustics and physical layout. | also needed help 

% choosing the equipment which would best fit my application and 

. budget.” That was August of 1981. Kevin Tracey Studios became 
a reality in January of 1982. 


he Otari MTR-90 24-Track, the Sound Workshop Series 30, and 

the Lexicon 224X are a dream come true. Reliability and 

superb sound are within my budget. PRS's Stephen Blake 

designed one of the best acoustical environments | have 

ever heard. And physically it is terrific. Everything fits where 

it should. | came to PRS from an ad | saw entitled “Good 
Advice”. | got exactly that and much more. 


Thank you PRS.” 


Professionals 
helping 
Professionals 


re 


Professional Recording & Sound 
1616 Soldiers:Field Road 

Boston, MA 02135 

(617) 254-2110 












Continued from page 68 
90% commercial; 10% independent. 
Rates: $25/hr.; 24 hours for $450. 


Studio 3 
Box 8643, Portland 04104, (207) 772-4446. 
Owners: Tim Tierney, Tom Blackwell. 
Engineer: Tom Blackwell. 
Room size: 25x 15x10. 
Tape machines: Tascam ('2’’-8), Teac (4), 
Revox (2). 
Console: APS| — 16-input. 
Monitors: JBL L100, Klipsch Heresy, 
powered by Harmon-Kardon and Dynaco. 
Noise Reduction: dbx, Phase Linear. 
Reverb: Tapco. 
Compressors, etc.: dbx. 
Equalizers: MXR graphic. 
Other outboard equipment: on request. 
Keyboards: on request. 
Drums: Slingerland. 
Other instruments: Fender Stratocaster, 
Hagstrom bass. 
Credits: Peter Galway Revue, Andrea Re 
and Clouds, Blues Over Easy. 
40% commercial; 60% independent. 
Rate: $15./hr., blocks negotiable. 


Video Workshop 
468 Forest Avenue, Portland 04101, (207) 
774-7798. 
Owner: Video Workshop. 
Manager: William Knowles. 
Engineer: Eric Jurgenson (chief). 
Room size: 30x40. 
Tape machines: Tascam ('2’'8), Technics 
(2) 


Console: Tascam Model 10B and Model 5 
— 20-input. 

Monitors: Yamaha MS-1000, Advent, 
Klipsch:La Scala, powered by SWTP. 
Noise reduction: dbx. 

Compressors, etc.: dbx, MXR. 

Equalizers: Biamp graphic. 

Other outboard equipment: MXR phaser, 
flanger, and delay. 

Keyboards: Yamaha 5’7”’ grand, Rhodes, 
Minimoog. 

Amps: assorted. 

Other instruments: Gibson classical guitar, 
Fender Precision bass. 

Label: Dadhat Records. 

50% commercial; 30% in-house; 20% 
independent. 

Rate: $30/hr. 


NEW HAMPSHIRE (8) 


See also: Fishtraks Communications (16- 
track). 


Dark Star Recording Studio 
63 McCurdy Road, New Boston 03070, 
(603) 487-3314. ; 
Also equipped for: 4-track, location. 
Owner: Jaime Saunders. 
Engineers: Jaime Saunders, Andy 
Tomaszewski. 
Room size: 36x72 with iso booth. 
Tape machines: Tascam ('2’’-8), Teac (4), 
Revox (2). 
Consoles: Tascam Model 15, Yamaha 
PM- 1000. 
Monitors: ADS 910, Auratones, powered by 
Yamaha. 
Noise reduction: dbx. 
Compressors, etc.: dbx. 
Equalizers: Audioarts parametric, SAE 
graphic. 
Other outboard equipment: MXR digital 
delay, DeltaLab acousticomputer, Trine 
flanger, Maestro ring modulator. 
Keyboards: Moog 35 synthesizer. 
Amps: Mesa Boogie, Ampeg, Fender 
Bassman and Champ, MXR. 
Drums: Slingerland, Ludwig. 
Other instruments: Fender, Gibson, Ibanez, 
Vox, and Guild acoustic and electric 
guitars, assorted percussion. 
20% tlabel; 10% in-house; 70% 








independent. 
Rates: $15/hr.; packages negotiable. 


North Country Sound 
175 Bunker Hill Road, Auburn 03032, (603) 
483-2662. 
Also equipped for: location. 
Owner: Tom Bartlett. 
Engineers: Tom Bartlett, Mark Fecteau, 
Paul Thibideau. 
Room size: 45x30. 
Tape machines: Tascam ('%2'’-8, 2). 
Console: Soundcraft Series 2 — 16x8. 
Noise reduction: dbx. 
Reverb: Roland Spacecho. 
Compressors, etc.: dbx, MXR, Ashly. 
Equalizers: Tapco, SAE. 
Other outboard equipment: MXR 
flanger/doubler, delay, and stereo chorus, 
DOD flanger, DeltaLab delay. 
Keyboards: Yamaha CP-30 electric grand, 
others available. 
Amps: Peavey Backstage 30. 
Drums: yes. 
Other instruments: acoustic and bass 
guitars, banjo, dulcimer. 
Label: NCS Records. 
Credits: Daddy's Junky Music Stores; 
Home Grown in New Hampshire (NCS); The 
Nubs; Guy Williams. 
25% commercial; 75% independent. 
Rates: $20/hr.; weekends, $25/hr.; six 
hours for $135, includes tape. 


Rainbow Recording Studios 
48 Hanover Street, suites 39 & 40, 
Manchester 03101, (603) 623-7941. 
Owner: Jim Keefe. 
Engineers: George Westbay, Jim Keefe. 
Room size: 15x20. 
Tape machines: Tascam (8, 2). 
Consoles: Tascam Models 5B and 5EX. 
Monitors: JBL and Altec, powered by 
Pioneer. 
Noise reduction: dbx. 
Reverb: Roland 
Compressors, etc.: dbx. 
Equalizers: Tascam parametric, Tapco 
graphic. 
Other outboard equipment: various effects. 
Keyboards: upright piano. 
Amps: various. 
Drums: Slingerland. 
Other instruments: Gibson guitars, Fender 
and Aria basses. 
10% commercial; 20% in-house; 70% 
independent. 
Credits: The By-Products, Quadra, The 
Briefs, The Branch Brothers. 
Rate: $25/hr., blocks available. 


Reelization 
135 Lafayette Road,Box 135, Rye 03870, 
(603) 964-8906. 
Owners: Norm Thibeault, Valerie Gilbert. 
Engineers: Norm Thibeault, Dave Ross. 
Room size: 22x16 with iso booths. 
Tape machines: Otari (1°’-8, 2). 
Console: Neotek Series | — 16-input. 
Monitors: JBL 4313 and 4301, Advent, 
Grundig, powered by SpectraSonics and 
BGW. 
Noise reduction: dbx. 
Compressors, etc.: Urei. 
Other outboard equipment: Lexicon Prime 
Time. 
Keyboards: upright piano, others available 
on request. 
Other instruments: available on request. 
Publisher: Reelization. 
Credits: the Creamers, Merrill Associates. 
55% commercial; 5% in-house; 40% 
independent. 
Rate. $12.50/hr. (40 hrs.). 


RHODE ISLAND (8) 


Celebration Sounds 
26 Summer Street, Pawtucket 02906, (401) 
728-0780. j 








70 THE BOSTON PHOENIX, BOSTON BANDS, JUNE 1, 1982 


Owners: Dan Moretti, David Correia. 
Engineers: John Serrie, Dan Moretti, David 
Correia. i 
Room size: 425 sq. ft., designed by Steve 
Blake. 

Tape machines: Otari ('2’’-8), Teac (4), 
Revox (2). 

Console: Sound Workshop 1280B. 
Monitors: JBL 4311, Polk 10, Auratones, 
powered by Crown. 

Noise reduction: dbx. 

Reverb: Masterroom. 

Compressors, etc.: Ashly. 

Equalizers: MXR graphic. 

Other outboard equipment: Lexicon delay, 
EXR exciter. 

Microphones: Neumann U87. 

Keyboards: upright piano, Rhodes; EML 
and ARP Odyssey synthesizers, Korg 
sequencer, and Roland String Machine 
available at extra charge. 

Drums: Ludwig. 

Credits: The Schemers, Home Town 
Rockers, Match, Hayden Planetarium.(New 
York). 

10% commercial; 90% independent. 

Rates: $22/hr. (6 hrs.); new clients, $150 for 
10 hrs. 


Tin Pan Alley 
88 Jefferson Boulevard, Warwick 02880, 
(401) 521-4508. 
Owner: Henry Gauvin. 
Engineers: Henry Gauvin, Mike Lynch. 
Room size: 20x28 with iso booths. 
Tape machines: Tascam (‘2"’-8, 2), Teac (4). 
Console: custom-modified Tascam Models 
5 and 5EX. 
Monitors: Eastern Acoustic Works. and 
Auratones, powered by Crown. / 
Reverb: Biamp. 
Compressors, etc.: Ashly. 
Equalizers: Ashly and SAE parametric. 
Other outboard equipment: MXR delay and 
flanger/doubler, Sound Concepts delay. 
Keyboards: Crumar DS-2, ARP Odyssey, 
Minimoog, and EML 500 synthesizers, Elka 
string synthesizer. 
Amps: Peavey, Ampeg. 
Drums: Ludwig, Slingerland, Star 


synthesizer. 

10% commercial; 40% in-house; 40% 
independent. 

Rates: $25/hr.; blocks available. 





VERMONT 


See also Earth Audio Techniques (16- 
track). 


Northern Lites and Sound Studios 
36 Cedarwood Terrace, Georgia 05468, 
(802) 893-1220. 

Also equipped for: 4-track, location. 
Owner: Tracy Lord. 

Engineer: Tracy Lord. z 
Room size: 12x30. 

Tape machines: Tascam (‘%’’-8), Dokorder 
(4s), Teac (2). 

Console: Tascam Models 3 and 5. 
Monitors: EAW MS50, Auratones, powered 
by Crown. 

Noise reduction: dbx. 





* Reverb: Tapco. 


Compressors, etc.: dbx, Biamp, custom 
gates. 

Equalizers: Biamp graphic. 

Other outboard equipment: MXR delay, 
flanger, various effects. 

Keyboards: Ludwig upright piano, Rhodes, 
Yamaha CS-50 synthesizer. 

Amps: Ampeg, Acoustic, Crate. 

Drums: CB with Roto-toms. 

Other instruments: many guitars. 
Publisher: Whirlwind. 

Credits: Jerry Mendcino, Tracy Lord (Green 
Mountain), the Aurora Band. 

5% commercial; 20% in-house; 75% 
independent. 

Rate: $10/hr. 



















— 2 eo ae 







Steve 


C (4), 


ones, 


lelay, 


EML 
Korg 
chine 


Fown 
(New 


0 for 


880, 


> (4). 
dels 


and 

















BOSTON - MONTREAL - HARTFORD - NEW HAVEN - CAPE COD - NEW YORK - BERMUDA 


THANKS FOR MAKING ’S1 
OUR BEST YEAR YET! 


j eat 

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American Song Festivai 
Awards ’80 & ’81 

Top Single Pick 

— Bill Board Magazine 





















i a. ae i" P , bs 4 a : 3 . — e 
| ae Zé " 3 - ~ a my walt 
4 ng, ; : Be: "4 san " 4 ‘ 
| Recording Contract 
Just Signed, ® Tribute Act 
The Rock Legend lives on >. the closest thing te the 
Stones that you might ever see."’ 


(fe, * TN . | tae 
Coss Caray 


This Mountain Rocks, 
and then explodes 











CONSISTENT TOP QUALITY 
ENTERTAINMENT; 

FOR PROFESSIONALS, 

BY PROFESSIONALS. 


Biuce James Gompany 


ARTISTS MANAGEMENT — 802-626-3317 


“We've got our Act together’ 
























~~? 


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